#describe stories badly

[sleep-well-dearest]

Describing my current WIP novel very badly-

Woman grows up with religious nutcase mother and murders children about it

Child made of light watches sister die and becomes a war veteran with her corpse as their ally

Ginger Australian sticks her hand in a beehive without hesitation and becomes the greatest chef to have existed in the fake summer camps

Man goes insane with time and hires child soldiers to kill each other for funny funny

The gods made a whoopsy daisies and now sed whoopsy daisy makes their divinity their personal versions of hell

Lesbians, a trans man and an aro-ace genderless life form become war criminals and are repayed for it with an airship and cake

Person takes 'eat the rich' way too seriously

What if the afterlife was a person and that person said 'hah, fuck you' resulting in multiversal catastrophes

Religious nutcase mother gets traumatised by own child and turns to cultism and vague homoerotic obsessions to get back at them for it

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[ganondoodle]

botw2 (totk rewritten) ganondorf design (+some story) post

Mummy version what link and zelda discover beneath hyrule castle when investigating the failing shiekah tech and discover a cave system that leads to several abandoned shiekah research/security sites and ultimately lead to a cave in which ganondorf is still sealed away by the ancient queen of hyrule; after the initial sealing (or capture rather) her descendant and the shiekah, who were rapidly advancing their tech at the time, build around it, both to keep the seal secret and safe (as the actual sealing was a short but intense battle between him and the queen that wasnt intended to happen like that, in the middle of the throne room that got broken and both ended up in the underground, the only survivor being the young princess of hyrule from that time- since all involved parties except for her died little was known as to how and why but the stories were spun regardless and ultimately the final narrative was in hyrules favor) and to use ganondorfs immense spiritual power and magical skill- eventually becoming one of the main power sources for all shiekah technology (ouch)

the chamber is all shiekah built (post sealing) and similarly secured like the monks in shrines (though visibly decaying and failing)- once disturbed the remainder of the ancient queen fused into zeldas hand (with seemingly no effect but temporary pain, perhaps she will hear voices from the past telling her not to explore any further .. still working on that) ganondorfs body falls to the ground but then springs back to life, somewhat clumsily but fiercly attacking zelda and link, the shock from being in this horrendous condition between life and death for thousands and thousands of years and suddendly being thrust back into his decayed and used up body still fresh

the mastersword is broken and links arm destroyed, both link and zelda start to flee from the crumbling cave, zelda dragging link behind her in panic (and as he is hurt)- after which link gets his shiekah tech arm (and the arm stays gone) and the world changes

mid game fight- this game is not as free in progression as botw, you can do alot when you want but some things will remain locked, the mid game fight can only happen once the 4 main regions problems have been dealt with (very different to canon totk, but that is for a different post) and the castle, which fell into the underground shortly after the intro, is made accessible (specific way how still in work) the interior is both broken castle, rooms previously blocked, and shiekah tech- since beneath the castle was a whole, giant array of tech made to secure the castle, including reserves of ancient energy specifically for the royal family and the entire mechanism behind the rising pillars filled with guardians-

at the start of the dungeon link is grabbed by malice/miasma hands and dragged into the castle, seperated from zelda and the mechanics she introduced (crafting/reparing weapons and more), theres no way out, teleports are blocked; after getting further in alone, zelda finds you again, and nothing seems out of the ordinary (unless you have a keen eye, she only uses her left arm and would walk past things she usually wouldnt) after a certain amount of progression, without warning, as soon as zelda is out of the cameras view she will attack you relentlessly, not speaking a word and with changed eye color- after fighting with her/beign chased into the main throne room, the real zelda breaks through a wall, her friends in tow (yunobo, teba+tulin, riju, sidon, which she went to to ask for help, explaining the time gap), and ganondorf drops the disguise, a fight with him (mummy version) ensues, though he is very much back to his senses

at the end of the fight he shows (or forces her to see) zelda his last memory from when he lived, the confrontation with the ancient queen to his sealing (since she doesnt know/is in denial of her families role in both all this and the sonaus (zonais) extinction (as well as the betrayal and persecution of the shiekah later on), and his beef is with her specifically, link is just her guard dog after all) (i wasnt sure to include a direct scene from the past, but this one scene is very self contained and gives alot of context while still letting most of the past be a mystery- as i want to keep it as feeling ... removed and unknown as much as possible from the world you know)

