#don't @ a fandom old - we're too old

[cryptidafter]

What yesterday and today have shown me is that I have some fantastic friends within the BL/GL space and that encouraging creativity and celebration of your favorite media will always be more beneficial than arguing with random strangers online because they dare to not agree with your opinions.

[ay-miphae]

Ayreontasiatober days 1-2: Favorite Avantasia Album

Happy Inktober to all who celebrate (me) aka the only time of the year I consistently post art. My fandom friends and I have been COOKING so be prepared :))

I’m working off two prompt lists this year - one put together by @starsirrah a few years back (that I’m doing in full) and one that several of us put together! 

Today’s prompt is favorite Avantasia album which would have to be Ghostlights my beloved. For a story album it’s pretty vague, though I find it pretty amazing how the lyrics can not only follow the story of a distressed Victorian man and a mind control cult but ALSO hit really close to home about what’s real and not and about rationality vs. spirituality. Plus it’s banger after banger. Anyway this was a lot of fun so enjoy ^^

(My dad, knowing nothing about TMOT/Ghostlights, saw this one and said it looked Victorian so mission accomplished I guess?!)

[fvaleraye]

"I'm fallin' into hell, and taking myself down with me."

A piece we did a little while ago of some OCs that we forgot to post. technically this is a redraw of an older piece, but we don't even remember if we posted it here. Either way.

If you like our art, consider getting a commission

[inwhichitumbl]

Really struggling to just enjoy being in my new shiny fandom right now because it all feels so toxic. I can't form an opinion about LFj because I don't dare look anything about him up with the way things are, and I don't have enough from the show to really form an attachment to Tommy as a character. I find him incredibly difficult to read on screen, which is on me. I just can't get a fix on who Tommy is.

I so want to enjoy Buck's story in canon, and be happy about bi Buck (and I am!). But I can't go into the tags because there's so much vitriol being thrown around. I would really like to just find a little corner where Buck/Tommy and Buck/Eddie fans are just getting along and speculating about next season and having a fun hiatus thinking how broken Eddie Diaz is and how much he loves his son. And Buck going out on dates with Tommy, or the firefam all hanging out. Is there a secret tag where everyone is just getting along?

And this isn't even about shipping buddie. The existence of Buck/Tommy does nothing to lessen the connection between Buck and Eddie for me. Their relationship is so strong, even just as friends. Like, I'll happily read super intense Buck+Eddie fics just about how much they love each other without it being romantic or about sex (hi, have you met me, I'm ace). They're each other's person whatever that looks like.

And whether Buck stays with Tommy or not for however long in S8, I just hope that it gets to be the story Buck deserves. Because that boy deserves someone who loves him but also will let him be his ridiculous golden retriever self without suppressing that urge and will lift him up but also be there to support him when he needs it.

And I hope that Eddie manages to properly process his grief and maybe spends some time single and healing rather than diving in to relationships too quickly searching for that nuclear family he thinks he needs. I just have a lot of emotions about Eddie Diaz ok.

[rogue205]

Okay...

I'm going to be that person but am I seriously the only one who thinks that Quynh is not going to just suddenly forgive and forget ~500 years of torture by constant drowning, built-up rage and the resultant insanity/instability all because Andy cries and says she's sorry?

Because I don't think she would. However I see a LOT of that in the fandom.

I refuse to believe that Andy is going to die in the sequel so her and Quynh will eventually reconcile their relationship but it's just not going to happen in X number of minutes.

[bluejayblueskies]

keeping this vague for now as the christmas special is still a patreon exclusive, but putting a tasteless caricature of fans who "hate Arthur and love John" and are "heading home to complain on the internet" into a supposedly lighthearted episode and slapping a laugh track behind it is not the inside joke "i'm laughing WITH you not AT you" that HG thinks it is

[tankgotstuckinthecircusgate]

i could draw anything but i decided to draw this. carlo and rocco in 1932 aka my headache

[shannonsketches]

me when y'all tag my silly comics as 'canon'

[knifefightandchill]

It's always a bit concerning when different meta turns into something akin to discourse.

[lepakonpaska]

[happy rambling in the tags because i love my job so much ✨️🌻]

[writerobscura]

Instagram 5.14.2023

☝️The fujoshis when some bara-sign carrying fool comes along thinking its all about him because he met some homophobic yaoi-fans once (and yes, when they gush over your gayness to the point of cringe, that's homophobia.) Fujos aren't 'fetishizing' you, they're enjoying comics and films and have no idea you exist until you show up tossing commandment tablets at them like some fucking delusional Moses descending Mount Misogyny. If the 'girls you've met' have made you feel objectified, then they're creepers and everyone is fair game to them, not just 'you and yours.' In ten years, they'll be lusting for something else. Fujoshi are just fans of BL & geikomi, genres written and drawn by people of all genders that are lgbtqia themselves.

[pompadoriangray]

I understand what you're saying here and I understand where the concern is coming from. this is of course about tv shows and while those are not the fandom circles I run in anymore, the general idea does transfer to other mediums. in one of my fandoms, not even a year and a half had passed since the game's release when people were saying "oh, it's time to shut down [thing] because the fandom is dead," when it isn't and wasn't. which baffled me at the time. people were upset about it (understandably so) because there was no need to do this whatsoever. even if the moderation team had grown tired of dealing with [thing], they could have just as easily handed the reins over to someone else. just deciding that "oh, everyone is going to move on to [new fandom]" is such a weird, short-sighted thing to say. so I know that in today's modern fandom culture this is a genuine concern! younger fandomers are being exposed to fast fashion only to see that sort of thing translated into fast fandom. we're here for a few months after release and then everyone leaves! and that's awful.

but I honestly struggle to be that negative. because I'm still in fandoms for things that came out years and years and years ago. I spent the majority of the last year writing novel-length fics for an almost dead fandom. I'm now writing an effectively novel-length fic that is going to be an even longer coding project for a game that released in early February. even if young fandomers choose to adopt fast fandom practices (and don't get me wrong, this does sucks and does affect us!), we don't have to. and the majority of people my age have not done this. there are still people writing spirk! fast fandom will only become the norm if we all decide to adopt this as the standard, and I for one am not about to do so.

