#disney has been such a big part of my life and so many others

[humblemediagenius]

incredibles 3. frozen 3. zootopia and moana 2. live action snow white and lilo and stitch. TOY STORY 5.????? i dont get it!

i mean, i do get it. this is what brings disney guarunteed money. but it HURTS. i’m so tired of seeing nothing but sequels come out of this company. i’ve been so tired of what they’ve released lately. they barely give their original content a chance (ie strange world, the covid pixar movies) and reading the article interviewing pete docter from a few months ago is hard to see as a creative myself.

this is one of the reasons in the article given about passing up movies with specifics, and it just. i understand this, but it feels like its an excuse to not try new things.

we can’t say all recent disney movies are bad, as much as i think most everything thats come out the last few years haven’t been incredible. encanto, whether you like it or not, was a smash hit— but it took a song getting viral to get people to talk about how good it was. i remember seeing the trailer for it before the movie came out and I found it quite boring. i didnt even watch it until after it came out on disney+, but it was worth it bc now it’s one of my favorite movies of all time! and 2022’s strange world got done SO. dirty. by the marketing team, i saw very little about it when it came out and the only press it got was having “disney’s first gay character” (yet again) but i actually really enjoyed it even if it wasn’t a stand out. but with no marketing it underperformed. and other movies, like wish, just were messy and needed more time in the oven.

this brings me to my next point about rushing artists; if you’ve watched the documentary about the making of frozen 2, you’ll see how rushed and weird everything was. its why the movie came out like *that*. (by the way i watched the trailer for moana 2, and for some reason, the plot seems to be REALLY close to frozen 2– familiar characters travelling to an ~unknown place~ and learning about their ancestors, doesn’t that sound very similar?) the back to back to back of all these sequels worry me; they have to live up to the original but very likely will not have the same impact that the originals did. if you’re gonna make a sequel, why not make it the best it could possibly be??? we all know incredibles 2 was not really what people were wanting, frozen 2 was a mixed bag, zootopia was fine but like do we really need a sequel… and . do we SERIOUSLY want ANOTHER toy story? another one??? (i will admit i’m biased here, i never found toy story to be the best, but i respect how crucial the first 3 movies are to pixar and disney’s history as well as the legacy toy story carries as being the first feature length 3d movie. i think it’s unfair to keep beating a dead horse when the series ended perfectly with the 3rd movie…)

inside out 2’s success at the box office really, really worries me; i hear that, for all intents and purposes, it was a fine movie (i have yet to watch it myself and probably will not for a while). but the fact it succeeded so much makes me see that disney will just keep greenlighting sequels and pushing down original ideas. elio was supposed to be pixar’s 2024 release, but it got silently pushed back in favor of inside out, which had made me very upset because of how thrilled i was for elio. i think to right now how a LOT of different animation studios are shelving movies or shows that have started or have even been finished just because they can, and i worry disney will start to do this. (remember gigantic? i’m still bitter it got canned.)

now.. about the live action remakes. i havent watched any of them (except aladdin— i was forced to while in a dentists office) and i plan to keep it that way. the idea was novel at first, i was around for cinderella’s release, but it just has become so oversaturated and uninteresting over time. i see a major argument be made that parts of these classic movies could have been executed better and more respectfully, and i wholeheartedly agree… if only the movies weren’t so soulless! i feel nothing when i see cgi realistic animals sing and dance and all that. everything feels so boring and all the color has been drained out, compared to the original animations! its not even like HUGE changes have been made to most of them. i think disney is veering more into the “we’re making these just because we can” territory than the “there were things we wanted to correct from the original”. like, lilo and stitch live action? REALLY? I am so, so angry about this desicion. the original movie is amazing (also with some very good deleted scenes). why drain everything fun about the original? (i won’t talk too much about snow white; i think it looks boring as hell and is completely unneeded. when it was first announced i found the vibes atrocious.)

this isnt very coherent and i’m sorry. i want to see disney do better. i want to see more original things. elio and win or lose look very promising, and i’m excited to see what they’re like once they release. and seeing that a pixar movie will be directed by the guy who made we bare bears is VERY cool, i am really curious as to how it will turn out! there’s some hope left. but seeing almost all the headlining announcements be sequels took a lot of excitement out of me. there’s nothing wrong with wanting to expand the world of a movie; disney has been doing this for years with TV shows based on movies (which are pretty fun, at least the ones i’ve seen) or direct to DVD sequels (which were mostly bad but had some hidden gems). why not keep it up with disney+? there’s an obvious issue disney+ has regarding the removal of content and all that but that’s a topic for another day. they have the PERFECT place to release series based on movies. like, the tiana series sounds SUPER fun, and stuff that came before d+ but are still recent (tangled the series, big hero 6; the former i quite enjoy and the latter ive never seen but heard was good)… why not follow in those shows’ footsteps? it can be done in the modern age! remember moana 2 was supposed to be a tv show. sigh…

i guess my call to action is that if you want to see disney do better, make sure to support the things you want and ignore the things you dont. i’ve done my part by ignoring like 70% of what disney has put out in the last 7 years or so— the only movie by them of the 2020s ive seen in theater was strange world, and i’ve only seen encanto and the 3 quarantine pixar movies on disney+. everything else, i dont give my time to. and if youre an artist of any kind, like i am, don’t let this discourage you; whatever you have in your mind, whatever story you want to tell, its important and people will want to see it. no matter how you convey it— movie, tv show, comic, book, messages with your friends— it doesnt have to be ”universally understood” to mean so much. in such a hard time in the animation and film industry, all i can say is keep working. i want to be able to be a part of a big studio like disney some day and bring back the love they used to have. but for now, don’t give a corporation your love, and support creatives both at studios or not. good night tri state area

i’m so, so disappointed by almost everything film related disney has announced today at d23. it just hurts so badly. what the hell are they doing

[cookinguptales]

So I’ve been enjoying the Disney vs. DeSantis memes as much as anyone, but like. I do feel like a lot of people who had normal childhoods are missing some context to all this.

I was raised in the Bible Belt in a fairly fundie environment. My parents were reasonably cool about some things, compared to the rest of my family, but they certainly had their issues. But they did let me watch Disney movies, which turned out to be a point of major contention between them and my other relatives.

See, I think some people think this weird fight between Disney and fundies is new. It is very not new. I know that Disney’s attempts at inclusion in their media have been the source of a lot of mockery, but what a lot of people don’t understand is that as far as actual company policy goes, Disney has actually been an industry leader for queer rights. They’ve had policies assuring equal healthcare and partner benefits for queer employees since the early 90s.

I’m not sure how many people reading this right now remember the early 90s, but that was very much not industry standard. It was a big deal when Disney announced that non-married queer partners would be getting the same benefits as the married heterosexual ones.

Like — it went further than just saying that any unmarried partners would be eligible for spousal benefits. It straight-up said that non-same-sex partners would still need to be married to receive spousal benefits, but because same-sex partners couldn’t do that, proof that they lived together as an established couple would be enough.

In other words, it put long-term same-sex partners on a higher level than opposite-sex partners who just weren’t married yet. It put them on the exact same level as heterosexual married partners.

They weren’t the first company ever to do this, but they were super early. And they were certainly the first mainstream “family-friendly” company to do it.

Conservatives lost their damn minds.

Protests, boycotts, sermons, the whole nine yards. I can’t tell you how many books about the evils of Disney my grandmother tried to get my parents to read when I was a kid.

When we later moved to Florida, I realized just how many queer people work at Disney — because historically speaking, it’s been a company that has guaranteed them safety, non-discrimination, and equal rights. That’s when I became aware of their unofficial “Gay Days” and how Christians would show up from all over the country to protest them every year. Apparently my grandmother had been upset about these days for years, but my parents had just kind of ignored her.

Out of curiosity, I ended up reading one of the books my grandmother kept leaving at our house. And friends — it’s amazing how similar that (terrible, poorly written) rhetoric was to what people are saying these days. Disney hires gay pedophiles who want to abuse your children. Disney is trying to normalize Satanism in our beautiful, Christian America. 

Just tons of conspiracy theories in there that ranged from “a few bad things happened that weren’t actually Disney’s fault, but they did happen” to “Pocahontas is an evil movie, not because it distorts history and misrepresents indigenous life, but because it might teach children respect for nature. Which, as we all know, would cause them all to become Wiccans who believe in climate change.”

Like — please, take it from someone who knows. This weird fight between fundies and Disney is not new. This is not Disney’s first (gay) rodeo. These people have always believed that Disney is full of evil gays who are trying to groom and sexually abuse children.

The main difference now is that these beliefs are becoming mainstream. It’s not just conservative pastors who are talking about this. It’s not just church groups showing up to boycott Gay Day. Disney is starting to (reluctantly) say the quiet part out loud, and so are the Republicans. Disney is publicly supporting queer rights and announcing company-supported queer events and the Republican Party is publicly calling them pedophiles and enacting politically driven revenge.

This is important, because while this fight has always been important in the history of queer rights, it is now being magnified. The precedent that a fight like this could set is staggering. For better or for worse, we live in a corporation-driven country. I don’t like it any more than you do, and I’m not about to defend most of Disney’s business practices. But we do live in a nation where rights are largely tied to corporate approval, and the fact that we might be entering an age where even the most powerful corporations in the country are being banned from speaking out in favor of rights for marginalized people… that’s genuinely scary.

Like… I’ll just ask you this. Where do you think we’d be now, in 2023, if Disney had been prevented from promising its employees equal benefits in 1994? That was almost thirty years ago, and look how far things have come. When I looked up news articles for this post from that era, even then journalists, activists, and fundie church leaders were all talking about how a company of Disney’s prominence throwing their weight behind this movement could lead to the normalization of equal protections in this country.

The idea of it scared and thrilled people in equal parts even then. It still scares and thrills them now.

I keep seeing people say “I need them both to lose!” and I get it, I do. Disney has for sure done a lot of shit over the years. But I am begging you as a queer exvangelical to understand that no. You need Disney to win. You need Disney to wipe the fucking floor with these people.

Right now, this isn’t just a fight between a giant corporation and Ron DeSantis. This is a fight about the right of corporations to support marginalized groups. It’s a fight that ensures that companies like Disney still can offer benefits that a discriminatory government does not provide. It ensures that businesses much smaller than Disney can support activism.

