#don't ask me why i take this seriously

[moonriver0312]

Pinterest suspended my account which I have used for more than 6 years (I guess). Thankfully, I successfully appealed and got it back but to be honest, I don't feel safe using it anymore. Yes, I had share some hot pics but I tried to track them down and deleted them however they kept digging some stupid photos saying it violated their rules (for example: a screenshot from the bath tub scene of The Dreamers, or a gif from the smut scene of Red, White & Royal Blue @@!!!). They were very weird and unreasonable sometimes for warning me due to some pins which I saved from OTHER PEOPLE'S ACCOUNTS (yes, not even my photos lol but I were the one to be punished). While Instagram is more open- minded, Pinterest now does not even accept a hot photo of Zane Phillips in tiny speedo!!! Also they don't accept nude paintings and they did delete some of them from my board and sent me a warning even though most of them were not posted by me in the first place.

[act-more-like-a-dog-sirius]

HP Rants: Things Fandom Gets WRONG

The Dark Mark (tattoo)

where oh where is the reading comprehension??? did y’all really not read any of GoF??? not only does the minister of fucking magic not know about the Dark Mark tattoos, as snape has to explain and show it to him (which just ????? astounding incompetence from the ministry of goddamn magic and the wizarding world at large) but sirius literally says in response to the kiddos telling him that Karkaroff showed snape something on his arm, “'He showed Snape something on his arm?' said Sirius, looking frankly bewildered...'Well, I’ve no idea what that’s about." despite the fact that he KNOWS for a fact karkaroff was a death eater. (and his own goddamn brother was a death eater. And his family was super pro-voldemort).

The whole fucking point is that no one knew.

Otherwise it would have been obvious who was and who wasn’t death eaters, or at least, inner-circle death eaters. Sirius would not have gone to Azkaban. The Malfoys and literally every other free death eater would have.. but this didn’t happen because the wizarding world is complete shit at handling things and disseminating EXTREMELY IMPORTANT information.. that’s the whole fucking point.

[ruvviks]

BODYTALK OUT NOW ‼️‼️ buy your tickets for our next show here or listen for free somewhere on the internet if u search hard enough 💋👅💖

[torchickentacos]

Very rarely I'll (accidentally) find someone who's blocked me on pokemon tumblr, and realistically I know that they probably saw one of my posts too many times and just got sick of seeing it or I simply annoy them or whatever. But part of me really wants to believe that my pokemon anime opinions were just too much for someone. I want to believe that someone saw me say 'The absol scene needed better build-up to justify Drew talking to one of his pokemon like that, it goes against everything we've seen of him imo' or whatever and they just put a hand over their heart, wounded, and clicked the block button while cursing my family for several generations, past and future. I really want to think that I had a lukewarm enough drew opinion that someone blocked me about it

[deoidesign]

Are you slowly going insane over your OWN ocs?

No, I've been infected by brainworms the entire time. Nothing slow about it.

But honestly, no... It's not really about my characters to me. I love my characters, of course, and I love telling stories, and I hope to keep making art of my characters every day until I die.

But it's not about them! They're not REALLY what I love, what I love is people! And I hope I can leave the world with a hundred different love letters so my readers can feel how much I love them for even one day longer than I am here.

My characters are a conduit through which I can give that to people. I want nothing more than to make someone feel a little more loved, a little more seen, and a little less alone. And my characters are the best way I know how to do that.

So for that, they're incredibly important to me... But they're not for me. They're for you!

So I hope you enjoy them

and I hope you can feel that I love you through them.

[seventh-district]

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

[o-uncle-newt]

I read Possession by AS Byatt after people told me "if you liked Gaudy Night you'll like this" and WELL.

Warning- spoilers for both books abound below!

So it sounded great- as a lapsed academic (though not in the field of literature by any means) there's a part of me that loves reading about academia because it's full of such obsessive people, and this book seemed to be exactly that and so I was excited.

Then I read it, and on the one hand, my first thought was "all these people are dull as heck, the only sane modern-day one is Val, and at the end of the day the historical stuff is just two people having an affair, who cares." My second thought was "there's just enough stuff here that makes me think that maybe the author knows that all of this is stupid, like the fact that Val is obviously one of the few sane ones here." But the ending made me doubt even that. Essentially, and I say this even as that lapsed academic, the author could not convince me to care about the important things at stake here, and as a result couldn't get me to care about the people who only seemed to care about those things.

