#dont ask where this or that ship is

[crumb-crumblet-s-crumbington]

dead blondes

[ashirisu]

been watching the x-men cartoon

[starrypawu]

yellue yiippie

[basslinegrave]

[sewerdraws]

playfighting part 1 & 2

(tysm @riddlercore for helping me get the dialogue right ! <33)

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[nerdy-hyperfixations]

Listen, I love Fiddlestan as much as the next guy, but where did we start getting the idea Ford was cold and dismissive towards Fidds during their time working on the portal???

I could totally be wrong because I haven't read every single GF related thing (hell, my journals aren't decoded because I'm a slacker), but like??? The first time he saw him, he bought him his favorite snacks *and* a whole ass banjo and said he'd make it his mission that Fiddleford would be comfortable in his home.

They go adventuring together and talk about things like fashion trends and the future and go stargazing.

Ford is *so* happy when Fiddleford returns that he hugs him immediately. Abd then he feels bad that Fiddleford feels bad about his failing marriage that he throws him a holiday party even though he doesn't celebrate and hates the holidays honestly. And he put on Fiddlefords favorite song (which he despises and honestly? ME TOO FORD. I HAVE BEEF WITH THAT SONG) and drank seemingly spiked eggnog with him despite not usually liking to drink. So that he could make Fiddleford feel better.

He also just openly adores everything Fiddleford does. Maybe it's only in his journals. You could argue he doesn't say it out loud but, like, he exclusively describes him as impressive all of the time-

And I get where it's coming from in like a "oh he's a workaholic who has the pressure of Bill breathing down his neck that he has to be working on the portal 24/7." And like yeah, but in the pages he's a workaholic he's a workaholic practically begging Fiddleford to stay up with him because he loves working along side him. Fiddleford and him work *together.*

Like the page where they're sorta fighting with each other because Ford wants to work more its not "leave me alone Fiddleford, I have to do this" it's "hey! How come you won't stay up with me! Ugh this is so unfair that you're going to bed even though you know I plan to continue working for another hour."

I'm just saying if Fiddleford wanted to cuddle, I imagine Ford's response would be "Oh! Awesome, I love spending time with him 🥰🥰🥰" but he'd just end up using Fidds' back as a table for his studies. Or they'd do that thing where one of them is working on a desk and they sit on one chair in each other's arms.

And, while we're here, realistically? Emotionally stunted, slapped by more women than He's dated, "I can't cry in front of people, and the only thing I'm good for is my fists." Stanley Pines??? He's not cuddling shit. He's got that toxic masculinity ingrained into him. It doesn't matter how incredibly touch starved he is, cuddling is too emotionally intimate and "girly" for him. Honestly if Fiddleford tried to cuddle him he'd probably throw him in a headlock because he's also been on the streets for years now with people constantly trying to attack him.

And I'm not saying this to diss on Fiddlestan. Again, I *like* Fiddlestan! But when I read "Ford could never appreciate him like Stan could" I don't understand it.

They so clearly bonded well together, and if Ford truly was being an asshole (or not an asshole, but just generally unpleasant even when he wasn't possessed) the whole time, I doubt Fiddleford would've stayed. Nostalgia and physical attraction can only get you so far, and Fidds is already facing the horrors in Gravity Falls, Stanford has to be a hell of an amazing person to make someone want to stay. Like, he's a grown adult. Sure he really wanted to impress Ford and allotted himself to be "the tech guy to Ford's smarts" but if he wanted to leave, he could've. And there didn't seem to much keeping him there. Especially when he was having doubts on the portal.

[therealsquiddo]

just wanna say that you are a huge inspiration for me in both art and content creation<3 also what are your boundaries in fanart? Ive seen a lot of different things, ranging from "squiddo doesnt want fanart" to "they accept everything" :P

First of all... Thankyou :D

Secondly, I love fanart! I feature fanart in almost all of my videos at the end. You guys are incredibly talented and I love your fanworks so much that I want to show them off to everybody. That being said here are my boundaries...

I'm okay with people shipping me, it just sort of makes me laugh. But please don't go out of your way to send me any ship works featuring me, I just don't think that I should be seeing it. When it comes to NSFW I don't want people to draw that but I know that absolutely nothing I say will be able to stop it, so please don't feel the need to say "Look what this person drew!!" I know it's inevitably going to exist.. I don't want to acknowledge it... Annnddd lastly gore I've never seen it but I'm probably okay with it? I dunno. I won't put it in a video though.