Hell, it ensures that you can support activism.

The fight between weird Christian conspiracy theorists and Disney is not new, because the fight to prevent any tiny victory for marginalized groups is not new. The fight against the normalization of othered groups is not new.

That’s what they’re most afraid of. That each incremental victory will start to make marginalized groups feel safer, that each incremental victory will start to turn the tide of public opinion, that each incremental victory will eventually lead to sweeping law reform.

They’re afraid that they won’t be able to legally discriminate against us anymore.

So guys! Please. This fight, while hilarious, is also so fucking important. I am begging you to understand how old this fight is. These people always play the long game. They did it with Roe and they’re doing it with Disney.

We have! To keep! Pushing back!

[raven-at-the-writing-desk]

🎉 Thank You for 10k+ Followers!! 🎉

A big thank you goes out to @cozymochi for this beautiful celebratory commissioned artwork for this major milestone ✨ It really captures the scope of all the content that had been put out in the last 4+ years—both in terms of official Twst materials and on this blog! I think it’s very fitting that we hit this milestone in the month of Halloween too (I just held off on posting this til the month after); it’s Twst’s biggest holiday of the year, so it’s twice the cause for celebration!!

A lot has happened over the course of my time in this fandom. I’ve written many things of course, but I’ve also had many other exciting opportunities! I’ve been interviewed for a paper, met many cool people from all over the world, attended Twst meetups + events, collaborated with other talented creators, received kind gifts, contributed to various fandom projects, and finished telling the origins of my Twst OC. This blog has been with me through a lot of major changes and difficult hurdles in my life too—it’s really been an anchor for me, a comforting and safe space for me to be creative or analytical whenever I want to be.

When I first started this blog as a very casual hobby in summer of 2020, I never even considered that it would balloon to this extent. It still doesn’t feel totally real to me 😭 I don’t usually fixate on numbers (they make me anxious), but looking back on it, 10k is a LOT, and 4 years is a long time. To put that in perspective, if we were in Twisted Wonderland for 4 years then all of the students we’ve come to know and love would have graduated by now. That’s crazy to me. We’ve come so far as a group.

I feel that a large part of fandom is the community that comes with it. I would have found it so challenging to stick with Twst had I not had so many great people keeping me engaged with it. I’d now like to take a moment to thank those folks. Keeping in line with the idea of “4 years”, think of these as little messages scrawled in a yearbook. I also have a blog event planned to celebrate! More on that later.

Please note that I’ve used pseudonyms for most of the following people, as I’d like to respect their privacy (I’m very private myself) + not all of them are comfortable with being explicitly named or tagged to a large crowd. You’ll know who you are if you see yourself on here.

Without further ado:

MSS — Thank you for being the first Twst space I felt truly a part of. It’s still the place I consider my fandom “home” beyond this blog.

April — Thank you for making MSS as a place for us to share! We’re tsunderes in solidarity.

Drinking Knight — The banners wouldn’t exist without your help. Thanks for getting the ball rolling on those; I’d like to think that I’m a little more confident in designing new ones myself now, but you were the start of it all. Your endless enthusiasm for the most insane otome boys, drinks, and bullying (positive) others is truly an inspiration.

Q. Opinionated — Can’t count the number of times you ran tech support for me 💀 Thanks so much for being patient and willing to laugh at a stupid situation. I WILL grip you (escape is not an option) 🤲

Dad with his Printer — Why are you so cheeky My unofficial proofreader and fact checker. Still treasure the teeny J word and coffin magnets you sent, and, even more valuable than those, the bad dad jokes/puns advice and wisdom you give. Wishing you luck on your art adventure.

A. Cider — An unexpected friend I met very late into the fandom and happened to run into irl by total coincidence. Funny how life works. Your shitposts are great, and I appreciate having a like-minded person to talk with about the J words and story critiques. I’d also like to thank you for the many little doodles you’ve made; I know you’re very busy and have a wife to tend to at home but I appreciate that you still make time for friends.

Hana — Extroverted pink-haired magical girl representation. Your bubbly love for Disney, Diasomnia, singing, and (yes) angst lights up the entire room. Maybe you’re not too confident with yourself are right now, but I know you’ll find your way.

Swan — For being quick on the uptake and giving me the heads up about various things! We may not talk much one-on-one, but I’m thinking of you and enjoy seeing you pitch into the conversation. You’re still banned for L*ona posting though/j

Ly — My secret French twin/j Thanks for being my cultural + equine advisor and a voice of (salty) reason. Never shut up about your hyperfixations! You’re a real one.

Oys — Enabler + encourager of my Yan!Sil delusions. Sorry for making your blood pressure spike every time we talk about our food takes. But hey, at least we get a good laugh out of it :))

Mac and Bean — For being my inspirations. Bean, you have such atmospheric writing. I hope my writing style can be just as magical as yours. Mac, it was your blog that first got me into starting my own Twst writing. You never stop being so, so funny also I blame you 120% for the L*ona rot.

Peaches and Cream — To my local Twst friends, thanks for keeping me company even through the hard times. Peaches, happy to be your local Twst dealer anytime. Cream, thanks for hooking me up with new books.

Salt and Flora — I don’t know where you vanished to, but the sea brought you back to me on its tides. I’m so happy we could meet again. Salt, you’re so talented at crochet and design work; get your coin 😂 Flora, you’re the sweetest person ever. Literally cottagecore personified, even in your art.

Piano — We don’t always see eye to eye, but thank you for being my serial debater and showing me new perspectives. Your open-minded theories and analyses are such fun. And, of course, it’s always hilarious to think about how we accidentally (?) swapped oshis 🤡 You’re a star.

The Anklebiter — For having the most unhinged jokes and ideas. Seriously, THE most unhinged. I never do any of the crazy things you suggest but I’m always really entertained from just hearing them.

Te, Mi, and Ro — Thanks for organizing local events and giving me an excuse to touch grass. It’s a lot of hard work and you guys manage to pull it off every time! Mi, I was flattered to have you reach out to me to help a little with the Tweel cupsleeve event. Happy to help anytime! Te, I remember you were cosplaying as Kalim when we first met and I kept thinking about how perfectly suited you are for the role. You were very friendly and made such an effort to include everyone in the event even when I was Idia-ing in the corner. To this day, you continue to spontaneously introduce me to new people 😂 Thanks for getting me put of my comfort zone. Ro, I didn’t think we’d meet again like this. Small world! You’re learning and improving the big events. Here’s hoping to many more!

Vic — For being Ace Trappola when very few others would. It’s refreshing to have someone tell it like it is. I wish I could be as bold and as honest as you are sometimes. You have such a big heart when it comes to the characters you love; it makes me want to adore them like you do too 🫶

Kana — For being so sweet and patient. You helped me through so many rough patches and have also contributed a lot to the look of the blog. It’s so fun gushing with you about magical girls and pretty boys, sharing our favorite shows and movies… I feel as though I’ve made a lifelong friend.

Zari — Thank you for charms and art book, big fan of your stuff 😭 So honored to have worked with you on projects too. I hope to see a lot more of your Yuu and other OCs around, I love following them ^^

Lala — You understand, encourage, and validate my weird tastes in fictional men 💕 Really admire your sense of fashion and stylish nails too. Whenever I have my shrimp apron on, I think of you.

Arisu — No longer in the Twst fandom but integral in the earliest days. Wherever you are now, I wish you nothing but happiness.

P-san — You’re a lifesaver!! Thank you so much for helping me find cute little outfits and accessories for my plushies… They are forever grateful to be properly clothed.

V, Fa, Fe, Ray, Rea, Sonny, Glimmer Group, and Incognito Crew — Thanks for being so supportive of my hyperfixation on Disney villain anime boys, even if you guys have NO clue what I’m rambling about half of the time. To V specifically 🫵 I am NOT a cat boy kisser

Mango — I didn’t know I wanted you in my life until you showed up uninvited one day and chewed your way into my heart.

Azul Ashengrotto — For being the character that first convinced me into giving this game a shot. The Little Mermaid was something I always held so dear to me, so it almost seems like destiny that you’d be the one to drag me down into Twst. You’ll always hold a special place in my heart for that, even if my feelings have changed since then.

Rook Hunt — For being there when I needed to laugh a little. It’s scary to glance over my shoulder sometimes, but you make it easier to smile as I look back.

Rollo Flamme — For letting me know that having negative feelings is normal and human, even if we don’t always cope with them in the healthiest of ways. Let’s reflect and be better together!

Leona Kingscholar — For showing me that change and personal growth is, in fact, possible. Th-This doesn’t mean I like you or anything though, so get off your high horse—

Jade Leech — For taking my hand and guiding me back on the path when I got lost in the dark. Whatever crimes you may commit in your free time, I forgive you/j

Miss Raven Crowley — The little black bird who could, the blog muse. I made you on a whim and look at where you are now… You went from a background character to the main character of your own story. So proud of you, my child 😭

Asset compilers, fan artists, fanfic writers, fan translators, cosplayers, merch makers, editors, plushie pic takers, video essayists, theorizers, etc. — You’re all so important to keeping the fandom alive, especially during periods of official content drought. It wouldn’t be feasible for me to list out all of the content creators I enjoy (chjsbsksks and it honestly might be awkward since I haven’t directly interacted with most of them), but I hope that this message still reaches you and finds you well. Keep doing your thing; I love seeing the work you put out ^^

Anyone and everyone that I’ve ever commissioned and/or received fan works from — I appreciate that you took time and energy out of your day to create something for me. There’s so much talent in the Twst fandom and I’m honored that you would dedicate some of that to a silly little birb.

You, the Readers — For supporting this blog and and what I do here! You’re an important part of my journey too.

Thank you!! Here’s to a future unknown and a page unwritten.

- The Writing Raven

[rcmclachlan]

OKAY so this is for @dadvans specifically because he and I have spent many an evening across multiple fandoms shouting at each other about various characters and their raging pregnancy kinks but anyway.

I saw this post.

And I had this thought that Tommy's probably only ever thought of children tangentially. Like, I kind of clock him as an only child who didn't have any little kids in his neighborhood growing up. His dad's sister had three, all of them older than him, and his mom's brother had two but they lived on the other side of the country so he only saw them in Christmas card photos and once at his grandmother's funeral.

