#description of death

[max-thw]

I'm going to implode.

My rage will not settle.

If I get called a woman one more time...

Another person will be missing and I won't be eating the body.

No.

You will find it.

In town hall.

With its gut pouring from its body.

[vaebun]

Would You Call it Devotion

If limbs tremble awake inside an open chest

And crawl after the smell of sweat,

Bone and rot and viscera the only

Evidence of such existence?

If your face were immortalized

In the dirt close to the flames, and granted

A chance to trace your ribcage

With a molten tongue?

If the sun were to vanish

And all that is left of light

Is trapped within the gloss of

Spilt blood upon chapped lips?

And the sound of your name

Rattles within dry throats

Which spew acid and disgorged

                                    anger

Would you call it devotion

If I wrestle with these wild thorns

You have wrapped

The corpse in,

Which pull at hair

And tear apart immoral flesh,

But continues to crawl

From the depths

Of the Underground,

Or from Mother’s womb,

Just to have one last

Chance

To see you breathe in life again?

initially posted on Tumblr as an original piece, now posted in full as a fan piece

[stardustedwanderer]

I don't recommend trying burning;it's a bit like drowning in the end. The heat scalds your airways and the interior of your lungs, causing them to swell and bleed. Those are what usually kill you before anything else. It's just probably more painful in getting there than whatever body of water you ended up in.

Not much risk of that, anon. The only fire around here is inside the house, and it's most likely frozen in time like everything else in there by now.

[You know it is. You've checked.]

[....Curiosity isn't the right reaction, is it? This wonder, at feelings you've yet to encounter - a burning throat, smoke filling you with warmth even as it drags you back to the edges of the cold beyond - The furthest you ever seem to get.

You've choked on your own blood before, of course, but the idea of it boiling, bubbling as it spills from your own mouth is... Unmistakably appealing.

You've drowned before. But it was so cold... And dark... Bright and burning sounds very different indeed to you.

......

There's something deeply, deeply wrong with you. Isn't there?

Perhaps there always was.

Disgusting.....]

[viro-lil-goat]

I really hope this reaches more people, I'm only reposting this information from Instagram, the least that I can do. (Update: I changed their upbringing as it appears to have been listed wrong) Wiki page

When I just saw this information I couldn't stop crying thinking about it, and now my heart aches. They were the same age as me, I know for a fact like any other teen they dreamt of their future, who they would want to become, what to achieve, create, wondering if they meet those in the future they can call friends, wondeting if it'll get better when they grow up, maybe wished to leave that terrible place or maybe wanted to stay. How could anyone let this happen, why were they discharged from hospital so easily? And the school, we all know why. I hate to think about how, even with all the progress made, these things still happen.

"murdered schoolgirl Brianna Ghey on February 16, 2023. Candlelit vigils are being held across the UK this week for Brianna Ghey, 16, who was stabbed at Linear Park in Culcheth, Cheshire last Saturday. Brianna was a transgender girl and police are now investigating her killing as a hate crime. A boy and girl, both 15, have been charged with her murder"

An article that explains trans hate crime murders as on 2023

I hate everyone who have ever committed such vile hate crimes, I wish them in prison and hell. But i would never go down to their level. But I also blame the government, the school, and even those bigoted online accounts that teach their followers hate. In this case LibsOfTikTok, who targeted the teacher of this school, who supports lgbtq+, so they had to leave their position. It must have been the push for this to happen. I think their tiktok account has been thankfully deleten. But i have no idea about Twitter or any other. Please check and mass report them if it still exists. (Link to Instagram reel that this information is from)

ADDITION, PLEASE MASS REPORT THESE ACCOUNTS

[rebisrot]

[a-scary-lack-of-common-sense]

Part 2/2

By the time Stanley had realized he wasn't as alone as he believed himself to be entrapped in this ravenous abyss; he had honestly begun to suspect that he was finally starting to properly lose his mind.

In all the ceaseless miles that Stanley had journeyed during his apparent permanent residence within the dark devouring void, not once had he encountered another conscious, walking, talking being similar to himself. Every other formerly living creature that he had crossed paths with had been so... silent. Empty. Dead, in every sense of the word. It was as though the very essence of life itself had been sucked out of their bodies with a straw, their forms slowly falling apart piece by piece under the vicious gluttony of the darkness that surrounded them. They looked like they actually were supposed to be there, unmoving and comatose, unlike him.

So, when Stanley first began to encounter the twins, all of a sudden, he wasn't the only one in the dark.

