#definitely up there in the highest of spots for my most favorite villains

[primordial0riginator]

Shadow Queen is one of the best characters of all time

[quinloki]

And here we go, May's Top 20 Blorbo Rankings:

Stable rankings: Arlong and Beckman consistently going 1-2 is the only thing I can genuinely count on with these rankings. Kid is holding steady in 10th and that's it for being steady.

People who fell off the rankings: Wyper, Sabo, Bepo, Killer, & Laboon.

People still missing from the list: Buggy.

People new or returning to the list: Nico Robin, Zoro, Ace, Vergo, & Thatch.

Those who moved UP since April: Shanks tangoed with Alvida to move back up 1 spot to his original position of 3rd. Borsi Baby also moved 1 spot into 5th & Penguin moved 1 spot into 15th, Sakazuki moved 2 spots into 7th, Vivi moved 3 spots into 16th & Trafalgar moved 3 spots into 11th, Mihawk moved 4 spots into 8th and lastly, Marco moved 5 spots into 6th.

Those who dropped DOWN since April: Alvida danced a dangerous tango with Shanks and dropped 1 spot into 4th. Smoker dropped 1 spot into 14th, Sir Crocodile dropped 4 spots into 9th and Rayleigh dropped 6 spots into 13th.

Mihawk ended up taking Wyper's spot while Mihawk's 12th place went to Thatch. Penguin moved up into Sabo's spot while Vivi moved into Penguin's spot. Bepo's spot was taken by Vergo, Killer's spot by Ace, Zoro took Vivi's old spot since she moved up and Nico Robin took Laboon's.

Nico Robin brings the lady count up to three! Marco jumped the most spots for someone already on the list and Thatch ranked the highest out of new/returning players. Rayleigh dropped the most spots for folks already here and of the people who fell off entirely, Wyper fell the furthest as he was originally in 8th position.

I actually dropped someone who was in the top 10 from the list entirely. Wyper had been a staple if I recall correctly. =(

I'm still bummed Buggy hasn't made it back onto the list but thrilled i finally got Thatch on there. I am baffled as to how Mihawk not only stays on the damn list but moved into the top 10?! And you managed to get Marco into the top 10...or maybe the bartender managed it, it's hard to say.

I'm super glad to have both Ace and Zoro back, Zoro has been a staple and it was horrifying he fell off at all. He's still my favorite strawhat and technically my favorite character in the whole series, just platonically my favorite. If the people who run the site ever add Aramaki, I'd be okay with him knocking out Vergo—both villains but Aramaki is better looking. I'd also be okay if he stole Penguin's place.

It would be best to drop Penguin and Vergo (and Mihawk) and get Aramaki, Dr. Kureha, and Laki on here. I loved a lot of different ladies so far and would love to have my rankings reflect the feminine awesomeness but they are struggling to get on here. I'm glad the strawhat I most resemble made it though and Robin is giving me hope that I can get my other two ladies on here.

I don't know who I'd want to give up for Nojiko & I could easily live without Makino, Perona, and Bell-Mere but at the same time I wouldn't mind having all my favorite ladies on the list. It'd just be hard to eliminate that many good looking men.

I might have to start changing the blorbo ranking strategy from who I find the most attractive to who i actually value as a person more. Because I could definitely get more women on the list if I didn't rank everyone from an attraction standpoint.

You know what, I'll try that for June. I'll rank everyone based on how much I'd value them as people if they were real instead of just a literal face value of attraction. That's how the women get shafted by me because I'm not attracted to ladies but if I changed how I voted, I bet I'd have a lot more women represented.

If I did that I could easily get rid of: Mihawk, Rayleigh, Penguin, Vergo, Sakazuki, everyone who fell off this month [Wyper, Sabo, Killer, Laboon, Bepo], and even Smoker. That's 11 fellas I could vote against when paired against Alvida, Vivi, Laki, Nico Robin, Dr. Kureha, Nojiko, Perona, Makino, Koala, & Bell-Mere. That's 10 ladies against 11 guys, so one guy gets to live (maybe get Wyper back).

I look forward to seeing the changes and fruits of this new strategy for next month.

I usually rank them based on just overall favorite, but that skews toward who I like to write too - the more I enjoy a character the more I enjoy writing them, so it's kind of a feedback loop. I think it's why my top 4's been so solid for so long at this point. I don't even really have to think about it.

And some of it is physical attraction, and some of it is just how much I love the canon characterization and the creativity that affords as AU characterization and options.

but my rankings definitely lean on who I enjoy writing, so I think it makes it easier for me to focus on a single set of parameters.

