#doorgate

[greenfiend]

Mike and Will’s love will save Hawkins

Everything, and I mean everything has been leading up to this point.

Let me explain how the power of gay love will save the day…

#doorgate or #gategate

🚪🍑❤️ + 🔑🍆⚡️

TW: mentions of sex and brief mention of CSA

If you’d like to read this with a soundtrack:

So it’s been a while since I made posts about Lover’s Lake… and to be honest I thought aspects of my theory were kind of silly (but of course who cares this is just for fun). But now I’m back and more confident than ever that Lover’s Lake will be an incredibly important location for ST5, especially for Mike and Will.

To begin, let’s start with the physics set up within the show. Why physics you say? We are talking about the love of two gay nerds afterall (one of them named after a famous theoretical physicist)… of course physics is involved!

Way back in season 1, Mr. Clarke helpfully taught us how to create a doorway between two worlds. This doorway would require a massive amount of energy… “more than humans are currently capable of creating”. I appreciate the subtle hint of a possibility that one day humans could create that level of energy.

In season 2 we have Steve helpfully explain to us this alternate electricity exists. He also related it to a storm and then distinguished it from a regular electromagnetic field.

Now, interestingly enough within the book titled The Montauk Project: Experiments in Time (the conspiracy which inspired Stranger Things so much that it was originally titled Montauk), there is a mention of this type of energy as well:

“Reich was known in part for his discovery of “orgone” energy, which is orgasmic or life energy. His experiments revealed orgone energy to be distinctly different from ordinary electromagnetic energy.”

So to sum it up so far, we have learned:

1. In order to create a doorway, a massive amount of energy is required.

2. There’s an alternate form of energy known as “orgone” energy “like a sexual electricity”.

Okay. Now unto season 3…

So, season 3 had the Russians attempt to “open the gate”/door once again after it was closed back in season 2.

Back in 1984, the Russians manage to get the door slightly open but it keeps closing. The Russian working on the project begs for “more time”, shortly after (like right after the opening credits) we hear the line “just a little more time could open closing doors” from the song playing while shown a picture of Mike. Later on, we have Will claim he’s “not going to fall in love” and then the song plays “love that is new to you, you open up the door”.

We also get this association for Mike. Mike is the one who could open closing doors, in other words he is "the key".

Okay wait lets go back to the science here!

The Russians have "the key" which is said to "emit a great energy" so much so that it can "open a doorway between worlds". Alexei also mentions how the location of where the key goes matters, it is "half of the equation". They chose Hawkins because, the gate has already opened there. (I talk more about the implications of that here). In case you haven't figured it out yet, Mike is "the key", and Hawkins = Will (remember, Hawkins is not the same without him).

Mr. Clarke is back again with some more science! In this scene, he actually associates an Electromagnetic Field with two people! Implying that two people can create their own Electromagnetic Field. But of course Clarke-Byers' field is stable because there is no sexual electricity between them.

So…

We have Mike referred to as "the key". The key can create a doorway with the right location. Hawkins is the right location and Will is implied to be “Hawkins”.

Two people can create their own Electromagnetic Field.

Okay wow, are you guys still with me here?

These friends are indeed electric…

The very first one was way back in season 2. Mike placed his hand on top of Will’s and right after we cut to Will’s drawing. Look closely… there’s lightning! ⚡️ It’s “sexual electricity”!

In season 3, the electricity only grew between but simultaneously so did the subtlety of it all. They held hands in the movie theatre. Yes yes they did! That’s why we are shown a movie playing with hands popping out! This is what “triggered” Will (manifesting as a reminder of the shadow monster…). But most importantly… this is how the power went back on in Hawkins.

In season 4, it’s arguably even more subtle… but the clues are still present! Mike and Will lock eyes while the electricity flickers. Then we have the final scene which shows us a cloud resembling a heart above them with lightning! Heart with lightning… keep this in mind for later. We also have a very tiny “Live Mike” poster on Mike’s bulletin board… the association with Mike and lightning/electricity is clear…

Even in the marketing, the lightning is very much present. Notice specifically the lightning with the heart in the first picture…

Doors that keep closing…

The show constantly makes references to closing/opening doors. The gates opening are an aspect of this too! I have good reason to believe that this all leads back to Will.

I go over the door symbolism in this post but I’ll give a brief summary:

So far each time the gates have opened within the show, they have opened without Will’s consent. Now, I mean this on multiple levels. I mean this as the closet door- as people keep opening it by insinuating his sexuality. I also mean this in a more deeply tragic way. Child sexual abuse… to be blunt. This is why he’s desperate to keep all the doors and gates shut… even if it kills him. It’s a reality that forever haunts him, worse than any monster imaginable.

Will has such deep trauma that it manifests as monsters within the show. This is why I believe Will has been struggling far more than we are shown explicitly. In case you’re unaware, during the 80s and prior, there was a deeply homophobic belief perpetrated by society that gay people (specifically gay men) were predators. As a victim, Will is terrified of becoming a predator… becoming “the monster”. He’s frightened of himself.

I believe that… Will has been “pushing [Mike] away” far more than we know. He is desperately in love with Mike, yes, but the hatred he has for himself is far greater at this point in the show.

He needs to learn to love and accept himself despite all that he has been through. He needs to know that he is not a monster, and that his love and sexuality can be a beautiful thing. He needs to do this independently of Mike. Mike will be the key to his door when he’s ready.

To sum up everything thus far: doorways/gates require A LOT of energy, sexual electricity is a form of energy, and Will is associated with doors and Mike with keys. Got it?

The Russian Code

You may have already seen my post on this but it’s *very* relevant here so I’ll summarize (read the post for more depth):

The week is long because Mike and Will will be separated. Emotions affect time afterall.

The silver cat feeds the “silver cat” is a gate/doorway. Mike and Will are both associated with being a “snack” because they feed it sexual electricity thus causing it to open!

When blue meets yellow in the west. Mike will be stuck in the “East”/the UD, then return to the “West”/right side up to meet Will.

A trip to China sounds nice, if you tread lightly. “China” is on the other side of the “silver cat” doorway. Mike and Will will reach a new world through this doorway.

Again, if you think I’m reaching, please check out this post as I outline the clues in much more depth.

Opening multiple doors

As mentioned earlier, Mike is the key to opening Will’s door. This has multiple meanings:

Figuratively: Will’s closet door. Mike is struggling with his sexuality as well, but he will likely accept himself first, and inspire Will to follow.

