Who loves Disney? Well, if you do, the real estate agent says, "We’ve just waved our magic wand and *Bibbidi-Bobbidi-Boo* we’ve found your happily ever after!" For this semi-detached, 3bd, 1ba home in Rhyl, LL18 UK, I will be quoting the descriptions from the agent. A bargain at £179,950 / $236,203.
"Step into the spacious living/dining/kitchen area where the magic begins. With plenty of natural light and an open plan design, you’ll feel like you're in the happiest place on Earth with ample room for all the family."
"Can easily accommodate a large dining table and chairs, with double doors opening onto the newly laid Indian sandstone patio." But, currently, it houses the owners' collection.
"With plenty of cupboards and work surfaces, the kitchen is ready for any culinary adventure and will make every meal feel like hakuna matata - no worries, just good times!"
Not sure what this room is. It looks like a den, with an evil queen theme. Love the matching fireplace.
Up the stairs, we've got the London Bridge and Big Ben.
"The master bedroom is perfect for any sleeping beauty and is fitted with wardrobes which have plenty of hanging space for those princess gowns." Is that Strawberry Shortcake on the wall?
" A further double bedroom and single room which is perfect as a nursery or home office giving you a whole new world of possibilities." See what they did here? "A whole new world?"
"Into the bathroom, your very own splash mountain retreat - unwind with a bubble bath or shower, this larger than average bathroom is designed to help you just keep swimming with ease through your daily routine." Splash Mountain retreat? That's a stretch.
"Outside the low maintenance rear garden is a wonderland offering space to relax and play, offering a private and sunny aspect perfect for those bear necessities of life like a weekend BBQ or morning coffee!"
Well, I don't see a garden, and the theme has switched to a variety of other characters.
"With the added benefit of an extended garage with power and lights, a large summer house and further storage shed. Parking for your Lightning McQueen is available to the front of the property and on the single drive in front of the garage."
"Dont miss out on this practically perfect in every way property and contact us today and make this home part of your world."
https://www.rightmove.co.uk/properties/152043767#/
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Something to be said about how much more fucked up the nonary game that Sigma and Akane made is compared to the one that Akane and Aoi made. Like the experiences of the 999 cast were fucked up and traumatic and they did suffer nine hours all genuinely believing they were on a sinking ship with bombs planted in their bodies, but the game didn’t put them in any actual danger. There were no bombs, they were in a normal building, the nine door was modified to let everyone escape, they were given a car to drive home with. There was the risk of Ace killing them if the wrong path was taken (or clover), but the only actual danger from the game itself was the incinerator and idk the water at the beginning. They were still kidnapped and went through some terrifying shit but measures were taken to make sure they people being used for Zero’s gain would get to return to normalcy afterwards
In vlr though it’s completely different. The threat of penalty is very much real, it’s less of a fucked up death than bombs but it’s still a real thing that will happen if the rules are broken or if someone’s bp is 0. They’re also infected with the deadly disease that caused the literal fucking apocalypse. The number 9 door can be opened by anyone with 9 bp and everyone else will just be trapped for the rest of their lives. But those are all bad ending ass scenarios, everyone can make it out if you get the good ending, right? Except no actually, these bitches are on the moon. Luna and K were specifically made for this purpose. Alice, Clover and Phi have to discover they’ve been trapped in deep sleep for 45 years and are incapable of ever getting their lives back. Tenmyouji and Quark were tricked and have nothing to gain from this experience except for more trauma. Everyone was just a pawn used to make Sigma go create the magical happy timeline that they will never see. They don’t get to return to normalcy, Zero doesn’t give a single shit about what happens to them, they’re just disposable objects. Just termites incapable of understanding the beauty they helped create
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hello! i can't remember if you answered this in your wonderful astarion romance meta [THAT I CANNOT FIND AGAIN FOR SOME REASON...], but when he propositions us for a second time -- with the series of pick-up lines that we can cheekily call him out on -- do you think he's still in the 'i'm just trying to keep you on my side' stage, or is there maybe some interest in us beyond that?
Hello!! Ahh thank you, you might mean this one? I have another one where I broke down a separate scene so if it’s that one, I can dig for it! But!!!!
I’m currently phone-bound so I can’t grab my usual quotes screencaps BUT I DO have thoughts on that scene, so let me ramble—
for the scene you’re referencing in particular, I really do think there’s a degree of projection from the player (ie what you think this scene means for astarion and your tav is up to you) and personal interpretation for the pacing in here—so if someone else sees it differently or sees it paced differently for their tav, I can definitely get that. however, for me, this scene sort of represents this very interesting shift in the relationship, but not because astarion is developing interest, but because of how he’s acting around tav now that he knows he has tav’s interest secured.
in short: I do think this scene happens still mostly in “I’m manipulating you to keep myself safe,” territory BUT. What’s interesting is that astarion isn’t making any attempts to disguise that anymore. prior to this scene, his two potential propositions (both the one he initiates pre-goblin camp and the one that happens during the goblin party), while not necessarily “natural,” and most certainly not rooted in the first bloomings of a crush, or whatever, there’s a conscious effort to disguise his routine and, in essence, genuine seduction through appealing to Tav, trying to incite desire, etc. — he’s lying and when you know he’s lying it’s obvious, but there’s wiggle room for Tav to genuinely think, hey, this guy is interested in me. but the scene you’re referencing—“here’s my little treat with their cheeks all flushed…” “three little words. everyone’s favorite. I love you. (that would be a lie.) but a very sweet lie,” or whatever he says at the end there—descends very quickly into teasing (almost taunting) that is VERY heavy handed and very gleeful in how he almost …. dangles the falsehood of it in front of you.
