#dell clawthorne

[dazeddoodles]

I reckon when Eda was a kid she'd position her bushy hair over her face and say, "Look Dad! I've grown a beard like you!" and Dell would be all 😭

That's so cute, Eda was definitely a Daddy's Girl!

[mistbix]

eda's first carving lesson - clawthorne family album (4/?)

feliz dia dos pais!

[owlhouseismyhome]

Toast

That's the official name

Source

[jaxk-ass]

I like to think that this happened sometime after the events of wad

[regular-gnome]

visitors

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[idoodlestuffsometimes]

[Image ID: A monochrome warm, green image of Hunter, Dell, and Caleb from the Owl House Brother's Keeper AU. They're sitting in a semicircle on stools, all holding whittling knives and unfinished wood carvings. Hunter is grown up and wearing his post series button up and apron. Caleb has short hair, overalls, and a peg leg. Hunter is gesturing, talking while Caleb laughs, and Dell listens with a smile. /End ID]

The boys having a good post series! :) I have conflicted feelings on the finale but at least it didn't mess up any of my plans for this au. In fact it canonized some of my end game ;)

[teartra]

Okay but the fact that Hunter got adopted by Dell and Gwendolyn is very poetic

Hunter never had a real parental figure before

Dell and Gwendolyn have Lilith and Eda but didn’t get a chance to see both of their daughters grow up due to the curse. In a way, having Hunter as their son feels like a second chance for them

Also, annoying little brother Hunter to Lilith and Eda

[aquaaquila]

The Owl House Family Tree

Behold, the family of the Owl House mixed with my headcanons that I made because I felt like it, and gosh is it crazy. Explanation under the cut lol

The Grimwalkers (and Hunter who's a grimwalker) were created by Philip, essentially being his children, but Philip created them using Caleb's DNA and modeled them in his image. So yeah, they pretty much are both parents of Grimwalkers as they're not perfect clones of Caleb and it's fucked up in plenty of ways

Since both Gwen and Dell are theorized to be descendants of Clawthorne with how Gwendolyn follows the mold of Clawthorne women with her looks, power, and name. Still, then there's Dell who has an uncanny resemblance to Philip and Caleb, along with being the best wood-carver in the wood-carving family, so it's not clear who's the Clawthorne and who was married to Clawthornes, I went a different route. I made Gwendolyn a very very distant descendant of Clawthorne's ancestor (16 generations and possibly even more), whereas Dell is the descendant of Caleb as a compromise.

Lilith and Hooty are in QPR.

I included Hooty's mom along with possible ancestors and used the tapeworm in Titan's eye as a point of reference.

The BATTs are adopted children of Raine and Eda's co-parent to them. She however adopted the Collector, King, and Luz individually, even though Raine also would co-parent them to an extent. Granted Eda was called "mama Eda" by Amber, whereas Luz, King, and the Collector never referred to Raine as their parent.

Raine and Eda are neither dating nor married, but a secret third thing. And the same applies to Darius and Alador

Camila and Perry Porter (Gus's dad) are in QPR as well.

Professor Hermonculus is Amity's grandparent because yes xD

Eberwolf and Darius are "like brothers" but they aren't officially brothers by either blood or adoption, or they're necessarily in QPR. They're just bros.

Darius had a failed relationship that resulted in Gavin (that abomination Glandus kid). That's rather a leftover theory with plenty of story-telling potential that came back from season 2A days when we knew nothing about Darius and were looking for some connections. The picture of the mom came from the old photo from Reaching Out.

Gavin is dating Cat (Amity's former friend, she set them up).

There was a funny theory that once I heard about Mason being dad of Willow's dad and I decided to go along with it because A) I find it funny, especially since the point of connection is how alike they look, and B) explains where Willow got her green eyes from.

Mason is a grandparent of Matt and Steve, as I figured he's too old to maybe be just their dad IMO, but he could still be. It's also an old and forgotten theory from times of TOH S2B when Steve got revealed to be Matt's step-brother (meaning they share one parent and have 2 different parents of their own) and there were storyboards of ASIAS that revealed there was a storyline with Mason and Tholomules, granted as I said, it was forgotten so I can't say it's really valid.

Steve and Katya are dating. @secretly-of-course here is your Stevatya mention.

Any other questions? The ones that aren't asking who is who, unless it is a really obscure character then let me know.