The only kids he's ever around are the ones he sees on calls, who are all either unconscious, traumatized, or somewhere in the background out of the way where he doesn't have to interact with them. He's basically that gif of Alec Baldwin trying to console a crying Tina Fey with a broom, like, "there there."

But now that his life is enmeshed with the 118, he's around kids all the time: Jee, Christopher, Denny, Mara. And he sees Buck with them—how good he is to them, how patient and kind and compassionate, how he listens seriously to them and always tries to meet them on their level—and it's doing something for him. Like, a lot.

Then, like, one evening Buck and Tommy have dinner with Kameron and Connor, and they bring the baby—who has Buck's eyes and the same shape of his lips—with them, and Tommy watches Buck like a hawk all night. Buck's a natural with Spencer: holding him like a pro, soothing him whenever he fussed, making him laugh. He's loath to put him down.

Tommy's never seen someone so suited to be a parent before. He knows Buck wants kids more than anything. Buck stops to interact with every child they pass on the street the way Tommy does with dogs, like he can't help it, like he's got a homing beacon inside him. And children gravitate to Buck like he's a Disney princess. And after watching Buck with Kameron and Connor's kid, Tommy can't stop thinking about it. About Buck and kids. Specifically, Buck and their kids. 

Tommy looks out into his backyard and can picture Buck out there putting together one of those plastic Fisher Price playhouses and running around chasing after a toddler waddling around on chubby legs and tucked up next to a crib in the guest room-turned-nursery reading The Little Mouse, the Red Ripe Strawberry, and the Big Hungry Bear to a drooling baby trying to shove its foot in its mouth. A baby with Buck's eyes and mouth, and Tommy's nose and cheeks. 

SO ANYWAY smash cut to later that night and Tommy's balls-deep in Buck, fucking him slowly, doing it missionary the way Buck loves because this way they can kiss and he can see every stupid expression that crosses Tommy's face, and Tommy's staring down at him and blurts out, "You were really good with Spencer tonight." 

And Buck sort of gasp-laughs, like, "You know I love kids," and he arches up against Tommy, and Tommy's hand slides down between them so he can get a hand on Buck's cock, but halfway there he gets distracted by the feeling of Buck's belly. It's taut and toned and flexing with every thrust, and out of nowhere a little voice in his head goes but imagine what it would look like with a bump. 

++++++++++++++++++++++++++++++++++

And then his brain kind of makes a weird popping noise and his mouth goes rogue and says, "I know you do. I know you wanna have kids. Would you wanna have my kids?"

Evan's eyes fly open wide and he sort of stutter-wheezes in shock, "What? What do you—"

But now that Tommy's started, he can't stop, and the leisurely pace he'd been maintaining loses rhythm before picking up the pace, just these deep, dragging thrusts that pull at Evan's hole on the drawback. "But I don't think you'd be satisfied with just being handed a kid. I think you'd want it to be part of you from the start. I think you'd wanna feel it every step of the way. You want to feel it growing inside you so bad, don't you, baby? I bet it's all you think about."

"Tommy, what the fuck—" But Evan's mouth is open and panting, tongue lolling around in his mouth like it's suddenly too big to control, and he starts shuddering hard enough that his bones must be rattling. Tommy can feel his fat dick twitching against his stomach, drooling so much precome the glide between them is soaked and almost too easy, and Evan's insides are vibrating where they clutch Tommy's cock like a vice.

With a grunt, Tommy gathers Evan's impossibly long legs in the bends of his elbows and folds him practically in half, wheezing like he's gutshot, "Maybe I can't trust you with our condoms anymore. Maybe you've poked holes in all of them."

"Oh fuck, that's so hot," Evan gasps, his arms flying up over his head so he can put his hands against the headboard and fuck himself wildly back on Tommy's cock, his eyes wide and scandalized, and alight with a lust bordering on violent. Even through the condom, Tommy can feel how hot he is inside, like a fever, like magma.

They've fucked a million ways since they first got together—enthusiastic, rough, slow, sweet, hard, exhausted, frenzied, grateful—but they've never fucked like this: just absolutely nasty. 

"What are you gonna do if the condom breaks?" Tommy gasps into Evan's ear, then bites it while Evan drags in desperate gulps of air and scrabbles for purchase on Tommy's back, fingers slipping in sweat. "I'd fill you up. I'd shove so much come up inside you that it'd have to take."

Evan's wailing so loud the neighbors are absolutely going to call the cops and his hole is rippling around Tommy's dick so good that Tommy's eyes roll back into his head, and then Evan starts begging like his heart's breaking, "Oh god, oh fuck, please, baby, do it, I want it so much, I want to feel it."

Through the sweat dripping in his stinging eyes, Tommy looks down at Evan, who's got his teeth bared like an animal, who's taking every punishing thrust like it's his due, even as his eyes well up with tears that spill over his temples into his hairline. He thinks of how it would feel without the condom between them, how he would see-saw his cock through wads of his own come into the dripping hot sleeve of Evan's body, every thrust pushing more and more of it into some secret place where it would stay until something took root. He squeezes his eyes shut, because if he spends one more second looking at the hungry, crazed expression twisting Evan's face into a rictus, he's going to come.

The bed frame's making metal-on-metal sounds that don't sound like they're covered under the warranty, but Tommy can't stop fucking Evan like he's trying to split him down the middle. He's going to shove his way inside until he reaches the pulp at the center and pries Evan open like a nectarine. 

"You want it?" Tommy bites out, then doesn't wait for an answer, dropping down and smearing his mouth over Evan's in a fierce, sloppy kiss, sucking his tongue, biting his lips. Their teeth clack together painfully and Evan makes wounded noises into his mouth when Tommy's cock grinds up deep inside him. Tommy fucks him brutally until he stops.

Breaking away with a choked gasp, Evan chants tearfully, "Oh my god, oh my god, come in me, please, I want you to, god, Tommy, fuck me pregnant," and then comes messily between them, and there's so much of it like there always is, soaking their skin, sliding down to get sucked up by the sheets. Evan sobs and comes and comes and comes himself insensate.

The combination of the hard clench of Evan's body and his desperate pleas touches some part of Tommy's lizard brain that feels like a one-two punch, and he fucks in and in and in frantically, buries himself inside that trembling furnace, and finally something breaks and he comes like it's the last thing he'll ever do.

Gracelessly, he collapses on top of Evan, sucking in great, painful gulps of air, while Evan shivers underneath him like he's been electrocuted (again). Somehow, Evan still finds the wherewithal to throw his arms around Tommy's back and cling, pulling down on him as though he can somehow make Tommy sink deeper into him, like he never wants to not be glued together by sweat and come. Impossible. Tommy's two-hundred-and-something pounds of deadweight and his head is full of television snow. He's a husk of a man. He's probably going to die here.

Evan coughs into Tommy's hair. His voice is in absolute tatters when he chokes out, "That was a hell of a way to ask if I want kids."

From where his face is smashed into the bed just above Evan's shoulder, Tommy mumbles, "I think every single brain cell my body's ever made is in the condom right now. Good thing you're the smart one or else our kid would be up shit creek."

Evan's entire body shakes with laughter, and Tommy can't help but join in, exhaustedly lifting his head so he doesn't miss a second more of that grin. If Athena knew the kinds of things Tommy'd do for that smile, she'd throw his ass in prison for the next 500 years.

"At least they'd still be pretty," Evan says, snickering. 

"There is that," Tommy agrees, and with a grunt he forces himself off the warm, welcoming mattress that Evan's allowed himself to become to deal with the aforementioned condom. He shudders in revulsion when he slides it off and tying it is an exercise in futility—it's disgustingly full and his hands are shaking. 

Evan lifts his head to see what he's doing, then lets it drop back with a huff. "Just wrap it in a bunch of tissues."

"Is it weird that I resent wearing it at all?" Tommy finally loops it so he can tie the knot, then throws it in the direction of the little trash barrel on the other side of the nightstand. It hits the floor with the same slap a water balloon makes. Tommy skeeves a face at it.

"'Course not," Evan says, sliding a hand up Tommy's thigh, aimless. "Our kid's swimming around in there somewhere."

Tommy risks a look at his face, because there's going with the flow and then there's letting your boyfriend plow you into the mattress while he tells you he wants to get you pregnant. But Evan doesn't look mad or like he's laughing at Tommy. He mostly looks peaceful, and maybe a little bemused. 

"Uh, I'm sorry about that," Tommy says, feeling so awkward he wants to peel his own skin off. It shapes his words strangely. "I just—watching you with Spencer made me a little insane, I think."

"Don't be sorry. I think I learned something new about myself tonight, but hell if I can tell you what it is." A sly smile spreads across Evan's face like a flame on a candle's wick. "Either way, it was fucking hot."

Relief unwinds all the muscles in Tommy's lower back, and he hunkers down, slotting himself up against Evan and pillowing his cheek on Evan's chest. Almost immediately, Evan slides the pads of his fingers up and down his spine, and Tommy can feel himself rapidly approaching post-nut blackout territory.

"But kids, though," Evan murmurs thoughtfully.

"Mm." Tommy sketches a nuzzle against Evan's nipple, which earns him a laugh and a slap to the back of the head. He chuckles and settles down with a hum. "Yeah. Well, our kids."

"Huh." The smile on Evan's face is audible, and deafening.

[maybe-boys-do-love]

It's wild that the whole global trend of gay-focused happy ending romance shows and movies has only been going on for *looks at calendar* a measly ten years!

Just ten years ago. 2014. That's when you get the discovery of a market for queer romance series and films with happy endings. That year the OG Love Sick in Thailand came out. Brazil puts out The Way He Looks, which deserves so much more credit than it receives for influencing the aeshtetics of the genre. Looking premieres on HBO, and despite low ratings, it's an important touchstone. South Korea has the darker Night Flight. And, despite Nickelodeon’s censorship and shifting the program from tv to its website, the Legend of Korra confirms Korrasami in its season finale.

The next year, in 2015, we get Love Sick season 2, and China, pre-censorship laws has a few options: Happy Together (not the Wong Kar Wai one lol), Mr. X and I, and Falling In Love with a Rival. Canada, premieres Schitt's Creek. In the US, Steven Universe reveals Garnet as a romantic fusion between two female characters, and will proceed to just be so sapphic. Norwegian web series Skam premieres and sets up a gay protagonist for its third season, which will drop in 2016 and entirely change the global media landscape.