When meeting the first pair of them, he found himself standing in a lake.

He hadn't even noticed the changes at first. It felt as though he had been walking for weeks on end, his body moving purely on autopilot and his aching legs leading him towards a destination only it knew. A thick fog of forgetfulness and flickering memories had descended upon his brain like a heavy blanket of numbing static as he had traveled. In this absentminded state, he hadn't even realized that the ever-present undulating, buzzing darkness surrounding him had begun to gradually shift and morph to form a horizon line; stretching into tall looming cliffsides that almost seemed to close in on him. Once the nonexistent floor beneath his soles abruptly began to ripple and warp, like the disturbed surface of a shallow puddle; only then did he finally notice his transformed environment.

The transition was seamless, almost dream-like. One moment, he was still surrounded by that filthy, overwhelming abyss; and the next, his boots were suddenly plunged deep into the cold, dark lake water.

The silence didn't leave, however. It still choked and stuffed its way into Stanley's ears to clog up his mind with thick cotton; the eerie quiet not quite matching the calm, almost serene scenery the void seemed to have abruptly transformed itself into. Like a movie with its sound cut off; leaving only the unsettling hum of the projector to fill the empty air.

It was odd. The lake was surely incredibly deep. He could obviously tell from how thin and pathetically small the shores appeared all the way from where he now unceremoniously stood in the middle of the lake. Stan could look down and see the darkness below his feet swallow what meager light that managed to break through the murky waters. The overwhelming black almost seemed to beckon him, gaping and haunting; a bottomless underwater pit of pitch black that never seemed to end.

And yet, he didn't sink. Stanley remained perfectly level, the almost ink like waters stopping just at ankle level, as though he were held up just above the surface by some invisible force. Even the writhing waves seemed small and low, as though the waters were shy to climb up his legs further than that. It was odd, so very odd.

However, it wasn't nowhere near as odd as the sight that greeted him when he finally lifted his eyes from the waters.

Stanley had crossed paths with truly unbelievable sights in this strange somewhere; from bursting, collapsing stars; to the imploding heat death of entire universes, but none of them seemed to hold the candle to what he saw then when he lifted his eyes:

Children.

Two, to be exact. Two, nearly identical looking children stood motionless before him; completely soaked through to the bone as though they had taken a plunge into the frigid water that pooled around their ankles. It was a girl and a boy, both adorned with twin expressions utterly devoid of emotion, their wide eyed stare seeming to burn holes into his thin jacket. Their drenched clothes sagged off of their scrawny frames; thin rivulets of water dirpping off of them and disturbing the glassy surface of the water at their feet. The little girl's hair had messily stuck to her face in thin sodden strands, her cheeks still full and round with youth just like the boy's. They looked young. Too young to be in a place such as this.

Oh, but their eyes; their eyes.

They burned with such anger; such injustice, brighter than any dying star or galaxies he had ever seen. Anger towards the world, to fate, to whatever cruel deity that had deemed them fit to be sent to this wretched place so prematurely. They were too young to be here; to be entrapped like he was amongst this hungry darkness. And yet, here they were, sheer denial against their own untimely deaths being the only thing keeping them awake and conscious amongst the dead and rotting. A show of juvenile defiance to nature itself so vehement even the all-consumign darkness seemed hesitant to devour them whole just yet.

It saddened him. It saddened him to know that they belonged there, that they were supposed to be there. He could see it, he could feel it; they were dead. No amount of determination could deny that universal fact.

When they spoke, Stanley could hear anger:

Stan chuckled in a futile attempt to lighten the suddenly heavy atmosphere that threatened to crush him whole. "A lake monster? You kids and your imagination," he teased, hoping to somehow rid the poor kids of the haunted look that seemed to whirl in their glares. No child should have been burdened with such a knowing look; such eyes that looked like they had seen everything there was to see about the world, the horrid and the good.

Clearly, it had been the wrong thing to say, and Stanley's faux pas was rewarded with a scowl from the little boy. A world's worth of sour contempt etched into every contorted groove that his grimace seemed to dig into his much too young face. Stan suddenly felt guilt squeeze at his weary bones for having caused that.

"That's what they all said," the boy spat out, eyes shining with a sheen of wetness Stan wasn't sure he was prepared to deal with.

Stan left that first interaction with the twins with the feeling of guilt and sorrow still clining to him.