Yeah that's it, everything else should be fine :)

[lotus-pear]

Chuuvia besties clorinzai worsties

so true tumblr user evilkaeya sry for the infinitely late response i had to draw their first meeting in my head

dazai would make sure to be on his best behavior around chlorinde bc she could fold his ass in a second

[civetside]

I could smell the lapidot on you I just didn't want to say anything

i am incredibly embarrassed and so sorry. i need a shower

art i drew in 2017

[dayurno]

so sick and tired of people writing fics about jeremy treating kevin like shit over kevin leaving jean at the nest like that is either 1) in character 2) something jean would appreciate or 3) fair. do you even bother to read the books you’re writing fanfic about or is the urge to create cheap angst so overwhelming you can’t see past the tropes you write for every other fictional pairing you like? the idea that jean would appreciate jeremy going out of his way to poke old wounds in his and kevin’s relationship when jean himself does not even like for jeremy to joke about kevin near him is absurd, and that’s without mentioning the fact that jeremy is not so clueless as to think he has any idea of what the nest was like, or why kevin felt he had to leave the way he did. if you need something to make your ship more interesting thinking beyond your flat interpretation of it is a lovely start, but don’t use kevin’s name and storyline if you’re just going to butcher it for the sake of a milquetoast sob fest the characters involved in would not even appreciate

[butchdykekondraki]

its time for scp required reading... TWO!!!!!!!!!!!!!!!!

please for the love of god heed the fucking warnings im so serious . like as much as i want to keep the tone of this post jokey and funny you NEED to heed the warnings on these

ok with that out of the way. read about my blorbos boy

''incident 239-b clef-kondraki'' (general warning for violence and blood/gore) - this one fucks. thats all i have to say about it

''technical issues'' - this one's funny + im biased because i fucking love pat the tech guy

''routine psychological evaluations by doctor glass'' - again i have personal bias about this (<- simon glass enjoyer + host is a glass introj) + this ones funny + if you're more into the fanon versions of the foundation staff this is right up your alley

''tradition'' - halloween party fun :-)

''dr cimmerian hits reply all'' - this is exactly what it sounds like i don't now what to tell you

''stupid cupid / stupid cupid: stop picking on me!'' - my house my rules read about cimmerian and his boytoy

''hawaiian shirts'' - clef fucking Breaks. thats all i can say about this without exploding into viscera

''help me my (love for) my daughter was born too still'' (general warning for mentions of child death) - i have personal bias about this (<- #1 agatha rights enjoyer) but this tale is So Good in general and a super interesting look at how agatha perceives herself and her work/life balance

''so leave yourself alone.'' (warning for graphic depictions of vomit and attempted suicide) - REALLY really really good look at clef kind of dropping his cruel persona and iris' mental health struggles regarding the foundation

''yesterday'' (warning for violence and implied/reference suicide. kind of.) - :-( <- this is the only way i can express my emotions about this tale. anyway it's really good and an interesting way of showing clefs relationships with people

''an apple a day...'' - REALLY good look at how dr glass is as a person and how he acts with people + this entire tale fucks SEVERELY

''personal log of dr gears / personal log of █████ 'iceberg' ████'' - good example of how gears and iceberg both format their documents / how they speak + its vaguely gearsberg + this gives a look at how gears and iceberg met. read the gearsberg tale boy

''portraits of your father'' (warning for graphic alcoholism, suicide, survivors guilt, and blood/gore) - super good look at draven and his relationship with his father, and kondraki's alcoholism, and also talloran is there. also three cheers for dravoran

''life's cold'' - most normal day iceberg has at this fuckass foundation + this is a good look at how iceberg acts and thinks

''fond memories'' (warning for death and body horror) - draven proposes! Draven proposes.

''scp-3999'' (warning for bugs, paranoia, death, body horror, sexual assault/rape, unreality, self harm, and depictions of bodily mutilation) - unironically this one fucks me up so bad its so fucking good dude. go read about james talloran RIGHT NOW

''i stared into the face of everything and nothing and made it back alive'' - this one also fucks me up so bad like i dont even have anything to say. read about talloran and draven RIGHT NOW

''you are at the center of everything that happens to you'' - james talloran talks to himself. kind of.

''a suicide note'' (warning for mentions of rape, child murder, survivors guilt, and suicide) - interesting look at clefs thoughts on him and his work

''date night'' - objectum win! dr alto clef is objectoromantic AND objectosexual! <- that should tell you all you need to know about this one

''scp-4231 / montauk house'' (warnings for graphic depictions of sexual assault, rape, child abuse/neglect, murder, domestic violence, verbal/physical abuse and survivor's guilt) - absolutely gut-wrenching look at alto clef/francis wojciechoski and why he's so fucked up. uh genuinely do read the warnings on this one because when i say graphic i am not exaggerating. all of these things are explored in detail and are genuinely triggering so.

''okay, that's enough, let's get you home'' (warnings for some dubious make-out sessions, (mentioned) suicide, implications of rape/sexual assault, and vomit) - shameless moldhouse plug sorry not sorry. HIGHLY recommend reading this and it's other parts in their entirety because it genuinely drives me up the fucking wall it is So good. i will sing moldhouses praises until my throat goes out. read moldhouse Now

''duke 'till dawn'' - bpd king!!!!! anyway i dont have a lot of thoughts on this its just really good. also i didnt know dracula was an actual scp until i read this which is kind of funny to me

''rights' birthday party'' - my house my rules you're going to read about agatha rights whether you like it or not

''sex at a frigid temperature'' - again, my house my rules. read the depressing gearsberg tale, boy.