It's interesting, I'm not terribly enamored with writing female canon characters, but I don't mind writing fem readers. Not that I have anything against the ladies - I love the Doc, and Nami and Vivi and Robin and Monet and -- I could go on, but it's just not at the same level I guess. I might even out on it more with the host club, since the cast is so heckin' big, it'll give me more practice.

xD I'm not going to dig any further than that though, I'm not trying to have an impromptu therapy session lol

As always, thank you for sharing \o/ I love seeing the rankings =3

[wisteria-lodge]

Character Analysis: Sorting The Old Guard

@sortinghatchats has a brilliant personality/character analysis system based on the four Hogwarts houses. At this point it’s become much more interesting and nuanced, which is part of why I’m moving away from using the names of the houses.

Here’s how it works. Everyone gets two houses – a Primary House and a Secondary House

YOUR PRIMARY IS YOUR MOTIVE. IT’S WHY YOU DO THINGS.

LION Primary’s sense of morality and ethics comes from inside. Things just feel right or they feel wrong.

BIRD Primary gets their morality and ethics from the world outside them. They decide what they think is right.

BADGER Primary is focused on the good of the group. Who cares if something is technically “moral” if people are getting hurt?

SNAKE Primary is a lot like Badger, but instead of protecting the group, their highest law is the well-being of the individual people they love.

YOUR SECONDARY IS YOUR METHOD. IT’S HOW YOU DO THINGS.

LION Secondary gets their power from being direct, honest, completely themselves. Their “plan” is just keep going until someone stops them. If they see a locked door, they kick it in.

BIRD Secondary collects tools and skills. They build things, find things, learn things. If they see a locked door, they go through their box of keys until they find the right one.

BADGER Secondary is fair, hardworking, and shows up. They’re good at getting people to trust them, and good at getting people to help them. If they see a locked door, they knock.

SNAKE Secondary knows the right mask to wear for each situation. They’re adaptive. They go in the back way. They find the third option.  They’re the ones who know how to pick the locks.

And now let’s talk about The Old Guard. Also, SPOILERS.

***

Nile Freeman is a bright Badger primary, defined by her groups. “I’ve got people who love me,” is the first thing she tells the team. And follows that up with, “I’m a Marine.” We meet her in uniform, part of a squad. Getting back to her family is her main motivation. (And it’s a “my family” thing - not a “my mom” or “my brother” thing.) Family continuity and family history mean everything to Nile, and that’s so Badger. Religion is also used as visual shorthand for “Badger” a lot, and Nile’s got her cross necklace. And she doesn’t want to kill people. Doesn’t matter if they’re the bad people who killed her, they’re still people. Badgers can’t ignore that.

Nile’s challenge is figuring out a way to separate from her family (and become an immortal commando) while still keeping her healthy, shining Badger intact. And she does it by expanding. It’s not just about protecting America and her family anymore. She looks at the wall outlining all the good the Old Guard has done, and her community expands to include them, and all of humanity.

She’s definitely got a Lion secondary. Yes, she’s willing to run into the villain’s stronghold with a bag of guns and not much plan - but this is an action movie, that stuff is kinda a given. I’m thinking more about when she has to lie and say her miraculous healing factor is an experimental skin graft – she hates doing it, she’s so bad at it, you can see her skin crawl. Nile is powerful when she is able to just lay out what she believes. People like Agent Copley and the Afghani women just feel the honesty and conviction bleeding off her, and come around to her way of thinking. 

Nile also has a Bird secondary model. Smashing down walls isn’t appropriate all the time, so a lot of Lion secondaries learn to use one of the mellower secondaries as backup. Nile’s Bird is subtle, but it’s there. She applies her anti-militant training to the situation, and thinks they should “follow the money.” She can identify a Rodin sculpture across a dark cave. And she spends a while trying to reason away the fact that she’s immortal (considering hypnosis, drug trips, all that fun stuff.)

Andromache the Scythian aka “Andy” is also a Badger primary. But a very old, very tired, very burnt one. She’s been protecting humanity for about ten thousand years, and she feels all the people she wasn’t able to save. Andy starts off the film doubting whether any of it mattered, if she was actually able to protect her community at all. Because she can’t protect everyone, she is forced to shrink that community down. She can protect Nile, Joe, Nicky, and Booker – and that has to be enough.