Sexually: Will will open himself up sexually to Mike. They will have an intimate scene. I’m positive of this now.

Supernaturally: A portal door/gate to another world.

He’s truly the key to his heart…

What I theorize will happen…

So based on all the clues I’ve outlined (plus more) I will break down how everything will likely happen (leading up to the climax):

Mike confronts Will about the painting. Now, I truly believe Mike already knows that the painting and speech was all Will. He knows Will well. Will downplays the significance of the painting though making us (the audience) believe that he’s not actually still in love with Mike. (This could be why Noah now views Will’s love for Mike as a spoiler 🤔).

Will continues to push Mike away but more explicitly. Mike is frustrated. Tensions are high! Mike is “banished” to the UD, as well as nearly half of our main cast. They reunite with Max.

Will is devastated that Mike is gone. Will then faces severe homophobia and cruel accusations made his way (likely connected to those who went missing). Without Mike, he falls apart. The insecurities around his sexuality reach a boiling point for him. This will be represented by the US military closing off all the gates, separating half of our main characters from each other.

Will finds a letter from Mike. We (the audience) will realize (if we are paying attention) that Mike loves Will through the reveal of the “Love, Mike” written at the end. Will will not realize/believe it, but he is given the courage to fight on.

Will spends time with his mother and friends who express to him how much they love him unconditionally. As he starts to slowly accept himself, the gates slowly show signs of opening up.

After a long week of separation, on one fateful stormy night, Mike finds a way to escape the UD through watergate and Will is there to retrieve him. Will is likely not alone, he’s with the “right side up” crew on a boat trying to save those in the UD. Only Mike is able to get through the gate… (possibly through radio communication with Will, they create enough electricity for the gate to open).

Mike and Will are soaking wet and Mike is injured, thus he and Will make their way to Reefer Rick’s Lakeside House. They have to remove their shirts, and the sexual tension is through the roof. Will tends to his wounds and sparks fly. Mike reveals just how deeply in love he is with Will and how much it pains him that Will has been so closed off. Will turns away- not wanting to hear it at first, thinking he doesn’t deserve it. He doesn’t deserve Mike’s love.

Tears start pouring down Mike’s face as he continues to tell Will that he’s done with hiding, and he’s done with pretending that he isn’t in love with Will. Will stops, finally starting to believe Mike’s words. Mike, thinking that his words still aren’t getting through to Will, turns and starts walking away. Will calls Mike’s name, Mike swiftly turns his head. He says “I love you too” while in tears, walking towards Mike. He then kisses him ever so passionately! Mike is taken aback with wide eyes for a brief moment then is quick to shut his eyes, grab onto Will for dear life and reciprocates the kiss very enthusiastically. They go horizontal on the bed, Mike on top.

While they are making love enough sexual energy is created for thunder to erupt and lightning. One giant lightning strike hits right in the centre of Lover’s Lake into watergate and opening it up completely! The (heart shaped) lake is literally a broken heart resuscitated by electricity. The water from the lake is parted right in the middle (think Moses parting the sea… or perhaps… like a surfer boy?) making it possible for everyone to walk out easily from the gate. It opens it up SO much that everyone trapped there escapes. They’re all freed!

The sun rises, the storm clears, and of course- there’s a giant rainbow. Will and Mike wake up and smile more brightly than ever as they recall the events of the night prior. They walk out hand in hand and head towards the end of the rainbow. They find a new gate hidden behind watergate and descent into it together. It’s fairyland. They then agree to start their own party, just the two of them.

Fairyland/Feywild

Credit to @byler-alarmist and their post for bringing my attention to this very likely possibility.

The Feywild was a place of unrestrained and awe-inspiring natural beauty. The plane is always bathed in twilight of the setting (or perhaps rising) sun, with lanterns and fireflies providing additional, haunting lights. Visitors to the plane found that all sensations, both sensory and emotional, were heightened. Smells were stronger, colors were more vivid, and sounds were clearer, but at the same time shadows were darker and impulses were harder to control. x

Feywild is a location in DnD just like Shadowfell (which likely represents the UD).

What better way to represent love and acceptance than a beautiful green realm full of light? I assume that it will resemble the real world, just like the UD. I’m also guessing that Mike and Will will find the remnants of the old Creel house and rebuild it as their own castle/fortress. (Credit to @thestrangestthing89 for this beautiful idea.)

Rewriting History

After WWII, the alliance between the East (USSR) and West (US, England etc) dissolved and then began The Cold War. Leading to Russia and the US essentially becoming enemies. They viewed each other as a major threat to their safety. They also were in major competition with each other, specifically regarding space exploration. Each nation wanting to be the first to reach the Moon.

Germany was a nation that ended up being “split” into the East and West. The Berlin Wall divided the two sections. The song “Heroes” by David Bowie is about lovers separated by the Berlin Wall. In 1989, the wall fell and Germany was no longer divided.

Where am I getting at with this? Well, I believe that Stranger Things is both majorly referencing this conflict, and rewriting history. Let me explain. I think that the scenes with the Russians are representative of Mike’s struggles. He feels as though he has no choice but to conform- not unlike those who live under communism. We see he is slowly escaping this mindset, however, as we watch some of the Russian characters rebel against their government.

Yes that means- the US government represents Will’s struggles. They view El as a monster that needs to be contained/removed. This is exactly how they viewed gay people during the AIDS crisis. We see resistance there as well though… through Owens.

In Stranger Things, the gates are the Berlin Wall. Once they open up again (properly… with Will’s consent), the division between the nations will cease. The war will come to an end.

Instead of one nation “winning” the space race, Stranger Things will end with both “Russia” and “America” reaching a new world together- as Mike and Will.

All you need is love

This is the whole message of the show. So many times we let fear and hatred take over us but we must always remember… we can choose love. In a world full of division, we can choose inclusion. We can choose to extend understanding and patience to others who are different or who may hold differing beliefs. It’s all up to you. You hold the power. It’s your choice. Choose wisely.

[greenfiend]

I absolutely agree!!!

I think this is foreshadowing to them opening a gate into another world- a peaceful green realm.

I have a long post on that here.

Believer that this was to emphasize "scenic route ahead" symbolically for Byler because what is the other purpose of THIS wide a shot. You cut shots that don't add new information. We hardly needed this angle of Argyle measuring her, let alone this distance. Why is it here?