He couldn't have known, at the time. He couldn't have known that this wouldn't be anywhere near the last time that he would meet the pair. He hadn't realised just how many of them there were. After that first pair, his endless journeying within the Abyss was hardly be spent alone anymore. Countless more times, he came face to face with the exact same two young and impossibly worn faces; forced to meet one pair of beaten and bruised kids after another.

Not one pair had died the same death as another. Some had gotten lost, prey to whatever threat that had snatched them up out in the open; some had fallen from high up; some had been crushed under an incredible weight; some had burned; some eaten alive; some zombified. Some didn't even seem physically harmed at all, body perfectly intact, and yet that same faraway, distrubed look in their eyes remained.

He thought the worst ones were the ones he found alone. A little girl or a little boy, left all lonesome without their other half there. Twins, he remembered a pair of them telling him once.

Once, he had come across a town full of silent, stone statues. It was a rustic, shabby, almost nostalgic looking town- odd and strangely familiar. The sight of it had tugged at an aged memory that had long since wasted away in the back of his mind. It was serene, almost deceptively so. The sun shone; the air smelled crisp and fresh; numerous waterfalls continued to crash down from the tall cliffsides; and a soft nonexistent breeze whistled through the thicket of pine trees that blanketed the outskirts of the town. None of it seemed to match the gruesome scene of the hundred wailing statues that littered every inch of the town.

He had found the boy's statue on the other side of town, deep within the green forest and toppled over the gnarled roots of a towering tree. Like the rest of the townsfolk, he too, was frozen mid-shriek; his stone face twisted and contorted into a mock impression of a silent scream as his body lay paused in a writhing struggle. He made sure to be gentle when he carried the boy's statue over to place it beside the girl's, whose statue stood far deeper into the forest, sporting the same rictus grimace of terror as her brother's. It somehow felt wrong for them to have been so far apart from one another, even in death.

He had come to dread meeting of the twins. He hated every second he had to confront yet another pair of dead children that did not belong here, but fate had decided they did. He despised having to listen to their tales of woe as they wept about the injustice of the world, of having died young; he despised himself for being unable to do more than weep with them.

"We don't belong here, Grunkle Stan," he would listen to the little girl weep, calling him a title he didn't recognize. He never remembered if they had ever told him their name, but they all seem to know his, without a fail. "If we're dead, then what about you? What about Grunkle Ford? Mom? Dad? What about them? We can't be dead, we can't be," they would say, confusion and frustration written all over their faces. They didn't understand. They didn't understand why they had come to the darkness so early, so unfairly.

He never knew what to say, he'd never been good with words.

All he could do was kneel down to their levels and engulf them in his arms, hoping he could somehow squeeze the pain straight out of their bodies in his embrace. He hugged them, because what else could he do?

[frownyalfred]

Jason coming back from the dead angry and out for revenge using a crowbar as his weapon of choice only to bash in someone’s skull with one well-placed, Lazarus Pit-fueled swing and suddenly getting hit with a flashback of gargling his own bloody teeth and fucking losing it on the cobblestone of a random alley somewhere in the Narrows send tweet

[daily-airimomoi-vitamins]

[uagh, my head]

[...]

[my...head?]

[....mine...my....I...me]

[...]

[Your head hurts, it's pounding. You very slightly open your eyes and]

[oh]

[there's blood.]

[you're lying in a pool of blood. Some of it is on your head...drip drip dripping down your face.]

[some of it isn't yours]

[you're just barely able to lift yourself off the ground. It smells terrible. Like an awful concoction of flesh and sanitary alcohol. The ground...it's colder than before. This is not the same floor as the one you fell on.]

[you...recognize this place. It's in worse condition but...yes...yes you remember]

[I... remember]

[that girl. In the back. This is where you found her before-]

[oh god. The blood and her memory. You hated the implications.]

[that corner, where she sat. She seemed so lonely...The thought of her tired eyes and small composure...]

[...that corner, a machine. It's blade doused in blood. It hasn't been cleaned]

[....a meat grinder?]

[your eyes widened at the thought. You quickly covered your mouth and shook your head, trying to rid yourself of the disgusting thought...]

[..Finally, you arise. Your legs are shaky, your head and hair damp with blood and cold sweat. What the hell are you doing here? How did you get here..?]

[you recollect what happened....Did she hit you over the head, or did you pass out? Perhaps, your head hit the floor too hard. Whatever it was, it didn't matter now. Now, your priority was to get ou-]

You're awake.