The situation with Quyhn is a good look at the sort of darkness that can live inside a Badger Primary. Because Andy stopped looking. She could have spent hundreds of years pouring money and time into finding Quyhn - and neglected the rest of her team, and by extension humanity. But Andy’s a Badger primary. That’s not a thing she can do.

(A Snake primary would never have stopped. Someone like Nicky would burn the world, if that’s what it took to get Joe back.)

If your preferred weapon is an ax or a hammer, then you’re a Lion secondary. That’s just how it works. You are too direct and too smashy to be anything else. Ms. “I always go first” Andy, leader of the group she thinks of as an army? Even when she’s discouraged and exhausted, her Lion secondary is still so loud. She has a bit of a Bird secondary model: she sets up rules like “we don’t do repeats, it’s too risky,” and establishes code words linked to specific maneuvers. But you can tell she’s a little uncomfortable with that kind of thinking. She wants to hit things with an ax and give inspirational speeches. And also threaten people.

Which means that Andy and Nile match perfectly. They are both Badger Lions with Bird secondary models. And that makes perfect sense. Nile was “born” at the same time Andy lost her immortality. They are both warriors. Nile is the one who will “go first,” when Andy isn’t able to anymore. She’s the one who gets Andy’s ax at the end. She’s the new Andy. Andy’s redemption comes with waking her Badger primary up, and training a replacement. Or as she puts it, “I think you showed up when I lost my immortality so I could remember what it was like (…) that there are people still worth fighting for.”

Nicolò di Genova aka “Nicky” fights for Joe. It really is that simple. His backstory tells you everything you need to know: he fought in the Crusades until he fell in love with a Muslim, and had to choose. On one hand - religion, country, job, society, security. On the other hand - the man he loves. For Nicky the answer is obvious. Because he is such a Snake primary.

As long as he’s with Joe, he’s fine. Agent Copley is trying to explain himself, Nicky doesn’t care. “I’m sure you’re bringing us to the person who paid for your betrayal. There’s a TV [on this plane] Joe!” The villains can talk all they want about the greater good and moral imperatives and changing the world. Nicky is just bored. “A fine justification. I’ve heard it so many times before.” None of that stuff matters to him.

His secondary is harder to spot, underneath the really loud primary and the really loud Lion secondary model. But I think I see a Badger secondary. Nicky’s a caretaker. He brings Andy her favorite candy, sets up Nile for the night and shows her where to sleep. Joe says that Nicky’s heart “overflows with a kindness of which this world is not worthy,” and I get that they’re in love, but that’s still some serious character testimony. I’m also going to throw in the fact that Nicky’s a sniper. Being a sniper is not like hitting things with an ax. It’s all about getting in place and being careful and patient. Badger secondary traits.

Yusuf Al-Kaysani aka “Joe” actually takes the time to lay out rules he lives by. Which is interesting, because the only other people in this film who do that are the villains. Those guys are not motivated by personal loyalty: they’re either Lion or Bird primaries motivated by “the greater good.” The Old Guard is a very Loyalist movie. When we get our big Theme Scene, the French shopgirl tells us, “Today I put this on your wound. Tomorrow you help someone up when they fall. We’re not meant to be alone.” That’s the ethos of the movie. It’s very Badger.

Joe gets how Badger Primaries work. He gets Andy, and the best example of this is when he comforts her by saying Quyhn “would be insane” by now. He’s basically saying, “you don’t have a responsibility to her the way you have to the rest of us, because she’s not really a person anymore.” It’s dark, but so is Andy, and that line of reasoning would make sense to a Badger primary.

Joe also understands Nicky’s Snake primary. He  knows he’s Nicky’s world, and he never stops demonstrating that. He has Nicky’s back when they fight (Nicky passes things over his shoulder without looking). He has Nicky’s back when they sleep (as the big spoon). He learned Italian for Nicky, and when Nicky is freaked, Joe just shows up with that “his kiss still thrills me, even after a millennia” speech. But that speech is also him explaining his worldview to the guards, the same way he bothers to tell them, “You shot Nicky. You shouldn’t have done that.”

When Nile asks, “Are you good guys or bad guys?” Joe responds, “Depends on the century.” He is interested in those large moral questions, and the answer he has decided on is a combination of Andy’s Badger morality, and Nicky’s Snake morality.

And to go with that really complicated Primary, I think Joe really is just a straightforward Lion secondary (another reason he gets Andy). I mean... he literally headbutts people. 

Sebastian “Booker” Le Livre, whose nickname is a very silly pun, is the most vaguely drawn character. I’m not sure if he turns Nicky and Joe over to Merrick because he wants to die, or because he wants to find a way to help Andy die. Or both. But either way, he is a very burnt Snake primary.