I didn't care about Ash and LaMotte- they came across as two people high on their own supply who had a tawdry affair. (And each of them is the less interesting person, as a person, than their official partner!) As a result of not caring about them, I couldn't POSSIBLY care about Roland, Maud, and the rest of their crew, because their only functions were to be possessed by, and weirdly possessive of, these two entirely unworthy individuals, whose in-universe historical and literary significance Byatt couldn't convince me of, and to use that possession as a mirror for their own very lame romance. Beyond that they're utterly uninteresting, and there isn't even meant to BE much beyond that so it's not that surprising.

Anyway, I didn't like this book much, but it still made me think a lot. And there's a way in which a certain kind of person might say "well if it made you think then that's surely a sign of some positive quality" and... maybe? I don't know. I didn't hate all of it, and some parts were interesting, and I do have a whole separate list of things about the book that bug me including a breakdown of some of the book's (perceived by me) themes that I particularly disliked lol. Perhaps I'll post it another time. So I guess you can say it spurred me to thought, but loads of things that I don't like do that, and the only positive thing that that draws from me is that they're not downright dull.

The thing is, after finishing the book I was immediately struck by that "if you like Gaudy Night..." element, because it has a situation that felt weirdly similar (if for totally different reasons)- a young scholar stealing a letter from a library/archive. The circumstances are different- in Gaudy Night, the scholar does it to hide its existence so as not to contradict his thesis, and in Possession, the scholar does it so as to explore the document further, though still secretly- but there are still some interesting parallels vis a vis class. Possession goes into the class thing more than Gaudy Night does, but neither book goes much into it- the scholar is lower-class and someone who has scraped their way to their position, and is encumbered by a female partner of lower social and academic standing, and in the end they are juxtaposed against scholars who come from an elevated class and who have more money and opportunity. In Gaudy Night, Arthur Robinson is judged by the likes of Lord Peter Wimsey and a college full of women who don't have to do anything but think, teach, write, and grade papers; in Possession, Roland has to convince a bunch of academics of standing and resources to take a chance on him (and while this is more about money than class, he's the main one who's like "maybe it's good if Lady Bailey gets her wheelchair"). Byatt elides over this at the end by having him magically become in demand and on his way to achieving his academic goals, but I think in both books, the class element really could have taken on more significance in the text.

(I'd add as well that Byatt pits the upper-class and moneyed Maud, who of course is doing things for "the right reasons," vs the evil American businessman who clearly... doesn't care about Ash enough? Despite how much he clearly and obviously cares about Ash? The book was way more interesting when he seemed like a valid rival to the British team, who only thought that they deserved the letters more because of their obsession, rather than how it turned out at the end where the American dude is an actual cartoon villain. What made him genuinely less worthy besides having money without class, and of course having the bad taste to be American? What makes one scholar's possession more justified? Sayers was never this unsubtle.)

So that made me think more about Possession vs Gaudy Night, and the thing is, there are actual living people in Gaudy Night! Say what you will about the unworldliness of the academics at Shrewsbury, but you get a very keen view of their personalities by the end, even as they are (by necessity given the rules of their world) subsumed by academia, or subsume themselves in it. And the people who do fall in love are REALLY in love, and you understand why...

And somehow a book from 1935 feels far more interrogative of the possession (or lack thereof) found in love and romance, and just about the place of women in academia and relationships overall, than one from the late 80s. In Gaudy Night, Harriet accepts Peter once she has determined that despite their power differential (brought on by class, money, history, and to a degree gender) he will not threaten her personhood, because he has proven himself to her. In Possession, Maud accepts Roland because she has the power (money, class, position, even height) and so Roland actually cannot threaten her- and yet still that final scene is about her being taken by him, basically to prove some kind of a point. In contrast, in Busman's Honeymoon, the euphemistic sex scenes are about Peter trying to please Harriet.