I will also say that this does have a positive slant to it. those people who are ready to drop fandoms after a few months of being in them were never really in them at all. we're all concerned about the increased commercialization of fandom, and that's extremely fair, but I think it is those fast fandomers that are most concerned about that kind of thing. those of us who stick with characters and storylines for the long haul just keep on trucking as they have been, even if the chance of the creator(s) seeing our work (be that art, writing, or meta) diminishes substantially. in those terms, I would even argue that those fast fandomers leaving is a good thing! it frees the rest of us up to really commit without fear of being told that we're not commercially friendly enough.

and just on a personal level, as someone who only ever gets into fandoms after characters have marinated in my brain for a while, I'm perfectly all right with not being super popular and instead being discovered by those people who are late to the party or in it for the long haul ♥

Is it just me or has consuming media started to feel like a chore? Sonic Prime is out now and I want to watch it and join in on the hype and the discussion, but since it’s a Netflix series I can’t just watch the first episode and be caught up right away, I have to binge 8 whole episodes.

There isn’t the fun of talking about a specific episode, gifing scenes and making inside-jokes about parts of dialogue, because all of the small details are lost in the deluge of the overall story. There is no fun to be had waiting for next week, because we are conditioned to just consume and then move on to the next thing.

I’m afraid to get into streaming shows. It feels like such a massive time-investment to binge it all, and pacing yourself is hard when the rest of the fandom is already caught up. You have to exclude yourself from discussion just to be able to appreciate single episodes. And this has started turning me off on TV shows in general, not just the streaming ones, because it no longer feels personal. It feels more like a cultural obligation to watch the latest show. And I don’t think it’s fun to feel like you’re doing chores by watching a show.

I miss the little jokes. I miss talking and theorizing about incidental characters. I miss people catching and commenting on little background details. I miss inside jokes. I miss complaining about release schedules and long hiatuses. I miss looking at upcoming episode titles and incorrectly assuming what’s going to happen. I miss theory-crafting based on details that turned out to be innocuous. I miss fanfiction that becomes outdated the moment the next episode comes out.

I miss having fun.

[asidian]

A little heartbroken by the news, not going to lie.

But I'm going to keep creating for this fandom, because the characters have made a place in my heart, and I suspect they'll stay there for a good long while. This show and the fandom have been such a joy to partake in during a really rough time in my life, and I appreciate that more than I can say. I appreciate all of you who make the fandom what it is, too.

I guess in the end, Season 2 gets to be whatever we make it. So you know what? Let's all share our Season 2s. Nobody's going to stop us or tell us we're wrong.

So here we go. The Season 2 in my heart, in no particular order:

Desire shows up and puts Charles Rowland through the absolute wringer. He is losing his entire mind, he wants Edwin so bad. This boy has 17 different crises and finally a realization that he has been head over heels for some decades and he is just an idiot, actually

Payneland confession and a first kiss

They get Niko back from the Neitherlands. She's some flavor of undead, and she is having a grand old time, actually

Jenny sets up a butcher shop in London and goes on a date that doesn't try to kill her. With the Night Nurse

Crystal has a corruption arc with David buried in her soul-tree soil and at first they don't realize what's going on, but in the end the boys find a way to go into her heart-space and help her resolve the problem

The boys dance on-screen with some of those skeleton choreography dances

Mick mysteriously also has a shop in London. It straddles time-space and also realms. The characters are all ????? but no one ever figures out wtf is going on with that

Tragic Mick saves the day like a big damn hero with a bazooka like in the comics

The Cat King is around, generally being his trickster self, causing problems for funsies. He dies again and comes back as a fluffy white cat with glam white fur clothes

Charles gets kidnapped somewhere and Edwin has to go and save him. It's very dramatic and parallels S1 Ep7

Monty makes a showing in crow form. He has so many cute bird mannerisms. He gets fluffy in the London cold

The boys return to St. Hilarion's. They find their respective remains and come to terms with their deaths. They decide that, however tragic their deaths were, it led them to the only place they'd want to be: together

Crystal and Niko lay the boys to rest side by side, under the same headstone

[tinfoil-jones]

Tate Pines AU 

(aka Tater McGucket is an oops baby Fiddlestan kid)

Note: LONG POST. This is me hyper fixating on a brain worm because the Gravity Falls Fandom roared back to life. This is probably misspelled in a lot of areas, and not the clearest or most concise post because this is me rambling at 2 in the morning. Also the characters are maybe OOC. Also, this is written without accents because I'm not from the Midwest or southern United States.

In this AU/Scenario, Stan is a transgender man, and 'encountered' Fiddleford during his vagabond years. It was a heavily drunk/high one-night-stand, so they never properly met or even knew each others names. This happens after Ford graduating Backupsmore University, and for this scenario to work let’s say that Fiddleford went to BMU for his undergraduate program, but then went to the local university in Palo Alto for his graduate studies.

Years later, just like in the OG show Fiddleford is Stanford's research partner in Gravity Falls, and married to Emma-May Dixon; but they don't have any children together at this time, and they got together *after* his encounter with Stan. So this isn't an affair baby scenario.

Tatum "Tate" Pines is 5 years old, living on the road with his dad, currently staying in a motel but they're about to move into a real apartment for the first time ever because Tate needs to start school soon. Stan is still a drifter and a con man, but he recently came upon a large sum of money because Tate accurately guessed the lottery number for the state they were currently in.

