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luulapants · 6 months ago

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25 ways to be a little more punk in 2025

Cut fast fashion - buy used, learn to mend and/or make your own clothes, buy fewer clothes less often so you can save up for ethically made quality

Cancel subscriptions - relearn how to pirate media, spend $10/month buying a digital album from a small artist instead of on Spotify, stream on free services since the paid ones make you watch ads anyway

Green your community - there's lots of ways to do this, like seedbombing or joining a community garden or organizing neighborhood trash pickups

Be kind - stop to give directions, check on stopped cars, smile at kids, let people cut you in line, offer to get stuff off the high shelf, hold the door, ask people if they're okay

Intervene - learn bystander intervention techniques and be prepared to use them, even if it feels awkward

Get closer to your food - grow it yourself, can and preserve it, buy from a farmstand, learn where it's from, go fishing, make it from scratch, learn a new ingredient

Use opensource software - try LibreOffice, try Reaper, learn Linux, use a free Photoshop clone. The next time an app tries to force you to pay, look to see if there's an opensource alternative

Make less trash - start a compost, be mindful of packaging, find another use for that plastic, make it a challenge for yourself!

Get involved in local politics - show up at meetings for city council, the zoning commission, the park district, school boards; fight the NIMBYs that always show up and force them to focus on the things impacting the most vulnerable folks in your community

DIY > fashion - shake off the obsession with pristine presentation that you've been taught! Cut your own hair, use homemade cosmetics, exchange mani/pedis with friends, make your own jewelry, duct tape those broken headphones!

Ditch Google - Chromium browsers (which is almost all of them) are now bloated spyware, and Google search sucks now, so why not finally make the jump to Firefox and another search like DuckDuckGo? Or put the Wikipedia app on your phone and look things up there?

Forage - learn about local edible plants and how to safely and sustainably harvest them or go find fruit trees and such accessible to the public.

Volunteer - every week tutoring at the library or once a month at the humane society or twice a year serving food at the soup kitchen, you can find something that matches your availability

Help your neighbors - which means you have to meet them first and find out how you can help (including your unhoused neighbors), like elderly or disabled folks that might need help with yardwork or who that escape artist dog belongs to or whether the police have been hassling people sleeping rough

Fix stuff - the next time something breaks (a small appliance, an electronic, a piece of furniture, etc.), see if you can figure out what's wrong with it, if there are tutorials on fixing it, or if you can order a replacement part from the manufacturer instead of trashing the whole thing

Mix up your transit - find out what's walkable, try biking instead of driving, try public transit and complain to the city if it sucks, take a train instead of a plane, start a carpool at work

Engage in the arts - go see a local play, check out an art gallery or a small museum, buy art from the farmer's market

Go to the library - to check out a book or a movie or a CD, to use the computers or the printer, to find out if they have other weird rentals like a seed library or luggage, to use meeting space, to file your taxes, to take a class, to ask question

Listen local - see what's happening at local music venues or other events where local musicians will be performing, stop for buskers, find a favorite artist, and support them

Buy local - it's less convenient than online shopping or going to a big box store that sells everything, but try buying what you can from small local shops in your area

Become unmarketable - there are a lot of ways you can disrupt your online marketing surveillance, including buying less, using decoy emails, deleting or removing permissions from apps that spy on you, checking your privacy settings, not clicking advertising links, and...

Use cash - go to the bank and take out cash instead of using your credit card or e-payment for everything! It's better on small businesses and it's untraceable

Give what you can - as capitalism churns on, normal shmucks have less and less, so think about what you can give (time, money, skills, space, stuff) and how it will make the most impact

Talk about wages - with your coworkers, with your friends, while unionizing! Stop thinking about wages as a measure of your worth and talk about whether or not the bosses are paying fairly for the labor they receive

Think about wealthflow - there are a thousand little mechanisms that corporations and billionaires use to capture wealth from the lower class: fees for transactions, interest, vendor platforms, subscriptions, and more. Start thinking about where your money goes, how and where it's getting captured and removed from our class, and where you have the ability to cut off the flow and pass cash directly to your fellow working class people

#punk #diy #action is activism #think global act local

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transformativeworks · 1 month ago

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"Deprecated Fandoms" Spam Bot Alert!

