#don't know if i'd count this as an analysis but
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spade-riddles · 1 day ago
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taylorklosscomeout138 asked:
I heard that sadly Taylor is on her way to Kansas City which I suppose is fitting given she was just out wearing that Dorothy inspired dress called Sunday- in which tomorrow, Sunday, Nov 10th, is the football game in Kansas City...
HOWEVER, in the event that it could still be a stunt and she will be ghosting despite optics... I thought I'd share my Bejeweled analysis regardless and how I believe I discovered the way we are meant to tell time in the ending scenes of the MV!
So as we know, in the scene where the proposal is rejected and Taylor ghosts the man, Taylor is dressed up as Marie Antoinette. This is an extremely crucial and intentional detail that alludes to what date the ghosting takes place on.
Because she portrays Marie, my first thought was to look up what Marie Antoinette's birthday is... in which her birthday is 11/2.
It is important to note that prior in my belief that the ghosting would be November 10th, I have always noticed that the "she ghosted" pops up at the timestamp 5:10, at the 10 second mark, I just never had any prior real proof to be sure it meant 11/10 because obviously 5 is not 11.
But..... now applying Marie Antoinette's birthday of 11/2, I was able to revisit this theory. Instead of taking the timestamp as literal, I only focused on the seconds. And if you go watch the music video, the first time that Taylor is shown as Marie Antoinette, the exact timestamp is 5:02 .....
This implies that the seconds are counting by days starting in November. So if 5:02 is 11/2, that WOULD make 5:10 "she ghosted" 11/10....
This wasn't proof enough for me though, I needed more. I remembered that back in early November somebody posted on here about Queen Pat going to the Eras Tour on the 10/26 show and believing it was connected to the Bejeweled prophecy plot.... well I think they were exactly correct.
Because what scene plays directly before Taylor is shown as Marie Antoinette at 5:02/11/2 ? Queen Pat. So if the start of that scene marks 10/26... then 11/2 would follow just 1 week later making that timeline check out with the scene switch.
Then I noticed something even further. The WINK! Guess what timestamp that happens at? Exactly 5:08!!!! I instantly recognized this as a nod to the 58% of it all especially because what directly follows is the "she ghosted" at 5:10, presumably 11/10.
So of course I had to test this theory further to see if I count the seconds as days, what day the MV ends. And by that math the MV ends on December 8th. Then the credits roll...........
Just as someone posted earlier about December 8th, final eras tour show, being "the final act" !! I think they are spot on and this is evidence of that!!
Not only do the credits roll right after December 8th, but the timestamp for December 8th, keeping in mind that the basis of this whole theory is a focus on the seconds, is 5:38.... because of course it is.
She may not ghost the game but I don't know how all this could just be a coincidence, so even if she does attend... I still feel strongly that this was a correct lead.
Especially given the concrete proof of 11/11 being The Great War day, K/K day (number to letter) AND it is the 3 years in advance date Taylor mentioned back in 11/11/21. So I just can't shake that both 11/10 and 11/11 are significant dates and 11/10 is some kind of metaphorical if not literal ghosting...
I suppose we will see in due time but I just wanted to leave you all with this before tomorrow arrives. Let me know what you think!
(I have attached below a collage of all timestamps and evidence mentioned above)
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poisonedfate · 7 months ago
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i honestly had forgotten about kilgharrah's weird little goodbye in 04x02. what do you mean he was just going to let merlin sacrifice himself? and it had to be the cailleach that brought up the whole "it's not your time yet" point? yeah, uther is no longer in any position to be king, but arthur isn't exactly there yet either + he has morgana (and co) on his heels. and perhaps you could argue kilgharrah knew what lancelot would do, but why the big goodbye then? why the "oh, merlin, from the moment i met you-" moment? i guess it could've also been done for the sake of the audience, like a misdirect, but there? were other options? the scene could've just gone as usual, with merlin simply ignoring kilgharrah's advice. but no.
definitely an interesting choice when it comes to storytelling, it almost feels a little final already. like merlin has gotten him as far as he should've, which perhaps is simply there to mark the decline in choice-making (although, i'd argue that already happened in s2, so maybe just the darker tones in general is the point they're making).
then again, the cailleach does, in fact, say it's not his time yet. and if we're talking about that scene: i think an interesting choice of wording was also the whole "even if you want it to be" line that gets thrown in when talking about merlin sacrificing himself (see: "your time among men is not yet over..."). again, a very different kind of tone is brought in, which really makes me think that from the very beginning of s4 a darker storyline was being hinted at, even beyond the overall turnaround from s3 to s4 - as if solidifying the change in overarching concepts. all this to say - the whole "beginning of the end" feeling was very prominent in the first two episodes of s4, especially in the underlying themes. i honestly don't know how much of it was truly meant as such, but it's certainly a worthy checkpoint when rewatching, knowing what's to come.
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kikizoshi · 2 years ago
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I think I may have figured out how to put it: Nikolai sees people's souls through the cracks in their masks, and Fyodor sees people's masks as a facet of their souls.
Then, since for Nikolai this perception goes both ways, he's never had anyone see much of his soul through his own mask's cracks (and we can sort of see this with Atsushi, that even when Nikolai let his mask drop entirely—both literally and symbolically—Atsushi still didn't see or "get" him at all). So, it must have struck him especially hard when Fyodor easily saw his entire soul with (not even in spite of, but simultaneously with) his mask. For the first time, someone engaged with Nikolai's soul, and that person couldn't be anything other than his dearest, most intimate friend.
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unproduciblesmackdown · 2 years ago
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one in a million when i watch smthing in the horror genre and don't end up disappointed to/and/or pissed off about it so like "also yeah i liked it. ooo" is like relative to that an off the charts rave review of media of the millennium. also i did think about mh a lot along the way so would recommend its affect/effect if you like mh's horror too
#i didn't realize at first that's the director/creator tim's qrting. thought a rando went ''i love mh'' & he went ''& i love smthing else''#saw this a few weeks ago while also like writing or drawing or smthing like oh good plot's beside the point? b/c i'm splitting this focus#even checking in w/recaps was both like oh ok i missed that / didn't realize xyz could be a Thread or something but each of the like three#or four recaps i went over Also saw points differently in terms of even like; who was there or said what lmfao. or noting sm detail at all.#i went ''oh worm?'' at some early shot that may or may not have even gone mentioned by any of them. depending lol. doesn't matter#anyways we don't have time for tags media analysis except that i'll count this as: once again horror for children wins. even tho it's...#not rated? well anyways you know. probably generally not advisable for children as a direct audience lmao. however#like yes as per the premise as a child we've all experienced this [the media] anyways. perturbing summons dreams we've all had em#anyhow fr i'd even struggle to think of horror movies i'd say i mostly liked / would or did rewatch but still wasn't like. i disliked major#elements / choices to the point of being pissed off abt it. so many movies i can't be bothered to watch b/c i already know specifics like#i don't like or respect any of you people. or choices or elements or premises or executions or effects. not even interested fr like lord...#but often what has better odds are mediums that Aren't straightforwardly tv / film. like i'd compare mh to a series of several movies and#that's also imo largely a more apt categorization than saying it's an ARG or smthing but anyways like i'd recommend it to someone sure....#rare to be like yeah a movie was enjoyable. & if you already liked mh then that's a useful reference point here#which like usually i'd use mh as a categorical tag but idk i guess actually it's actively popular nowadays lmfao i really don't know#posting is already exhausting like whew but this one's for whosoever happens to follow me i guess#which is possible? nonzero ppl arrived for mh but unlikely lmfao. but also ppl see it on their own anyways coincidentally.#and you never know who observes the posts like hell yeah for an anon enjoying niche akd theatreposting who is to me ambiently out there#really odd the other day seeing an mh reblog like ''??? huh. i made that eons ago; then'' & people in the tags talking abt some repost like#on the one hand that Original Source post is two layers of deactivated blogs so a repost could be archival. but if they don't say as much#i.e. that it's even from a different source then that's not exactly it then is it. but also that even finding an original document For OP#is like. oh yeah that's me actually. but then knowing & technically saying as much doesn't / didn't actually affect me as that op lol#just kind of archival on both ends then. vs someone else in the tags saying they saw it on fb 9 yrs ago? definitely didn't post it there#my true op experience: keeping it nicheposting & just kind of saying sm shit & maybe some people are out there nodding thoughtfully#oh also in case fyi. that's tim as in actor playing [also tim] in mh. & did some writing for mh & other such behind the scenes efforts also#every time i look at the text in this post i notice a new typo of mine. get it tgoether (organic typo there. so; lol)
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godhasforsnakenme · 7 months ago
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BOOK REVIEW 📖
This is the one for February – I was reminded of this book half way through the month and decided to reread it again because I couldn't remember how it ended; plus a short mystery is always nice to read (side note: this ended up as an ebook read bc I couldn't remember where in my storage boxes I have my copy – it's in storage because it's a paperback edition and old and I don't want it to die on me yet lol)
#ben picks up reading again#dania rambles about shit#hewehewhehehewhehw I've forgotten to upload these for the last two months LMAO#not to worry I am at least still reading :D#alrighty this is for the most part spoiler free (execpt where indicated)#it is a very entertaining mystery that feels like a game of cluedo and you really enjoy how everything comes together at different points#so much that it has you going back to see how the hell you missed a detail and going AHA#but yeah counts as a reread but it was so long ago and I'd forgotten practically everything about it that its like a new read#which is a bonus bc I like figuring out mysteries in books and going along with stuff to see if I'm right at the end#not to much analysis in this review like the last book as I feel it didn't need it#each character is pretty likeable with some unlikable moments sprinkled in#also I really love how the POV switches and flows easily between each of them which is what makes this book so easy to follow along with#insight on when i first read it#i was in fifth grade and we had a reading club sort of thing that our teacher picked us for#like a greatbooks fishbowl sort of thing instead of just our regular reading/comm arts time in class#i think it was the last one's we read for that year because I don't remember any after it#anyway we had to staple the last couple of chapters together so we wouldn't be able to know the ending nor the stuff leading up to it#that way we could play along and try to solve it ourselves#we had a betting pool sort of thing going with candy to see who could guess correctly#just a box full of sticky notes with whatever theories we wanted to include with the bet#and a whole wall with those large paper pad sheets that teacher's would have for their easels in order for us to connect the dots on things#yeah we went into it#kind of wondering if we ever got to the end or if something came up that we couldn't finish the book like i sort of remember#our tutor missing a couple of weeks and then state testing and then it was just the end of the year and we were turning in the books to her#anyway just more admin lore
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medicinemane · 1 year ago
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Watching the Marrow video yet again
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blackwidownat2814 · 3 months ago
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Steal My Thunder (T.Owens)
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Pairing: Tyler Owens x female reader, Tyler Owens x shy!reader, Tyler Owens x insecure!reader
Word Count: 462
A/N: Welcome to my first Tyler Owens fic! I was throwing fic ideas around before I even saw the movie. I watched several interviews and other stuff on YouTube and took notes even. Then after seeing it the third time, I started working on this story. I don't anticipate this being a real long story, but I also will be a little slow to update because of work or writer's block or working on a crochet project I really need to finish. What I'm really saying is please be patient with me. Secondly, like in my other works, I'd planned to make this with a plus size!reader in mind, but I decided to go with insecure because I want to try and be a little more inclusive. Also, unless otherwise stated, my readers are always female readers. Lastly, I'm already working on Chapter 1, so keep an eye out for that. However, if you really like this, please let me know and I can tag you in future updates. And as always, I will be crossposting this to AO3. If you see this story anywhere besides AO3 or Tumblr, it's stolen Kthxbye! PS: Thanks to KJ & Jordyn for their help in beta-ing and title/chapter ideas! Love y'all!