When I say it's to prove a point, I'm paraphrasing Byatt, incidentally- who said: "And in the case of Maud I had made it very inhibiting. She was a woman inhibited both by beauty (which actually isn't very good for very beautiful women because they feel it isn't really them people love) and she was also inhibited by Feminism, because she had all sorts of theories that perhaps she would be a more noble kind of woman if she was a lesbian. And so she was a bit stuck. And Roland was timid because I am naturally good at timid men. It's the kind of men I happen to like. He's a timid thinking man, so of course it took him the whole book." I mean... yikes, but also that explains a lot. Maud can only bring herself to be with a man who is weak/effeminate (?) enough to justify whatever weird psyche Byatt has imagined up for her, but still she needs to get over her inhibitions and under him because... reasons. I don't know.

(Height is also interesting here as a point of contrast- Byatt makes Maud taller than Roland to make a point about how on the one hand she retains the power but on the other hand there is now even more of her that has to surrender. Peter and Harriet are the same medium height and wear the same size gown.)

I think the thing that most stuns me is how regressive Possession feels when it comes to gender politics on relationships than Gaudy Night does. I'd need a whole other post to talk about this, but the theme of Possession seems to me to be "relationships that produce things (whether art or children) are worth more than ones that don't." Roland is better with Maud than with Val because Val is a second rate scholar who drags him down (while supporting him financially) and Ash is better with LaMotte than with Ellen because LaMotte didn't only inspire his writing (Ellen's contributions are described only in the negative "didn't impede"), she gave him the child that Ellen refused to. Incidentally, in both cases it's the man pursuing a relationship that will give HIM something... But, to paraphrase Peter in Busman's Honeymoon, one wouldn't want to regard relationships in that agricultural light. Gaudy Night is about how two people can produce great things without each other but choose to be with each other for their own, and each other's, happiness. They aren't each less apart, and as I noted in a prior post, they don't need to solve cases together or conjoin their work in order for their relationship to be worth something. It is worth it for them to be together because it encourages some kind of inner balance within them and between them, as people. They enjoy collaborating but that is by no means the basis of their love (and, incidentally, I think that a lot of, if not most, detective series romances fail this basic test of "would they have fallen in love if they were accountants who met on a dating app." Peter and Harriet definitely would have- would, say, Albert Campion and Amanda Fitton have? I do NOT think so).

And here's the thing- another reason why Byatt's quote above is so off-putting is that it makes it clear that not only in the text but on a meta level, the purpose of the relationships is to prove a Point. I found Roland and Maud to have zero chemistry, and honestly I was expecting them to get together 3/4 of the way through and split up at the end when it turned out they had nothing in common- it seemed like that kind of book. I was kind of stunned when they only got together at the end in an "it's meant to be" way because nothing about it seemed meant to be. They were stuck together by that one thing and they each apparently needed the relationship for some kind of self-actualization or historical rhyming or other. (Whatever I say about Ash and LaMotte... at least they seemed to like each other!)

Peter and Harriet... they get together because they love each other. Do they change over the course of Gaudy Night, and over the course of the other books they share together? Of course they do. But if it makes sense, I'll put it this way- Harriet doesn't accept Peter's proposal as proof that she got over her hangups, Harriet gets over her hangups so that she can accept Peter's proposal. Her hangups only matter because they were keeping her from this particular kind of happiness- she was a fully actualized person even with them. She is a person who does things for human reasons so that she can build a mutually happy life with the person she loves, not a little plot mannequin being moved around in order to tell the author's desired Message. People can say what they want about Gaudy Night and its flaws, but despite the intricacies of its construction, nobody can call the characters' actions and motivations anything but brutally human.

Whether within their universes or on a meta level, the books have SUCH different things to say about the value and nature of love, the place of and purpose of sex, the place of art and intellectual accomplishment in relationships, all of the above in the context of femininity… and I can't help but feel that each time, Gaudy Night wins the contest. It's possible I'm missing something major about Possession, and maybe sometime I'll post the rest of my notes about the things I disliked and people can tell me what I'm wrong about- but if nothing else it made me appreciate Gaudy Night even more, so for that I'm grateful.

[ftm-megamind]

me and my boyfriend are sooo javid (he invited me over for a family dinner)

[goldenpinof]

.