Then, 2016! This is the MOMENT. That aforementioned Skam season happens. Japan puts out the film version of Ossan's Love and anime series Yuri!!! on Ice. China has the impactful Addicted Heroine, which directly leads to increased censorship. The US has Moonlight come out and take home the Oscar. In Thailand, GMMTV enters the BL game and Thai BL explodes: Puppy Honey, SOTUS, Water Boyy, Make It Right, plus, the Thai Gay OK Bangkok, which, like its influence, Looking, is more in the queer tradition but introduces two dramatically important directors to the Thai BL industry, Aof and Jojo.

By 2017, Taiwan enters the game with its History series. Korea’s BL industry actually kicks off with Method and Long Time No See. Thailand’s got too many BLs to mention. Call Me By Your Name, though not a happy ending, makes a big splash that will send ripples through the whole genre, and God's Own Country offers a gruff counter-argument to problematic age differences and twink obsessions. This is also the year of Netflix reboot of One Day At a Time bringing some wlw to the screen, and the Disney Channel has a main character come out as ‘gay’ on Andi Mack ( I’m am ready to throw fists with anyone who thinks the Disney Channel aesthetic isn’t a part of current queer culture). And I'd be remiss not to mention the influential cult-following of chaotic web-series The Gay and Wondrous Life of Caleb Gallo: "Sometimes things that are expensive...are worse."

All this happened, and we hadn’t even gotten to Love, Simon, Elite, or ITSAY, yet.

Prior to all this there are some major precursors some of which signaled and primed a receptive market, others influenced the people who'd go on to create the QLs. Most significantly you have Glee, and its ending really makes way for the new era that can center gay young people in a world where queerness, due to easy access to digital information, is less novel to the characters. And the QL book and graphic novel landscape was way ahead of the television and film industries, directly creating many of the stories that the latter industries used.

There's plenty of the traditional queer media content (tragic melodramas and independent camp comedies) going on prior to and alongside QL, and there are some outlying queer romance films with happy endings that precede the era but feel very much akin to QL genre tropes and goals (Saving Face, The Wedding Banquet, Big Eden, Maurice, My Beautiful Launderette, and Weekend). I don't mean to suggest that everything I’ve listed ought to be categorized as QL.

Rather, I want to point out how all of these new-era queer romance works are in a big queer global conversation together, in the creation of a new contemporary genre, a genre that has more capacity and thematic interest to include digital technology and normalize cross-cultural relationships than other genres (there's a reason fansubs and web platforms are so easily accepted and integrated to the proliferation genre).

You're not too late to be part of the conversation. Imagine being alive in the 1960s and 70s and participating in the blossoming of the sci-fi genre. That flowering is where gay romance sits now. Join the party.

[yourpenpaldee]

·˚ ༘₊· ͟͟͞͞꒰➳ WRITEBLR INTRODUCTION.

I don't usually put myself out there as it makes me nervous. But I've been a lurker for way too long, and it's about time I step out of my comfort zone. So, hello! I'm Dee (she/her), twenty-two, and have found my voice with storytelling.

Writing has always been a passion of mine, and continues to be the tool I turn to when I need an outlet to freely express myself. I have, unfortunately, hit a rough patch with consistency, and I'm here to bring all of that motivation and inspiration back. Especially since there are one too many WIPs sitting on the backburner, and they're all calling my name.

As someone who loves to dip their toes into every genre of fiction, I will read anything that peaks my interest. However, when it comes to creating, my works usually fall under romance and mystery. With practice, I intend on branching out into other genres I don't write often. There's a lot to explore in the world of writing, and I don't want to limit myself to only two categories.

Creating this blog provides me the space I need to accomplish the many goals I often dream of achieving. I acknowledge that it all starts with the ability to hold myself accountable. To show up for myself. To become comfortable with the uncomfortable. Putting myself and my projects out into the world is only the first of many steps, and it feels quite liberating.

I aim to use the voice I've found to not only contribute to the progression of POC representation, but to touch on several topics that remain heavily stigmatized in today's media. There’s a joy that runs through my veins every time I see someone like me on my screen or in a book. I feel seen, heard, and proud. I feel important. But as a creator, there’s that itch that can only be scratched when I create. When I make something that lets the next person know that they’re not invisible. That they're valued, loved, and appreciated. That's what I hope for when someone reads a project of mine. For them to feel the same rush of joy flowing through them as it does me.

Wow, I’m a yapper. I'd like to close this intro off with some fun facts, so here are some of my top five favorites with sidenotes because I still want to yap a bit more about the things I adore.

SOLO ARTISTS:

ARI LENNOX ✧ ˚ · . CHOCOLATE POMEGRANATE — GET CLOSE — GOAT — POF — UP LATE

HALSEY ✧ ˚ · . 100 LETTERS — I HATE EVERYBODY — NIGHTMARE — ROMAN HOLIDAY — THE LIGHTHOUSE

HOPE TALA ✧ ˚ · . CHERRIES — EDEN — I CAN'T EVEN CRY — LEAVE IT ON THE DANCEFLOOR — SUNBURN

MELANIE MARTINEZ ✧ ˚ · . ALPHABET BOY — DEAD TO ME — EVIL — NOTEBOOK — STRAWBERRY SHORTCAKE

HALIMA ✧ ˚ · . DOWNTOWN — FORD CARDINAL — IF LOVE WAS GREEN — SAMANTHA — TALK

BANDS:

5 SECONDS OF SUMMER ✧ ˚ · . AIRPLANES — BETTER MAN — KILL MY TIME — LONG WAY HOME — TEARS!

FALL OUT BOY ✧ ˚ · . BANG THE DOLDRUMS — CHICAGO IS SO TWO YEARS AGO — HEADFIRST SLIDE INTO COOPERSTOWN ON A BAD BET — NOBODY PUTS BABY IN THE CORNER — WHERE DID THE PARTY GO

FLO ✧ ˚ · . CARDBOARD BOX — FLY GIRL — IMMATURE — SUITE LIFE (FAMILIAR) — WALK LIKE THIS

PARAMORE ✧ ˚ · . BIG MAN, LITTLE DIGNITY — CAUGHT IN THE MIDDLE — FRANKLIN — MISGUIDED GHOST — PART II

THE INTERNET ✧ ˚ · . DONTCHA — HOLD ON — LOOK WHAT U STARTED — SOMTHING'S MISSING — SPECIAL AFFAIR

GAMES:

CORAL ISLAND ✧ ˚ · . IF I START LISTING NAMES, I'M GOING TO MENTION EVERYONE. BUT I'M A LOYAL MARK GIRL. AND NOAH... AND MILLIE, EVA, BEN, Y—

DISNEY DREAMLIGHT VALLEY ✧ ˚ · . THIS IS SUCH A COMFORT GAME THAT SOOTHES MY INNER CHILD.

DON'T STARVE [TOGETHER] ✧ ˚ · . I MAY OR MAY NOT STILL SUCK AT THIS GAME AFTER A SOLID THREE YEARS, BUT I'M A WIGFRID MAIN.

STARDEW VALLEY ✧ ˚ · . I LOVE SEBASTIAN AND LEAH, AND I WILL DIE ON THIS HILL IF I HAVE TO.

THE SIMS 4 ✧ ˚ · . WHERE I SPEND A LOT MORE TIME IN CREATE-A-SIM AND BUILD MODE COMPARED TO PLAYING THE ACTUAL GAME.

TROPES:

FAKE RELATIONSHIP ✧ ˚ · . MHM... JUST SAY YOU LIKE EACH OTHER ALREADY.

FATED MATE ✧ ˚ · . I'M A BIT PICKY ABOUT THIS TROPE THOUGH. THINGS TEND TO MOVE VERY QUICKLY BUT I ENJOY IT NONETHELESS.

FRIENDS TO LOVERS ✧ ˚ · . A CLASSIC THAT DOESN'T NEED AN EXPLANATION.

REUNION ✧ ˚ · . ESPECIALLY IF THEY WERE CHILDHOOD FRIENDS AND THEY REMINISCE OLD MEMORIES, OH MY GOODNESS. I EAT THIS TROPE UP EVERY TIME.

SLOWBURN ✧ ˚ · . NO DOUBT THIS IS MY MOST FAVORITE TROPE. THE BUILDUP TO EVEN THE TINIEST PIVOTAL MOMENT ALWAYS MAKES MY HEART THUMP.

TV SHOWS:

CRIMINAL MINDS ✧ ˚ · . YES, I’LL WATCH ALL 16 SEASONS FOR THE MILLIONTH TIME AND FALL IN LOVE WITH PRENTISS EACH TIME. WE WERE ALSO ROBBED OF BEARDED HOTCH CONTENT.

BRIDGERTON ✧ ˚ · . DO I CRY EVERY TIME I WATCH GEORGE AND CHARLOTTE'S STORY? YES. WILL I CONTINUE TO REWATCH IT AND RECITE THE LINES EVERY TIME SOMETHING REMINDS ME OF IT? ASOLUTELY.

THE BEAR ✧ ˚ · . I WISH I KNEW OF AYO EDEBIRI BEFORE THIS SHOW BECAUSE THAT WOMAN IS AMAZING??? LIKE, HELLO???

THE EQUALIZER ✧ ˚ · . *mini spoiler* STILL CAN'T STOP THINKING OF DANTE'S GRIN WHEN HE GOT TO SEE MEL, ROB, AND HARRY'S LITTLE WORK SPOT FOUR SEASONS LATER.

SWEET MAGNOLIAS ✧ ˚ · . HELEN, MADDIE, AND DANA SUE IS HOW I PICTURE MY FRIENDS AND I IN THE FUTURE. MARGARITA NIGHTS, BEING AUNTIES TO EACH OTHER'S CHILDREN, UGH. I LOVE THEM WHOLEHEARTEDLY.

And that concludes this introduction on me and this blog. I would love to connect and befriend other authors, so please don't hesitate to reach out as my DMs will always be open! I'd love to support and read your works, so don't be hesitant to share them with me if you'd like.

I hope you all will enjoy reading my works as much as I enjoy the process of bringing my ideas to life.

divider creds to strangergraphics ♡

[takaraphoenix]

I hate how much heteronormative storytelling links romance and sexuality together, because I just know that that’s why it took me so many years to figure out that I’m ace.