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#ao3 #archive of our own #help us fight the spambots!#organization for transformative works #otw #PAC

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marvelstoriesepic · 4 months ago

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Creamy or Crunchy

Pairing: Avenger!Bucky x Avenger!Reader

Summary: Bucky joins you grocery shopping to everyone’s surprise.

Word Count: 3.7k

Warnings: Bucky hovering; Bucky knowing his favorite people; little bit of protective!Bucky

Author’s Note: I don’t know what this is but I was in need of some silly fluff. Hope you enjoy! ♡

Masterlist

He’s been trailing after you since you left the tower, stuck to your side.

Not in an obvious way, not in a manner that would draw stares or second glances, but in that ever-present way of his - like a second shadow or an old instinct that never really shuts off.

You’ve barely gone five blocks to the nearest grocery store, and Bucky has stuck close the whole time, keeping pace without a word.

It caught everyone off guard when he volunteered to come with you.

He had been slouched in his usual spot at the kitchen counter, cradling a cup of coffee he never seemed to finish, and looking like he had nowhere in particular to be. So when he had straightened, eyes trained on how you pulled on your shoes and muttered a gruff “I’ll come with you,” there was a moment of pause in the conversation between Natasha, Steve, Clint and Sam lounging on the couch in the common room.

Even you had blinked at him, thrown off by the suddenness of it.

Still, you didn’t argue.

Normally, grocery shopping isn’t something that interests anyone in the tower. It is a mundane, civilian thing - something of a life most of you had long since left behind.

There are people who handle it, services that deliver whatever you need at the touch of a button. But you aren’t looking for efficiency. You are looking for something real - something that can make you feel like a human being again.

You’d just gotten back yesterday from a month-long solo mission in Vorkuta, Russia. It was rather harsh. You spent those weeks in the cold, in silence, every step a deliberate calculation, every breath rationed as if you weren’t entirely sure when you’d be allowed another. You operated alone, only allowed to talk to Tony once a week for updates. It was the kind of quiet that made a person feel less like a person and more like an echo.

So you need something normal now. Something unremarkable.

No mission, no intel, no carefully rehearsed exit strategies.

Just a trip to the store, because you want to pick out your own food instead of eating whatever shows up in the tower’s stocked fridge. You want to grab things impulsively - maybe a bag of chips you don’t need or a carton of juice just because it looks good.

You want the simple, stupid pleasure of choosing something, just because. Of standing under the fluorescent hum of grocery store lights and deciding between brands of cereal and coffee creamers like it actually matters.

And Bucky, for all his presence, says nothing.

He just walks with you, hands stuffed into his pockets, eyes darting between the sidewalk and the people passing by. He is relaxed, but only just. There is tension in the way he moves, like he is running an assessment every few steps, tracking details of things you don’t care about at the moment.

The doors to the store slide open with a mechanical hiss, spilling warm, artificial air onto the street.

Inside, there is that familiar smell of waxed floors and cold produce, the sounds of shoppers, the beeping of registers.

A cart squeaks somewhere to your left. A child giggles near the bakery section. A bored-looking cashier stares blankly at the register screen. A tired-locking employee is restocking shelves.

It’s nothing special. But it feels real and humane in a way you need.

Bucky steps in behind you, scanning the store out of habit, then looking at you as if waiting for direction.

You grab a basket and move forward.

He follows without a word.

You walk through fruits and vegetables in bright, and glassy colors, stacked in neat abundance. The air smells like citrus, earth, the scent of misted greens, and something fairly plastic all slightly overwhelming your senses after a month of smelling mostly cold air.

You extend a hand toward the lemons, fingers brushing the textured skin of one when you feel the weight of the basket shift.