Prologue
You were a Lead Meteorologist for the National Oceanic and Atmospheric Administration.  You should not be handling school age tour groups.  You were just about DONE with being treated like a secretary.  The rest of them thought that just because Kate was gone that they could go back to treating you like they did before her.
You were quiet, shy, and someone whose love language was acts of service, so you loved to help people out.  The problem was that your co-workers abused that part of you.  They asked to lead the school groups, bring everyone coffee, put together packets for meetings, etc.  Complete nonsense…and you were done.
It was then, as you mentally typed up your resignation, that you received a serendipitous call from Kate herself.
“I believe the sayin’ is ‘No man left behind’.”
“You’re not an US Army Ranger, B.”
“Yeah, well…”  You trailed off, not wanting to burden your friend with your issues.  Kate always told you that it was okay to talk to her when you needed someone, but you were stubborn.  You were very much of the ‘friends aren’t therapists’ mindset.
“Talk to me B.”
“I’m happy for you, ya know?  You’re back to doing’ something I know you loved.  I can see it in your eyes with each video or stream I watch.”
“Okay, keep your secrets…and thank you.  I am happy.”
“So…what can I do for ya?  Why are you botherin’ me on my lunch hour?”
“Damn!  Sorry about that B.”
“You know I don’t actually care.  Tell me what’s up.”
“I’m callin’ with a job off-”
“I’ll take it.”
“Woah, I haven’t even said what it-”
“I don’t care.  Ever since you left, and because I’m a huge push over, everyone’s been walking all over me.  You know I had to do three tours today?”
“We’ve talked about this.”
“I know Kate.  Just…what’s the job anyway?”  Your friend was silent for a moment, before you heard her exhale.
“It’s storm data analysis really.”
“Elaborate.”
“We’re trying to really get down to the nitty gritty with the data from the EF-5 we got to dissipate last season and see where to improve, how to catalog it in our info database, etc.”
“I’m in”, you said.  “Y’all won’t treat me like some secretary, I’ll be close to home again, and I’ll get to spend all my time with you.”
“We most definitely will not treat you like some secretary.  We’re equal opportunity storm chasers out here.”
You tossed your empty sandwich bag into the trash and pulled up Word to start drafting your resignation letter.
“Say, what are the benefits as a Tornado Wrangler?”  Before Kate could reply, you heard Boonie baby! Woo! in the background.
With that enthusiasm, what could possibly go wrong?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Tagging: @buckysdollforlife @13braincellsonly
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foone · 4 months ago
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The way it works is it's a surgery to make you immune to a bullet.
Note, that's not the same as being immune to bullets. You're only immune to a single shot: if someone shoots you twice, you're dead.
You can take the surgery again, though. The only real limitation is that you gotta wait 2-3 weeks between each time. But if you've got the money and the time, you can be as bulletproof as you want.
It doesn't "refill", by the way. Often when the surgery is explained people think it's like "a bullet a day" or "you can get shot once a year" or whatever. Nope! Once you've been shot it's just like you never had that surgery to begin with. If you want to "refill" that immunity? You have the surgery again.
No, there's no upper limit to how many times you can go, that we know of at least. There's one guy in Florida who has made it "his thing" to get the surgery as often as he can. He's currently up to about 50. Obviously there's some people online who've said they're gonna shoot this guy and lower his "record", just to be countrary.
Anyway I'm sure there'd be people who have even higher numbers (anyone who has "getting shot" as a major occupational risk, ie, politicians, soldiers, cops, and anyone doing any kind of residental survey in rural areas), but they only invented the surgery like three years ago, it's just simple math: you can't do much better than that guy.
The invention of the surgery hasn't done much to decrease gun sales, though. I mean, there's been a slight increase in people buying guns with larger capacity, for what I'd consider obvious reasons.
I did see an article suggesting that in the long run it might end up increasing the sale of guns. See their analysis is that two factors are going to drive up gun ownership:
1. People will be more willing to shoot at trespassers and thieves and such, because it'll be more like a warning shot: if they have some immunity, it won't be murder. So far that hasn't really happened as not that many people have the surgery yet. Although it's spreading fast, only major cities have surgeons trained in it, and often waits for surgery can be months long.
2. Conversely, people are going to be more likely to break in and rob and trespass if they know they can't be shot dead for it, because they got the surgery. There'll be a minor uptick in home invasions and such and this'll cause a big predictable panic among middle class homeowners who are now terrified some hooligan is gonna break into their house to steal their iPads. Thus they go throw money at security systems and cameras and guns.
So who knows at this point. If the cost (in both time and money) comes down, maybe it becomes super common for people to be so effectively invulnerable to guns that there's really no point in owning one?
I do agree with the common consensus that this is going to drive a big increase in crimes committed with knives and such. Why take a risk that your target might be immune?
Which reminds me of another thing to clarify because sometimes people online get this very wrong: it's only for bullets! You are not immune to getting hit by a car or poisoned or set on fire. Don't walk into traffic or anything, jesus.
Oh one last thing: there is a blood test that can tell if you have immunity, but it can't tell how many times you've had the surgery. You gotta figure that out yourself: so ask your doctor, search your emails, something. Every day I'm hearing from healthcare workers saying someone came in to get the blood test and it had to be explained to them that we can't tell how much protection you have: only if it's there or not. And I feel like a fool for having to say this, but REMEMBER to subtract any times you've got shot! (if you have been) Obviously!
EDIT: In light of recent events, people are sharing this post and arguing about it a lot, but let me be clear: grazes and small cuts do not count! The exact dividing line is too complicated to explain here (look up "circulatory shock" on Wikipedia), but basically if you don't end up with a big hole in you, the shot doesn't trigger the immunity.
That's how it works: you could have an ear blown clean off, and you'd still not trigger an immunity. So please stop spreading that idiotic conspiracy theory that a former president didn't have any immunity. You can barely run a high-school without being required to have immunity to hold the position, because what if someone shoots you? Come on! Of course he has immunity.
For all we know he's got some prototype experimental shit they use on president's that got him up to 200 in a couple days. There's endless rumors of the DoD funding billions in black budget items to that sort of thing, because of course. Who wouldn't want a way to make bulletproof soldiers? You don't think the soviets are pouring even more into it?
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estapa-edwards · 7 months ago
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UNEXPECTED - R. MCGROARTY
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paring: rutger mcgroarty x fem! reader
word count:3k
requested? no
warnings: use of y/n.
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I never thought I'd find myself in this situation. Of all the people in the University of Michigan, why did it have to be Rutger McGroarty? I mean, the guy was a hockey legend, scoring goals left and right on the ice and having his face plastered all over campus posters. But off the ice? Let's just say, we were like oil and water.
It all started in Professor Williams' Advanced Statistics class. We were assigned a semester-long project that would contribute a significant portion to our final grades. The catch? We had to work in pairs, and Professor Williams, in his infinite wisdom, decided to pair me up with Rutger. Great.
I slumped in my seat, trying to disappear into the lecture hall's worn-out upholstery as Professor Williams announced the pairings. When he finally called out, "Y/N and Rutger McGroarty," I felt like the entire room turned to look at me, probably to see my reaction. And what was my reaction? Pure dread.
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The first meeting was a disaster. Rutger strolled in wearing his Michigan hockey team jacket, a smug grin plastered on his face as he tossed his bag onto the table. "So, statistics, huh? Should be easy," he remarked, barely looking at the project guidelines I had painstakingly printed out.
I shot him a skeptical look. "Easy for you, maybe. I'm not exactly a math whiz."
He chuckled, "Don't worry, I'll handle the numbers. You can handle... whatever it is you're good at."
I rolled my eyes. "Gee, thanks for the vote of confidence."
As the weeks passed, our project meetings evolved into something entirely unexpected. Rather than focusing solely on statistics and data analysis, our time together became a battleground of differing opinions and clashing personalities. Rutger, with his competitive spirit, always seemed eager to take the lead, often making decisions without even glancing in my direction.
One evening, as we were deep in discussion about our data collection methods, Rutger leaned over the table, his eyes locked onto mine with a mischievous glint. "You know, Y/N," he said, a playful smirk playing on his lips, "I think we should use my method. After all, it's tried and tested."
I raised an eyebrow, not amused by his arrogance. "And what about my method? Have you even considered it?"
He chuckled softly, leaning even closer, his voice low and flirty, "Teamwork? I thought you were just here to witness my brilliance."
I groaned internally, rolling my eyes at his audacity. How had I ended up with such an arrogant project partner?
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During another one of our study sessions, tensions reached a boiling point. We were deep in a heated debate about the interpretation of our data, and Rutger's competitive nature was once again on full display. He suddenly stood up, towering over me with his imposing hockey player physique, making the small study room feel even more cramped.
"I still think my approach is better," he declared, his tone dripping with confidence and assertiveness.
I let out a deep sigh, trying to keep my frustration in check. "Rutger, can you please just listen to what I'm saying? This is a group project, remember? We're supposed to work together, not against each other."
He smirked, his eyes locking onto mine as he leaned down to my level, his face mere inches from mine. The audacity of his flirty demeanor in the midst of our disagreement only added to my irritation.
"Oh, I'm listening, Y/N," he said, his voice low and teasing, "I'm just waiting for you to see things my way."
