#didn't think i'd get around to completing all of it

[ivys-garden]

Life Series Session Recap and Alliance Analysis

Pearl opens her episode clarifying she and Impulse did nothing wrong. Finally I don't have to write “get over double life, tumblr” every week.

Yes, another Saturday means another instalment of the Life Series. This session was far more chill and slow paced than last weeks, ironic considering that this week's Wild Card was a perpetual speed increase! Going from a complete time freeze to full hyperspeed. Naturally, this led to about a 7.5 on the madness scale, so let's see what those teams were up to.

The Final Girls - (Scott, Cleo, Pearl, Impulse & Bigb (not anymore ;3 ))

On the topic of Pearl and Impulse, Cleo decides that they will fully enable all of they're future actions. Yes, she might sigh when they talk about all the evil stuff they're going to do, but she's fully on board.

Right about now Scott is probably regretting being team mum for three chaos gremlins as he's already had to instruct them not to give Gem any more reasons to kill them & had to break up the fight that was issued once they all went Matrix mode.

Speaking of Gem & Joel, a new development in the great drama sees Impulse explain himself and apologise to Gem. She doesn't buy it but it's the thought that counts. During this apology Pearl, the attack dog, is ordered by Gem and Impulse to slaughter grian. So while Cleo and Scott go off to make friends, Impulse and Pearl pop over to Rens for some very serious murder discussion, with an eventual “let's murder Grian” party forming consisting of Pearl, Impulse, Ren, Martyn, Bigb, Scar & Jimmy. If even a fraction of these people stick to this next session Grian is pretty firmly doomed.

In other news Scott manages to make allies with the Bamboozelers through several means, including staring at Jimmy's ass. Cleo & Impulse have a little caving adventure and Impy manages to make a working Creeper farm that they may or may not be sharing with Renwood. This leaves Pearl once again building the tower, which is good since she has arguably to much experience in that

While building the tower we get more Drama! Grian and Mumbo managed to get a quick kill on Scott early on the session by digging a big pit under the tower and spleefing him in. Mumbo and Skizz later come back to this trap only to be discovered by Pearl. The Suits try to get her to lure Scott over, but Pearl is far to loyal for that…. But not loyal enough to kick them out, reasoning that it would be really funny if it happened twice. On top of this she negotiated the ability to kill grian without them stepping in, very useful given her current plans & the second spleefing doesn't work anyways, so no harm no foul.

No one would actually agree to luring their team to their Death intentionally… right Bigb?

I'd say I'm surprised, but I'm not. He's worked again every team he's been in except Nosey Neighbours. I guess the “B” must stand for “Betrayal”

Bigb pulls the same thing Pearl did only not under the pretence of a joke, when Grian is around to actually make sure his team gets the kill, actually agreeing to lure Scott and doing it INFRONT OF CLEO. This being the second time this has helped to them, Cleo immediately goes off to find Scott to warn him about the traitor…Scott still falls into the trap anyway but that was a skill issue on his part. Bigb actually tries later to gaslight Scott into thinking that he didn't mean to betray the team, which almost worked until he started saying Cleo was the traitor, which obviously Scott would never buy. Oh he also did this in earshot of Cleo so she set her attack dog (Pearl) on him.

Bigb also later betrays the “Let's Kill Grian Gang” and warns Grian about the plan to murderficate him. I guess someone hasn't gotten over Double Life after all.

The Fast And The Furious - (Joel & Gem)

Actually, the fast and the paranoid might be more accurate as while Joel is just off having a grand old time prattling speed bridging, Gem is terrified that everyone is out to get her and doesn't seem to understand that putting your base on the main path means more people will come visit.

Aside from sending everyone they can to kill Grian and disregarding Impulses genuine apology, the team due doesn't really do much themselves

Gem was officially the last person to lose a life though, with no less than 4 people, including 2 greens, having to help kill her.

Also Joel added racing stripes to the car and… it actually made it a lot less hideous, well done Joel.

The Bamboozelers - (Jimmy, Scar & Lizzie)

Jimmy has regained the title as most confident member of this team…scarily confident in fact, just this session he was able to steal a potential kill from Skizz & kill his teammates, get another good kill on Joel using Lizzie as bait, managing to turn his relationship with Joel around to become allies and reaffirming his alliance with Renwood. Honesty 100 IQ plays from Tim all around.

He did die once this session, but that wasn't his fault and was also incredibly funny to watch Martyn bimbo his way through traps made for Bigb and accidentally kill Timmy. Great job everyone.

Speaking of failed traps… oh Scar… he started of strong, absolutely annihilating Etho in slow motion and living up to the villain he shares a name with by tossing him off a cliff, but after that every single attempt to trap someone fails miserably and he's forced into a cheap kill on Grian that results in him calling for vengeance… wouldn't be to worried about that tho considering Skizz and Mumbo's track record.

The Spanners - (Mumbo, Skizz & Grian)

How are these idiots not dead yet.

They get one (1) successful kill this session, spleefin’ Scott. A trap Mumbo tries his luck with several times after this despite knowing the Final Girls already knew about it.

Skizz gets no kills despite Grians efforts. An attempt to build a super TNT minecart launcher is made… on Scars mountain… and Grian spends several.minutes explaining to his worst enemies how the trap works… and then he and Mumbo stand directly under where they know the TNT will land. Yeah obviously Jimmy sneaks in and pulls the lever to kill them.

A second attempt to launch TNT is made, but this launcher is pathetic and ends up being turned into a party game. oh, and then Grian gets hotguyed by Scar. Grian immediately screams vengeance and blows up the reputation board, ranting about how little it meant since he was in good favour… which only proved he never read the damn thing but it's the thought that counts.

In their last hoorah for this session the team goes on a proper hunt The Bamboozelers as they hide in Joel's car. Mumbo sneaks up to pure lava on them… and burns himself to death. He then tries to hypersonic pvp Gem and you can guess how that went. He then joins in trapping Gwm in a big hole and burning her, only for the kill to go to Ren anyway.

These guys are Doomed. Especially because Final Girls & The Family are allied with Scar & The fact that Renwood actively wants to murder them.

Predictions: Grian goes Yellow next session, Mumbo goes out-out and Skizz is somehow still Red.