(after which he leaves the scene as zelda tries to understand what she just saw)

post revival Ganondorf (beginning of end fight cutscene and phase 1.) only appears at the end (excluding the possible cutscene in the mid game fight, which shows him in his time, alive, which is a different design than this that i will make for a cutscene/story post)

the end of the game is in/on the forgotten plateau (it ends were botw began :) ) perhaps it rose higher and revealed an entrance after more game progression (at least one more dungeon, master kogas, and the restorations of the master sword via deku tree dungeon and sword quest involving the dragons; how much of the past you cared to explore within caves, which ARE the underground- its in several bigger and smaller, harder to access caves, each being somewhat to very unique and reveal more context, is largely irrelevant, it mostly serves to give YOU more context and make you think)

the dungeon is within the plateau, once to the end there is a longer cutscene of zelda trying to talk with ganondorf, now in his, largely, restored form (largely as in, not exactly as he was in past, clothing difference etc), her having come to understand what her legacy is and wanting to take responsibility for it; he listens calmly and talks to her for a bit (but the tension is very high, he knows what threat he poses and his goals, zelda is visibly trying to keep it together) and for a bit it might look like she can avoid this conflict

but he makes it very clear then, that she cannot undo anything, there is no possible price she could pay, he has suffered at hyrules hands for generations, having seen the world that was his home grow into myth, see his own people forget him, and how the history was remembered, not as it was, but as they wanted it to; he is forever changed, ripped from his time and all he ever held dear (there are clues and a mention of him having had two daughters, a little boar figurine, carved from wood of trees now extinct, hangs from his belt even now)- he wasnt a perfect king, but well liked and kept his country to stay strong against hyrules schemes .. until he fell- he is not truly alive, he is in a strangers world and this world hates him, it is anger and hatred, rage against all that happend, guilt for having failed his own, feeling betrayed by them yet, even if not truly their fault as no one knew what really happened except him, but he was imprisoned, with no breath to speak nor air to scream

he does not care for this world and his only goals now are to disrupt as much as possible, be the unstoppable force that hyrules always been, be the monster they wanted him to be, do as he wants until someone stops him ...and kill zelda to end her rotten family- but even if she gave up her life willingly he wouldnt take it, she will have to fight and make her own hands dirty and she does not want to die.

your friends arrive, and the battle begins.

(rough examples of his weapons are further below; he fights with one arm only in phase 1. then reforms his missing arm with malice, borrowed from the boar appearance, though it is not usable enough to truly replace it, it acts more like beasts claw and to copy some of links abilities, like the hookshot)

Beast Ganon(dorf), normal appearance (phase 3)

at the end of phase 2 he knocks out your friends, changes into beast form and attacks you, zelda using her magic to shield both her and link so he cannot bite through, instead smashes them both through stone and dirt all the way to the surface of the plateau on which the fight continues, this time only link and zelda

(his movement isnt a senseless rage, but a graceful being, he moves and jumps, floats and swims through the air as the ground in an almost dragon like way, he still wields magic, not all malice, but lightning and perhaps even more too, it is still him, just a different form)

Beast Ganon(dorf) while charging magic (phase 3)

Ganondorf phase 2 + Ganondorf phase 4 (slightly out of order but the boar wouldnt fit on one picture with other forms)

at the end of phase 3 (beast) it seems like you have beaten him, he is down and zelda takes charge, ready to do as she did to the dark beast she faced before (dark beast ganon in botw) but as she raises her hand a sword slash cuts off half her right hand- he is not done yet and refuses to be dealt with like that again, not by her hand again-

the final phase is a mix of all, including his appearance, this is the final struggle, to give every last drop of strength, the hole in his chest is open, malice eyes staring from within, it keeps him alive yet still-

zelda is disabled for this fight, she has been taken to safety by your friends, this fight is all on link to finish; while this is his most desperate and vengeful form, he is not senseless either, he summons his sword to attack you with as he did in phase 2, then throws it at you, quickly conducting lighting to it and while you are busy dodging lunges like in beast form (to paint the picture a little), this fight is supposed to be truly challenging.