I could feel the heat rising to my cheeks as I pushed my chair back, creating some much-needed distance between us. "Unbelievable," I muttered under my breath, shaking my head in exasperation.
Rutger leaned against the table, his smirk never wavering. "Come on, Y/N," he coaxed, his tone playful, "Admit it, you're starting to see the brilliance of my ideas, aren't you?"
I rolled my eyes, trying to ignore the fluttering in my stomach caused by his relentless flirting. "Rutger, this isn't a game. We need to work together and find a solution that we both agree on."
He chuckled, his eyes sparkling with mischief. "Alright, alright, I'll try to be more open-minded," he conceded, though the playful glint in his eyes suggested he was far from giving up on his competitive stance.
​​As we continued to work on our project, Rutger suddenly changed the subject, "Hey, Y/N, are you free this Friday night?"
Caught off guard by the sudden change in topic, I looked up from my notes, "Um, yeah, why?"
Rutger's smirk returned, his eyes twinkling with excitement. "Great! How about coming to one of my hockey games? It's a big one, and I'd love for you to be there."
I hesitated for a moment, surprised by his invitation. "I... I don't know, Rutger. I'm not really into hockey."
Rutger leaned in closer, his flirty demeanor returning full force. "Come on, it'll be fun! Plus, you get to see me in action. Who knows, you might even become a fan."
Despite my reservations, I couldn't help but feel intrigued. Rutger's passion for hockey was evident, and the idea of seeing him play, seeing a different side of him outside of our intense study sessions, was tempting.
"Alright," I finally conceded, a small smile playing on my lips, "I'll come to your game."
Rutger's face lit up with a triumphant grin. "Great! You won't regret it, I promise."
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The rest of the week flew by, and before I knew it, Friday night had arrived. I found myself at the university's ice rink, surrounded by enthusiastic fans wearing Michigan's colors and cheering for the team. The atmosphere was electric, with the excitement palpable in the air.
As the players took to the ice for warm-ups, I spotted Rutger, effortlessly gliding across the rink, his focus and determination evident. I had to admit, seeing him in his element was impressive. His skill and passion for the game were undeniable, and I found myself getting caught up in the excitement of the atmosphere.
Just as the game was about to begin, Rutger glanced up and spotted me in the stands. A wide smile spread across his face, and he waved enthusiastically in my direction. I waved back, feeling a warm flush of pride at his acknowledgment. It was a small gesture, but it meant a lot to me.
My friends, who had accompanied me to the game, noticed Rutger's friendly wave and looked at me with surprise. "Wait, did Rutger just smile and wave at you?" one of them asked, her eyebrows raised in disbelief.
I chuckled, nodding in response. "Yeah, I guess he did. He asked me to come tonight." 
My friends exchanged amused glances, clearly intrigued by the unexpected turn of events. "Wow, Y/N," another friend teased, "I didn't know you and Rutger had become so chummy. What's next, joining the hockey fan club?"
I laughed, rolling my eyes at their playful teasing. "Let's not get ahead of ourselves. I don't even like him like that." 
My friends exchanged knowing glances, clearly amused by my defensive response. "We never said you liked him like that," one of them teased with a smirk.
I felt my cheeks heat up, realizing I might have been a bit too quick to clarify. "Well, I just meant... you know," I stammered, trying to find the right words. "He's a good teammate and all, but it's not like that between us."
Another friend chuckled, nudging me playfully. "Sure, sure, Y/N. Whatever you say. But we saw that smile on your face when he waved at you. Admit it, you enjoyed being his special guest at the game tonight."
I rolled my eyes again, but this time with a smile. "Okay, okay, maybe I had more fun than I expected. But that doesn't mean anything's changed between us. We're still just project partners."
My friends laughed, clearly unconvinced by my attempts to downplay the evening's significance. "Alright, Y/N," one of them said, holding up their hands in mock surrender. "We'll let you off the hook for now. But don't be surprised if we start seeing you at more hockey games in the future."
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After the game, as I waited for Rutger outside the locker room, I couldn't help but feel grateful for the unexpected experience. Despite our rocky start and the constant challenges we faced during our project, I had gained a newfound appreciation for Rutger and his passion for hockey.
When Rutger finally emerged from the locker room, still in his gear but looking exhilarated, he flashed me a wide grin. "So, what did you think?" he asked, his tone hopeful.
I smiled back, genuinely impressed. "You were amazing, Rutger. I never realized how exciting hockey could be."
His grin widened, his eyes shining with happiness. "Told you, you might become a fan."
As Rutger and I began to walk away from the locker room, we were approached by two of his teammates, Ethan and Mark, both still in their Michigan hockey gear. They wore playful grins, clearly having spotted our interaction earlier.
"Hey, Rutger," Ethan began with a teasing tone, nudging Mark with his elbow. "Is this your girlfriend?"
Mark joined in on the joke, winking at me. "Yeah, Rutger, you didn't tell us you were bringing your special someone to the game tonight."
Rutger chuckled, rolling his eyes at his teammates' antics but not seeming entirely surprised by their teasing. "Very funny, guys," he said, his tone light and amused. He glanced over at me, offering a reassuring smile. "Ignore them, Y/N. They just can't resist a good joke."
I laughed, brushing off the playful teasing with a wave of my hand. "Don't worry, I'm not taking it seriously. But thanks for inviting me tonight, Rutger. I had a great time."
Ethan and Mark exchanged knowing glances, their grins widening. "Anytime, Y/N," Ethan said with a teasing tone. "You're always welcome to come and cheer for us... and for Rutger, of course."
Mark nodded in agreement, his playful demeanor still intact. "Yeah, maybe next time we'll even get you to wear a Michigan jersey... with Rutger's number on it."
I chuckled, shaking my head at their persistent teasing. "We'll see about that," I replied, glancing over at Rutger, who was still smiling despite his teammates' antics.
As we continued to walk towards the exit, Rutger's playful demeanor returned. "I hope they weren't too much for you," he said, his tone light.
I shrugged, smiling back at him. "They're just having some fun. I can handle a little teasing."
Rutger grinned, his eyes twinkling with amusement. "Good to know. And thanks again for coming tonight, Y/N. I'm glad you enjoyed the game."
I nodded, feeling genuinely grateful for the unexpected experience. "Me too, Rutger. It was a great game, and you played exceptionally well."
His smile widened, and for a moment, the playful, competitive edge that had defined so much of our project seemed to fade away, replaced by a genuine warmth and camaraderie.
*¨¨* ≈☆≈ *¨¨*:·..·:*¨¨* ≈☆≈ *¨¨*:·..·:*¨¨* ≈☆≈ *¨¨*:·..·:*¨¨* ≈☆≈ *¨¨*:·..·:*¨¨*
The day had finally arrived to wrap up our project, and Rutger and I found ourselves in the university library, huddled over our laptops and notes. The tension in the room was undenible, not just from the looming deadline, but also from the lingering awkwardness between us.
As we worked on the final touches, I noticed Rutger's eyes drifting from his laptop to me more than a few times. Each time our eyes met, he quickly looked away, but I couldn't help but feel his gaze on me.
"Is everything okay, Rutger?" I finally asked, breaking the silence that had settled between us.
Rutger looked up, seeming caught off guard by my question. "Uh, yeah, sorry about that," he stammered, running a hand through his hair. "I was just thinking about the project, that's all."
I raised an eyebrow, not entirely convinced by his explanation. "You seem distracted. Are you sure there's nothing else on your mind?"
Rutger hesitated, his gaze meeting mine once again. This time, he didn't look away immediately, and I could see a hint of uncertainty in his eyes. "Honestly, Y/N," he began, his voice softer than usual, "I've been meaning to say something."
I felt my heart skip a beat, curious and slightly apprehensive about what he was about to say. "Go on," I urged, setting aside my work to give him my full attention.
Rutger took a deep breath, his eyes searching mine. "I just wanted to say thank you," he said, his tone sincere. "Despite our differences and the challenges we've faced, you've stuck by me and put in the effort to make this project a success. I really appreciate it."
I was taken aback by his honesty, feeling a wave of relief wash over me. "You're welcome, Rutger," I replied, smiling genuinely at him. "Despite our disagreements, I think we made a pretty good team in the end."
Rutger grinned, his eyes lighting up. "Yeah, we did," he agreed, his gaze lingering on me a moment longer than necessary. "And for the record," he added, his tone teasing, "I wasn't just staring at you because you're distracting. I was also trying to figure out how to ask you out after we finish this project."
I chuckled, caught off guard by his candidness but also intrigued by his confession. "Oh, really?" I responded, raising an eyebrow playfully. "And here I thought you were just lost in thought about the project."
Rutger laughed, his grin widening as he leaned back in his chair. "Well, the project was definitely on my mind, but I'd be lying if I said I wasn't also thinking about what comes next."
I felt a warmth spread through me, a mix of surprise and excitement at his bold admission. "Well, now that the project is done," I replied, my voice tinged with amusement, "I guess you have your answer, don't you?"
His eyes met mine, the playful glint replaced by something softer, more genuine. "I do," he said, his voice low and sincere. "So, what do you say, Y/N? Would you like to go out with me?"
I smiled, feeling a sense of anticipation and curiosity about where this unexpected connection might lead. "I'd like that, Rutger," I answered, my own voice softening.
Rutger's smile was infectious, his eyes shining with happiness as he stood up, extending a hand towards me. "Great," he said, his tone light but sincere. "How about dinner tomorrow night? We can celebrate our successful project and whatever this is."
I accepted his hand, standing up to meet his gaze. "Dinner sounds perfect," I replied, feeling a flutter of excitement at the prospect of getting to know Rutger beyond the confines of our project.
*¨¨* ≈☆≈ *¨¨*:·..·:*¨¨* ≈☆≈ *¨¨*:·..·:*¨¨* ≈☆≈ *¨¨*:·..·:*¨¨* ≈☆≈ *¨¨*:·..·:*¨¨*
I sat across from Rutger at a quaint French bistro nestled in the heart of downtown Ann Arbor. The restaurant had a warm and intimate atmosphere, with soft lighting, rustic wooden tables, and a hint of romantic charm in the air. It was our first official date since wrapping up our project, and I was both nervous and excited.
Rutger was in the middle of sharing a funny anecdote from one of his hockey games when the door to the bistro opened, and in walked Ethan and Mark. My heart sank as I saw them, and I could feel my cheeks flush with embarrassment. Of all the restaurants in Ann Arbor, they had to walk into the one where Rutger and I were having our date?