Booker seems to be the only one who kept up contact with his family after learning he was immortal. As a result, he got to watch his son die painfully with “hate and despair in [his] eyes,” blaming his father for not loving him enough to save him. It’s been about 150 years, but Booker is not over this.

That is a very Snake primary love, and when it comes down to it, Booker is a Snake with no people he can throw himself into loving the way he loved his son. (No wonder he drinks). He wants more emotional intimacy from Andy than she is able to give him - not in a romantic way, they have more of a sibling dynamic. But look at the betrayal in his eyes when he learns she’s lost her immortality: “Andy, look at me. Why didn’t you tell me?”

This is the exchange right after Booker betrays the team:

JOE: You selfish piece of shit. NICKY: Joe, leave it, please… BOOKER: What would you know of the weight of all these years alone? JOE: You’re a very pathetic man Booker. NICKY: Joe, stop. BOOKER: You and Nicky always had each other, right?

Nicky is sympathetic. He’s a Snake primary like Booker, he knows what living without a Person must be like, he knows exactly why Booker did what he did. Joe doesn’t. He only sees how Booker has failed to look at the big picture (like Joe would have, because he’s a Bird, that’s how he thinks) and that he made an objectively dumb call. Joe is angry at him for the rest of the movie. But the others, who know what it’s like motivated only by personal loyalty… they kind of get it.

To round things off, Booker is a Bird secondary. You can tell by the way he collects skills. He’s the operation coordinator, the quartermaster, the driver, and the tech guy. He’s also not afraid of a plan with steps. Nile calls him, “the brains of the operation” (although she’s probably being nice). Still, Booker is a good example of the way Bird secondaries aren’t always smart. His plan was pretty objectively terrible, but that was because his primary was so compromised.

tl;dr

Nile – Badger/Lion (Bird model)

Andy – Burnt Badger/Lion (Bird model)

Nicky – Snake/Badger (Lion model for fighting)

Joe – Bird who has built Nicky’s Snake morality, and Andy’s Badger morality into himself/Lion

Booker – Burnt Snake/Bird

[snkpolls]

SnK 131 Chapter Poll Results

The chapter poll closed with  2,192 responses. This month’s poll results were brought to you by @momtaku​, /u/staraves, Crunchwrap, u/_Puppet_, Luna.  Thanks as always for your support.

  RATE THE CHAPTER 2,118 responses

This was a standout chapter for the fandom, garnering a positive rating from over 90% of respondents and an average score of 4.68 which makes it the highest rated chapter since 122 - and in the top 5 in the history of the poll! Many of you were eager to express your enjoyment of it, with this question getting the most responses it has since chapter 102 (over two years ago!). As we go deeper into the endgame, it’s good to know enthusiasm is going strong.

Yams is a damn genius. This is one chapter I have not been able to stop thinking about or rereading. It's just... its so fucked up and SO. WELL. DONE.

I really, really loved this chapter. My favourite so far probably.

This is the first time I cried after a chapter. It hit me so hard.

Almost made me quit the manga. We finally got a confession from Armin, but right in the middle of all that grief, I couldn't enjoy it. Poor Ramzi and Halill, and all other innocent people beyond and within the Walls.

This chapter has had a ripple effect on how I’m seeing the series now in retrospect. I’ve been re-reading the manga , & I’ve become very melancholic after the Rumbling , knowing  everything was leading to this.

This was a phenomenal chapter. Thank you Isayama for everything.

WHICH OF THE FOLLOWING WAS YOUR FAVORITE MOMENT?

2,137 responses

Finding a favorite moment in a tragic chapter isn’t easy but we managed. “Child Eren’s moment of happiness” tops the list with an impressive 30% of respondents. “Seeing the reality of the rumbling” (18.8%), “Eren’s tearful apology to Ramzi” (15.9%) and “Getting Eren’s thoughts on the Rumbling while in Marley” (13.8%) round out the top four.

Very cool to finally see the destruction caused by the rumbling and some more insight into Eren's character

I like that this chapter showed perspectives from both the initiator of the rumbling (Eren) and the victims of his choice. It makes you sympathize with Eren, but at the same time, terrifies you with the price humanity has to pay.

Definitely one of the most depressing, if not the most depressing chapter thus far. Isayama brilliantly handled the transition between Eren's despair and the result of Eren's despair (Rumbling). Beautiful artwork. Great cliffhanger. Definitely a 9/10.