[laminatedoor]

Exploring the Evolution of Fire Rated Digital Locks

The evolution of fire rated digital locks in Singapore can be traced back to the early 2000s. At that time, Singapore digital locks were fire rated, but all were not digitalized and were first introduced to the market as a high-end security solution for commercial buildings. 

These early locks were very expensive during that time, and there was a little craze for this lock, especially for Singaporeans. 

Over the years, there has been a steady evolution of fire rated digital locks in Singapore. The locks have become more affordable, user-friendly, and feature-rich. 

Today, Digital fire rated security lock are a popular choice for both commercial & residential applications. We will go in-depth about this topic, so read on!

Milestones in the evolution of fire rated digital locks

Here are some of the key milestones in the evolution of fire-resistant digital locks in Singapore: 

2000s: Early Fire Rated locks are introduced to the market, but those fire rated door lock models are not digitalized yet. Those locks were expensive and could have been more user-friendly. 

2010s: In this era, the Introduction of Fire protection digital locks/ Electronic lock Singapore started in the market. It became more affordable and user-friendly than ordinary ones. They began to be used in various applications, including commercial buildings, schools, and hospitals. The mechanical Singapore fire rated lock became less popular!

2020s: Fire rated digital locks, which are even more sophisticated, with features such as biometric authentication and remote access. They are now a popular choice for both commercial and residential applications.

The increasing demand for security: 

As Singapore becomes a more urbanized and densely populated city, there is a growing demand for security solutions like fire rated digital locks, fireproof digital locks, fire-resistant digital locks, fire safety locks, and secure digital locks. These fire rated locks offer a high level of security that is essential for protecting people and property from fire.

The development of new technologies: 

The development of new technologies, such as biometric authentication and remote access, has made fire rated digital locks more sophisticated and user-friendly.

The falling prices of electronic components: 

The falling prices of electronic components have made it possible to produce affordable fire rated digital locks in Singapore.

The evolution of fire rated digital locks in Singapore is likely to continue in the years to come. 

As new technologies emerge, fire rated digital locks will become even more sophisticated and user-friendly. 

They will also become more affordable, making them a more accessible security solution for businesses and homeowners looking for the best digital locks in Singapore.

Fire rated digital locks: what are the latest Trends?

The latest trends in fire rated digital locks are:  

Wider use of biometric authentication: Biometric authentication, such as fingerprint scanning, is becoming increasingly popular in fire rated digital locks. This is because it offers a more secure way to authenticate users than traditional methods, such as passwords. 

Integration with smart home systems: Fire rated digital locks like electronic locks in Singapore are increasingly integrated with smart home systems. This allows users to control their locks remotely and receive alerts if there is a fire or other emergency. 

Use of cloud-based technology:  Currently, in 2023, we can see that most of the fire rated digital lock usesCloud-based technology to store and manage data for fire rated digital locks. 

This makes it easier for businesses and homeowners to manage their locks and provides a more secure way to store data. These are just some of the latest trends in fire rated digital locks. 

We can expect to see even more innovative and sophisticated best digital locks in Singapore in the future.

[tunastime]

A Gear of the Heart, Starting

just a little something I wrote for somebody's (@shepscapades) birthday back in November :3 after I asked what etho and bdubs would've been like shortly after etho's deviation. this is the few times before last life where bdubs realizes etho might be a good friend, and how their relationship changes. comes right before A Gear of the Heart, Turning! (4653 words)

Etho remembers quite a bit.

He remembers the ricochet of the explosion through his left side. He remembers a dozen errors across his vision, showing every unit damaged by the blast, the fractals of fracturing snaking up his arm, the shattered remains of his central programming lingering like a livewire. 

Over and over he can remember the pitch of Bdubs’ voice and had to wonder his own diagnosis at that moment. Bdubs watching his android die in his name—he remembers that, too. Bdubs didn’t even ask for that. It was something Etho gave to him. He’s not sure he could even say why, either. 

It remained a bitter flavor he couldn't identify, even as Xisuma assured him he was okay. Something had happened then, sitting on that floor, thirium in hand. Some movement in his chest he couldn’t place. It wasn’t anything physical, but it felt like some gear of his nonexistent heart had started, turned—rotated. And all he could do was ask himself why. What’s he supposed to do with that?

He doesn’t know. Fine. 

Etho goes back to work at someone’s request. Not even his own request, either, so he has to wonder if maybe Doc put him up to it. Him being Bdubs. Him being Bdubs who shifted back and forth on his feet at Etho’s door—a facade of a base in the process of being designed. If one could even call it a base, yet.

And even though he was increasingly certain that Bdubs had been told to ask—and Etho asked him if he’d been asked to help, and he was adamant about asking by himself, that’s what he said. He said: “You think I gotta be told to ask people for help? I can’t just be doin’ things on my own?” and it had felt so much like doublespeak that Etho didn’t even fight to differentiate his tone. 

But Bdubs had asked if he wanted to help with the horse course. Terraforming—it should be right up his alley, if he’s still into that kind of stuff. Figured he was the expert—or so it goes. Etho had nodded. He wasn’t sure what else he was supposed to do. He supposes he could have easily said no. 

But every part of him yearned to say yes.

So he did.

The dust sifts through his fingers.

Etho perches in the grass, partially hunched as he leans over his line of redstone, shrouded by the hill half-built around him. He’d spent most of the week prior carving out the lines of the track, setting posts for buildings, laying out blueprints for Bdubs to finalize. Today, he lays his line meticulously, dust shifting in his hands. They still shake a bit—nothing a human would notice, nothing that disrupted the flow of his lines, but the overworked gears still shifted in protest as he worked. He could see the faded overlay of the project in his vision if he focused. It crackled, slightly blue-yellow, orange glowing indicators where action was needed, where there were mistakes to be corrected.

It isn’t his redstone to fix. The lines under his hands were—freshly laid by his near-expert technique—but the deeper lines, noteblock announcements, droppers, doorgates, the flourish of the house course, weren’t. Etho smooths out the line he was standing near with his thumb. 

There was nothing wrong with the laid redstone, really. It’s just. Well. It’s not even. It takes up so much space. It lacks the efficiency and tidiness he practiced to a precision. It radiated Bdubs in an overpowering way, one that might turn a gear of the heart—one he didn’t have, of course. Etho’s lines are neat, rigid, conforming to his perfect mental map. 