Ethan and Mark spotted us almost immediately and made their way over, their grins widening as they approached our table. Rutger looked up, clearly surprised to see his teammates, but his expression quickly turned amused as he saw Ethan and Mark's cheeky smiles.
"Hey, Rutger," Ethan began with a teasing tone, leaning against the back of an empty chair at our table. "Fancy seeing you here."
Mark chimed in, winking at me, "And with Y/N, no less. Who would've thought?"
Rutger chuckled, clearly unfazed by his teammates' interruption. "What are you guys doing here?"
Ethan shrugged, still grinning. "We knew you two would finally get together. Just wanted to see it with our own eyes."
I felt my cheeks grow even hotter, wishing the floor would swallow me up. Rutger, however, seemed to find the situation amusing.
"Alright, alright," Rutger said, holding up his hands in mock surrender. "You've had your fun. Now, give us some space, will you?"
Mark chuckled, raising his hands in mock defense. "Alright, alright. We'll leave you two lovebirds alone. But remember, Rutger, you owe us for this."
Ethan nodded in agreement, pointing a finger at Rutger. "Yeah, don't forget it."
With one last round of playful teasing and laughter, Ethan and Mark finally retreated, leaving Rutger and me at our table, slightly flustered but also laughing at the unexpected turn of events.
Rutger shook his head, grinning at me. "I'm sorry about that, Y/N. My teammates can be a bit... overbearing."
I chuckled, feeling more at ease now that the awkward encounter was behind us. "It's okay, Rutger. It was bound to happen eventually, right?"
He smiled, reaching across the table to take my hand. "Absolutely. And who knows, maybe we should thank them. Their little interruption broke the ice, so to speak."
I laughed, feeling grateful for Rutger's easygoing nature and his ability to turn a potentially awkward situation into a moment of shared laughter.
"Maybe you're right," I agreed, squeezing his hand in return. "After all, it wouldn't be a true Michigan experience without a little interference from your teammates."
Rutger grinned, his eyes twinkling with amusement. "Exactly. So, where were we before we were so rudely interrupted?"
I smiled, feeling a warmth spread through me as I remembered the conversation we had been having before Ethan and Mark's unexpected arrival. "You were about to tell me about that overtime goal you scored last week."
Rutger's face lit up, and as he launched back into his story, I found myself once again captivated by his passion for hockey and his infectious enthusiasm. Despite the awkward interruption, our date was turning out to be more enjoyable than I had anticipated, and I was grateful for the unexpected twist that had made our evening even more memorable.
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lilacthebooklover · 9 months ago
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shadow milk is such an intriguing character to me because so many things he shows us are a facade. we see him constantly belittling other cookies, calling them "fools" and "silly", yet he himself can't seem to count to four. we see him act lighthearted and jokey, only for wrath to emanate from him as he blasphemes this world's version of gods (his whole deal with the witches is something i'd very much like to go into). we watch his performances and his own interpretation of why he was sealed away, only for the witches to go further unmentioned as the story focuses on the "fool king" (clearly bearing no resemblance to elder faerie cookie, what are you guys on about smh, it's just a sad coincidence). we don't know his true intentions- he seems to have a lot of fun tormenting pure vanilla and apparently wants his soul jam back, but has made no move to take it, instead repeatedly stating that he wants to introduce pv to the other fallen heroes once they're released. he seems on the surface like a being of chaos, but we find out how much of a perfectionist he is through the white lily/dark enchantress puppets. he twists the narrative in his favour so much that he fails to see how someone might deviate from the script, he has no qualms about turning cookies into mindless puppets or even killing them (rip elder faerie), and yet he treats the group like more of an amusement than a threat. he's smart but arrogant, able to pick apart minds while still not yet strong enough to take over pure vanilla's, and he's incredibly proficient at identifying someone's weaknesses. there's so much about him that we don't know yet, and i'm getting more tempted to make a full cohesive analysis on him by the minute
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kerryweaverlesbian · 11 days ago
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A friend of mine asked for advice on writing a poem so, I figured I'd share it more widely. This is how I personally tend to go through the process (although sometimes poems just come in a stream of consciousness and I'm like damn where'd you come from???)
This gets long so, under the cut
To me, a poem is circling around an idea through building a structure, so:
1. Figure out a key idea that connects two things together("smoke is a metaphor for hidden places" + "Mary Supernatural's relationship to motherhood" = "Mary Supernatural's hidden feelings about motherhood explored through the metaphor of a house fire")
OR a scene where something very sensory is happening ("eating a live octopus", "running on a cold day")
2. Write a short paragraph of whatever comes into my head as I think about that. Connections to other works, random lines, images, concepts. The ideas can be cliché and shit and not be used in the final piece!!
I'll do one rn for the octopus concept:
"What could the octopus be a metaphor for? Struggling to create a piece of work? Like how I rotate pieces of media around in my head for a while sometimes without getting a clear thought on them, as I am with Mouthwashing right now. The struggling kick of life. A life without hands, only senses. A constant reaching forever. Maybe a squid would be better, it releases cloudy ink...? But it's not as big as an octopus. Poem speaker confused between squid and octopus. The sensation of being strangled from the inside by the octopus tentacles. Fighting against yourself and your own instincts to give up. Tears forming as ideas form. Salt and copper. The tongue is kind of like a tentacle in itself. 'I swallow it, until it becomes mine'."
^ this helps solidify the ideas of the poem without having to battle through 3 or 4 drafts while looking at a blank page willing ideas to come out. Sometimes I just do that part in my head but it can be helpful to refer back.
What I love about poetry is that you can just skip to the exciting bit! You don't need a bunch of characters or scene descriptions or dialogue. It can all be the bit that makes you go hell yeah cool cool cool!! (<- guy who finds literary analysis cool)
3. Whichever of those ideas speak to you, use some to write a first stanza. The rhythm can be whatever sounds good in your head:
"I'm eating an octopus
(Live)
With gusto,
It's fighting me back but I bite."
So now we have an established rhythm! For this one it's
7 syllables [no comma]
(a short aside)
3 syllables,
8 syllables.
Now for the rest of the poem I can use that same rhythm, which keeps me focused. If you don't want to come up with your own rhythm, there's plenty of established poetry rhythms and rhyme schemes, if you google "types of poem" they will appear as if by magic. And of course you don't have to use a pattern at all. Again, this is just what I do.
To be clear, I don't tend to literally count out the syllables, you can feel what the rhythm is by saying the poem out loud (which you should do FREQUENTLY as you write to make sure the emPHAsis doesn't go ON the WRONG word). There's poetry terms for emphasis but I don't know them because I only did up to AS level poetry 😉
If you ever find the rhythm isn't working, change it. It's your poem. Do whatever you want. Changing the rhythm can also be used to show "this is a change/escalation in idea". It's a song with a bridge.
4. Keep talking about different parts of the metaphor in that structure:
"The tentacles writhing
(I chew, I chew)
A battle,
A hunt for the truth.
The hinge of my jaw
(It hurts, it hurts)
Unkindly,
I stick in my tooth."
^ I often slip into rhyming, this also helps not get stuck thinking of literally any word from the english language that could be used. As Monica from FRIENDS says, "rules help control the fun!"
"The [something] of muscle,
(My tongue? Its leg?)
My burden,
My begging for proof."
^ my close personal friend square brakets when I can't think of a description this instant! Wooo!
"[Some sort of 5th stanza that has an end rhyme for proof, maybe with the "salt and copper" concept?]
I'm eating an octopus
(Live)
But I'm winning
It's hard, but it's worth it, the fight."
^As you can see I added an extra syllable for the second to last line, you gotta just listen to your heart sometimes. When ending things I like to harken back to the beginning! It can be a little cheesey sometimes but that's okay, poems are allowed to be cheesey!
That's my general approach. Something that really, really helps with writing poetry is also... reading poetry. You get to experience a lot of rhythms and rhyme schemes and ways of talking about ideas and how different poets use the foundation of a poem to express their meanings. Reading this poem back, I was writing spontaneously but I can very clearly see influences of A A Milne (my mum's favourite poet!), The Jellyfish by Marianne Moore and my dear friend @lesbianjoannaharvelle 's poem I wish I could draw for the theme of wrestling with creativity. Our works are in conversation! Isn't that cool!!
Anyway. Kiss kiss.
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elslittlestories · 1 month ago
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Since when our favorite squad has been in active duty ?
Sharing this to add up to @miss-musings 's very detailed analysis of The Bad Batch timeline. If you haven't read the post, I highly recommand it! See link bellow:
Thanks to a piece of dialogue between Wrecker and Tech, we know their last detachment lasted 180 days (205, if you adjust to galatic zones change but I'm not gonna consider that because I want the number of days they actually lived)
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Wrecker also tells us that during those 180 days, they executed and succeded 11 missions.
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Which gives us an average duration of 16,4 days per mission.
During that scene in the baracks, we also catch a glipse of the board where they keep track of their missions. I've counted 11 groups of 5 tally marks, so 55 missions.
There are 2 possible sources of error here, because 1- I'm assuming the shot pans through the whole board but there could be more marks that we don't see, and 2 -Since it's been said they have a 100% rate of success in The Clone Wars episodes, I consider it's stil the case and that all the missions are marked on the board
With the average lenght of 16,4 days per mission, that leads us to 902 days. So roughtly
2,5 years
(Note: it is my understanding that a standard year in Star Wars is 368 days, so really close to our year)
From Wookepedia, I place the event surrounding order 66 and the creation of the Empire and therefore the first episode of The Bad Batch in the middle of the year 19BBY
"The anniversary of the Empire's creation was celebrated yearly, on the twenty-third day of the fifth month using the Great ReSynchronization (GrS) dating system based on Coruscant."
Clone Force 99 would have been promoted and sent in active duty at the beginning of year 21BBY.
To try and place it in the Clone wars timeline, that would be about a year after the battle of Geonosis (beginning of the war) but before the attack on Kamino that lead to 99's death (TCW S3E2 Arc Troopers).
I like that because I headcanon the Domino squad was propably training on Kamino around the same time and that they are close in age. I'd like to think they got to interact together thanks to 99...
Let me know if you think this make sense or if you came up with another number!
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anxious-witch · 5 months ago
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Part two of this analysis aka Edwin, Charles and asexuality and why I personally like hcing Charles under the ace umbrella rather than Edwin.
Previous part was about why I don't see Edwin as ace and this one is about why I can see Charles as being on ace/ace spectrum.
So, you might be thinking, what the hell is he talking about? Charles clearly flirts with Crystal from the start and is attracted to her!
