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bi-writes · 2 months ago

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an eye for an eye | knight!ghost x f!reader

your husband bends to your will. men must learn from difficult lessons how far that bending goes.

type: a continuation of a hand for a hand, but can be read stand-alone (11.6k), AO3

cw: 1600s au, dark!ghost, reader described as curvier/plus-sized, graphic depictions of war + violence, possessive!ghost, war-criminal!ghost, inaccurate historical settings probably, unprotected piv, cumplay, breeding kink, size kink, simon "i'd do anything for my wife no matter the devasting consequences" riley (18+)

Your husband has an insatiable appetite. Such a big man he is; he towers over you, so much so that you must tip your head back always to look up at him. You had to make many arrangements in your house to accommodate his hunger–a pantry stocked full of eggs and less fabric for your skirts.

Your house isn’t like others. Neither you nor Ghost have ever lived in luxury. When he showed you your home for the first time, you had shaken your head–you didn’t believe that such a large place was supposed to be yours, and even now, sometimes you feel like a stranger, out of place when the maids ask you what you want for supper or where you’d like to take your afternoon tea. You don’t like the fuss, the asking, the women that curtsy when you come near, concentrated over the creases in your skirts or the loose thread of your sleeve or the wispy hairs that fall out of your braids. You are told all the time that you must behave like a duchess, that you must poise yourself with your new title and your new money, and you must do the things that duchesses do–but no one says the same to your husband.

He is still allowed to sleep in the barracks. Lick the blood off his gauntlets. Polish his sword in the dirt. He’s still allowed to be everything that you cannot be anymore, he still lives the life he had before.

He still kills; and he is still very, very good at it.

Your queen told you in a letter that the king is very pleased. Ever since your union, Ghost has been quite the conqueror. Bloodthirsty and very determined, your husband has been taking his men across the water. He is not any less impressive off land. Not even the pirates have tried to negotiate; they bend the knee or taste the salt water. You breathe shakily when you read your queen’s letters—her praise for your husband’s conquests, how blessed your family will be and how valuable you are to the crown, how grateful she is that Ghost is no longer a fiend in court but rather a little more polite and a little quieter.

All for your sake. Ghost’s name is now your own, and he refuses to embarrass you now that you have it.

You won’t lie; the bodies that Ghost has stacked since you’ve been wed do not scare you. He’s doing it for you. He has never said it out loud, never told you so, but you know it. He wants to show you what kind man that he is, what kind of soldier—you know he’s trying to prove himself worthy. If he killed a thousand men to have you, how many will he slaughter to keep you?

He sends you letters of his own. Not many, but he does send letters, and while Ghost seems to be ineloquent and entirely too brutish, he has quite the voice when he writes.

To my wife,

The sun falls quicker here. I’d like to come home. Tell me of your day, and I will tell you of mine. There were a fleet of ships that came to meet us at dawn. When we sank three, they begged for us to spare the rest.

I have you to think about now. So I burned them.

Simon

A poet, your beloved.

He signs his real name in his letters. Your eyes skim over most of it–you don’t even blink when he tells you what he does to them. Sometimes he writes in great detail about the screams of a hundred souls, the way burning flesh smells, the taste of dirt in a new place when you know it is finally yours. He doesn’t like having secrets. He tells you all his thoughts, even if they might scare you, because you are his wife, and he has discovered quite quickly that you have been cut from the same cloth.

Even when he is home, and he tells you these things all over again, he can’t help the way his cock hardens when you merely blink and ask him if he has added any scars to his collection.

Ravenous, naughty little duchess, and you are all his. He knows he picked well–he knows, he knows he wasn’t wrong when he saw you across the throne room hiding behind his queen, he knows now that he was right about what he saw in your eyes.

You do hate when he’s away. You’re not used to the maids helping you dress, and you secretly abhor the help. That is why when you hear the shuffle of your house early in the morning, your heart thuds in your chest knowing he’s home.

The staff get antsy when Simon is around. He is very good at keeping an estate for someone that has never had to or ever been taught to, but he leaves the responsibilities with you and only you every time he goes. He doesn’t trust anyone else to do it, and every time he comes back, he makes you sit on one big thigh as he teaches you something new that you need to remember for when he goes away. He demands much of those he employs, and they are eager to please him. Whether it is because they respect him or are afraid of him, you aren’t sure.

Perhaps it’s both.

You sit up as the bedroom door opens. You smile, big and wide and sleepy as he steps into the room. He shuts the door with his boot, slipping his hood off, and you sigh as he grips the clasp of his mask and unhooks it. He tosses it onto the floor, bare-faced, and as he makes his way towards the bed, he sheds the rest of his clothes until he’s completely naked.

You cannot stop yourself from the shaky breath you take. He is all muscle and fat, strong and entirely too scary, but it’s hard to focus on what he really is when he stands before you like this. He has fat thighs, big shoulders, carved muscle of intense labor around his middle and along his biceps. He has large hands with calloused palms and split knuckles, and your eyes meet his own as he comes closer. He’s so gorgeous, even with a face like that. He has a long scar that stretches from one brow to his lower jaw, another that cuts his nose and splits his lip, but those eyes are dark and lovely, and you can’t help the warmth that comes over you when he catches you staring at him, closer, right to his cock that hangs heavy between his legs.

Just as he begins to lower himself onto the bed, you hold out a hand, giggling.

“Simon, if you think you are getting into this bed without a proper bath, you’re mistaken!” You laugh, and he raises a brow.

“Mmm…” He smacks his lips together. “Tha’ right, my lady?” He clicks his tongue. “This is my bed. ’s oll mine. Every blanket…every pillow…” He grips your ankle from under the covers and yanks you towards him. “And every part of you.”

You giggle again, shaking your head, “Please, Simon!” You push him away with your toes. “They only changed the sheets yesterday. You’ll dirty them…” You flutter your lashes. “Will you bathe if I join you?”

He grins wide, licking over his teeth.

“Can’t refuse an offer like tha’.”

You hold out your hand for him, and he takes it gently. You watch as he brings your knuckles towards his mouth, and you bite back a smile when he decides to kiss each one, slow. He tugs finally, pulling you up, and you wrap your arms around his neck as he hoists you up into his arms. You would worry about your weight normally, but Simon holds you so easily, barely even a grunt as he wraps your legs around his middle. You don’t waste another second, cupping his cheeks in your hands and kissing him softly.

It’s never just a kiss with Simon. He slides one of his hands up your back, into your hair, and you whine as he tips your head back just enough to slip his tongue into your mouth. Simon doesn’t just kiss, he consumes. What he did to get back to you, the things he endured, the places he has seen and the bodies he has buried and burned and scattered across the places he now calls country, it’s always to get back to this place.

To you.

“How’s my boy?” He asks when you pull away. He carries you to another room, to where the tub sits, and he rings a bell by the door to call the maids in. You snatch a robe off a hook and cover him with it as he sits with you, but all he does is put a few fingers under your chin and make you look at him again. “Oi. Asked ya question, luv.”

Your lip wobbles a little, and you look away.

“I…” You wait until the maids have gone to fetch hot water to tell him. “I bled while you were gone. I…” You smooth your hands over the robe, distracting yourself. “I’m…I’m sorry, Simon.”

You close your eyes as he leans close, resting his forehead against yours, and you shake a little as he lets out a warm breath against your lips. He moves a warm hand over your soft stomach, cupping you there, and you lean your head back a little at the tender touch.

“It will happen,” he says finally, and your mouth opens to respond, but he sticks his thumb between your lips to shut you up. He doesn’t want to hear you blame yourself. If it’s anyone’s fault, it’s his, for not being here with you, for not be able to take care of you. You give in, suckling on the salt of him, and he grits his teeth as he watches you. “I know. Seen it in m’dreams.”

Simon has dreams. Lots of dreams, but he tells you that they are not dreams, they are glimpses into something that has already happened. When you asked if he was some kind of seer, the kind that the king used to have at parties, Simon doesn’t laugh.

He says the dreams are why he knows he won’t die. Why he is never afraid, because he knows somewhere behind his eyes what’s to come even if he didn’t see the entire painting of it. It is why he knew he would marry you; it is why he paid you so much attention, why he knew he would win his battles, why he always knows whose blood it is in his mouth because he has tasted their death before and relishes in the knowing of it all, in the certainty.

It’s never I think, it is always I know, and Simon is nothing if he is not the most honest man that you know.

So if he says you will have his babe, it is as good as truth. As green as the grass grows beneath his feet, as blue as his sky, and as red as the blood that is caked underneath his nails.

When the tub is filled with water, you let Simon sink into it first. You kneel beside it, picking up a glass of oil, pouring it into your palms before sinking your hands into his hair. It’s gotten longer since he left, in need of a cut, but you smile when he leans his head back into your shoulder. You can feel his content as he relaxes into you, and you admire his physique as you use the warm water and scrub the mud and grime off of him.

“I missed you, husband,” you whisper, and he only lets you massage his hair for a few more moments before he grips you by the wrist and tugs you forward, right into the bath. “Simon!” you laugh, “my night dress—oh!—it’s ruined!”

“Too far away,” he mutters, practically ripping the silk off of you as he tosses it besides the bath. “Mmm…” He cups your breasts with two big hands, smoothing his thumbs over your nipples, and you whine a little as he pulls at them just enough to make them stiffen. “Y’should be naked when I come home,” he says lowly. “I’ll soil y’r bloody gown next time, m’lady.”

You giggle, and he smiles. A real smile. As real as he’ll ever give anyone, maybe the only one that anyone has ever even seen. He has never shown his face in court, and while it angers the women and irks the men, you revel in the fact that all of this is only for you.

Mine. Mine. Mine.

You kiss him softly. The water sloshes, warm and inviting, and sometimes you forget your life used to be anything but joy. A year ago, you would not believe that you would be here, titled, wealthy, in a stone room lit by candles bathing with a blood hungry ghost.

A year ago, you trembled whenever he looked at you. You cowered when you heard his footsteps. What a stupid little girl you had been. What a fool. She had no idea what she could have, the kinds of things she could hold in her hand.

Real power wasn’t being able to command a room with your words. Real power was being able to say anything and have it be believed as truth. Real power was making someone look in one direction and have them see what you see, even if what you see isn’t real.

He lays you down in your bed afterward and eats. Your wet hair soaks the sheets, but you can’t seem to be really bothered as he fits your legs over his shoulders and bends you at the waist, his mouth suctioned to your clit as he eats you slowly. One of his hands is spread out over your tummy, the other you can hear making a squelch as he fists his own cock. It’s slow and methodical, and he slides his tongue between your folds firm, catching what dribbles from you on the tip of his tongue before he swallows it and leans in for more.

He has eaten you in nearly every room in your house. Frightened the cooks tossing you onto the dining table, given a servant a scare as he ducked under your skirts in the library, had the gardeners fleeing as he dropped you onto the grass near the lake and disappeared with a frenzy to eat your cunt during sunrise. It’s maddening, the kind of need that Simon requires, but it’s hard to refuse when you feel so warm and bubbly and happy after he’s finished. A pampered princess you are, never lifting a finger, only awake long enough when he’s home to eat until you’re full and cum until you fall asleep again.

Maybe that’s why you’re not pregnant yet. Simon likes to be here, between your thighs, mouth fixed on your wet pussy until he’s practically exhausted himself with a sore jaw and lax tongue.

He kisses you sloppy after. Licking into your mouth, practically spitting onto your tongue, wanting you to taste—tastes so good, luvvie, don’t ya see, yeah?—wanting you to know why he’s so eager to be on his knees all the time.

You sniffle, a little dizzy, shaking your head.

“’s not what I really want,” is all you whimper, and he nods, because he knows, he always knows.

“I know, luv. I know wot ya really need.”

“I must be broken,” you sob, cradling his face in your hands, and he shakes his head.

“Not broken,” Simon assures you. He speaks so surely that it’s hard not to believe him. “It wasn’t time.”

“You can’t see the future, Simon! You don’t know!” You cry, and he snarls a little, shaking his head again.

“You listen t’me,” he growls. You shake a little as he grabs your face with one hand, fixing your jaw under his grip as he holds onto you firmly. “Wot I say goes. Y’r my wife, so listen t’me, and listen t’me good. Y’r not broken. Not time. Say it back t’me.”

Your lip trembles, and he rattles your head a little.

“Say it,” he snaps, and you hiccup.

“It’s not time,” you whisper, and he plants a fat kiss onto your tear-soaked lips.

“Just need my cock, luv,” he murmurs. “Tha’s oll. Just need me t’fuck it outta ya.”

You nod, pressing your face to his, and he tuts, reaching down and spreading your legs wide to accommodate him between them as he lays over you.

“’s oll y’need,” he repeats, and you nod again.

You have to take another bath in the same morning; and this time, you weren’t able to walk there.