(heres a rough example for his weapons)

(not fully sure of the ending scene, but there is supposed to be a short view into a timeskip in which zelda also has half a prosthetic hand made from shiekah tech)

[sysig]

whoops i asked in the wrong place. would you be willing to do a request of the vargas boys in a SAW trap? thank you in advance <3

Day 2 - Was it not obvious enough

[seriousturd]

Little doodle comic of a BMB scene engraved in my heart ("companion" comic over here <3)

Close up of the mini Keiths under the cut:

[sevenfactorial]

When the professor says the answers aren't meant to be long shortly after you write a full page for half a problem on an exam

[aroaessidhe]

2024 reads / storygraph

The Principle of Moments

start of a scifi space opera series

a teen girl in the far future where humans are oppressed learns she has a destiny & a lost sister and escapes

and a young time traveler who’s given up trying to find his father through time, and is about to settle in 1812 with the prince he loves, but is unwillingly thrust into the future

they both learn their fates are entangled by a prophecy, and have to race across the galaxy, followed by a galactic emperor and the legacy of heroes from an ancient religion

[cdfreak]

alright guys heres my official mandatory post explaining why you should watch scavenger's reign on netflix <3 i think my trek (and general scifi) mutuals would all really enjoy it, especially if youre into alien/speculative biology - a main focus of the show is all the different biomes, flora, and fauna of this alien planet, and how our heroes can use nature's tools to survive. the humanity of robots is also explored in the show, for you android fans out there ^_^ !! not to mention, it's just an incredibly written show - the dynamics between characters are the legs this show rests and walks on and god are they strong!!! the evolution of relationships as stakes are heightened and limits pushed is sooo beautifully done, you feel engaged and personally invested in every group. its definitely an upsetting story at times, it doesn't shy away from grief, death, the gruesomeness of nature, but there is ultimately a happy ending (at least in my opinion) and i was left feeling very satisfied with the story and Extremely excited for more.

[antlerpunk]

thoughts on sound design and Divinity in ultrakill

[sammygender]

im new here- is dean abusive?

imo yeah. smarter people than me have written dissections of the way he treats sam & others (he’s also Awful to his psuedo-son jack, but i haven’t gotten to that season yet), i’ve probably reblogged a bunch of them.

he certainly doesn’t mean to be & i don’t say it to condemn him as a person or as a character & i’m still very attached to him & he loves sam very much (not that that makes a difference in whether u abuse someone or not) - but the way he treats sam a lot/some of the time is emotionally abusive and sam is clearly badly impacted. s4 and s8 come to mind as his worst moments also ofc moc era - after that there’s less interpersonal conflict (up to where i am at least) but that’s because sam mostly stops disagreeing with dean not because dean actually gets much better <3 spn is cycles of abuse show after all. family is hell. dean’s learnt pretty much everything about how to behave from his abusive father and as a result. well. cycle continues

[wutheringmights]

Im happy that Link got to have a home he can be proud of, even if it was a cage v_v

These poor boys theyre trying their best... This downtime in the plot is making me more anxious of whats to come. I Love it.

and here I thought everyone would be relieved and excited to see a greatest hit compilation of the Chain having fun and bonding

That reminds me. I had a lot of ideas I couldn't get to. One of them was Legend making it his goal to "crack" Spirit and figure out what his whole goal was. He and Warriors were going to have a bit where Legend schemes and Warriors tiredly begs him to stop.

Of course, Legend's plans were never going to work. This would all cumulate in a scene where Legend realizes that he read Spirit all wrong, and that Spirit at his core was a working man who did not give a shit about being a hero.