And to that, I say, yes....and no. He flirts with her from the start, absolutely! I'd even say he likes her immediately and think she is pretty. But given we aren't in his head, we can't really know exactly what he thinks. His reaction certainly isn't as extreme as the one Edwin has to the Cat King, which clearly showed instant sexual attraction.
So, the way I see it, I think he likes Crystal and very quickly develops a crush on her. But those are romantic feelings, not sexual ones. And we all know how intense Charles' feelings are, especially when it comes to devoting himself to someone.
"He literally agrees about being a nice addition to her body count! And he seems to know ghosts and human can have sex!" Yeah. Which is why A) I hc him as demisexual aka only feeling sexual attraction when he already has feelings for someone and B) as an ace person myself, believe me when I say that researching sex as a concept by an ace person is not uncommon. It's interesting part of human experience, whenever you wish that for yourself or not.
But I digress. Back to my point and that is, when does Charles seem to kiss (and if you believe they slept together after that one scene)? When one or both of them are in need of comfort.
We know Charles is physically affectionate person in general, so while I understand the whole thing was muddled with him and Crystal, I do find it odd he never kissed her due to being excited, or relieved. It would be so very in character for him and yet??? We see them kiss, if I remember correctly, after Charles has his breakdown over not being able to stop anything or after the Devlin's house? I mixed up those two in my head but regardless-it's a form of comfort. You know how a lot of ace people who like sex describe why they like it? Because it makes them feel closer to their partner, because yes, the sex itself is enjoyable, but there is no need for it, no attraction to spur it on. But when you care about the person, you want to make them feel good and you want to feel closer to them.
So for Charles, who constantly craves positive validation, especially through touch? I feel like he'd be either sex positive ace or as I mentioned earlier, demisexual. He doesn't seem spurred by it by attraction.
Hell, after Crystal has a nightmare, what is his first instinct? To kiss her. Because he feels helpless with how to help her other than get her closer to him! But , no offense to Crystal, I find it a bit difficult to believe Charles looked at her in that moment, traumatized by the nightmare and thought "god you look so hot right now I have to kiss you".
And again, we see this repeated when Crystal is about to leave for London and she kisses him goodbye. They never kiss as a consequence of something happy. Which yes, can definitely be contributed to the general narrative of that relationship likely being there as more of a comfort but still.
When we talk about headcanon sphere, because I don't pretend like the writers planned on making Charles ace coded, I think it would make sense.
Also why he doesn't clock Edwin's meeting with the Cat King for what they are! He is suspicious, we could even say he is jealous, but up until Edwin doesn't bring up his feelings for Monty, Charles doesn't connect the two. Which I find odd. Charles doesn't seem surprised that Edwin is gay, so how did he not make a connection about the Cat King until that moment?
Unless he usually connects sex with romantic feelings! Of course, he knows other people sometimes don't but surely not Edwin? Surely Edwin would think like Charles and want to love someone before feeling any sort of attraction? Right? Right??
Wrong. You sir, give strong demi vibes.
No but in all seriousness, I feel like Charles being demi/ace doesn't have a lot of uncomfortable implications that Edwin does? And it doesn't play into the stereotypes either. Why not hc someone flirty and easygoing as ace for a change?
Not to mention that he can be flippant around sex because that's what's expected. We know Charles is not above putting up a front if it makes it easier for everyone around him. To feel accepted.
So he likes a girl. She is pretty and powerful and she alive. Of course he is attracted to her. It's natural. That's how attraction is meant to feel like. Right?
And especially with demi hc, I feel like that fits very well bc he is used to having to "convince" himself before he feels the attraction.
Another cool point I could see being raised is how, he thinks Edwin isn't interested in anyone for the longest time, so Charles in turn, fully turns out any possible romantic feelings for him. And in turn then, he never think he can be attracted to Edwin because he could be like oh! No romantic feelings? No attraction either. Cool!
But yeah. Again, just hcs in general, but if we are talking about making someone ace, I feel like Charles is a more logical than Edwin, personally
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writing-with-my-teeth · 4 months ago
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Capeless Crusaders Against Lex Luthor
Summary: Lex Luthor's Public Enemy #1 has always been Superman. He never thought that Bruce Wayne and his gaggle of misfit children could be worse.
This story features Bruce, Dick, Steph, Damian, and a bonus Red Hood. Let me know if anyone wants a part 2 with Tim, Duke, Babs, and Cass.
Word count: 3k
Potential TW: I tried to pick the most cartoonishly evil thing that Lex could support, so this fic does mention the activity of dwarf tossing.
Another day, another gala.
Lex's lip curled. He hid it behind the lip of the champagne glass in his hand.
You know, he was just thinking that he might actually enjoy the night. Galas were such tedious affairs, but half of the attendees tonight were Lex's business partners. The other half were old school friends.
Unfortunately, anyone that had gone to school with Lex and Oliver Queen—the host of tonight's party—had also gone to school with Bruce Wayne, and his unfortunate yacht accident two weeks ago hadn't stopped him from attending, though Lex had desperately hoped it would. Of course, the moment he waltzed into the room, a good hour and a half late and already heavily intoxicated, by the looks of him, Lex lost the spotlight.
Nevertheless, the night was salvageable. There were no media vultures in attendance. The only reporter on the list was that mild-mannered Daily Planet employee. Lex didn't remember his name (Connor O'Connell, maybe?) but he did remember the scathing cost-benefit analysis of Superman that he'd written three months ago.
Lex would be delighted to pick his brain more on his thoughts about Superman.
Unfortunately, as soon as he waved the man over, a tremendous splash sounded across the room. The reporter's head whipped around, nearly losing his thick-rimmed spectacles in the process.
Lex closed his eyes and counted to ten for patience.
Bruce Wayne was—yes, he was in the fountain.
It was hard to tell whether he was swimming or drowning.
Lex hoped it was the latter. Unfortunately, the sentiment wasn't a common one. Old Mrs. Crawer pretended to faint into her young bodyguard's arms (she did that at least once per gala) and Jack Drake went so far as to shout for someone to help. A couple people nodded their heads, looking sufficiently concerned, but nobody seemed invested in ruining their clothes by jumping in after Wayne.
It was the reporter that stepped up. He folded his notebook and pen in the jacket of his suit, handed it off to the nearest waiter, and stepped up to the lip of the fountain. Loudly, he said, "Mr. Wayne, are you okay?"
Wayne's head popped out of the water. He slicked his hair back to the admiring gasps of unsatisfied society ladies and whispered something to the reporter that made him shake his head. Then, louder, he announced, "Felt a little stuffy in here. Thought I'd shake things up." His voice was slurred and his eyes bright. He was so intoxicated. Lex could hardly wait for the reporter to flame him in the papers tomorrow.
"I'm surprised he's so eager to get into the water considering his recent yacht debacle," Lex sniffed, but nobody heard the cutting remark.
It was Oliver Queen that finally cajoled Wayne out of the fountain with the promise of more shrimp and cocktails. The man staggered sopping wet around the ballroom, laughing about his own stupidity and using the reporter as a support whenever he stumbled. If he wasn't the center of attention before, he certainly was now, with the soaking wet see-through white dress shirt clinging to every curve of muscle on his body. Why, exactly, did Bruce Wayne feel the need to bodybuild when he sat in an office all day? Lex would never understand the foolish rich.
"Brucie," Lex said when the pair stumbled within earshot. "Why don't you give Caden a break and sit down?"
"Who?"
Lex forced a laugh and the reporter joined in after a pause. Fine. If Wayne wouldn't let the reporter go, then he would conduct his business while ignoring the man. He did that enough during board meetings with Wayne Enterprises, after all.
The next morning, Lex stared at the newspaper in disbelief. Wayne's dip in the fountain was splashed—literally—all over the front page, and his stilted conversation with the reporter had barely made page 3, hardly bigger than a footnote.
Fucking Wayne.
---
"License and registration, please!" the disgustingly cheery cop all but sang. It was four in the morning, but he was practically beaming. And he was beaming his flashlight directly into Lex's eyes. He couldn't see anything around it.
"What seems to be the problem, officer?" Lex asked, handing the papers over.
"Suspicious behavior," replied the cop. "Mr. Luthor, what are you doing in Blüdhaven at four a.m.?"
"What suspicious behavior?" Lex questioned.
The officer lowered his flashlight, but its dark shadow was seared into Lex's vision right where the cop's face should be. "Mr. Lauren, are you avoiding the question?"
"It's Luthor, actually, and no, of course not," Lex sighed, rubbing his face. He was exhausted. "I was on a business trip. Our meeting ended late. Now, what suspicious behavior are you talking about? I used my turn signal before switching lanes, I've been within five miles of the speed limit the entire drive, and as far as I'm aware, there's no driving curfew in Blüdhaven."
"Yes," said the officer. From what Lex could see of his features, he was frowning. "All of that is extremely suspicious behavior in Blüdhaven. Besides, you're driving a Luthor Cybertruck, which suggests you suffer from lapses of temporary insanity. Do you consent to a quick search of your vehicle?"
"Not without a warrant," Lex sighed. "Look, officer, I'm from Central City. Us citizens follow the law there. I can assure you, I just want to go home."
The officer hesitated. Lex considered bribing him, but couldn't tell if the man had a bodycam on.
"Well, all right," said the officer finally. "I'll let you go with a warning."
"Thank you, officer," Lex said. "Thank you for keeping your city safe."
"All in a night's work!" the officer said cheerfully. "Have a good one, Mr. Lantern."
"Luthor," Lex grumbled, but the officer was already ambling away, whistling cheerfully. "Lapses of temporary insanity?" That officer was the one whistling at four a.m. Luthor Cybertrucks were pinnacles of human technological innovation!
Twenty minutes later, another cop pulled him over. Lex had his papers in hand by the time the officer said, "License and registration, please!"
It was the same idiot cop from before. Lex closed his eyes and said, "Really?"
"Excuse me?"
"You just pulled me over. Nothing about my driving has changed since then."
"Did I?" the officer mused. "I'm not sure if I recall."
"I can assure you that you did," Lex said through gritted teeth. "I can assure you, Officer—" He squinted at the man's name badge— "Grayson, I just want to return to my home in Central City."
"I'll let you off with a warning," said Officer Grayson. "Don't let it happen again, okay?"
Lex had the sinking feeling that it would happen again, and he was right. He figured it out by the next time the officer pulled him over: Grayson was the name of Bruce Wayne's first adoptee, the circus one. Apparently, idiocy was inheritable through adoption.
