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starbylers · 2 months

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You only really need to understand 5 things to know why Byler is happening:

Mike’s arc in season 3 was about pretending to be someone he’s not in the pursuit of “growing up”. It was about kids playing at relationships. This was the only season with focus on the state of M!leven while dating & not separated and it was treated as an immature joke.

Season 4, instead of proving to us why M!leven are right for each other, quite literally does the opposite and shows us nothing except them having awful communication & not finding emotional safety in each other. There is not a single scene between them which is an exception to this.

Meanwhile, Mike and Will are attached at the hip. We see how they resolve conflict maturely and between themselves. We see a strong emotional connection. We see how Mike feels more comfortable being vulnerable with Will than he is with anyone else, and how Will is always always there for him. We see how…

Will’s painting & monologue (aka his romantic love for Mike) soothed Mike’s insecurities and boosted his confidence. It made him ridiculously happy. And being reminded of this lie about El by Will himself ends up being necessary to encourage Mike to go ahead with his “love monologue”, which winds up indirectly causing a literal apocalypse. You cannot make this shit up lmao.

M!leven is entirely framed through Will’s experience. He’s in every scene except their fight, his pain and misery over them is never not the focus. Literally never. We are not seeing the story of M!leven’s love, we are seeing the story of Will’s heartbreak.

Nothing else matters. Like in the most clinical story writing terms, Mike’s character is not going to find out that the person who made him feel the most loved & understood is in love with him and is the one who actually feels all these things about him that just happen to align with exactly what Mike needs to hear to embody the truest and best version of himself, and instead of realising he loves that character back, goes nah I’m good I’ll end up together forever with the person who whilst dating them I became someone I was not and also had terrible self-esteem—oh and also the relationship is insanely immature. It’s that simple. Whether or not Mike currently believes he loves El or currently wants to remain in a relationship is so so so irrelevant. Storytelling doesn’t care what the character thinks he wants, it cares about what the character needs!

#byler #anti mileven #haven’t really talked about this in a while but here we are #I can see it so clearly in my head it still baffles me that people worry (I mean not really like I get it but you don’t need to)#Mike and El have a children’s mimicry of a relationship held together by trauma. they will realise they hold each other back #(possibly along with Mike realising he doesn’t like girls at all) and end it #how it happens and how well it will be executed is up for debate but Mike will be with Will in the end #whether that’s ambiguous let’s get out of this town or something more official. that’s how it’s going to happen #I feel like I’m being gaslit by the controversy of it all because it’s just so obvious and always has been? 😭

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greenglowinspooks · 11 months

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(DCxDP) Drowning in formaldehyde (Prologue)

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Tw: Danny is having a Certified Bad Time™️, dissociation, vivisection mention, suicidal thoughts (kinda?), basically just heavy angst for now

Will be crossposted to AO3 eventually

Note: you don’t need to read this chapter to understand the rest of the story, it’s mostly just to explore Danny’s headspace when he first escapes the GiW

(Pt. 1)

(Subscription post/masterlist)

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Danny rocked back and forth, trying to soothe himself as the truck he was in continued to speed along.

It had been an eternity since he was captured by the GiW. He didn’t know why they were moving him to a new base after all this time, but he knew it wasn’t a good thing.

Still, he couldn’t find it in himself to feel afraid.

He couldn’t feel much of anything these days. The GiW had a routine and they stuck to it religiously, and that routine had sucked every bit of Danny’s soul out of him.

Something churned in his chest regardless. Anticipation? Excitement, maybe?

Perhaps they were finally going to let Danny fade. Was that a bad thing? Danny couldn’t decide if it was or not.

He wasn’t scared of fading. It seemed inevitable, especially with how he was treated on the daily. He would stop hurting if he faded.

Still, he’d like to see Jazz and Tucker and Sam at least one more time before he does. That would be nice.

The truck continues forward, unmoved by Danny’s thoughts.

The sound is nice, Danny thinks.

The hum of the engine, the crackling of pebbles being crushed under the tires, the electrical buzz of the anti-ghost handcuffs and shield keeping him trapped.

The only sound Danny’s heard the last few years has been the clatter of metal tools, the crunching of bone, the sawing and thunking and squishing of surgery, the murmur of voices.

It’s nice to hear something new, Danny thinks.

Strange, but nice.

The truck stops again. Another red light, probably. Danny continues rocking back and forth, back and forth, like the ticking of a clock.

Seconds pass. Second after second after second.

Danny hears shouting now.

Gunshots crack outside, and Danny sees holes appear in the side of the truck.

That’s definitely new.

Chaos is erupting outside. There’s a lot of screaming, and frantic footsteps, and cars zooming away.

The driver door slams open and shut. The truck speeds off, tires screaming as the driver swerves erratically.

Danny is thrown back and forth in the back of the truck, bumping up against the many weapons and other miscellaneous inventions stored alongside him. Pain blooms in his head and chest, an agonizing heat lining his surgical wounds. Danny licks his lips underneath his muzzle. It would be nice if the driver was a bit better at their job, he thinks.

The truck continues careening wildly.

Danny counts the seconds.

Second after second after second.

After around two thousand, three hundred and seventy four seconds, the truck comes to a stop. Danny didn’t lose count this time. He’s proud of himself.

The driver door opens and closes yet again. There’s chatter outside, excitement clear in the voices that Danny hears. There’s lots of talk of “congratulations,” and “lucky that the Bat didn’t follow you here.”