Bucky’s hand curls around the handle, pulling it from your grip and holding it himself.

Your gaze snaps up to him, but he isn’t looking at you. Not directly. His eyes are fixed on the rows of produce in front of you, his brows drawn together just slightly, his mouth set in that endearing little frown.

He stands close. Close enough that you can feel the warmth of him. Close enough that, if you shifted just an inch, the fabric of his sleeve would brush against yours.

It’s not intentional, this proximity - it’s more like a habit. He doesn’t seem to realize he’s doing it, doesn’t notice the way his presence expands to fill the space between you until there’s almost nothing left.

He exhales through his nose, shifting his weight slightly, eyes sweeping the fruit display as if it’s something to be figured out rather than casually shopping through.

His metal fingers whir slightly as he flexes his grip around the basket handle.

“This is a lot,” he murmurs, almost absently.

You keep glancing at him. It takes you a second to realize he is speaking at all, his voice being so quiet, a thought that accidentally made its way out.

“What?” you ask softly.

His eyes fall to you briefly, then back to the fruit. His mouth tightens, jaw working, debating whether to explain it or just let it drop.

“Back then,” he says, still not quite looking at you. His eyes scan the apples, the oranges, the rows of neatly stacked avocados and kiwis and papayas flown in from places he never got to see. “You had your basics. Apples. Pears. Some oranges, if you were lucky. But this?” He tilts his head slightly. “This is a lot.”

He doesn’t say it with wonder. He says it with assessment, categorizing this excess, measuring it against whatever memory of the past lingers in the spaces of his mind. Like he is trying to decide if this abundance is a good thing or just another shift in the world that changed without him.

For a second you wonder, if he is talking to you at all - or just thinking out loud, caught between time periods, a man stretched across decades that won’t quite line up.

Your fingers brush the lemons again, grabbing one and carefully putting it in the basket Bucky is holding. “Well,” you mumble, keeping your voice light. “You should see the cereal aisle.”

Bucky huffs out something that’s almost a laugh, something genuine and his eyes land on you again.

You move and pluck what you need. Apples, zucchini, a handful of bright bell peppers. A bundle of fresh basil, its scent still on your fingertips - something Wanda has been asking for. Some mangoes, ripe and golden, the kind Sam offhandedly mentioned craving the other day.

Bucky watches.

He doesn’t reach for anything himself, just keeps his grip on the basket as you fill it and trails closely after you.

His eyes track every motion - the way your fingers test the hardness of an avocado, the way you turn a tomato in your palm, the way you pause just a second before deciding on a bunch of grapes.

He simply observes.

You step over to the plums.

Their deep purple skins glisten under the lights, some nearly black, some streaked with dusky red. You pick one up, pressing it lightly with your thumb, feeling the faint give beneath your touch. Satisfied, you reach for more, slipping them into a paper bag one by one.

Bucky doesn’t say anything.

But you feel him.

The attention he gives you.

His face is unreadable, expression carefully neutral, but there is something behind his eyes - something considering, something caught between memory and recognition.

You don’t know if he realizes you are getting them for him.

You don’t know if he remembers, or if it is just something subconscious, some buried instinct nudging at him in a way he can’t understand.

But you remember. You remember the way he stared at the heap of plums on the kitchen counter weeks ago, the way his fingers had twitched with a want to take one, but he hadn’t. And the way he watched Wanda as she used them to make a pie he didn’t end up eating.

“Do you want some more?” Your voice is casual, warm. And when you glance up at him, he is already looking at you.

Then, almost abruptly, he clears his throat, dropping his gaze. The fingers of his metal hand flex once around the basket handle. He shifts his stance slightly but does not move away from you. When he speaks, his voice is low, almost careful, almost bashful.

“S’ fine.”

But you catch the almost-question in the way his eyes move around, how his fingers tighten and release.

So you grab a handful more and drop them into the bag without a word. Then you fold the top down and place it into the basket.