This time, Officer Grayson tripped on his way to Lex's window, and Lex stiffened at the sound of glass crunching. He closed his eyes and counted to ten, which maybe wasn't the best thing to do, because the first thing Officer Grayson did was poke his shoulder and ask, "Sir, have you fallen asleep behind the wheel?"
Lex stared at him.
Officer Grayson stared back, utterly serious.
"Did you just shatter my brake light?"
"No, I don't think so," Grayson said airily, then launched into the same spiel from the last two traffic stops.
Lex gripped the steering wheel because if he didn't, he might punch the man. When Grayson was done, he asked tightly, "What do normal Blüdhaven citizens drive like?"
"Excuse me?"
"What is unsuspicious behavior for driving in this wretched city?"
"I would never encourage someone to break the law," said Officer Grayson seriously. "You're driving perfectly, sir. It's just quite unusual for this area, so I wanted to make sure you're not hiding anything nefarious in your car. Do you consent to a search?"
"No, I do not," Lex said through gritted teeth, "I just want to get home. As I've told you two times before."
"Have you?"
"Yes," Lex snapped. "You have."
"Oh." Officer Grayson scratched his head. "Sorry about that. Carry on, then." He handed Lex's paperwork back.
Lex waited until Grayson pulled away and drove off before starting to drive himself. If it was so suspicious to drive close to the speed limit, then he would drive ten miles over. As long as he stayed behind the officer—
"Oh, come on!" Not ten minutes later, blue-and-red lights flashed in his rearview mirror. "How did he get behind me?" Lex had been so careful not to pass anyone!
"License and registration, please! It'll be a ticket today, unfortunately; I clocked you going seventy-seven in a sixty-five zone. Also, did you know that one of your brake lights is out?"
Lex would be having words with Wayne about allowing his children out of that ridiculous manor he called a home.
---
Lex wasn't the fondest of children, but he could appreciate them as the future of technological innovations. That was why he appeared as a guest at the end of the tour LexCorp hosted for students enrolled in Gotham University. Hopefully the poor children would realize how much better life was outside of that depressing city.
"And as a special treat for you all, LexCorp's CEO, Lex Luthor himself, has taken some time out of his very busy day to answer a few of your questions!" the perky guide announced.
Lex pasted on a smile for the crowd, who didn't look very impressed. Students looked more and more tired every year, he'd noticed. Lex tried not to take their lack of enthusiasm personally.
"It's a pleasure to meet the sharpest upcoming minds in the industry," he said. "As CEO of LexCorp, I personally oversee—"
A hand shot up. Lex blinked but quickly recovered. He would have time to finish his speech in a few minutes. "Yes?" He pointed to the hand's owner, a young woman with bright yellow hair. She was dressed in purple from head-to-toe, even her socks and the scrunchie holding her hair away from her face. Something about her seemed familiar, but he couldn't quite put his finger on it...
"Hi, Mr. Luthor," she said. "I read online that you support dwarf tossing. Is that true? If so, why?"
Immediately the group's energy shifted. Eyes darted between the blonde and Lex, obviously hanging onto every word.
The tour guide shot a terrified glance at Lex, who couldn't have been more taken aback. Every attendee should have had their student IDs checked, so she couldn't be a reporter.
"Excuse me?" he finally managed to say.
"Dwarf tossing," the blonde repeated. "I saw in an article a couple years ago that you opposed actions against the sport, and I was just interested in why you did that."
"If we could stick to questions related to the tour," the guide said desperately.
The blonde's hand shot into the air.
"Anyone else?" the guide asked.
Everyone else in the tour seemed too interested in the blonde's next question to ask one of their own.
Lex suppressed a sigh and pointed to her.
"Yes, hi," she said. "Mr. Luthor, why is the password to your computer system your birthday? That seems like a security issue just waiting to happen."
"Excuse me?"
She pushed through the crowd of students to the keypad in front of a door that read 'KEEP OUT: EXPERIMENTATION IN PROGRESS' and typed in the code.
The door swooshed open.
"See?" the blonde propped a hand on her hip and flipped her hair over her shoulder, and all of a sudden Lex knew exactly why she was familiar. She'd been at Wayne's last foundation gala, dressed in the same shade of purple, on the arm of Janet Drake's lovechild with Bruce Wayne. Lex didn't remember the sickly-pale boy's name. Thomas, maybe?
"Please shut that door this instant," the guide spluttered.
The blonde shrugged and typed the code in backwards, prompting the doors to close. "I'm just saying, for a so-called tech genius, your password was pretty easy to figure out."
Lex's tongue unstuck from the roof of his mouth. "And how, may I ask, did you sleuth that out?"
"It was my second guess," she said. "I mean, come on. It's pretty egotistical. Better than if my first guess had been right, though."
"And what was your first guess?"
"The date of Superman's first save. You're pretty obsessed with him."
"Okay!" the tour guide said shrilly. "I think that concludes the tour for today. Thank you all for attending!" She ushered the group of university students out of the room. The blonde was the last to leave, holding eye contact with Lex all the way out the door.
What was wrong with the children that hung around Bruce Wayne? Lex made a mental note to check the man for any kind of radiation he might emit. There was no such thing as radiation that made people stupider, right?
---
Wayne's youngest was the only one in the entire family to possess any shred of sense, Lex had discovered.
It grated on him to appeal to a child for grant funding, but LexCorp needed Wayne Enterprise's cooperation to petition the FDA to pass LexCorp Brand kibble. Pet food was a criminally underutilized industry, in Lex's opinion. He could already see LexCorp monopolizing the industry in the future.
Instead of Bruce Wayne, Lucius Fox, or even the seventeen year old Drake-Wayne lovechild that had served as CEO for a little under a year, they had sent Wayne's eleven year old son. He didn't fit into any of the HAZMAT suits they had in stock, so Lex had to entertain the boy while his assistant did a hasty tailoring job. All the while, the boy's brooding bodyguard stood over his shoulder, glaring so hard that his assistant's hands shook.
God knew what hell the child would raise if she poked him with a pin.
Judging by the frightened look on her face, she knew that her job was at stake. Wayne's lawyers were a nightmare to deal with. Lex would rather fight Superman without Kryptonite than face them in court over Wayne's darling prince suffering from a pinprick under Lex's supervision.
Unlike the rest of the Waynes, this boy did not speak much. He looked at everyone with a shrewd, suspicious glare, looking so much like his bodyguard that Lex almost wondered if they were related.
Lex didn't get the feeling that the child approved of him, but he wasn't particularly concerned with a child's opinion. As long as the child was smart enough to realize the financial benefits of Wayne Enterprises partnering with LexCorp—and wasn't that sad, relying on a child's judgment to make a business deal—then they could all go their separate ways as soon as the day was over.
"Are you sure that you don't want a suit of your own?" Lex asked. "Like I said, the technology used to infuse each piece of kibble with the proper nutrients for a growing dog can be—"
"I'll be fine," the bodyguard said in a gravelly voice.
"All the same, there is some radiation—"
"A little radiation never killed me," he said. His mouth twisted in a wry smile, like he'd just said an inside joke.
The child looked at him sharply.
"Well, be careful to stay far away from the machine, then," said Lex, too fed up to argue much. He was growing quite sick of dealing with Wayne and his children. "The slightest miscalibration could shut it down."
"I'll be careful."
Lex's assistant gasped. She'd pricked the Wayne brat with a pin, and she looked up with a trembling lip, but the child didn't even react. He just said, "Continue so we may get this over with."
Lex internally echoed the sentiment.
Once the HAZMAT suit had finally been tailored to roughly fit the boy, they were ready to enter the room. "Please stay back from the machine," he reminded the bodyguard. "Any miscalibration could be catastrophic. Even something as fine as a speck of dirt could interfere with the gears." He had already sunk two million dollars into this project.
Nearly as soon as he spoke the words, the beautifully running kibble machine ground to a halt. Lights blared red.
"What on Earth is going on?" Lex demanded.
It took a minute to diagnose the issue, but finally one of his scientists said, "A cat hair," and held the offending material up for everyone to see.
"Cat hair?" Lex repeated. "How on earth did a cat hair get in here?" Every employee was thoroughly decontaminated before entering the room.
The bodyguard.
Lex rounded on him, ready to take out his annoyance, but a small meow stopped him in his tracks.
Wayne's youngest held a cat in his arms, looking severely unamused.
He hadn't been holding a cat a second ago.
"Where did you get that?" Lex demanded.
The boy didn't blink. "Alfred has been recently suffering from separation anxiety. I could not leave her at home."
"If it makes you feel better," added the bodyguard, "we wouldn't have approved this anyway. We just came as a formality."
All Lex could do was seethe as the pair walked out of the testing room, leaving him with a team of panicked scientists and a two million dollar piece of technology ruined.
---
"What do you mean, you didn't pick up the shipment?" Lex growled into the phone. He'd been trying to replenish his stock of Kryptonite for months, but every source apart from Gotham had dried up. That, too, was increasingly impossible to organize shipments from.
"Sorry, boss," said the goon over the phone. "The Red Hood's been blocking us at every opportunity. I think he's stockpiling it or something."
"Who?" Lex demanded.
"One of Gotham's crime lords. But he kinda sorta works with the Bat now, so—"
Lex hung up the phone and rubbed his forehead. He was getting a headache.
Maybe Lex should ask Batman for a share of his Kryptonite supply. He knew the vigilante had some, and he couldn't be more of a headache to work with than Bruce fucking Wayne and his children.
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galaxy-fleur · 2 months ago
Note
What did you think of Leon and Ada's new relationship in the remakes? Meta wise
I think it's an interesting and more nuanced take on their relationship! Which I definitely like. I see no point in judging OG RE2's love story between them, no matter how cliché and nonsensical it is. It's a product of its time, and it's charming in its own cheesy way. Teenage me cried over Ada's death in there, so I do have a soft spot for it.
But the Remakes offer a fresh interpretation of what happened between them, and I'm definitely interested to see where they will take their relationship in the future (that is if they do, because I wouldn't mind them just having separate story arcs from now on).
If we're talking actual analysis, I'll put down my thoughts. I don't know if you can call it a full-on analysis per se, as it's more just me writing out my personal interpretations on things. So keep that in mind please!
Long post under the cut. I'm talking almost 4k words and way too many shitty gifs (I have no time to make them all polished). I have way too much to say. I'll basically be going over their entire relationship throughout RE2R and RE4R so... yeah.
RE2R and RE4R are two games that offer a full story for Leon's character, and that's a very awesome thing that Capcom has done. I'd even say it's one of the best things they've done with RE recently. Making RE4R feel like a direct continuation to Leon's arc in RE2R makes total sense, and it makes many scenes in RE4R that much more satisfying to play through.