You like when Simon is home because it’s quiet. The only one that dotes on you here is Simon. The maids do not dress you or do your hair or moisturize your skin. It’s always Simon.

You smile at him in the mirror as you sit at your vanity. He has a brush in one hand, and he’s using it delicately to detangle your hair how you like. His hands are practiced and gentle, and when he finishes, he leans over you as he starts to part your hair to braid it. He did not have sisters, but his mother had him always do her hair after she lost the use of her hands with age. You don’t know where his mother is, but you assume she is not here anymore, because he never invites you to meet her.

He oils your skin. He slips the robe off of you, revealing your damp skin from the bath, and he slathers oil in his hands before using it to soften your skin. He takes his time, smoothing those big hands over your shoulders, down your back, along your arms. You tilt your head back when he warms your breasts, squeezing and fondling your tits. He murmurs in your ear the entire time, and he has to fuck you with his fingers to quiet you when he stops because just his hands on your tits has you wet all over again.

He dresses you, too. Helps you slip into your undergarments, fastens the cage for your skirts over your hips. He ties them skillfully, and after he layers your skirts over the farthingale, he gets you into your corset. It’s intimate as he does this. Even with your wide skirt, he comes closer, over your shoulder, and he tugs at the laces at your back, pulling it tight with firm grunts. You sigh when he buries his face into the crook of your neck, his hand skimming over your breasts as they sit nice and perky between stiff fabric and whalebone.

“Fuck,” he mutters. “Fuck, unnerving…the way ya look…”

You close your eyes, “S-Simon, please…I’m already dressed…”

He chuckles, “I know. I know.”

But when he has to leave again, you nearly come with him. You fasten his armor for him, help him slip each piece of leather on and click every piece of metal into place. You tie his cloak and slip his mask on, and you try and duck your head when you flip his hood up, but he catches you, tilting your chin up.

He huffs when he sees your face. Tears sliding down your cheeks, lips wet with them, eyes all glassy and red. He draws you up onto your toes, pressing his mouth to yours through the mask, and you hold onto him tightly, digging your nails into his chest armor and threatening to not let go.

“I want to go.“

“No.”

“Simon, let me go,” You gasp, begging, gripping his hood in firm fists and not caring that his armor is cutting into your front. “Let me go with you, I can’t do this anymore, I want to go, I can do it.”

You aren’t sure if Simon underestimates you. You think it’s more that he does not want you to see him in a place where he is most true. Where he wears the least of a disguise. He does not know he wears it the least with you, and that you have already seen his blood and how it curdles under his skin. You like it that way. You like him angry…and mean…and terrible. You like him when his sword is dirty and his armor needs polishing and his mind thinks of nothing else besides war. He should know this by now. He should know that you see him and see what he is even more than his king, more than his men.

He couldn’t scare you, even if he tried.

“War is not where women go,” Simon snaps. His tone is harsh, even for you, and you stiffen when he grips you by the jaw and rattles your head a little. “Especially not one like you, my love. War would eat ya, eat ya fuckin’ whole. Look at ya…” He huffs, deep, sliding that gloved hand down your throat to slip it beneath the neckline of your dress and fondle your breast with a firm grip. “Beautiful. Meant for my lips…for these dresses…meant to be held in my hands, not bleed from stray arrows, because tha’ is surely the least of wot they would do t’ya if they knew ya were my wife. Now ya will wipe these tears, ‘n see me off, and then ya will come back inside like a good girl, ‘n you will wait for me here until I come back.”

Your bottom lip trembles, and you scowl up at him. Not indifference, but frustration, and Simon doesn’t think it suits you.

“I’m sick of waiting for you, Simon,” you spit. “It’s all I ever do, wait. Wait for you to come back, alive or dead, I never know. And don’t say you do this for country, that is a lie.” You shove him backwards, but he barely budges when your hands touch his chest, a rigid wall that does not give. “You do it because you like it. You’re a bloodthirsty dog, and all you do is bend to our king’s will.”

A lie, but you tell it anyways, because you want something, and he will not give it to you.

“That is my duty.”

“Your duty is to me,” you snap. “Kings come and go, but I will not.” Simon stills. He glares down at you from behind his mask, and perhaps this might terrify his men, but that you are not. You are his wife, and you are protected by that title alone. The only man to ever lay a hand on you would not live to see another second, himself included. “Now you will let me join you, or so help me God, Simon, I will not be here when you return.”

You do not expect the full-bellied laugh that leaves him. His armor shakes with him, and you grind your teeth, narrowing your eyes. He uses his thumb to force his mask up, and then he cups the back of your head and draws you in for a sloppy kiss. You resist at first, but when he feeds you his tongue, you melt. You kiss him back, letting him draw you closer, and you sigh as he tangles his fingers into your hair and cradles you with those big hands.

There is nothing more to say. Simon neither confirms nor denies, but you taste it in his mouth, his devotion. Not wrong, not right, but just so–he has many responsibilities, but you are the only one that will remain the same. One day, his king will die, and he will serve another, but the space you have made beside him will never change. Even when you die, because he knows you will go before him, there will never be someone else to fill it. You and you only, the woman he found and made his, the one he demanded lest he kill his own country for it, it will always be you. Soft and sweet, you are, but the Lord knew Simon could only have one woman, and he made it be you; the one spitfire enough to defy her own king because she trusted his love enough for it.

Would you commit treason to save his life? Would you watch a king die if it meant your beloved lived?

Would he?

He thinks about what you have said when he takes his fleet across the water. He runs his tongue over his teeth behind his mask, breathing deep when he thinks about your proclamations of duty. Of change. Of what remains when other things move, of the kind of life that waits for him when he comes and goes with a king’s order. He thinks about how easily he is taken away from you, and he knows there is truth in what you feel. It is not really Simon that sacrifices, it is what he leaves behind, and that is you.

It’s never angered him before. He had accepted the fact, as early as your wedding day, that he would leave and come back, then leave again. It has always been the way of his life, come desire or not, so it bothers him that of all the things that surprised him in his life, it would be missing someone that shocked him the most.

Missing his wife. Missing the serene perfection of one woman, and the perfect place between her soft thighs. Every day that he finds himself between them is the best day of his life, he reckons, so now he feels bitter about staring at a freezing ocean amongst his men because he will go weeks without her.

Her. Her. Her.

He is bitter, yes, until he is not.

It comes in a letter from a messenger on horseback. They have been stationed in a foreign land for weeks now, watching slowly as the stone walls of a castle at their front crumples day after day from the stones filled with powder that ignite what is wood and break what is rock. The letter is sealed with wax, with the motif of a snake. It is given directly to Simon, whose name is scribbled in the letter, and when he reads it, he tastes ichor and smoke.

So the great phantom has come to seal my fate. I am not in the business of letting what is mine be taken. Even if you have brought your all, it won’t be taken from me.

I heard you have a beautiful new wife. I heard you paid for her in blood.

I shall do the same. I will hang your sword above our marriage bed.

Ghost is not someone that bends to the threats from foe he cannot look in the eye. Words are so empty. It is nothing like when he stands just a few meters apart from them, eyes fixed against one another, as they decide whether today they want to live or they want to die. The letter means nothing, but he’s surprised by the heat that bubbles under his ribs at the mention of his bride. He meant it when he said you were not meant for war, and that meant in this regard, too–nobody was allowed to talk about you, not like this, not ever.

When his king orders him home, Ghost crumples the note and tosses it into embers. He watches it burn, and then he orders his men to set to flame the ground around the stone walls.

So men like him can be goaded, it seems. His resolve is not as strong as he thought.

The weeks make you anxious. All you do is sit and collect dues and tell the maids which dress you want to wear and which you do not. It is peaceful and boring, and you wish Simon was here to make your days more exciting, but he is not.

His letters are the only things that keep you occupied, truly. He writes to you about war and loneliness, and you write to him about the mundane of domesticity and the ache he leaves behind. Sometimes, his letters come folded with pressed flowers he finds along the way, and you start to collect them, putting them away in small boxes or using them as bookmarks as you go through Simon’s library.

He has many books. His most loved books are those of war, of history, and you smooth your fingers over the pages he has dogeared and find comfort in reading the same words that he once did. You learn, as well. While in your studies as a girl, they made you learn arithmetic and the flowery bits of history and art, here in Simon’s house, you learn of strategy and weaponry and military tactic. Sometimes you disagree, and you write about these disagreements to Simon, and he writes back, pleased with your observations. He told you once that if you were a man, he would want you in that tent with him, beside him, deciding on which formations to take and when to strike. You responded saying that you could be that for him anyway. What did your sex have anything to do with whether you were right or wrong?

Simon agreed.

But I would never invite you here, dear wife. You have to understand that.

When your queen asks for your audience for dinner, you oblige easily; finally, you have something to do rather than add up numbers or sign a document on Simon’s behalf or read another fucking book.

You don’t want to wear all the costume your maids insist on, but you appease them after they repeatedly explain to you what your title means. With a drawn face, you let them tie your corset and layer your skirts, and you watch in the mirror as they braid your hair and drape large, obnoxious jewels over you. You grimace at the tiara they fit into your hair, and your elderly handmaid pinches your cheeks and tells you to put on a fair countenance, Your Grace, lest you make the Duke look ungrateful.

You bite your tongue from snapping at her. She should know that Simon would say nothing about your countenance; all he would do is fix whatever was bothering you until you smiled again.

You arrive early enough to have tea. Your queen is so excited to see you; she gushes when you meet her in the throne room, pulling you up from your curtsy so she can hug you tight, squealing. When you try to address her with a curt “Your Majesty,” she shakes her head, pressing her hands to your cheeks and giggling, “No need for formalities now. Call me Victoria.”

You hide your displeasure with a small smile. Now that you are no longer her lady-in-waiting, she allows you her name. Is it because she sees you more as equals, or because now you’re allowed to be somewhat of friends?

You must be some kind of friend. She sizes you up like you are one. She wears England’s colors this afternoon. A fire red dress adorned with gold accents, a dragon pin holding her shawl. She wears magnificent red and gold jewelry, but she’s looking at your dress, and you can see the slight twitch of her eye. You are wearing French lace, and she doesn’t like it. Or maybe she doesn’t like the color, the accents of navy blue and silver that you wear.

The skull motif that is woven into your tiara and printed on your coat and sewn into your dress. Does it insult her? That all your life, you wore nothing but browns and beiges and grays, were invisible to her, and now you represent your house, visit her as your guest, and bear an honorable name?

You were no one when you served her. Just a girl, no close family, no friends, just a distant uncle who gave you to the crown that hoped you could be of service. That was to be your duty for all your life–to serve the king’s wife until she wanted you no more or until she was gone. To cater to her every need and every wish, no matter the time of day or night.

Now you sit across her, more noble. Refined. Wearing a dress she despises, perhaps because she likes it more than her own.

Over tea, she gossips about the other ladies she has visit. You’ve heard this before, but you’ve never been included in the conversation. She talks to you, and she wants to hear your opinion, and you find yourself uneasy as you try to think of what to say. She is your queen, and you want her to like you. When you worked for her, you earned her favor by always warming up her jewels before she put them on, by making sure she had her tea ready in the morning at her bedside, by always holding the fan she so loved for when she inevitably had a hot flash. Now, as her friend, you weren’t exactly sure what to do. You suck in a soft breath and look at her, and then you purse your lips.

You think it best to agree with her. To be on her side. You might not be her direct servant any longer, but you still must fall under her favor. A queen’s favor can be just as powerful, especially if she occasionally has the ear of her husband.

“Well, that’s not very kind of her,” you say finally, and she laughs.

“No! She’s such a prude. I think her husband doesn’t sleep in her bed enough, if you know what I mean,” she winks at you. You giggle at that. “Speaking of husbands–” She pops another cake in her mouth. “How is yours?”

You reach up and tug at your necklace a bit, smiling nervously.

“Oh, uh…” You clear your throat, “He’s doing very well. I hear his latest campaign is quite the success. His majesty is very smart, heading for the east that way, I’m sure they will be victorious soon enough.”

Victoria smiles at the thought of her husband. His intelligence. She always used to talk to you about how many hours he worked, how she hated when he was away, how she wished he was home more so he could give her a son because she was so, so lonely.

“Wise words from the duchess, aye, my love?”

You jump a bit at the low voice from behind, and when you turn, you gasp, immediately standing and falling into a delicate curtsy. John Price waves his hand, coming further into the room, shaking his head.

“It’s alright,” he tells you. “Please, sit. You’re here as my guest.”

You stand and lift your head, trying to relax. You take a seat, smiling nervously, and Victoria smiles giddily at her husband. When he bends to kiss her cheek, she fawns, reaching for his hand and squeezing it before taking another piece of tart and eating it. John hums before motioning for one of the staff to fill your cup again with tea. He eyes you curiously, taking in your appearance. You sit up at that, performatively brushing off over the skull pattern on your corset. John runs his tongue over his teeth, smoothing a big palm down his wife’s long coils of hair.

