#demiurg

[acornminiatureslog]

The fleet expands! Three more escorts, and a trio of citadel cruisers, and I'll have painted up all the space dorfs I've printed so far.

[a-midnight-rest]

In warhammer 40k, the Demiurg are a space-based society of asteroid miners capable of remarkable technological prowess. They are described as semi-humanoid and dwarf-like. Described as extremely resilient, both physically and mentally, they are survivalist who live by a strict code that helped them endure torments that destroyed entire civilisations.

They are also known for their expansive trading partnership, having developped one with the Kroots and the T'au empire, bonded by their shared hostility towards the Orkz.

They are one of the reason the T'au empire has one of the most advanced technology of the setting, being topped only by the Eldar and the Necron, both extremely ancient races.

Not as much secretive as very private, they hide their true number to all. The Imperium and T'au Empire both believe them to be a minor power, which allows them to escape their full attention, and have a unexpected ressources in case things go bad.

All in all, the life of a Demiurg is one of loyalty and space travel. Going from méningite asteroids around dead planets, to commerce with system-wide civilization, to brutal dogfights against the ever expanding Orkz menace.

Dwarves are short, powerfully built, with presumably a strong circulatory system and a culturally strong warrior ethos as well as a cultural tradition of strong and intricate craftsmanship. All of these factors make them ideal jet fighter pilots.

[ddc-nightshots]

Der Mythos als Punkrock-Oper! Prometheus, der für die Menschen das Feuer geraubt hatte, wurde von den Göttern zur Strafe an den Kaukasus geschmiedet und später von Herakles befreit - darum geht es auch in „Die Befreiung des Prometheus“. Doch der Komponist und Regisseur Heiner Goebbels nutzte einen Text von Heiner Müller als Vorlage und sagte dazu: „Dem Hörstück liegt ein Prosatext zugrunde, den Heiner Müller wie einen erratischen Block in sein Theaterstück „Zement“ gesetzt hat, und an dem das Theater sich die Zähne ausbeißt, weil es ihm mit seinen eigenen Mitteln nicht gerecht werden kann...“ Goebbels nutzte darum selbstständige musikalische Mittel wie Songformen, Collagen etc. die er nicht unter, sondern neben den Text stellte. Ausgezeichnet mit dem Kriegsblindenpreis und dem Prix Italia 1986. // Nach einem Text von Heiner Müller // Mit: Angela Schanelec, Otto Sander, Jakob Goebbels, Heiner Müller, Walter Raffeiner // Komposition und Regie: Heiner Goebbels // Produktion: hr/SWF 1985 (Audio verfügbar bis 30.07.2024) Noch mehr Hörspiele und Hörbücher finden Sie im Podcast-Pool des Hessischen Rundfunks: https://www.hr2.de/podcasts/hoerspiel/index.html

[plutonicbees]

i sure hope these teenagers just get to live normal lives and don't have to deal with the weight of the universe on their shoulders

[thestarlightforge]

ohhh man. stephen gaslit gatekept boybossed a little too close to the sun, I fear 🤭

[character-of-all-time]

ROUND 2: THE DEMIURGE (gnosticism) VS CORALINE (coraline)

[shadow-of-the-eclipse]

wiccan & speed

[decafbat]

[dbopdew]

I'm contributing to this poorly drawn meme on behalf of Overlord fans 😭

[rinakotennoji]

more rtc to feed the hungry cyclonists

[idkbroletssee]

🎶I knew you in another life

You had that same look in your eyes🎶

~Birds of a Feather

[acornminiatureslog]

Can't wait to see how the sculptor does the battleships

[vgadvisor]

[paintsplash1712]

“You’re the Magician. You have enormous potential and the ability to turn all of your goals into reality. Very fitting.”

Thought it’d be fun to draw The Magician Tarot Card as Demiurge Billy since that’s what he’s destined to become. Basically just added Billy to the card because the imagery was too important to leave out (meanings and all that) or change.

Really happy with how it came out and wanted to share.

[gabbyp09]

[character-of-all-time]

ROUND 1: THE DEMIURGE (gnosticism) VS YELLOW GUY (dont hug me im scared)