And yes, I’m specifying heternormative storytelling, because that’s the thing we get force-fed in media pretty much from the day we first get put in front of a screen.

Once we move past the fluffy Disney movie stage of life and enter the teenage years, where sexuality becomes a part of the storytelling to varying degrees of explicitness, we hit the real problem zone. *

(* For this particular issue. The forced romantic narrative in every single children’s movie is its own problem zone when we’re talking about aromanticism.)

A thing I complain about quite frequently is the lack of m/f friendships, the way whenever A Guy and A Gal are friends, the heteronormativity kicks in. Unless they’re both in explicit other (stable! not ‘this ship is meant to be broken up for The Main Romance’) romantic relationships, it’s virtually impossible for the straights to just... keep them friends. There have to be some kind of romantic feelings involved. No other possible reason why A Guy might like A Gal or vice versa. The notion of pure, actual friendship goes over these writers’ heads.

Anyway. To the point of the post. Once The Gal and The Guy realize that they aren’t ~just friends~ but really have romantic feelings for each other and once the will they/won’t they stops and they actually will... More often than not do the writers forget to actually include any romance at all.

I mean, genuinely. Their relationship continues the exact same way it was before they got together. But now they have sex. The only discernible difference between “friendship” and “romance” in pretty much every TV show or movie I grew up on was that they now fucked and kissed.

Very often highlighted even more by the fact that they’re portrayed as so fucking horny, they barely got the confession out before immediately stumbling into the bedroom to get it on. Not a single date. Not even a full conversation wasted there. Just going at it like Noah just herded them onto a big ship.

And if you grow up watching these things during your formative years of what constitutes a relationship and they influence you during your “what the fuck’s going on with my own identity” phase, they paint an incredibly conflated image of romance and sex.

Namely, that romance not only doesn’t work without sex, but even more so also a notion that the only real difference between friendship and romance is sexual intercourse.

So, even if the term “asexual” somehow crossed your path at any point prior to the “what the fuck’s going on with my own identity” phase, that gets immediately dismissed as even vaguely being a possibility if you do experience romantic attraction. **

(** And also if you experience aesthetic attraction, seeing as absolutely nobody and nothing really prepared 90s kids for the difference between aesthetic and sexual attraction. Kids nowadays have more resources more readily available thanks to the internet and I’m genuinely so glad for them.)

Clearly, I can’t be asexual because I find people pretty and finding people pretty means wanting to have sex with them and having sex is the requirement for romance and I do want romance in my life. So, I guess I’m a “late bloomer”?

So. Yeah. My two cents on how heteronormative storytelling has harmed not just homosexual kids figuring themselves out but also asexual kids, because of the ways in which heterosexual relationships have been and still are being framed in media.

[batmanisagatewaydrug]

sorry to post about OUAT outside of the safety of the patreon corral but I just. truly cannot stop thinking about the bugfuck insanity of the writers deciding to drop in the seventh episode of their show ever that Regina has kept the same man as a sex slave in two separate realities.

like the nature of Storybrooke is that, having altered memories and lives constructed by Regina, I think almost everyone is off the hook for any sex under the effects of the OG curse—ie, Snow White might regret hooking up with Victor Frankenstein but the two of them were as on an equal footing as possible in the situation and both consented based on their understanding of reality at the time—with the obvious exception of Regina! who is extremely aware that everyone else in town is the most under the influence that maybe anyone has ever been in the history of the world!

which would be yucky enough if it was like, a bad situationship that developed organically in Storybrooke, but no man she was just recreating her setup in the Enchanted Forest where she kept Graham as a sex slave for god knows how many years. hello! hello!!! is anyone listening I'm going insane.

season one kind of revels in getting to roll out little reveals of Regina's litany of crimes via flashbacks to keep emphasizing, over and over, that she is insane and petty and willing to stoop to pretty much anything. in the first episode you know she's responsible for the curse that drives the entire plot, standard big bad stuff, but by the tenth episode you know she also kidnapped multiple children and sent them to their deaths in the candy house from Hansel and Gretel. which is obviously bad, no shit, but it's like. she's Snow White's wicked stepmother, she's the villain in a loosely goosey live action adaptation of classic Disney movies. endangering children for cruel and petty reasons is part of the territory.

but she also like. you know. she explicitly has a scared, trapped man dragged away to her bed chamber after she forcibly kisses him and magically rips his heart out of his chest specifically so that he can never defy her again. and then in case there was even a little bit of doubt left about what's going on there she continues to make his real world counterpart have sex with her, and even under a spell that's completely erased his memories of his old identity and life, he admits that his relationship with Regina doesn't make him feel anything. no one ever comes right out and says Regina is using her power as the mayor to pressure him into it, but that would frankly be mild by her standards.

I can't even quite articulate why I'm so hung up on this except that it's like, so jarring to have Regina do so many over the top cartoon crimes with her magical murder and mayhem and then also slip in oh, btw, she's also a rapist! she raped that man!" especially when you factor in that, based on my memory of the show and general understanding of what mind of show this is, no one is ever going to acknowledge that. when Regina starts her good guy redemption arc and other characters try to hold her accountable for things it's always going to be "you killed Graham" and never "you killed Graham after raping him repeatedly for many years in two different realities." no one is ever going to talk about that.

except for me, because I'm stuck watching six and a half more seasons and I will not be able to forget.

[ponett]

with the fallout of bandai namco's idiotic "it's up to interpretation" bs, do you think that it's possible to enjoy queer media made in a corporate environment in addition to independent works? is it even worthwhile to attempt making queer media in a corporate environment? i find it special how well the g-witch production team managed to tell the story they wanted even with the challenges and pressures they faced, but i have to admit that independent works like slarpg are always going to more completely tell queer stories. as someone who has resonated with both slarpg and g-witch, i was curious to know your perspective.

i'm probably less cynical about this than a lot of my peers are - not that i can blame anyone for feeling cynical about queer rep from corporate-owned media. (we've been through so many First Ever Gay Disney Characters at this point, and lord knows blizzard loves to tease that another overwatch character might be gay every year or so as a PR move.) unfortunately it's just extremely hard to get something like a full season of an animated series funded and produced independently, so the artists looking to enter these fields and pour their hearts and souls into meaningful queer stories as a full-time job don't have many options

going indie gives you theoretically endless creative freedom to tell your stories without corporate censorship, but it's also a massive gamble. only an extreme minority of indie creatives in any medium are actually able to make a living. the fact that i came out the other side of slarpg's development with enough money that i can keep being a full-time indie instead of being in massive debt makes me one of the lucky ones. and even with my modest success, i sure as hell don't have the money to hire a whole team, which limits the scope of what i can make. so i can't turn my nose up at the queer people writing disney channel cartoons where they can't say the word "gay" out loud. they have health insurance, i don't. for most people, what i do is simply not an option

with the corporate-produced Queer Stories i enjoy, i'm often able to squint and see what the creatives were trying to do, wishing that they could have done more while understanding that they probably had to fight tooth and nail for what's there

in the realm of children's animation in particular, i'm thankful that the people working at these studios ARE fighting for more, because it means that kids today have so many more positive queer stories to relate with. i didn't have a single gay character i felt i could relate to until i read scott pilgrim at age 16 and saw wallace wells. before that, i felt so alone in the world. i denied who i was for years because it felt like there would be no place for me. i didn't know anyone openly gay in real life, growing up in the south, and in fiction gay people either existed as the butt of a joke or not at all. the fact that queer kids are now able to see people like themselves in so many shows means something, even if we still have a long way to go and the big studios continue to be a major obstacle

on the subject of g-witch, i'm honestly unfazed by the statement from bandai-namco. i guess i wish they could've let suletta and miorine kiss, but like... the text of the show is extremely blunt about them being a couple by the end. it's not up for debate. and it's not like a gundam series having a meaningful story in spite of the wishes of the toy-producing overlords is anything new, this is just our latest example

all that being said, i do think people should branch out more and explore more weird indie shit if they want more wholeheartedly, openly queer stories. people gotta suck it up and embrace more outsider art instead of only valuing things with studio-level production values. start looking at ren'py visual novels, rpg maker games, obscure webcomics, zines drawn in sharpie, artists on bandcamp who aren't signed to a label, all that jazz. maybe part of the reason why i'm not more fazed by the state of affairs with corporate-funded fiction is that i'm constantly surrounded by furry artists who are telling their own little gay stories

[teddybearsandspaceships]

For my own memory, in the hopes that Scar will put yesterday´s stream on his VODs channel because it was amazing and featured among other things:

Scar calling Etho “the Maple Prince”

Xisuma trolling Scar by mixing up Lord of the Rings, Star Wars, Star Trek, and Harry Potter

Mumbo showing Scar the llama death chamber, and Scar praising him for being weird

Scar and Mumbo having a conversation about social media and AI

Scar telling Etho not to worry and that he´s thinking about moving the mail box himself (after all he had two best-selling redstone shops so surely he´s qualified!); Etho: well now I´m worried… But right afterwards Etho says people forget that Scar is actually quite skilled at the game

Etho is just interrupting people today and Scar suggests just collecting people to procrastinate

I approve of Scar encouraging Etho to participate in MCC again

Etho asking how Scar got stamps already, Scar saying he´s been a part of a lot of Life series, Etho: “you and your wily words, you can get anything you want…”

Big Salmon decreed mercury = good

Cleo shows up! “lag busting” is the new “it lagged into my inventory”

Scar definitely not encouraging Cleo to kill all other villagers after setting up her own trading hall. Cleo wants organic free range villagers.

Cleo trying to sell the monstrosolith as a giant billboard

Cleo proved she can do valley girl voice, Scar and Etho are shocked. Then they´re discussing what "no cap" means. (Etho on stream: “big true, no cap.”) They talked about poggers, and Scar going wild with his pants off (after Cleo exploded them), and Etho didn´t know what Stitch is.

Scar starts talking about Disney and it takes him a minute to realize Cleo and Etho have run away

More maple syrup discussion (Etho telling Cleo if she likes the brand she gets it´s fine), and a frantic ride-by and log-out by Grian

Cleo and Scar want to start a cult. Etho wants to be a frat instead, something cooler. Frats have fewer rules, they´re more like “pants off, it´s fine.” Scar says he´d ask too many questions to be in a cult, Etho points out he could be cult leader. Cleo immediately offers to be his second, the person who does all the dirty work.

