#denied prompts

[emacrow]

Damian and the Dumpster baby.

Damian was doing patrols, with a bit of a minor rescuing and feeding the strays animals until he heard a noise from a dumpster.

Tonight was going to be a storm coming, and he rather check up on the strays, feed them, fixing any of the secure hiding places he put out for them for rain occasionally, and try to smuggle 1 or 6 into the barn again without Father knowing. Alfred can keep a secret sometimes.

Jumping on the edge of the dumpster to see a plastic bag tied up on the pile of trash with something squirming inside, alive obviously. Oh if this another group of puppies, he going to find the culprit himself and break their kneecaps and arms this time.

Easily untying the plastic bag and opening to reveal.. a little baby.

Not a kitten or a puppy, a living breathing human baby, cut and tied umbilical and a pale with a unique birth mark in a shape of a lichtenberg from his tiny hand fading to his chest.

This..

This was out of Damian's comfort line.

He had dealt with saving animals, people, children, hell even toddlers. He never dealt with a baby before much less a newborn.

He could panic later as he hear the sounds of a storm brewing. Carefully picking up the baby by the back of the head and and by the body, using his cape to as a blanket to cover the obvious nudity of the baby. Climbing onto his Red Robin theme Doom Buggy.

Taking care of a baby is no different then taking care of a baby animal, right?

.....

.....

.....

.....

He got caught after 5 month and a half by Alfred during feeding Danyal time, while scolded him about hiding the baby instead of coming to him.

He had a good reason to though, last time he told Alfred about the last newest addition, Bruce sended the Jafar the Ligor to a sanctuary. He still felt betrayed by that.(even though now Jafar is happily spending his days with the other mixed big cat breed but still)

He done a good enough job taking care of Danyal, even though he had to secretly look up baby stuff, medicine, clothes, a soft bedded cot and diapers.(the smell was much less worse then the sewer) he considered himself a great care-taker.(even though in the back of his mind, he feared that he might had unlocked that genetic adopt-bat bait traits that Dick warned him about)

Damian had gotten.. a bit attached, considering the idea of putting danyal in orphanage or a foster care wasn't ideal afterall the corrupted ones that Father and him had broken through over the years left a bad gut feeling if he had actually gone through with his plan. Danyal was one of his babies, only not covered in fur, scales, or a shell.

And he didn't do everything all on his own, Cass was the only who figured it out, kept it a secret and help out.. then steph found out... and Jason, Tim and Duke unfortunately found out after Cass and steph snuck danyal in the manor for a nice bath.

Only reason Dick didn't found out because everyone know he can't keep a secret away from Bruce's ear for long after found out Jason's new girlfriend was the new therapist in Gotham, and telling Bruce would feed his adopt-holic again and he end up having baby fever. (Tim didn't tell him what that word meant but he did look it up in a baby care guide book for new parents. And EW)

They were going to wait it out til Danyal was at least toddler age before sneaking him in the manor to gatekeep gaslight girlboss Father into thinking he already adopted him. (Steph's words, not his)

New post <-

[cute-sucker]

domestic life (w/rafe)

about: this series is gonna be super, short and cute! just a bunch of compilation of your life with rafe + super super domestic fluff <3 send requests if you would like !

the days were sweltering hot, and you could barely take it, feeling so overstimulated you felt like you could cry.

all it would take would be a slight comment for your eyes to start watering, so you knew it was a good decision to carefully walk down to rafe's truck. good thing your boyfriend was always willing to turn on the ac as much as you wanted.

the minute you jumped into the car, rafe leaned in closer to give you a kiss with puckered lips, an easy grin on his face, "there's my pretty girl," he murmured fixing your seat before grazing your face with his fingers.

you grimaced looking away pushing a hand to move him away, pink skirt fluttering as you redid your lipgloss. rafe looked at you with a raised eyebrow, gruffly muttering something under his breath after your rejection.

"i'm all gross, rafe. can't deal with it," you groaned, rubbing your hands in your hair to make it look better, "shit, this heat is really getting to me."

"c'mere, what the hell does it matter?" he groaned ignoring your meek protests before grabbing your face to give you a proper kiss, "i've seen you worse," then he gave you a suggestive smile as you smiled shyly, rubbing your face on his shoulder as he muttered in approval.  

"that wasn't so hard, was it?"

you hide your smile now, humming softly. giving him a slight look you adjust the toggle of the air conditioning, feeling the chilly breeze cool you. rafe looked at you bewildered as you turned it up the whole way, a cheeky smile on your face. you knew he couldn't stop you. you knew he didn't have it in him.  

"y'know i turned it on before you came in? spent five minutes fermenting in this fuckin' cold"

now you rolled your eyes, fixing your necklace to make sure it was on display. sometimes that was how you won arguments, you just flashed your little necklace that had a 'r,' on it, and you swore rafe's eyes went glossy before he coughed to stop himself to kissing you. it worked every single time, but this time he was scowling, shaking his head as he continued to drive.

you nudged him gently with your manicured finger, "rafe? rafe...rafe?" you whispered in his ear, before he let out a small groan slowly pulling over the car.

"what is it?"

you bit your lip, fidgeting before you looked up.

