#don't even think about stealing this

[casscainmainly]

Though there are valid reasons to want characters to have their own identities, I think some people insist too much on the Batfamily having all individual, unique names. This is why the Orphan name persists so much in fandom, or even Wayne Family Adventures - it's a byproduct of seeing 'Batgirl' as transitory and lesser than. This is not only a misunderstanding of Batgirl, but a misunderstanding of legacy mantles. Legacy mantles aren't stepping stones towards individuality, but identities with symbolic and storied histories. Characters can, and sometimes should, end in a legacy role.

It's also interesting that this anti-legacy philosophy is exactly what DC adopted during the New 52. They destroyed virtually every legacy they could, including wiping Tim's Robin history, erasing the JSA, and deleting Cass and Steph's histories. We all agree New 52 was bad, but most people focus on the content/ramifications on a specific character, when it's the philosophy that was wrong. New 52 was an effort to diminish the power of legacy titles, and to dismiss many characters that fall under the legacy umbrella.

Some characters should grow out of their mantles, of course. But that doesn't make the mantle they grow out of less meaningful or important than the mantle they step into. If we want to leave the New 52 behind, we need to leave its anti-legacy philosophy behind, too.

[egophiliac]

Where can you play ride kamens? It looks fun looking at your blog but idk where to play

it'll doesn't start until the 30th, but there's some pre-release episodes/character bits that are scattered around the website and twitter! (the links to pre-reg/download are also on the website :D)

honestly I'm really enjoying it just based off of the pre-release stuff, these characters look like they're going to be exactly that blend of ridiculous and emotionally constipated that hits me so right.

[wallabywhump]

Post Episode 8x08 CODA/Continuation

Content: Light angst, Buck spiralling, Buck's abandonment issues/running thoughts/(has ADHD), BuckTommy hints at the end.

Word Count: 1,965

Started writing this when the episode ended, please enjoy!

---

The sign goes out front of Eddie's house two weeks later, Buck helps to dig the hole. Buck helps talk to the realtor. Buck talks Eddie down from a three-bed home with an attic office in a HOA suburb and helps him find a respectably sized two bed that will leave him with money to renovate the bathroom and add a ramp up to the door.

Buck bakes a million cookies and eats them while Eddie has meetings with realtors. He sets out sweet breads and muffins when Eddie has an open house, and he happily serves them to people, "yes, there is a gluten free option! I was playing around with xanthan gum, so it shouldn't- oh, you're too kind."

All through it all, Buck focuses on Eddie, and he tries to ignore the ball of panic that's growing and growing and growing, as Eddie calls his mom and dad, and talks to Chris, and they're discussing going to view the home together and-

"I'll be there in two days, buddy!" Eddie says to Chris, a smile wide on his face while he put the autographed picture of the Hotshots cast into a wallet to keep it safe. "I can't wait to see you; we can talk without it lagging."

Buck takes a deep breath.

"Buck's not coming, LA won't survive if we both are off work."

Buck takes the butter off the heat, starts mixing in the sugar.

"I was talking it over with Grandpa, and we can go to the aquarium while I'm there. I'll even get to cheer you on in your chess match."

Chris groans. "You don't cheer during chess matches, dad, you have to be quiet."

Eddie laughs, and Buck needs to savor that sound. Needs to bottle up the sound of his best friend, and the kid he loves to the moon and back, teasing each other because he doesn't know how long he'll have this for. "Well, okay, you'll just have to teach me what to do, Mijo. I've never been to a chess match before."

The flour comes out of the microwave and Buck mixes that in, the soothing fold-fold-fold making his raging heart beat easier to ignore.

"You've never played chess before," Chris teases.

Buck spares a glance at Eddie, and he's fondly smiling at the tablet, and he says, "Well, you'll have to teach that too. Need to understand how you're winning, kid."

Buck is trying his best to be happy for Eddie, desperately putting his issues to the side, he hasn't even mentioned Tommy with all the baking he's been doing.

Eddie, graciously, hasn't mentioned how Buck has gone back to how he was the exact week after Tommy dumped him.

Or perhaps Eddie hasn't noticed with all the preparation and the legal jargon and clearing out everything to make the house look pretty for viewings, and Buck-

Buck really wants to talk to someone.

Eddie's leaving, Bobby is busy building a house, Hen, Maddie, Chimney-

Everyone's moving forward towards something happier. And Buck's stuck trying not to tie his best friend to a city with his sad puppy dog eyes and a pout, all while missing his ex so much that focusing on Eddie leaving drowns out that pain and fills it with something different.

"Buck?"

Buck jumps, dropping his spatula into the bowl. "Huh? W-What's-"

"Chris hung up, he's got school tomorrow."

Buck picks his spatula up, continues mixing his cookie dough. It's as he folds a third time that he notices he forgot the chocolate chips.

