#don’t tag ship I will block you

[riondisease]

happy pride month but only to them

[starscream-is-my-wife]

Sometimes a day makes you want a Starscream to bite and squeeze

[scarymonsters-andsupercreeps]

I wanted to draw Jotaro and Jolyne at one of those dad and daughter dances they have for young girls! Look how snazzy they are!

[yuripira4e]

Sorry not a big shipper in the dungeon meshi fandom other than farcille and chilshi but I specifically don’t, personally, at all like mithrun and kabru for the reason I see mithrun as some like 48 year old man that has a “i cradled you in my arms” “I don’t remember that” platonic- older work friend relationship with Kabru until they meet up a couple years post everything and he’s mentioning some of the desires he’s tried out and is just like “yeah tried sex, it was okay. Not great compared to my ex lover.” “Oh who was that?” (Because he’s nosy) “her name was Milsiril.” And then it cuts to Kabru’s glass cracked all over the floor

[gracie-rosee]

Sometimes I feel like I’m part of the few people in this fandom who is obsessed with these books in a normal way.

I love Rhys and Nesta. I love Azriel and Lucien and Mor and Elain. I love Cassian and Amren and Varian. I love Gwyn. I love Emerie. I love Jurian. I love Vassa! I love everyone.

I ship Elain and Azriel, and I believe they’re going to get the next book. I love Elriel but I also really love what Elucien could be and I read Elucien fic and I make art for them!! I’ve read Gwynriel fics because my amazing writer friends wrote them, and they are incredible.

I love some characters a lot more than others for sure, but I’ve never dedicated my entire blog to being anti-anything.

I hope this reaches the right audience. I want to make more friends who like and ship different things than me because I love seeing why people enjoy them so much. If something makes you happy, hell yeah I wanna know why!

This isn’t a joke. I want to be friends with people who have different likes than me. But every time I go and follow someone who likes a different ship than me, their blog is full of negativity towards everything and everyone else. :(

I want to fill my feed with nothing but positivity. If this is calls to you, hi. Let’s be friends!

[aleisters]

IT’S STIIIIIIIIIIIIIIIIIIIIIIIIIIING 🦂

[musicalmoritz]

There is not a single straight bone in Mitsuba’s body like I genuinely believe that man could never like a woman. Sousuke I know what you are

[theheadlessphilosopher]

I really don’t understand why people hate Tommy so much? Like. It’s okay not to like the guy, but if you think he’s just a temporary love interest anyways then literally why do you care???

[demigod-shenanigans]

"I can go into why i dislike ToA (especially Tyrant's Tomb is. a book that exists) but box of pandora. Once open good luck shutting me up" (source: your tags)

Now that you said that, i'm geniunely curious. Open the box. I dare you

This should be obvious but @ the people who really enjoyed ToA, this post is not for you. I’m not sure I’ll even tag it because this is mostly me venting into the void because two people asked and not me wanting to ruin other people’s fun. These are just my personal opinions.

I also apologize if I get any details wrong, I did recheck a lot of the things mentioned but it’s been a minute since I read ToA and might not remember everything 100% correctly. Also, obvious spoiler warning.

*claps hands together* Okay, you asked for this but heads up, it’s going to be long. Maybe grab a snack and a glass of water beforehand.

My beef with ToA can be summarized into a few key points that I’ll elaborate on below but basically:

-It tries to wrap up character arcs for some of the seven (and Reyna) but does this through the eyes of someone with zero context and also treats these characters arcs as unimportant footnotes in the larger story

-Jason’s death and everything surrounding it was handled extremely poorly.

-I cannot remember any demigods staying mad at Apollo. Redemption arcs should not mean everyone has to forgive this character for all the shit they’ve done in the past.

-The death toll. This is not helped by the fact that a lot of the deaths feel like they exist solely for the purpose of making Apollo learn death sucks over and over again (Jason is the worst example of this, but there are others)

More grievances I have but don’t have enough to say about to justify a longer explanation:

-There are a whole bunch of new minor characters on top of the old ones already struggling for screen time. I don’t remember much about any of them, which is a shame because the idea behind some of them is really compelling.

-The story is centered around the Triumvirate as antagonists, with Python as a final boss, but book four just dumps an additional antagonist on you out of nowhere? Why?

-Reyna rejecting Apollo is nice and all but I still had to put up with him crushing on her and was very uncomfortable the whole time.

-Chiron sends a bunch of new demigods into what’s potentially a death battle and tells them it’s a fun field trip (what the fuck)

-This is a personal grievance more than anything but it took me ages (book five) until I really got attached to Meg. I feel like that could have been fixed if she at least got a few POV chapters.