Shoe talk. Scar shows off his twelve-year-old shoes on stream.

Making fun of Etho´s set-up! Scar is horrified. Etho talks about his Kleenex box where his mike stands. It matches his desk! It has his settings written on it! Also his space bar broke during DO2 but he got used to it. Scar decides they need reinforcements and calls Bdubs over. Ren also shows up.

Etho mentions he didn´t get a Decked Out 2 desk mat (took to long to think about it) and Tango logs in to write in chat that he´s disappointed and logs out again

A wild Iskall approaches in the distance. Etho: trident brother!

Etho invented the minecart shuffle

Cleo: "I always want you to kill people, Scar. ...no not Etho."

And Etho leaves to shuffle snow like the Canadian cryptid he is

(how dare Ren interrupt Bdubs before he can give his current opinion on the kleenex box)

"Etho´s not one to lie" (are you sure about that? ^^)

...I look away for two seconds and did Mumbo just call himself a panda in chat. I was later told: a panda fiat! Which is a car, and Iskall is a Ferrari

Moonlanding with Gem! And some talk about bases and criticism. Gem: "I love making Etho mad," “Let Etho be mad,” What´s he gonna do, all he´s gonna do is go oh snappers ^^ "Scar, you are my Etho"

[darth-memes]

I really mean it. Don't trust any review that you see online about anything Star Wars. Specially the Acolyte and the latest series. You would be surprised how many are made in bad faith, and with the Acolyte they have multiplied. Talk to your friends that have actually watched it and talk about it in a reasonable way. It's ok if you don't like the series or decide is not your thing, as someone who has really liked it, I know that it's far from perfect. Don't engage with reviews online unless you really really trust the person, because many are made with bad faith and/or nostalgia-tinted glasses that honestly make people forget how the original trilogy really is. It's the reason I stopped reading or watching ANYTHING resembling a review related to Star Wars because it is surprising how easy it turns into a toxic rant that many times can be boilt down into racism and misoginy.

Honestly, even avoiding all of that, with the Acolyte I almost burnt out of the fandom of how terrible it was. I luckily didn't received any hate myself but I have a friend who posts information and fun facts between other things (doesn't do reviews, or opinions, it's mostly all factual(if you have an instagram follow him in @skynobi_starwars, he is always on top of the latest news and posts frequently but without spaming)) on instagram and he was showing me the amount of comments just spewing hate whenever he posted anything about the series and it was disgusting. He said that there had always been some, but they had basically multiplied.

But that's his situation, mine was in real life. I have a coworker who also loves Star Wars and his mask fell off when on episode 3 the wItches showed up and suddenly all of his critiques were about the amount of black people and lesbians that were there. By the next episode everything was just shit and how they should fire the entire team. Basically screaming and being impossible to talk to. Which honestly made me really sad because he had always been a person with who I could talk to about anything Star Wars related. Worst of all, a younger coworker who was wondering if to watch the series entered into watching "reviews" that were outright lying about what happened in the episodes or of people that straight up didn't watch it. He showed me a few and they were all the same. I had to spend a good while proving to him how the series was review bombed even before starting and just proving almost every lie those people were telling and how most of it. It was exhausting and terrifying, I was also really worried because this coworker is very young and what he showed me bordered some alt-right beliefs that should be near NOBODY. And, holy shit, was this a slide to the far right pipeline.

The only reason I didn't burn out is because I have a trusted group of friends with whom I could comment the episodes and have fun making jokes about it. Curiously, my dad also watched it and enjoyed it. But that's basically that's all I had to reduce my feedback of Star Wars for WEEKS to not burn out with how everything was going both online and real life.

And I know that there's a lot of toxic parts of the Star Wars fandom. My recommendation is not engage with any of the big names in the fandom (you know who I am referring to, specially in Youtube). Again, it's not that you cannot be critical, there is a lot to be critical in Star Wars, there is also much that one may dislike, but there is a line. And a lot of people that called themselves reviewers crossed and are so far away in their delusion of how anything that Disney does becomes an attack against them that they will never be able to enjoy the saga again. But raging like that will just result in another Rise of Skywalker, not another Empire Strikes Back.

Instead, look for friends with who you enjoy talking about Star Wars and have fun watching, playing, reading, etc with the saga. Because at the end of the day that's what we want, to have fun with it and enjoy the journey. Sometimes it may disappoint, but if you are always looking for that like a big part of the fandom that posts online, you are never going to enjoy it again.

And isn't Star Wars better when you focus on what makes you happy about it than on what you didn't like?

(Also, again, watch out for the people who are being racist, mysoginistic, homophobic... I can't emphasize how even I, that I try to curate as much as I can my experience in the fandom, I found them fast this time)

[davenportia]

part 2 of lab rats deserving better, for lack of a better title

picking up where we left off with mr. donald davenport/big d (chris and bryan, what the heck-) also HUGE TRIGGER WARNING of abuse and narcissism - donald davenport is one of the worst parents i have ever seen on disney. he makes it abundantly clear he only cares about himself and barely cares about his kids. i am fully aware that he was trying to protect them from douglas but i will say this on here because of the hate i got on the ‘say my name’ edit on tiktok. it’s davenport’s APPROACH that i am talking about. i know douglas would have been worse. with that being said… davenport always managed to make the situation about him. whether that was making a doll version of himself and making the toy company pay him god knows what amount of money for the lab rats’ action figures, or it’s an award FOR HIS KIDS for their 1000th mission that he tries to turn into a market deal with the president for his car, he always made it about him making money. even if it’s not about money, his ego never quits. when the KID’S BIONICS WERE EXPOSED, he said “i’m the brains behind it all. the smart behind the heart” (idk his exact words) and it’s like, stop talking about yourself for once. your kids could potentially be separated from each other and you’re talking about how you deserve credit for them. stfu, donald. additionally, and i sort of buried the lead here, my bad, in the literal first episode, you can see how donald had treated them for 16 years. he fed them pellet through a tube in their capsules - which was called ‘feeding time’ - what the fuck. chase LITERALLY says they’re “like human lab rats” and then they show adam in a human-sized hamster wheel. do people that defend davenport not realize that he treats his kids like animals? then after they made one mistake (going to school with no outside world experience thus inevitably causing trouble at school) and he almost sent them to an off-shore facility where they could complete their training - AGAIN, not letting them see the real world. bro, these are human kids you’re shutting out from the world. that’s like elsa in frozen possibly never evening meeting anna, could you imagine that? if you defend davenport, respectfully, unfollow or block me. no hate to hal sparks, all the hate goes to donald davenport.

tasha - my god, i love tasha. but there’s one thing that i wish they could have explored more: where the fuck is leo’s bio dad and what happened to him? so we know leo has a dad because leo says in ‘crush, chop, and burn part 1,’ “my NEW dad is batman!” but that’s literally all we even remotely hear of his bio dad. there are so many questions about this man. trigger warning real quick. was his dad absent most of his life? did tasha and him have a messy divorce? was he abusive? did they have a good or bad relationship with him? did he pass away? was he anything like davenport? in ‘can i borrow the helicopter?’ leo confides in davenport with a crush he has on janelle. davenport decides to tell tasha about said crush and she tries to help him hang out with her. after it backfires, leo is inevitably and understandably upset. “and what’s up with mr. blabbenport? i spill my guts to him and he blabs all about it” he says to tasha. davenport appears and here’s what he says to him: “you told my mom about janelle! i’ll never trust you again.” in my opinion, he could have and should have been more hurt. that could have showed us a bit more of leo’s past with his reaction. he could have said something like “i can’t believe my new dad can’t keep secrets either” or “my old dad would never have said anything.” like give us SOMETHING, disney. leo could have even struggled to tell davenport because his dad could have been a blabbermouth. we have no idea what his life was like before his mom married davenport. and tasha, when davenport was being irrational, could have said something like “this again! my ex husband always did stuff like this” or “new husband, same shenanigans.” seriously, we can get a little deeper here.

douglas: again, LOVE douglas. i know he started out at the main villain of the show along with marcus, but his CHARACTER DEVELOPMENT; BRAVO. he’s probably one of the funniest characters on the show. he just wanted his kids back, you know? give him a break. no but in all seriousness, he changed so much and became a better person. he showed he cared about the kids and saved their lives twice. donald? didn’t care that chase came home safe in ‘avalanche’ and was more excited about the money than his own kid. also the thing with perry having a crush on him was hilarious. i wish we had seen more of his backstory, though. all we know is that he wanted to make adam, bree, chase, and daniel cyber soldiers and davenport kicked him out and stole/rescued (however you see it) the kids, he faked his own death, and he partnered with victor krane to continue his research. all we get are these jokes throughout the show: “i was going through a rough patch and wanted societies to destroy each other.” in ‘sink or swim part 2’ when krane says to destroy adam, bree, and chase, douglas says “that was never my plan?” and from then on, tries to get in with and protect the kids, what did he want then? did he just want forgiveness or did he still want control over them? other than that, i don’t have much to say. i think douglas’ character was well written and had a good arc.

theresa cherry perry aka principal perry - i know she’s a terrible person but she’s so easy to like. she clearly cares about the kids but will never admit that. she wasn’t a very complex character though, i think. she was the standard mean principal who had a questionable past and 6 cats. what do you guys think of perry? what questions and/or suggestions do you have?

danielle, trent, ethan, stephanie, mrs. thissle - where did they all go?

am i the only one who couldn’t stand caitlin? like she started out as bree’s nerdy best friend but then became this like crazy weird girl everyone hates. like? you couldn’t let bree have one good friend?

overall, lab rats is a great show. clearly, it has a huge fan base and there are lab rats editors everywhere on tiktoks and instagram. hundreds of blogs dedicated to lab rats and other disney xd shows on tumblr, or loads of posts about the lab rats universe. again, chris peterson and bryan moore did a great job with what they had, but if the show hadn’t been produced by disney and the things from post and part 1 of this post had been thought about more, it could have been a MUCH better show. what are your thoughts?

[the-nado-hunter]

Random Hetalia character head cannons/hc histories and characterizations that float in my brain but I’ve never written down - starting with England, America and Germany since I’ve thought about them the most lol:

England:

- Was the reverse of Alfred where he actually physically and emotionally aged much slower than most nations. He was barely not a teenager when he first took in Alfred (and his other “kids” by extension) when he was not at all ready/had even fully matured himself.