Bucky doesn’t look away this time.

And he continues wandering along with you through the aisles.

The plums sit among other products and you catch him glancing at them once or twice.

You reach for a carton of eggs when there is a shift.

Not in the air, not in the store itself, but in Bucky.

His posture tightens, his grip on the basket adjusts slightly. You don’t immediately know why, but then you turn your head and see a man standing a few feet away, watching you.

It’s not overtly threatening, not enough to draw attention, but something about his gaze lingers too long, too deliberate. His eyes trace the shape of you, moving slow, assessing. He isn’t leering, isn’t smirking, but the way he looks makes your skin prickle.

He seems to debate if he should say something. Waiting for an opportunity.

You barely have time to move away before Bucky does.

He doesn’t make a sound, doesn’t say a word, just shifts seamlessly into place - between you and the man.

It’s not a dramatic gesture. No sudden motions, no confrontational stance. Just his presence - him planting himself in the way, broad shoulders squaring, jaw setting, scowling.

That man takes his brown eyes away from you and meets Bucky’s gaze, and whatever he sees there - whatever lives behind those icy blue eyes - is enough to make him rethink his interest. He looks away, scratching the back of his head, shuffling back a step, and seems suddenly far more interested in bread.

You exhale softly. Bucky doesn’t move.

He stays right where he is, a silent wall between you and whatever attention you haven’t wanted. His scowl lingers for a second longer before he glances back at you, eyes sweeping over your face as if he is making sure you are fine.

You tilt your head, offering a small, gentle smile. “Everything good?”

His lips twitch, almost like he wants to say something but doesn’t quite know how to form those words.

“Yeah,” he mutters, swallowing.

But his stance is still slightly stiff, his fingers can’t stay calm around the basket handle. And he glances, just once, in the man’s direction - making sure he stays gone.

Something warm fills your chest.

You missed him, while you were gone.

He’s always such a grounding presence at your side.

You missed his dry, reluctant commentary whenever the team does something ridiculous.

You missed walking into the common area with him brooding in his usual chair, pretending not to listen to conversations he’d eventually grumble his way into.

He was there when you stepped off the jet yesterday.

It wasn’t necessary for him to be there, it was six in the morning, after all, but he was.

He hadn’t said much - he never says much - but his eyes ran over you in a way that told you he had been waiting. That there was something heavy underneath that furrowed brow and the almost too casual nod he gave you. Something like relief. Satisfaction. And something much more profound.

You remember how he was when you left.

Standing off to the side of the hangar, arms crossed, jaw pressed tight as you made your final checks. It also wasn’t necessary for him to be there, but, again, he was.

He said goodbye briefly, wished you luck, but in the way you felt him watch you board the jet it seemed there was more he wanted to tell you.

And when the engines had roared to life, when the ground beneath you had begun to shrink, you caught the last glimpse of him - standing stiff, pensive, his mouth pressed into a thin line.

Now, he walks beside you, trailing just a half-step behind, his grip steady around the basket that should be in your hands, watching you more than anything you’re planning to buy.

Maybe that’s why he came with you.

Maybe that’s why he hasn’t strayed, why he hovers close, why his eyes find you like he is memorizing something he doesn’t want to lose track of again.

Maybe he missed you, too.

He is not grumpy, but there is still a tension in him. Something wound too tight in his shoulders, in the set of his jaw, in the way he glances at you like he wants to say something and then doesn’t.

You can’t have that.

Your eyes scan the shelves as you walk further along, knowing that Bucky will follow.

“What kind of soup does Steve eat?”

Bucky’s brows pull together at your casual question, as if he can’t believe that’s what you asked. “Soup?”

You nod, dead serious. “Yeah. I mean, does he have a favorite? Chicken noodle? Tomato? Something tragic, like plain broth?”

Bucky exhales sharply, almost a laugh and something in him relaxes ever so slightly. He tilts his head back a little as if this is the most absurd thing anyone has ever asked him, but he humors you.