Renwood - (Ren & Martyn)

We actually covered everything these guys did already, The Grian Murder Crew, Martyn being a trap bimbo, Ren allying with Impulse to make up for beheading him, really the only thing we haven't discussed is Martyns strange choice to make the first 5 minutes of his episode unlistenable

The Tuff Guys - (Etho, Tango & Bdubs

Etho finally admits they're the comic relief. Like any good comic relief, these three stooges spend the entire session failing at everything. Tango fails on the same trap 3 times. Bdubs almost kills himself in said trap. There's more fights and bickerings than you could count on 15 hands and a toe

Oh also Tango also perma-died to Pearl after going invis and being pumped full of arrows.

Honestly it's not a question of if someone dies next session, it's a question of who.

[stvrnioloslvt]

stripes and polo's - Matt Sturniolo

genre: fluff / t.w: none

—★—

"i don't know what to wear..." you sigh throwing your phone on the bed, your friend on speaker.

"well, why don't you take something from matt's wardrobe? you only need a shirt anyway." you look around matt's room, checking to see if he has any spare shirts on the loose. however, it seemed that he had cleaned the whole room that morning, leaving it spotless and tidy.

"i can't exactly ask him, he's streaming with chris"

"and? just take one now and tell him later. i'm sure he won't mind, he has a thing for you in his clothes"

"that's not true," you mumbled, a rosy blush tinting your cheeks. you knew that your friend wasn't wrong, but it felt so wrong admitting that your childhood best friend had some sort of interest in you...and you did too.

"yeah yeah, if that helps you sleep at night..."

you ignore her remarks, digging through matt's clothes until you found something that caught your eyes: in the middle of black t-shirts, grey sweaters and an overall basic wardrobe, there was a striped polo hidden at the back of the drawer. you pulled it out, turning it around to check for any holes or stains.

"i think i found something," you announced to your friend, putting the polo on. it didn't fit you perfectly, as it was bigger than your shirts, but you didn't mind at all. you rose your hands to your face, smelling matt's familiar scent on the shirt, relishing in the comfort of one of your favourite people.

"i'm hanging up, i'll go tell him that i took his shirt. meet you up in ten minutes, yeah?"

"sure thing, love. see you in ten," and just like that, your friend had hung up.

you glanced at yourself in the mirror one last time, fixing your hair with your hands. you took your phone from the bed and exited matt's room, walking up the stairs to chris's room. as you got closer, you heard loud and clear the two boys screaming at each other, laughing at something stupid chris said.

your hand grabbed the knob, pulling it and entering the room just as chris started addressing the chat again. "chat, matt's type is the who would pull off man's polo's, i'm telling you." his wholehearted laugh died as soon as you came into view, his face falling into one of pure surprise. he mirrored matt's expression, eyes wide and open mouths as you made sure that you weren't completely visible for the viewers. a little bit of the polo's sleeve was in view, enough to make the chat explode with comments.

you blushed as you realised how terribly timed your appearance was, and how badly matt's reaction had affected you. he eyed you up and down, slowly, taking in each by each of your body, mindlessly reaching out to you, pulling you closer. your heart drummed harshly against your ribcage, trying to escape its home.

"matt-" you called out anxiously, trying to pull him out of his mind, reminding him that there were thousands of viewers who were waiting for his next move, observing like hawks looking for their next prey.

"you look...good," he breathed out, smiling softly at you. behind him, chris was frantically trying to cover up the scene that was unfolding in front of everybody's eyes.

"thank you," you whispered, "do you mind if i borrow this one for the evening? i'm meeting up with a friend of mine."

"go on, sweetheart, it's all yours."

you smiled, turning to leave the room. just as you were exiting, chris read one of the comments: "someone wrote 《matt should teach us how to manifest quickly, cause that shit was crazy》 and i couldn't agree more."

"what are you talking about, that's my best friend..." but even as he tried to hide his blush, it was clear that behind his hand there was a big smile plastered on his face.

who knew, maybe in the future things would change.

©stvrnioloslvt

hello everybody! hope you liked it, let me know if you'd like a part 2. also, would y'all like a tag list?

remember that my asks/requests are always open, i'd love to get to know you guys!

thank you.

love you all,

-bree♥︎

[butwhatifidothis]

Jeralt: I think Rhea did something to my child, and I don't trust her enough to keep my child around her.

Me: Alright, that makes a certain amount of sense, you clearly care for your child that you love-

Jeralt: So instead of living in any stable and safe home I'm going to take up the life of a roaming mercenary and also have my child live the life of a roaming mercenary, which could kill either of us at any random point, especially when my child is literally a child. My child will get so accustomed to killing people they'll get called a literal demon by others for it.

Me: Oh-

Jeralt: I will also leave my child literally who knows where when they're 15 so that I can do business in Sauin, with no reason given as to why I don't just bring my child there with me.

Me: Um-

Jeralt: They also won't know their own birthday, they won't have any friends, and they won't know literally anything about Fodlan at all. They'll have literally only me as someone who cares for them, until I'm forced to bring them back to the monastery where they have a stable home and people their age to befriend for the first time in their entire life. Because the lifestyle I made them live their entire life made them completely isolated from people their age they could talk to, including Leonie who could've befriended them if I'd ever let them meet then. Which I didn't. For no reason.

Me: ...Okay so like you may love your kid but my guy you were a shit father like you failed to do the bare minimum at times-

Edelstans: How could you suggest Jeralt doesn't love Byleth?

[melonisopod]

We're not done with our Season 1 Sinners

The more I think about it the more I believe we're gonna get follow-up chapters for Gregor, Rodion, and Sinclair.

The main reason we didn't get the full story on them was because it would have required way too much spoilery stuff that was only set up but never elaborated on.

I just hope Gregor, Rodion, and Sinclair get their own season-long chapters, complete with a Battle Pass and Mili Song each. (Well, Sinclair already has a Mili song but you know what I mean). I know Gregor and Rodion *technically* have Legedermain and Rime Shank respectively, which represent the main 'villain' of their respective chapters, but it would also be cool if they were given a second, far stronger EGO that played into their personal traumas beyond just "The former G. Corp's remains" and "The system of capitalism" respectively.

