#don't say no speculation

[pandadrake]

Protector of the Arachno-Humanoid Poly-Multiverse vs. the Daddest Dad to ever Dad. (Having one meaningful conversation with Jeff would probably kill him irl.)

[karlydraws]

Stay Active

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[egophiliac]

Have you heard of the "Crowley is Malleus' dad" theory going around? Where Prince Levan (or whatever his name is) didn't actually die and just went out to get some milk and is now known as Dire Crowley, the silly man? The implications of that theory is absolutely hilarious when you think about it

hold on, we can figure this out, we just need LISTS

PROS THAT CROWLEY IS SECRETLY REVAAN/LEVAN/LAVERNE/WHATEVER:

unspecified fae of some kind, with similar coloring to Mal

the animal masks are apparently a Briar Valley thing

has some kind of big blackmailable secret that was alluded to in episode 4, and then as far as I know never brought up again

(unless this was just Azul bullshitting, which is extremely possible)

based on Diablo, which...maybe means something?

has canonically worn Dad Shorts

CONS:

(gestures to Crowley's entire personality)

NO LISTEN Revaan was the guy they sent off on diplomatic missions and to take care of delicate political situations, and...look, I love this dweeb, but would you trust Crowley to be in charge of negotiating your war treaties

despite my brain insisting on reading his name as "Raven", Revaan's title does imply that he was also a dragon (or super into longan berries, I'm not ruling that out)

currently unclear why Lilia "my closest friend Revaan...he is no longer with us...I used to make fun of him for being kind of a priss about eating jerky..." Vanrouge has somehow not noticed or said anything

Malleus' Aloof Anime ~Aristocrat~ vibe had to come from somewhere, and by all accounts it was NOT his mom's side of the family

???:

turns into a bird in the opening, I don't know if that means anything but it's kinda cool, I guess

all that aside, if Malleus and Yuu are any indication, then the Draconias have...questionable taste in their social choices. so anything is possible!

[creativitysloyalservant]

i have decided to break my lack of original posting on this blog to bring you my Thoughts on Rot in Paradise. because i played it as soon as i got up this morning and i have scoured for some opinions after finishing it, and now i have my own!!

(and also i posted this on twitter but twitter has such a Shit wordcount that i'm also posting my things here with More Detail)

so! spoilers under the cut, please go and play the game if you haven't. it takes literally an hour (it only took nearly 2 hours for me because i like voice acting by myself and exploring every nook and cranny) and it's also free. so maybe come back into the tag once you're done.

okay, so i noticed quite a number of people being confused and disappointed on the lack of an explanation for the monster. it's brought up in the story as the central thing driving the plot, but it's never explained on what "she" is, why she's compelling people to eat a ton of fish-related food or hell, metal, and why this doesn't impact June at all.

but you know what I think?

i think that that's the point. the focus of rot in paradise isn't supposed to be on the monster.

yeah, it's the thing that pushes the plot along besides June and the gang going on vacation in this island. it's what's causing that uneasiness from the moment that guy grabs June's arm at the drinks, to the sheer unnerving feeling of witnessing people going to the ocean to get Raptured basically. i know i personally felt a chill when i saw that one dude literally eating chains and the other hauling an anchor, as if they're trying to make themselves heavier so they get taken by whatever She is.

but that's not the main point! the main conflict is about June and her friends.

as people have pointed out, this game is about toxic friendships and relationships! it's foreshadowed in the conversation that June has with the gang about her cousin (which i will also get into), and it carries it through the way her friends are horribly warped by this ocean Creature. June goes on a silly little vacation trip with her friends only for them to become so so different from themselves that they lash out at her and even hit her in McCoy's case.

but she still sticks it out with them. through the whole game, even despite their verbal abuse, despite being slapped, despite them being people that she can hardly recognise. she stays with them for the whole game, up until the point where you are given the two options at the very end. and she could still stay with them.