Stan still receives a postcard from Gravity Falls that says "Please Come", and is allegedly sent from his estranged Twin who he hasn't seen in almost 12 years. But this is roughly a few months before it would have happened in-canon.

Given Stan's disownment, no one knows that he even has a son, not even Ma Pines. Not like he'd want them to know. Having his own son and loving him unconditionally made him realize that his own dad Filbrick was a monster, who he didn't need to prove himself to. But he still wants to reconcile with Ford, so he decides to go just like in canon.

This post card, however, wasn't sent by Ford. It was sent by Fiddleford, who was watching Ford spiral in real time and hoped that if anyone could convince Ford that he was acting crazy and unstable, it was his twin brother.

While Stanford doesn't greet Stanley with a crossbow like in the original because this is before the portal test with Fiddleford, he's definitely shocked to not just see Stanley there, but Stanley with a tiny gap-toothed child in tow.

Stan doesn't know that Ford wasn't expecting them, and excitedly introduces Ford to his nephew.

Ford: Stanley, are you sure this child is yours? Stan: ...Ford, did you forget we're not identical twins?  Ford: ...Oh! Oh my, Stanley... Stan: *thinking* 'I don't know if I'm touched that you don't see me as anything other than a man... or insulted that you forgot something so fundamental about me'

Flabbergasted, Ford lets them both in; Fiddleford is welding something downstairs so he doesn't see or hear any of this. Ford plants Tate on the couch in front of the TV and practically drags Stan to the kitchen to talk to him privately; he's too surprised by Stan having a child to question why they were there in the first place.

Ford: Is there a... another parent..? Stan: ...It's just me and Tate. Always has been. Ford: How did...? Stan: I didn't plan a pregnancy... but I had no money for T-shots for months on end, and without the T, everything down stairs went to factory default.  Ford: Do you know who it is? The father- I mean, the other father? Stan: Not exactly, some southern guy, don't think I ever got his name. Ford: What happened? Stan: Funny you should ask. (FLASHBACK) Fiddleford, high out of his mind: -and that's how I won a golden fiddle. Stan, drunk out of his mind: That's crazy, dude. *grabs him aggressively by the shirt collar to pull him close* Now shut up and fuck me until I can't walk. Fiddleford, horny out of his mind: Hoo-whee, well don't you diddly-darn mind if'n I do. (END) Ford: Stanley? Stan: Hmm? Ford: Are you okay? You just said 'its funny that you ask', and then stared off into space for 10 seconds. Stan: Let's just say I never touched tequila ever again.

Eventually, Fiddleford does come upstairs when he notices Ford didn't come back downstairs, and see's the brothers in the kitchen just as Ford asks Stan why he even came here.

Fiddleford admits it was him who sent the postcard, that someone needed to 'talk some sense' into Ford, and then introduces himself to Stan.

While Stan isn't perplexed by Fiddleford because he was too drunk to remember a face- Fiddleford, who has very good memory, immediately knows he met Stan somewhere, he just can't quite place where, when, or why.

Ford does show Stan the portal, saying it's his life's work and he'll need to test it soon, and casually asks Stan if he wants to stay and help. Before Fiddleford can protest that's a bad idea and Ford should just stop, Stan agrees because he wants to reconnect (and also keep a roof over Tate's head, what were the chances they'd win another lottery?), it did hurt his feelings that Stanford hadn't reached out out to him after all, but maybe they could work on that.

While Ford hasn't exactly forgiven Stanley for the science fair incident, he can't just let his brother, a single father be homeless with a five-year-old (Stan had to drop the lease with their intended apartment to come to Gravity Falls). And... well, Ford gets attached to Tate quite early:

Tate: ... *staring at him* Ford: Can I help you with something, Tatum? Tate: Uncle, is your name "Stanford"?  Ford: Yes, but if you prefer you can call me Uncle Ford. Tate: Oh. Okay. It's funny, Stanford is my middle name. *later* Stan: Kiddo, why has your uncle been sobbing in his room for the past thirty minutes? Tate: *shrugs*

Not realizing the gravity (hehe) of the situation, Stan gets settled in the house and helps Ford and Fiddleford where he can (usually just moving heavy objects or punching paranormal creatures, or forcing Ford to shower). He does notice that Ford seems a bit... unhinged, and weirdly obsessed with some new geometry based religion, but people change after college right?

He does get unnerved by Fords weird episodes where his personality seems to shift and he goes into town to act like an absolute menace. Stan can't help but think that isn't Ford; its been years since he saw him but damnit he knew his brother and whatever entity possessed him just to slap a cops belly, *that* was not Ford. But Ford always brushed him off when he tried to bring it up, and one time 'Ford' even coldly reminded Stan that he could remove Stanley and his son from the home at any time if he wasn't going to be useful.

During this time, Stan and Fiddleford get to know each other, they get along quite well actually; Fiddleford is fond of little Tatum, who along with Stan enjoys listening to him play the banjo. One could say, given Fords obsession with his current passion project and prioritizing work over his relationships, that Stan and Fiddleford become close. 

Fiddleford picks up, however... that little Tate is a genius. Although he's a quiet kid, he has an advanced vocabulary for his age. He's able to read and write at what must be a 2nd or 3rd grade level despite not even starting kindergarten yet, and... one time Fiddleford left an 8x8 cubiks cube unattended, and came back no more than five minutes later to see that Tate had already solved it. And Stan had told him that Tate has actively predicted lottery numbers before.

He brings it up with Stan, who admits that he already knows Tate is a genius, but he also knows what academic pressure and high expectations can do to someone (referring to Ford), and he just wants Tate to live life by his own terms, not let other people dictate that for him based on his IQ.