"spit it out."

you sighed, "i can't deal with the weather rafe. it makes me feel super ichy, and disgusting. i need this. i really do." now you're practically whispering, looking up at him with wide doe eyes. you watch him close his eyes, gripping the steering wheel so tightly his knuckles turn white.

finally he let out a soft sigh, as he ran a hand through his hair as if it made sense to him. sometimes he talked to you about his sensory issues as well, in that soft offhanded way, telling you how it irritated him the way that the tv was loud enough to make his head burn, or the way the tags on his t-shirts had to cut off properly, and now you wished that he would understand.

you shivered now, like a frail leaf on an autumn day, hoping that you wouldn't be met with his cruel words, hoping that he'll understand and somehow, somehow he places a warm hand on your waist, a gentle frown on his face.

and in true rafe fashion, he gives you a small pat on your head, pulling the car back into drive, and he's practically cooing now but there's a sweet edge to his words as if he's pulling you apart like cotton candy.

"yea', jesus, i should have known better," and then he tosses a cd into your lap, and you know he's trying to apologise through his actions as he gives you a soft kiss the on the forehead

"c'mon put on one of those cheesy songs."

[justaz]

lol arthur realizes with the other knights after watching merlin flirt and being hit with a wave of deja vu: holy shit you asked me out

merlin and the rest of the knights around a campfire after leaving a village bc lancelot and leon somehow started a brawl in the tavern: ???

arthur points at merlin: after valiant! you asked me to buy you a drink! you were asking me out!

merlin is busy cooking dinner and confused out of his fucking mind: what???…..valiant….oh the knight with the snakes.

gwaine who was slightly tipsy now stone cold sober and sitting up straight against a tree: wait. explain. what do you mean merlin asked you out??

arthur snaps his fingers as he recalls the memory: i apologized for sacking you and you said that if i bought you a drink we’d be even.

merlin now remembering how he had stumbled into camelot, picked a fight with a pigheaded bully which quickly turned homoerotic and flirtatious, and continued their teasing-flirting for days before merlin shot his shot and asked the prince out only to be rejected: oh yeah, i forgot i did that…..wait, you mean you didnt realize what i was asking?

arthur: no?? we argued everyday, how was i supposed to realize you were asking me out??

merlin now abandoning the dinner and staring across the camp at arthur while the rest of the knights watch their back and forth like a game of tennis: to you we were arguing, to me that was very much flirting. i thought you were flirting back so i decided to ask you. then you rejected me

arthur, mentally beating his past self up for fucking up their chance: i didn’t reject you!!! i just didn’t realize what you were asking me. how was i meant to? we fought every chance we got

leon, nudging elyan, glee and excitement riling through him: its happening!!! its finally happening!!! seven long, grueling years is finally paying off!!!

merlin, realizing the misunderstanding and acknowledging the fact that he wasn’t rejected, his flirtations just weren’t noticed - realizing he still has a chance: oh…oh i see. arthur, my dear, our fights were extremely flirtatious. need i remind you of what you said? “do you know how to walk on your knees? would you like me to teach you?” or “i could take you apart with one blow”

arthur, mental capabilities at an all time low: m…my dear….?????????

merlin grinning devilishly as he realizes that his flirtatious persona he had hidden away after falling head over heels for arthur can make a come back: that is what i called you. should i call you something else? say…mine?

percival gags in elyan’s ear: cheesy

elyan hides a laugh: at least they’re finally getting somewhere. better than the hopeless pining

arthur, flushed from head to toe: ah uh no um im uh

merlin thoroughly enjoying himself: oh come now, your majesty. use your words.

[ghostbsuter]

There was a teen in the cave.

A teen no one knows and looks like he could be a wayne, stands in the cave.

"Actually, I'm a wayne." He says with a shrug.

Bruce, Batman, carefully thinks of the implication.

"Not yet," The teen, Danny, doesn't say anything. Simple smiles. "You're not a wayne, yet. You will be. But not yet."

Then Bruce sighs, dropping the batman mask in order to take in the teen.

"Does future me know of the time travel?"

Dannys smile grows into a grin, deciding to take pity on the man. "You, grandbat, have..." He makes a vague gesture. "Theories, which none of your children ever confirmed."

The bat's mind short-circuits at the choice of words

Dick is sputtering incomprehensibly, there are Baffled expression all around.

Because.

Because that child isn't Bruce's, but one of theirs.

"Who is it?" Jason demands, hand clenching his gun uselessly.

Danny continues to smile, a hint of mischief now peeking out.

The cave is filled with theories, some yell, some sob, yet all eyes leave danny.

All but one pair.

She had known the moment his body language switched just enough for her to read.

She had known the moment he disappeared before the clan.

Had known when his hand found hers, shoulders bumping.

Her heart clenches, throat dry and memories of her childhood flooding to mind.

So she asks, voice soft and hesitant.

"Am I a good mother?"

And danny looks up at cass, adoration and pride laid out plain for her to see and accept.

"You're the best."

And so they both watch the clan together, silent and comfortable.

(Cass doesn't question when she finds him, how and why. All she knows is that she's more attentive when out on patrol, looking and waiting.)

(This is how Cassandra Cain-Wayne returns one night from patrol, a child, barely out of toddler stage and clinging to her form.)