He lets down his section of dust, drifting over to the dispenser system. He pushes a line further into place, brushing dust back from the side. Further on, where the line crosses, he readjusts it, he smooths them from start to end of line. His hands work where his mind recalculates, looking for errors along the redstone already laid out by Bdubs. Programs bubble up to assist; he dismisses a message, and another as he works. The line straightens from source to sink. 

As he passes, searching for another correction, he hears someone above him. In the corner of his vision, another message notification pings: from Bdubs.

They’re all from Bdubs, actually, now that he notices in full. He blinks, mouth twisting into a frown. Whoops.

He hears someone—Bdubs, he realizes, as he notes the fall of his feet, and the sigh he hops down from his horse, the shuffle of said horse, hooves on grass—clear their throat. Bdubs shuffles around as Etho moves back over to his finished redstone, dusting his hands on the sides of his pants. He lifts the small bag of dust, twisting the tie shut around his fingers as he travels back up the line to recheck the connections. 

“Etho?” Bdubs calls. Etho straightens, just on instinct alone, glancing up at the stretch of sky he can see. It’s bright blue, barely dotted with clouds, and the grass looks warm with sun. He fixes where the dust starts as he sections off the end, tossing the rest of the redstone over to his sling bag.

“Under the hill!”

Bdubs leans over the edge, tilting his head at Etho as he peers into the dark. It takes him a moment to find Etho’s face, partially obscured by black fabric and the fluff of wool around his collar. Etho tilts his head, raising his eyebrows.

“Did you need something?” he asks, arm hanging loosely by his side. Bdubs frowns, too, watching Etho’s expression. As his eyes seem to adjust to the dark, his gaze falls on the lines of redstone. He pauses there for a long moment. In that moment, Etho feels something in his chest grind, almost to a noticeable ache. If he could pull in a breath to settle it, he might have, but the sensation and minute sound passes as soon as he moves his hand to press flat against his regulator. Bdubs is gone when he looks up, reappearing only as he drops into the cavern, catching himself on the wall. He readjusts his cloak around his shoulders, shuffling into the low-light.

“Etho,” he says, still frowning. Etho looks him over. He watches Bdubs set his hands on his hips, but his heart rate stays even and his temperature level. The only thing that changes is the tone of his voice, fluctuating with a pattern Etho recognizes as forcing something. Bdubs takes a long breath in and lets it out. Etho’s eyes find the twitch of his fingers as he folds his arms, rather than the sharp curve of his mouth.

“Yes?” Etho asks. He feels his pump work a little harder. It kind of hurts still, whatever’s stopped working in his chest. He flicks his eyes, recalling a diagnostic, setting it to run in the background as he closes out of the overlays and the world returns to yellowish-grey. Bdubs is still frowning.

“You mind tellin’ me what’s wrong with this redstone?”

Etho blinks. The diagnostic comes up clear.

“What do you mean?” he says, his expression shifting into something copying amusement. He’s trying. He’s at least trying to mimic the emotions he sees. Soon enough it’ll feel natural, he’s certain. “What’s wrong with it?”

Bdubs snorts, which turns into a laugh, which turns into Etho smiling a bit wider, a bit more confusion lingering in his expression as he leans around Bdubs to check his meticulously placed line. Bdubs turns away from him, facing the system, the clock that linked the start gates to the timer below.

“What’s—” Bdubs scoffs, shaking his head. “What’s wrong with it? Etho—” he holds out his hand, waving Etho over. Etho lingers at his shoulder as he steps forward, peering over the curve of it and the moss and small leaves and flowers draped over his neck. “It’s too perfect.”

Etho makes a sound like a scoff now, a caught sound in his vocal unit, a stuttering start to his sentence that doesn’t form right away. He’s trying for surprise, the pitch of his voice rising unexpectedly.

“It’s too perfect?” he asks. 

Bdubs nods. After a moment, Etho thinks he sees his expression shift, the high of his cheek rising. When Bdubs turns his head to look at him, just for a second, Bdubs is smiling.

“Bdubs,” Etho says, sighing, turning away from him, to his bag on the far side of the room. He shakes his head. That something-nothing in his chest flutters and fades and disappears all at once, instead replaced with the urge to smile back. Bdubs laughs, and Etho can imagine him tipping his head back, mouth curved up as he giggles to himself. Etho shakes his head. As he starts to pull away from Bdubs, he feels him catch his sleeve, holding fast to his elbow.

“Etho, wait—” Bdubs giggles. “It looks really good.”

Etho raises his eyebrows. Caught in Bdubs grasp, all he can do is look at him, head tilted, trying not to let the amusement show on his face. Bdubs giggles, face breaking again as he does.

“Etho…” he tries again, fighting back a smile. Etho tilts his head the other way, as if to prompt him further, looking for anything. He stays silent. Bdubs hand lowers slowly, that smile faltering just a fraction. Maybe he thinks Etho’s upset with him. There’s a flicker of recognition in his eyes. “You gonna say anythin’? Or you just gonna stand there?”

Etho smiles, finally. He shrugs a little, glancing over at the fixed lines of redstone.

“I fixed your redstone,” he says cooly, sticking his free hand in his pocket. Bdubs blinks. He jerks away as Etho’s smile grows, shoving him hard in his shoulder. Etho wobbles for a moment, smiling to himself, scrunching up his face as Bdubs’ expression morphs. He does laugh, after a beat, poking Etho in the shoulder as he does. Etho hopes he can see the smile in his eyes. He saves, logs, keeps this moment. He’s sure in the low light that his LED spins yellow for a moment. It feels right. If there’s any feeling to catalog.

Bdubs huffs. Etho thinks he hears him say something under his breath. It sounds a lot like thank you.

It’s out of habit, rather than obligation, that Etho finds himself back at the horse course. Of course he ends up here, his feet moving him about as if his brain-not-brain had no thoughts of its own. Man. Some days, it really felt human.

He wanders across the plain, eyes lingering on fully-built buildings, knowing the schematics and plans, watching as those plans-now-buildings stretched higher above his head, where they nearly threatened to pop the sky wide open. 