- I have a hc that nations who “get too big” (meaning the territory under their name grows) they kind of lose themselves and get less distinct and coherent in their motivations and sometimes don’t feel themselves at all, too many voices in their head so to speak. Unfortunately Arthur “lost it” during a pivotal part of his relationship with his family, hence all his strained relationships.

- Once he took on those responsibilities he suddenly jumped in physical age a bit. So while Alfred sees him as being SO much older (calling him an old man) his time in the nation equivalence of life stages was uneven and all over the place.

- it wouldn’t be until the 60s/70s/80s that Arthur had the time and ability to “make up for lost time” hence his musical and punk phases. He finds himself in some ways.., also likely dissolves into addiction problems at the same time.

- In the modern era he still has many anger issues but he’s a lot more calm and sure of himself, however he’s got a built up emotional wall and a whole lot of hidden self hatred that’s going to take a long long time to resolve, and he isn’t quite there yet and tends to lash out and push people away rather than deal with things.

America:

- He was very sheltered by Arthur at first, he was kept out of almost everything for most of his early life. If Arthur wasn’t present (which he often wasn’t due to the two having vastly different understandings of the passing of time) there were people hired and cycled out to take care of him. He can’t help himself though, even if he’s being treated like a sheltered little prince he wants to go run free in the fields and get into shit. He’s basically a Disney princess in his early life is what I’m saying lol.

- reality hits him like a ton of bricks when he’s roughly looking/acting about 14-15. He realizes likely through being exposed to other nations starting to come in and managing to slip out to talk to people just how much has been hidden from him and the resentment grows. And he starts REALLY growing even faster.

- Despite all that he went full on into a “fight” coping mechanism and never stopped. He put on a “mask” at one point in his life and it hasn’t come off. He’s never really deeply dealt with anything so he progressively seems more and more obtuse and seemingly arrogant to overcompensate for not wanting to face any sort of pain.

- He’s deeply deeply lonely and desperately wants closeness and to open up- yet at the same time the idea of seeming “weak” or “vulnerable” is terrifying to him. Him and Arthur are more similar than they would like to admit with how they mask and push people away despite really REALLY needing love and closeness.

Germany:

- it depends on if you accept the “Germany is HRE” theory or not, but either way I tend to think they at least have the same body but might be different entities or ‘spirits’ so to speak. That being said I imagine Ludwig specifically not only was “born” into a body that was preexisting and therefore already past a decent part of childhood, I imagine that his body was at first incredibly weak, frail, and he was very sickly for quite some time.

- I’ve written a fic about this, but I personally hc Ludwig from about 6-15 years old in appearance being almost completely unable to walk and needing braces and assistance to get around. His brother obviously loves and cares about him, but Ludwig couldn’t help but feel frustrated and like a burden. He really does look up to his big brother and is worried about being weak and reliant on others for the rest of his life.

- Ludwig GETS his strength, and as soon as he’s able to walk on his on he becomes obsessed with being as strong and capable as he possibly can be. He wants to never have to rely on anyone again, feeling an odd sense of guilt for needing so much help.

- he’s, in the end… kind of socially inept. Gilbert isn’t exactly the pinnacle of a socialized man himself - So despite being mostly independent and capable he doesn’t really understand social situations, or how to understand himself and others. Feliciano is both jarring and someone I think he becomes interested in him because Feli is capable in something he never has been and really is teaching him a lot.

- Unfortunately Ludwig had in face overcompensated for his past feelings of being a burden he’s taken so much on and has become such a protector that he’s almost unable to set boundaries and say no to requests to take on extra work- malicious or not.

- we already know Ludwig tends to explode and bark directions at people, to me it’s always been a clear sign of how much stress he’s under- but he winds up just appearing scary and he once again takes on more responsibilities and feelings of “something must be wrong with me”.

- i think many in the fandom have joked about it but Ludwig to me is SO repressed and SO gay it’s not even funny

-I would expect poor Ludwig to hit a breaking point and have a nervous breakdown eventually, which I do want to write at some point, just gotta not procrastinate lol

[tragicbeauty1991]

So I know I’m extremely late to the party, but I FINALLY got around to watching Wish now that it’s up on Disney+ and…I genuinely don’t understand why it got so much hate?? Sure, maybe it wasn’t on par with things like The Lion King or Frozen in terms of the lasting effect it’ll have on pop culture but it was still a good, fun film with original characters and plot and catchy songs. While I can see where some of the complaints are coming from, I feel like ultimately most of them blow the issues out of proportion. As for my personal thoughts on the film…

- The songs were good overall. Maybe not as memorable as some of my favorite ‘90s Disney jams, but topping Phil Collins and Elton John is admittedly hard to do. Ariana DeBose and Chris Pine were great, though. I honestly had no idea Chris Pine could sing so well. “At All Costs” was by far my favorite song of the entire film. I would have loved to see it as a love duet rather than singing to the wishes but regardless, it’s beautiful. “This is the Thanks I Get” got a lot of flak, but honestly, I thought it was catchy and fun—rather reminiscent of Gaston’s pub song about himself.

- Speaking of Magnifico… More backstory, please! I would love for a sequel to do what they did with Frozen and explain all the things that were not fully developed in the first film. I want to know details on what happened to Magnifico’s family… But man, oh man… Was I EVER happy to get a “real villain” again with more of a classic Disney feel—dramatic, over the top, a little unhinged…and just FUN. I think the reason so many people seem to be having a problem with him is that they don’t quite know how to categorize him, though, before his ultimate downward spiral after being possessed by the book. (I think after that point, no one would argue about him being a villain.) But before…while he’s definitely narcissistic and has a temper…he’s not straight-up evil. There’s a big difference in being a bit of a jerk and being someone who makes you legitimately fear for your life. In fact, we have several heroic characters in the Disney canon who at least start out their story in a similar vein. Prince Naveen, Peter Pan, and Emperor Kuzco, for example, are all full of themselves and entitled…but they ultimately choose to do the right thing when it comes down to people they care about. That is to say, Magnifico’s less than ideal character traits we see early on in the film shouldn’t automatically qualify him as a villain. He could frankly go either way. And then when he does “go dark” it’s ONE stupid decision on his part (going for the book) that ruins any chance he had of being like the aforementioned characters. Personally, I like the complexity…and the tragedy of what it means for Queen Amaya. Which reminds me…

- Yes, a villain power couple would have been fun. But honestly, I think I like this better. Partly because of the angst potential here. For all his faults, Amaya DOES genuinely love him, and watching him slowly lose his mind and himself to the power-hungry monster he becomes has to be absolutely heartbreaking for her. Also…maybe it’s just because I identify with Amaya here. I have been in a bad relationship where I did truly love the other person and thought they loved me…but ultimately, they seemed to love themselves more. And I made excuse after excuse for his behavior for a long time because I couldn’t see what he was doing to me…didn’t want to see it…because I loved him. People say Amaya had to have known sooner that something rotten was going on but I don’t know that she ever allowed herself to think anything other than the best of him. Amaya has a good heart…and sometimes those people see the best in others even when it isn’t there. What I really would have loved is to have Amaya and Magnifico sing a short reprise of “At All Costs” in which Amaya is asking, “Really? You’ll hoard all these wishes for your own selfish reasons even at the cost of losing your people’s love? Of losing me?” And Magnifico is just…stoically resolute. That would have hurt but it would have been so good!

- Similarly, I don’t get the complaint about Star. I wouldn’t mind seeing Star Boy like he was in the concept art and having a romance with Asha. But also…Star is ADORABLE, okay?? He may not speak but he has so much personality. Makes me think of like…Pascal in Tangled or even Tinkerbell.

- I know a lot of people complained about there being too many references to other Disney films but this just seems like a silly argument to me. Disney has always liked to leave little Easter eggs in their films and have some fun with crossovers. I am thinking of the Genie imitating Pinocchio and pulling Sebastian out of nowhere in Aladdin. Hidden characters in the background of other films like Flynn and Rapunzel showing up in Arendelle. Hidden Mickeys. And of course shows that were all about a Disney multi-verse that sort of pokes fun at itself like Once Upon a Time, House of Mouse, and even Ralph Breaks the Internet. With this being a special anniversary film, of course we ought to expect more nods to other films and Disney animation history. I thought it was cute. Especially Magnifico’s jab at Asha’s little moving drawing. (“Is that a talent?”) Made me literally laugh out loud.

- I think the one complaint I do agree with at least in part is the, “But Magnifico was right, though??” Some dreams shouldn’t come true. Especially if it’s a wish you’re making when you’re 18. There are definitely things I wished for at 18 that I am glad I did not get in hindsight. Sometimes what we wish for isn’t what’s best for us or others. And while Asha’s wishes are selfless and for others…she seems to assume that everyone else will also have equally harmless, selfless wishes. It’s sweet but perhaps a bit naive. Also…Asha has good intentions but it is rather funny and frustrating as the adult to watch this teenager come in and try to upset the whole system thinking she knows better than the person who has been running the kingdom for years. That said… Asha isn’t totally wrong either. The wishes do ultimately belong to the people who made them and it’s better even if it’s painful to have a dream in your heart than to be lacking purpose. It may be easier to forget the wishes entirely but certainly not healthier. Ironically, if only these two could have worked together, they actually would have made a great team.

Overall, I liked the film. And I think if I was still a child myself, I would have enjoyed it even more.

[always-outlander]

Outlander 7x02 Thoughts & Easter Eggs

Spoilers below the cut for “The Happiest Place on Earth”

Wow, what an episode! There’s so much to unpack here but I will start by saying that I deeply enjoyed this one. A lot of direct from the book dialogue, some plot that was reworked and-in my opinion-for the better. Brilliant acting by many but especially Sam and Cait. It had a lot squeezed into it but let’s get into it.

Alan Christie

To start, we finally had the resolution for Malva and learned that Alan not only assaulted and abused her for her entire life, but was also the one who killed her. This was such a sensitive storyline and to have those flash backs with Malva made me emotional. Jessica Reynolds is a wonderful actress and her Malva was perfect. This scene was the first one I could feel the pain point of having to end season 6 prematurely. The gap between Malva’s death, followed by the hiatus, to now reach the culmination here almost made the impact of Malva’s death take a back seat to the beginning of these new storylines. You can feel that 7x01 and 02 were meant to be a part of that ending, but what can you do 🤷🏻‍♀️ that’s me being nit picky.