(This is how the Batclan officially meets one Daniel James Cain-Wayne, freshly washed and clothed, a cookie in hand and hiding shyly behind Cass.)

(When they meet, all they say is "Welcome home, danny," and "Good to see you again.", Danny doesn't necessarily get it, but that's okay. Maybe his new mom will explain it one day when he's bigger.)

[postpendulum]

Damian's new classmate was what most people would deem as strange, Damian however could not see him as anything other than suspicious. Daniel Knight had joined in the midst of the school year, claiming to have moved here with his father Fredric Knight (first area of suspicion, a parent willingly moving both them and their child to Gotham) for a new start following his fathers divorce. The boy was reclusive when not spoken to directly, however he would not stop talking when a topic of his interest would come up. After searching further into his past (as he does with all his classmates) Damian found a relatively normal past, the only outstanding things being a noticeable drop in grades at the beginnings of freshman year relating to an undisclosed accident resulting in lichtenberg scarring starting from Daniels palm, and presumably up his arm being hidden by his sleeve. Apparently this accident left Daniel with irregular tremors and, every once in a blue moon, seizures. Damian had thought about taking this suspicious blockage of information to Tim or the Bat Computer to be bypassed, however the idea of sharing Daniel this cases existence with the rest of his family for some unexplained reason bothered him greatly, so Damian has come to the decision to figure out Knight’s true intentions on his own.

Meanwhile Danny’s just trying to live his new, semi-normal life in peace. After a reveal gone wrong results in some good old vivisection, Jazz Sam and Tucker recruit the help of Clockwork to find Danny a new home, where he can heal from both the physical and mental wounds. Clockwork ends up dumping Danny into the DC universe alongside Fright Knight, who was insistent on going with him, feeling responsible in helping to protect his young prince now since he feels he failed the first time. So with a bit of spacetime razzle dazzle, Tucker messing with stuff he probably shouldn't have messed with and a very tearful goodbye with promises to check in every day, Danny goes off to start his new life as Daniel Knight. It was going ok so far, he took half the year to himself, focusing on healing. Also so Frighty could adjust to the whole pretending to be human thing. Danny doesn't have any friends yet, and to be honest hasn't made the effort to make any (Jazz would be disappointed if she knew that), but there's this one boy in Danny's class who might be even weirder than him. Danny can feel Damian's eyes on him, knows how he follows him around without a sound (Danny really shouldn't be able to tell, he only knows because he isn't fully human(and in a weird way, Danny thinks that's kinda cool)), and whenever they do make eye contact Danny can see and feel the boy fluster and shy away.

Maybe he just needs a friend too.

[hisaangel]

y’all fw the shirt??? 😋🫶

[the-travelling-witch]

thinking about a spider-man au with childe

you’ve had a crush on ajax basically since the first day of college. he’s funny and witty, surprisingly smart for his jock aesthetic and -let’s face it- very hot. all of which is contrasted by the way he fumbles through a conversation with you, an air of clumsy yet innocent charm about him.

and then you’re walking home late at night. an arguably questionable decision that ends with you coming face to face with a criminal you’ve seen on tv before. but just as you’re contemplating your options, your heart leaping out of your chest, you’re being swooped up and into the strong chest of the uprising hero people have been whispering about in the hallways.

all of a sudden, high above the city skyline, your heart is pounding for a whole other reason as the guy tries calming you down. he sets you down not far from your apartment and you thank him profusely, to which he merely assures you not to worry about it.

as you fall into bed that night, you can’t stop thinking about the way his muscles moved beneath you, how melodic and familiar his voice was. when you try to imagine what he looks like underneath the mask, somehow blue eyes and ginger hair come to mind but you shake it off as your brain conflating your college and celebrity crush.

meanwhile, ajax is sitting on the edge of a building, dragging a hand down his face as he tries to regulate his heartbeat. going over his conversation with you again, he mentally kicks himself for basically anything and everything he said. seriously, would he ever not fumble while talking to you?

[jesuistrestriste]

okay this is so random, but I've been listening to mr.saxobeat on repeat for like 3 days (i luv nostalgia) and I thought of art. like imagine art at the club with reader and they're dancing on each other, the reader is whining and grinding on art while he's kissing on her neck and then they get home and have some steamyyyy hot sex like WHEW ( idek if fantasy is the right word but whenever I get a boyfriend, one of the things i'd love to do is go to the club with him and just dance on him and have a good ass time but men suck lol)

ughhhh yea:/ getting him all worked up on the dance floor and then letting him take all of the frustration out on you once you’re back home ..

i feel like if you take him to the club, he’s all over you. it’s a chance for him to just completely let loose with you; buying you whatever drink you want and kissing gulps of it into your mouth—licking the sticky remnants off of your chin when it dribbles down—before he buries his face into your neck and pulls your hips to his.

his biceps are flexing while he hold you flush to him, moaning against your warm skin and trying to grind against your body. he’s rolling his half-hard cock into your ass from behind after you’ve flipped around to dance with him like that. the music pounding in your guys’ ears, the colored lights pulsing in your vision, while you cling to each other to keep yourselves upright. it’s all heavy breathing and low groans after awhile. . .

and art’s a complete mess by the end of the night, basically sweating pure alcohol and arousal.

it’s a miracle that he didn’t cum in his pants before he could get you two a taxi and go home to fuck you sloppily against the apartment door as soon as it shuts. his hand cupping your jaw as he whines and breathes into the back of your neck, “need this, needed this, fuck fuck fuck, god-!”