[..the pharmacist. She looked so oddly bleak. So...empty]

Took you long enough..he..haha...

[ah, that smile. But it just wasn't the same. Her eyes were narrowed, her arms in her coat pocket. She continued to chuckle]

Haha...heha....you really...really couldn't let this go, huh?

"..."

"..What did you to her."

hmph...I thought I told you before. She's dead...you know, I hate repeating myself. It's so fucking annoying. I fucking hate it.

Yeah, sure, I've kinda enjoyed all this. But do you know how much of an annoying little brat you are..? For fucks sake, and to think...I wanted to help you.

"H-help..?"

"are you being serious right now?! Help?! Since when has what you're doing been help!?"

...hm. I don't think I want to answer that.

[She moved off the wall, and starting to circle around you. You felt trapped]

"No-No that's not how it works. You've ruined my li-"

What life?

[She turned her head to you, inching closer]

What sort of life have you lived? What life are you remembering, hm? You don't have a life, not anymore. You're life isn't yours. Both of us. We do not live, we don't have lives.

mm...haha...

[She turned to the machine, putting her finger inside and swiping the blood off of the blades. She put her thumb in her mouth, wiping her mouth]

This life, wasn't alive either.

[You felt physically sick. You were fighting the urge to throw up, right there and then. You're fists clenched]

[You had so many questions....]

[Your eyes drifted towards the machine, a shiver down your spine following along. You swiftly looked behind you towards the corner of the room, thinking of that girl]

[stray-tim]

*He slowly drags his eyes away from the corpse, looking at Bitey's bloody hand* Wha- *The moment he starts to speak, his breath gets stuck in his lungs, making him cough violently. His eyes started to water and he curled into himself. Tim wanted to hide, wanted to forget. Maybe if he wished hard enough he would wake up from the nightmare. But he knows that that is not true*

C'mon! C'mon! *Bitey says, trying to tug Tim along*

@stray-tim

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[incendavery]

disclaimer: i have not harmed myself in any way, and i dont plan to.

these comics are a safe place for me to explore and externalize the intense feelings ive been dealing with. i am also taking practical steps, such as talking to my therapist and getting my medications adjusted.

if you are having urges to harm yourself or take your own life, please reach out to someone you trust to seek help.

[gallusrostromegalus]

A Miracle In The Night

Sometimes, you get an idea for a lightly fucked up short story. TW: Death, mild gore, Plot Twist :)

---

She travels through the night And listens

Some might call her home dark and cold and akin to the lowest levels of hell, But their heaven burns her eyes and skin and her very breath To her, The Endless Night is Paradise

The whole world was like this once, in the very beginning The Divine Darkness which contains the potential for every tragedy and miracle and everything in between, and she is blessed  to travel through the gardens of creation.

The Night created everything, even God, who lives in the burning world and blesses the sinless beings of the night with the very force of life.

But not even Paradise is free of suffering.

It should be this way, of course- nothing would ever happen otherwise. Everything that happens is a miracle. It’s just a question of who the Miracle is for.

There will be a Miracle tonight. She can feel it- the tension is electric across her skin, gut tightening, every sense on edge.

Starvation leads to such peculiar sensitivity.

She’s on the verge of death-  It should be this way, otherwise nothing could be alive. But she’s closer to the edge than usual.

It’s been so long since she felt the Burning Love of God within her. The delicious taste of good fortune in the night Chasing ecstasy with a racing heart and feeling her body fly The heat in her belly, seeping out through her until it filled her with the Divine Warmth of God’s Love.

It’s been so, so long since she’s eaten.

It’s been uneasy- the breathing of the world has been unsteady of late- too early and too late, out of time like it has become ill and all things suffer for it. There is nothing to partake of in her usual hunting grounds, so she has traveled far, far from home, into a brighter and hotter part of the night.

Here, the protective wall between her and the burning world exists only in scattered fragments, and strange and monstrous things traverse the thin veil between their worlds.

Here, the eternal night has been invaded by noxious, screaming beasts from the burning world above.  They race with their bodies straddling the barrier between their worlds, far faster than anything has the right to fly, howling with a deafening voice that can be heard for hundreds of miles.

It’s a problem because she cannot hear the songs of her prey.

Everything sings, if one will listen. The high, chiming pings of the smallest stars flashing with bioluminescence around her. The long, low songs of the fire-breathers, who hunt here in the abyss for one of her oldest brothers, but return to the barrier and briefly cross it to breathe before they return. Even the earth sings- the moan and crack of her body as she shifts her weight, the almost invisible inhale and exhale of her seasons. She even builds great musical instruments of ash and smoke and an even hotter burning than the world above, singing the tale of the first days of creation in honor of the endless night.