(We currently don't know Baba Yaga's rank. It very likely could be an ALEPH or at least a WAW. Actually, given the *other* suspected ALEPH we've run into very recently, I'd argue Baba Yaga exhibits similar properties - taking possession of several people that it uses as 'minions' and altering essentially an entire section of the Canto's dungeon, while never being fought directly)

(Ebony Queen's Apple may get an upgrade by the time we hit Canto 13, since its power was initially suppressed by the Golden Bough when we fought it first (and it's allegedly a WAW-level). It even has an unused (for now) "egg" form that we might see later on!)

(What exactly happens to Kromer in that boss battle? It can't be Distortion but saying she turned into a Peccatulum Luxuria doesn't feel right either. Her mental state doesn't seem *broken* per se. My theory is it's Nothing There, since it's prominently featured as an EGO Corrosion among the Inquisitors. She could have been hiding an EGO under her uniform, lmao)

There's more I could add but I need a little time to think. Potential Battle Pass Abnormalities for Cantos 13, 14, and 15, what the themes could explore, what their Mili songs would sound like. (Centipede Apostle Fourth Front of the Smoke War, All-Around Cleaner, and Star Luminary are all ones I think could go into Gregor, Rodion, and Sinclair's "featured" seasons, respectively)

[umgeorge]

The Pressure of the Podium: Interview With George Russell

While British success stories in Formula 1 tend to centre around Lewis Hamilton-as well they should; he's a legend-George Russell has quietly been making a serious name for himself. At a fresh-faced 26 years old, he’s one of the younger racers on the grid and, when we caught up with him ahead of the Hungarian Grand Prix back in the summer, was still revelling in the best season of his career. So, how was he finding the season so far? "Its been... I wouldn't say a rollercoaster, but it's been one that we've been climbing," says Russell. "At the start we were at the bottom of the mountain and been steadily getting closer to the top. There's so much excitement and motivation when you're on a team like this, like we have a visible return on everything we've been putting in, that momentum we've been building up."

We were talking shortly after his second F1 victory in Austria, which was a bit of a hairy one. After spending most of the race in third, still a respectable podium finish, Lando Norris and Max Verstappen ahead of him got a little too close to one another, crashing to take them both out the race. It was a far cry from Russell's incredibly convincing first win. But was there a difference to him? "Each win is incomparable. Every race is a completely different scenario. My first, in Brazil, was where I was ahead every lap. I'd done fantastically the day before and the pressure was there. Near the end I had Lewis on my tail and it was a relief to get across that finish line. In Austria I was happy to be in third, and then it all kicked off ahead and the opportunity arose. Every race is different and you never really know how it's going to go, even when you're behind the wheel." With that kind of uncertainty, it has to be hard to prepare yourself for racing at this level. There's the danger, of course, as that crash in Austria and a multitude of other times shows, but none of these guys would be racing if that put them off. Instead, we were more interested to find out if the pressure ever got to him - and, more importantly, what Russell did to cope with it.

"I'm a little obsessive. I try to make sure I've gone through all the preparation possible with my engineers, taken a look at last year's data, gone over the car, the weather conditions; anything I feel I need to be looking for. Once I've ticked them all off I'm at peace, mentally. I know I'm at my peak physical condition. I know every race is going to be tough. But there are nineteen other drivers and hopefully they'll find it tougher than I will. After that, what will happen, will happen. It's out of your control." With that huge amount of pressure every single week, the intense training regime to stay in that physical condition, and the sheer hectic nature of a globe-trotting racing competition, decompression seems like a necessity. Russell, though, seems to want to take decompressing very literally.

"I love being by the sea so I've started free diving, which is a bit of a random hobby, but when I'm out in the water I'm just so focused on my breathing, on being underwater, that I just disconnect from the world. Once beneath the sea, down there with the fish and coral, you're not thinking about anything else except having enough breath to get back to the top!" Russell isn't the only British racing legend around. We've had a long, illustrious line of champions of which Hamilton is only the latest and Russell could potentially be next. For Russell, there's something in the inspiration of champions of old, and having seven of the ten Formula 1 teams based in the UK helps. But for him, the key to British racing success is British racing's green grass roots.

"I remember racing with Lando and Alex, and alongside other racers who didn't make it to Formula 1 but have made professional racing careers. There's definitely something about the grass roots level here that works. But it needs to stay at that level. This isn't the most economical sport in the world, so we need to make sure that we can give kids that don't have the opportunity, otherwise, the funding they need to get behind the wheel and try go-karting." That said, go-karting is never going to be cheap for most would-be podium contenders, and whether it's that or sheer pace, it's an opportunity sadly few kids have. E-sports, on the other hand, is different. "Simulators have advanced so much now. The Formula 1 game is fantastic and there should be ways we can identify talent sooner, instead of just having financial backing to push you through the ranks."

Whether coming from the classic karting angle or from killing it online with photorealistic driving games, kids are going to need to have to contend with one of the most intensely competitive sports in the world - if not the most. According to Russell, though, they shouldn't be afraid of making mistakes; quite the opposite. "The one piece of advice that I try to embrace, myself, is: don’t be afraid to fail. The times I've failed have been the times I've progressed the most, the times I've really pushed my limits. It doesn't matter what you do; failure is necessary. It's how we grow, how we learn about ourselves. There's so much pressure not to let people down, especially with younger people, but you don't want to go through life never making a mistake or knowing where your ceiling is."

And any advice for those of us not thinking of a career in racing? Even shaving a few seconds off a track day would help for a few more bragging rights. "No matter what you're driving, stay relaxed. I've driven with people that have never been on a track before. They tense up, hunch over, and it makes everything erratic. Smooth is fast - smooth with the steering, throttle, and brake. It's not necessarily how we drive in Formula 1, but if you want to speed up on a track day, stay relaxed." Obviously, it’s not lost on Russell just how many kids and F1 fans alike look up to him as a sportsman. He's young, he's hungry, and his experience is starting to pay off. But for Russell, there are other sportspeople in other sports, and one in his own who I'm sure you can guess, that he looks up to.