Bdubs had sat down with him earlier that week, papers spread out between them. He’d stopped by, actually—worked his way up the mountain to the base Etho had finally finished, papers in hand, looking like he was on the verge of collapse. He’d dropped the blueprints on the largest table Etho had managed to clear, spreading out the designs for huge, complex buildings. Etho watched him explain, listened for the inflection of when to offer suggestions, heard the way Bdubs’ voice grew quieter, almost conspiratorial, as he explained his palette. There was something methodical in the way Bdubs spoke, not only in the approach to his colors, but to his style. As much as it seemed eclectic and strange, he watched the pieces fall together as Bdubs spoke of his gradients. There was something deeper there, a precision that Etho, all of a sudden, in that room, craved to emulate. To write to disk. To save. To do more than just copy. 

He’d built the horse stable first—all to his own specifications. It was Bdubs later who came in to detail, tilling up the dirt around to plant grass and flowers, sectioning off parts of the empty stable. It was almost difficult to compartmentalize that Bdubs was finished with it now. That they’d worked each line of the redstone and Etho had supervised the first steps of building, and now he could look up and see the very top, or almost, if he were to strain, of the spikes above the buildings. 

And in just a few weeks, Bdubs was onto another project. Etho smiles to himself. He can’t help it. There was something rather comforting about that. Something about Bdubs dragging him along to help, pointing him toward the thing he was good at, and asking for help. Bdubs showing up at his door with plans. Bdubs cracking jokes with him, and looking for a laugh Etho couldn’t replicate yet. It’s like something clicked. Or was just on the breach of it. And Etho liked it.

Etho clears his field of view, taking in, instead, the stretch of sky where it met the ocean, along the line of hills and grass and flowers, and further still, to the smudge that looked like Bdubs. He blends in too well—the green of his coat barely noticeable against the field of grass that splayed out from the side of his build. There were still materials strewn about—chests half opened, shulkers stacked waist high. 

Bdubs stands to the side of a dark grey and white horse, one hand placed on its nose, the other digging through his bag. Etho watches for a moment. Bdubs fishes around for that entire second that he lingers, searching for something, until he pulls out an apple. Another falls to the ground, rolling away from him. He holds out the fruit for the horse as Etho clears his throat. 

“Hiya, Bdubs—” he says as Bdubs startles, twisting around to see him. He huffs, an immediate frown coming to his face. Bdubs turns to fetch the dropped apple, holding it high above his head as the grey horse nudges its nose into his empty hand. He pats it instead.

“Etho,” he says, tone thin. He sighs, shaking his head. “Scared the life outta me, you know that? You gotta make some noise when you’re walkin’ around.”

Etho smiles, a nice and easy reaction to the annoyance in Bdubs’ voice. It’s getting easier. At least a bit. The smiling part, that is. The inflection that comes with being happy.

“I’ll try next time,” he says, shrugging his shoulders. His hands find his pockets as he looks around, eyes following the path around the buildings. He’s sure the pollen and moss will be stuck to his clothes for days before he gets them out.

“Mm,” Bdubs hums, unconvinced. “I’m sure you will. Now, what’re you doin’ here? You don’t have anything better to do?”

“That’s a good question,” Etho says.

Bdubs turns back to him for a second, just a glance over his shoulder as he cocks his head to the side. He raises his eyebrows before he turns back to the horse, who’s started to nose at his bag. He drags his hand down its nose.

“You’re tellin’ me you don’t have an objective right now?”

“I never have an objective, Bdubs.”

Bdubs snorts again . Etho steps over, slow, minding the horse. It sniffs as Etho holds out his hand, nosing his gloved palm. He pats the horse's nose, somewhat stilted, smoothing over the soft bridge of his nose.

“Right,” Bdubs hums. When Etho glances over to him, Bdubs glances away, as if he’d lingered as Etho stepped over. He’s not moved from Etho’s side, which. Makes something fit into Etho’s chest in a way he isn’t expecting. He rests his hand on the horse's head, looking over at Bdubs in full.

“I can’t come see how the horse course is looking, now that you’re done?” he asks. Bdubs makes an embarrassed sounding noise, watching the rise of the buildings to their left. The horse sniffs, and Etho lifts his hand away, letting it fall to his side.

“I—I got excited about it,” Bdubs mutters. If Etho leans enough, he can see the beginnings of a flush creep over his cheeks, up the shell of his ear. Something about that, too. Etho looks beyond him, though, studying the rise of the buildings as Bdubs does. He nods to himself.

“I can tell,” he says, amusement slipping into his voice, almost naturally. Immediately, Bdubs whips around again, face twisted in offense.

“Hey!” he snaps. “You makin’ fun of me?”

Etho shakes his head, spreading his hands out in front of him as he does.

“No, no. Not at all,” he says, hoping the smile he’s giving is reaching his eyes. “I’m saying we make a pretty good team.”

Bdubs makes a little huff of a sound, but his posture and expression softens. Etho studies it from the moment it appears, trying to place the emotion behind it. He seems upset—but not from anything Etho said. He almost looks guilty.

“We’ve always made a good team,” Bdubs mumbles. Etho blinks.

“Since when have we been a team?”

“Since—s…” Bdubs blurts, then backtracks, folding his arms over his chest. “Well we’re a team now!”

Etho raises his eyebrows, stepping away from the horse and more around Bdubs’ side. He leans in a bit as he stands by his side, bumping their shoulders together. Bdubs doesn’t recoil. Instead, he pushes back, just for a moment, and they jostle. Bdubs hums, sighing through his nose.

“Are we?” Etho asks. Bdubs nods, short and firm.

“Mhm! ‘Cause I said so.”

Etho nods with him. There’s that thing again, a turning, jostling, in some part of his chest that really shouldn’t turn or jostle. He can feel his temperature tick up just a few degrees, a fan kicking on to settle the temperature, thirium sludging warm to cold through his limbs. A team, huh? He couldn’t beat Bdubs’ conviction, that’s for sure. Maybe it was a bit of guilt, then. Maybe something in Bdubs had realized Etho was much more of a help than a hindrance. Maybe Bdubs wanted a friend. Maybe he just felt bad and the feeling bad got to a point where he had to just do something about it. Etho didn’t know. He didn’t live inside Bdubs’ brain. And picking at Bdubs’ every emotion was a task enough to drive his processor into the ground. He could already feel another spike in temperature, LED glowing yellow-blue. Maybe it wasn’t all bad. Etho sticks his hands in his pockets.