“Since you’re here, I’d like a word, if that’s alright,” John says to you. His tone carries a little more authority now, and Victoria sighs, whining a little.

“John, please, she’s my friend. Can’t it wait–”

“That wasn’t a question, Victoria,” John bites. Her face falls a little. She swallows and tucks her hands into her lap. You’re reminded as you look at the slight wobble of her lip that there is no one truly above John Price, not even her. You keep your face neutral, but if you were invisible, you’d pity her.

What a shame her husband sees her as less than. How embarrassing. Your Simon would never. Your Simon waits until you finish speaking before speaking himself. Your husband kneels to take off your shoes, your husband tears your skirts to get a taste of you, your husband used his teeth to sever a man’s throat just to have your hand.

What did John Price do to get his wife? Who did John Price kill to have her hand? How many bruises did he earn around his knees on their wedding night from eating her out? As many as Simon, whose knees were black and blue by morning?

No, you suppose not. How unfortunate. How pathetic.

Victoria picks up her skirt and stands, pasting a big smile on her face. It doesn’t reach her eyes, and you can see the way her hands shake a little as she scurries off. She scowls as soon as she turns away from John, clearly annoyed.

“I’ll go check on dinner,” she says, but it is soft and unenthusiastic.

When she goes, the room falls quiet. At the nod of John’s head, the staff leave, and you keep still in your seat as John sits across from you, picking up one of the cakes in front of him and breaking off a piece to busy himself. He keeps his eyes on his task of cutting up the cake in small pieces, focused on his hands and how they work. You watch him carefully, steeling yourself.

You anticipate a conversation between man and woman, not a king and his lesser.

“Simon’s been away for some time. I bet that’s difficult for you.”

You straighten your posture, realizing what this conversation will be. By his tone, John seems to think you a bored, stupid housewife, perhaps. Uneducated. A woman, no thoughts in her head. You let your face relax, and you fold your hands in your lap. Maybe now is the time John should learn who you are and who you are not.

What you have become and what you no longer are.

“I do just fine, Your Majesty,” you say finally. You pick up a spoon and drop a cube of sugar into your tea, and you stir, picking it up to take a long sip. John is curious by your content. You have a quick tongue. “I could say the same to you, couldn’t I?”

John laughs. He narrows his eyes a bit at your clever response, taking a large bite of the cake and running a cloth over his beard. His eyes sparkle a little.

“So you know.”

“Know what, Your Majesty?”

“You know I gave Simon orders. And you know he didn’t listen to me.”

You purse your lips, but he sees the shine in your eyes. The lack of surprise. His face twitches a bit, and you shake your head. You blink slow, and it irks him to see you so calm. He is your king, and Simon answers to him, and you are his wife, so you must answer, too.

“I’m not sure I know what you’re talking about.”

“I could have your husband’s head cut off for treason for that, you’re aware, aren’t you?”

You tilt your head to the side. What an odd thing for John to say. What an odd thing for John to contemplate, since it would never come to pass. “Don’t be daft, my king. You wouldn’t want to do that.”

John slams his fist on the table, making the plates and cups rattle with his frustration, but you do not even flinch. You blink, stone-faced, and it makes his nostrils flare. He recognizes that glare, he knows it well. He has seen it before, stared it down many times in rooms just like this. Only now, he is not fighting for land, he fights for control of the one man that he has always been able to rely on. Simon has followed him into battles outnumbered by a thousand men, and only now he ignores an order? Only now he chooses something different?

“Now, let’s be civil, Your Majesty,” you say softly. You smile at him, leaning your head in your hand. “Is there something that you need from me? I have a feeling you might have encouraged this dinner just so you could see me in passing, so why don’t you just ask me what you wanted to ask me?”

John lets out a deep breath, leaning his elbows on the table, lowering his voice. He leans towards you, and you admire how blue his eyes are. John is quite a handsome king, but he does not captivate you. It has been a long time since John has tasted blood, and he lacks the edge that you crave dearly.

“I need him back here, is what I need,” John murmurs.

“My king, I couldn’t get him back here any more than you could, even if I wanted to.”

“Now who’s being daft?”

You scoff, leaning back in your chair. John is not a stupid man. He created a beast of a man, and he is trying not to poke it too hard. You shift, brushing down your skirts, and you let out a low breath.

“Why did he refuse?” You ask finally.

“What?”

“Why does he ignore your order to come back?” You ask again. “I can’t think of a lot of reasons why he would stay. So why did he ignore you?”

John clicks his tongue, smoothing a few of his fingers over his beard. He averts his eyes, looking out the tall windows, frowning a little at the grim weather. The weather is always grim here, but it irks him at the moment, makes him scowl a little harder.

“I was…informed that there was some sort of letter,” John explains. “Some threat.”

“I don’t follow. He gets lots of threats. And terrible letters.”

“Was about you this time, Your Grace.”

You close your eyes at that, shaking your head. Simon would never be so foolish as to be baited by baseless threats. He barely bats an eye when someone even in front of him draws his sword. He is so comforted by his ability to win, by his dreams and his visions that have not yet happened.

“That’s absurd,” you breathe. “Simon wouldn’t…”

John chuckles, but there is no humor there. “Wouldn’t he?”

“I still don’t understand what you expect me to do,” you roll your eyes, looking away. “Simon is…he’s not…he doesn’t listen. It’s why he’s good at this, isn’t it? He doesn’t really take orders, he’s…I…”

John has never complained before about the way Simon chooses to lead. Oftentimes, it is an order ignored that has made it so that he delivered another crown at John’s feet. Simon asks for forgiveness, not permission, and John has barely batted at eye at it. He sees Simon as some kind of distant son, but this refusal bothers him so?

John leans forward. “You need to understand something here, Simon is a rabid dog,” he spits. “And sometimes I let him off his lead, but this isn’t like anything I’ve had to deal with. I need you to call him back here.” He scoots closer. “England needs you to call him back here. To me.”

You narrow your eyes a little. England needs you to call him back? What kind of sick sense of patriotism is he trying to instill in you? John is stupider than he looks, to think a woman like you would show loyalty to country. You are loyal to your husband, and nothing else, because what has king and country ever really done for a woman like you except for dispose of you?

You wear Simon’s colors, not John’s, and you will wear them to your deathbed.

“If I do this for you, my king, then you owe me,” you whisper. He laughs again, no humor, and he picks up a goblet and fills it to the brim with wine. He drinks half before slamming it down onto the table, spilling it over his hand.

“Kings do not owe their subjects.”

“Quite right, Your Majesty,” you agree, picking up your napkin and dropping it onto the table. You stand, giving him a polite curtsy. “But I am not doing this as your subject.”

“Everything you do is as my subject.”

“You put your entire right to the throne on the back of one man,” you say softly. You are not accusing him, you’re reminding him of a truth. “Simon is why…he’s why your counsel still listens to you. He’s why your people are free from famine, why…why your taxes get paid on time, why your kingdom is still standing, no thanks to your father who wasted this place’s fortune on women and liquor.” You shake your head. “You have an eye for conquest, Your Majesty, but you lack the execution of any plan you conjure.”

You are not wrong, and John knows this, and it’s why he hasn’t spoken up yet or interrupted you. The man before, his own father, was a drunkard who spent all their money. He drank himself into the grave, and the only reason John stands before you now is because of Simon. A man who he fought beside, who he commanded, who once John’s duty became reality took up the mantle and finished what his father never could.

John would be in the next history book you read because of Simon, and it’s Simon’s name that will never be written. They do not bestow legacy to men who serve other men.

“Where…Where did you learn to speak to men this way?” John scoffs. “I am your king.”

You must have hit a soft spot. John is defensive now, and men only deflect and insult when they are cornered with the truth. They don’t like being held in front of a mirror.

“You are king because my husband made it so,” you correct him gently. “And Simon is a loyal dog, and that is good for your sake, because if he had any desire for your seat, it would be his.” You come closer, your heels sounding, and John glares down at you; but you glare right back because you are protected by your name and what you can do with it. John knows this, and it angers him, but he seems to have difficulty facing the truths of his own making. “But he is not your dog anymore. He’s mine.”

Your pen on paper is aggressive. You can tell because the splotches of ink are deep, bleeding black sinking into white as you put angry word to parchment. Not even a fortnight later, you are playing cards with Victoria, and you see Simon’s silhouette standing in the doorway, hood shadowing his masked face as he observes. When you look over your shoulder where John sits, and you meet his eyes, he looks away from you with a grim understanding.

Simon answers your call. Always.

At dinner, John is in better spirits. He drinks with a big smile, eats more than one plate, and he picks Victoria up by the waist to make her dance with him when he asks for the music to be played louder. Simon sits, fidgety, gloved hands moving in and out of fists as he watches you cut into your food and eat it with a blank face. He huffs beside you, his armor stiffening as he sits up straight, and you let your fork clatter onto your plate as you turn to glare at him.

“You were thinking with your cock, Simon,” you spit. “That is how men like you get killed.”

“You ‘ave no idea how men like me get killed because there are no men like me,” Simon growls. You roll your eyes, standing, and he grips your wrist angrily, tugging you close until you fall into his lap. You sigh, shaking your head, putting your hands on his broad shoulders and making him look at you.

“Maybe,” you whisper. “But I’m not wrong. It is how you’ll lose. You know better than that, Simon. To fight someone because they taunted you in a letter, it’s playing the fool.” You cup his cheeks, keeping his eyes on yours. “You don’t need me to tell you that, and yet here we are.”

He breathes slow, closing his eyes for just a moment. He thinks he came for this, just a little. For clarity. Reason. It comes from you in waves, and it’s comforting to hear. It is something he knew, and yet it only makes sense now that you have said it.

“I know,” Simon mutters. “I know. Y’r right. I’m sorry, luv.”

You ask him to apologize when he undresses you. You ask him to apologize again when he sinks into a hot bath with you. You ask him a third time when he is in your bed, a heavy weight between your thighs as he licks and sucks at the soft skin of your tummy. He begs, lowly, let me ‘ave it, and you will, but he has to say he’s sorry again.

“‘m sorry,” he breathes, sucking on your inner thigh, and you close your thighs around his head, forcing his mouth against your cunt.

“Again, Simon,” you whisper. “I wanna hear it again.”

“‘m sorry,” he slides a rough tongue between your folds, breathing shakily when he tastes the oil that he smoothed over your skin only moments ago. You taste so good, you smell so lovely, coming off of you like fumes blinding his senses so that nothing else but you makes any sense at all. When you open your eyes, you think about where you are, and you nearly come thinking about what you have wrapped around your finger.

Not even your king tells your husband what to do. Not even your king commands his men, they won’t listen, he’s not who they turn to when things go belly-up, it’s your husband, and your husband answers to you.

You weren’t sure about it until today. Seeing him when you asked him to come, it flooded you with something that hurt. You could tell from even so far away that Simon was salivating under that mask. You knew the only thing separating his mouth from your cunt were the other people around him (and they were not privy to seeing you naked).

It is such a thing to observe. John needed a lead on Simon when he was his dog. You need no such mechanism. Simon never strays, not with you. He sits proper when you ask, and he speaks when spoken to. He tears at unwanted flesh, and he comes when you call.

John cannot give him all that he desires. Perhaps he thought what Simon truly wanted was fame and fortune. Legacy. But like most things men do, John does not observe. He takes in only what is right in front of him, and he makes assumptions. Simon is not like other men. Fame and fortune do not matter. He does not care about legacy. What matters to Simon is what he can hold in his hands. The ground under his feet. The steel in his hand. The woman underneath him, spreading her legs, inviting him in.

You love Simon. You love Simon more than anything in the entire world, but it would be a lie to say that you are not at some advantage here. Simon is all-consuming. He is the pinnacle of duty and honor and everything that a man is supposed to be, but Simon is also weak. There is something that he wanted more than anything in the world, and now that he has it, he will do anything to keep it, and that makes him vulnerable. Subject to all kinds of new things. Revenge. Retaliation. Pain.

Manipulation.

Maybe you should feel bad about it. Maybe you should feel guilty, but it’s hard to feel anything like it when there’s a big bear of a man between your thighs slobbering on your pussy like dessert. It’s hard to feel anything but bliss when he’s tracing the letters of his name into your cunt and making you see stars and fucking you into the silk sheets like it’s the last time he’ll ever have you.

It is men who govern your world, and if this is how you must move in it, then so be it. You will not feel bad. You will not be sorry for doing what anyone else would do. John thought he could keep his hand there, muzzle his mutt, but you like him this way, and you’re certain John doesn’t fuck the way you do.

He’s mine.