Fiddleford... also see's resemblances between himself and Tate. Sure, Tate has browner hair like Stan, but the wavier texture is just like his own. And while Stanley does have a prominent nose, it's not as prominent as Tates, which is much more similar to Fiddlefords. 

Fiddleford begins to ask Stan about his past, specifically bringing up that he believes they may have met before.

Fiddleford: Say, Stan, did we meet before you moved here? You're so familiar to me. Stan: I wonder where you could have possibly seen my face before? *glances at the lab* Fiddleford: No. I feel like we've met before - you ever been to Palo Alto? Stan: That city in Cali? Yeah. I'd say about six years ago. I was just passing by, resupplying, and selling weed to college students. Fiddleford: You were a weed dealer? Stan: Among other things, yeah. California's *the* place to go to for weed. I don't do it anymore. Fiddleford: Did you... ever visit the university there? Stan: A couple times. Hated going there because it reminded me of... well, I think you know. Why? Fiddleford: I did my graduate studies there, maybe I met you there? Stan: You think so? I only saw buyers, did you buy weed from me? Fiddleford: No... I had a dealer, but it wasn't you. Stan: Other than that, I did get invited to a frat party once. Think they were called "SigEp" or something. Fiddleford: That's 'Sigma Phi Epsilon'. That was the fraternity I belonged to. Did I see you at that party? Stan: Probably - oh man that party was crazy. I made so many bad decisions that night. Fiddleford: Stanley... how old did you say your son was? Stan: Five, why? Fiddleford: ... Fiddleford: Stanley... *reaches out* Stan: *jerks back, before pointing away* Hey look over there, a distraction! Fiddleford: What- *looks away* Stan: *jumps out the window and makes a run for it*

Stan does not entertain any further discussions with Fiddleford about his past, and goes out of his way to keep Tate with him and away from Fiddleford. Given his criminal past, he's afraid that if Fiddleford is correct, he could make legal actions to take Tate away from him.

Fiddleford eventually goes to Ford about his suspicions.

Fiddleford: Stanford I'm going to tell you something, and I need you to promise you'll stay calm. Stanford: *doesn't look up from microscope* Are you going to tell me you suspect you're Tatum's father because you slept with my brother around the time he would have been concieved? Fiddleford: ... Stanford: Because you are. Fiddleford: What in tar- Stanford: *tosses a file folder towards Fiddleford* I have all of our DNA on file - Fiddleford: You do???? Stanford: Of course I do! I store the DNA profile of everyone who's entered my residence, just in case there's a shifter afoot. Comparing yours and Stanley's DNA to Tatum's, there is only a 0.001% chance that he isn't your biological child. Fiddleford: ... *speechless* Stanford: Congratulations, according to science you're a father.

Fiddleford does eventually manage to talk to Stan about it, and clear the air between them. Stan is apprehensive because Fiddleford is married, but he's at least relieved that Tate happened before Fiddleford was in a relationship with Emma-May. Stan allows Fiddleford to spend more time with Tate (supervised), but they agree Tate doesn't need to know just yet what Fiddleford is to him.

Fiddleford also holds back on telling his wife about Tate, he'd prefer to tell her face-to-face.

But then the portal test happens and Fiddleford gets a glimpse of the horrors beyond the portal, which traumatizes him just like in the original. This doesn't convince him to leave, because Ford is becoming dangerous and Fiddleford is worried about what would happen if Stan and Tate were left alone with him. He invents the memory gun, but holds up on using it on himself.

The relationship Ford has with both Stan and Fiddleford  becomes more explosive. Stan and Fiddleford are both telling Ford that he's messing with forces beyond his control.

To get Fiddleford off of his back about the portals, Ford instead lashes out at him about something else.

Stanford: Fiddleford... you know you're my best friend right? Fiddleford: ...Of course. Stanford: Stanley and I don't have a good relationship... we haven't in a long time. *puts a hand on his shoulder* But don't you dare hurt my brother, or nephew. I don't care how strained things are between Stanley and myself, or how close you and I are... He's my brother, and I'll always protect him, even if it's from you. Fiddleford: Do you think I would try to steal Tatum, Stanford?! *Pushes him away* Also, if you're going to threaten me, you could at least not be such a hypocrite. Stanford: How dare- Fiddleford: You say you care about Stanley? That you'd protect him? He's been homeless for over a decade! You SAW him get kicked out of home when he was still a minor! He escaped three different prisons, had extremely shady black-market top-surgery, chewed his way out of the trunk of a car, and gave birth by himself in an alleyway! He had walking pneumonia for nearly a year straight and almost died from it because he had to choose between himself and Tate over who needed treatment more!  But you didn't know any of that, did you? Because you don't talk to him or try to reach out. You still avoid him. You still treat him like he's your enemy. You're still resentful about that damn science project.  You don't know him or what he went through. You didn't even want him here, I called him up here so maybe somebody could set you straight!  Working with this portal, messing with these forces beyond comprehension and control- the only threat to Stan and our son is you! Ford: Get the hell out of my lab- and stay the hell away from my twin.

But this 'Mystery Trio'-esque era of their lives has a Bad End:

After Ford gets sucked into the portal the same way as he did in the original, Stanley decides to take over his identity; Fiddleford helps him with everything up until Stan fakes his own death.

As Tate's biological (other) father, and Stan having recently altered Tate's birth certificate to add Fiddleford, the boy is given to Fiddleford right away following Stan's 'death' and not put into foster care or an orphanage. This window of time is also when Fiddleford establishes the Society of The Blind Eye, but he chooses a leader after he founds it rather than leading it himself.

When Stan makes it clear he's going to dedicate himself to fixing the portal and bringing Ford back, Fiddleford makes a drastic decision. 