[subterra-rose]

[pizzaboat]

Eda Clawthorne and BPD

Eda is a character I never really associated with something like BPD(Borderline Personality Disorder) until I’d done more research on the disorder myself. Initially, I’d had a one size fits all idea in my mind for what a manifestation of BPD could look like.

But after finishing the Owl House in its entirety, and dispelling some of my ignorance around the topic I’ve come to the headcanon that Eda has BPD.

So to start, what I understand about BPD(Borderline Personality Disorder) is that it’s a personality disorder belonging to the cluster B section in the DSM-5.

It’s generally described that people living with it, might engage in risky/self harming behaviour, have an intense fear of abandonment, struggle with addiction, and have unstable/turbulent relationships with others. People with BPD also struggle with an intense feeling of internalised shame and numbness.

BPD usually manifests after some sort of prolonged mental abuse/physical abuse/sexual abuse/ psychological abuse or trauma, and that usually happens in childhood.

Well, what does any of that have to do with Eda? How does her character link in any way to what I've described? Let’s go through it;

(I’m not an expert, this is just a headcanon that I use to look at Eda)

Addiction/Substance Abuse

Eda is implied to be an alcoholic in the show. Apple blood, her infamous favourite drink, is often used as a stand-in or a direct reference to the topic of intoxication or turning to the bottle to cope with big feelings.

Proof of apple blood being an alcohol signal can be when Luz mentions in early S2, that Eda was hard to get off the roof after she drank too much apple blood, implying she became irrational and unreasonable after drinking too much.

Another example is when Eda was seen in a tavern in Eda’s Requiem, she canonically has a large and unpaid tab in that tavern, and was drinking apple blood (from a juice box) while lamenting about the current events of her life.

A scene like that is a heavy reference to the trope of getting drunk and venting to your local bartender that can be seen in a lot of movies and tv-shows.

Eda is also potentially implied to have Depression during the show and is typically grumpy/unapproachable before her first drink, early in the morning.

I’ve headcanons before that Eda uses Apple Blood to self medicate her mood after the implications in season 2 that she is drinking more heavily (the joke about the roof, her chasing free appleblood, drinking in the tavern when she’s sad), and after season1, and during all of season 2 her mental health had taken a clear nose dive after traumatic events and perceived abandonments.

I also mentioned that people with BPD struggle with a feeling of emptiness and numbness, and Eda’s low and irritable mood could be interpreted as coming from a place of feeling hollow. (That’s my headcanon).

Addiction is also considered a risky/self harming behaviour, which leads me to my next point.

Risky/Self Harming behaviours

Eda is an impulsive and risk taking person, that usually contributes to a pretty popular ADHD headcanon for her character, but I’d also like to argue that her risk taking behaviour could also be a sign of BPD, as it typically leads her to dangerous or life threatening situations, often on purpose.

A small example of this is when searching for titan blood, she pushes herself in front of a laser beam and urges King to shoot her with it to trigger her harpy powers. In that episode she was struggling to go harpy mode;

And the episode before that, Knock Knock Knockin’ on Hooty’s Door, she was shown depriving herself of sleep and worrying about not being ready for the day of unity. Eda had proved she was anxious to be ready and willing to hurt herself to be so, stemming from an internal feeling of frustration and worthlessness because she didn’t have what she needed to be ready.

In the cave, I think her action to jump in front of the laser, disguising her actions as a childish and silly request of bone-headedness was her hiding her self-destructive instincts and inner frustration in plain sight.

Her risky behaviours are driven by a deep self hatred and that leads me to her most risky action of all…

Fear of Abandonment

When Eda overhears the kids talking about telling her something, she spirals and assumes the worst. She spends that episode devaluing herself, trying to self-soothe with apple blood, and distancing herself from the kids in response to her assumption that they only have the worst news for her.

Luz is leaving and King wants to live with his dad.

She spends the day living out what appears to be a fantasy with Raine, where she is ‘Mama Eda’ to the younger BATTs members and she and Raine are playfully dancing around each other with some not so subtle flirting. It resembles a family life, where her and Raine are married, or atleast happily together, and the BATTs are like her very own kids that need her.

(it’s key to point out that Raine did most of the heavy flirting and was active, while Eda just bathed herself in the situation. Likely because while it was what she wanted, she’d also expressed earlier in the episode that she felt everyone left her in the end and all good things ended).

When this fanasy/substition falls through and the rebellion is busted, her and Raine play a murder-suicide duet attempt together, where Raine then learns that there’s more to the story than Eda is letting on, and that she isn’t just being motivated to do the heroic thing because she has nothing to lose.