"More cookies?"

Buck forces a smile on his face, ignores the floundering puttering in his heart that tells him he needs to call someone before this becomes unsustainable. Baking isn't distracting him, it's not-

He wants Eddie to stay, he wants Chris to come home, he wants a barbecue in Bobby's backyard with his family-

He wants to call Tommy.

"It's for the viewing tomorrow," Buck says, proud of how even his voice sounds, how it doesn't even sound like a lie.

Eddie sidles up to the counter, looking into the bowl. "You don't have to try buttering up potential buyers with sugary goods. I know you set a precedent for the first one, but I don't want you to feel like you have to."

Buck puts the bowl and spatula down and bumps his hip into Eddie's as he starts greasing up the pan. "If I sweeten them up, maybe they'll actually buy, and you can leave quicker."

The free-sounding tease is easy, it's easy to fake, it's been easy to fake since that day he picked up the tablet and saw the houses. It's been easy to fake since Tommy dumped him, and he had to crawl out of his home and go to work and look somewhat put together, so no-one was scared on their calls. It's been easy to fake since Abby left him at the airport, and with a home that wasn't quite his, and an uneasy feeling in his heart that she wasn't coming back. It's been easy to fake since he was sixteen years old, and Maddie was leaving and-

Maddie, Abby, Tommy, Eddie.

People leave, and that's okay, and it's selfish to force them to stay. No matter how much he wished they would choose to stay.

Buck scoops out a glob of dough and drops it onto his pan.

Eddie rolls his eyes. "Okay, bud, I'm gonna have a beer while you finish with...that."

Buck sets up the mixer to bake a cake after he puts the cookies in the oven.

---

Buck drops Eddie off at the airport and spirals.

The goodbye wave feels robotic, despite knowing that Eddie will be back in a week, even if it's just to start packing up his life to move it hours away. His phone sits in the dock on the dash, and Buck-

Buck doesn't have anything to distract himself from the yawning emptiness inside him.

Nothing to put his mind to, nothing to focus on, just a whole lot of nothing.

The nothing that has been eating away at every positive thought and coping skill he'd put into trying to ignore how much he missed Tommy. The way Tommy would rub his arm and pull him in for a hug when he was feeling low. How Tommy would sarcastically tease him when his anxiety spiked, until Buck couldn't even remember he'd been anxious. How they could sit in silence and not have to chat, and it was just peaceful, and it put Buck at ease, and Tommy wouldn't even mention when Buck's leg started tapping, he'd just put a hand on Buck's knee and lean his weight into-

Fuck.

Tommy would have been a rock through this, platitudes about Eddie not being dead, stop panicking. "I can fly a helicopter, babe, just say the word and you can visit."

Except, Tommy isn't his rock anymore. He's a hurricane that has Buck unmoored and swirling in an abyss of panic and loneliness and, fuck, shit, fuck, Buck has to talk to someone. Or bake something. Or go to the middle of nowhere, with no reception, and scream at the sky.

Everyone's busy. Eddie's on a plane. No-one...he has-

"Buck?"

Buck jolts, staring down at the phone now in his hand, Tommy's face filling the screen, his nose scrunched and looking confused, concerned and cold all in one expression.

So closed off.

"I-I didn't mean to call," Buck whispers, his voice weak and thready even to his own ears. "Hi. Uh, I'll just, uh, hang up."

Except Buck doesn't, he stares at Tommy and feels his heart stutter.

Tommy raises an eyebrow, and Buck watches the cold melt off Tommy's face, leaving only confusion and concern.

"What's happening, Buck?"

"I...just dropped Eddie off at the airport, and I'm sitting at the drop off spot in the taxi ranks, and-"

Tommy's confusion disappears, and his eyes soften, and he's openly concerned and it's like a knife in Buck's chest.

Buck lets out a hoarse laugh. "I've held it in for weeks, not calling, and my best friend leaves and it's like I can't help it- Jesus." Buck runs a hand down his face, he feels like a mess.

"Why did you call me, Buck?"

Because it was habit for six months straight, because every time Buck's been sad since the breakup he's had to physically remove himself from his phone to stop himself from calling Tommy, because Buck just wants to have Tommy as his, and he can't seem to move on despite everyone else seeming able to.

"Everyone else...is moving forward, making families and living their lives, but I'm-"

Buck should hang up, forget about this, say 'sorry, bye asshole', and block Tommy's number once and for all.

Except-

"I'm stuck, stuck on that day in my loft, wondering what happened and how that occurred, and all I've wanted since the day it happened was to call you and fix it or-or, I don't know...I just feel so incomplete here. Unsatisfied. Nothing-nothing makes sense."

Buck rolls on.