Tragic, Terrifying, Heartbreaking also Awesome because atleast AruAni became somewhat cannon

beautiful art as usual

The freedom scene with kid eren is the most beautiful/horrifying scene of the manga.

I also loved the Annie and Armin talk, anyone who says it's shipping cringe is a child, this was a long time coming and it was executed beautifully. (I also love how Hitch was mentioned twice, she would be proud of Armin this chapter.)

Ramzi and Halil deaths were the saddest part of this chapter, and I don't know about Ymir, but I guess she's helping Eren.

The panel showing the wall titans faces, especially the one shown on the right with empty eye sockets, gave me the chills. Can't wait to see how things will go down between the gang and Eren.

  WHO WAS THIS CHAPTER’S MVP? 2,144 responses

This month giving us the most harrowing chapter in a while made it feel wrong to be looking for an MVP amidst all this despair, and almost half of you agree (47.5%). Just over a quarter of you believe the Eren focus earned him the spot (28.9%), with 9.4% choosing Armin and 9.1% selecting best bros Ramzi and Halil. A distant minority of you chose Annie and Birb, the former of which coming dead last. Poor Annie, you’ll be more popular than a bird one day.

the true mvp was the depression we got along the way

Eren needs a hug

Eren needs to be put down.

I really admire the way Isayama deeply makes you care for a character in a few panels, like he did for those two - relatively unknown - boys.

Annie is the best girl

birbs are the rreak mvp since chap 1

  EIGHT MONTHS AFTER FIRST APPEARING IN THE MEMORY SHARDS, WE GET FEZ-KUN’S STORY.  DID IT LIVE UP TO YOUR EXPECTATIONS? 2,121 responses

Only a month ago, the fandom had no idea what to make of the mysterious Fez-Kun. The plucky pickpocket had a simple but effective story, and knew more secrets than he could possibly have understood. A perfect half of respondents were pleasantly surprised with Fez kid’s part in the story. 41.2% were content as it was about what they expected. 6.2% wanted to see a more in-depth picture but alas, that chance has been crushed mercilessly along with Ramzi’s hopes and dreams (and… the rest of him). 2.5% just weren’t into anything that let Eren lean into some morally black territory. Don’t worry, there are still plenty of grey shades here. Very dark shades of grey.

I didn't expect Ramzy's story to be expanded on, but it's so brutal to see the man he's been talking to killing him, his brother, his family and his hopes.

I know Ramzi and Halil were plot devices, but damn their death hit hard.

I think Eren saving Ramzi is foreshadowing. He knew Ramzi was gonna die in rumbling, yet he saved him. Same will happen, after someone reaching him and reminding him who he is, Eren will stop this madness and die. Or I wanna be hopeful.

even if i'm satisfied with Ramzi's story, I wish there would have been more to it because it is a tiny bit dissapointing but it's more or less what I expected.

Ramzi and Halil didn’t deserve death

i think everybody who dies in this rumbling will get back alive same will happen to halil and ramzi they will come back alive

Ramzi and Halil's deaths were so horrible but so good to see, because this is what it means when you destroy the world. You don't get to pluck out the nice ones and enjoy killing the bad ones. It's the height of cruel selfishness. And no amount of apologies changes that.

Ramzi and Halil deserved so much better

  WHY WAS EREN DISAPPOINTED THAT HUMANITY EXISTED OUTSIDE THE WALLS? 2,117 responses

There’s been disagreement over exactly what Eren meant when he said he was disappointed that humanity existed outside the walls and our poll reflects that. Just over a third of the fandom (34.2%) take Eren’s words literally and believe that his disappointment was with any existence of humanity since it marred his pristine childhood vision. The second most popular option is that he was disappointed in the attitudes, selecting “he was disappointed to discover all of humanity was filled with violence and oppression” (29.5%). We deliberately left off an “All of the above” option but that didn’t stop more than 50 people from writing it in.

He is disappointed at the fact that he has to fight humans with homes, families, pasts and futures and not mindless titans.

It's also a clear contrast between the outside world Armin envisioned and the one Eren wanted. Armin genuinely wanted to know more about it, Eren wanted his worldwide natural park to walk on. When it was full of civilization, he wanted to get rid of it. Like any typical villain wanting to purify the Earth of all the worms infesting it.

When he discovered that humans are just as cruel within the walls as without, it put his entire journey into perspective. He could not be Eren the hero or Eren the explorer and ultimately meant that the sacrifices made by his comrades were negligible in comparison to the big, cruel world , at least in his own mind.