[softmangoes]

First, I just wanna say, I adore your writing. From your word choice to the way you convey every emotion, it is nothing short of stunning.

I binged all of your writing, and I was so thrilled to find your DoL fics!!!! If you’re feeling inspired, I’d love to see your take on the LIs reacting to the PC becoming a Fallen Angel, especially if the PC fell for them (like, letting them take the PC’s purity).

In game, it feels kind of tragic falling, especially when doing the quest for the spear, but on the other hand, the whole, who needs a God’s love when I have you is a special type of romantic that I really love.

I hope you have a wonderful holiday season if you celebrate! If not, I hope you’re having a wonderful winter in general!!!

hi hello!! thank you for all your kind words and i'm so glad you liked my dol fics!! 💛

the graciousness of your message has filled my well of inspiration, so here you go and i hope you also enjoy this 🥭

"why me?" pure!sydney says between breaths, between kisses that only make you both yearn for more. your skin is hot against his, while the wall of the library's private study room is cold against his back. he knows he shouldn't be doing this, that the temple would strip him of his status, and that your embrace marks the end of something he's been building all his life.

so why him? you are a holy thing, after all. untainted. pure.

and yet, as you grind against his length, the slickness of you irrestible now that his cage lies beside him in fragments, he finds no trace of regret within him - only reverence, only devotion. only the urge to take your breast in his mouth and to finally slip his length inside you, savoring the warm wetness that anoints him with the miracle of your consummation and the sound of your song.

"because it's me," he murmurs, his hips finding the pace that makes you shudder. after all, why can't a study room be a holy place? who says the bruises from his lips can't count as praise? when he feels you tighten around him, your feathers smoldering as your voice cracks in pleasure, he has his answer. "because," he gasps, reverence threatening to spill. "there's no one better to worship you."

"all saints die," corrupt!sydney murmurs, breath hot between your thighs. his fingers are digging into your hips. the marble altar is cold against your back. you both know you aren't supposed to be here, but there is a thrill in the forbidden.

he dips his tongue into your warmth, the sensation of his veneration smoldering even moreso than the feathers charring on your back. "what is this, but another apotheosis?" he muses, pulling his midnight hair into a ponytail. "another transformation?"

you feel thrilled at the comparison, knowing how you have both changed each other.

a dark force churns within you, tight and coiling. you recognize it as hunger, as the lust you have denied yourself so long in the face of virtue. but what use is virtue, when it can be easily cleaved by the warmth of a hot tongue? when the eyes that behold you in worship reflect the same golden light that used to grace your skin every day? as if sensing your hunger, sydney slips his fingers inside you, filling you. your hips sway into his touch, wanting more. wanting to burn together.

you shake in whitney's embrace, whimpering at the pain, the burning, the visions of the world cracking open and corruption spilling through like so many hungry tentacles reaching to engulf the light. and yet, you would do it all over again to feel his breath, his skin, his desire for you all for the first time.

"hey," he says, scooping cold water onto your tender back. it does little against the fire you feel in every feather, the taint eating away at each filament. "stay with me." there's a tinge of panic in his insistence. you aren't quite sure whether it's real or a hallucination. although he is your former tormentor, this is a kind of pain he is unfamiliar with, yet committed by his hand all the same.

your eyes dull. whitney adjusts his weight, water sloshing in the bath. he jostles you, willing you to stay conscious. whatever the fuck is going on with you, you can't leave him. you can't go before he knows how to help you.

before the darkness takes you, the last thing you hear is him telling you he is sorry.

there are tears in kylar's eyes. "it hurts?" he says, daring to touch your half-singed feathers. you nod, straining to unfurl them to reveal the slow fire eating away at the soft ivory. your halo is cracked, bleeding inky corruption that sizzles upon contact with the air. "it's because we...." his voice shakes, the guilt lancing through the pleasure of your skin just moments ago. "we..."

how dare his selfishness cause your agony. if only he could unmake a moment, exercise even a minute of restraint. perhaps then, you wouldn't be in this pain. his fingernails dig into his palm, teeth sinking into his lips as tears stream down his face freely.

but your mouth covers his, your soft tongue lapping at the blood beading on his lips. your kiss, so gentle, feels nothing like lament. only the delicate grace of forgiveness.

"you're beautiful," eden says, mouth hot against the hollow of your neck. when he first saw you, wings unfurled in the light of the clearing, he thought that you were some kind of strange bird. right as he leveled his shotgun to take aim, he remembered you turning to face him, a look of surprise gracing your features as you beheld the man who would have been your end.

it was a while before he first touched you. your skin burned. the air in the cabin would ripple from your heat. even the bars of the cage threatened to warp. in the cold of the winter, your rage radiated at your confinement, a prized bird trapped in crude metal.

the hunter knew that he was not worth your beauty. your very presence made the shadows of his past all the more darker. you were an angel, a being of pure light, and all he wanted to do was take your warmth for his.

then one day, like a miracle, you came for him. he had collapsed into the cabin, his body stiffened by the cold. hair cracking with ice. he had fallen into the lake while fishing, the ice sheet far thinner than what he originally estimated. he looked at you, glowing in the dark of the cabin, teeth chattering as he unlocked the cage with his hand outstretched.