because they're still her friends. she cares about them even if they still hurt her. from the way June still tells Carmen to tell June if she needs anything after Carmen literally tells her to shut up and leave, the way June worries about Vonnie eating seafood even though she continues to stuff herself despite being implied to either hate or make an active choice to not eat seafood, to the way June still trudges out to sea screaming for McCoy to come back to the shore as he wades further in even after he slapped her until her nose bled.

it mirrors the conversation about her cousin, the reason for why June was looking forward to the vacation. that while she did comfort her cousin through all of it, June clearly says that "they were dickheads, and she should have ditched them a long time ago".

but it's funny, isn't it? that June, an outsider to her cousin's friend group, easily sees the pain that her cousin's friends are causing her, and immediately calls it as it is. that her cousin should have left the second they hurt her.

and yet now, when her friends hurt her, even though this was a quick and sudden change that happened in a span of three days, June still sticks around. her friends are dickheads right now, and we can see that in the way they interact with June, but she still stays.

because they're her friends. and how could she just leave them like this if it's something that's causing them to be this way?

so no, i don't think the monster is supposed to be the main picture. we don't need to know what it looks like, or why it needs to do this to the islanders, or how it's even doing it in the first place. it adds to the scariness of the game, as per the Spooktober Game Jam, sure, but that's not the point. might be a bit disappointing to some, but that's not the point.

the point is about June, and the choice that she needs to make at the end of the game.

it's a choice on whether she chooses to be pulled deeper into the tides and be with the friends who hurt her and will continue to hurt her in this way,

or to leave them to their fates, whether deserved or not, and resurface to a world where she's alone without her friends.

and even though the first choice hurts much more in the long run, doesn't the second hurt even more in the moment? knowing that you're alone at the end of all of this?

even if it is the right choice, i'm sure the pain must be unbearable in the moment.

[corseque]

can't believe after 10 years we still don't know any concrete details about Solas. Who the hell is he anyway lmao

[mrs-gauche]

I beat Veilguard.

It's 4am. I'm a mess. I'm in tears.

[buddiesmutslut]

I know I've said it before, but I think this upcoming episode is going to be so interesting, even if we don't get Queer Eddie OR BT Bones (neither of which I'm fully convinced are going to happen on Thursday), & it's really for this one interesting phrase that Ryan & Oliver have both used.

They have both mentioned "rose-colored glasses" when it comes to Tommy & Shannon, and I would argue that they each have to reckon with these relationships before we can have any movement towards Buddie.

Eddie thinks that Shannon was the love of his life, that he failed her and has to carry that guilt with him for the rest of his life. I believe that Eddie placing Shannon on a pedestal is partially what's stopping him from realizing his queerness (along with the catholic guilt and repression, but a lot of that is also tied up in Shannon & their failed marriage.)

Buck's convinced that his big feelings last season were all about Tommy, and I'm not saying that some of them weren't, but I don't think it'd be too far of a stretch to say that he figures that he's in this relationship now and that obviously everything is fine now. He figured out this part of himself and he's dating a man and that means everything is Fine and he absolutely does not need to do any further digging or searching or learning, despite the fact that he and Tommy don't really seem to like each other all that much, nor do they seem to be all that compatible.

Buck has to reckon with the fact that realizing his bisexuality and immediately jumping into a relationship with a man that he wasn't even sure he wanted (his speech at the coffee date) might not be the solution to all the problems he's had, and Eddie has to deal with the fact that Shannon was not perfect, that what she did was not the same as what he did, that she's responsible for her own actions and that this romanticized vision he has clung to of their lives is not real and is not consistent with the actual relationship that they had.

There's a Divorce Arc this episode - which I'm begging does something with Eddie - and an uncomfortable truth learned about Tommy's past; it's not completely out of left field to assume that the Rose-Colored Glasses come off this episode.

And the fact that it's happening for them BOTH, at the same time? In the relationships that I think are the biggest obstacles to them realizing/accepting their feelings for each other???