-Dishonorable mention to the punch line joke. Two whole camps of people lining up to hit the canonically abused kid that saved them is not funny.

Details under the cut (Pandora’s box, I did warn you)

Character arcs:

The books really do try to tell meaningful stories for people whose arcs weren’t finished in Heroes of Olympus. With some of them, you can even tell the ideas behind wrapping up those arcs were solid. But the books also tells those stories through the eyes of a character who doesn’t know these people’s pasts and quite frankly doesn’t care a lot of the time. People will voice/do something that is huge for their character and instead of going into that it’s followed up with some random Apollo anecdote that’s only tangentially related at best.

Taking Leo as an example: Apollo has no idea why Leo settling down and finding a home somewhere after everything he’s been through is meaningful. That’s a story that could have been the focus of an entire book of its own, but instead it’s just a side plot to a completely different story. And that story really should have been told through Leo’s eyes, or at least through the eyes of someone like Jason or Piper who realize why this is huge for him.

Apollo also does not care why Leo and Calypso are fighting, so it’s not something that’s properly explored. Leo’s fights with Calypso are mainly mentioned/witnessed. You get some guesses as to how they started but they never mention the exact reasons. They both say they care about each other, but only to Apollo, when the other person isn’t present. When they sort things out it happens largely off-screen. I was also not a fan of the way many of their issues ended up being pinned on Leo being sexist when it was actually way more than that.

ToA does this a lot. It gives arcs to characters who honestly deserved to be explored more, but those arcs are barely footnotes in a larger story where these characters just cameo for a hundred or so pages.

The cameo stuff works okay for Percy and Solangelo because the books are very aware they’re cameos and they get to have fun but this is not their story. But the characters the series tries to give proper plots to are all over the place.

It’s said that Jason and Thalia are really close but they never interact in the books. Jason had a bit of a chance at a normal life finally but that’s barely gone into. (More on Jason later because my god did how the books handled him piss me off massively)

Piper’s struggles with her queerness get the random Apollo anecdote treatment. There’s some stuff about her reconnecting with her dad and her heritage but that’s not explored a ton either.

Frank’s firewood burns up and he’s fine, which is just sort of hand-waved and doesn’t feel meaningful, especially because I think the fireproof pouch was already a fine solution? Congrats on being free of this, now you can get stabbed to death like all the other characters, I guess.

Reyna gets a sort of arc but it feels really weird because it happens almost entirely off-screen. She spends a large fraction of the book chiding Lavinia for leaving her post, then gets her leg broken, is off-screen for a while and then just DIPS with the Hunters after her home suffered huge casualties.

I also think her joining the Hunters is a super lame way to resolve her arc in general (she just lays down one responsibility to sign up for the next, and a character not wanting romance/not wanting romance right now should be allowed to exist without having to join the eternal maiden’s club, but that problem isn’t isolated to Reyna and could honestly be a whole post of its own)

This also comes down to the fact that I’m here mainly for the demigods. I care about these kids having good arcs and good lives. I care significantly less about Apollo having to learn really obvious shit like “murdering my pregnant girlfriend was perhaps a little messed up”

Jason’s death and everything surrounding it

Killing off a major character (especially one whose arc isn’t finished) can be a plot twist that works at times. But it has to be handled well. Doing it to a character that’s suffered horrifically and is starting to heal is also a hugely shitty move, but I understand you want meaningful deaths for the plot sometimes.

But you cannot do it the way Rick did it with Jason’s death. If he was going to kill off one of the seven, he should have done it in Heroes of Olympus, with that character narrating and their friends getting to deal with the aftermath and grieve.

Instead, Jason dies in a book that he appears in for like. A hundred pages iirc? Two-hundred at most? You get Apollo narration on it, and sure, he’s big sad about it, but he also knew this guy for two days.

Piper gets a few pages to deal with his death, then disappears from the book and comes back for a heroic rescue later. Leo gets like two pages to deal with the fact that his best friend is dead. They then proceed to fuck off to Oklahoma instead of going to the funeral. For what reason? No idea. The book doesn’t bother to explain it.

Jason gets a Camp Jupiter funeral, with none of his Camp Half-Blood friends present, because fuck the fact that him belonging to both camps was a huge part of his arc, right?

Piper and Leo know Jason is dead but they cannot be there because they’d already used up their time as ToA side characters, I guess. Percy and Annabeth can’t come, they don’t find out due to demigod communication issues until the end of the series. Thalia also doesn’t get to go to her brother’s funeral. She doesn’t find out until the funeral is already over. We don’t even really get to see her grieving, her finding out Jason died happens off-screen too.

Because this is the Apollo show, Apollo is the guy who leads the funeral procession instead of, like, Reyna, who knew Jason for years.