Knowing what the portal obsession did to Stanford, Fiddleford doesn't want Tate to be around if- no, when, the same thing happens to Stan. 

He uses the memory gun on Stan to make him forget about their son entirely. He does the same thing to Tate to make him forget about Stanley, legally changes his name to Tater McGucket, and takes him back to California with him.

He makes this decision because in this scenario he never used the memory gun on himself, so the memory of what's on the other side of the portal still haunts him, making him more desperate and callous, especially with a child involved.

It breaks his heart that he did this, but he doesn't want Tate to be dragged into Pines drama. He takes the boy home and tells his wife that he was conceived before they were together (looking at Tate's age, he was born at least a year before they started dating), and uses the news clipping about Stan's death to explain how he got custody without any trouble, and Emma-May adopts Tate. Tates memory gaps are excused by his young age, and the trauma of losing a parent at such a young age, so Fiddleford and Emma-May decide not to tell him about Stanley.

Stan forgets about both Tate and Fiddleford, but he has this deep sense of loss and betrayal that he can't place. He figures over the years that maybe it's just some of his feelings about Ford having gone through the portal...

Decades later, and after a divorce, Fiddleford moves back to Gravity Falls, bringing Tate with him so Tate can start his Bait and Tackle Shop somewhere quiet. Fiddleford is there to check up on the Society of the Blind Eye, and also to check on Stanley because he feels guilty about what he did. Although he knows that this is Stanley pretending to be Stanford, he says nothing to anybody about it, it's the least he could do.

When Stan see's Fiddleford again - he doesn't know why, because he's 'never met the guy', but just looking at his face pisses him off. And every time Stan see's Fiddleford from then on, whether its across the street or at the shops or what have you, he is openly hostile towards him even if he can't adequately explain why he feels this way about Fiddleford. Also strangely attracted to him, particularly his banjo playing, but its overshadowed by his hostility.

Stan meets Tate shortly after the Tate and Backles Bait and Tackle shop is opened... and he doesn't know why, but this young man he's never met makes him feel sad. But also... Relieved? Elated? Proud?? He comes by often, sometimes not even buying (or stealing) anything, he just chats with Tate (and Backle to a lesser degree).

Tate himself feels strangely fond of this frequent flier customer. Like he's met a dear old friend. He is awfully confused why Stan will sometimes call him 'Tatum', seemingly without noticing, and why he never feels like correcting him. 

Fiddleford knows why, because he never erased his own memory, and he feels so guilty. But it's been 30 years, he can't say anything without ruining his relationship with Tate (which became strained after the divorce, which in this timeline happened maybe around Tate's late teen/early adult years). 

One way that this whole thing can be revealed is when Dipper and Mabel deal with The Blind Eye society, they find two memory tubes, one labelled "Tatum S. Pines" and another labeled "Stan Pines" take it with them because it has their last name, and Grunkle Stans name, on them.

They play the one labeled Stan Pines at first, and realize it's Tates early childhood memories of Stan.

When they play the one labeled "Tatum S. Pines" they see it's all of Grunkle Stans memories of Tate, leading up to his confrontation with Fiddleford.

(MEMORY) Stan, backing up: Wait, what is that thing? Fiddleford, what are you doing with that?! Fiddleford, pointing the memory gun at him: I'm sorry Stan, I truly am. But I can't let you drag our son into this... I do care for you, and I wish things could have been different. But you're just like him!  **BLAST** (END OF MEMORY)

This horrifies them, and they have a real moral conundrum of if they tell Stan and Tate, or if they keep it to themselves to keep the peace. 

They deserve to know... but it'd be so painful. And this would take place before "The Tale of Two Stans" so they don't even know what Fiddleford was talking about to justify stealing Tate, or who 'him' is.

Eventually, it's Wendy and Soos who confront McGucket and tell him that he better be honest with Stan and Tate, or they're going to do it for him. That he's a selfish coward who ripped someone's young child from their arms.

Or, an alternative scenario; Fiddleford never stored those memories in the first place, or at least didn't store them with the Society of the Blind Eye, and it's Ford who brings this all up to Stan. Ford was already through the portal when Fiddleford decided that parental abduction was totally okay if there was amnesia involved.

Ford: Are these Tatum's children? *motioning to Dipper and Mabel*. Stan: They're Shermie's grandkids, and - who? Ford: ...Tatum? Tatum Stanford Pines? Your son. Stan: ...I don't- I don't have a son. *tears gathers in the corner of his eyes, but he either doesn't notice, or chooses to not react* And if I did, I wouldn't give him your name as a middle. Ford: Yes you do, and yes you did. You introduced us right before the portal incident. I even DNA-sequenced him to confirm that his other father was Fiddleford. Stan: WHAT? And- who?? Ford: Here, look *pulls up his DNA files from ones of his secret safes in the lab and shows it to Stanley, which not only has the DNA results but also pictures of Stanley, Fiddleford, and Tate from the time* Honestly Stanley, how could you forget a child you car-.

Ford realizes something is wrong when it's clear that Stanley is distressed, but also confused, like having a son is legitimately a surprise to him. He's so shocked he has to lie down for a bit. His eyes keep leaking tears but he doesn't know why 'Fords cruel and oddly elaborate joke' is making him so upset, because 'clearly it's not true'.

When Ford hears Fiddleford lives in Gravity Falls, he seeks him out and demands answers.

At first, Fiddleford tries to play it off like maybe Ford was remembering things wrong - but with enough pressure, and a ray gun pointed at his chest, Fiddleford finally comes clean. About what he did. Why he did it.