It isn’t John that commands an army, it’s you; or maybe your cunt, but that belongs to you, too, so it is you, isn’t it? You’re the one that lets him inside, that whispers in his ear, that tells him things you know he wants to hear to make things move in your favor, so it’s you, right?

Not John. Not Victoria. Not their counsel. You. They have stepped on you your entire life. They have made you small and inferior and sad for all of your existence, and they gave you something feral knowing it could eat you alive, and now you are the hand that feeds, and they are forgetting that if they bite too hard, you have something that will surely bite harder.

A collar would suit him, you think. He would look so pretty. He already is, the terrible beast, prettiest thing you’ve ever seen (the necklace your drape over him does just fine, a pendant with his motif that you hope reminds him of you). You don’t care if people would say his face is quite ugly. It is, very much so, but you never see him this way. Whenever that mask falls, your stomach flips. He takes your breath away. His intensity, his raw form of love, the look on his face–there is nothing else in the entire world that will love you the way he loves you.

“You came back for me?” You ask. You have a leg tangled between his, and his fingers are between your thighs, a shadow of a smirk on his face as he feels the mixture of your cum and his. He grunts a little, and you tilt your head to look up at him, your chin on his chest.

“‘f course,” Simon mutters, and you kiss his chest gently, keeping your eyes on his.

“But not for John.”

He turns his head, looking down at you more intently, and he scoffs. You know it’s true, but you want to hear it, anyways. You want to hear Simon admit, unknowingly, that you are the tether.

“John is afraid, and I don’t listen to ‘im when he’s afraid. Makes bad choices.”

It’s almost adorable that this is what Simon tells himself. That he comes back for his own sake, and not for yours, even though they are one and the same, intertwined and inseparable.

“Simon,” you say softly, and he sighs, his eyes closing briefly when you kiss him gently. “You have to listen to your king when he asks you to come back. Making a…rash decision about war strategy is one thing, but…” You cup his cheek gently. “Make things easier for me, husband. If he asks you to come back, you come back.”

This time, at least. Just this time.

Simon snarls a bit, but you swallow it when you kiss him. You maneuver yourself over him, straddling his hips, and he grunts as you sink down on him. He swells hard again very quickly, releasing a deep breath as you give a slow roll of your hips.

“Make things easy for me, my love,” you whisper, and he leans his head back, putting two big hands on your ass and moving you with ease. “Appease your king, yes? For me?”

“Can’t say no when y’r pussy squeezes me like tha’, sweet’eart,” Simon groans, and you giggle, planting your hands on his chest and starting to move a little faster. You lean your head back, your mouth falling open, and you gasp when you sink down completely, your ass touching his thick thighs as you tighten around him. “Fuckin’ Christ–”

“I hate when you go,” you whine, digging your nails into his chest. He hisses, planting his feet on the bed, and he fucks up into you with a renewed fervor. “Hate when you’re not here, Simon, I-I miss you, miss this–”

“Nghh…fuck, I know,” Simon pants. “Can feel it. Feel you.” You squeal when he grips you by the waist and turns you over. He makes it seem so easy, tossing your weight underneath him, and your arms circle around his neck as you draw him closer, hanging onto him. “Y’r so fuckin’ pretty…”

“Simon–”

He kisses to devour. His jaw hinges wide to kiss you sloppy, breathing in the moans that you can’t contain. Simon always fucks so well, stretching your thighs as wide as they will accommodate so he can make room for the goliath of himself that he is. He suffocates, in a good way, and his cock never fails to stretch you for all that you are worth. Simon holds your jaw in place as he grinds into you, relishing in the wet smack of his hips against yours. The fat of you satisfies him. It makes him growl with delight when he grabs onto wide hips, your fat arse, the body that you hold that tells him you are fed and warm and content. It draws his grin wider, and it makes him drool thinking about having you again and again and again, until you beg him for reprieve and his heir sits in your womb.

Simon fucks for sport. He wants to see how stupid he can make you. He wants to know how long you’ll cry for, how fat he can make your tears. He wants to know how loud you will cry, how many times he can make you cum before you’re incoherent, he wants to know the extent to which he can use you that you will still be awake enough to say his name just one more time. Simon is not satisfied until he pushes your limits.

It is what a Riley does. They endure, and they eat, and they consume, and they take pleasure in the all-encompassing indulgement of things they have never been allowed to have. You are a woman, so he knows this will come easy for you. So often, he knows, women are not allowed to indulge at all, so he wants you to. He wants you to cry and moan and eat, and he wants you to do it bearing his name so that no one will ever tell you no.

Simon says no to kings, and they placate, or they die. His wife will be offered the same respect, and he’ll stand behind her with a sword to make it law. When you bear his children, he will expect the same of them–to give their mother utter devotion, lest they answer to his hand. There is no one above you, not God, not country, and certainly not blood. They will know what their father did to have you, and they will spill the same amount of blood to keep it that way. They will do it for you, and then they will do it for their own lovers, and if they don’t have the same sentiments, that love is not true, and Simon will not give his blessing.

Everything else is trivial. He knows this, understands it, because history repeats itself. It is cyclical, and you are right. Kings come and go. Sons die to other sons, fathers make bad decisions, and crowns are passed to bastards and back again, until lineage is merely spectacle and power changes hands often enough to lose generational merit. There is one thing that remains, and it is what you do while you are on earth, while you are standing on the ground you were born on. Even faiths change; when men find it suitable, they change the rules, and then you worship a different God, so Simon sees no point in staying loyal to any of it.

Instead, he is true to what he knows. To what he can see and what he can feel. With John, he remembers being a young man, fighting alongside him. He follows John, to an extent, because he knows what it is like to share blood with him on a muddy hill and take an arrow for him.

With you, time stands still. He saw you in a room, and he had to have you, and he brought nations to ruin to make certain no one would bat an eye when he asked for your hand. He saw you in a dream, too–he saw you laying in his bed of furs, wearing nothing but a tiara of his making, wet between the thighs because that is how it’s meant to be. He recognized you when he saw you that first time, and he doesn’t know how, but saying no to you, really saying no, will change that vision, and he couldn’t bear that.

Your voice echoes. You’re moaning, overstimulated, but he doesn’t stop. The hair around his cock rubs your clit too many times, and when you come around him, you’re a shaking, withering thing, back bowed and nipples pebbled. Your toes curl as you cry from the starry-eyed, hot pleasure, but he keeps moving, chasing something in the distance that he can taste, so close.

Yes, Simon ignored his king. Yes, Simon did not ignore you. Yes, Simon admits, he came when you called, and he doesn’t feel bad about it, he doesn’t care how it seems. He would do it again if he had the chance. John could give him the same answer as you in every timeline, but he will only move if the command comes from you, and yes, Simon knows it makes him a liability, but crowns come with costs, and this is the one John must pay.

Simon will fight any of John’s enemies, but he won’t fight fate. He won’t fight what has already been seen, and he won’t fight what he already knows will happen.

With Simon’s cock in your mouth, you can make him deliver on promises. Sucking on the girth of him, you can make him an honest man. Taking inside of your mouth what you can swallow, you can make Simon do your bidding, and it is a hard lesson that John learns.

“Do this for me,” you slobber against the underside of his cock, and Simon relents.

“Make me happy,” you say, swirling your fingers against your puffy pussy, and Simon kneels with an open mouth.

“Just this once,” you whisper with his cum on your tongue, and Simon seals his choice with his hands on your tits and the taste of himself in his mouth.

When you make eyes with John across the low lights of the throne room, he can’t help the way he admires you. You stand beside Simon, looking the essence of nobility and reverence in another intricate silver and blue dress. The train of your skirt glitters with delicate jewels hand sewn into the fabric, and the headpiece you wear adorns a skull insignia. Your corset has been tied just right, thanks to Simon’s hand, and your own fingers are clasped between his. Your corset and jewels are of exquisite detail–one of the newest designs from Paris, structured and elegant and accentuating every curve of soft skin.

You glow in the room. His wife must be wearing a dress just as expensive, probably more, and yet his eyes (and everyone else’s) cannot help but follow you. Your own eyes won’t leave Simon; you flutter your lashes whenever he looks down at you, big smile on your face, and even when there are people curtsying and bowing to you and giving Simon their gratitude between bites of cake and glugs of wine, your attention never really strays.

John feels inadequate in his own fortress; suddenly, red and gold sicken him, and England tastes sour in his mouth.

In a few generations, John’s house will likely fall. He will make heirs that will fail him, he knows this. In a few centuries, his family will not sit in the same place, but a Riley will remain right where they are supposed to be. Banners of blue and silver will always fly. If Simon does not make sure of that, then you will.

It’s what happens when you force women like you to their knees. When they grow up invisible, always in the shadows, forgotten and sold to the next man who will pay a higher price, it’s what you learned to do. It’s all you’ve ever known, to make the best out of something terrible.

Simon is the same, in that sense. You understand him in a way his king will never be able to. Simon has nothing, and neither do you, and Simon was stepped on and berated and tortured to the point of no return. It is why blood does not scare him and why death doesn’t come knocking. Time will be the only thing capable of killing him, and everyone that stands up to him learns that when they eat his blade.

In the quiet of the evening, Simon undresses you. He sits behind you on the bed, fingers pinching the bows at your back and unraveling them. He traces your corset, thumb circling over the skull pattern of the belt around the small of your waist, and he tastes something warm in his mouth at the sight of it. You look so beautiful–more beautiful than he’s ever seen you maybe, decorated in his colors and wearing his motif and sitting so pretty.

“You wanna know something…funny?” You ask quietly. Simon finds the ties of your skirts and starts to undo them. He grunts in reply; he might sound standoffish, but you know he’s listening. “John…John made it…he makes it seem like you don’t really listen to him. He implied that…in the face of adversity, you might only listen to me.” You put your hands on the front of your corset to keep it from falling. “Isn’t that funny?”

“Wot’s so funny?”

You swallow, looking down. Your hands fidget, and you take a closer look at the ring you wear, the delicate gold band he gave you not so long ago.

“I…”

“Mmm…might be right, innit?” Simon snickers after a moment. You feel him stand, and you look over your shoulder as he peels his mask off and grins down at you. He tilts his head to the side, and you smile back at him a little. “Do anythin’ for ya. Disobeying a king…” Simon cackles, tearing your corset off, tossing it onto the floor as he walks you backwards. “Ignoring one…” He shrugs, “Oll in a day, love.”

“He can hang you for it,” you whisper. “Cut off your head. Cut off mine.”

Simon lays you back on the bed, spreading you out, climbing over you. You blink up at him, and he leans down, pressing his forehead to yours.

“I would ‘ave seen it. I would know.”

He would have seen it in a dream. It would have come to him in a reflection in a pool of blood on the battlefield. It would have come to him, the voices in his head, he would have heard them amongst screaming, or perhaps in the void that he finds his mind in when he’s between your plush thighs.

You can’t help the smile that graces your face when Simon kisses the curve where your jaw meets your neck. It is fun, you suppose. Fun to control the tides that set the courses of history. It is fun and almost unbelievable that a king bends to the will of one man’s wife just because it solidifies his name.

You wrap your hand around the twine that dangles from Simon’s neck. It twirls around your fingers, easy, solid. Simon’s eyes are dark, and they are yours, and when you smile, so does he, because this is where you are meant to be, forever and always.

“What if I want more?” You ask. Simon hums, low from within his chest, and you run your tongue over your teeth. “Did you see that in your dreams, Simon? Hmm? Do you know what I’m asking for? What it is that I really want?”

Simon smiles. A dark one, with teeth, and you know he hears it. What more means for a duke and his duchess. What more means when you have all the money you could ever want, all the land you could ever need.

What more means when you have climbed your way to the top and still desire more. More, more, more. There are not many steps left to climb. There are not many places left to take, not much more of the world that can really be yours, but Simon looks ravenous, and Simon looks hungry, and if you fuck him now, you’ll have him right where you want him.

When you tug on what hangs around his neck, Simon bends. Simon follows.

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ham1lton · 2 months ago

Text

X MARKS THE SPOT!

pairings: retired f1 drivers x retired f1 legend!yn.

faceclaim: jessica alba.

summary: being the first-ever female f1 world champion was hard enough. writing a tell-all about it, including all the details of your beef with that former driver? let’s just say the track wasn’t the only place things got heated.

warnings: mentions of misogyny. like a lot. so if that is something that makes you uncomfortable, please don’t read!! your comfort comes first <3

author’s note: ignore timeline issues!! this was all inspired by that one anon who said something about yn writing a tell-all. if you liked this, maybe send me an ask? :D

now part of a trilogy!

────── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ──────

liked by vogue, jimmyfallon and 2,837,018 others

yourinstagram: it was so fun talking to jimmyfallon about writing my memoir ‘lucky girl syndrome’! i talked about getting the call that i was being signed, getting name dropped in a kdot song (thank you for making me cool to my nephews!) and the legacy i want to leave behind. check it out!!!

view all 298,727 comments

user1: MOTHERRR

user2: omg i’ve already pre-ordered my copy!!