While RE2R does end on a somewhat positive note (much like every RE game has to), Leon's arc in it is very much negative. He loses more than he gains, he's unable to save anyone, and his good intentions end up being used against him. Claire ends her RE2R story by saving a little girl she has come to care for. Leon ends his RE2R story by losing the G-sample, 'losing' Ada without getting much, if any, closure from her, and not saving even a single person he has encountered. Claire and Sherry don't really count in Remake-verse (which I kinda don't like) because their storylines mostly happened separately from each other.
And that's not mentioning that he gets (assumedly, and I am very much hoping we'll finally see more concrete scenes of how it all happened in Remake-verse) pretty much kidnapped and forced into a life he never wanted right after. To say that Leon can't get a break in RE2R is like saying nothing at all. Poor guy gets put through the wringer on every level.
Now, onto his relationship with Ada, and how it ties into everything... It should be said that, while he obviously grows to care about her throughout their short time spent together, he remains suspicious of her. RE2R Leon is naive, but I often feel like people make him too naive. He's not an idiot. He tries over and over again to get answers from her, and he clearly feels apprehensive with her. And I mean... that makes sense. While she does save him multiple times, she keeps her distance from him.
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I'd say he starts opening up to her on an emotional level after witnessing Robert having to kill off his own daughter. He directly confronts her, demanding for answers and voicing his drive to do what's right. In a way, that's him showing his vulnerability to her. And Ada uses it against him. After all, it's a perfect opportunity to play on his (rather naive) determination to be the hero to help her achieve her own goals. Ada is also the only figure of 'authority' he has at the moment. Even if her claim of being FBI seems kinda off, she's the only one he has.
And I'll go over Ada and how I interpret her later. For now, just keep in mind that her using Leon is more of a gray area than just some horrible, disgusting thing. I'm just going over the events from Leon's viewpoint here.
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So, they team up. Ada starts softening up to him. They share light banter with each other: 'A: After you. L: Gee, thanks.' She expresses concern over his safety (the alligator scene). I'd say that's the point where he starts to care for her on a more personal level from before. As you would.
Him taking a bullet for her was instinctual. I'd say it's a more pivotal moment for Ada's character here rather than Leon's. In Leon's case it's moreso her taking care of him right after that matters. He directly mentions it to her later on (at least I'm pretty sure his 'you protected me' referred to that). I'd say him waking up to find himself tucked in with her coat and his wound taken care of was the moment his 'I care because it's another person who's in this with me' turned into 'I care because I feel genuine attachment to this person'.
Was it romantic? I'd say that's left for you to interpret how you wish. I like to think of it as him just caring for her as a person. Leon is someone who cares very deeply for others, and he's always striving to be the protector to those around him. I kind of think that someone caring for him when he's weak and vulnerable is something that is very meaningful to him. Now, Ada saves him multiple times at that point. But that's the first instance of her arguably going beyond what's needed. Sure, taking care of his wound was necessary, although she could have just let him be as he was for all we know. But tucking him in on top of that? Yeah, that's an obvious 'I care' gesture.
From then on, Leon is following Ada because he wants to trust her. And I do want to ring this home. He wants to trust her. Doesn't mean he does trust her. Because even though he shows genuine care for her, it's clear that he knows she's might not be telling him everything.
He wants her to trust him, so that she'll tell him what she is keeping from him. So that he can trust her.
The kiss scene is a perfect representation of exactly that, I'd say. Honestly, I'll just link this analysis right here, because I pretty much interpret it in almost the exact same way. But I'll go over it in my own words as well.
Leon's growing frustration is in full display here. He turns around from her, he paces, he tries to appeal to her. To just trust him enough to be honest with him. It's clear that he knows Ada might not be telling everything, but he chooses to believe her regardless.
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Hence the exchange that follows this:
Ada: 'Hey Leon, trust me?'
Leon, walking up to her: 'Trust me?' (Reversing her question)
Ada: 'Honestly, if I didn't, you'd probably be dead.' (A genuine answer as far as we know, but it's not one Leon wanted to hear, so he shakes his head, mutters 'Right.' and walks off.)
And I do feel like Ada knows that Leon is suspicious of her here. Her reaction once he walks off comes off as kind of panicky to me. She knows she might be losing him, and she can't have that. So, she once again appeals to what she knows is his weak spot. His drive to help others and 'save' the city. It does work. Somewhat. But he's still swaying, so she does the first thing she thinks of. She kisses him.
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She, quite literally, cuts off his line of thought so he stops thinking about it. Because him thinking is dangerous for what she's really doing here.
I think it would be very disingenuous to say that that was a kiss of love or affection. It is not presented as such, nor is it addressed that way in all. It was Ada's last attempt at stopping Leon from questioning her any further. How much of it was her focusing on her goals, and how much of it was her effort to 'protect' him from potentially figuring out the truth, is left to your interpretation. But whatever intentions she had, good or bad, it was a kiss of manipulation.
It does shut Leon up, as he's visibly stunned. He doesn't even say anything at that. He just stares at her, then at her hand on his knee. Now, here's the tricky part of it all. Do I think Leon felt romantic affection/attraction to her here? On some level, I'd say yes. But it's definitely no 'love at first kiss' or anything like that. He's confused, mostly. While he spent arguably little time with Ada, it was a time full of meaning. Surviving side by side and protecting one another is no small feat. And Ada did show her care for him.
I think, he chooses to trust her in that moment, because he, once again, wants to believe in her. Even if her kiss felt out of nowhere, and so much of what she says (or rather doesn't say) makes no sense. He chooses to trust her because he wants to think that she's a good person who cares for him.
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And so, we come to the pivotal bridge scene once he learns the truth. I do like how he confronts her in a blatantly emotional manner rather than logical. It's not so much about her being a mercenary itself, as it is about her using him and lying to him. That's what he's actually confronting her about, whether he realizes it or not. That's exactly why he tells her to shoot him, fully resolute as he holds her gaze. He wouldn't do that if he was just trying to apprehend a criminal like a good cop would (as he tries to present it at first).
But, he never gets that closure or resolution he was aiming for. Ada lowers her pistol. He breaths out shakily, probably wanting to continue talking, to figure this out. But he doesn't get that.
I do think Ada telling him to take care of himself as her 'last words' is a very painful thing for him. Because it leaves him with no actual closure on what happened between them. Ada chose to not harm him, and her last words to him are ones of selflessness. But she also lied to him and used his vulnerabilities to achieve her goals. And it's not like Leon knows anything about her occupation, and just how much she's involved with it on an emotional level. Maybe she's someone forced to do this against her will. Or maybe she enjoys doing such dirty jobs for all he knows.
That's the thing. Leon doesn't know. And that must be both frustrating and painful. He's basically left questioning all of his interactions with her, how much of it was genuine, whether she was honest with him at all.
And, most importantly, his time with Ada basically proves to him that his drive to protect and save, his willingness to give people the benefit of the doubt - is a flaw, and a weakness. It directly ties into his arc in RE4R. (And his relationship with Krauser, in a way, but I won't go over it here.)
He throws away her bracelet on the train, and I think that kind of shows that he chooses to believe in the pessimistic way of interpreting their time together. He throws it away because he doesn't want to hold on to something that reminds him of her. And, simultaneously, of his mistakes.
Now, let's go through the same events from Ada's POV, shall we? It's a bit more challenging, since we don't get to be in her shoes, but it's still a fun exercise.
Ada's initial interactions with Leon are ones of annoyance. She basically scolds him like a kid for always getting in danger and acts like saving him is a chore. But chooses to help him out regardless. I think it speaks of her humanity despite her line of work. It's an interesting dichotomy that follows her every single appearance pretty much, though not much is done with it (thanks Capcom). But yeah, despite her visible annoyance with him, she saves him time and time again.
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She doesn't visibly soften up to him up until that same Robert scene. She's pretty observant from what we can tell, and she probably already had a good idea of Leon's righteous nature, but it's the first instance of her actively playing into it instead of making small snide comments about it ('Trying to save the world?' 'Good luck with that.'). That doesn't mean she doesn't care, though. It's subtle, but the little sighs and changes in her facial expression do show that she's at least a little bit conflicted at the prospect of lying to him on such a huge level (though you can't see most of it with her sunglasses).
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It's one thing to say a passing lie about you being an FBI agent, and it's completely another to play the long game by using someone like that. But she needs to accomplish this task, and it already proved to be more difficult than she expected. Remember, Racoon City was Ada's first time dealing with anything of this sort, too. She might be a mercenary, but it's not like she had to deal with zombies and B.O.W's before that. She's out of her depth, and she has someone pretty much offering themselves to her as her assistance.
So, she takes the risk.
While she does join in some passing banter with Leon after that, she still keeps her distance. She's dry and mostly unemotional in her mannerisms. Remember how I said that Leon taking the bullet for her was more pivotal to her in the story? Let's go over that.
It would be disingenuous to say that Ada is a complex character, unfortunately. Most of the complexity she does have, we pretty much have to add on to ourselves. Hell, I'm doing it right now with this entire section! Capcom is doing a way better job with her in the Remakes, but she's still pretty flat as a character. Maybe this'll (hopefully) change in future installments. But for now, we work with what we have.
Either way, we do know that Ada is someone who's self-sufficient and chooses to work alone. She keeps her distance from everyone, and she lives by 'everyone for themselves' ideology. Basically, a total opposite of Leon's 'protector' role. All that to say... someone taking a bullet for her is definitely not something she would expect. On some level, specifically because she would never do that herself. Especially for someone she basically just met. But Leon risks his life for her. Furthermore, telling her to go ahead instead of anything else.
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I think that's the moment Ada starts caring for him on a personal level. Maybe she feels like she should repay him for this. Or that she owes him a debt. Regardless, she takes care of him and tucks him in, before proceeding further.
That care only grows once they reunite. Now she's the one injured, and he takes care of her, despite her protests: 'I can do it myself'. Ada is self-sufficient, but Leon offers her his companionship time and time again. We don't know whether that's something she lacks in her life or not. We don't know enough of her as a character to say that. But she's obviously someone who's not used to getting help from others. Again, on some level, because she doesn't do that herself.
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Remember, while Ada did save Leon numerous times before, she always acted visibly frustrated by it, like it was a chore she was forced into, despite her choosing to help him herself. Leon, on the other hand, is quick to offer and insist on helping out, very much eager to do that for her. She already made the choice to use him, but now she learns that he's a genuinely good person with a kind heart, and not just some stupid naive rookie.