He thought of all the beautiful landscapes and stuff that Armin showed him. Too bad there's these stupid humans in the way. Makes sense to eliminate the entire human population ¯\_(ツ)_/¯

Everyone's fight against titans was pointless and the people who caged them could enjoy the things that Eren will never experience. The world is not a uninhabited landscape open to explore it, the world didn't need them and their freedom wasn't a possibility to enjoy it like the others civilizations do.

The world was out there and yet they did NOTHING to help Eldia

yes, eren is disappointed because there are now more enemies. but more than that, he's disappointed that they're not the monsters he's imagined them to be. that he can't kill them without feeling guilt and remorse.

he would never be able to enjoy the freedom he wanted because the clock is ticking and he will have to keep on resisting the whole world till the end without ever having time to properly realize his dream

I think he's disappointed in the fact that he's feeling sorry for humanity outside the walls just like Reiner used to feel sorry about people inside the walls. When he discovered Reiner was a traitor, he especially hated that part of his behavior, and how he realizes they're not that different, and in any case he's worse because at least Reiner had his child soldier brainwashing as an excuse

His disappointment is as bad as it sounds, having to deal with humans outside the walls was too bothersome for him and when the option to wipe them out was available to him, he was more inclined to take it, instead of fight for another resolution.

Typical privileged White boy outraged by prejudice and hatred OUTSIDE the walls, as if that didn't exist in Paradis already.

Any hopeful expectation Eren had of the outside world were completely decimated. Not only did he discover that humanity hadn't perished, but they actively contributed to or blissfully ignored Paradis' hell. In addition, the outside world is exploiting one other for resources. Paradis’ synthetically concocted hell is just part of a game to the outside world (there’s some uncomfortable real-world allusions here and I think it’s important that it’s being explored). Eren thought he was the saviour of humanity only to discover everything's he's done was for naught, humanity's the problem in his eyes.

  WHAT DO YOU THINK OF EREN’S CONTRADICTORY NATURE? 2,106 responses

Deciding to crush the vast majority of the world and its citizens kind of takes a mental toll on people. Who knew? 48% of respondents think Eren’s emotional breakdown side by side with determination to reach freedom at any cost is simply him deciding the results will be worth his immense guilt. 23.2% think it’s a very human case of cognitive dissonance, and that Eren’s just trying to juggle his conflicting values. 19.2% believe his mental state is fraying at the seams reminiscent of the way Reiner’s did. 6.8% don’t buy that there’s any contradiction being shown here.

He was willing to throw away his humanity to become the monster that brings change

He's being a hypocrite. His guilt doesn't hold any value because it's entirely his choice. He's apologizing because there's no greater good, just his selfish dream.

He's never been okay, it's just that we're finally seeing him for who he is without the "protagonist illusion".

I don't think it's contradictory though. He's grieving sure, but he's also going along with his plan. Because he wants to be free.

He's not mentally stable and it shows

He's to some extent influenced by the Shingeki and/or its previous holders

He's trying to convince himself that humanity is evil sl he won't feel guilty about what he's doing

Hes a fully grown adult who knows better, no matter how bad he feels he doesnt deserve sympathy

The future cannot be changed and Eren is a slave to the attack titan's objective to push foreward

This chapter shows a lot of parallel between Eren and Reiner, he even said himself that he's worse than Reiner in the genocide that he's created. says himself that

What a fucking asshole

When Eren saw the future he knew the rumbling was inevitable so he is the one having to carry to burden of being ‘humanity’s enemy’ whether or not it was Eren to fulfill the rumbling it would’ve happened either way so he isn’t immediately a devil

Erens nature isn’t contradictory. He’s just now becoming self aware of the impact of his violent nature

He feels guilty about his actions and feels sorry for people who are going to be killed, but on the other hand - he is selfish and will do everything to reach his perfect reality.

Humans are an amalgamation of their actions. They sometimes arrive at destinations they did not fully intend. They may also realize too late that the path that they’ve set down is leading them in a direction they are not happy with, but eren is too far gone. He’s sane, understands he is objectively evil, but cannot turn back.

He totally snapped and turned into the psychopath that was sleeping inside of him for a long time. It was indeed very dangerous to entrust him with more power than he can handle.

Isayama did the same thing with Zeke. I think he likes the idea of the cool, mysterious guy, but it falls flat when the motivation doesn’t line up & the characters turn out to be crying & weak to fit the narrative once it’s revealed.