"I have a huge amount of respect for Ronaldo. He's without a doubt the leader in his field. The same with Djokovic - they're fighters that push their physical performance. Then there's Lewis, obviously. He puts his platform to great use and I admire him for that as much as his wins and what he's doing off the track. I hope to be one of those leaders in years to come." Now he may well get a chance as Lewis will, in 2025, be moving from Mercedes, as Russell's teammate, over to Ferrari. It's a bold move, but on the other hand it means that Russell will soon be able to race his former teammate as an actual rival. Will that be weird? "He'll be wearing a different suit, but I'll still recognise him! We're at different stages in our career, but we have massive respect for one another. For now, I'll see him on the track."

[incomingalbatross]

Thoughts on Ghost Days by Jim Butcher (and possibly the earlier books, if they spill over into this post)

All of this is, as Harry observes, absolutely typical of his existence. Of course he can't just die, he gets sent back as a special unknown type of ghost to solve his own murder. And of course he shoulders like three different new obligations, makes a new friend, and adopts a criminal teenager within his first 24 hours of unlife.

Kinda love how quickly and understatedly he's incorporated the very latest familial revelation into his narration. He says something like "I'd lost the scar on my arm that I got while skinning a fish on my grandfather's farm" and it's so casual it almost slips by.

(Side note: I need to see his grandfather and his brother find out about each other now. I realize there has been no opportunity and these aren't exactly Harry's secrets to tell anyway, but please.)

Mort going "all cats can see ghosts, they just don't usually care" checked out completely, of course, but it was also perfect setup for Mister's "HELLO YOU'RE BACK MY HUMAN HI." Which. Oof.

Ways you can tell it's really Harry Dresden: 1) Mister hits him in the invisible shins, 2) he opens the conversation with a Star Wars quote, 3) he's talking a teenager into turning his life around.

Love all the Bob content in this one. Harry got to see how the other half lived and everything. (Though his amorality credentials are slightly tarnished by that heroic last stand of his. Which he'd better have survived.)

Everyone here seems like they're an inch from cracking, and I'm concerned for all of them, but they're DOING THEIR BEST. (Butters isn't an inch from cracking. He seems to be doing great, I'm very proud of him.)

Very glad and also a little amused that the Super Secret Safe Witness Protection Home for Maggie is... the Carpenters. I mean it absolutely should be, but it's also funny.

Of course Mouse exists equally in the physical and spirit world. I'd be more surprised if he didn't.

I DID have several moments where I went what about Thomas. why isn't your narration even mentioning Thomas, but the payoff of "I couldn't stand to face even the thought of what I'd done to him" made it make sense.

More general/Thematic thoughts:

Uriel and/or the narrative really said "You're going to take a good, hard look at the unintended consequences of your actions. And you're going to do it disembodied so you can process a little better."

There was something that really struck me at some points in the Lasciel period, and it's back again now: I love that when Harry crosses lines, not only is he capable of seeing it, but the reaction of the people around him is, "yeah you sure did cross a line! you did wrong. so stop doing it and get better, because you can. this isn't a slippery slope unless you decide it is."

He has! Free will! Contrition is always meaningful! Change is always possible! Harry is never allowed to write himself off. He is always told that he's capable of picking himself up and doing better - because he is. He's alive and human and that means he has as much hope as he chooses to hold onto.

That said, I also really appreciated the weight his choices in the last book are given here. It's so easy to just go along with "it was for Maggie, it was his JOB" (and it was his job), but this book made Harry and us stop and linger on both the lines he crossed and the unintended harm he caused.

(Though he is taking too much weight on himself. Martin maneuvered a lot of this into play, not to mention the ACTUAL Red Court. And there is something to be said for the SG-1 approach of "stop worrying about ramifications and just kill the ancient evil first.")

(Oh, now I remember! I was also thinking of Hunger Games re: this. Katniss and Peeta's defiance of evil was personally motivated and sparked a lot of unintended harm to others - but it was also the only spark that could have destroyed the machinery of evil. Not quite the same but made me think of it.)

ANYWAY. Speaking of crossed lines and harm caused: I was NOT prepared for the murder reveal.

It DOES explain so much about this whole book, especially in combination with the (not as shocking :P) reveal that he's only mostly dead. He NEEDED to know this. He needed to know and understand all the choices he made, and their results - and the lie that influenced him - if he was going to be allowed back to his body.

First, he needed to know there was no outside killer to worry about. He also needed to know that HE did this. All of it. Part of accepting culpability and facing his choices meant facing that there was a third murder on his account - because that is how he frames it - what he did to Molly and what he did to himself and everyone who loved him.

He also, most crucially, needed his free will reasserted, both by the manipulation being revealed to him and by Uriel balancing the scales.

Because a Harry Dresden who had given up on himself as the Winter Knight is a nightmare the world's not ready for.

Instead he's ready to give Mab new problems. :) She gets what she paid for.

Closing thought: If, when he finally gets back to the world of the living, he does not make at least one "mostly dead" and/or "really most sincerely dead" joke, I will be very disappointed in him.

[djevelbl]

I went back to rewatch the guy's (Frostbyte Freeman on yt, btw) video - more specifically, the part where he talks about Whitepine - to see if I'd misinterpreted anything, taken his words out of context in a bout of misdirected anger and a sense of offense at his opinion, had completely missed the point by nitpicking some obscenely specific issue as a gotcha! moment, anything, really. It feels bizarrely weird, I guess, to be so hung up on this random dude's words, vague-posting about it on a platform I'm not entirely sure he's even on or not (it's a toss-up, really) and going slightly off the rails in anger at his (perceived, of course) stupidity; so, I went back to hear his opinion on the series again, especially when in contrast to the other two. Kinda to say one last thing, and then let the topic die. The thing is, he never spoke of Whitepine's story - it was always the artistic intention, the clear love put behind its creation, the color palette, the cinematography. Never the story. Which, y'know, you'd expect would be the point of discussing minecraft storytelling? And he hides behind calling the process of explaining Whitepine and its nuances as "doing it a disservice" - well, I don't give a fuck about "doing it a disservice", because if you're doing a video essay on the fucking topic of minecraft STORYTELLING you better be ready to talk about the fucking STORY, GENIUS; so, what's Whitepine's story? ... Kinda hard to say. The wiki says it is: "a minecraft series developed by IvoryTV and posted on YouTube, where a newly hired maid is tasked with taking care of the members of the Hemlocke Family and to prioritize their every need. However, what was suppose to be a normal job turned disastrous as the maid's next day was struck by the tragedy of a murder case in the Whitepine Estate." Which is true, the story is a period drama and a murder mystery - Frosty over here decides to use different words, however:

"Whitepine is a 2024 period drama serial written and directed by IvoryTV. It is the story of a mysterious young woman (maid) assigned to work for a wealthy manor that is, if not literally, then figuratively haunted by shadows of the past - hers, and everyone else's."