But the behemoths do not sing.

They scream and scream and scream and their piss reeks of vile poison and overexertion. Almost like the way an injured animal can put on a miraculous turn of speed to escape pursuit. What might be pursuing such behemoths is an awful but intriguing consideration. Perhaps the behemoths are the little darting beings of the burning world, and the thing they flee the equivalent of herself. She’s seen it before, when the moon is high and she travels up to the barrier, and the little dancing bodies leap across the barrier to avoid her.

To that end, she can only wish her counterpart good hunting- both in the sympathy between one apex predator and another, and the hope that maybe it will get better at catching the behemoths before they come into her world.

Still, Where there is disturbance, There is also opportunity.

There are rumors from those that live closer to the barrier that the behemoths piss poison but shit out bounties- the wastes of these things are food direct from the burning world, where God lives, and that waste is full of The Divine Warmth of Life. The direct waste is devoured by the smallest and fastest things first, but when they are clustered at their feast, they are easier for the larger beings to partake in, and so too larger things than they until even her most beautiful borderland sister with the belly pale as the moon is now as round as it, fat with the blessing of pups.

So she has ventured as close as she dares to the world of her sisters in hopes of finding the rumored prey so full of the Burning Love of God.

She needs it. She can’t live without it.

A Miracle will happen tonight.

Whether for her or the crawling lives of the deepest night remains to be seen.

She follows the terrible screaming song of the behemoth in silence and prays for a miracle. She does not sing praise when she prays. She preys when she prays.

The highest reverence to The Divine Night is to Listen. To travel in silence, and take in all the songs of The Night.

So she makes herself silent and listens and listens and listens to the screaming song, hoping that somewhere in the noise, she can hear the soft voice of God.

This time God answers with a voice like thunder.

It really is like being too close to a lightning strike, the way the noise viscerally passes through her and lights up every nerve, teeth gritting and body thrashing as she feels the voice of God the same way she feels the body of a lover against her own.

The scream of the behemoth changes. It sputters, then pitches wildly, low visceral injury and high keening pain, like the fire-breathers when they try to hunt the largest of her brothers and become prey themselves.

Oh, what a beautiful song to something like her.

She aches, weak and tired, but hope and joy surge through her and she forces herself to move at speed, even for all the energy it takes, because perhaps the miracle is for her tonight- 

She flies as fast as she can towards the dying behemoth, as does every brother and sister and ancestor and descendant, all as desperate to feast upon God’s Love as she- all of them race forward but then up, and up and up up to where the Behemoth is sinking into their world- It has run upon a fragment of the protective barrier hard enough to tear it's side and break it's back. There is the terrible acrid scent of it’s noxious  piss and if she were not on the verge of starvation it might be enough to put her off the feast.  

But she flies on and up- even weak with hunger she is one of the largest and fastest of her family when she needs to be, so she is the first to smell other strange things from the behemoth- burning flavors that sting her nose and mouth, as well as sweet things that confuse intrigue, and-

Oh. Oh, GOD!

It’s blood but nothing like any blood she’s tasted before- it’s actually HOT in the night, burning with the warmth of the other world even this far from it’s origin, rich and fatty and metallic like the flesh of a fallen fire-breather but even more so.  She spreads her wings and sways her hips and spine to fly as fast as she can, the way a lover pursues her- full of nothing but adoration and a desire to make their bodies as one.

Then in a beam of moonlight, she sees the first of the bodies from the burning world.

The frenzy at the behemoth is a feast for the ages, from the exultant chorus above, and the fact that even with every member of her family for a hundred miles around at the feast, there are so many bodies to feast upon that a body is falling past the festivities to her, uneaten and whole.

What a strange and beautiful body it is.

She pauses, circling it even as her mouth and gut ache for it, studying the being from the burning world.

It’s hot, hotter than any body she’s ever felt before, even though it is very definitely dead, as unsuited to breathe the night as she is to breathe fire. Its wings are long and twist strangely, like the tentacles of her brothers that are hunted by the fire-breathers. It’s awkwardly shaped, like the crawling five-winged creatures of the mud, but not quite.  There is an almost unsettling familiarity to its symmetry.