[allastoredeer]

You might not have seen this but I need to vent to SOMEONE:

How are people falling for those fake vivziepop screenshots 😭😭 and those joke tweets like saying she called Alastor and Lucifer's relationship next season "old man yaoi"... Guys they're not real please 😭

The reading comprehension on this site etc etc 😭

Wait, there's new vivziepop drama people are trying to start??? Hhhhh the reading comprehension on most sites, honestly. Thank god I enjoyed my literature classes in school and actually paid attention.

Remember kids, literature classes are, in fact, important. Reading comprehension is, in fact, a very good skill to have. If you're not attention in geography or math, then at least pay attention in english class.

As for the "old man yaoi" thing I just siiiiiigh

You know, every non-canon relationship I ship, I don't actually expect it to become canon. In fact, a piece of advice I'd give to anyone new entering fandom is to never expect your favorite ship to become canon if its not already canon, even if its one that could become a relationship, like Huskerdust. You can want it to be canon, but don't assume it's actually going to happen.

I have no expectations for RadioApple ever becoming canon in Hazbin Hotel. Despite being on the Radiostatic train that Vox definitely had a crush/was in love with Alastor, I'm not going to go into season 2 already expecting that to be true, even if I want it to be with every inch of my being.

IDK I think people who believe their ships will be canon before it's ever confirmed or even happens in canon are delulu, even more so when they get mad in the case that it doesn't happen. Like, I'm sorry bro, but you set yourself up for disappointment. Don't expect the creators to follow the plot-lines your creating in your head. Don't expect them to like and cater to the ships you like. That's crazy behavior.

[vincent-sinclair-deserved-better]

hm

thinking of my blorbos but not in a "i love you you love me all is well" way but a "i love you hope you kill me" way lol

[solradguy]

Whenever I see someone being transphobic on twt in a bridget thread i reply with three pictures of my mains: ky kiske from ac+r, ky kiske from rev 2, and ky kiske from strive.

it self selects for people who actually play the game. it’s canon that he’ll fight off transphobes with the blade. and if they actually played guilty gear they’d get the underlining messages

While it can be really funny to bully these guys back, please keep in mind that nothing you can say or do to these people will hurt them or waste as much of their time as what they say will stick with you or waste your time. It might be funny to send them a bunch of Ky pictures, but what they're doing is laughing that the only response the people they hate can give them is sending a bunch of pictures of anime boys.

The only thing that works is blocking them. They've turned being an asshole into a recreational sport and getting any sort of response in return is a victory for them.

[themanwhowouldbefruit]

my doctor was sooooo fucking worthless and unhelpful im going to masturbate and i hope it fucking kills me

[devintrinidad]

If you want someone to blame, direct it all at this person specifically -> the degenerate (lovingly) <-

Explanations of who the characters are under the cut:

That Damn Coin

The true MVP of the series, the love of my life, the only one to survive aside from Brother and Sister. The level of loyalty and dedication to the cause never ceases to amaze or bring tears to my eyes. 10/10 character. Brilliant character design as well.

Takoyaki Lady

First seen in episode 1, she doesn't accept digital transaction and calls the cops on Swindler.

Sniper

The most eligible bachelor of Kansai. Please give him a chance.

Courier's Motorcycle

Also seen in Episode 1. Just as dedicated and loyal as That Damn Coin. Wonderful character. Sleek design. Love the purple accents. Kicks ass when needed.

Cutthroat's Knives

No, Cutthroat is not included with the knives. The blood, though. That's debatable.

Shark and Bunny

Episode 2 characters! Before you ask, they are one fuckable entity.

The Police Officer from Episode 1

Only heartvagabond deserves rights. Also. They are right.

(By the by, I'm sorry if this is the wrong character, I'm not sure which police officer so I chose the desk jockey)

Cutthroat's Tub

Again, Cutthroat is not included. The rainwater is mandatory, thought.

Sexy Hotel Mascot Lady

She's the mascot of the Seven Star Hotel! You only see her once and she's as tall as a hotel building, but she's made a big impact on all of us.

The Robot that Gave Swindler Her Name

A guest in Episode 1, they tell the innocent civilian that they're actually a swindler! Look at the sleek design, of the alluring neon green bulb at the top! An angler fish luring in prey...

The Shock Collars

No explanation necessary.

Shinkansen

*insert obligatory you're getting railed joke*

[arcane-vagabond]

me looking at my own blog: god i wish this bitch would stfu

[discocactusblogs]

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