Personally I find that interesting cuz like, while it's implied that's the case (in terms of the "shadows of the past" comment) I have no idea where in the fuck he got that from - except maybe he came up with it?? He's SO wordy oh my god, half the time I didn't get what tf he was talking about. My point is: he could've used the official description, he could've omitted mentioning the murder if he was OH SO INSISTENT on not spoiling anything, yet instead uses a description that puts more emphasis on aspects of the series BARELY EVEN EXPLORED RIGHT NOW instead of on the oh idk FUCKING MURDER???? He goes around willy-nilly speaking of certain aspects of the story while willfully concealing others in the name of "not spoiling the experience".

And my biggest problem with the inclusion of Whitepine as one of the three different stories he wanted to comment on, is the fact that Whitepine is barely starting - it doesn't have enough of anything right now to call a story beyond the first foundations of it, and no matter how pretty it looks or how beautiful the songs are, if your story has no, well, story then it doesn't matter. It's empty. I don't say this as a critique to the series itself - again, barely starting; I don't like punching under the belt - but more as a critique to the tunnel vision that Frosty was exhibiting as he wrote the script out; doesn't it make you wonder if, at ANY POINT of his video creating process, he read over the Whitepine section and thought "hm. is it appropriate to talk about a series with only 2 episodes (as of making that video) and not a lot of story, bc I think it's pretty?" cuz I sure as all hell wished he did

I just. what was the point? Whitepine doesn't have enough story right now to be thrown into an analysis with stories like Unstable Universe (which is WELL underway) and Parkour Civilization (which is LITERALLY FINISHED), and do it justice - it has its character moments and beautiful music, it has its great cinematography and intriguing mystery, but story? No. Not right now. And it's just because it was started a few months ago - I'm sure that in time it's gonna be the next best story that has ever been recorded in Minecraft, no doubt. But until that happens: if I ever see this guy on the street I'm giving him the london treatmen, if you will /j

Also just finished watching a video that made me ACTUALLY ANNOYED at the guy who made it and like. ok if you don't want a story told through Minecraft that is made through the lens of content creation in ANY capacity then don't??? watch stories told through Minecraft????? Cuz like. they're mostly like that; even parkciv which is still good IS done through a content creation viewpoint — either as a parody on the medium it was being told through (scripted Minecraft content/Minecraft storytelling) or just as a result of telling the story and like. needing to pay the bills or whatever is a bit up in the air I guess BUT STILL. don't sing praises to a series that's GREAT in all cinematography aspects that JUST SO HAPPENS to be told through Minecraft all the while you're saying "oooh Minecraft storytelling shouldn't be scared of being called cringe just bc it's embracing roleplay to tell it's narrative, it shouldn't pretend to be non-scripted when it so clearly is" which true, JUST TO THEN critique parkciv for...

*checks notes*

... Embracing its medium AND its limitations to tell its story, JUST bc it didn't necessarily strive to be groundbreaking??? What??????

From what I understand, the series the guy was singing praises to like it was his own child at the local school's dance recital, Whitepine (which I'm currently watching so I'll just come back to this once I've finished — let's see if I'll eat my words [doubt it]) is GREAT in terms of visuals, audio and the likes — it obviously takes great care in forming its atmosphere and from the little I've seen the youtubers are genuinely being actors, not just their normal selves masquerading as characters (something that, admittedly, happens A LOT in scripted Minecraft content/Minecraft storytelling like SMPs or solo series [I'm looking at you, later half of the DSMP]). But it isn't Minecraft storytelling — in my opinion, at least.

Minecraft storytelling implies that it includes Minecraft and its mechanics in some way, shape or form that becomes impactful to the story that is being told — it isn't just a REALLY good story that just so happens to use Minecraft as its movie set. This, ultimately, is why I think the guy was wrong — not necessarily in the idea that the stories he critiqued had more room to grow (which parkciv at least does. I haven't watched ParrotX2's Unstable Universe videos and I don't really plan to; they're not my thing) but in what "Minecraft storytelling" should strive to be.

I have a vivid memory — trust me, this is related — of when I was younger (they say, like she's an octogenarian instead of not even being halfway through his lifetime. anyway) having played Minecraft Murder Mystery with my friends in the playground bc I really REALLY liked Gona89's video series on it. This is like, not really the same storytelling but they did have a sort of story — the chemistry between the youtubers felt like watching a series of characters interact with one another, and certain jokes from one video would seamlessly move into the next as well.

And y'know what? IT DIDN'T FUCKING WORK — playing the thing in the playground, that is. Because the thing wasn't made for that; stories have their medium of expression because they're tailored to it, or the medium is tailored to that story — if your Minecraft story can be told perfectly fine when divorced from its primary medium of expression (Minecraft), then it's LITERALLY not a Minecraft story: it just happens to use the game as the backdrop

... Kinda like The Lego Movie: a lot of the mechanics within the movie CANNOT be divorced from lego that easily BECAUSE it's a fucking LEGO MOVIE — partially related but not really the point of this rant: this is why A Minecraft Movie's trailer fucking FLOPPED. It showed absolutely NO POINT in being made bc it's NOT a Minecraft movie (pun accidentally stumbled upon but I shall confidently roll with it, actually), instead it JUST SO HAPPEN to use the videogame as its set.