there’s multiple ways you can interpret that. is he getting more egregious in his flirting because he feels like he doesn’t have to try as hard, but still TRIES? is he revealing the truth behind the facade because he’s starting, on some level, to feel comfortable enough to reveal THAT if nothing else? I’m less convinced by the second, more convinced by the first, but myyyy personal interpretation of that scene is one that kind of….. is within the romance but removed from it in terms of. I don’t think it’s about tav here, really. I think it’s about astarion.
to elaborate, I think that there’s a kind of thrill in this moment — astarion has been an object for sex and desire for 200 years, and he’s still doing that, still playing that role, but now he’s doing it without the overarching crushing influence of cazador behind him; his safety within the group is relatively secured now; there is less..... external (or perceived external) pressure to keep up the act, but he still does it. which I think results in him almost……. outright telling you that it’s false? like a kind of release, to say that the I love you is a lie, and you know that, and I know that, and I don’t have to FULLY pretend so, in his own way, he doesn't--he tugs and pulls at emotion, and kind of .... invites Tav into the lie, in a sense (thank god there's no option to say "I love you too," here, I worry that fans would take it and mean it sincerely. like. AUCK). maybe there's almost a vindictive thrill to getting to basically display his exaggeration. or maybe he's pushing at the boundaries of what tav & he have here, seeing how far he's sunk in. playing the role still, but at the end, you know it's at least partially an act. either way, poking and prodding like that, to me, isn't motivated by blooming squishy feelings. rather, it's something less sweet, less romance-y to boot, but more interesting for the character as a whole. or maybe that's just my own bias--I tend to find the Soft Squishy Romance to be the least interesting aspect OF the romantic dynamic. also, to be clear, I'm not trying to soften it up with elaboration here. taking away the context of astarion's history and past, what he's doing here is really just mean. it's a kind of cruel thing to so starkly display that you dont really give a fuck about the feelings of the person in front of you--enough to throw flirting and emotional barbs of "I love you," at them just for the laugh of it. it's a bitch move, but it's an interesting one, and I rarely see the conjunction of His Meanness discussed with how it manifests due to his history-- it makes complete sense and it's FASCINATING.
there is ONE thing I'll say, and that in the dialogue branch where you say, "Are you having fun?" or something along those lines, he says, "I am! It's hard not to, with you." and that, I do believe to be sincere, in its own way. I do think Astarion is having fun with Tav out on the road, being with them, being with the group, enjoying the show so to speak, and exploring his newfound freedom--all of which is wrapped up in proximity to Tav. there's arguments to be made that there's pacing issues here, but I actually interpreted the fact that we don't really have another romance-specific scene before the "you're wonderful"/drow confession to be intentional. to me, the trust bond with astarion isn't developed in moments where he's putting up the act or where you're expressing interest or attraction to him (he already knows, he's already removed from that, there's no trust to grow in these moments because sex/attraction is the last thing associated with trust to him), but rather, trust is reinforced over time on the road, through shows of support out and about during crucial, but NON-ROMANTIC moments (such as killing yurgir for him--a nonromantic act, but one that solidifies that he can trust you.)
all in all, after such longwindedness... I guess my answer is that. while I dont think he LOVES tav at all, and maybe he isn't even romantically there yet with them, I do think he likes Tav by this point, and enjoys their company and their presence. what that means to YOU is up to you! as I said, I think it's a scene where the pacing and emotional weight is partially up for interpretation. you can just as easily imagine that he's got unaddressed growing feelings there as you can not--especially since if you turn him down here, what he'll say is "I've gotten on my back more times than I can count [...] most of them I don't even remember. but you, I'll remember." <- possibly implying that there was the start of a potential something here, ultimately ended, which he isn't really sad about because it removes the overall pressure of putting up a show, but at the same time implies a fondness for tav the person; again, not necessarily romantically oriented, but positive emotion regardless.
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Upcoming Untitled Loumand
I saw a black man dancing with his daughter at her ballet recital and decided to make it about Louis. It seemed like a misstep to turn them into Louis and Claudia because Louis is mom-coded to me. I didn't want to give Lestat the honor so I landed on Armand. But the little girl won't be Claudia. In this alternate universe, Armand is the father of twins Benjamin and Sybelle. In an attempt to be a more active father, he hires a parenting coach who suggests he enroll them in extracurricular activities. He settles on dance and drives them, along with their 2 nannies, to The Azalea Studios. A snippet from chapter 1 of ?
It’s to Armand’s understanding that the dance company makes full use of the building's seven stories. The first floor houses the souvenir, dance attire, and equipment shops, all boxing an ornate, cherry wood reception desk at the center. It's trimmed with hand-carved accents in floral motifs, scrolls and rosettes, posts and finials, and seemingly dropped here straight from a seventeenth century Parisian hotel.
“I won it in the divorce, baby.”
Armand’s head snaps toward the sultry, inviting voice and everything stops. Or at least he wishes so. If he could freeze the moment and bottle it, mass produce replicas so he could relive the first instance his eyes land on the beauty before him. Re-experiencing it like the very first time, at will.
“Well, not just the desk, but the entire hotel. And the house too.”
Louis speaks while busying his hands about the reception area. "I had the desk shipped here just for the look I see on your face now. Awe.”
“Awe,” Armand repeats like his stream of consciousness evaporated into the thin air. His brain only processing raw desire, a need, for this one thing.
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