I'm never fully convinced they're actually going to go there with these 2, but it will be SO interesting to see how this episode plays out, regardless.

[jakeperalta]

taylor calling out a nyt article about her sexuality is cool good for her I guess but I am begging her and her people to stop throwing "this wouldn't happen to a man" at literally everything... like sometimes that is.. not the point

[nugromancer]

Okay so ghilly is clearly riding on someone's trunk and a lot of people have hypothesized it's andruil, and I'm 100% down for this I love toxic Yuri. But I keep thinking about those paintings dotted around inquisition that depict ghil and dirthamen (in the form of a bear). And Now someone's pointed out how Ghil might be the OG Brood Mother. And I'm thinking about Ghil and her obsession with The Perfect Form, and she might want to be able to simply reproduce her creations without the help of someone else, without bothering with tedium of sex and pregnancy. So im wondering if she coaxed Dirth into an alliance so she could use his reproductive organs to create fucked up blighted children? 🤔

[nevertheless-moving]

I'm not quite there yet but I KNOW that after wind and truth featuring Szeth and Kaladin's Unwell Adventure, I WILL be adding Kalaszeth to my all encompassing mental cabinet of beloved possible Kaladin ships.

---

Which introduces a new funniest time travel companion for a new funniest post book 5 time travel scenario.

Stormlight au 31:

Szeth, having jump scared the bridge crew by appearing lightly glowing in the dark while they were having stew, been hastily ushered by the captain into the bridge four barrack, only to sit on the floor and stare dead eyed at nothing: Kaladin, standing between the crew and the man on the floor:

---

Lopen looked around. As usual, he could tell that the men were silently crying out for him, the Lopen, to take charge and speak.

"So!" he said cheerfully. "Gotta say gancho, very excited to meet an old friend of yours! Nice to take some mystery out of that mysterious past of yours, eh?"

Kaladin shifted from foot to foot, face twisting a bit. He had been acting strange since that terrifying glowy high storm vision of his a few days back. Even more broody than usual, which was storming saying something.

"It must be difficult," Rock said slowly. "Being Shin man with great powers and shardblade."

A shardblade which he had summoned unceremoniously, causing all of bridge four to scramble for weapons, only for the crazy man to hand it to Kaladin with a mumble, then sit on the floor.

Kaladin had sighed, pinching the bridge of his nose, before placing it, very, very carefully, under his bed.

A storming shardblade. Under the Captain's bed.

"A Shin with a shardblade who wears white," Moash added sarcastically, eyes flickering to the Captain's bed even more than usual.

(White may have been a stretch, what with all the mud and possibly dried blood. Still. Lopen could perhaps see Moash's point.)

"Yes," Rock said. "Why, were I more suspicious man, I would say Captain, this man on the floor, he can not be Assassin in White? Surely most wanted, most dangerous man in all Roshar is not here, in the place we sleep, asking for aid. Surely it would have been mentioned if this man who caused the war we even now are a part of, was old friend of yours?"

"I..." Kaladin trailed off. "I promised to try and protect..."

The whole bridge crew groaned, Skar even throwing his spear at the ground. Bad form, that.

"Storm's sake lad!" Teft growled, arms in the air. "You can't befriend and save every wanted criminal you meet!"

"If it is of help -"

The men started at the unnerving dead voice coming from the so far quiet assassin.

"We are not truly friends. Merely -"

He said a word, presumably in his language, then frowned, the first recognizably human emotion that had crossed his face.

"I do not know this word in Alethi. In Azish it is I think -"

He said something that made Sigzil choke on air, jaw dropping. "Uh," the Worldsinger stammered out. "I. Ah. I think. That might be the wrong term."

The Captain seemed to pale slightly. "Szeth, we can talk about that later," he said quickly. "We should probably figure out a plan for you to surrender to Dalinar - or Elokhar - without you getting immediately executed - Yes, Dalinar is probably-"

"Perhaps," Sigzil interrupted, voice higher than usual. "You could define the meaning of the word you used before."