''7 things that new level 3 researchers should know'' - i dont have any thoughts on this i just think this one has really cool formatting

''home is where i want to be'' - no greater thoughts this is just really neat i think. also kiryu labs is in it and im biased as fuck

''gentle wings flutter quietly in the dark'' - read about zyn kiryu NOW

[ef-1]

labour | female rage playlist, part 2

[quillkiller]

all im saying is ive never seen someone criticize those marylily or dorlily fanart/fics where they’re harrys mothers and theres no james in sight

[professorcalculusstanaccount]

"when strangers mistake me for his father i don't correct them" just break my goddamn heart why don't you. i love this and the rest of your art so so SO much and i'm dying to hear more of your thoughts on tintin and haddock's father-son/chaotic uncle-nephew dynamic, because it's one thing i wish had been developed further in canon, especially with tintin's move to marlinspike hall

Haddock and Tintin invented the found family trope! Their dynamic means so much to me, while my post canon series seems to be about Tintin and Chang's relationship it's actually more about Tintin and Haddock's found family bond and how it changes as Tintin grows older.

My thoughts on their dynamic are under the cut. It's Fathers' Day in the UK this Sunday, so happy Fathers' Day!

Haddock had a terrible childhood and has low self esteem, but values his ability as a sailor. Even that is shaken when his crew mutinies and kidnaps a teenager. As a result Haddock feels an enormous sense of guilt and responsibility for Tintin

He looks up to Tintin a lot, he inspires Haddock to always strive to be better!

He doesn't understand what Tintin sees in him but Tintin's positivity easily outshines any doubts about their friendship. Tintin brings that childlike wonder Haddock missed out on in his own childhood. Haddock goes out of his way to do stuff with Tintin he never got to do with his father, like going to the theatre or trips to the seaside.

Initially Tintin tolerates Haddock, but he proves himself with his sailing prowess in The Shooting Star. While Tintin is brave and proactive he's very introverted and closed off from people, having gained dangerous enemies at such a young age.

At first he's not used to having someone look out for him but grows to deeply appreciate Haddock. A colleague at work said Haddock is like that one middle aged guy you befriend at a job you got as a teenager and you become ride or die with through trauma bonding and I think he's exactly right!

Even though he's his best friend Tintin still keeps him at a distance. Haddock doesn't know his legal name or anything about his past. Tintin rarely opens up about personal problems out of fear of worrying him.

As Haddock has pinned so much of his self worth on Tintin, in my post canon series Haddock is forced to re-examine his friendship with him.

Haddock gets into a secret romantic relationship with Ramo Nash and gets some well earned down time from adventures, taking up painting as a hobby. It's the first time he's had time to find himself outside of being Tintin's adventuring companion, and realises he may have to make the painful decision between his best friend or staying true to himself. It's a decision he knew he had to make for a long time.

Haddock invites Chang to live in Marlinspike during his year as an exchange student in hopes he'll keep Tintin out of trouble. When Chang ends up joining in on the adventures instead Haddock is taken aback by how competent he is, and how seemingly effortlessly he is able to keep up with Tintin. Watching a younger fitter person does bring up some insecurities in him, but he later appreciates that this means he could sometimes take a break and let Chang go get shot at instead!

Tintin's tendency to keep his personal problems to himself drives a rift between them as he desperately tries to navigate coming to terms with being gay. Even though homosexuality was legal in Belgium at the time there's still a stigma, and Haddock and Tintin are terrified of losing each other's respect.

When Haddock finds out Tintin is also gay he is overjoyed, he vows to look out and to always be a safe haven for him. He grew up in fear and in the closet, so is determined to be the father figure he never had himself.

Haddock is very supportive of Tintin and Chang, but as Tintin grows closer to Chang and spends more time with him Haddock can't help but feel a little insecure. It's normal for parental figures to feel that way.

As Haddock grows older and less physically able to travel, Tintin worries if his deteriorating health is his fault. Haddock makes sure to nip this fear in the bud, and lets him know how proud he is of what they were able to do. As Haddock settles into retirement with Ramo, Tintin and Chang visit frequently to help take care of them.

Haddock never officially adopts Tintin despite everything, just in case the Haddock family curse still persists. Also "Tintin Haddock" is an absolutely awful sounding name.

Neither Haddock or Tintin can stand spiders. They get Nestor or Calculus to deal with that

imagine All of Tintin's Father Figures in a group chat in a modern AU, Haddock, Calculus, Skut, Mr Wang, Ramo Nash... The Council of Dads (Castafiore is in it too, she counts)

[autisticlancemcclain]

Could you explain your position on Shallura? Since Allura was established as a teenager when she started dating Lance and Shiro was very clearly an adult. I can understand the bi shiro headcannon but the shallura thing worries me

i am going to remind yall that i have been in this fandom since 2016. and in the early seasons, allura was not established as a teenager. in fact she was coded as older, as closer to shiro's age -- there was a specific divide between her and the younger paladins that she did not have with shiro. they made her younger (both explicitly and in mannerisms) as the show went on. and i do not give a fuck about voltron like...post s4 and i didn't even watch s7-8. so like. especially with older fics, im going to enjoy shallura.