"And Eddie told me not to call, so I didn't, except then Eddie decided he wanted to move to Texas and I couldn't be selfish and ask him to stay, so instead I've been helping him, helping him leave my life, because then at least I helped control it."

Buck chokes up.

"Because he's an adult with different priorities, and he can make his own decisions and it's my job as a friend to support him, and I guess you'd know that too if you still talked to him, or hey, maybe he would have stayed for you." He's fucking it up, finally got Tommy on the phone and rather than giving Tommy all the reasons they could work, and he should stay, he's dumping all his fears about Eddie leaving. "And I- I'm not making sense, I'm all over the place, this is not what I wanted to say at all, I had a whole speech about how I love you, and I deserved better, and-"

"Are you safe to drive?" Tommy asks, his voice cutting through Buck's monologue.

Buck bites his lip and nods his head. Of course, Tommy doesn't want to hear about his problems, they're broken up.

"Yeah, yeah, I..." Buck sniffs, wipes at his face despite it being dry, and forces a smile on his face. "I'm just a little sad, sorry for calling."

Tommy shakes his head, and he looks like he's in physical pain, and God, Buck feels like an asshole. He's so selfish, and he should have just thrown his phone out and got a new number after the breakup if he knew he was just going to trample over boundaries.

"No, don't be s- I mean, okay, okay. This sounds like- Eddie left? No, this is a conversation for in person," Tommy sounds just as confused and lost as Buck, which isn't nice, because Buck expects Tommy to be a rock, to be steady, to be- well, that went out the window the night they broke up.

"In person?" Buck wonders aloud.

Tommy hums, and his nose scrunches up, and he puts a finger to the bridge of his nose. The video feed is shaking like the phone in his hand is shaking. Buck swallows and waits for whatever emotional turmoil Tommy is experiencing to pass.

"Drive yourself to mine," Tommy orders.

Buck stares at the screen in shock. "W-What? Tommy, I- no, I-" A taxi starts honking their horn behind him.

"Mine," Tommy repeats, sure, and despite everything it makes that emptiness in Buck feel a little smaller, like Tommy is filling it with just the promise of a conversation. "Sounds like you need to get going. See you soon, Evan."

Tommy hangs up, and Buck spirals, but he starts the car anyway and drives to Tommy's with a spark of something in his chest.

[spicyvampire]

Alright this is all I'm gonna say about this but after 10 episodes this show whole moral goodness dilemma/debtors vs rich people before the climax in the next 2 episodes: Joke better not be the only one growing and understanding stuff, Jack needs to have also acquired some level of moral nuance during these 10 episodes too, after being a debtor/becoming a debt collector/helping people while being their debt collectors/"freeing himself" from that situation/and spending his whole life watching people exist in that infernal cycle with no way out, he should have moral nuance, and we are at a stage he should understand his boyfriend's way of thinking now to a level that Joke lying to him about the ring shouldn't be an issue that takes more than 10/20 minutes to digest, forgive Joke and come up with a plan to fix it together with Joke and the gang all in that time frame

[miela]

"katara would never fall in love with zuko when the fire nation killed her mom" well katara needs to realize that the fire nation probably killed a lot of moms that was under firelord ozai's reign she aint special now be punk rock and kiss his sON

[shitpostingkats]

I swear, nothing makes me go bonkers fucking yonkers quite like comparing Athena and Apollos' introductions to the WAA.

When Phoenix asked Athena to come work for the agency, he reached out overseas to get in contact and offer her a job. When Phoenix asked Apollo to come work for the agency, he didn't even mention what the business was called or what they actually did.

On Athena's first day in court, Phoenix showed up and took over for her when she started to break down. On Apollo's first day in court, Phoenix made him an accomplice in crime and almost ruined his career.

When Athena introduces her childhood best friend to the WAA, they get her cleared of murder charges and save a friendgroup. When Apollo tries to introduce his childhood best friend to the agency, he dies before that can even happen.

When Athena returns to the space center, she is greeted by the robots with open arms. When Apollo returns to the space center, he is greeted by the name of a dead man.

When Phoenix sought out Athena as a protégé, it was because he realized how much she was hurting. When Phoenix sought out Apollo as a protégé, its because he realized how much he could be used to hurt others.

[bumblingbabooshka]

The worst trope in the universe is when someone accuses character A, who is part of a real or fantasy or coded minority, of doing something bad and everyone's like "That's just your prejudice against [real or fantasy minority]!" and it turns out character A actually did do that bad thing and everyone else was stupid for not believing they did that bad thing.

[iguessitsjustme]

I'm just sayin. Rose knew exactly what the fuck she was doing when she guilted Jack into joining that dinner. She fucking knew what she was doing

[syndrossi]

And that's not all! Presenting this adorable picture/meme, also by the incomparable @immortalwalnut, featuring Jon's hatchling at his Dance-era-size with his cousin Arrax.