"Sigzil!" The captain hissed.

"Captain?" Sigzil challenged, voice still slightly too high.

"I was emotionally and mentally unwell," the assassin in white said in his monotone. He paused. "Even more so than currently."

A few of the men took a step back.

"Stormblessed..." he looked up at Kaladin, and his voice seemed to soften, just the slightest bit. "He felt pity for me. Then he helped me feel. Helped me think that perhaps, someday I would feel the desire for life. He did this despite no great love for my being."

Many of the men nodded at that. Sigzil's shoulders slumped in relief.

"He accomplished this primarily by fucking me in a cave."

The nods froze. Sigzil closed his eyes.

The Captain slapped a hand to his face.

"The translation for this from my language would be 'pity fuck', but there is more cultural nuance..." The Assassin shrugged. "In any case it is not a bond such as that of friendship. My soul is still far too damaged for that."

"Szeth..." The Captain said, looking down at him with obvious concern. He glanced at the room, blanched at the men's expressions, then slowly pressed his head back into his hand.

Moash made an indecipherable noise and stomped towards the door, before making another noise and stomping back.

The Captain kept his palm pressed to his face.

A sudden wave of epiphany hit Lopen. "Hold on. Now hold on just a storming minute!"

The room turned slowly from staring at their Stormblessed leader to staring at Lopen.

He pointed accusingly at the Captain. When the man failed to pull his massive hand from his beautiful face, Lopen faced the others, glaring.

"I know that I joined bridge four late! But are you telling me that before I got here, the whole famous 'pulling everyone out of bridge crew misery' was actually the captain...I mean did storming all of you..."

He made a deliberate gesture, pointer finger moving extra emphatically to make up for the missing hand with which to form a hole, meeting each man's eyes with a challenge.

Drehy let out a wheeze. He and Skar looked at each other before dissolving into quiet, helpless laughter. Drehy sank to his hands and knees, wheezing more, and Skar bent over, tears streaming down his face as he gasped around his laughing.

"That ain't an answer!" he said indignantly.

He looked at Teft, but the older man had put both hands over his face. His shoulders seem to shake occasionally. Lopen's eyes narrowed as he turned to Rock.

The horneater had a hand over his mouth, but he brought it down, coughing once as he stroked his beard.

"What," Rock said mildly. "You thought it my stew that bring back men's will to live? You honor me, the Lopen."

Lopen gaped at that, and he wasn't the only one. The handful of other 'late' additions, men who had been rescued on the field from other crews, started in shock.

The rest of the crew completely lost it at that point.

Skar and Drehy collapsed further, banging their fists on the floor. Bissig started laughing as well, falling onto Natam, who had made a strange grunting whine at Lopen's question, a whine which grew louder at Rock's reply.

Moash's lips turned up reluctantly before a snort escaped against his will. He fell back against a wall, knees seeming to grow weak. Another snort. "Imagine!" he gasped out. "If he just started punching people in the stomach, ran around like a madman, and expected people to follow him!"

Leyten went from chuckling to a booming laugh at that, clutching at Pete and Yake to stay upright. He looked at Lopen, who made another questioning gesture. That was enough to send all three toppling over, Leyten loud enough to be heard the next barrack over.

Renarin squeaked from the corner as Natam hit the wall beside him in mirth, howling. Talek's breath, he had forgotten the lad was there, light eyes wide in shock.

Shen was next to him. Was it Lopen's imagination, or did even his eyes seemed to be sparkling with mirth? No storming way...not the parshman...the Captain wouldn't...

"Crazy!" Torfin agreed, cackling. "What kind of idiots would start pooling all their pay to buy storming bandages for doomed men, start laughing during chasm duty, swear to stand by their storming bridge, if they didn't have at least one, um - uh -"

"Stormblessing!" Leyten offered with a gasp from the ground.

Torfin pointed at him, "Stormblessing!" he repeated with a yell. "To remind them that life was worth living!"