I don't know how to word this, but he is caged in his own vision to the point where any human decency and the ability to think is killed. Only a selfish, hateful and childish shell remained that is throwing a tantrum over his childbook fairytale not being true. It's not the same as Reiner, because Eren chose this. He wanted this, it is his fault. He had the power to stop this, but didn't. He can apologize as much as he wants, but he isn't feeling sorry at all.

He feels guilty, which is why he is having a mental breakdown like Reiner.

He’s having a mental breakdown but it's worse than Reiner's

painfully obvious this chapter was just Eren trying by all means to justify the Rumbling. Not because of some noble intention or cornering them into the inevitable, but just because he wanted to erase the world.

the eren reiner parallels man.. they never stop

  IN HIS FINAL MOMENTS, RAMZI SEES AN APPARITION OF YMIR. WHAT DOES THIS MEAN? 2,104 responses

Ymir has finally appeared since we last saw her in chapter 122, and her presence as well as motivations are seemingly shrouded in mystery. Over a third believe she is watching everything but not necessarily feeling good or bad about it (32.1%), and some of you think she may be questioning her decision (16.2%). A minority of you opted to choose that her appearance means she is enjoying seeing it unfold (9.6%), or that we are witnessing a phenomenon related to titan deaths that have occurred all this time (7.5%). The most popular choice, however, (34.6%) is simply expressing bewilderment at the Evangelion-esque shenanigans we’re seeing.

Ymir could be the one doing all the actions of destruction since Eren let her free.

i really think after ymir appeared again even tho eren freed her that she's regretting giving him the founder's power and will have a role is taking him down

the presence of Ymir intrigues me and I hope that in the next chapter we will have her point of view.

I think Ymir is the one who's been pulling the ropes for a long time. Whenever Eren thinks there might be another way (especially throught he disappearance of the Eldian race) he compulsively thinks that he just CAN'T accept that, like there's a force driving him towards seeking freedom.

I hope that Ymir appearance means that she is counting and seeing Eren victims so she can create them Again without Eldian hate

Ymir being outside, and Kid Eren appearing in the paths might have a connection. Ymir was a grownup when she was killed but inside the paths she was shown a kid. Same as Eren being shown in the paths. This might signifies Eren is not in control of the situation but Ymir is.

I have had theories for a while about Ymir possibly turning on Eren, whether this is to save the world to show she is better than Eren, or to bring Paradis to destruction as well to show she is just as bad.

WHAT IN THE EVA?

Loved the Evangelion reference. YAMS YOU MADLAD!

Ymir might be the true enemy

WHAT THE FUCK IS YMIR AYANAMI DOING THERE?  

  WHAT IS KID EREN DOING HERE? 2,099 responses

Child Eren appears in one of the most stunning panels of the chapter, but what does it mean?  Two options came out on top, with the idea that Eren is mentally regressing to a child (37.9%) edging out that it’s symbolism comparing child Eren to current Eren (36.1%).

I think we are going to see different Eren during the rumble, the past with Eren as a child, the future perhaps with a more mature or elderly Eren and the Eren of the present.

Adult Eren is incapacitated and Kid eren took his place through paths, will wake up for the "see you later, Eren"

Adult Eren unknowingly brought kid Eren’s consciousness to the present while he was sleeping under the tree. This is part of his “dream” that he had at the beginning of the story.

It is symbolises Erens mentality as a kid and how his flawed ideology doesn't hold up to the real world he faced outside of the walls. Also to cope.

Eren is the only character who cannot overcome the cycle of violence, so he will die.As you know, only without people can you become absolutely free, so he enjoys it when he realizes that nothing else binds him.

He has taken over paths from ymir, but since he is not bound by anything, he can do whatever the hell he wants, and is the reason he connected to armin while speaking to him.

It shows that Eren is not fully in control of the PATHS. For example in this scene, he remembers Armin because of his memory as a child talking about freedom with Armin then Armin suddenly appears although Eren himself didn't wish for something like that to happen thus it's just to show that PATHS connecting all Subjects of Ymir even in different timeline.

This links in with Floch... Eren loves Floch.

He was dreaming about the past and accidentally used the power of the Founder to show his younger self a vision of the Attack Titan's current point of view.

He's a sociopathic freak

It is symbolic of his old dream that he will have to give up on soon.

Can I say all of the above again? I saw it as a representation of Eren in his most pure, idealistic state which is then contrasted by the realistic horror of the destruction he is causing.

Brought into the present by adult Eren to give his younger self a taste of freedom without all the guilt. This is the beginning of the long dream kid Eren awakes from in Chapter 1.