"When your younger cousin is bigger than you."

[evilkitten3]

naruto crack au where kakashi manages to successfully drill the "never abandon your comrades" thing into team seven's heads

so when sasuke deserts naruto and sakura immediately desert with him. like he gets to the village gates and they're just waiting for him bags packed like "what took u so long we doing this or what"

he tries to get them to go back bc of course he does. "no you losers this is about me i'm going to kill my brother. also i'll have to kill my best friend for the super sharingan and you two are like the only people i talk to". but they do not listen. teamwork sasuke we will defeat your brother (OUR brother #communism) with the power of teamwork. just like kakashi-sensei said

suddenly orochimaru has to deal with three horrible little goblins with an even more codependent relationship than his old team

[fromtheseventhhell]

It's crazy that people still uphold show!Sansa as a well-written character and pretend that liking her is the pinnacle of feminism when it would be infinitely more impactful to acknowledge her terrible and misogynistic writing. This is the same character who, while written by two men, was thankful for the abuse she suffered because it allowed her to grow. The same character who we had to be told was smart because the writers were too lazy to develop or show her intelligence. The same character who had to rely heavily on the men surrounding her and ended up accomplishing nothing on her own merit ( and no, thinking that she deserved to be Queen doesn't mean that she earned it). She is not well-written, she is not complex, and she is not a feminist character. Which is fine! If you enjoy her then good on you, but please stop pretending that she's something she isn't just because you feel the need to justify liking her character

[arrimorr-otgw-spam-blog]

I'm so sorry

[mirellapryce]

George mentioned Shrek in one of his cameos, and then "Hallelujah" by Rufus Wainwright came on my music today so here we fuckin' go! You cannot tell me that a boy with as many trophies as Charles has was not forced to learn piano. On top of that I have decided that our little punk rocker probably learned the Leonard Cohen version of "Hallelujah".

Now to incorporate Jayden's vision of Greek Gods. As one of the gods of music, I envision Apollo challenging the boys to play him a song (just to bring this full circle back to Orpheus and Eurydice, please know I'm thinking of Hadestown when Hades tells Orpheus to sing for him). Edwin is panicking 'cause he doesn't know how, and while Charles enjoys music, he's never shown any sign of knowing how to PLAY. Then Charles, cool as you please just steps up to the piano in the room and plays a very basic scale.

Apollo sarcastically remarks that that's hardly impressive and Charles tells him to give him a minute. It's BEEN 30 years. It's not perfect, but "Hallelujah" was the first song he learned for himself. He practiced it at school til the sun went down for months. He had dreams of joining a band and escaping his life, and they all centred around this song. Now it's a faded memory but he remembers enough to stumble through.

But all I ever learned from love, was how to shoot at someone who outdrew you.

[spyres]

op turned off rbs but is this about that dark past fangame that everyone is now lauding as basically pre-canon explorers despite it literally being just a fangame that also happens to be extremely racist with some of its messages

[dirtytransmasc]

I need more selkie theon (and asha. I just think that would be a vibe. fuck the greyjoy sigil being a kraken for a moment and let them be seals) content.

like the opportunity to have theon's coat taken by ned when he's made his ward is right there and it is perfect and beautiful and tragic.

and you could build on that depending on the version of the selkie myth/story you're going off of (I personally love the song of the sea version of selkies for story writing). maybe he can't talk without it, maybe he gets sick, maybe his voice has magical properties of sorts.

I have this one concept in my head that I don't have the time to write, but it goes something along the lines of theon getting sick after years away from his coat and the stark kids have to find his coat and drag his slowly dying ass to the bay of seals (cause y'know bay of seals and theon's a selkie so he'll turn into a seal... I thought it was creative).

also, in a lot of versions of selkies, when they get sick, their hair turns white, which is on brand for theon. they're also pretty, their stories are typically soaked to the bone in tragedy, they're normally held captive/tortured, amongst other things, which are also very on brand for theon.

and maybe you get some selkie to selkie telepathy of sorts, so when theon finally enter the water a seal again, asha books it to come find him, cause its been years since she's been able to feel him (I'm soft for them, I will create the most improbable and ridiculous scenario's to bring them together and for them to have soft sibling moments).

all and all, theon being a selkie is something I need more content of, please and thank you.

[moongothic]

You know, I would love it if we could see Mihawk just. Get slightly fucked up by someone, have his sword stolen and watch him figure out how to fight with some random ass sword instead

I just think. It'd be neat.

Like we kinda know how The World's Greatest Swordsman fights with his itty bitty knife, we know what kind of damage he can do with his iconic Yoru

I just think it'd be fun to see him fight with a regular katana and try to get his stolen sword back or summin' IDK