"go," he rasped as the door swayed open. "it won't be long until -"

warmth spread across his body the moment your mouth pressed against his. you tasted like honey, like sunlight, like every summer he never thought he would live to see. to his surprise, he found you breathless, lips at his neck, telling him to take you.

"why?" he asks, voice hoarse. his fingers run through your hair. because he fell, you tell him, and it was only right that you would as well.

"something's burning," robin says, fear tinging his desire. "is it you? we can stop -"

you silence him with a kiss, tongue tasting his lust for you. your feathers are charring, your halo cracking. before this, you had both talked about the consequences of what would happen. once you were intertwined, there would be no going back. the both of you would be burned into each other's lives forever.

besides, this moment feels less like falling and more like flying: robin's warm eyes on you, his soft mouth parted in pleasure, each sway of his hips bringing you both closer to sweet oblivion. all you can do is card your fingers through his hair as he whimpers against you, sending you both soaring into the heights of a new heaven.

"the moon waxes and wanes," the wraith says, tentacles tracing the darkness of your once brilliant wings. one of them prods at the shards of your halo, corruption leaking from its fragments. you wince, the pain sharp despite the gentleness of the abomination's touch. "and even when it bleeds, it is beautiful."

tendrils, thick and strong, knead along your shoulder blades right where your wings protract from your back. this earns a sigh of relief from you - one that he drinks eagerly with his cold mouth.

"flight must make you ache," he says, his voice nothing less than a sonorous purr. "i may be able to assist."

with his lower pair of hands, the wraith lifts you against the walls of the ruin. he slips inside you with ease, your fingers grasping the silver threads of his hair as you take him. his countless tendrils suckle and writhe against your skin, drawing sounds that echo into the darkness of the ruin. the wraith is a force, a wave of pleasure that does nothing else but pull you further and further into its depths.

after all, you chose to sacrifice the love of a god for the heart of a monster. what else can he do, except devour you?

[thebiggestfuckgiven]

i have been getting pretty inspired these past few days so here’s a lil dpxdc prompt for you all!

Danny, in ghost form, is on a wild goose chase looking for a mischievous animal ghost that leads him all the way to Gotham. Annoyed and lost, he’s about to call it quits when he hears a scream coming from an abandoned building.

Never one to ignore a scream for help, Danny flies into the building. There, in the decrepit hallway, was a man in a slightly terrifying red helmet clutching at the wall with trembling arms like his life depended on it.

or,

Danny finds a Red Hood high on fear toxin.

[tofuingho]

Imagine Jazz is dating Dick and the Batfam knows. They probably haven't had a formal introduction, but they've done a bit of investigation. They know all about the Dr.s Fenton and their inventions. The know about Danny and Dani's different achievements.

The one weird thing is that they can't find any clear photos of Danny or Dani.

One day, one of them sees her out and about with an absolute mountain of a man. He's very attractive and has black hair and blue eyes.

They're obviously very close to each other. They're very comfortable in each other's space and often put a hand on the other's arm or shoulder.

Oh my god. She's cheating on Dick.

[luckyfox3000]

DC X DP PROMT #8

Hey Kits! How was your day? New promt!

Danny fenton, Phantom, ghost boy, eldritch abomination, son, brother, and now, an arts teacher.

How did he reach here you ask?

Well Danny can't quite tell you either (he's still confused) but here's the short summary.

Danny had continued his activities as Phantom, slowly growing tired of constantly being chased around and accused.

The breaking point was when he and Ellie nearly died at the hands of the GIW. So. Here Danny was, now an arts teacher at Gotham academy home to the rich and snobby. Why arts you ask? Well, it was all Sam's idea.

They were planning on getting the position as a science teacher instead, but Sam pointed out it'd be too obvious. And besides, who would expect Danny Fenton to be an arts teacher of all things?

So, art it was.

However, danny (thanks to Sam's forced enrollment in arts study) has become quite proficient in teaching arts, and he has noticed just one student hanging back, and staying during break times.

The infamous Damian Wayne.

Feel free to add on or use!

Sorry for cutting it short loves, been a busy day. I'll try for a bigger one soon!

[fuckyeahisawthat]

Please, talk about the Gom Jobbar scene

Oh hell yes.

So this is one of those posts that really should be a short video essay of me talking over the scene but instead it is gonna be a loooooong wall of text and screenshots. Maybe it will assume its final form some day if I'm ever in possession of the free time and patience to make video essays. I also highly recommend watching Denis Villeneuve's own breakdown of this scene from 2021. I'll try not to duplicate things said there.

We have to start with the setup, which begins with this scene:

We see Jessica on her knees, in the rain, waiting for an arriving ship. These are the first shots in the movie where we see Jessica when no one else is watching her, and this woman who stood calm and composed before representatives of the Emperor of the Known Universe is terrified. Which creates an immediate sense of dread over whoever is coming in that ship.