Lopen narrowed his eyes, finally coming to a conclusion. "You fellows are taking the piss out on me," he accused.

"You know Captain," Drehy said, whole body heaving, tears still streaming down his face as he lay helplessly on the floor. "I still get nightmares."

This inspired a new wave of laughter mixed with jeers about their own issues, and suggestions for how the captain could help. Lopen shook his head, grinning widely at the room full of uproarious men. Some of his best work. And mostly achieved on accident, which was the best kind of accomplishment!

The Captain finally pulled his hand from his face. There was color high in his cheeks, and he was frowning, but the corners of his eyes were creased with suppressed laughter.

"Sorry Drehy, one time offer," he said dryly, to hoots.

And Lopen," he said, faux apologetic. "I am sorry for the oversight. I... didn't realize you were interested."

The crew edged well into hysteria, most men only able to breathe in strangled gasps and wheeze out an occasional ''Stormblessing!'

Bridge four's captain was good at playing straight man, when the mood struck him.

The Lopen huffed, but decided magnanimously to move past the slight to his honor. Even if it turned out they weren't joking.

"It's still nice to be included," he sniffed. "Ain't that right, Renarin."

The Brightlord seemed to shrink as attention was drawn towards him, face a brilliant red as he pressed into the corner. Some of the laughter trailed off as the crew remembered he was there. More of it got louder, even less uncontrolled.

The Captain's eyes widened and the flush on his cheeks spread to his ears.

"Renarin! Oh - Jezrianssake, the men are full of chullshit, alright? I didn't - that wasn't -"

The Captain gestured helplessly. "The thing with Szeth was - we were - the world was going to -"

He threw up his arms as Renarin's eyes just got wider.

"It was the stew!" He said desperately, turning to look at Eth, who looked bemused back at him. "It really was the stew!" He pleaded.

"I know Captain," Eth said soothingly. "I know I came in a bit later, but I know. That's not exactly something these idiots would be able to keep secret."

"Things might have gone faster, though..." Skar said leadingly, which set off another round of helpless groans and gasps for air.

The Captain rolled his eyes, scoffing, still the perfect comedic straight man.

...He did get the whole joke though, right? The bit of truth in the jeers? The Lopen was not generally interested in the more manly sex but Storms. It was sometimes hard to tell if the Captain realized just how pretty he was, just how much people reacted to his general...Stormblessedness. Not to mention the glowing! Everyone loves a man who can glow and run up walls.

Hm. Maybe that helped explain the Captain and the Assassin.

Moash stumbled, still snorting, over to the Man in White - to Szeth - looking down at him, appraising.

Kaladin grew tense.

Gancho had been especially strange around Moash for the last few days.

"Assassin," he said thoughtfully. "Are you sure it was just pity?"

The wide eyed man, who had remained utterly impassive as the room fell apart around him, cocked his head as Moash leaned down.

"There's a certain kind of person who finds killing light eyes, especially powerful lighteyes, a rather..."

Kaladin cleared his throat, interrupting. "We're not killing the king."

Moash turned sharply, glaring at Kaladin.

"I do not wish to kill anymore," Szeth whispered. He paused, then spoke again.

"I will kill if the Blackthorn orders, or if you ask, Kaladin Stormblessed, son son Tanavast."

Kaladin winced. "Maybe let's not mention...that whole last part when we go to the King. We...we should definitely practice exactly how we're going to explain all this."

He starting towing the still blank faced - no there was a bit of confusion there, if you were looking - infamous Assassin to his office, the men letting out the best jeers they could (considering their incoherent state) as they went.

"You should for sure mention the 'pity fuck' thing though," Lopen called helpfully. "The King will definitely be interested in that."

Continued Here

[gwandas]

Alright, time to elaborate on that other post. Elain by far has had the most free will, the most agency out of the three sisters. Elain stans love to say Nesta coddles her when the reality is Nesta consistently relents to what Elain chooses for herself.