TLDR: IF YOUR STORY DOESN'T INCLUDE MECHANICAL ELEMENTS THAT ARE INTRINSICAL TO THE GAME YOU USE TO TELL IT, THEN SAID GAME IS JUST THE FUCKING SET. IT'S NOT A MINECRAFT MOVIE JUST BC IT HAPPENS TO BE RECORDED IN MINECRAFT FOR FUCK'S SAKE

[skrunksthatwunk]

found out that rascal's owner took him again while i was out, and he's probably not gonna be back since the semester's almost over. i don't even know if his owner's coming back next semester, if i'll ever see him again. if he'll ever see me again. why do they wait until im not around to do this? why do they never let me say goodbye to him?

[dimiclaudeblaigan]

One of the biggest reasons I try to recruit all the characters in Three Houses isn’t just because I don’t want to kill them, but because if I do, I still have to go back to the monastery afterward. I still have to pass by their dorm rooms full of their belongings and know that’s where they spent their alone time and where they slept. I still have to pass by the spots they frequented the most. It’s not just the sad dialogue of characters reacting to the deaths, but passing by the spots I vividly remembered them hanging out at.

I realized this most in my first playthrough when I didn’t have the chance to recruit everyone and I accidently killed Raphael at Gronder. I didn’t have the enemy attack range turned on so I didn’t realize he was in range of attacking.

During an exploration, I was looking for Ignatz who was, unfortunately, in his dorm room... and I walked into the wrong room and into Raphael’s after he was killed and man that fuckin’ sucked! Feels bad but like, multiplied with big numbers, u kno??? ???

YES, IT’S A VIDEO GAME. YES, I HAVE HUMAN BEING FEELINGS ABOUT IT.

[belladonnafleur]

I hate people with dreams because I wish I could give up mine !!

[united-under-skyfall]

.

[runawaycarouselhorse]

Once upon a time I found May embarrassing because I was naive and clumsy and suffered a lot from my naivete, so I hated seeing folks online call naivete not a real flaw/just being "too nice"... but I was always very defensive of her figure and hated those who believed she must be much older just because she has an hourglass shape as a preteen. I was the same way and just a year or two older than her when I joined the fandom and AG was airing.

Anyway, I love her and feel proud of her growth in DP.

My favourite Pokemon characters are mostly characters who everyone else hates, though. ^^;;

Oops... I love Jessie and Iris and Trip... I love tomboyish and tough girls as well as foppish and sensitive boys (so, Wishfulshipping and Rocketshipping are everything--throw in a class difference and I love the ship even more!), lonely rich kids whose parents are never around make up a bunch of my favourites too (Marielle, Diana Konderick/Fanny Fox, Lillie...), proud and aristocratic young ladies but who are nonetheless very kind at heart despite eccentricities and treasure their friends (Lillie, Marielle, Victorique de Blois, and Shinku)... so many characters with abandonment and/or mommy issues (Lillie, Soma Yuki, Soma Momiji, Hina-Ichigo, and Jessie to a degree too, although she hides it ^^;).

Characters that struggle to connect with others, or even act ornery or cold, to avoid being hurt--often isolated, ostracized, bullied, or simply house-bound (Iris, Victorique de Blois, Marielle)... or literally just characters that either come off as arrogant due to extreme shyness and avoidance of others, or who genuinely hide behind a projected false image of confidence to hide genuine insecurities (hi, Trip.)

its unreal how all of my favorite characters have exactly the same traits and hobbies and diagnoses as me

[asjjohnson]

I was numbly scrolling through job listings and happened across the kindest-sounding job page I've ever seen. Saying there was no requirements at all (besides being happy or something), that they'll walk you through everything and train you. And that they're happy to hire anyone, no matter how young or old, whether it's your first job or you want a little extra money on the side or you're retired and want something to do.

The feel of the wording was like, "Aww poor baby—here, have a blanket and a hot chocolate and I'll make everything better." While the job listings I usually see are like, "Working nights, weekends, and holidays are required. And if you don't know these five obscure things by heart and have eight years of experience, don't even bother applying."

And the place is close enough that I should be able to get there easily on rollerblades (if I can finally get use to the pair I bought awhile ago).

...But then I'd mentioned to my dad that I might apply for a job, and he reminded me that I hadn't wanted to be tied up during the day of the eclipse, and suggested I wait to see if it's still available after that.

...And then I checked my desk calendar and saw several other days I need to be free for scattered throughout the next two months.

...I'm beginning to think I'm just not cut out for working.

[pedroscurls]

in every lifetime

summary: you lost logan in this universe. logan lost you in his. what happens when you both see each other again, but realize that you're both from different worlds? pairing: logan howlett x fem!reader warnings: post deadpool & wolverine ("worst" logan!variant), angst (mentions of death, loss from both reader and logan), no use of y/n. word count: 2.1k a/n: this is my first logan fic, so if anything is ooc, i'm sorry in advanced! just like everyone else, i've been obsessed with hugh jackman / logan after watching deadpool & wolverine (if it isn't obvious lol)... i had the song 'unchained melody' in mind when writing this story because whenever i hear it, i think of logan for some reason lol (tried to embed it but it didn't work, but i'd highly recommend listening to the song while reading this!) anyway, hope you enjoy! next part.

“I’ll be back.”

“But what if–”

“I always come back, bub.” Logan’s looking down at you, hand cupping your cheek. In moments like this, you can see the age in his features. The crows feet at the corners of his eyes. The gray in his hair and beard. 

“Logan…” Tears sting your eyes. You know he has to leave, has to go help Charles, but there’s a feeling deep in your gut that knows that if he goes, he isn't coming back. 

“Wait for me, then.” He says, dipping down to gently peck your lips. “Okay? Wait for me.” 

“Logan,” you repeat. “What do I do if I– if I lose you?” 

There’s a feeling in the pit of Logan’s stomach, a sense of dread and fear that he’s only ever felt when you were concerned. This feels a lot like a goodbye… That maybe if he does go, he won’t come back. And the thought alone scares him. He never used to have to think about the possibility of dying, his regenerative powers always healing him in record time, but he knows that he doesn’t heal as quickly as before. He feels more pain now than he ever had. And he knows he’s sick, knows that the adamantium that once gave him strength is now slowly making him weaker.

But now, the thought of dying… It fucking scared him. It scared him to think that he’d leave you here, all alone, grieving him. He had never thought he’d be deserving of someone like you, to be loved and taken care of so gently, so sweetly, so patiently. Even with all of the baggage he carried, you never pushed. He knew, right off the bat, that you deserved someone so much better than him, but you stayed. 