Whomst in the fuck now?

We also get this shot where we're alone with Jessica. It's a little hard to see in a still frame but there's a moment where she, like, steels herself before she wakes Paul up.

Holy fuck tho, I just noticed the similarities between this shot and the one of the Bene Gesserit arriving, with the almost monochromatic color palette and the shafts of white light.

Once Paul wakes up we shift to his POV. He immediately knows something is off ("What's wrong?" is the first thing he says) but gets no information about what's happening.

Then we get this short scene, where Paul is told he is going to meet the Reverend Mother and but not much else about what's going on. The whole "She wants to know about your dreams." "How does she know about my dreams?" [no answer from Jessica] exchange, I think, implies that she knows because Jessica told her about Paul's dreams, which is this little tiny betrayal of confidence that gives Paul the first inclination that his mother may not be someone he can fully trust in this situation. Which is exactly what Dr. Yueh warns him about immediately after.

We also get two new languages used in this scene. Dr. Yueh speaks to Paul in Mandarin, which he understands and presumably Jessica does not. This gives us a piece of information about Paul's curiosity toward other cultures and his facility with languages. And Jessica uses the Atreides battle sign, which Paul also understands. Outside the library, Jessica pauses to give Paul one more silent warning, although she still hasn't told him what's about to happen.

This is just the setup. So before we've even entered the room, we've created this sense of unsettled foreboding dread (the Denis Signature Vibe) without a clear understanding of why things are happening--which is exactly how Paul feels.

I should also add that in the book, this scene takes place during the day, with the Reverend Mother sitting in front of a window. Shifting it to the middle of the night not only makes it way creepier but also tells us that (1) the Reverend Mother is the kind of person who can command Jessica's attention at any time of day or night and (2) this is all somewhat illicit and possibly is happening without Leto's knowledge.

Whomst in the fuuuuuuck?

We get this sort of weird POV shot of Paul crossing the room when it's not actually happening:

which I think is supposed to suggest some subtler form of control than the Voice, which Paul resists.

Before they've even properly entered the room, Mohiam manages to insult both Paul's parents ("defiance in the eyes, like his father" and dismissing Jessica with a curt "leave us"). And the first thing Paul says is to defend his mother's place in the social hierarchy ("You dismiss my mother in her own house?") with all the haughtiness you would expect.

The power dynamic gets rapidly clarified.

Momentary aside to say that I love the composition of this shot. Neither of them are quite on the third--they're just a bit too close to each other to make the shot look balanced. But neither of them are in center frame either--the box is in the center. They're not exactly aligned to the light gray columns between the bookshelves behind them, either, and the bookshelves are just slightly asymmetrical. It all makes things feel just a little claustrophobic and unsettling. Denis Villeneuve frequently uses this technique of creating unbalanced shots and intentionally leaving too much space in awkward parts of the frame to create a sense of unease.

Paul isn't kneeling in the book either--he's standing beside the chair in a setup that I don't think would actually work given the heights of the actors here, or would look awkward as hell. So they've solved a practical blocking problem and done some storytelling with it as well.

This is where we get our first look at the Voice at full power, and it's one of only two scenes where we get some subjective POV of what it feels like to be Voice-controlled (the other one being Feyd-Rautha and Lady Margot's interaction which deserves its own post). I really like that they didn't go for Voice Slow (zombie shuffling across the room) because Voice Fast is much more disturbing. The subjective experience of it seems closest to like, blacking out and waking up in a place or doing a thing and not knowing how you got there. The camera effect is just a really fast dolly and a slick edit, but Timothée really sells it with his split-second moment of confusion and shock before he realizes what happened and gets angry about it.

So now we're here, with the poison needle and the pain box.

"No need to call the guards. Your mother stands behind that door. No one would get past her."

This is a slick fucking piece of editing. Because just as Paul is learning that his mother has not only trapped him in this situation but is ensuring it continues uninterrupted, we cut to Jessica for the first time since she left the room and we see how absolutely terrified she is.

Also from this point, the sound in the film starts crossing the barrier of the door--we hear some of the dialogue between Paul and Mohiam when we're on shots of Jessica, and when the pain sound effect starts up, we hear it continuously on both sides of the door. So even though Jessica is not literally experiencing the pain, it feels like she is vicariously.

It would be really easy to tip the balance of sympathy in this scene one way or the other--toward Paul who's realizing his mother has handed him over to a painful and potentially lethal test, or toward Jessica who is listening to her child scream in pain and not only cannot stop it but is tasked with making sure it continues. But Denis Villeneuve is an absolute master at controlling and directing your POV in a way that allows you to feel sympathy for multiple characters at once and engage with complicated, contradictory emotional landscapes, and this is a little demonstration of what he's going to do on a much larger scale later in the story.

Timothée's pain acting...is excellent, that's all I'll say about that. Love that he's allowed to get all gross and drippy with it.

Now we get to the litany against fear.

Jessica starts it specifically in response to hearing Paul scream on the other side of the door. So, practically, she is using it to control her own fear. But the way the scene is intercut, it plays as if she is almost coaching or guiding Paul into controlling his own reactions. With every line that she says, we cut back to Paul as he is starting to master the situation.