-> user3: i’ve reserved it at my local library 🫡

user4: i hope she spills all the tea. i wanna know exactly who the misogynist motherfuckers are.

user5: she’s the goat female driver idc!! first female championship winner!!

-> user9: during her time in mclaren, jenson was carrying her. but yeah let’s talk about that one rigged championship 😂

user6: she still looks so hot. my first celeb crush.

-> user7: i had pictures of her all over my wall. i think my mom still has them up 😓

user8: worst driver of all time. only there because she looked good in the race suit.

-> user11: if she wasn’t hot, no one would care about her driving.

user10: this was always going to happen when you allowed women into f1. ruined the sport. she was nothing but a distraction on the grid.

-> user12: she was incredible. she clawed her way to a championship when everyone doubted her. she proved that women can do anything. the only distraction are people like you.

user13: please please please tell me she says that her and jenson were a thing. i always used to ship them so bad. the photoshoot for british vogue was imprinted on my thirteen year old brain.

-> user14: ANOTHER JENSONYN SHIPPER!!! baitclaren was my fav mclaren era. y’all can have your twinkclaren!!

-> user15: remember when jenson shut down a misogynistic reporter who tried to imply that yn wasn’t a good driver?? that was his girl frfr!!

user16: i’m so proud of u yn. you’ve been through so much and i’m excited to support you.

*liked by yourinstagram.*

────── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ──────

“SHE’S NOT THAT FAST — SHE JUST GETS LUCKY SOMETIMES. THAT’S ALL IT IS. RIGHT CAR — RIGHT TIME. LUCKY GIRL SYNDROME.” — a senior mclaren engineer.

dedicated to everyone who ever rooted for me. thank you.

────── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ──────

EXCERPT FROM LUCKY GIRL SYNDROME.

by yn yln.

when i signed with mclaren in 2013, i thought i was living my dream.

i was the only female driver on the grid, paired with jenson button—a world champion, a household name, and, to some, a certified heartthrob. they already loved calling him “promiscuous” in the press, and suddenly there i was: the pretty young woman who happened to drive fast. to them, we weren’t drivers—we were a brand. two good-looking people in shiny cars. and that label stuck.

from the start, i wasn’t taken seriously. i’d show up to meetings and realize they’d given me the wrong time—jenson would already be there, halfway through strategising with the team. he always looked uncomfortable when i walked in late, knowing i wasn’t told the same things he was.

“you’re here now,” he’d say, smiling politely, trying to ease the tension. i liked him. he wasn’t the problem. he was respectful, and if anyone made an offhand comment about me, he’d interject with a joke to cut through the awkwardness. but even his kindness couldn’t fix what was fundamentally wrong.

my first podium was a moment i’d worked my entire life for. it was a race where i drove faster than jenson, faster than most of the grid. but the photo they posted of me on the team’s social media wasn’t of me crossing the finish line, or holding my trophy.

it was me in the garage, leaning over the car, my race suit unzipped halfway down. the caption didn’t even mention the podium. it was just… my body. i couldn’t stomach looking through the comments.

i’ll never forget calling my dad that night. he was furious. he asked me why i didn’t make a fuss. why i didn’t storm into the team’s office and demand better treatment. but what he didn’t understand was that it wasn’t that simple. you’re the only woman in a room full of men, and they’re already waiting for you to slip up. waiting for you to show too much emotion, to prove them right when they think women are too “dramatic” to handle the job.

so i kept my head down. i smiled at the cameras, laughed at the jokes, and drove my ass off every weekend. and every time i was faster than jenson, every time i outqualified him or finished ahead, they’d say, “she got lucky.” when he beat me, they’d say, “see? this is why she doesn’t belong here.” it was a game i couldn’t win.

being the first woman on the grid wasn’t just about being fast. it was about being everything they didn’t expect me to be: calm, collected, agreeable. i couldn’t afford to push back because i knew they’d use it against me. so i swallowed it all, every little slight, every dismissive comment, every missed opportunity. i thought if i just kept my head down and drove, eventually, i’d earn their respect.

but now, looking back, i realize… they were never going to respect me. not really. not as a driver. they respected what i did for their brand, for their image. they respected how well i played the part. but as a person, as an athlete? i was just another pretty face to them. nothing more. and that’s what hurt the most.

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r/books

Discussion Thread:

“Lucky Girl Syndrome” by YN YLN: Thoughts, Reactions, and the Drama It’s Stirred Up.

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u/checkeredpast: just finished lucky girl syndrome, and WOW. she did not hold back. calling out mclaren for the way they treated her, the “wrong meeting times” sabotage, and the completely inappropriate podium photo… i can’t believe this stuff actually happened.

u/fastlaneandfurious: the part where she talks about the team using her as a “walking brand strategy” instead of a driver broke my heart. like, they wanted her to be the face of the team but refused to actually treat her like a serious athlete.

u/f1fanfiction: let’s talk about the fact that she outsold literally every sports memoir in history. 2 million copies sold in the first week. yn doesn’t just break records on the track, apparently.

u/nosteeringallowed: her calling out the media for labeling her as “lucky” after she beat half the grid is ICONIC. “they didn’t call my male teammates lucky—they called them skilled.” like, yes queen, drag them.

u/ynsthegoat: what got me was the chapter about the infamous team dinner where they wouldn’t even let her speak during strategy talk. then she went out and out-qualified jenson the next day.

u/overqualifiedandundervalued: “they said i was lucky, but luck doesn’t drive faster laps or win races. luck didn’t make me the first woman to win a championship—it was skill, it was hard work, and it was me.” CHILLS. absolute chills.

u/gridgossip: is no one going to talk about the tea she spilled on that one driver? the “polite but condescending” comments she got from him while he constantly undermined her. we KNOW it’s about seb.

u/wheresthefinishline: @ u/gridgossip no no no, it’s def about fernando. she’s been shady about him for years, and the way she described the “overly competitive teammate who couldn’t handle being outpaced by a woman” fits him perfectly.

u/holygrailpodium: the inappropriate photo after her first podium makes me so mad every time. she’s standing there in tears, holding the trophy, and they choose to post a picture of her leaning over the car with her suit half-open?? disgusting.

u/gaslitandgridlocked: her dad being her biggest defender was such a beautiful part of the book, though. “why do you stay quiet when you’re the fastest in the room?” hit me right in the heart.

u/podiumqueen: not me crying over how she kept driving through all of this, knowing they didn’t want her there. like, the strength it must’ve taken to win races when her own team wasn’t even rooting for her.

u/championshipenergy: the way she calls out how different her career would’ve been if she were a man was SO POWERFUL. “they didn’t need me to be fast, they needed me to be pretty. they got both, and they still weren’t satisfied.”

u/mimosasontherace: i can’t stop thinking about the last chapter where she talks about winning her first championship and how no one in her team even hugged her when the cameras switched off. like, they couldn’t even fake happiness for her.

u/driversanddivas: this book isn’t just a memoir; it’s a reckoning. yn exposed everyone who doubted her and proved that no matter what they threw at her, she came out on top. lucky girl syndrome my ass—she EARNED that title.

u/lightsoutandread: imagine being on the grid right now, knowing you were one of the people she called out. the absolute awkwardness.

u/trophiesandtrauma: if you’re on the fence about reading this, DO IT. it’s not just about racing—it’s about breaking barriers, sexism, and resilience. honestly, it deserves all the success it’s getting.

u/checkeredpast: she’s already announced a limited series deal with a streaming platform. you KNOW it’s going to be messy when they dramatize the “wrong meeting times” scene.

u/bookishracer: “lucky girl syndrome” is officially my book of the year. yn didn’t just tell her story; she made sure no one could ever erase it again.

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liked by f1stan, ynstan and 1,837,928 others.

ham1ltonshaderoom: f1 legend and now best selling author, yn yln, took to harper’s bazaar to discuss writing and her career. however, her memoir went viral for more than its record breaking sales. yln mentioned that there was a certain driver that would be her biggest fan in public and then undermine her in public. it has been dubbed ‘x marks the spot’, with the hashtag gaining major traction on social media. what do you think ham1ltons? and who do you think the supposed driver could be?

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‘there was one driver who always seemed to go out of his way to remind me i didn’t belong. he wasn’t on my team, but his presence always lingered—sharp, dismissive, condescending. let’s call him x. in interviews, he’d say all the right things, calling me a “trailblazer” and claiming he respected what i brought to the sport. but in the paddock, it was another story. during press conferences, he’d interrupt me, throwing in some smug joke that made everyone laugh but left me feeling small. once, during a rain delay, he walked past my garage and casually remarked to my engineer, loud enough for me to hear, “well, at least she’ll look good sliding off the track.” and when i won my first race, beating him in the process, he didn’t say a word. no handshake, no congratulations—just a quick glance and he was gone. i’ll never know why he went out of his way to belittle me, but in the end, i didn’t care. that win wasn’t for him. it was for me.’

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view all 23,727 comments

user1: it’s definitely fernando. they’ve never liked each other, and he’s always been salty when anyone’s faster than him.

-> user2: nah, it can’t be fernando. he’s competitive, but he’s never outright disrespectful. i’m thinking nico.

-> user1: girl that’s the point 😭 x was never openly disrespectful.

user3: okay but what about lewis? we KNOW their relationship wasn’t always great. remember how tense they were in interviews back then?

-> user4: no way it’s lewis. he’s literally said she’s one of the most talented drivers he’s raced against.

-> user5: lewis can say nice things now, but what if he wasn’t like that back then? she didn’t say the guy stayed disrespectful. she also said x was nice in public, who knew what he was saying in private.

user6: everyone’s ignoring seb, but she’s shaded him before. what if it’s him?

-> user7: yn has ALWAYS defended seb. if anything, he was one of the few drivers who actually supported her. it’s not him.

user8: it has to be fernando. the whole paragraph is giving fernando energy, and you know it.

-> user9: nah, i still think it’s nico. remember when he threw shade at her in a press conference after she outqualified him?

user10: you’re all wrong. it’s michael. she’s talked about how intimidating he was to race against, and she never got along with him.

-> user11: yn literally called michael one of her idols. she’d never write about him like that.

user12: y’all are missing the obvious answer—kimi. he’s the only one who would say something that blunt and not care about the fallout.

-> user13: kimi didn’t even talk to her half the time lol. i can’t see him caring enough to belittle her.

user14: okay, what if it’s no one we’re expecting? maybe it’s some random mid-grid guy like grosjean or massa.

-> user15: yn wouldn’t waste a whole chapter on someone irrelevant. it has to be one of the big names. my money’s on fernando or nico.

-> user1: fernando for sure. yn’s always been lowkey bitter about him, and this just proves it.

-> user2: it’s not fernando!! why can’t you just accept that some drivers are cocky without it being him??

-> user3: okay but if it’s not fernando, who else would it be?? the smug comments SCREAM his vibe.

user5: we’re all arguing, but yn’s probably laughing at us right now. she KNEW we’d be doing this.

user16: yn ‘attention whore’ yln.

user17: at least we know it wasn’t my king jb 😻

user18: idk who tf yn is but this tea is so juicy 😭

────── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ──────

[setting: thanksgiving dinner, complete chaos. plates of food are half-eaten, wine glasses are full, and cousin jess is recording everything on tiktok. the family is deep into an argument about “x marks the spot,” using jess’s infamous powerpoint as reference.]

uncle bob: jess, i still don’t get why you made a whole powerpoint about this.

cousin jess: because the people need to know, uncle bob. yn’s memoir is the drama of the decade, and you’re welcome for organizing all the evidence.

aunt carol: honestly, it’s that fernando. slide four proves it. all the press conferences where he interrupted her? it’s right there.

aunt fiona: fernando wasn’t that bad. he even congratulated her in, like, 2017. i think it’s nico. slide eight, jess literally wrote “petty king energy” under his name.

uncle hamish: it’s not nico. you’re all overthinking this. i say it’s jenson. didn’t he once call her “intense” in an interview?

cousin matt: jenson literally defended her against the media every other week, hamish. you clearly didn’t listen to slide six.

grandpa: i still don’t understand why this yn person didn’t just punch the guy.

grandma: because she has class, unlike this family. pass the stuffing.

aunt bobbi: wait, what about lewis? slide ten said they were “friendly but complicated.” maybe he was fake-nice to her.

uncle craig: fake-nice? lewis was the only one who liked her, bobbi. slide nine has like five examples of him hyping her up in interviews.

cousin jess: uncle craig, you’re wrong. he was supportive, but there’s that one time he ignored her after she beat him in qualifying. it’s suspicious.

aunt carol: you think it’s suspicious? no way. lewis isn’t smug enough to be x.

uncle hamish: oh please, you’re all just picking names because they sound dramatic. if anything, it was sebastian.

aunt fiona: seb? absolutely not. slide seven shows he called her “one of the best drivers on the grid” multiple times.

uncle bob: that’s suspicious. who compliments people that much unless they’re guilty?

grandma: compliments aren’t guilt, bob. stop eating the cranberry sauce straight from the bowl and get a grip.

aunt carol: you’re all wrong. slide four, people! fernando cutting her off mid-sentence! the man’s guilty as sin.

grandpa: why does anyone care about this? it’s all rich people in fancy cars. sounds like nonsense.

cousin matt: rich people drama is the best kind of drama, grandpa.

aunt bobbi: jess, why is kimi’s slide just a picture of him smoking with “#needthat” written under it?

cousin jess: because kimi’s innocent. everyone knows he doesn’t care about anything but being my dream man.

uncle craig: so why isn’t yn on the slide about drivers who were universally liked?

cousin jess: because she wasn’t universally liked, uncle craig. she was fast, hot, and female in a male-dominated sport. they were all salty.

uncle bob: well, now they’re all posting about how much they respect her.

grandma: of course they are. it’s called covering their asses.

uncle hamish: if i were yn, i’d name names. all this mystery is just fueling conspiracy theories.

grandpa: or she could just leave it alone so we don’t have to argue about it at thanksgiving. what the hell even is f1? is that nascar?

uncle craig: formula 1, dad. jesus, keep up.

grandma (snapping): if someone doesn’t pass me the cranberry sauce right now, i’m gonna be the next x.