Through it all, you stayed. 

And Logan would forever be grateful. After everything he’s been through, the things he’s seen, the things he had to do, the people he’s lost, you gave him a life that was finally worth living. 

“Then, you move on, darlin’.” Logan finally answers. 

“And if I can’t?” 

“You’ll have to.” 

“I don’t… I don’t want you to go, but I know that you have to. Charles needs you and–”

“I love you with every fiber of my being, baby,” Logan interjects. “And I will love you in every lifetime.” 

And that was almost a year ago. The moment he stopped calling, you knew that was it. That he either got into some real trouble or… Or that he was no longer here. It wasn’t until a young girl named Laura showed up on your doorstep, holding his dog tags that your assumptions were correct. 

You had fallen to your knees, a sob escaping your lips, as you felt your world come crashing down. Logan’s death had left a gaping hole in your heart, in your life, and everywhere you looked and everywhere you went, all you could see was him. 

You learned from Laura that during his last moments, he had told her to come and find you, that you would take care of her and give her a good life. Whenever you were around her, you tried to be strong, tried to put on a brave front, but behind closed doors, you were a complete mess. There were days where you didn’t want to get out of bed, didn’t want to eat; you just wanted the pain to stop. Every night, whenever you closed your eyes, you forced yourself to sleep because that was the only place where you could be with him. 

In your dreams, he was alive. 

In your dreams, he had made it back home.

In your dreams, he was here with you, helping raise Laura. 

And every time you woke up, you were welcomed with the sudden reality that he wasn’t alive. He wasn’t coming back home. He wasn’t ever going to be here with you to help raise Laura. 

Logan was dead and now, you had to try and learn how to move on. 

For yourself.

For Laura.

For Logan. 

—

He didn’t know what he was doing here, why he agreed to stay with Wade because it was driving him crazy. This wasn’t even his timeline; he wasn’t even meant to be here. Despite saving Wade’s timeline, Logan still found it hard to fit in. He tried to keep Wade and every single one of his friends at an arm's distance because he knows what happens to people he cares about. 

But the more time he spent around them, the more he felt at ease. Logan would be lying if he said he was waiting for the other shoe to drop, but when Laura mentioned your name at one of Wade’s family dinners, his heart skipped a beat. When he realized he would be able to stay in this timeline, you were all he could think about. 

Logan wondered if you existed in this world and what he would do if you did. So, when Laura casually said your name, his head turned around so quickly that he felt dizzy. There were so many things he regretted in his own timeline, but you were his biggest regret. 

Just like he failed the other X-men, Logan had failed you too. You had been there with the other X-men, trying to warn them of a planned attack and ended up getting caught in the crossfire. You had called out for him, just like Scott, like Charles, like Storm. 

He managed to get to you before you had taken your last breath, holding you in his arms. Logan begged and begged for you to fight, that he’d do things right from now on as long as you just held on, but you were losing so much blood and Logan couldn’t stop it. 

Even then, when you had every right to be angry with him, you gazed up at him with an understanding look on your face. You had always been so patient and kind, so sweet and considerate. You had made him so happy and it scared him, which ultimately ended in pushing you away because he didn’t think he was deserving of it. Of you. 

“I love you, Logan,” you had said, wincing at the pain. 

“I’m sorry, I’m sorry, I’m–” Logan felt a sob catch in his throat, tears stinging his eyes as he looked down at you. “Please, baby, please please please, don’t–”

“I–” you coughed, eyes fluttering as you felt the pain overcome your entire body. “I will love you in every lifetime, Logan.” And then, you took your last breath, eyes falling shut and body falling limp in his arms. 

Since then, Logan drank himself day after day, from dawn to dusk. The alcohol never truly helped, his regenerative powers sobering him so fast, but with every swig of liquor, it burned. And he spent years bringing pain unto others, including himself. 

That was, until he met Wade who had given him a chance, a reason to fight for something… To not turn his back on someone who relied on him. A chance for redemption, to finally make things right. 

“So, will you meet her?” Laura asks, holding Dogpool in her arms as she gazes up at Logan. “She– She used to be with this universe’s Logan and…”

“No chance, kid.” Logan interrupts, shaking his head. “I’m not him.” 

“Did you have someone like her in yours?” she asks. “She’s always put me first, always made sure I was taken care of even when she didn’t have to, when she was grieving. And I think–” Laura sighs. “I think if she knows that some version of you is alive, it would make her real happy.”

“I’m not him,” Logan growls, feeling his irritation spike. “‘Sides, she’s better off without me.” He stands from the table and walks out into Wade’s balcony to get some fresh air, shutting the door behind him as he leans against the railing.

“But she’s coming tonight,” Laura finally says, long after Logan’s walked away.

Throughout the rest of the dinner, Logan remains outside. He can hear the muffled laughter coming from inside and it only angered him because it was just another confirmation that he didn’t belong here. He’s already on his fourth bottle of beer when he hears a familiar voice, smells a recognizable scent. He turns slightly and catches you stepping into Wade’s apartment, an arm slinging over Laura’s shoulders so casually, so maternally. 

He feels his heart rate pick up. Your smile still lights up a room and he can’t help but his lips turning upwards at the sight. With his enhanced hearing, Logan can hear your voice and he shuts his eyes for a moment, tuning all of his attention on you until you’re the only one he hears. 

Then, he hears your laugh and he lets out a sigh. He never thought he’d be able to hear that again, but his eyes shoot open when he hears you say his name. There’s a shocked tone in your voice, laced with sadness and hope. It all but crushes him because he knows that you’re probably expecting someone else, expecting this world’s Logan and he doesn’t want to disappoint you. Not again. He doesn’t think he’d be able to handle it if he were to hurt you again. 

But when he looks at you, his breath catches in his throat when your eyes meet his. Logan notices the surprise look on your face, but before he could try and escape, you’re already walking towards him. When you open the door and step out with him, your scent fills his senses and it makes him dizzy, like he can’t fully concentrate. 

“You…” he hears you say, voice unsteady. “You’re not… I’m–” you sigh and shake your head. 

“I know who you are,” Logan finally says, his own voice shaky. 