In ACOMAF, Nesta doesn't agree at first to Feyre's request to use their house because she doesn't want to compromise Elain's engagement. Elain is the one to push back, and Nesta relents immediately. What Nesta thinks is best doesn't take precedence over Elain's wants.

We know that Nesta doesn't approve of Greyson. She agrees with Cassian that Elain deserves better, but what Nesta thinks is best doesn't take precedence over Elain's wants.

In ACOWAR, Elain is catatonic. If anything, she should be coddled here. Her and Elain were stuck with these strangers for months. Strangers who were also the people who got them into that mess in the first place. Finally, Feyre shows up to help Nesta figure out how to help their sister. Madja is brought in, who recommends Lucien try to figure it out since they're mates. Nesta pushes back in what might arguably be coddling to keep Lucien from Elain. Feyre tells her to shut the fuck up and let Lucien try. And what do you know? She relents again -- What Nesta thinks is best is ignored because Nesta doesn't have any power in this situation.

In ACOFAS, Nesta has pushed Elain away at this point. She tells her “You have your life, I have mine." That's more or less Nesta saying do whatever tf you want Elain it's not my business. Not coddling!

In ACOSF, ohhh the infamous scene when Elain finally develops a personality starts coming out of her shell. Please try to remember at this point, Nesta has been locked in a house and barely sees Elain. The IC doesn't give a fuck about what Nesta wants for this whole book—Why would they choose now to listen to her? Literally everyone except Azriel agrees that Elain should be able to scry if she wants to. It would literally be easier for the IC to let Elain do it over waiting for Nesta who didn't want to do it.

"Shall I tend to my little garden forever?” When Nesta flinched, Elain said, “You can't have it both ways. You cannot resent my decision to lead a small, quiet life while also refusing to let me do anything greater."

Elain says all this and then... goes back to "tend to her little garden." It's a toothless moment. Elain stans would rather blame Nesta for coddling her than consider that maybe Elain just didn't try very hard to take on some responsibility for her sister who was supposed to be in "rehab." It sounds fucking stupid in the context that Elain hasn't seen Nesta at all between ACOFAS and ACOSF -- Nesta physically isn't around to coddle her. Elain doesn't contribute because she chooses not to or because the IC simply doesn't ask her to. We don't have any context for what she's been up to aside from some vague comments about lying about gardening or whatever Cassian said.

Amren admits that they're using Elain to manipulate Nesta. There was zero practical reason for them to do this other than because they care more about Elain's safety than Nesta's safety. The IC are the ones who have the power to "hold Elain back," not her sister who is locked in a house and never sees her—The IC could easily say fuck you to Nesta and have Elain do it. They didn't even need to bring Nesta into this conversation!! They could've gone to Elain first!!

Some Elain stans want so badly for Nesta to be the thing holding Elain back and it's very transparent to me. I have seen people go so far as to blame Nesta for Elain's uselessness in the cabin and that Nesta abused her too—sorry, what? I mean nice try, but Elain already admitted to being just as neglectful, and not even because she was genuinely remoseful towards Feyre—She said that shit to defend Nesta from Cassian.

I'm not even saying Elain isn't coddled but Nesta sure as fuck isn't the one doing it. Nesta doesn't even have her own free will how the fuck is she supposed to take away someone else's? Nesta choosing to do things so Elain doesn't have to isn't coddling. It's well established that if Nesta couldn't successfully scry, they would've gone to Elain, which means Nesta never had the power to stop Elain from scrying. Nesta has never tried to take away Elain's free will and even if she wanted to, she has no power to do that.