[jess pans the camera to her grandma glaring at the table, muttering under her breath as the family keeps arguing.]

cousin jess (whispering into her phone): y’all, my family is losing it over x marks the spot. happy thanksgiving.

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liked by landopriv, ynupdates and 4,738,918 others.

ham1ltonshaderoom: an update on the ‘x marks the spot’ speculation. it started over who exactly is x, from f1 legend yn yln’s memoir and it is causing a stir! with former/current drivers taking to social media and journalists to prove their innocence. kimi räikkönen, when asked, said ‘yn deserved every win she got. people talked too much, but she let her driving do all the talking. always respected that about her.’

mick schumacher released a statement via instagram, with a montage of photos of him and his dad with the first female championship winner: ‘my dad always believed yn was one of the most talented drivers he’d ever seen. he admired her strength, her skill, and her ability to prove everyone wrong, time and time again. he spoke so highly of her and what she brought to the sport, and i know he’d be so proud to see her telling her story.’ when sebastian vettel made a rare appearance to the grid, he confirmed that he had bought a copy and thought that he was proud to watch yn ‘make history’.

now the sudden flurry of support is making fans of the sport wonder just who is genuine and who is covering his ass? what do you think ham1ltons?

view all 2,983 comments

user1: the way literally everyone is tripping over themselves to prove it’s not them is SO funny. one of you is lying, and we will figure it out.

-> user20: exactly!! the fact that EVERYONE is suddenly posting/talking feels so suspicious lmao. someone’s definitely guilty, and they’re trying to throw us off the scent.

user2: kimi’s response is so him. short, straight, and unbothered. it’s definitely not him.

-> user22: we’re all analysing this, but kimi’s out here just vibing like always. love that man.

user3: mick’s statement is beautiful and wholesome as always, but also low-key throwing shade at the others?? like, ‘my dad always supported her’ is giving ‘can’t say the same for you lot.’

-> user21: honestly, mick’s post is the only one that feels 100% genuine. his dad was always so supportive of yn.

user4: seb really said ‘i bought the book’ and dipped. man didn’t even deny anything outright. sus??

-> user5: nah, seb’s always been a yn fanboy. remember when he called her ‘the most talented driver on the grid’? it’s not him.

user6: the lewis and nico posts are giving major ‘damage control’ energy. both of them trying WAY too hard to sound supportive.

-> user7: facts. lewis called her a ‘trailblazer’ like we wouldn’t notice how cold things were between them back in the day.

-> user17: tbh, i don’t think it’s lewis. yn has said before that he was always encouraging her, and they’ve stayed friendly.

user8: fernando’s post feels so rehearsed. like, when has he ever gushed over yn like that before??

user9: low-key think it’s nico. man was so salty about literally everything back then, and the ‘petty king’ vibes match the memoir perfectly.

-> user10: yesss, especially the part where she said he didn’t congratulate her after her first win. sounds EXACTLY like something nico would do.

user11: not enough people are talking about jenson. just because he was her teammate doesn’t mean he’s innocent. the whole ‘answer my texts’ thing was cute, but he’s a smooth talker.

-> user12: nah, yn always spoke highly of jenson. he had her back when mclaren was treating her like a sex toy. i’m ruling him out.

user13: so we’re all just ignoring that fernando spent YEARS shading her in press conferences? india ‘13 is permanently engraved in my brain.

-> user18: can’t lie, if it’s fernando, i’ll be disappointed but not surprised. his 2013 energy was… a lot.

user14: honestly, they’re all acting sketchy. the sudden love bomb of support is too much. one of you is x and we will find out.

user15: plot twist: what if x isn’t even one of the obvious names? imagine it’s someone random like felipe massa lmao.

-> user16: watch it not even be one of the main suspects and we’ve been dragging the wrong guy this whole time 💀

user18: it’s giving ‘we need to get ahead of the narrative’ vibes, and i’m here for the chaos.

-> user19: everyone’s pr team is in OVERDRIVE rn lmfaoooo

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— all works taglist: @luvsforme @yelenasloverrrrr @donttouchthegnote @chelle1306 @bloodyymaryy @km-23mr @stinkyjax @f1kenzzz @ctrlyomomma @aliciaablueprint @theblueblub @namgification @tallrock35 @avada-kedavra-bitch-187 @ariellovelynn @shhhchriss @lifeless-firefly @xylinasdiary @evie-119 @itseightbeats @landososcar @yongi-lee @velentine @m1892 @blushmimi @evans-dejong @nixisracing @lethalvenus @sainzluvrr @santanasaintmendes @idontknowlmaoo @sainzluvrr @tetetoni @ssprayberrythings @heavy-vettel @tashisgf @daniskywalkersolo @c-losur3 @lestappenslover @linoscrly (see yourself tagged when you don’t wanna be? or you want to be and don’t see yourself? send me an ask!)

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3K notes · View notes

ratatattouille · 2 months ago

Text

Why The Arcane S2 Finale Fumbled, Part I

arcane season 2 was artistically beautiful and thematically cheap. every interesting and meaningful thing it did with its characters (even in season 2 act 2) was reduced to romanticized bullshit, utterly divorced from its season 1 roots. it's so bad it can be considered pro-status quo propaganda (and i do mean that). good ships aside (and i do mean the caitivi, jayvik, timebomb holy triad), this season squats and shits on every zaunite character in the show. not just their zaunite-ness, but how it literally shaped who they were as characters.

Let's start with Vi:

Vi and Vander:

Vi's loyalty to The Lanes always went beyond Powder. Zaun was her father's, Vander's dream. Zaun was her friends and her family. When she's giving Caitlyn a tour of The Lanes, we see how much she embodies and revels in Zaunite culture (esp in the food scene). She took responsibility for the vulnerable, like Vander taught her to. Her "protective" trait extended to ALL the vulnerable in The Lanes, because Vander taught her that. It wasn't EVER just Powder. Zaun is her HOME. As a child, she wanted to make a name for herself IN ZAUN "one day, this city's gonna respect us." You can make the excuse that Vander's death meant that side of her died, but it clearly didn't because of how she regarded it while showing Caitlyn around. "Family" to Vander, extended to the vulnerable of Zaun, which is how Vi and Powder came to be his "daughters" in the first place. Because Zaun was for THEM. Zaun WAS THEM. Vander and Silco "weren't allowed to fail" at Zaun (i.e. the two daughters).

Additionally, Vi and Jinx were supposed to succeed where Vander and Silco hadn't: forgiving each other and uniting so they could realize their dream for a free Zaun. A big reason why Zaun struggles to be free is because of their own internal divisions (the different gangs fighting for scraps). But if they united, they would be able to liberate themselves from Piltover (who is still the enemy). The whole reason the others are prosperous in the alternate timeline Ekko and Heimerdinger travel to is because Vander and Silco reconcile (not because Vi dies).

Vander also passes on his sense of responsibility to Vi. He tells a repeatedly vengeful Vi how her ambition to show up her oppressors can overshadow the more pressing priority of looking after those more vulnerable than her i.e. Powder. Like Silco, his advice to his daughter is steeped in his own trauma of getting so zealous he didn’t stop to think what it would cost.

Vi and Caitlyn:

Caitlyn was an interesting development for Vi, particularly because Caitlyn mirrored Vander's care for all people. Caitlyn was an enforcer that wanted to truly understand and help people. This challenged Vi's biases and also gave them a common goal. Caitlyn appealed to Vi because she gave Vi renewed hope for peace in The Lanes. That Zaun could be free through co-operation instead of violence. Her whole teaming up with Caitlyn, romance aside, was predicated on Vi brokering for peace between Zaun and Piltover (and getting revenge on Silco).

The first break-up between the two (Season 1's "Oil and Water") centred around Jinx, more or less. Vi believes Silco is a threat to peace between Piltover and Zaun (even though The Lanes aren't known as Zaun to her, I'm just using the names interchangeably). She believes Jinx is acting out due to Silco's influence, as well (and she isn't wrong). Had Caitlyn not been injured on the bridge (and had Jinx not felt betrayed by Vi), Vi was going to leave her in pursuit of Jinx. Vi has also never fit into Piltover (and that's also shown in Season 2 act 1-2). She makes no connections with Piltovians besides Cait and (an already disillusioned) Loris who we see for like two seconds.

Vi and Jinx:

This show was ALWAYS about a tale of two sisters/cities. When Vi becomes an enforcer, it isn't because she's switched loyalties. She wants peace for The Lanes, she just wants to take Silco's creation--Jinx--out of the equation so it can work. Her priority, like Vander’s, is to keep the vulnerable of The Lanes safe, and both were willing to co-operate with Piltover to protect the people they loved. She believes, like Vander did with Silco, that Jinx (and by extension Zaun) is her responsibility. That the reason bad things happened to Zaunites (Vi’s and Powder’s parents dead on the bridge, Jinx’s mania) is their fault.

Vi blames herself for creating Jinx as Vander does for creating Silco. The only reason Vi agrees to Caitlyn's plan is because, again, their two goals align: get Jinx. The difference is Vi wants to kill Jinx to kill Silco, while Cait wants to kill Jinx to get her city (mother) back. Vi is still explicitly concerned about Jinx, who she has come to see as a threat to other people she loves (e.g. Ekko, Cait, etc). Vi became an enforcer to protect The Lanes and the (appearance) of peace. Vi internalized Vander’s words and doesn’t want war, even if it means Zaun never becomes independent. But she is doing it as penance for what she feels she didn’t do that led Jinx to become what she is.

The show in season 2 TOTALLY LOST THIS FOCUS. Vi's guilt at hunting down her own people with enforcers is ALSO ignored a lot by fandom, especially because her post-breakup scene where she goes full goth is framed as regret for letting Cait down (rather than the self-disgust she would feel for joining her oppressors). Vi played a part in creating Jinx and her enforcer-arc is still centred around Jinx. This gets shoved aside for romance with Cait. All the time we could spend post-breakup focusing on the sisters, quickly circles back to Cait.

Cait, who, literally became a dictator and weaponized the air ducts her mother had created to SAVE ZAUNITES. The whole thing is viewed as Vi betraying Cait instead of Vi betraying Jinx/Zaun/her family and Cait betraying Vi ("promise me you won't change") and her mother. Cait was the one who sought to help Zaun (like her mother) but betrayed who she was when she was willing to kill Isha, an innocent child.

Vi would feel even more guilty at how she is literally in an enforcer's suit when she is about to kill Jinx, the only family she has left. She is literally hunting down Jinx, a Zaunite, like the enforcers had her parents. But we barely explore that. It’s just off to chasing Vander/Warwick only for it to not matter anyways!

(ALSO IMPORTANT: Just to further prove my point on how integral the sister's love for each other was, every show started with a record playing. The cover of the disc was Vi and Jinx. They were always the center focus of the story. The song that the record played? Likely "Our Love" by Curtis Harding and Jazmine Sullivan which goes "Our love is a bubblin' fountain, our love, that flows into the sea, our love, deeper than the ocean, our love for eternity." This love deeper-than-the-ocean can apparently crumble in the face of a dictator girlfriend you've known for less than a year lmao).

Summary of Fumbles:

-Vi's and Jinx's relationship becomes secondary not just to the entire plot of the show but to Vi's arc. Zaun and Piltover's conflict was set up to be the epitome of the show, and the fact that it got shelved for some (ahem military propaganda) epic battle between humans and robots is very telling about the writers and showrunners.