So he sic Hyrule on him.

The Chain was going to be passing through a village when Hyrule would grab Spirit's arm and declare that they had to go drinking together. Spirit would be too shy to agree, but nonetheless get dragged away.

Cut to the end of the night when they return: Hyrule drunk out of his mind, being carried back by a peeved Spirit.

At that point, Legend would give up.

I didn't write this for obvious reasons lol

[cambrianera]

summarize all your OC stories. But badly

yeagh sure man

hells house

a group of gay roommates struggle to figure out which is worse: being haunted by a literal malevolent spirit that transcends timelines, or interpersonal problems

goners game

[“we all die, you either kill yourself or get killed” vine]

baldwin county

what if a town hated you so much it killed your best friend and wiped itself off the map

survivors

2 exes get forced to make sure local group of children dont get themselves killed by the thing that almost killed them, while trying to not die of acute Repressed Emotional Issues disease

kronos

local criminal wants to quit his job without dying. this proves to be harder than usual

nine

vigilante gets himself killed to solve crimes. then he comes back to life. regularly. now she has to deal with the consequences of killing herself constantly while also trying to do his job. and bisexual thoughts

this is the end

so what if you woke up in an open world survivalcraft video game and didnt remember who you are or how you got there. would that be fucked up or what? im rod serling

comets descent

local woman and finds pair of twins that are from space and decides to take them home. the problem is that space wants them back

silver bullets

got framed for a crime and now youre on the run? good luck buddy

overgrowth

plants decide theyve had Enough and now they want to get you. this will affect the trout population i think

a story about the moon

moons haunted

[heloflor]

After seeing a playthrough of Bowser’s Inside Story, I gotta say I’m kind of mixed on Starlow, and no, it’s not just because of the Luigi bullying.

The thing with Starlow is that, on one hand, it’s great to see a female character who has no hesitation talking back and who can be a bit of an ass. But at the same time, the way they wrote her just…it really makes it hard to like her sometimes.

I think the main issue is that she’s written as someone who talks back but most of those interactions are with people doing their jobs and messing up. This leads to moments with Starlow criticizing someone for the things they’re doing, but then proceeding to do nothing whatsoever to help. On top of that, she’s kind of useless in the game, making her “I’m better than you” attitude really come off in a bad way.

(btw that moment with the doctor/fortune-teller calling her out on it is very satisfying)

The best way to describe the issue, and that’s when it gets interesting, is to compare her to how Bowser is written in this game. There are essentially two things that are similar yet different about those two.

1. Like I said, Starlow is often criticizing people for what they’re doing, which is something Bowser does as well. But where Starlow goes “Man you suck at your job. Do better !” Bowser goes “Man you suck at your job. Here, let me do it for you !” and that automatically makes Bowser more likeable. Because instead of just complaining, he actually does things (the section with the Monty Moles for example).

2. A bit longer to explain but the Tl;Dr is that Bowser actually learns from his mistakes and grows while Starlow doesn’t. To explain this, I want to describe two interactions between those two.

The first interaction is when Bowser forgets the code to his safe and orders Starlow to find it, to which Starlow gets angry with his tone and tells him to fuck off, only accepting to help once he politely asks her to search. That right here is really good, and is an example of a moment where I really like Starlow’s attitude.

But then you have their next interaction. Bowser just spent hours stuck in a safe (btw someone stuck in a liminal space like that is a form of torture), was thrown into the garbage so hard the safe broke, and understandably is in enormous pain. Because of that, Bowser asks Starlow to help with his back, and his dialogue here echoes the previous one in a good way.

He starts off his sentence as an order, only to catch himself halfway through and ask politely. Bowser just went through hell, is in a huge amount of pain, and yet still finds it within himself to be polite because he knows that’s how Starlow wants to be addressed. This also shows that he respects Starlow since he remembered that detail about her and is willing to avoid falling into his usual bossy attitude despite his terrible state.

And what does Starlow do in return ? She basically calls him a whiney bitch for complaining. Yeah….this is not a good look.