Ford is still angry at Stan for getting him trapped in the Nightmare Realm Multiverse for 30 years; and then stealing his name, identity, and house, but that's still his twin brother. And what Fiddleford did was to him was horrendous, especially after Stanford had already warned him years ago to not to hurt Stan or Tate. This was a crime against the whole Pines family. 

So Ford beats him up. No, he doesn't kill or maim him, but he beats the living dog shit out of him until Fiddleford promises the glass tubes of Stan and Tate's memories in exchange for mercy.

Mabel, Dipper (and Soos/Wendy) are clearly confused (because they wouldn't have seen the memories in the "The Hall of the Forgotten"). Although, this whole revelation does bring Dipper closer to Stan, because Dipper had no idea he wasn't the only transgender person in the family.

Ford shows these memories to Stan first, who is going through all kinds of emotions especially after getting Ford back and their bitter reunion. This allows Ford and Stan to somewhat reconcile early; just like how Ford lost 30 years of his life to the portal, Stanley lost 30 years with his own son because of his conviction to fix it.

Ford also has to physically stop Stan from hunting down and murdering Fiddleford (who Stan only knew as McGucket up to this point) with his bare hands. Reminding him that it's more important that he reaches out to Tate.

But Stan is conflicted. He wants to be Tate's dad again but... Tate is in his mid-thirties, he doesn't need him like he did when he was 5. And Tate already has two loving parents, both of which don't have an extensive criminal record, and who provided him with a stable home, which Stan never did because they were homeless the whole time.

Does he really want to uproot Tate's life and/or peace of mind with a revelation this big?  

This goes all the way to Weirdmageddon, where everyone gathers in the Mystery Shack for security; faced with a possible end of the world, Stan takes Tate to the side, dragging Fiddleford with them, and tells him the truth. Fiddleford confirms it all, ashamed and apologetic. Finally, they give Tate his memory tube, which he watches.

For a moment Stan and Fiddleford have a moment of solidarity; Stan can see that Fiddleford really did want to spare Tate from whatever unknown-at-the-time fate had befallen Stanford because of the portal.

Fiddleford finally faces his past mistakes, and apologizes for what he did. That what he did was wrong, and he can never make it up to them, but if they survive this maybe he could try to make things right.

This is their last family moment between the three of them pre memory-wipe.

The mind wipe thing still happens. Gravity Falls is saved. Mabel and Dipper manage to jog Stan's memory but there's no way to make him remember Tate - the glass memory tubes have already been used, and Stan didn't keep any photos from his homeless era because he couldn't afford it most of the time, and when he could he always managed to get kicked out of whatever state they were in before the photos were done developing.

Once again, Ford comes in clutch. Throughout his last journal, just like how he made entries about Fiddleford, he also made entries about Stan and Tate, including detailed sketches. How Tate liked to get into high places, exasperating Stanley who was afraid of heights. How Stan would take him to the woods to follow the creeks because Tate was intrigued by waterways. How Tate said so few words but Stan always seemed to know exactly what he wanted or needed at any given time. How Tate only liked eating the green M&M's but Stan was fine with it because he got to eat the rest. 

Now while Stan's heartwarming memories of his son come back, so does his desire to break Fiddlefords neck. 

Fiddleford still buys the Northwest Mansion and converts it to "McGucket's Hootenanny Hut", but because the Pines families are the heroes of Gravity Falls, they (Ford) manage to convince the local government to put Fiddleford on house arrest for an indeterminate amount of time as punishment for 30-something years of parental abduction and alienation (also the whole starting a Cult thing). Fiddleford accepts this, and Tate still lives with him.

Post memory-wipe Stan still reconciles with both of them, and his relationship with Fiddleford is... weird, but not entirely bad. It's like they're dating, but with a lot of emotional distance. Like, Stan still tells Ford he wants to murder him... but also tells him to never, ever, check their texting history. 

Stan still goes to sail the world with Ford on the Stan O'War II. They do invite Tate, who declines because "He'd rather just live the simple life in Gravity Falls, and not get involved in whatever supernatural gobbledygook his dad and uncle are sure to get into".

And Stan is so proud of him... because just like he said thirty years, there's nothing he wanted more for Tate than to live his life by his own terms. He video chat's with him as often as he does with Dipper and Mabel. 

Tate ends up keeping McGucket as his last name, but he changes his first and middle back to what it was originally.

And that's the end of this tale, thanks for sticking with me. Here's a passage where Ford teases Stan while they're on their sea adventure;

Ford: It was so sweet of you to give your son my name. Stan: Poindexter, I swear to Moses. Ford: Even after a decade apart. Admit it, you missed me so much. Stan: *rolls his eyes* Of course I did. Stan: Stan: But the real reason that's his middle name is because he was conceived at Stanford University. Ford: I- Ford: I really didn't want to know or think about that.

The End... Go home.

[barleyo]

If ur in twd fandom I would loveee a Daryl dixon age gap fic!! Just him being disgusting over taking her first time? Just a major power imbalance between them. Dont do this if ur uncomfy ofc!! Stay safe bookie <33

Men Who Are Older.

Daryl Dixon X F! Reader (smut)

A/N: cried happy tears at this request, i LOVE daryl, he's so yummy. dirty old men foreverrrrr!!! i haven't seen all of twd and it's been a while since i've watched it, so this could be super ooc for all i know!! sorry it's short, i wanted to get all my ideas down quickly :3

Tags: LARGE age gap (18-19 and late 40-ish), power imbalance, coercion, p in v, loss of virginity, allusion to anal, creepy old man behavior (ugh i luv it)

Wordcount: 1.2k

You found yourself often visiting Daryl in his tent later in the night when you couldn't sleep. He tried to act like it annoyed him, like your presence was a nuisance to him, but it wasn't. You weren't the most irritating person he had to deal with day-to-day. You were polite enough for your age, you didn't mess around and snoop through his shit. You didn't judge him.