-Vi forgives Cait easily and prematurely, trashing Vi's true loyalties as established in earlier seasons/episodes and robbing Cait’s actions of their appropriate weight.

-(above is an excerpt from Amanda Overton's interview with TheGamer) The culmination of love for Vi's character ends with Caitlyn and not Jinx. Vi's character, whose love is explicitly centred on Zaun and her family, reaches its peak in romance with a Piltovian. To quote Amanda further: "If Vi had no one left to protect, she would fall in love." As if Vi had no ambition outside of protecting her family. As if her dream since she was a kid wasn't tied so much into Zaun. As if the reason she wore an enforcer outfit wasn't because of Zaun. As if Zaunites aren't suffering right under her nose. As if she was the only kid in Stillwater Prison and struggled to survive the whole time she was there. I can't pretend to stomach it. (Again, it's not that Vi shouldn't be happy, it's that the ship had to shove this aspect of her character aside for it to work). If they wanted to really commit to the Vi-in-video game origin story, they should have set it up better and stuck to it.

-Vi herself takes a back seat in most of season 2, and becomes a passive, guilt-riddled yes-man to Cait

-Vander's re-introduction is almost completely worthless to the plot and narrative (he comes back just to die), and he is used as a cheap way to re-unite (and then separate) the daughters in a way that has no significance to the themes (also, Silco as Jinx's father is completely ignored during this time)

-Cait's deferral to fascism should have been permanent. Idc about the shippers at this point. Vi and Cait should have never come back from Cait shoving the back of her gun into Vi's injured side (let alone the gassing of the ducts). Vi would've never forgiven her, attraction or no. The fact that Cait could become a dictator after losing one parent is proof of their class divides (after all, Vi held onto hope despite losing all her parents to enforcers and Jinx was all she had left of her family). That should have cemented the death of that relationship (and it would have made for more compelling storytelling on class). I’m thinking it was kept because it matters more to white Western audiences to have a Romeo x Juliet rendition that assuages their classist sensitivities. Cait becoming a fascist made sense and was true to her character and the world. Vi forgiving her (and then having sex with her in the prison she was thrown into as a child?) destroyed both her character and the narrative.

Yeah, yeah, Vi was overwhelmed by the breadth of love and forgiveness Caitlyn had in letting Jinx go, but that's bare minimum shit. Vi "always choosing wrong" because she *checks notes* keeps trying to reconcile with her sister instead of letting her go since she isn't Powder anymore? So she resolves her guilt by choosing her own pleasure and putting herself first for once. Okay, I don't have a problem with that except that Vi and Jinx were supposed to succeed where Vander and Silco hadn't--by reconciling! And you still won't get me to like the fact that so much of Vi's character arc gets held up in a Piltovian who encouraged her to do the worst shit to her OWN PEOPLE and then fucking turned on her when she couldn't kill her sister. It is frankly amazing how we're supposed to celebrate Caitlyn literally coming between the sisters. I'd rather Vi forgiving Jinx than Caitlyn. And if the whole appeal of Vi's relationship with Caitlyn is that she was overwhelmed with love for how Caitlyn forgave Jinx after she killed her mother, I don't see how a relationship with Cait automatically makes Vi feel less guilty, since Cait also makes her feel guilty for choosing Jinx (remember her accusation "you will always choose her" like sorry I don't want to kill my orphaned, traumatized sister who I ripped into for making an honest mistake as a child and who has carried that since). Caitlyn (as others have pointed out) got a whole ceremony for her mother and instantly turned on Vi's people. The Vi I know would have been like, "You really are all the same," and FUCKING DIPPED. And there's a little acknowledgement of this in act 1 where Vi accuses Caitlyn of acting like Jinx.

Both Jinx and Caitlyn are emotional labour for Vi. Vi still wants to protect Caitlyn from Jinx. There's not that much of a difference, lol, except that Caitlyn is a privileged Piltovian and Jinx is a victim of the abysmal childhood she suffered at the hands of enforcers. Yet the show is more or less saying Vi pursuing reconciliation with Jinx was a bad choice for Vi and the reason the cycle of violence continued (for some reason). The sister reconciliation was what I was here for, personally. Cute ships aside. But noooo, Vi should forgive Cait (not Jinx) to stop the cycle.

And having jail sex is a liberating act for her because it's where they had their meet-cute. (And we're all good bc Caitlyn gave up the Kiramman seat, lmao, like sure okay).

It's frankly made the ship that much more unpalatable. If Vi had to be destroyed as a character for the ship to work, then the ship wasn't all that good (even though it started off that way). It's honestly left such a bad taste in my mouth. What a fuck you to oppressed groups that whole subplot was. (And it's made worse by the fact that the creator thought that was somehow an empowering and liberating act for Vi, like fuck that).

Let's Talk About Victor:

Viktor and Heimerdinger:

Heimerdinger and Viktor were the most polar of opposites. Heimerdinger was not only a privileged, ulta-wealthy Piltovian, but he had a comparatively endless lifespan while Viktor's own human life-span was cut short due to being a Zaunite, born at the bottom of the barrel and raised on toxic fumes that led to his terminal illness. Viktor's desperation to unlock the Arcane was explicitly about him overcoming his circumstances, his illness, his premature death. It wasn't merely about his internalized ableism, but the unjust way in which he had to suffer. Heimmerdinger could afford patience because he had all the time and resources in the world, but Viktor didn't. Not merely because he was a mortal, but because he was a Zaunite.

Viktor and Singed:

Viktor's arc with hextech is foreshadowed with his childhood interaction with Singed. I understand that in the games, Viktor is a villain-type character and his catchphrase or whatever is "Join the Glorious Evolution," which the show hinted at from Season 1 when Singed explained his experiments to Viktor. While Viktor is horrified by Singed killing the creature that he eventually uses for shimmer, Viktor later says, "I understand," hinting that he saw the sacrifice (and death) necessary to "heal" the world of its ailments. Both Viktor and Singed grow up in The Lanes, and both have ailments they want to cure (for Viktor it is his lung cancer and for Singed its his daughter's dying). In season 2, Viktor tells Singed that while he understands what healing all those people could cost him, he will not sacrifice their humanity for Singed's cause. This is because of Sky’s death (which is partly why it is her who is in the Arcane with him).

Sky’s death is what makes Viktor beg Jayce to destroy the hex core, since he couldn’t do it himself. He is willing to die if that means no more innocent people do. But here’s where I get a little touchy. VIKTOR didn’t KNOW she was there. Viktor was simply desperate to live. Sky’s death was not malicious (even if it’s true to his character that he’d feel guilty anyways). It is at this point that Viktor has Jayce promise him to destroy the hex core (and by god is this where a lot of my contention with the finale comes from). Also, it is important to note that Viktor’s self-loathing is depicted only in regard to Sky’s death (NOT HIS BAD LEG). Now Viktor feels guilty not just for Sky’s death, but also necessarily for trying to live (AND PLEASE KEEP THIS IN MIND). TRYING TO LIVE is subtly treated as an AMBITION that, for Viktor, interfered with his ethics. (And please note that in the end, Singed, who repeatedly embraces unethical practices for reviving his dying daughter gets what he wants).

Anyway, in S2, Jayce blasts Viktor in the chest and all that conviction goes out the window. All this despite Sky (his conscience and “humanity”) being there with him in the astro-nether. Now Viktor's idea of becoming a higher being is just getting rid of emotion (apparently because Jayce did it or something). Jayce killing him without explanation was all of a sudden all he needed to become a divine dictator. The same Viktor that looked terminal illness in the face and preferred to spare others instead of himself? The same Viktor who's immediate action after waking up with a new body was to go and use the arcane he wished had been destroyed to help others? Because the arcane is corrupting him? That’s convenient for a certain political narrative. Especially because anyone would hesitate pressing a button (in Viktor’s case smashing the hex core) that would guarantee their death. Viktor was being human, not corrupt.

Viktor and Jayce:

Now, I think Jayce's speech had some merit and could have been framed better with a little more time and thought. The philosophical idea of perfection or a perfect world (one which Piltoverians strive toward) being untenable, maybe even undesirable, is a fascinating concept worth exploring. BUT MAKING IT ABOUT SOME INTERNALIZED ABLEISM FROM VIKTOR IS FUCKING STUPID!!!! I'm sorry, but Piltover being the city of progress until it actually included becoming progressive with Zaun was absolutely one of the things Jayce and Viktor's sub-plot was trying to explore.

Viktor WANTED TO LIVE. Viktor wanted his people to STOP SUFFERING. Viktor WAS RIGHT. He wasn't merely eliminating "imperfections" (and of FUCKING COURSE A PILTOVIAN WOULD SEE IT THAT WAY), he was trying to cure sick and dying people who did nothing to deserve it. He was buying them time that people like Jayce and Heimmerdinger had in spades, but Viktor and Zaunites had stolen from them.

Children dying of disease and violence in The Lanes was by Piltovian design! It was not some predestined cosmic necessity. Viktor WAS RIGHT TO HATE HIS FUCKING TERMINAL ILLNESS ARE THESE GUYS INSANE??! Wtf kind of message is Viktor embracing it as part of himself sending to vulnerable, impoverished and ill people? Is that supposed to be some kind of fucking comfort? Fuck off right to hell!

Like I'm glad if it resonated with any disabled people, but Viktor's struggle with his body was a protest against Piltover, not himself, and I hate that the writers gutted that character development. Viktor's and Jayce's paths "diverged a long time ago" because Jayce had the luxury and time of pursuing his dream while Viktor didn't. Viktor, even up there as a scholar of Piltover, was still getting the Zaunite treatment.

Jayce had the time to pursue a better world, while Viktor had to struggle for a little more time. When Viktor becomes part of the arcane, suddenly he has all the time in the world to realize HIS OWN DREAM. Why would wanting a better world for others have to result in "dreamless solitude"? Why does wanting progress equal wanting perfection? You are changing the subject and that is cheating!!!!

Viktor becoming obsessed with fixing what ailed humanity was warranted, and his extremism was hinted to have been due in part to the effect the arcane had on him, but it still made the themes of arcane a joke. There was so much potential and the writers (and showrunners) just squandered it for some more romantic bullshit.

The Glorious Fumblings (A Summary):

-"Humanity, our very essence, is inescapable. Our emotions, rage, compassion, hate. Two sides of the same coin, intractably bound. That which inspires us to our greatest good is also the cause of our greatest evil.” That's a neat quote, but wars don't start simply due to emotions or whatever. This lacks class analysis, and it's annoying that the writers made this the whole theme of season 2 (and retroactively the show) in a story on class divides. Cait did not merely gas the Zaunites because of her mother, but because of her privileged upbringing that made it more acceptable to her to view Zaunites as animals (remember Ekko telling her enforcers “hunt us down like animals"). Cait knew the humanity of Zaunites was real. She just chose to ignore it because she could afford to. While it is interesting that Viktor would come to see being human as a flaw that destroys any hope of achieving peace (conflict theory would like a word with you), it ignored that fascism is not an inherently human trait and detracts from how or why it persists in the first place. It's almost the same as saying men/white people oppress women/poc because the latter were mean to them. It's victim-blaming (and false lmao). The British didn't colonize the Americans because the natives did anything to them. All prejudice is unjustified, that's what makes it prejudice. Again, Cait became a fascist when her mom died, but Vi still drew the line at killing children and even council members despite losing every single one of her family members to Piltover's violence against The Lanes. AND THAT’S JUST IT. Why the Zaunites do what they do isn’t simply because of love and hate, but because of the desperate circumstances they are forced into by their oppressors. Why the Piltovians do what they do, isn’t because of love or hate, but because they are bread in luxury and affluence. Pretending that’s not the case is an insult to the work put into Arcane’s first season (and anyone with a brain and basic empathy).

-Jayce's speech would have been cute in another story, but it's downright insulting in Arcane's. Yes, yes, Jayce's words would have been the only ones to have broken the real Viktor out of Arcane Viktor's grasp by appealing to this deep childhood wound, but Viktor's desperation was not to belong (because his leg kept him from playing with other children) but TO LIVE (because he was dying of an illness). Jayce's speech isn't bad, just misplaced. Like most of the finale.

-Viktor did not have to become a fascist-aligned deity in his quest to heal people. It is a typical MCU thing to have a "villain" that's technically right and then destroy their entire character to make their (correct) philosophy untenable by making them do something extreme. Typical pro-status quo propaganda trope. I DON’T CARE if it was so we could get some game version of him. Viktor was right in bringing progress and his discoveries to The Lanes instead of devoting his efforts to Piltover, the fake city of progress.