“I’d like that,” he says, finally pushing out the words as his programming jumps into gear, “What’s our next project then?”

Bdubs goes back to jostling him before he turns away, moving from Etho’s side to collect his horse. Gathering the horse's reins in his hands, Bdubs pauses.

“Ooh…” he says, frowning a little. Etho watches the little furrow of his eyebrows—thinking. Bdubs is turning the idea over in his head. Bdubs steps back over with the horse in tow, already walking in the direction of the horse stable. Etho jolts forward, taking several big steps to match Bdubs’ pace. “Well why don’t you come back to the clock and we can talk about it, huh?”

“That sounds nice.”

Bdubs makes an affirmative sound, leading the horse around and into the stable. Etho watches him unlatch the gate, ushering the horse into the pen.

“I can put the kettle on and everything,” Bdubs says. He lifts the bridle out of the horse’s mouth, running his hand along the length of the horse’s nose. Etho doesn’t mean to watch him as he does, but the action is so purposeful. There’s a moment where Bdubs’ expression is unreadable—unreadable as in Etho simply can’t place anything on it. Unreadable in the amount it changes—something softer than he’s seen, something far away. Bdubs’ whole demeanor seems to shift as he stands still for a moment. Etho isn’t sure what to do with himself. He’s just standing in straw and dirt and stones, all of which he can feel under his shoes. He shuffles a bit, back and forth, to make his presence known, before he says:

“You know I can’t drink anything, Bdubs.”

And Bdubs rolls his eyes, squinting over at him, stepping away from the horse to hop the gate.

“Well you can at least fake it,” he grumbles. He folds his arms again, wrinkling his nose at Bdubs as Bdubs leads him out of the pen and into the open field around the horse course. The shadow of the buildings above them hasn’t changed, yet. The sun is still high and warm in the sky.

Etho laughs. At least, he makes a sound that he thinks passes as a laugh. Bdubs laughs too, though, so it must sound pretty convincing. He nods, the smile on his face feeling much more natural than he ever could have expected. 

“I could fake it,” he laughs. “Sure.”

Bdubs grins at him. It’s nice. It makes the walk back to his base a little more bearable.

By the time Etho gets his invitation to the life game, he’s grown accustomed to being at Bdubs’ side again. He wanders around Bdubs’ base like he knows it, makes it a spot he chooses to map, to memorize. Bdubs checks in on him when he isn’t around as much—asks him how his builds are going, wonders if he needs help. Bdubs lingers in his spaces too, like a plant trying to root, gives himself reasons to stand in doorways just a bit longer, just enough to extend their goodbyes. It feels right—in a way that almost gives reason to Etho’s deviation. Maybe, deep down, from their first introduction, Etho had decided to glue himself to Bdubs’ side and not become unstuck. Maybe he’d simply put that decision, his first ever decision, into motion that day. It didn’t matter much as to why anymore.

When Etho gets his letter, he doesn’t open it. He holds it between two fingers, turning it over and over. He doesn’t need to read it to know what it says. There’s a dark red seal on the back, shaped like a heart. He makes a little sound, some sort of click in the back of his mouth, before he stuffs the letter in his pocket, half-folded.

He finds Bdubs exactly where he expects. Bdubs is sitting cross-legged in his garden, hands in the dirt, when Etho arrives at the crescent moon base. If he looks closely enough, Etho can still tell that Bdubs’ own letter sits on his window sill in the kitchen, unopened. But he’s really squinting to notice, so he writes it off for now as a flaw in his own sight. 

Bdubs turns to him as he walks up. His hair is pushed back away from his face with his bandana, and his hands are covered in dirt, and he’s got a streak of black soil across his forehead that Etho tries not to look at for too long. Bdubs shoots him a toothy grin, going back to his bright orange tulips. If Etho looks long enough, he could probably guess the soil mixture, and tell him if it's good enough to be planting orange tulips in, but he doesn’t. Instead, he comes to stand behind him and Bdubs hums in greeting.

“Etho,” he says, looking up again, wiping the dirt from his forehead. “What can I do for you?”

“Oh, nothin’,” Etho says, stuffing his hands in his pockets. He forgets who he picked the gesture up from, but it’s become part of his natural body language patterns now, so he won’t be stopping it anytime soon. “I just came to see how you were doing.”

“How I was doin’, huh?” Bdubs asks, amusement trickling into his voice. Etho smiles, feeling his face pull.

“Mhm,” he says. “That’s right. I can’t come and check up on a friend?”

Bdubs laughs, sticking his spade in the dirt.

“Oh, we’re friends now?” he says, still giggling as he turns around. “I thought we were just a team.”

Etho watches him lean back on his hands, legs coming out from under him. He tries to read Bdubs’ expression and voice for any note of insincerity, or play, or teasing, but doesn’t find anything he normally associates with Bdubs. This just feels true.

“I mean, I figured with how much we’ve been working together…” Etho starts, to which Bdubs startles, waving his hands.

“No, no!” Bdubs yelps. “Etho, I thought the same thing! I just wasn’t expectin’ it from you.”

Etho blinks. It feels owlish, small, almost a wrong reaction to hearing Bdubs say something like that. But it’s what immediately happens, before he tries to open his mouth, and no sound comes out. He waits for a moment. He assumes his LED spins, maybe even red, as Bdubs watches him, face paling.

“Oh,” Etho says quietly.

“We’re friends,” Bdubs says, voice much smaller than Etho’s ever heard it. “‘S that alright with you?”

Etho feels like the proper response would be to laugh, if he could really feel anything at all besides every gear in his chest halting and restarting themselves. He makes a noise that sounds almost like a cough.

“Mhm,” he says. He watches Bdubs’ shoulders relax and finds that his own posture sinks with it. 

“Good,” Bdubs says, nodding along. “Was there anything else you wanted to scare me with?”

Etho knows this tone—playful. Teasing. He works up a smile and fishes the letter from his pocket, slightly bent. Bdubs’ eyes flick right to it, right to the red seal pressed into the paper. Immediately, he scrambles up, reaching for the note in Etho’s hands. Etho lets him grab it in his dirt-covered fingers, even as Bdubs tries frantically to dust off his hands as he notices. Bdubs turns it over itself, glancing up at Etho.

“It’s for you?”

Etho nods.

“It was on my doorstep this morning,” he says. “I can see you’ve got one in your window?”

Bdubs snorts, shaking his head.