Most importantly, though, you were attractive. There wasn't much hot, young tail to chase around the camp. He liked to think you were his reward for living through hell every day. Nothing like eye candy at the end of the night to ease a hardened man's stress.

It was like most nights when you entered his tent, not bothering to announce yourself. Daryl looked up from the pocket knife he had been mindlessly flicking to eye you down. 

"Shouldn't you be in bed by now?" 

"Yeah, right," you said, taking a casual seat on his bedroll. "What're you doing?"

He clicked his tongue at you on his bed, but sighed and ignored it. "Nothing. Too damn late to do anythin' important."

"Want to chit-chat, then?" You rested your hands on your knees, hoping he would soothe your boredom.

"Do I wanna 'chit-chat'?" Daryl flicked his knife closed and tucked it in his back pocket. "If you wanna chat, why don't you go do it with someone else? You don't have friends your age?" 

"I used to." He didn't say anything, just flattened his mouth at your rebuttal. "We're friends though, aren't we?"

Crossing his arms, he let out a hum. "Whatever you want, kid. Sure. We're real pals."

You spoke about whatever came to your mind for the next however-many minutes with him. Mostly just you babbling on, but it didn't bother him. You could run off at your mouth all you wanted, gave him all the excuse to stare you down and look a little too closely at places he knew he shouldn't.

Eventually, you got on the topic of things you missed about life before. Things you wished you got to experience, things you were slowly starting to forget about.

"I didn't even get to properly lose my virginity before this shit took over," you complained, now laying on Daryl's bed like it was your own. "It really bites, man." 

His eyes widened a bit, arms falling to his legs from their crossed position. 

"Wait, what'd y'say?" 

"Huh? Oh, I didn't get to have sex with anyone before the outbreak," you repeated, not caring to turn to face him while you spoke. "Sometimes, I wonder if I'll die before I get any." 

So many things rushed through Daryl's head at that moment. A virgin? You? It wasn't exactly surprising, you weren't old enough for it to be a shocking thing to hear, but the thought really intrigued him. Made him wonder.

It gave him an idea, and lord knows dirty, old men have even dirtier ideas stewing in their minds.

"That bother you?" 

You finally turned your head over to look at him, eyes looking conflicted.

"I guess, a little. There are bigger things to worry about, but I feel like I'm missing out," you said while trying your best to sound nonchalant. "It's not much of a priority, under the circumstances, you know."

Oh, how wrong you were. It very much was a priority, an urgent one at that. 

"Never know. Could happen, if y'really wanted. Don't rule it out completely," he advised, wiping his face with the back of his palm. "Maybe some younger man might find his way here. Could be an opportunity." 

"Nah, I couldn't go for that. I don't wanna be inexperienced and have to deal with an equally inexperienced guy too. That'd be like hell," you joked.

"Sounds like you want an older man, then."

He called on every guardian angel he had in that moment, praying for you to take the bait. Just one chance, damn it, he wasn't asking for much.

"Yeah, guess so." You made eye contact with him for a brief second, before flitting your eyes around in embarrassment. "Listen, it's getting late, I should go." You pushed yourself up, ready to head back to your family.

Daryl stood from his seat and grabbed your wrist, pulling you closer to him.

"I don't mind," he said, dancing around the answer to the question you didn't yet ask. "I know my fair share."

"Those don't sound like sounds a virgin'd make," he teased. He loved how you sounded. Straight from a porno, just shameless cries and squeals. "You sure you ain't did this before?"

He watched the back of your head shake 'no' while his hand guided along the arch in your spine. Took you a while to learn to keep your head down and ass up, but damn it if you didn't put the knowledge to work quickly.

"Am I supposed to be dizzy?" you asked, voice muffled by the blankets under you.

Daryl chuckled softly, slamming your hips back on him. "Yeah, if the guy's doin' it right. Feel good?"

Your hands clenched the fabric you were laying on, digging into it roughly.

"I think? I—I dunno, 's just so much."

Being the man he was, Daryl took that as a challenge. He flipped you over on your back, cock still rocking into you. He sped up, letting his movements get sharper. 

"C'mon," he muttered gruffly, trying to urge you to place your legs on his shoulders, "you gonna be this much of a problem for the next guy?"

You gave your weak legs a kick, wrapping them around his neck so the shaking wouldn't roll them off his shoulders. 

"No, no," you whined, groping your tits to keep your hands busy, "don't want another guy. He won't be as good as you, Dar." 

How the hell could a few little words get him ramped up even more? He knew you probably didn't mean it, horny girls said whatever their pussies wanted them to say, but the way he fucked you made you believe your own words.

"Yeah? I ruined ya for other guys already?" 

The stark difference between his now softer tone and rougher thrusts confused your brain in the best ways possible. You couldn't focus on just one aspect of him: Daryl was everywhere. In your brain, in your heart, in the very blood flowing through your veins— and, of course, inside of you. 

It was too much, all of it. 

Your walls clamped tightly over him, sucking him in like a vacuum. The clenching of your walls over his dick sent him over the edge, barely leaving him enough time to pull out. He bit the back of his hand, stifling a moan while he jerked himself the rest of the way off, coating your tired pussy with his cum. 

"You didn't cum inside, did you?" You sat up quickly, scooting back a bit. 

Daryl let out a huff. "I'm not an amateur, I know how to pull out."

"Just checking," you mumbled, lying back down on his bedroll, head nuzzling into the pillow.

You felt his dick push up against your ass, prodding between your cheeks.

"I could show you a way that'll make sure no idiot douchebags get ya knocked up," he offered, head desperately tapping against your asshole, "if you want."

A soft sigh came from your chest as you pushed your ass back on him.