Also, for some reason, the person avenging Jason is Frank? Absolutely no offense to Frank, he’s a great guy and I’m sure he cared about Jason, but that choice still feels deeply comedic considering I can remember exactly one meaningful interaction him and Jason had in HoO (Jason giving Frank praetor position at the end of HoH) and not a single conversation they had beyond that. If Rick had to write Leo and Piper out of the plot, why not at least have Reyna avenge him?

Jason dies specifically because Apollo broke a stupid oath he made on the River Styx. We’re told that people around him will keep dying because of this. He dies as a chess piece in a stupid game between gods, for the sake of Apollo’s character development. He dies so he can be brought up every hundred pages for Apollo to waffle about how sad his death was but how he’d also definitely not want to be brought back (I get it, we cannot revive people constantly, but having Apollo make this point when, again, he knew the guy for two days, is still really stupid. Nico also gets to make the same point at the end just in case the reader didn’t understand before that we’re not bringing Jason back)

Apollo is forgiven by everyone

Related to the above point. Like I said, we’re outright told that Jason dying is a direct consequence of Apollo’s oath. Apollo also knew taking them along on the mission would get Jason or Piper killed and he did it anyway.

Piper gets to be mad at him very briefly, but when he tries to apologize at the end of the book, she interrupts him and tells him “it’s fine” (her voice is described as “no anger, just natural heat”)

Thalia doesn’t get to be mad at him at all. Her baby brother died and she just pats Apollo on the back and tells him “it’s fine, Jason made his own choices. That’s what heroes do.” And then it’s made about how Artemis lost Apollo when he got transformed into a human instead of. Like. The fact that Thalia just lost her baby brother for the second time in her life.

IT’S FINE?? THAT’S ALL ANYONE HAS TO SAY ABOUT THIS??

Hell, Apollo even has a sort of dream hallucination of Jason’s ghost so that ghost can forgive him too.

Was that really necessary? Why do people think that a character learning to be better means absolutely everyone has to forgive them? Wouldn’t it have been a better sticking point for a god to learn people are allowed to stay mad at you?

The death toll

A lot of people die in these books. People dying in pjo books has always been a thing, but it’s never felt this pointless or this much like it was solely happening for a single person’s character development.

Jason is the most pointed example of this, but there are more. Starting with the fact that two of Apollo’s kids almost get torched in front of his face in the first book (Austin and Kayla) and somehow that is not a sticking point. I don’t think it’s ever brought up again afterwards.

Other characters that die so Apollo can learn death sucks:

-Several Dryads die saving the grove of Dodonna

-Heloise the Griffin

-One random unnamed demigod in Dark Prophecy (mentioning them because that’s where it occurs to Apollo demigod deaths also suck)

-Money Maker (Dryad)

-Crest

-Harpocrates and the Sybil of Cumae

The death toll in Tyrant’s Tomb is completely ridiculous. Like, “feels worse than Last Olympian despite not even being the final battle”-ridiculous. And unlike how Percy at least gets to use that tragic battle to change things in a fundamental way, the Camp Jupiter demigods don’t win anything significant. Their home is only almost completely destroyed. Some of them aren’t dead. That’s it.

If you remember the name of any side character Camp Jupiter demigod from HoO, there’s a very high chance they die in this book.

We don’t get exact numbers for how many people die. The book actually explicitly refuses to give numbers, stating “We didn’t count the dead. They weren’t numbers. They were people we had know, friends we had fought with.” (Which gets even more ironic due to the fact that, again, we barely have any named CJ demigods to begin with)

The closest thing we get to numbers are that 25 demigod members of the legion died in the battle before the book started, and towards the end there are fourteen total demigods still standing of the first to third cohort combined. Even if half the missing demigods are “just” so severely wounded that they can’t fight anymore, that’s still 60 dead kids! The pre-book battle was mentioned to have been hardest on the civilians. We don’t know how many of them died, and losses among the fourth and fifth cohort are also unknown, but that is a ridiculous amount of losses. Why are there so many dead kids in this book and why are we all just supposed to be okay with this?

Jupiter explicitly forbids the other gods to intervene. The only one who does is Diana, after an offering, and she takes her sweet time to get there. That camp is named after the guy! That’s people’s kids down there! I know the gods not helping their kids isn’t exactly new, but this is on a whole other level.

There are funerals but those are largely skipped over, and Frank announces that they’ll resolve this by asking Lupa to bring in more demigods so they’ll come back stronger, which. Baffling statement. Let’s just fix the dead people by replacing them.