"I must not fear." Paul is not in control here and seems about at his physical limit for keeping his hand in the box.

"Fear is the mind-killer." This is the one where it really seems like he could be reciting the same litany in his head or under his breath.

"Fear is the little death that brings obliteration." We don't really see Paul's face in the accompanying shot, but the pain sound effect really goes into overdrive, like she is pushing him harder.

"I will face my fear and I will permit it to pass over me and through me." Seems like Paul is getting to some kind of Zen place or whatever where he can withstand the pain.

This is when the first flash of vision pops up and the balance of power starts to shift in Paul's favor. We realize it at the same time both he and the Reverend Mother do.

Then we have this great moment where he looks up at her and we don't quite know what is happening but somehow Paul has started to win this interaction. And we go through a whole Face Journey with him that's intercut increasingly rapidly with Jessica's lines, flashes of the visions, and Mohiam's reaction as she starts to realize she's lost control of the situation.

"And when it has gone past--"

"I will turn the inner eye to see its path--"

"--and where the fear has gone, there will be nothing--"

"Only I will remain."

This part is great because like...nothing is happening. He just looks up at her. But we know that whatever battle is going on between them, Paul is winning now.

(Side note: this is a duel, right? This is his first of three duels, and like the duel with Feyd, he wins it on his knees.)

Then as soon as she says, "Enough," the facade cracks again a little.

And then he does the thing!! That is one of my favorite Paul physicalities!! Where he tilts his chin up so he can look down his nose at someone. Which is particularly audacious when you're on your knees.

It looks arrogant but there's also something a bit...childish? about it. It's something that he does specifically when he feels he does not have control of the situation and he's trying to regain it. He does it to the Emperor at the end of Part Two.

Anyway I LOVE the whole section of intercutting between Jessica and Paul because like. They are physically separated by a door but emotionally they feel connected. She put him in this situation, but then it's almost like she is reminding him that she also gave him the training to survive it. Which like, isn't that a microcosm of their whole fucked-up relationship?

"...You inherit too much power."

"What, because I'm a duke's son?"

"Because you are Jessica's son. You have more than one birthright, boy."

Almost all the dialogue from this scene is taken word for word from the book (although sometimes condensed). This is one of the few lines that got changed. In the book, Jessica is the one who reminds Paul that he is a duke's son--not her son. In general the movie dialogue is more faithful to what's in the book than you might expect. But every once in a while there is a line that feels like it's talking back to the original text like this.

There's another little emotional reversal right at the end of the scene, when Jessica comes in and her face just floods with relief at realizing Paul is still alive. But meanwhile you can see that Paul is really processing how betrayed by her he feels.

And then, after all that, they do talk about his dreams.

Denis has said in interviews that this was one of the very first scenes they filmed. Which is. Insane to me. This is an iconic scene from the book that every fan will come to with expectations and it's a really hard acting job! For everyone involved but especially for Timothée, because so much of the scene turns on him having an intense reaction to something that's not real and generally just...doing stuff with his face, and hoping that the sound design and the score and some scenes that haven't been shot yet will sell what's going on. Usually you would want to work up to an intense emotional scene like this, give the cast and crew a little time to get comfortable with each other. Nope! Anyway Denis has also said that he knew after this scene that he had cast correctly and yeah. I would say so.

[little-annie]

Thanks to the @strangerthingswritersguild and @penny00dreadful for the prompt!

Wax | T | 1,018 WC | Steddie

They're set up in the kitchen of their tiny apartment. Wax pot hot and ready sitting on the countertop, popsicle sticks, muslin cloth and rubber gloves next to it neatly laid out. It's the best set up Steve could manage in their small home. Sure the lighting in the living room is immensely better, but he's not about to spend an hour or more trying to get wax out of shag carpet when he unavoidably gets some on the floor.

In nothing but his underwear, Eddie's laid out on one of the hot pink massage tables the school lends their students, shuffling uncomfortably atop the paper cover, wrinkling and ripping it before they can even begin. “You're sure about this?”  

Well, not entirely. But Steve's not about to tell Eddie that. He needs the practice for school.

“Yeah, Babe. You'll be fine.”

“Like it's not going to burn me or rip my fucking skin off?”

Okay. Well. It's not like Steve's about to tell Eddie that both of those are actual possibilities. 

He gives his boyfriend a placating pat to the top of his head instead.

“Steve! It's not actually going to burn me is it?”

Again, it is 100% a possibility.

“You'll be fine.”

"Fucking ow!”

They've been at it for a little over an hour. Steve's beginning to sweat and his arm is starting to get sore.

And Eddie. Well….

“Oh holy mother of Wayne!”

…. He's not doing great.

They started with Eddie's eyebrows. Which evidently were very difficult to do as the man chose to glare the entire time, and took much longer than they should have with his struggle. Then they did his knuckles and arms, which surprisingly wasn't bad. They just learned Eddie absolutely needs to exfoliate more because his tattoos looked nearly new once the hair and layer of dead skin was removed. 