“Steve doesn’t eat plain broth,” he says in that low rasp that sometimes sends a shiver down your spine. Now is sometimes. “He’s got more sense than that.”

You hum thoughtfully, reaching for a can on the shelf, inspecting it like it holds the answer to some great mystery.

“So what is it, then? Something classic? Or does he secretly go for the weird gourmet stuff?”

Bucky steps closer, peering over your shoulder. The fabric of his jacket brushes against your back.

You glance up at him, arching your brow.

“You don’t know, do you?”

Bucky rolls his eyes, but his face is soft. The scowl has faded. There is a tug at the corner of his mouth. “Of course, I know.”

“Uh-huh.”

He huffs, reaching past you to grab a can from the shelf, fingers brushing yours briefly. “Clam chowder,” he utters. “There. Happy?”

You blink, genuinely caught off guard. “Wait. Really?”

Bucky smirks, just a little, just enough to be real.

“Yeah,” he says, voice a bit quieter. “Really.”

“Well, then,” you quip, taking the can off his hands and putting it in the basket. “He shall have it.”

Bucky huffs out an amused laugh.

You walk a little slower now, Bucky falls into step beside you. He seems lighter now, his face softened as he watches a little boy excitedly run off to a certain aisle while his mother calls out for him.

You plan on keeping him that way.

You spot a ridiculously, colorful display stacked high with an array of different kinds of peanut butter.

“Creamy or crunchy?”

Bucky blinks, turning to look at you. “What?”

You gesture toward the display like it’s obvious. “Steve. What kind of peanut butter does he eat? Creamy or crunchy?”

There is a beat of silence. Then, something seems to turn alive in Bucky’s expression. His lips twitch as if he suppresses a smirk and doesn’t want to give you the satisfaction.

“You serious?”

“Deadly.” You fold your arms, tilting your head. “I feel like he’s a creamy peanut butter guy, but I could be wrong.”

Bucky is hovering again, looking at the shelves like this is suddenly a debate worth considering. His arm brushes against your side, but he doesn’t move away.

“You’re wrong.”

You glance at him, eyebrows raised. “Oh?”

“He’s a crunchy guy,” Bucky says, reaching for a jar with his flesh hand and inspecting it like proof. “Says the creamy stuff’s got no texture. No character.”

You snort.

Bucky hums, still holding the jar, rolling it absently in his hand. He looks at ease. The basket dangles from his metal fingers as if it weighs nothing, even though it is filled with products.

You watch him.

The tension in his shoulders is practically gone and you know you should probably leave it there, but you don’t.

Because you want more.

More of this, more of him, more of that unguarded space where he forgets to be closed off.

So, you bite your lip and tilt your head at him before asking carefully. “What about you?”

Bucky glances at you, a small crease forming between his brows. “What about me?”

You gesture vaguely. “What kind of peanut butter do you like?”

For a moment, he just stares at you, like the question has never occurred to him before. Like no one’s ever bothered to ask.

You can almost see the gears turning in his head, his fingers tightening slightly around the jar. The hesitation is there. He doesn’t know how to answer. Perhaps he doesn’t know if he has a preference. Or it’s just been a long, long time since someone cared enough to ask.

You wait, patiently.

Finally, he lets out a cough, looking back at the display as if searching for an answer among the shelves. “…Crunchy,” he mutters. “I guess.”

You gin. “Yeah?”

He shifts his weight, looking rather uncomfortable but not in a bad way. Just unsure. This is unfamiliar ground for him, not knowing what to do with the attention.

You reach forward and pluck the jar from his hand before he can second-guess himself.

“Alright,” you say, dropping it into the basket with a decisive little thud. “Crunchy it is.”

Bucky observes you do it, something shimmering in his expression - something soft, a little hesitant, but warm. Like this tiny, seemingly meaningless choice holds a weight to him.