Raine clearly realises Eda is trying to die because she has something to lose, and she assumes she is losing it. Dying to Eda is less painful and scary than being abandoned again.

I mentioned that childhood trauma/abuse can cause BPD to develop, and I’d argue that having a curse that caused the people she loved to leave her because she pushed them away, or because it seemed like her curse made her too monstrous to love, is pretty traumatising.

And that fear of abandonment predates even the curse, as it was revealed in the flashback episode where her and Raine met, that Eda had no friends, was ostracised by her teachers/principle and that she was terrified of being separate from Lilith; her only friend. Eda didn't know what an expulsion would mean for their relationship, if Lilith would still be her best friend, or if Lilith progressed onwards without her, would she abandon Eda?

Well, that worry was validated when it was revealed their sister relationship fell apart sometime between their late teens and mid-forties, when Lilith is introduced as Eda’s rival and Eda’s expression is stormy when she first sees Lilith on screen, it’s laos important to note that Lilith attacked first at the convention with her words, and Eda, having some very stormy feelings about her sister, responds to the greeting by cutting Lilith down in front of young fans in a way she knows will rile up her sister.

She basically attacks Lilith’s mask by mentioning that Lilith peed herself at a convention as a kid, and then proceeds to act childish in Lilith’s presence to wind her up and prove to Lilith that she is no better than Eda and that she’s not changed a bit since they were kids where it counts, according to Lilith.

We don’t know what caused Eda and Lilith to feud like this, but it can be assumed that LIlith joining a coven that allows only two days off a year made Eda feel like she was abandoned by her sister in some of the worst years of her life, by the person she once called her best friend.

The breakdown of such an important relationship would be upsetting to anyone, but to Eda, in the situation she was in, that would have to be further traumatising.

To add to the familial issues, Eda has issues with Gwen.

The entirety of keeping up a-fear-ances was about how gwen had failed both her daughters, but for this post, it’s that Gwen treated the curse, something so integral to Eda and her life at this point, something that Eda cannot change or separate herself from, like something her mom needed to cure her of.

To eradicate. So much so that she disregarded Eda’s bodily autonomy and safety at multiple points in just one episode and caused Eda to snap. She scared Eda into running away as a teenager, and she had to apologise to Eda in that episode for making her daughter feel like she didn’t love her. “I love every part of you.” - to paraphrase what Gwen said.

It’s not hard to imagine that feeling like your own mother would rather risk your health and happiness, disregard your wishes and try to remove an unremovable part of your person, would make you feel more unlovable and broken than you already feel.

I’m sure that this contributed to Eda’s fear of abandonment and would help cultivate the already existing internal shame she feels just for existing next to her loved ones and feeling like she’s not good enough to be in their lives because all she does is hurt them.

Yup, this is setting up my next point…

Shame/Low Sense of Self-Worth

Proof that Eda’s self-worth is low and her inner shame is high comes from how she treats her kids and her father. Eda struggles to look at people she feels she’s let down. While some individuals with BPD might do everything to avoid abandonment, Eda tends to abandon people first and devalues herself in the process, convincing herself she doesn’t deserve to fight for them or be in their company.

Her inner shame mostly stems from how she handles her curse, its impact on her life, and her past relationships. With Luz and King, she initially keeps up a protective wall and avoids physical affection. When she believes they are leaving her, she justifies her suicidal thoughts to Raine by denying her role as their "mother," revealing her deep-seated belief that she's unworthy of such a title.

Despite considering them her children, Eda questions her ability to be a suitable mother figure, expressing doubts about her worthiness. It takes reassurance from Raine for Eda to begin to accept that she is needed and, consequently, good enough.

Her relationship with Dell, though mentioned sparingly, has left lasting scars. Eda blames herself for hurting him and struggles to forgive herself, even when her father asks her to move on from the past.

In Knock Knock-Knocking on Hooty’s Door, Eda implies that she is haunted by nightmares of her breakup with Raine, blaming herself entirely for their breakup. This implied consistent rumination suggests that she feels responsible for every abandonment and rejection she has experienced, exacerbating her inner shame.

Raine was likely the last stable influence in Eda’s life, and her breakup further solidified Eda’s belief that she is the cause of her own abandonment. This cycle of self-blame and perceived rejection has left lasting mental scars, reinforcing Eda’s sense of brokenness and perpetuating her feelings of endless abandonment.