Then they moved to Eddie's chest, which has hardly any hair. Just a sprinkle between his pecs and a dusting around his nipples. That Eddie didn't mind. Actually he seemed to like it a little too much. Tenting his underwear proudly and stating with a bitchy attitude, “I will not apologise for my body's natural reactions to you playing with my nipples.”

Which Steve supposed he couldn't argue with that.

Now though they've moved on to Eddie's armpits. Which has been eventful. He'd put on pit-stick like Steve had asked him not to, thus resulting in Steve wiping at the damn things until they were clean and sore, and maybe a little inflamed. Which should have been a good enough sign as any to stop, but Steve was too focused on berating his boyfriend to consider taking a break until the skin calmed down.

So, after applying the baby powder like he should and swiping a layer of wax onto Eddie's skin, Steve had pulled back the first wax strip with Eddie's wiry black armpit hair and evidently a layer of skin intacted.

It's nothing awful. It's not like he's oozing blood but, like, there is some there. Popping from Eddie's inflamed skin in little red pin pricks. Dotting now what looks like the rug-burned skin of his boyfriend's armpit.

….He blames Eddie.

None the wiser to the current layer of skin that's been removed from his body in a pinky size strip, Eddie continues to scowl at the ceiling as he bemoans his current situation. “I'm going to die on this bubble gum pink table Steve. Perish from pain alone. I survived bats from hell and I'm going to meet my untimely demise by – why do you look like that?”

Oh, maybe he shouldn't still be staring at the piece of his boyfriend's body stuck to the mess of wax and hair on the muslin strip in his hand.

“Steve, what's wrong?” 

“I- well.” God he's never going to hear the end of this, “Remember how you were worried about ripping your skin off?”

Eddie's eyes grow comically wide, which unfortunately in his case is made even funnier by the red splotchy, freshly waxed skin around his eyebrows.

“Steven.”

“Don't Steven me. If you didn't put on deodorant like I told you to, this wouldn't have happened.”

After a solid second of attempting to surely glare daggers into Steve's soul, Eddie twists to try to get a better look at his one underarm.

“How bad is it? Is it bleeding? Baby, is there going to be permanent damage? Is there a hole!? I can't have a hole in my armpit, Stevie, they'll call me holy pits! I'll die on this godforsaken pink bed and my headstone will read ‘Edward holy pits Munson, Gone Too Soon.’ My obituary will tell the tale of my sordid demise. ‘Perished at the latex wrapped hands of his lover. For if his death were caused by immense pain or bodily harm via hot wax, we'll never know.’”

Steve's giggling by the time Eddie's finished.

“You laugh now, but in no time at all I'll have expired in the kitchen of the home you love.” 

“Eddie-.”

“Will you mourn me?”

“Ed-.”

“Promise me you will, and that you'll take no other lover.”

Steve fondly rolls his eyes. “I promise to mourn you until my dying day, and to leave this world as lonely as I was before you.”

Eddie nods to himself then, still laying on the bed with his arm propped above him, “Good. Now kiss it better.”

He can't be serious.

“Your armp-?”

“Kiss it better and all shall be forgiven!”

Mumbling to himself a quiet ‘Jesus fucking Christ,’ Steve kisses Eddie's armpit and then immediately after, his lips, whispering against them, “Better?”

Eddie hums, kisses Steve again and whispers back, “One more should do the trick.”

“I hate you.”

“You love me.”

“Yeah,” Steve sighs, kissing Eddie's lips again, “I really do.”

An impromptu make out session on the creaking massage table later, Steve sits up in Eddie's lap. 

“I do still have to wax your legs though.”

“Baby, no.”

“And, um, you know what a Brazilian is?”

By the horrified look in Eddie's eyes, Steve assumes he does.

[sunlit-mess]

What’s your coziest headcannon regarding RadioApple?

uhm they spoil each other a lot.

[hisaangel]

Luigi Mangione x Female Reader

cw: smut, breeding, dirty talk, pet names (Doll, good girl, slut), p in v, penetration, unprotected sex

in the beginning of your relationship Luigi was always slow and gentle, so passionate and caring. He loved having you in missionary, his hands holding onto your smaller body, holding you down, lips pressing to yours and whispering sweet nothings into your ears.

But, after letting him come in you for the first time, something in him awakened. He went feral - needing you everywhere, his hands became more rough.

From making love in missionary to fucking you like an animal from behind. His hands went from so gently carresing your body to leaving smacks onto your ass checks, as he pounds into you relentlessy - ruinning your insides.

"Such a dirty slut, letting me fill up this pretty cunt" "Lu... please" your hands grapping onto the sheets for dear life "I know, you’re such a good girl, so good for me"

A cry leaving your lips, hands reaching back in a desperete attempt to grasp onto him, but he grabs yours and pins them behind your back, pressing you even harder down on the matress

"Can't wait to fill up your tummy with my children, would you like that doll?" your pussy clenching "Yes Lu! pleaseplease" feeling his cock twitch inside of you

A chuckle leaving him, "You want me to bred you huh? want me to fill this tight hole of yours with my cum yeah?" head tilting back as his thrusts becomes more sloppy

When he finally does cum in you, pulling out of you he's quick to press his fingers into your cunt, making sure none of the warm sticky liquid falls out of you. A big smirk painting his face

"be a good girl and keep it all inside doll"