Your hands reach out for him, but stopping halfway when you realize this isn’t your Logan. This is not the same man who died all those years ago. This is some version of him – much younger, less wrinkles and gray hairs in his hair and beard, but he still has that same look on his face. The scowl. 

“From Laura?” you ask hesitantly. 

“From my universe,” Logan answers. 

“There– There’s a version of me in your universe?” 

“There was.”

“And what happened to me?” 

Logan’s jaw tightens. “The same thing that happened to your Logan in this universe.”

“Oh.” Your face drops, eyes softening. “I’m sorry,” you whisper. 

Logan wants to run far from here, far from you because he feels himself yearning for more. He almost forgot how it felt like to be near you, to be inches away that he can just reach out and pull you into his arms. Your eyes captivate him, the kindness it expresses makes him feel like he matters. You had always made him feel that way that even through all of his anger, through all of the walls he put up, you showed him that he was deserving of something good. Even if he didn’t believe it himself. 

And you… You were the best thing to ever happen to him.

“Don’t know why you’re apologizin’,” Logan mutters. 

There’s an uncomfortable silence that engulfs the both of you. He can see the tears threatening to spill over, can see the way your lower lip is beginning to tremble and he has this sudden urge to console you, to wipe away the tears that have now fallen down your cheeks. 

“I’m sorry,” you repeat, bringing your hands up to wipe away the tears that seem to be trickling down your face nonstop. “I just– Losing my Logan just crushed me and I don’t think I’ve ever recovered.” 

My Logan. 

Logan can practically feel his heart beating in his chest. This isn’t a conversation that he thought he would be having and certainly not with someone he loved and died because of him. 

“That’s okay,” Logan responds quietly, his tone softening. “I don’t think it’s easy to recover from losing someone you love.”

“Did you– Did you love me in your universe?” 

Logan nods slowly, tightening his jaw as he gazes down at you. “With every fiber of my being.” 

Your eyes widen and stare up at him. This might be a different Logan, but hearing those words again just brings you back to the moment you last saw your Logan before he left to go take care of Charles. 

“Did you love me in yours?” Logan asks hesitantly.

You nod instantly, tears trickling down your cheek as you stare up at him. “I’d love you in every lifetime.” 

Logan feels his own set of tears pool at the corners of his eyes and he moves a hand to rest on the railing, fingers lightly brushing against yours as he stares into your eyes. 

“I’m not him,” he whispers. 

“I know,” you say quietly. “And I’m not her.” 

[hedgehog-moss]

I usually buy one stere of firewood per year, one and a half at most, but this year I saw an ad at the farm store promising a discount if you ordered 5 or 10 steres and I thought, well, I have a brand new wood shed, so let's go, five steres, why not!

Then a big truck came to my house and threw up this lava flow of wood in front of my shed and I realised that my mental representation of 5 steres, in terms of volume, was a bit off.

But that's okay! My friend D. was coming to visit. She's very convenient to have around in early autumn because she enjoys the real-life Tetris aspect of stacking wood—not only that, but she's uncannily talented at spotting blackberries, and September is blackberry season. (I do also invite her in other seasons so she doesn't feel exploited for her gifts.)

I was a bit concerned about the wood-stacking part of her visit though, partly because of the truckload of wood awaiting us and partly because this year's wood is completely shapeless and looks like whimsically sea-sculpted debris from an ancient shipwreck.

(On the left: the pretty logs that /I/ cut, which are shaped and easy to stack. On the right: the nonsensical wood that I bought.)

(My friend saw this and almost went on strike. She was like, "Not a single log has a shape that makes sense with the others... it sucks. That's not Tetris 😠") (Me: "Think of it as having reached a higher, more challenging level of Tetris." Her: "😠")

On top of that, because of the cold and rainy summer we've had, blackberries were very scarce this year, like everything else. Brambles are so ubiquitous in my woods I used to think I would always get more blackberries than I know what to do with, but last month I actually had to go look for them which I'm not used to doing. Every fence is usually covered with blackberries in September, and in some parts of the woods there are hazel trees taken over by brambles so that blackberries are dangling in front of your face temptingly and you don't even need to bend down to pick them. But not this year.

I feared this visit would be quite disappointing for D. if the wood stacking and the berry picking were less fun than usual—but the fact that blackberries were much harder to find than the previous years made her amazing berry-dar all the more necessary and appreciated, and she enjoyed our blackberry hunt. We'd get lost in mazes of giant broom bushes and I'd be like, let's go somewhere else there are no blackberries to be found here, and she'd stop dead and go, "Here!" And here they were!

I don't know how she does it.

One fun thing that happened is that at one point, while D. was somehow finding kilos of blackberries in a field I'd already searched two days before and which had seemed empty of berries, I wandered away into the forest to photograph some pretty mushrooms. Then I heard a strange bird call which, when I looked up and paid more attention to it, sounded more like my friend calling my name from afar. I figured I was being called out for getting distracted from the berry harvest, so I returned to the field. She was crouching down at the other end of the field with her back turned on me and didn't look like she'd just called me.

Half an hour later, when it was getting dark and we were about to go home, she told me, "Hey, did you have something to show me earlier? When you were in the woods." Me: "No, why?" Her: "You called my name."

...

Me: "I didn't call your name. You called MY name." On second thought, she said that it sounded quite shaky and high-pitched, not like my voice, more birdlike. Me: "I initially thought it was a bird too!" Problem: our names sound nothing alike.

We stood there mystified for a minute, wondering if there could be a bird capable of articulating both of our names, or if it was some other animal or thing that somehow knows our names. (We were quite sure there were no humans in the area, because Pandolf is very good at sensing nearby people and always wants to go say hi to them.)

We looked at the woods, then at my car parked nearby, then went, "Okay! Time to go home and never investigate this further 😊"

My friends are a good influence on me—there were people a bit concerned about my sanity in the notes of that post where I talked about going out into the woods at night because something was screaming, and I think they'll be happy with the moral of this story! We went home and sat by the fire eating blackberry tart and talked about what a great decision it was, all things considered, to not try to figure out what sort of creature wanted us to wander deeper into the forest at dusk. The end.

[wereh0gz]

Pikmin is kinda fun actually