"You're an eager teacher, y'know."

[lucycore]

Harry Potter headcanons

₊˚ ✧ ‿︵‿୨୧‿︵‿ ✧ ₊ ˚ 🔮✨️🪄 ₊˚ ✧ ‿︵‿୨୧‿︵‿ ✧ ₊˚₊

Okay so it's my first time writing for Harry Potter since I've always been shying away of doing that cuz the fandom is so fucking big and there are people that know more or even know everything if they're obsessed and I'm just a newbie but I'll try my best and of course my first time writing for them will be smut.

⚠️ Smut warning ⚠️

(Obviously the characters are old enough for such things so everything from and after ootp)

Summary: What their favorite position might be and if they're bottom,top or switch.

Includes: Harry, Hermione , Ron, Fred, George, Sirius, Remus, Snape, Draco & Lucius

˚˖𓍢ִ໋🔮✧˚.🪄༘⋆˚˖𓍢ִ໋🔮✧˚.🪄༘⋆˚˖𓍢ִ໋🔮✧˚.🪄༘⋆˚˖𓍢ִ໋🔮✧˚.🪄⋆˚˖𓍢ִ໋🔮✧˚.🪄༘

Harry:

Ok so I think he could be switch depending on his partner and experience and strength and all that. So his favorite positions might be missionary if he's dom and riding if he's bottom. I know so fucking basic but hear me out for a sec. Missionary doesn't have to be that boring if played well. So he'd fuck you while looking deep into your eyes and touching your whole body or even hold your hands above your head. For sub and riding he'd enjoy looking at your boobs while they bounce and grab your ass or hold it and move you up and down while you ride.

Hermione:

Well now that's kinda hard..I mean she's a sub yeah but can also lead if you're a virgin. I'd say she likes riding you. I think she'd just enjoy moving on your cock to her liking (or strap on if you're female). She'd know what she needs and how it's best for her. Oh if you're wearing a strap on she would like any position doggy or missionary. Ok let's leave that there....

Ron:

I see Ron as a switch, I can't decide it's similar to Harry. I think he also likes riding a lot, just watching your beautiful body bouncing up and down on his cock while looking into your eyes and maybe even blushing a little. He'd occasionally squeeze your boobs if he finds the courage. Now if he feels dom, I'd say he would fuck the shit out of you in the doggy position. Hold onto your waist, spank you and grab your hair when he feels rough.

Fred:

Sooo I think dom. He is taller, older and even tho he's goofy and all that, he can be very dominant and lead you but in a soft and fun way. Not rough and strict. I bet he loves a good lap fuck. Like you sit on his lap and can cuddle into his chest or lay your head on his shoulder or just kiss while he fucks you nice and slow or even hard where you have your hands around his neck and bounce up and down on his cock. He would love to kiss your neck while fucking you and spank your ass from time to time.

George:

He's dom too but I think is a little rougher than Fred. Therefore I think spooning would be a good pick and now hear me out, before you say spooning is not a good position to fuck the shit out of someone. It is. He could move you a little and put your leg over his shoulder preferably in front of a mirror so he could see your private parts exposed not being able to hide anything from him cuz he won't let you put your leg down, it would be locked there especially when you're a lot smaller than him and yeah he is energetic so he could thrust rough and fast into you and rip you apart. You don't have to worry about him being slow. I think you'd even wish for him to be more gentle after he's done with you, girl.

Sirius:

Definitely dom without a second thought. He would love to fuck you up against the wall or in the air like he picks you up and you wrap your legs around his waist. His thrusts would be rough but if you're shy and unexperienced he would go very slow, sweet and romantic. He's older and so gentle, he would be the sweetest man ever to be fucked by for the first time. I can also imagine him doing you from behind against the wall. Pulling your hair, spanking you and all that yk.

Remus:

Dom obviously and well we're talking about a werewolf here so doggy would be the only fitting position, right? Yeah I know it would be perfect for Sirius too but no idk shh. I think of him as very gentle and loving while doing it, not rough until you ask him to be and still then he wouldn't be as rough as Sirius for example. Stroking your cheek after he finished, asked if it hurt or something and of course while fucking checking on you. Very sweet guy. Depth is also his type of shit, he could watch your face to see how he does.

Snape:

Hell I don't even know..I mean dom yeah but position?..Probably butterfly. So you lay down, he stands and your legs on his shoulders. He likes slow but hard thrusts. That's so hot tbh..Going slow not like a Draco maniac (more to that later) but hard thrusts, I hope you all know what I mean but since you're reading this I assume you're a pervy one. Then when he's close he would go a little faster but that's about it. Don't you worry, he is thick so the pace doesn't matter, babe.

Draco: Yeah I know sorry for putting him all the way down here, I gotta admit I almost forgot him lol

Okay dom of course..I mean obviously. He likes to brag and shit but dom yeah. Dude he'd like to try many positions but I think what he likes most is to just lay down, hands behind his head and just let you ride him and do all the work for him. So yeah riding and nelson is very fitting. If you don't know what nelson is pls look it up it's hard to explain. Nelson is the perfect one fr fr. Missionary would be up there too and just rough and quick sex like his pace is out of this world..I mean makes sense given his emotions, energy and slim body type. He doesn't fuck around lol.

Lucius:

Dom of course. But the sex would be slow, romantic and noble like rich people kinda sex (what? Idk) so I think missionary yes and reverse cowgirl is kinda his thing I'd say. He likes it slow and romantic with wine and roses but when he's anxious like that he will also use you to relieve his stress so he would just grab you tight and fuck you putting his whole weight on your body so it's almost hard to breathe but you don't wanna get him mad, do you?

—

I gotta admit I'm kinda "scared?" to post this cuz I'm a newbie so don't be too strict with me..