By examining Eda’s behaviour and internal struggles, it becomes evident that her shame and low sense of self-worth are deeply ingrained, shaping her relationships and interactions throughout the series.

Splitting

I can’t really talk about a BPD headcanon without mentioning its most famous feature. Splitting, from what I understand, is when a person's mood, sense of self, or perception of others shifts dramatically in the other direction in response to a threat, stressor, or trigger.

It might not just look like, “I like this person.” “Now I hate this person.” It can manifest as more dynamic, extreme black-and-white thinking, where something is either all or nothing:

“She always does this.”

“He never does that.”

“Things always go wrong.”

“This always goes right.”

The black-and-white thinking can be either positive or negative and can even be about a person's own self. And this is where my headcanon goes a bit shaky, because all I really have to go off of is Eda’s initial attitude of “We weirdos stick together,” and then how she switches those ideals up when she’s devaluing herself and her importance within the relationships she has with friends and family.

This is particularly evident with the kids and her extreme and impulsive suicide attempt, where I get this feeling of “I’m not good enough, and I will never be good enough.” off of her.

She also changes her mood with Lilith very quickly during the season 1 finale. A few minutes ago, she was ready to kill her sister and saw her as the most vile person she’d ever met. The next minute, she is letting her sister back into her house and wanting a relationship with her again after she split the curse.

There is this kind of emotional impermanence where she forgives Lilith and goes straight back to wanting to be friends with her at a speed and level that isn’t common at all. No matter what is done to Eda, she seems to bounce back quickly, no matter how badly she’s hurt in the end.

That's all I've really got for that, to be honest. If I find more that explores this idea better, I will probably make a post about it.

Conclusion

I think that turbulent relationships, a massive fear of abandonment, risky and impulsive behaviours and high shame/low self esteem are key parts of Eda’s character and that’s why I headcanon her to have BPD(borderline personality disorder.)

[albinotopaz]

he's working through a few things

[jess-the-vampire]

Honestly the fact Dell’s palisman is named Toast only just adds to the theory he was owned by evelyn and he and Flapjack are connected via Caleb and Evelyn as their respective palisman.

They look alike, they both have scars, they both just so happen to be the only palisman named after breakfast foods (before waffles, who was named after flapjack)

Like really, at this point, it's way too many coincidences to NOT be canon that I'm surprised dana hasn't officially confirmed it yet.

[mistbix]

happier times

[hibiscuit-rose]

watching and dreaming screencap redraws!

thank you for the support on these, it means a lot to me c;

(for clarification of my redraws, i only redrew the characters and kept the backgrounds the same)

[luzuranoceda]

Hunter carving palismen | Watching and Dreaming

[idoodlestuffsometimes]

Story Post 14 (Part 3)

AU MASTER POST

BEGINNING | PREVIOUS | NEXT

[Image ID under the cut]

[IMAGE ID: Two pages of a black and white comic. PAGE ONE PANEL ONE: On Dell as Gwen, from off panel, offers him the crow phone. "Well, your father wanted to call for good reason," she says. "Here, I'll put him on the phone!" PANEL TWO: "You should really talk to--" Eda stares down at the crow phone, horrified. PANEL THREE: "CLICK" The phone hangs up. A large panel of Gwen and Dell at their dining room table, stopped in the middle of Gwen giving and Dell taking the phone. "...him," Gwen finishes. PANEL FOUR: The same angle as before, but the the panel is mostly blank, empty except for Gwen and Dell. The two of them hold hands, their heads bowed in sadness.

PAGE TWO PANEL ONE: Whip! Eda hurls Lilith over her shoulder. PANEL TWO: Crack! Lilith slams against the ground. PANEL THREE: An overhead view of Eda standing over a defeated Lilith, crumpled on the ground. Instead of looking at Lilith, she glares up at the crow phone flying overhead in the foreground. "I told you to stop coming," she growls. PANEL FOUR: In the foreground, Eda's fist clenches around her lowered staff. Beyond it, Lilith stares up at her, hair in disarray, furious. PANEL FIVE: A distant view of the cliff-side path leading away from the Owl House. Eda stands near the house, glaring down at the ground while Lilith flies away on her palisman, glowering over her shoulder. Her scouts, groaning and decidedly worse for wear, trudge after her. PANEL SIX: Close on Eda's face, turned away, scowling. The panel is very wide, but the rest of it is empty. /End ID]