“Yeah, I haven’t opened the damn thing. I’m excited up until the point I’m not, ‘cause I know I’m gonna lose again.”

Etho hums. As Bdubs hands him back the letter, Etho rests his hand on his shoulder, giving it a hesitant, light squeeze. Bdubs looks quickly down at it, before he’s back to staring at Etho’s face.

“Don’t worry, Bdubs,” he says, hoping his voice is full of amusement and affection like he feels like it is. “You’ll have me there this time!”

And Bdubs laughs, full and warm in his chest, and Etho jostles him around as he does, until Bdubs is smacking his shoulder and wiggling free. He picks up his fallen hat and his tools, and Etho follows him around the side of the house as he puts things away. As he shuts one of the chest, Bdubs says:

“You mean that, though? You wanna be on a team?”

Etho smiles, feeling his eyes squint, forces every ounce of new feeling into his words when he says:

“I don’t think I wanna team with anyone else, Bdubs.”

And Bdubs’ grin in excitement is more than enough to convince him he’s made the right choice.

It’ll be a long two weeks until the death game starts. When he returns home later that night, Bdubs’ plans for success turning over in his brain, recording for later, Etho reads over the letter enough to commit the page to memory. He keeps it safe internally as the letter finds its way to his bookshelf, half-sealed. Through him, like it’s just under the skin, runs an emotion he’s not yet familiar with. He hopes it's a good one, at the very least. He hopes so, as much as an android, a machine, someone just now familiar with the idea of free will, can hope. 

It feels good, though. And something makes him think that everything will turn out just fine.

[aemiron-main-backup]

hey so how the fuck did a demogorgon come out of the byers ceiling to attack jancy in s1 without opening a typicaly red, sticky portal and being completely dry when it emerged, unlike the one that opens in the school where the demogorgon is all wet?? 

im wondering if that initial demogorgon attack (before it “came back”) was actually a vecna vision because like i mentioned in my last post, i saw rumblings about red and blue lights indicating vecna’s presence + there’s ONLY red and blue lights in the MIDDLE OF THE SHOT right before the demogorgon shows up. this would explain why the demogorgon “disappears”- and interestingly enough it disappears after jancy and steve get to will’s bedroom. and like i’ve said with laundrygate, something is up with will’s bedroom + the pov of looking out his bedroom window. and they HEAR the demogorgon outside the door, but it doesn’t trip the trap. 

something something “no trespassing” sign on will’s bedroom something something the no trespassing sign on castle byers something something cast protection something something vecna/the demogorgon can’t get will in his bedroom (or maybe castle byers) and that’s why with laundrygate we get that pov of will staring out the bedroom window maybe??? idk there something here and the fact that the no trespassing sign flies off the door when the first demogorgon shows up and then the second demogorgon DOES trip the trap and WOULD have been able to get past the door

and maybe that’s why that demogorgon that holly saw wasn’t able to rip past will’s bedroom walls unlike the living room walls???

  did will cast protection on his house. on the byers house. on castle byers, even?? somehow. much to think about. and that would explain why will feels the mindflayer RIGHT after he destroys castle byers in s3. but then how did the upside-down castle byers get destroyed (we see jopper looking at the ruins of it and we see that scene with will singing and then it getting destroyed) 

its also VERY interesting to me that the doorway to castle byers (the upside down version) remained standing. There’s so much door imagery with Will (shed door already being open in s1, doors opening for him during his s2 upside-down episode, etc) and with the no trespassing sign on his bedroom door. 

Something something “just a ltitle more time can open closing doors”

was that first demogorgon with jancy a vecna vision?? esp since it didnt trip the trap?? whats going on with will and doors? 

And they show us the door to castle byers twice in this scene- and hopper even walks through it/ducks under it (first screenshot is joyce second is hopper) 

hey so how the fuck did a demogorgon come out of the byers ceiling to attack jancy in s1 without opening a typicaly red, sticky portal and being completely dry when it emerged, unlike the one that opens in the school where the demogorgon is all wet??  im wondering if that initial demogorgon attack (before it “came back”) was actually a vecna vision because like i mentioned in my last post, i saw rumblings about red and blue lights indicating vecna’s presence + there’s ONLY red and blue lights in the MIDDLE OF THE SHOT right before the demogorgon shows up. this would explain why the demogorgon “disappears”- and interestingly enough it disappears after jancy and steve get to will’s bedroom. and like i’ve said with laundrygate, something is up with will’s bedroom + the pov of looking out his bedroom window. and they HEAR the demogorgon outside the door, but it doesn’t trip the trap. 

something something “no trespassing” sign on will’s bedroom something something the no trespassing sign on castle byers something something cast protection something something vecna/the demogorgon can’t get will in his bedroom (or maybe castle byers) and that’s why with laundrygate we get that pov of will staring out the bedroom window maybe??? idk there something here and the fact that the no trespassing sign flies off the door when the first demogorgon shows up and then the second demogorgon DOES trip the trap and WOULD have been able to get past the door and maybe that’s why that demogorgon that holly saw wasn’t able to rip past will’s bedroom walls unlike the living room walls???  did will cast protection on his house. on the byers house. on castle byers, even?? somehow. much to think about. and that would explain why will feels the mindflayer RIGHT after he destroys castle byers in s3. but then how did the upside-down castle byers get destroyed (we see jopper looking at the ruins of it and we see that scene with will singing and then it getting destroyed)  its also VERY interesting to me that the doorway to castle byers (the upside down version) remained standing. There’s so much door imagery with Will (shed door already being open in s1, doors opening for him during his s2 upside-down episode, etc) and with the no trespassing sign on his bedroom door. 

Something something “just a ltitle more time can open closing doors” was that first demogorgon with jancy a vecna vision?? esp since it didnt trip the trap?? whats going on with will and doors? 

And they show us the door to castle byers twice in this scene- and hopper even walks through it/ducks under it (first screenshot is joyce second is hopper) 

[the-quan-is-blogging]

MadaTobi Supernatural Requested Plot for the awesome @wisiaden​ Part 1  - Madara is an art history professor. In his mid to late 30s, single and grumpy but is hella good when it comes to his job. Somewhat famous for finding out many cultural links and historic clues from studying antiques and relics. Izuna is a ceramic artist btw.  - One day, he's invited by Mito, an archeologist who is his best friend's wife (and also through that she became his gossip friend for their common art history passion) to study art in an ancient tomb that's just recently found. - The site is originally a government property. They were digging up the ground for construction when their shovel accidentally dig into a secret opening. So they stopped the construction and started opening the tomb to study, Mito is the leader of the project. 