But back to Alan. This was almost exactly what happened in the books and I was happy that Young Ian made such a brief appearance. That spacing between episodes likely made people forget that he had a little romance happening with Malva, but his honor once again rang true with his actions here.

Major continuity error with Claire’s wig though– only when she is burying Alan does her hair grow 3 inches, then magically is cut again for the remainder of the episode.

Mrs Bug

Book readers know the upcoming storyline with Mrs. Bug, and we set the foundations this episode when Wendigo and his men come to the Big House in search of gem stones. There they uncover Arch Bug’s hidden gold (which is very significant later on). I loved seeing this preview of what is to come.

Mandy’s Birth

Amanda Fraser is born and we get a very quick moment of happiness for this little family, when the hammer drops that she has a serious heart condition that Claire cannot fix. This is the impetuous behind the MacKenzie’s and the Frasers separating for what I assume will be majority of the season. The scene with them all at the stone circle was very touching and I felt like Cait and Sam’s acting shined brightly here. The best part for me was the quote from Jamie taken directly from the books where he tells Claire

“For your sake, I will continue–though for mine alone…I would not.”

I also deeply enjoyed the Disney tie ins from the book, the humorous moment where Jamie tries to understand how a giant rodent is meant to be fun for children, and his wishes to Jemmy to give a mouse named Michael his regards. All direct from the books, and delivered perfectly.

Bree meets William

The moment we’ve (I’ve) been waiting for, WILLIAM has graced our screens. Though it was short, I squealed when I saw him and Lord John together, especially him in his red coat. You can certainly see the resemblance and while we have yet to see his acting chops on full display, Charles appears to be a perfect casting. He has the cocky confidence of a young Jamie Fraser down pat, I’m curious to see what other nuisances he brings to the role.

Lord John and Jamie

This scene was touching and so well done, Sam and David have always had such great scenes together and really made this relationship between these two men such a beautifully complicated thing. John has long been trying to convince Jamie to do the right thing and fight for the British, but you can see his true intentions here more than ever. If Jamie fights for the British, he can protect him. When Jamie chooses to fight opposite John and William, he knows he cannot.

In a last act of love and friendship, John returns the gem to Jamie from his escape at Ardsmiur. Something we know meant so much to John. His love for Jamie will always win out in the end, and I loved that the scene had room to breathe at the end. John crying alone in his room, and Jamie’s pause outside the door and his watery eyes was perfectly done.

Claire’s Breakdown

In the last scene of episode 1, Claire and Jamie have a discussion about Tom Christie and his confession. In the show, they chose to end that scene with Claire going to sleep while Jamie takes revenge on Richard Brown (and what a badass scene that was). In the books, the moment ends with Claire and Jamie trying to be intimate again, and Claire having a breakdown.

The show has now taken that scene and moved it into episode 2, which actually felt a lot better to me having watched it this way. I was sad that this moment was removed from episode 1 but beyond happy to see it here because it was another wonderful showcase of Sam and Cait’s acting and Claire and Jamie’s love. In the books, Claire cries because she is sad for Tom, for Malva, for Frank. Jamie tells Claire to weep for them because you “canna keep a ghost at bay. He tells her to let them in and grieve for them so she can heal.

In the show, Claire cries for the loss of her family –Fergus and Marsali, the MacKenzies, and Jamie mentions Faith, Murtagh, his mother and brother. They have both lost so many, and he encourages her to cry for them. To me this was so much more poignant and relevant to the events of the episode. I really loved this change.

The Throwing of the Gem

Another iconic scene the we finally got to see brought to life was when Jamie gives Claire the gem stone and tells her that she can go with Bree, or go back if he should die. The acting in this was so perfect and in the books, Claire throws the stone far into the woods to prove to Jamie once again that she is never leaving him. I enjoyed his little jab that she should probably go and recover it.

Wendigo Donner

The return of Wendigo Donner finally closed the loop on the big house fire, and I’m so excited to see how the beginning of episode 3 starts. The highlight of this scene for me was the callback to season 3, when Claire is pretending to be abducted so that Jamie can get what he needs from Lord John Grey. In this scene (and in the books) Jamie is lying to Donner about not having gemstones in the house, but then changes his tune once Claire’s life is in danger. He leans into the ‘disgruntled husband upset with his wife’ tune and tells Donner that Claire hid all the stones while he was away, so she is the only one who knows there location (thus making it impossible to kill her). The humor in Claire’s eyes made me laugh in an otherwise tense scene.

We get much of the same dialogue and story beats as the books here but the one subtle change happens when Jamie finds out that the man in their house is in fact Donner and not some random group of men looking for money. As soon as he hears his name, he lunges for Donner to seek revenge on what he had done to Claire.

In the books, Claire slips out of Donners arms and lunges after him, with Jamie holding her back at the waist. They try to plot an escape but one thing leads to another and Jamie actually kills Donner with a knife before the ether explodes. In the books, it is because Young Ian lit a match to help illuminate the dark room everyone was sitting in. Big change, subtle change, but one I’m interested in seeing them explain next episode.

All in all I loved this one, I’m enjoying the changes made and the pacing of this felt better than the first episode. Would love to hear your thoughts!

[heliphantie]

¡Feliz cumpleaños, Dolores!

She happens to appear in my fanart quite frequently… Hardly underrated character, and I can see why. She’s an expressive, fairly “toony” character, very Disney kind of supporting heroine (while not as significant, I’ve compared her to Charlotte La Bouff once). Though, as with many Encanto-related things, she’s more interesting due her potential and conceptually, than what we got of her in completed movie. For one, she was supposed to be a wallflower and lot weirder than she appears in the end, but it was, presumably, toned down to not take from Bruno’s status as misfit, for him to stand out more drastically, I guess? Even then, I’ve found things to appreciate about her with that little material that is out there.

To be honest, I’ve never found convincing that popular fan theory of her covering Bruno all that time, it always appeared to me she was just genuinely startled with being able to hear him somehow (or having impression of such), as a sign of his mysterious supernatural presence, nothing more (naturally, it was debunked by director eventually – too big misconception to leave it vague, it seems). Heartfelt idea, probably, but there is other thing in canon to judge her good will: she is briefly shown to be friendly with Isabela, and even despite having valid reason to keep grudge against her – she *was* actually about to take away from Dolores something she cherished – she never seems to act hostile to her cousin, openly or not, or was hinted scheming against her, or badmouth her, even though she seems to have taste for a gossip. Compare to our protagonist. (Every time I have to address Encanto, it has to come down either to subject of Bruno, or Mirabel dissing.) Nevertheless, I like hypothesis I’ve seen once, about Dolores using the secret of prophecy to her advantage, as means to (somewhat justified) sabotage Mariano’s proposal, as it become the last straw to hold onto in the face of terminal loss of faint hope. You can’t blame her, as what was awaiting her is much worse than regular failure in love: not just getting unable to recover and move on, but oversee (and overhear) her beloved one set in relationships with another before her very eyes for the rest of foreseeable life. Enough to drive one crazy, and being doomed for it, she seems even more benevolent and humble toward her rival. But what with said sabotage and that small scene of her little addendum to Mariano’s words she quotes about him wanting “five kids”, just to see Isa losing face for a moment upon hearing it? This, I think, is evidence she knows her cousin far better than younger generation does (again, Mirabel who’s in the dark for beginning of the story), and aware about her keeping façade at all times and having lot of bottled free will and emotions. She, most likely, knows or realizes reluctance on Isa’s part in all that situation with marriage, even as it’s not clear if either of them has been open about it. So, she occasionally attempts to crack that façade and get Isa to deal with her honest feelings. And compare the messed-up proposal with the story of Pepa’s wedding (which recalling, probably, not by accident precedes the matchmaking dinner and leads to it). Even natural (well, kinda) disaster wasn’t enough to call off marriage arranged out of true love, and Mirabel (in honest case of fair reasoning) wisely notes the ruined engagement is *not* a legit reason to state Isa’s chance for marriage is failed. It’s just forced interruption in predetermined process that launched her powers out of control, and then they manifested her denial to go through with it, for once confirming she lives a lie. That way, actions of Dolores seem to come across as these of trickster, not unlike ones by Bruno (judging by Pepa’s story, anyway), ultimately setting record straight and for better. (And, as it’s hinted and ultimately confirmed by director, the strength of miracle is fueled by unconditional love, so one can wonder what a damage an involuntary marriage based on unrequited love may occur.)

The romance of Dolores herself is something I wasn’t looking deeply at originally, as it seemed to be a footnote to me, last minute hook-up to tie all dangling ends together in record time. Mariano himself is something of “McGuffin” character, and a joke on archetype. The development is brief, and we get just a short summary of it (I assume as with all musical numbers, it’s an artistic license and in “reality” there was more time for relationship to blossom). So, nothing really of substance to chew on. Until I realized the love match does, in fact, not need much of development because it’s foreshadowed by another one shown through the movie. As many noticed, there is certain semblance between Isa and her Tía Pepa: powers of both are influenced by their emotions, both are bottling up their emotions to keep said powers under control and maintain pleasant façade, both have thorny relationship with younger sibling… But it seems, if we look at Dolores, she also has personality similar to that of her Tía Julieta: she’s soft-spoken, caring, gentle, and both niece and aunt have heart symbol somewhere in their costumes (Julieta’s apron embroidery and Dolores’s earrings) to signify their empathetic personality. And their respective love interests both are men of tall stature, implied to be quite intelligent, well-mannered, and somewhat accident-prone. Maybe, comparison is subtle (and arguably not even intentional, to be fair), but can be used to justify one match over another as more natural, fateful one. At last, it’s also implied that Dolores is only one who sees value in Mariano’s good qualities (hence her empathetic core), his kindness and intelligence, while at first it seems only the status of his family and his looks do matter for anyone else (we don’t get proper impression, but it’s what can be taken from what is shown). And probably, she, as somebody to whom vision is not main or trustful canal of perception, doesn’t even care what he looks like, but who he is on inside, which falls into the central theme of the story: looking deeper with your heart to find true connection with loved ones.