-While I am annoyed that the climax of the show hinged on Jayce and Viktor and hextech (a tool to explore the inequalities of Piltover and Zaun) instead of Jinx and Vi, I think it kinda makes sense. Hextech built what Piltover has now become. Jayce, Viktor and hextech kinda represent Piltover (what it could be) and Jinx and Vi represent The Lanes (and the Zaun it could be). Both would have been integral, but the story shouldn't have hinged on hextech, IMO. Hextech should have remained a tool to explore the politics of both cities, but instead it overshadowed everything, cheapening the story's themes, characters and world-building.

-Jayce calling the Zaunites to arms was downright absurd. But not as absurd as Zaunites volunteering.

And Then There's Jinx:

Jinx and Isha:

Isha's only use, as far as I'm concerned, was to be a reconciling force between the sisters. When Cait was willing to shoot her to get to Jinx, that should have stopped Vi right there and brought her back to defending Jinx 100% I DON’T CARE. When Isha sacrificed her life to save Jinx, that should have been Jinx's wake-up call right there and helped her understand why Vi kept leaving her out of missions as a kid. But instead what do we get? Depressed, suicidal Jinx and an astoundingly even more resentful and indifferent Vi. Now Jinx sees herself as even more of a poison to those she loves (because she can’t protect them like Vi can and frequently kills them while trying to do so). Jinx, who has always wanted to be useful to those she loves. Who pursued her own hextech inventions in order to give her siblings a fighting chance when facing down Silco. Who wants to give Zaun a fighting chance as Silco's daughter (and Isha’s surrogate mother). To be useful to the goals and dreams of her family. Isha was the perfect opportunity to bring the sisters together and get Jinx to embrace all she is (both the Jinx that Vi rejects and the Powder that Silco rejected), but no. Instead, the kid was some kind of foreshadowing to Jinx's own heroic self-sacrifice for her sister (a message that left both sister's arcs unfinished). Or perhaps, Isha was a commentary on the cycle of violence. But that this sub-plot really wasn't needed given what we'd already established in Season 1.

Why do I say this?

Because the cycle of violence is not a "Jinx" issue, but a Piltover one, and the writers making it an interpersonal issue instead of a political/sociological one damaged the story and what Jinx's character could have meant to mentally ill people like her. It wasn't illogical storytelling, just far less meaningful than it could have been. It would have been more powerful and moving and impactful for Jinx to realize where the true cycle of violence (as established the whole fucking show from the dead parents on the bridge, to Vander and Silco, to Jinx and Vi, to Jinx and Ekko, to Isha and Warwick, to Cait and Vi, etc) was coming from.

Jinx needed to accept herself and the love others showed toward her (Silco, Vander, Ekko and Vi). Jinx keeps blowing things up because she repeatedly rejects herself (both Powder and Jinx), ignoring the good she's done and tried to do. Isha was a call back to the good Jinx has done and can continue to do for Zaun and others. Isha and Sevika understood (even though Silco unfairly set it up) that Jinx was actually their good luck, their hope, more than just a hex (pun intended) on the city. After all, Jinx made Sevika her new arm (even though she's the reason Sevika lost her arm in the first place), which further proves that Jinx had the capacity to fix some of what she broke. It would have been better for her to embrace responsibility and have the faith to try and fix things (ESP her relationship with Vi). While it is not unrealistic or necessarily bad writing that she would fake her own death to run away and start over (or just die) trying to save Vi, the arc people she represented deserved was her embracing Vi back, not accepting that she was a curse in Vi's life. And most definitely NOT romanticizing her pain.

Jinx and Ekko:

Ekko's and Jinx's relationship is precisely an exploration of how Piltover's violence against Zaun forced these children with entire futures ahead of them (they are both child prodigies) into endless war and hellish heroism. Ekko and Jinx are repeatedly shown to be hesitant and even unwilling to participate in violence against others, especially their own. Ekko does not hate Jinx, though he wants to, and Jinx does not like who she is when she's violent. She is trigger-happy because she already expects Vi and Ekko to want to kill her (projecting her self-loathing on them, but not entirely unreasonably). She doesn't have faith in their love or mercy because she doesn't see any part of herself as redeemable or loveable, which is why she consistently sabotages her life (but not without help from Vi and others).

Ekko and Jinx are symbols of progress for Zaun AND Piltover (and Heimerdinger saw that, especially when Ekko insisted he had to go back to his timeline, even if the one he had landed in was better). Heimmerdinger saw what they could have been in the alternate timeline, all the genius that was squandered in The Lanes. Jinx and Ekko are the ones most willing to put an end to violence and injustice because both of them are nostalgic for their families. All that’s ever kept them going is the love of their families. Jinx just doesn't have the same faith in her ability to be their hero as Ekko does, but Ekko manages to convince her for a moment anyways.

Ekko recognizes (like Silco, Viktor and Isha) how integral Jinx is to the creation of a new world. She injects colour and life and hope into Zaun and is the only one who can unite all warring factions in Zaun in the first place. I know people have gripes with this Jinx being the hero of Zaun when she literally killed Silco, opening the market for other gangs, but her most famous act is the bombing of the Council, which pretty much all Zaunites were unaware was about to grant them independence. To the average citizen of Zaun and Piltover, Jinx was the symbol of a revolution (even if Jinx didn’t see herself that way and didn’t really want to be). Both her and Ekko are rebel leaders, but that is hardly used in Zaun's interests in the end. (ALSO THAT WHOLE CONVERSATION WITH VIKTOR AND JINX WHERE HE SAID SHE COULD BE USEFUL TO HIS WORK. This show would have won with a Viktor and Jinx team-up to unite Zaun--also in parallel to Jayce and Vi's team up. We could have had it all!)

Jinx and Silco:

This, is only second to Vi in the most FUMBLED things about Jinx. Silco was her guide once Vander died and Vi ran away. Silco not only took care of her, but gave her purpose (someone to love and be loved by and protect) and nurtured her talent (one that many others scorned). Silco accepted Jinx even though he weaponized her (which backfired for him). As much as Silco WAS WRONG to lie about Vi (manipulating Jinx) and even try to kill Vi (which was a dumbass move on his part), he wasn't wrong about Jinx's path to healing: self-acceptance and self-forgiveness. And even though Silco's own stupidity led Jinx to "embrace" Silco's version of Jinx to the point that she bombed the Council right when they'd granted Zaun independence (I wanted to fucking kill myself watching that), Jinx was still not ENTIRELY a jinx as Jinx (e.g. when she rescued Zaunites from Stillwater Prison). This fucked up dude did a whole John-the-Baptist thing where Vander tried to drown him with Jinx so she could embrace her Jinx-ness. But I don't think he was telling her to embrace that she was a curse like Vi meant it, but to embrace her new life (baptism is all about death and rebirth) and her new self and take responsibility for it.

Silco, like Ekko, was the one who saved Jinx from death and offered Jinx a home. While everyone else patronized Jinx for her own childhood trauma, Silco was gentle, understanding and provided space for that, even when her psychosis killed him. He showed zero resentment toward her. But when Silco dies and Vander returns, Jinx just . . . oopsie, doopsie! Forgets about Silco until one final hallucination she has of him in the jail cell. The only one she has where he talks. And what does he say? She needs to break the cycle. How? Not by eliminating Piltover or gaining Zaun's independence like he'd talked about and dreamed about. Not by accepting herself as Jinx and Powder, the inventor, the fighter, daughter of both Silco and Vander, but by offing herself? Leaving her family to think she's dead? Embracing the lie that she really was the poison in their lives and the reason none of them could be happy? The reason they died? NICE! SWELL! WHAT A SATISFYING, INSPIRING CONCLUSION! Even worse, they made her "death" staged. I'm sorry, but do we really believe that this same girl who killed herself multiple times in front of Ekko just 24 hours ago somehow found the will to live and escape into air ducts when she was falling with Vander? She decided to live right when she was about to die? And let's not forget that she was falling to the same song that was playing when she was trying to commit suicide. Why? And why would a heroic death (staged or not) be any form of character growth for Jinx in the first place? When her whole thing is distrusting the love offered to her? Or was she accepting herself by being the one to kill Vander because she knew Vi couldn't? Either way, it's cheap!

I Wonder Who Put All Those Holes In You (Fumbling Summary):

-Vander's letter to Silco could have been why she hallucinated Silco talking to her about forgiveness, but breaking the cycle here is about forgiving (unapologetic) Piltovians instead of herself, which needed to happen to complete her arc.

-Isha and Vander misery porn

-(above is an excerpt from Amanda Overton's TheGamer interview) to paraphrase: "SO OUR GRAND CONCLUSION TO VI AND JINX'S ARC WAS TO CONFIRM THAT YES, JINX WAS INDEED A JINX (AND NOT PILTOVER OR ANYTHING HAHA) AND THE SISTERS WOULD ONLY HAVE PEACE IF THEY NEVER RECONCILED - JUST LIKE THEIR FATHERS BECAUSE THAT WORKED OUT SO WELL THE FIRST TIME! :D THE REASON THEIR LIVES ARE IN SHAMBLES ARE PURELY BECAUSE OF THEIR OWN PERSONAL FAILINGS AND NOT AT ALL BECAUSE OF THE SITUATION PILTOVIANS HAVE PUT ZAUNITES IN! XD WE THINK THIS IS ALSO A FANTASTIC THING TO TELL MENTALLY ILL PEOPLE." :)

-Jinx being the reluctant Girl Saviour of Zaun after clinging onto her identity as a jinx so she didn't have to take responsibility for Zaun should have been the completion of her arc, IMO. As far as Jinx's arc is concerned, she was meant to reject the identity of jinx that Vi gave her and embrace the identity of Jinx that Zaun gave her. Loveable and capable of doing the right thing and saving others. Using hex-tech, something Jayce and Piltover had levelled against her people, against them. And she does this to some extent, but we don't even get a hint as to why Ekko's speech worked (and how he got her to fight alongside him and the Firelights in the first place). We know she does so for Vi, but she so quickly gives up once she and her sister are back on the same team. She allies herself with her sister just to die and then fuck off to another land? BRUH! Like act 3 is SO FRUSTRATING!

Conclusion

If the focus had been on the coming war between Zaun and Piltover, then we could have better explored the internal struggles happening with Vi's and Jinx's characters. Using Isha and Vander as misery porn for Jinx was a bad move. I stand by that. Isha didn't need to die that uselessly. Jinx did not need more "trauma" for any character development (positive or negative). It's not unrealistic that Jinx would be depressed after Isha's death (and that Isha was likely meant to symbolize the constant cycle of violence), but that this sub-plot really wasn't needed given what we'd already established in Season 1.

These are where my gripes with Jinx's and Viktor's arcs in S2 really lie: the story tries to strip the political from the personal! Viktor, on waking up with the arcane in him, goes back to The Lanes, and what does he see? The cycle that Silco mentions in Jinx's hallucination in the cell. This cycle is not merely coming from the interpersonal struggle Zaunites have, but rather, the forces behind those struggles: the starvation, the lack of resources, the poverty. All caused by Piltover. Where Season 2 fails while Season 1 succeeded, is it points the camera away from Piltover as the origin of all this mess, and instead, makes it a stupid cosmic clash between chaos and order (kinda fascist ngl). Zaun lost, and Arcane Season 1 had the tits to show why those in The Lanes were always on a losing streak: Piltover. The commitment to saving Piltover instead of destroying it ruined so many arcs, most notoriously Vi's and Jinx's. This should have ended in a war between the two cities, not one where both fought against robo-people and Ambessa.

But what, instead, do the writers brandish as this solution to the cycle?

Fucking forgiveness (of those who harm and oppress you) and acceptance of your (physical) imperfections (like that's what we were apparently talking about, which no, it wasn't). By refusing to acknowledge Piltover's hand in the desperation and violence and struggle the Zaunite characters find themselves, the show inadvertently ends up excusing Piltover.

TLDR: Bad message to send to oppressed people, mentally ill people, and people dying of terminal illnesses, lmao. The Zaunites ALL LOST with this one.

And I'm going to make a Part 2 to really get into it, but from the perspective of three Piltover characters (and one Zaunite) that really prove my point: Jayce, Mel, Caitlyn and Ekko.

P.S.: It's okay if you think the show is good because it succeeds in many other things, I just think it drops the ball in the places I've mentioned. But if your main criticism of my criticisms is going to be defending your ships, please find another post. Oppression is a serious reality that deserves serious depiction and it's insulting to have such necessary political discussions devolve into dumbass ship wars.

EDIT: I honestly did not expect this post to get more than 20 likes lmao, and i must admit that this was more of a thought dump than a super-deep analysis, but i'm glad a lot of it has resonated with so many of you!

EDIT AGAIN: Here's PART 2.

#zaun #arcane #arcane season 2 #jayvik #timebomb #ekkojinx #caitlyn kiramman #vi #vander #silco #jinx #ekko #isha arcane #jinx and isha #caitvi

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