His jaw flexes slightly, as if he is about to say something, but he just exhales through his nose and shakes his head. “You’re ridiculous.”

But there is no bite to it.

And this time, he is the one to start walking, making sure you come along, staying just a little closer than before.

You are nearing the checkout registers when Bucky suddenly stops walking. It’s so abrupt that you almost keep going, but the absence of him beside you makes you pause.

You turn, finding him standing in front of a shelf, scanning its contents with a strange kind of focus, considering something.

You wait, watching the way his eyes search the options, his brows furrowing slightly. There is no tension in his posture, no obvious reason for the sudden stop - just deliberation.

Then, without a word, he reaches out, grasps a familiar-looking package, and drops it into the basket.

A soft thud.

Your gaze falls down, and your stomach does something strange when you realize what it is.

Chocolate-covered almonds.

The ones you always grab when you’re wandering the tower’s kitchen late at night, mind still wired from a mission, too awake to sleep but too tired to focus on anything real.

The ones you mindlessly snack on when you’re curled up on the couch, half-listening to, half-joining a conversation, or watching a movie.

The ones you didn’t even realize you had a thing for until you see them sitting in the basket between his plums, Steve’s soup, and the peanut butter Bucky prefers.

Your lips part slightly, surprised, searching his face. “You- Why’d you grab these?”

Bucky doesn’t even hesitate.

“Because you like them.”

Matter-of-fact. Simple. As if it’s obvious.

Just a fact.

Like it’s something he has known all along, something he has cataloged somewhere deep in that careful, quiet mind of his without ever making a big deal of it.

The realization unsettles you - not in a bad way, but in the kind of way that makes your chest feel suddenly too full.

You swallow, the corners of your lips twitching slightly, trying to ignore the warmth creeping up your neck.

“How do you know that?”

The words leave your lips lightly, bright with curiosity, playful in their demand. But beneath it, there is something you don’t quite let slip.

Something about the fact that he’s been watching.

That he’s noticed.

That he has paid attention in a way you didn’t think anyone has.

His grip on the basket adjusts for the hundredth time, but not because it’s heavy, he just seems to need something to do with his hands.

He schools his expression into something nonchalant, something careless, but it’s betrayed by the hint of warmth dusting across his cheekbones.

“You’re always munchin’ on ‘em,” he says, a teasing edge lacing his voice. He tries to sound smug, like it is an observation, just a simple fact, but there is something softer beneath it. Something like fondness.

You don’t even know if it’s been that obvious. If you truly eat these things out in the open that often.

Or if he just really is that observant.

That realization settles deep in your chest, warm and startling all at once.

So you just huff, pretending like your heart isn’t skipping beats, like his answer isn’t winding around something tender inside you.

“Well,” you remark, nudging his arm as you start walking again, “now I feel self-conscious about my snacking habits.”

Bucky lets out a soft chuckle. And when he falls into step beside you, he leans in slightly, voice just low enough for you to hear.

“Don’t.”

“The most sincere compliment we can pay is attention.”

- Walter Anderson

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mostlysignssomeportents · 2 years ago

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“If buying isn’t owning, piracy isn’t stealing”

20 years ago, I got in a (friendly) public spat with Chris Anderson, who was then the editor in chief of Wired. I'd publicly noted my disappointment with glowing Wired reviews of DRM-encumbered digital devices, prompting Anderson to call me unrealistic for expecting the magazine to condemn gadgets for their DRM:

https://longtail.typepad.com/the_long_tail/2004/12/is_drm_evil.html

I replied in public, telling him that he'd misunderstood. This wasn't an issue of ideological purity – it was about good reviewing practice. Wired was telling readers to buy a product because it had features x, y and z, but at any time in the future, without warning, without recourse, the vendor could switch off any of those features:

https://memex.craphound.com/2004/12/29/cory-responds-to-wired-editor-on-drm/

I proposed that all Wired endorsements for DRM-encumbered products should come with this disclaimer:

WARNING: THIS DEVICE’S FEATURES ARE SUBJECT TO REVOCATION WITHOUT NOTICE, ACCORDING TO TERMS SET OUT IN SECRET NEGOTIATIONS. YOUR INVESTMENT IS CONTINGENT ON THE GOODWILL OF THE WORLD’S MOST PARANOID, TECHNOPHOBIC ENTERTAINMENT EXECS. THIS DEVICE AND DEVICES LIKE IT ARE TYPICALLY USED TO CHARGE YOU FOR THINGS YOU USED TO GET FOR FREE — BE SURE TO FACTOR IN THE PRICE OF BUYING ALL YOUR MEDIA OVER AND OVER AGAIN. AT NO TIME IN HISTORY HAS ANY ENTERTAINMENT COMPANY GOTTEN A SWEET DEAL LIKE THIS FROM THE ELECTRONICS PEOPLE, BUT THIS TIME THEY’RE GETTING A TOTAL WALK. HERE, PUT THIS IN YOUR MOUTH, IT’LL MUFFLE YOUR WHIMPERS.

Wired didn't take me up on this suggestion.

But I was right. The ability to change features, prices, and availability of things you've already paid for is a powerful temptation to corporations. Inkjet printers were always a sleazy business, but once these printers got directly connected to the internet, companies like HP started pushing out "security updates" that modified your printer to make it reject the third-party ink you'd paid for:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

Now, this scam wouldn't work if you could just put things back the way they were before the "update," which is where the DRM comes in. A thicket of IP laws make reverse-engineering DRM-encumbered products into a felony. Combine always-on network access with indiscriminate criminalization of user modification, and the enshittification will follow, as surely as night follows day.

This is the root of all the right to repair shenanigans. Sure, companies withhold access to diagnostic codes and parts, but codes can be extracted and parts can be cloned. The real teeth in blocking repair comes from the law, not the tech. The company that makes McDonald's wildly unreliable McFlurry machines makes a fortune charging franchisees to fix these eternally broken appliances. When a third party threatened this racket by reverse-engineering the DRM that blocked independent repair, they got buried in legal threats:

https://pluralistic.net/2021/04/20/euthanize-rentier-enablers/#cold-war

Everybody loves this racket. In Poland, a team of security researchers at the OhMyHack conference just presented their teardown of the anti-repair features in NEWAG Impuls locomotives. NEWAG boobytrapped their trains to try and detect if they've been independently serviced, and to respond to any unauthorized repairs by bricking themselves:

https://mamot.fr/@[email protected]/111528162905209453

Poland is part of the EU, meaning that they are required to uphold the provisions of the 2001 EU Copyright Directive, including Article 6, which bans this kind of reverse-engineering. The researchers are planning to present their work again at the Chaos Communications Congress in Hamburg this month – Germany is also a party to the EUCD. The threat to researchers from presenting this work is real – but so is the threat to conferences that host them:

https://www.cnet.com/tech/services-and-software/researchers-face-legal-threats-over-sdmi-hack/

20 years ago, Chris Anderson told me that it was unrealistic to expect tech companies to refuse demands for DRM from the entertainment companies whose media they hoped to play. My argument – then and now – was that any tech company that sells you a gadget that can have its features revoked is defrauding you. You're paying for x, y and z – and if they are contractually required to remove x and y on demand, they are selling you something that you can't rely on, without making that clear to you.

But it's worse than that. When a tech company designs a device for remote, irreversible, nonconsensual downgrades, they invite both external and internal parties to demand those downgrades. Like Pavel Chekov says, a phaser on the bridge in Act I is going to go off by Act III. Selling a product that can be remotely, irreversibly, nonconsensually downgraded inevitably results in the worst person at the product-planning meeting proposing to do so. The fact that there are no penalties for doing so makes it impossible for the better people in that meeting to win the ensuing argument, leading to the moral injury of seeing a product you care about reduced to a pile of shit:

https://pluralistic.net/2023/11/25/moral-injury/#enshittification

But even if everyone at that table is a swell egg who wouldn't dream of enshittifying the product, the existence of a remote, irreversible, nonconsensual downgrade feature makes the product vulnerable to external actors who will demand that it be used. Back in 2022, Adobe informed its customers that it had lost its deal to include Pantone colors in Photoshop, Illustrator and other "software as a service" packages. As a result, users would now have to start paying a monthly fee to see their own, completed images. Fail to pay the fee and all the Pantone-coded pixels in your artwork would just show up as black:

https://pluralistic.net/2022/10/28/fade-to-black/#trust-the-process

Adobe blamed this on Pantone, and there was lots of speculation about what had happened. Had Pantone jacked up its price to Adobe, so Adobe passed the price on to its users in the hopes of embarrassing Pantone? Who knows? Who can know? That's the point: you invested in Photoshop, you spent money and time creating images with it, but you have no way to know whether or how you'll be able to access those images in the future. Those terms can change at any time, and if you don't like it, you can go fuck yourself.

These companies are all run by CEOs who got their MBAs at Darth Vader University, where the first lesson is "I have altered the deal, pray I don't alter it further." Adobe chose to design its software so it would be vulnerable to this kind of demand, and then its customers paid for that choice. Sure, Pantone are dicks, but this is Adobe's fault. They stuck a KICK ME sign to your back, and Pantone obliged.

This keeps happening and it's gonna keep happening. Last week, Playstation owners who'd bought (or "bought") Warner TV shows got messages telling them that Warner had walked away from its deal to sell videos through the Playstation store, and so all the videos they'd paid for were going to be deleted forever. They wouldn't even get refunds (to be clear, refunds would also be bullshit – when I was a bookseller, I didn't get to break into your house and steal the books I'd sold you, not even if I left some cash on your kitchen table).

Sure, Warner is an unbelievably shitty company run by the single most guillotineable executive in all of Southern California, the loathsome David Zaslav, who oversaw the merger of Warner with Discovery. Zaslav is the creep who figured out that he could make more money cancelling completed movies and TV shows and taking a tax writeoff than he stood to make by releasing them:

https://aftermath.site/there-is-no-piracy-without-ownership

Imagine putting years of your life into making a program – showing up on set at 5AM and leaving your kids to get their own breakfast, performing stunts that could maim or kill you, working 16-hour days during the acute phase of the covid pandemic and driving home in the night, only to have this absolute turd of a man delete the program before anyone could see it, forever, to get a minor tax advantage. Talk about moral injury!

But without Sony's complicity in designing a remote, irreversible, nonconsensual downgrade feature into the Playstation, Zaslav's war on art and creative workers would be limited to material that hadn't been released yet. Thanks to Sony's awful choices, David Zaslav can break into your house, steal your movies – and he doesn't even have to leave a twenty on your kitchen table.

The point here – the point I made 20 years ago to Chris Anderson – is that this is the foreseeable, inevitable result of designing devices for remote, irreversible, nonconsensual downgrades. Anyone who was paying attention should have figured that out in the GW Bush administration. Anyone who does this today? Absolute flaming garbage.

Sure, Zaslav deserves to be staked out over an anthill and slathered in high-fructose corn syrup. But save the next anthill for the Sony exec who shipped a product that would let Zaslav come into your home and rob you. That piece of shit knew what they were doing and they did it anyway. Fuck them. Sideways. With a brick.

Meanwhile, the studios keep making the case for stealing movies rather than paying for them. As Tyler James Hill wrote: "If buying isn't owning, piracy isn't stealing":

https://bsky.app/profile/tylerjameshill.bsky.social/post/3kflw2lvam42n

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/08/playstationed/#tyler-james-hill

Image: Alan Levine (modified) https://pxhere.com/en/photo/218986

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

#pluralistic #playstation #sony #copyright #copyfight #drm #monopoly #enshittification #batgirl #road runner #financiazation #the end of ownership #ip

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