[hotasfahrenheit]

okay y'all so i'm not saying the tattoos won't have significance to the story in 4Minutes, but if no one else has broken it to you yet, at least some of those tattoos on Bible's leg are actually Bible's real tattoos.

one of the easiest places to see them are the video that he and Build did back during KinnPorsche airing and promotions where they took a pole dance class together (yes really) and you can see the main three runes on his right thigh throughout as he practices and spins on the pole. i couldn't find any shots that show anything above those, but he was already wearing pretty short shorts and there might be evidence elsewhere that i'm not hunting down.

my very low effort goog searches aren't pulling up anything on the symbol in the corner of the screenshot from the trailer, but it's not an actual rune from the Futhark/Futhorc alphabets like the other runes are so it might be something made up for the show if it's not a real tattoo, i have no idea.

for what it's worth, Bible has another tattoo on his left thigh but i have no idea what it is and couldn't get a clearer shot of it than this, but there you go!

the runes he chose and their orientation are interesting, as ingwaz, the one that looks like two Xs stacked, is the same up or down, but the other two are both upside down when you are looking at Bible but would read right side up to Bible when he looks at his leg. i have had discussions in the past with friends who know more about runic things that have told me that orientation can be very important for what the runes mean and what energies etc they can bring into your life, but who knows if Bible got them for any of those reasons or if he just got them because he thought they looked cool.

so yeah, speculate away! but also know that some of those are just Bible being his extremely attractive self with tattoos already there.

[eirianerisdar]

You know you have to laugh when you're scrolling the charlos tag and there are one or two people so obsessed with the idea that C2 are oscar-level actors that when confronted with evidence they're good enough friends to joke with each other instead say "wow they are unhinged to hate each other but act married on camera."

Maybe. It's not that complicated. Maybe they're friendly teammates who occasionally say shit about each other because they're competitors. Not everyone lives a double-life.

Sure, we don't know if they're close friends (as subjective as that word is), and honestly it doesn't matter if they aren't. But to insist they hate each other?

Just. I don't know, maybe if you live in a way that you feel you have to pretend your driver lies to everyone including his fans for "PR" because that's the only way he fits your agenda, maybe you don't actually think of your driver as a person? You only treat him as an object?

[pseudophan]

do you think we ever cockblock them? like they're doing something and think oh the phannies would love this and then the collective weight of the imagined phandom panopticon kills the mood

literally yes i 100% think this has happened. but at the same time i also think the knowledge that thousands of people want access to their private life but can't have it is a turn on sometimes. they're like exhibitionists but kinda pussies about it, y'know? threading the line but not too far

[kindaeccentric]

I've been thinking for quite a while about the first book we see written by Daniel Molloy in the very first episode being a book on the aids crisis, his own possible experiences with hookups with men and about Armand. It made me create a theory.

Let me remind you not only is show Armand's ethnicity different, in the gallery when he's telling a short version of his story to Louis the cause of his death isn't stated as poison, but an illness. A more vague, generalized term. This illness, as he says, took away his healthy full looks, which leads me to believe he was ill for a prolonged period of time. Would it be entirely impossible, considering Armand's history of being sexually abused for years, now including under Marius' 'care' that the illness was an effect of that, a venereal disease of some sort, at the time incurable? Would it be impossible that what was killing book Daniel in the 80s was more than just alcoholism?

Now, we know Anne Rice had firsthand experience with alcoholism, so this last theory is rather Watsonian not Doylist (!), but

1) the world created by Rice, despite ever-present violence, is still deeply recognizable as fantasy, with characters' dynamics influenced by archetypical sexual roles. In turn anything that would take one out of the fantasy is, intentionally or not, neglected, including issues that would have emerged otherwise.

2) the way the tv series engages in conversation with the source material is informed by our current sensibilities and understanding. Show Daniel survived the 70s and 80s, but came out of it with a book on a very specific topic.

It would be very compelling narratively if Armand's human death mirrored something that could have happened to young Daniel, but in this universe didn't. It would create a whole new layer of understanding between them, be the unforeseen groundwork for their possible future (or also past, who knows) bond.

Plus, it's deeply connected with blood, and, considering Louis commenting on the bad quality of blood when feeding during war in Europe and instantly recognizing blood cancer by taste, it creates more questions and room for further reflection.

Thank you for coming to my ted talk ✌️