- Apparently, the situation is very strange because the tomb appears to come from a historic era that's rarely recorded, might be a little legendary. This is ground breaking, and could even rewrite our current history. 

- Skipping back to Madara. When he arrives to her site, the casket has already been taken out. It looks broken. Apparently when they were trying to get the casket out, the tomb's roof fell on top of it and smashed the casket. The strangest thing is they didn’t find any person inside. 

- So Madara examines and takes pictures of the casket’s outsides. Pictures of the other antiques inside the tomb would be sent to him later. They found a few strands of white hair lying in the casket, so they thought the owner must be an elder person. 

- When Mad comes home that night, he keeps having this odd, uneasy feeling that he can't explain. It was raining heavily and the road leads into his house was dark and wet. When he comes to his doorgate, he sees a body lying in on the road in the flash of the lightning.

- His first reaction is to freak out and come to check on the body so see if that person is okay. He is wearing a white kimono and wrapped in a white haori. When he pull the haori open, he see this person has white hair and red strikes tattoos on their face. This brings him to deja vu, but he can't remember where he saw them. 

- The moment Madara lays his hand on the young man, he opens his red eyes and looks at him, saying “Madara.” - The moment Madara hears that voice, he is stunned. A ton of unexplainable scenes rush through his head: white hair, red tattoos, a smile, a sword, a strange place and a promise. “I will find you my dear, when we meet again.”

[bobbiedebruyn]

Hi, in your last post you mentioned that Bobbie shows some signs of borderline. Could you elaborate more about this please?

Sure thing, but before we start, a small disclaimer: First of all, I have been diagnosed with BPD, but I am not a mental health professional. I'm not here to diagnose Bobbie or others. These are simply my observations. Second of all, we're not currently in Bobbie's POV, so the times I noticed those signs were limited and some might seem like a reach. But again, this is just my personal opinion.

Borderline Personality Disorder is caused by various factors, including environmental, family history, and social factors. A stressful childhood and trauma can contribute to the development of BPD. Emotional and physical neglect, as well as the death of a parent, can actually be factors in the development of BPD. As we know in Bobbie's case, she is being neglected by her mother and has also lost her father, with whom she was very close. Here we've identified a potential cause.

People with BPD often experience an intense fear of abandonment and struggle with regulating their emotions, particularly anger. Additionally, they may exhibit impulsiveness and participate in dangerous behaviors. Now, let's discuss the signs I noticed. But please keep in mind that we're not in Bobbie's POV.

Bobbie is engaging in impulsive and dangerous behaviors, including stealing, substance abuse, unsafe sexual activity, and breaking into places.

She struggles with anger management issues and rapid mood changes, often triggered by extreme stress. We witnessed her having outbursts at Anaïs.

Paranoid thoughts and trust issues. Throughout the entire doorgate situation, Bobbie was paranoid about Anaïs potentially revealing the truth about what happened to Hanne.

Bobbie's relationships with people are unstable and intense. People with BPD often switch rapidly between idealizing and devaluing their loved ones (their perceptions of people shift abruptly and dramatically). We've seen this in Bobbie's sudden change of attitude towards Anaïs. The same goes for Bobbie ghosting her alleged "ex" who we saw at the cafe.

The fear of abandonment is a common trait in individuals with BPD, it leads them to push people away to avoid potential rejection. This is demonstrated in Bobbie's actions, such as pushing Anaïs away after their first kiss conversation to prevent and avoid the possibility of rejection.

Additional symptoms that I did not cover include an unstable self-image/sense of self, as well as repeated self-harm or suicidal behavior, and prolonged feelings of emptiness. While it might be difficult to provide solid examples of the first two, one potential example of "feelings of emptiness" could be the morning after the doorgate situation, her unbothered reaction to the situation reminded me of numerous times I dealt with the same empty feeling (Although it's a speculative suggestion due to the limited perspective we have and due to not being in Bobbie's POV).

Well, anon, I hope my answer has provided you with some context. Nevertheless, it's important to acknowledge that, by the end of the day, Bobbie having BPD remains a headcanon. While I would appreciate seeing positive BPD representation in Skam again, unfortunately, I believe current Wtfock writers lack the ability to handle this topic appropriately.

[jefferythejelly]

doorgate part 3, because i've decided documenting this is my cross to bear now

part 1 part 2

[sycamorality]

im not funny in the slightest but

the whole door drama thing should be remembered as doorgate

the What now

[kneehoming-knee]

3:43 CALL THEM JEWS "DOORGATE"

[greenfiend]

What I mean when I say that Mike is heavily associated with opening doors. Whenever there's a door that needs to be opened and Mike is present... there's a 90% chance he is the one opening it, or at least trying to.

Mike is the key to Will's heart and to saving Hawkins...

[bit-of-a-nerd]

OH OH ASK ROBYN ABOUT DOORGATE THEY WERE TELLING ME ABOUT IT AND ITS SO SUPER COOL IF YOU HAVENT HEARD ABOUT IT YET YOU SHOULD

@robynrocksforbrains OH❓❓❓

[wmucody]

CODY: One of my finer moments that I would love to forget. CODY: Chsssk. Testing, testing. Nasa. Chsssk. Please erase Mercedes' memory of the doorgate. Over. Chsssk.

Mercedes: I'm glad you're no longer gonna be tripping into peoples' doors. I was kinda concerned for you for a hot minute there.

[aemiron-main]

WAIT. WAIT THE BOARDED UP DOORS IN ALL OF THE S4 VECNA VISIONS THE BOARDED UP HOLE IN THE WALL IN S1 THAT LONNIE BOARDS UP, WHERE WILL TRIED TO GET THROUGH STORES BEING BOARDED UP IN S3 BECAUSE OF STARCOURT  HMMMMMMMMMMMMMMMM

[madwheelerz]

The doors = always open any curiosity door + why are you keeping this curiosity door locked

Everything leads back to curiosity when it comes to doors

Max wanting in on what the boys are doing in the AV room so she opens the door and Dart escspes, the references to opening curiosity doors

Also

"anything is possible" huh and what exactly is anything Mr. Clarke?