TL;DR: Good on Apollo for learning to be better, but I really didn’t like how it was done. There were a handful of things I liked in almost all the books, not including Tyrant’s Tomb which wins the award for rrverse book I most wanted to chuck out of a window. Some of the ideas were good. I think the first and last book are mostly solid (largely due to the fact that those don’t try to shove in entire side character arcs). But the things I did enjoy just get very heavily outweighed by everything that annoyed and upset me.

I really wish ToA had been mostly new characters with maybe some minor cameos, and other people’s arcs had been saved for different books. I also think splitting the perspective between Apollo, Meg and maybe the HoO character who was trying to have an arc in that specific book would have helped.

[questtneo]

why is there sebaciel on your tags,,,??

Why do you think I included that tag? Go look back at the post and use your noggin anon I believe in you

[bramstr0k3r]

okay so I was thinking about what the world could’ve had if we were given a 12/clara/missy throuple moment. Like. the dynamics there would be insaneeeee and I Need to see that play out because it would be so chaotic but also fun and also that old man (gender neutral) would not have a Second of peace. I was inclined for a second to say they could rival the vamps (iwtv love…. how many fucking sides even does that need. I’ll say decagon to play it safe) but they never could tbh because twelve and clara would be deranged about each other and stop paying attention to missy for like a full three minutes and she’d be like “well, I can see when I’m not wanted. you two have fun” (genuinely and served with cunt as always) and then pop off to wherever. twelve and clara have not even noticed they’re too busy staring into each others eyes intensely. and then like three weeks later in teleports missy in the middle of a life threatening situation in like the most bizarre camp lingerie you’ve ever seen

[artcenesse]

a friend mentioned pop rocks the other day and for some reason i could not stop thinking what if…pop vox so i drew a very drunk vox in full yapping mode rambling about the concept and whatever else i decided would be on his ipad kid attention span mind. also drew val for the first time because his design makes no sense to me and i need to finally learn how to draw him

version without text under the cut so the post isn’t a million billion centimeters long

[imakatperson22]

PSA to all you Tommy/Lou hating weirdos out there (and the anti buddies too):

If you don’t properly tag your garbage as anti so that my tag filters work as god intended, I will simply resort to blocking your entire account. So now instead of not seeing just your bad takes, I will also not be seeing any good takes you may possibly have as well.

[solazu1]

I’ve seen so much shitty ship content in the marble hornets fandom since I’ve joined that I’m starting to get sick of shipping as a whole, ngl. I’m staring hard at the main contenders here, Jaylex, Brim, and Jam. Brilex is another ship I see frequently fucked up a lot too, but yea whatever. I’m not condemning people who get it wrong because I’m not the goddamn messiah of characterization either but there’s gotta be a line to be drawn, right? like with all the absurd vaguely uncensored abused x abuser content associated with jaylex, the uncomfortable brim content where every instance of hoody fucking up Tim's life on **PURPOSE** is ignored for the sake of a cuddle or for the sake of sexualization, THE HEAVY OVER-SEXUALIZATION OF BRILEX, and the fully fleshed out personalities of Tim and Jay being washed away and sacrificed for mischaracterized, stereotypical, romantic interactions that really isn’t something the character would ever do but rather something the author wants them to act out. <- honestly the last bit can be applied to all other ships too! And it isn’t my only gripe with Jam specifically but I feel like my specific criticism on it deserves another post that will probably never come haha.

[aphblr-shipfessions]

As much as we call this fandom rare pair friendly, it kinda isn’t sometimes.

There’s one rare pair I like and occasionally post about, and I mostly get good reception in all honesty, the fandom can be totally chill about it, but I have also had people just straight up say they didn’t know anyone shipped it and would rather to have never found out.

Considering this is a fluff-based ship, no dead dove, nothing, I don’t understand why people will send me personal messages and comment on my posts that they wish they could erase the ship from their memory. It’s just weird.

Can people maybe stop doing that please? Thanks.

—

[zootopiathingz]

Least favorite Hazbin Hotel Ships, GO!

Don’t say I didn’t warn you lol

Starting from ships that I absolutely hate to ones I just don’t care to see; radioapple, radiostatic, guitarprincess (Charlie x Adam), radioapplemedia, valdust, staticbelle, angelicradio (Emily x Alastor), whatever the ship name is for Charlie x vox x Alastor, Carmilla x Velvette, and unfortunately chaggie

Now before y’all try to execute me, notice how this is the first (and probably only) time I’ve publicly announced the ships I don’t like? Notice how I don’t go on the ship tags and make posts bitching and whining about how much I hate the ship? Notice how I don’t go around harassing the people who make posts about the ships? Notice how I actually behave like an adult and mind my own goddamn business and hyperfocus on the ships I do like so that I can actually enjoy my fandom space without causing unnecessary drama?

Maybe you guys should try it too! It’s really easy!👍