The fire-breathers say they used to live in the burning world, but returned to the night, and that all the beasts of the burning world had too once come from the night. It had sounded absurd, but looking upon the form of this being now, she wondered.

Well. Only the one thing to do, really.

Gently, she approaches the being, opens her mouth to embrace it, and welcomes it home to the night.

There is no love like the love the predator feels for its prey.  It is reverence made flesh- O holy being, oh virtue to pursue and make one’s own.It is the flesh made reverent- Please, little being of the burning world, let her love you as she loves her own children, the weight of your body deep within her own. 

There is no gratitude like the gratitude a predator feels for its prey. She owes you her life tonight, little being of the burning world. She lives from the mercy of your body alone. It is already a kindness she can never repay to live by your generosity, but oh, you made it so sweet-  Your blood intoxicates her senses, your body thrillingly warm- as agonizing as the fire of the burning world is to breathe in, it’s just as wonderful to swallow.

You are so sweet, so sweet, she will remember this favor forever.

There is no miracle like the divine connection between predator and prey. Oh child of the burning world, you who brings the Warmth of God into The Endless Night, You burning being of God’s Love. She is blessed by you, messenger of God.  Through you she receives the miracle of life.

Welcome, little burning being Welcome home to the night from whence you came Welcome inside her deepest self, and receive her hospitality.

She swallows the little burning being up with adoration, feeling it settle within her. Relief, ecstasy and satisfaction swirl but are interrupted by the appearance of another body. And another And another And another

The Behemoth itself falls, it’s body still curiously dynamic even torn in half- one end dives for the bottom of the night with somewhat alarming speed, where the other glides along to the depths on an angled path, the distant motion still visible with the bioluminescence it stirs up along it’s path. It is massive beyond anything she's seen before, more like a piece of geography than a living organism.

And all along its wake, hundreds of bodies spill forth from inside.

What a strange miracle this is. But she’s not one to refuse God’s Love. And if the beings of the burning world travel in huge schools with their behemoth, the peculiar notion that the little being within her might be lonely occurs to her. …Wow, she’s REALLY drunk.

Still, she eats three more of the burning beings before her guts are almost bursting with fullness, a bizarre sensation she’d only heard about from those who had been fortunate enough to feast on the fallen body of a fire-breather and had to leave the excess to the crawling beings of the bottom. So too, does she watch more bodies descend deep into the night as she returns to her world of darkness and song, the behemoth’s terrible screams now silent with rest, and the choir of the night rejoicing in this miracle.

---

Two miles above the revelry of God’s Favorite Greenland Shark, the survivors of the Titanic prayed into the endless night for a miracle, unaware it had already been granted.

[bizarrelittlemew]

strong contender for my favorite line + delivery of the episode

[cheer-soli-art]

“Ah. Camellias.”

Leshy, from @bamsara ‘s The Rehabilitation of Death

[vive-le-roi-au]

Prologue

(This post contains both images and text.)

(You’d been looping back to just the third floor for… you don’t know how many loops. Hundreds?)

(Maybe that was the problem. You didn’t do it all in one go. You just have to do it all, from start to finish, and kill the King.)

(From the top.)

(…Again.)

(You went back. Again.)

(Maybe you took too long. Just need to go faster.)

(…No. Still not enough.)

(It feels good though. Killing the one who killed you, thousands of times. It’s cathartic.)

(You’re even strong enough that you don’t need the Housemaid—MIRABELLE. HER NAME IS MIRABELLE, MIRABELLE, MIRABELLE!!!)

(…You don’t need Mirabelle’s help anymore.)

(…)

(You wouldn’t mind doing this a few more times.)

(…)

(Back to the stage, Siffrin.)

(…)

(…)

(…)

(It’s just another part of the loops now.)

(Go through the House. Kill the King. Talk to the Head Housemaiden. Something’s broken, failing, rotting. Loop back to Dormont.)

(The worst part?)

(Murdering the King has stopped bringing you joy.)

(It used to make you smile, seeing him crumble, blood spilling from his mouth, pooling on the ground.)

(Sometimes, you reduce his body to dust, cutting it up more and more and more until there’s nothing left. You’ve killed him slowly, draining him of his strength and bleeding him from a million places all over, watching the light slowly leave his eyes.)

(And you can’t even enjoy it anymore.)

(…)

(So why are you still here?)

(Whose fault is it that you’re trapped here?)

[a-scary-lack-of-common-sense]

A million possibilities, a million different deaths, and I just HAD to be the one that's all alone.