Then, the back of the truck is opened. Danny hears noises of confusion and shock. He turns his head, looking to see what’s happened.

There’s several men at the door of the truck. They’re wearing black tuxedo suits—Sam was right, black really is such a pretty color—and they’re staring at him.

They begin talking among themselves. Something about them not knowing about a kid, and not knowing what to tell the boss. It’s confusing to him. It’s not what he usually hears spoken.

Then, one of them climbs up into the truck. He approaches Danny slowly, speaking in a calm voice. He’s asking Danny if he can stand, he realizes, asking him if he knows why he’s in the truck.

Danny just stares at the silver glint of the gun at the man’s side.

It’s a nice one, he thinks. Semi-automatic, with a few modifications to make the reloads smoother and the gunshots quieter. His fingers twitch. He’d like to poke at it a little, see if he could improve it any.

The man notices where he’s staring and curses. He takes the gun and lowers it to the floor. Danny just continues to stare.

Silver is an ugly color, he thinks. He much prefers black.

Silver is the color of stainless steel, the color of lab and surgical equipment.

He doesn’t like it much.

The man reaches out a hand and grabs Danny’s shoulder, shaking him gently.

After a moment, he sighs, and hoists Danny up, carrying him effortlessly. He hands him to one of the men outside of the truck, hopping down himself a moment later.

They’re warm, Danny realizes.

He curls further into the new man’s arms, closing his eyes. It’s nice, he thinks, being held like this. He hasn’t been held with such care in a long, long time.

The man sets him down on a crate.

After a moment Danny opens his eyes again, watching as the many black-suited people take things out of the truck. He counts the inventions in his head as they do so, beginning to rock again.

Then, a new man enters the room, and everyone freezes.

He’s congratulating them, asking them about their escape, and then he spots Danny.

Danny would very much like to be invisible right about now.

“Where did you get him?” He asks, tapping his umbrella against the floor.

“He was in the truck,” the man who carried him says, “we don’t know why.”

The stout man looks at him closely.

“How did you get into a government weapon shipment? Did someone put you in there?”

Danny nods his head. He tries to speak, but his voice cracks painfully underneath his muzzle.

“You- someone get that thing off his face,” he says. Several of the other men scurry off, probably looking for something that can break the muzzle, “can you speak?”

Danny shrugs. He tries to talk again, but it seems that his voice doesn’t want to cooperate with him. The only sound he can make is a painful, broken wheeze.

“Hey,” the man says, resting a hand on Danny’s shoulder, “if it hurts to talk, stop trying, alright? We’re gonna get that muzzle and those cuffs off, and then we’ll figure out why you were in there. You know how to write?”

Danny nods.

“Good,” the man responds.

“You two, get something to write with,” he barks to a few of the other suited men. They, too, run off.

A few people come up, carrying a bolt cutter and a few other tools with them. They make quick work of the muzzle and handcuffs, the restraints falling to the floor with a clattering sound.

Danny looks down at his hands. They’re shaking. Slowly, slowly, he brings them up to his face. Thin fingers brush up against cracked, dry lips. He’s fascinated by the sensation.

Someone brought him a mirror, he realizes.

That can’t be right, though. The person looking back at him…isn’t him. That isn’t Danny.

That face is not his face.

Their cheeks are far too thin and sunken, their eyes dull and haunting. They’re far too old as well, they look like a young adult.

Still, they move when he moves. They stare at him with a look of fascinated horror that’s far too familiar.

He brings his hand up to his head, and they follow his movements. He trails his fingers over the stitches in his head, and they do the same.

Danny tries to speak, but is cut off by a painful cough.

One of the men brings up a pencil and notepad. Slowly, shakily, Danny writes down a question.

“What year is it?”

The man who had spoken to him earlier quirked his eyebrow up. He answers, and Danny freezes in place.

“What’s wrong?”

Danny looks down at his hands again. He looks into the mirror. The stranger staring back looks horrified. They look sad. They look…like him.

Danny lets out a mournful keening sound. He curls up into himself, covering his face with his arms. Distantly, he’s aware of someone rubbing circles into his back. He cries harder, his entire body shaking.

Three years.

It’s been three years since he was captured, three years of being cut open and sewn back together. Three years of burns and cuts and chemical damage and electrical shocks.

Three years of torture.

Danny sobs, hands gripping the thin fabric of his medical gown like a lifeline. Three years.

Danny’s being lifted up again. He wraps his arms around the person holding him and wails into their shoulder. Everything is quiet.

“I’ll deal with the kid,” the man holding him says, “the rest of you, finish unpacking the truck and dump it somewhere that the Bat won’t connect to me.”

The man brings Danny through the building, still rubbing his back comfortingly. He’s humming some song that Danny doesn’t recognize, occasionally pausing to bark orders at people.

Danny’s beginning to calm down now. He’s still shaking, but his breathing is beginning to even out.

It’s been a long time since he’s felt alive enough to cry.

He feels exhausted.

Danny tries to hold onto consciousness for as long as possible, but he’s so tired, and so sad, and he’s being held, and he’s warm, and…

Danny’s eyes flutter shut.

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#dcxdp #dc x dp #dp x dc #dpxdc #dp x dc crossover #dc x dp fic #vengeful danny #villain danny #girl help I fucking love angst HDJFNSKFJDJFJF #literally pouring milk on Danny and throwing him against the wall to hear the thunk #he is going THROUGH it #truly rip bozo #don’t worry he becomes less scared and more neurotic and terrifying soon

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