And so, the kiss scene, again. I already said that her kiss feels like a last-ditch effort to stop Leon from questioning her any further. And I do think she acted on impulse. Thus why she follows up with a hand on his knee and the: 'I'm counting on you'. And I, personally, think she kind of regretted doing that right after. Or maybe felt extra conflicted about the whole ordeal as a whole. The way she slouches and sighs heavily once Leon leaves is very reminiscent of that. It's kind of a mix of 'Fuck, I messed that up, didn't I?' and 'What the hell am I going to do after this?'
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It also should be noted that Ada never meant to tell Leon the truth. It would be convenient for both of them. Leon would feel like he did something good, and she would complete her mission with no further issues. Both sides win. But... things go haywire. And she's confronted with the consequences of her initial choice to use him.
It'll be silly to say that Ada doesn't care for Leon. If she truly was this heartless mercenary some would like her to be, she would shoot him on the spot. Her pistol being empty doesn't really matter, either. Leon was basically offering himself up to her, again. Even without any bullets on her hands, she could have easily knocked him out or something.
But, she can't bring herself to hurt him. Because Leon really is a good person that doesn't deserve that. And she knows that, and she cares for him on a personal level on top of it all. We don't know what she was going to do, before Annette shot her. Maybe I'm actually talking out of ass here, and she really was planning on knocking Leon out cold. But, we'll never truly know.
And her last words for him are to take care of himself. Because, in a way, Ada, more than anyone, knows just how selfless Leon is. On some level, it's a wordless 'I'm sorry', if you wish to interpret it that way.
Boy, was that a lengthy mess! Their first introduction to each sure was tumultuous. But we still have RE4R to go through! Though it'll be more about Ada than Leon.
Nevertheless, let's talk about Leon's interactions with Ada. I think we all know he's noticeably harsher and colder to her. It's an interesting change, and it does show that he feels resentment towards her for what happened in Racoon City. We don't know how his initial conflicted feelings morphed into this resentment, but they did.
I don't think nearly enough people mention that he's genuinely being very damn rough with her in their little sparring session. While yeah, you could make an argument that he's holding back, he's not being careful either. Ada has to put in actual effort to fight him off, which she doesn't even succeed in because he takes her off-guard with his intensity.
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And he also puts the sharp end of his dagger to her throat. Just to rub more salt into the wound.
I don't think this was him wanting to hurt her or threaten her, though. It was more of a show of strength. Ada approaches him by taunting him and teasing him, like she can do whatever she wants to him. But he's not that same naive rookie anymore. And he shows her exactly that.
A kind of: 'Don't think you can play the same trick on me twice, or you might get burned' message. A message that I think Ada does get.
As for him smirking at her, I don't think that's him being 'happy' to see her or anything. I think that's just him being amused that she still thinks she can play him like that. He grows all cold and distant with her right after.
Leon obviously has a grudge that he hasn't let go of. I actually like how he's almost needlessly petty with her in RE4R. Making snide remarks, calling her heartless and dismissing her on numerous occasions. It shows that he does care. If he didn't, he would cooperate with her with no further complaints on his part. He's purposefully being cold to her to show that yes, he is still upset about what happened, and he will use every opportunity to demonstrate exactly that. It's petty and kind of childish, in a way. But it makes sense for him, and it adds extra flavor to their relationship at this point in time.
Though, he does offer an opening to her in the boat.
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'Have you changed, Ada? Or are you trying to use me again?'
It's a good parallel to his: 'Trust me?' In RE2R, and both phrases are used for a similar purpose.
He gives Ada an opening to trust him and be open with him. One that she doesn't take, again: 'What do you think?'
She gives him no answer. Just like she didn't in RE2R. I think, in a way, that kind of gives Leon an answer by itself. He trusts Ada and relies on her when push comes to shove, but he doesn't give her any more openings from then on. I'd say that's his 'I think we both know this is where we go our separate ways' moment.
With Ada, things are way more complicated, in a good way. Separate Ways gave us so much to work with, and that's amazing.
Throughout Separate Ways, we see Ada bouncing back-and-forth on what she wants to do. She's initially very cold and resolute in her job, helping Leon out more like a passing convenience than anything else. She does still help him, though. She's still dealing with the dichotomy of what she presents herself as, and what she actually acts as.
I really like her confrontation with Luis in particular. She's cutthroat and blunt. Almost chillingly so. And she only relents once Luis mentions her own infection. Him telling her of Leon's infection has little effect.
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'And why does that matter to me?'
I think that's a question she's asking herself just as much as Luis here. Though, she's still in her cold, self-sufficient mercenary role here. To be honest, I find her relationship with Luis in particular much more interesting in RE4R, but since we're talking about her and Leon here, I'll just say that Luis is the catalyst to her change (so to speak, Ada doesn't really change as a character per se, I'll elaborate on that later). Not Leon.
She confronts Leon face-to-face, quickly being met with the truth that he is not as easy for her to push around now. And I do think she has zero bad intentions there. She was genuinely just playing around and teasing him. Only to figure out that that approach won't work at all. It's kinda cute, honestly. So, she gives him an opening of her own instead. She tells him to leave Ashley, to prioritize his own safety over hers. Because that's what she would have done in his place. Leon is quick to shut that down. Something that Ada probably expected, as she just huffs and gives a knowing 'Right.' to that.
That's the moment Ada knows Leon hasn't changed. Not really. He might be colder, more ruthless and dangerous, but he's still that same guy, wanting to protect others, no matter what. She knows she'll have no success in swaying him at that point. Hence why she tells him exactly that on the boat later.
The next pivotal scene, I'd say, is her watching Ashley wake up and learn of Luis' death. Ada mostly treats Ashley like a nuisance, something Leon has to protect. Because that's his job. But in that moment, she sees the genuine connection they share with each other. She sees that Leon cares. And not just because Ashley is an innocent person he has to save, but because it's Ashley.
Ada's arc throughout Separate Ways is not that connected to Leon, which is a good thing. Similarly to Leon concluding his story from RE2R by saving Ashley and proving to himself (first and foremost) that he can protect someone he cares about, and that his humanity is a strength, not a weakness, Ada learns to accept herself, too. She's visibly conflicted at the start of SW, but by the end of it, she knows what she has to do, and she made peace with that. Her hesitating before going against Wesker in the facility is one of the last moments of her hesitating with her intentions.
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But, again, that scene is more about her and Luis. Luis is very important to Ada's character in SW, and I think that's neat.
While the scene itself is kinda awkward, her encountering Ashley during the final battle is another arguably important one. Her watching Leon and Ashley before that was about her witnessing Leon's care for her. Now she sees that Ashley fully reciprocates that care. They are on equal ground with each other.
And so, the final scene between them. I already said that Leon settled on his answer concerning Ada before that. But Ada makes one final opening to him. It's a selfish one. After all, what exactly would happen if Leon agreed to come with? Would they just leave Ashley to die and fly off into the sunset? On some level, I think Ada knows that what she's asking is unrealistic, especially for Leon. But I think it also speaks of her progression throughout Separate Ways. Ada learns to be more genuine with herself, even if it means being selfish or asking something that she knows will be rejected.
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So, she shoots her shot one last time. Leon gives his answer. Ada is not surprised by it. But she is visibly upset by it. She knew it was coming, though.
So, they do exactly that. They go their separate ways. At least for now.
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mollyringle · 10 months ago
Text
Laughter in LOTR
My household has been rewatching the Extended Editions of The Lord of the Rings, and this has inspired me to excavate some of the LiveJournal (!) posts I wrote twenty (!!) years ago. In this one, I ran a search on all the times laughter is mentioned in the books, and listed them. It’s a long list—view the link only if you dare. My shorter sum-up is pasted below, however. The grim/bitter/nervous laughter section intrigues me now: I’d forgotten about Galadriel laughing upon being offered the Ring, or Pippin laughing about the palantír. Those moments were definitely not in the films!
Analysis from 2004:
I'd say we have at least three varieties of laughter: the genuinely happy, the grim/bitter/nervous, and the disturbing/evil.
The Genuinely Happy variety is what the hobbits do most of the time. It's also what the other good guys do when in the company of friends, old or new, when they are not currently under active attack from Mordor. Bombadil, the Elves, and the Ents engage in a lot of Genuinely Happy laughter, being pretty much without a care in the world. Gandalf engages in a lot of it too--and surprisingly so does Aragorn--despite both of them having plenty of cares. The sweetest and most touching instances of the Genuinely Happy laughter, in my opinion, are moments between Frodo and Sam: when Sam somehow makes Frodo laugh on the quest (e.g., see that passage about Samwise the Stout-hearted). Indeed, these tend to be the only times Frodo laughs on the quest, and it's good to see that they're genuine laughs and not laughs of our next variety.
The Grim/Bitter/Nervous/Ironic laughter encompasses those moments like Eowyn's laugh on the Pelennor Fields when she takes off her helmet, or Sam wondering what kind of spider made cobwebs like these. I would also count here the laughs I'm not sure what to make of. For instance, Galadriel laughing when Frodo offers her the One Ring? Is this really a funny moment to her? Maybe, but only if you consider it shocked/nervous laughter. Or Pippin laughing after the Palantir episode, saying he wants Gandalf to tell him everything there is to know. I can't imagine Pippin laughing at all that night, after getting psychologically knifed by Sauron, but if he did I suppose it would be to relieve the tension. We could probably put Gollum's cackling in this column too, since it comes of being mentally unstable. Ditto for Denethor and sometimes Saruman, though they're shading into the third category.
The Evil laughter is yet another beast. We find it in places where the movie also had it: Saruman, Orcs, Ringwraiths, and other evil creatures tend to laugh when contemplating the helplessness of their good-guy victims. That's standard fare for this type of tale. But Tolkien also includes laughter the characters fancy they hear in the wind howling off Caradhras, or in the depths of Moria, or from the roots of a nasty willow tree. Those instances are the laughter of the haunted house, the laughter we don't want to hear at night. Cruelest of all may be the Mouth of Sauron, who seemingly can't stop laughing when telling Frodo's friends that Mordor has caught him and the quest has failed and he'll likely die a painful death.
I think I've babbled enough now. You can easily compare it to the films, since we've all got the films memorized. One addition comes to mind that wasn't in the books: "It's the beards." Other things in the film were funny, but only the audience laughed; not the characters. ("In fact, it's better if you don't speak at all, Peregrin Took.")
Feel free to discuss.
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