This actually reminds me of one of their first interactions, when Bowser can’t produce fire and panics about it, with Starlow telling him to just deal with it. The first time I saw this dialogue I was like “Hey Starlow, buddy, how would you feel if you suddenly lost your ability to fly, with no idea of why and the only one that might help is some random voice you don’t know anything about coming from your stomach ?” Although, I’d cut Starlow some slack for this one since this is very early on, so Starlow has every right to be mad at him.

And more on that topic, the thing with comparing Bowser and Starlow is that you quickly realize how much better Bowser is than her. I already mentioned Bowser doing things himself and showing respect to her, but then there’s also moments like him being humble enough to eat Wiggler’s carrot when being ordered to to “take responsibility”, or when he out loud says he will break the rocks in his path to free the Koopas, and decide to commit to it upon realizing the Koopas heard him. In that second case, he could’ve easily gone a different path and tell the Koopas to shut up if they were to say anything, but he didn’t. Instead, he said he will break that rock and that’s what he’s going to do ! Same for the Wiggler btw. He could’ve beaten them up instead of eating that carrot, which he does end up doing afterwards when Wiggler loses their shit.

So yeah, when you look at how not-very-useful Starlow is compared to Bowser, when you look at how they treat others, and when you look at their interactions with each other…it’s kinda hard to find Starlow likeable when a literal villain is a better person than she is (granted Bowser is more of an anti-hero in this game but the point still stands).

Funnily enough, some of those moments like the Wiggler, the Koopas and him saying please to Starlow while in pain actually show that yes, Bowser is a pretty decent king. At the very least, you can understand why his people respect him.

So all-in-all, yeah, I’m kind of 50/50 on Starlow. It’s great to have a female character on the hero team who has a lot of flaws for once, but it’s also hard to find her attitude likeable. Ultimately, I think the issue is how she’s acting the same with everyone. Like I said earlier, it is satisfying when Bowser is being a dick and she tells him off. But when Bowser is being nice, or when she’s interacting with someone who’s only trying to help, Starlow really comes off as an ass, which is not a good look.

And yes, while still a minor thing in BIS, her bullying Luigi doesn’t help either.

[atopvisenyashill]

if i did a reread of the walking dead and wrote an essay on how aegon ii and carl are doomed to be the last man standing by their narratives, and what starts out as a sort of cool & nifty super power of always surviving turns into this horrific curse where everyone they know is dying around them & sometimes it’s their fault & sometimes it’s not but either way they can’t ever stop it until they’re sitting at the ending with nothing but their lone daughter to protect but so broken they can no longer connect to her and then their story abruptly ends-

would that be like the Most stupid, nerdy thing i have ever done in my life or

[verisimilar-entropy]

Wistfully thinks of Spellwind, I should make a headcanons up to ep 31 list its just my equivalent of like Skyrim or lotr where theres so much going on and so dense but god damn one of my favorite episodes was when two of my favorite characters became trees and the entire experience was like...they were tripping on shrooms but also one with the shrooms? Its like episode 8

and I love the dms orc captain that hates going on land and is there for the in between transportation from sea to sea land to land ferryman (not really I feel like its mostly hard to narrate and have a character at the same time) I just love captain buttocks' (yeah I'm pretty sure thats his name) humor and how him and djett ('jet') were closer in the beginning

I love ty and varsha together but I also ship smith with them as time went on, I can't tell who I want to joke as the third smith and varsha are friends to lovers, ty and varsha are irritated assholes to lovers, smith is just a jaded old fuck that loves his morons (he respects varsha a lot and thinks ty is an entertaining idiot)

Varsha and Djett are siblings they love each other like family and share different spells and potions and knowledge of interest notes

I feel like the only person really thinking too deeply about this tabletop story and wanted to drop a few lines of appreciation, I like listening to it to go to sleep since its so slow paced and gently spoken and the music and sound efx is so sweet

[electroniccollectiondonut]

@everyone who's into gortash WHAT are you even talking about for real. no hate i just do not see it