Child Eren's Evangelion/Devilman(Crybaby)-esque "elation" seems like a metaphorical emotional release (and P A T H S shenanigans).

Something about the kid-Eren “freedom” scene is just so incredible and impactful; fully restored my faith that Isayama will deliver an amazing finale for this masterpiece.

THE MORE I LOOK AT THIS PANEL THE MORE MY HEART HURTS. ITS SO BEAUTIFUL YET SO DAMN FUCKED UP. GOD. FRICK. FRIIIICKKKKKK

  KID EREN FINALLY WITNESSES “THAT SIGHT”, BUT WHAT DID HE ACTUALLY SEE? 2,113 responses

The world-shattering reveal almost a year ago of Eren gaining an important glimpse into the future, characterised as “that sight”, was finally answered in this chapter -- or was it? The majority of you believe kid Eren was merely enjoying the view from above that filled him with freedom, blissfully ignorant to the carnage of the rumbling (50.8%). Close to a quarter (23.8%) think he was able to see the rumbling but was enjoying the freedom in spite of it, with a small portion (5%) believing all the death was a part of his glee. Some aren’t yet sold on the idea that this is “that sight”, perhaps believing we will see it later (20.4%).

I don't think that his inner child is aware of the rumbling. He is only focused on the scenery and wants Armin to see that too.

A world without any walls is what kid eren always wanted to see. Through paths, kid eren achieved this (without seeing the death)

  HOW WILL ARMIN BEING ABLE TO SEE KID EREN THROUGH PATHS AFFECT THE PLOT? 2,114 responses

Child Eren showing up was confusing enough, but he had to see Armin through paths too!?  What does it mean!?  A majority, at 55.5% think it foreshadows Armin’s coming importance in whatever the endgame turns out to be. Almost a third, at 28.6% think that it also opens up the possibility for other characters to connect with Eren through paths.

Armin was the person Eren has been sharing his dreams with. He is mentally showing his friend that the realisation of their dreams is finally at hand.

Eren can call forth anyone he wants, but if he doesn't want to see them I'm not sure if they could get to him

It foreshadows Armin and Eren clashing on a deeper level. I don't think anyone can actually stop Eren at this point.

Eren is so suped up with in this final form and with Ymir's "support" that when he thought about Armin it created a link through the paths.

Armin gets to briefly see the old "idealistic" Eren again. The one he can somewhat see eye-to-eye with and incidentally "created".

I think it might be just a visual metaphor on how Armin and Eren never really understood each other while sharing the same dream and that Armin is realizing that (I mean that the dream of "seeing the outside world" didn't mean the same thing to them). Or it might be that Eren is in a comatose sort of state and that since he technically is in control of paths, his thoughts are "sent" to Armin since he's reflecting on their shared dream

It shows Eren and Armin both want the same end goal. Though they disagree on the means of getting to it

The world is not like the one he saw in Armin's book. Hence why he contacted him, this is his way of reaching for his vision of freedom that he was denied because of the trauma of the wall.

Reference to the ocean scene where Eren was depressed and Armin excited, now its reversed

  WHAT DO YOU THINK OF ARMIN AND ANNIE’S TALK ON THE SHIP? 2,124 responses

While this tiny moment of apparent romance was a delight for the 20% of the fandom who expressed “Whoo hoo Aruani is canon!!”, the remaining 80% were slightly more subdued in their reaction. The largest percentage (35.3%) was happy that the build up between their characters had some payoff. The second most popular selection had nothing to do with Armin or Annie at all with “I just wanna know what’s up with the birds” garnering 26% of the vote. Lastly, 11.2% felt like this moment was completely out of place, selecting “Now’s not the time for love drama Isayama.”

We better see Armin and Annie kiss next chapter

The Armin/Annie was not that necessary, I’d loved way more a more "group" discussion with Mikasa, Jean n Reiner in it. Old 104th days style

Besides the shipping moment, Annie just came to terms with that she’s still not alone, which is huge for her character

I'm not sure if Isayama knows how unnatural aruani is. These two had a grand total of 3 interactions, and sparing each other still isn't prone to romantic feelings blooming on either side.

a bad fking attempt by isayama at romance, should have stuck with eren historia love child

The aruani was unexpected but nice xD I don't exactly ship them but they are cute in this chapter(I can't help but feel one of them is getting a death flag because of this though💀)

What about them talking about all the shit she did or has been through? I wanted to see that.

SHE'S NOT TAKING MY MAN ISTG SHE'S NOT ON MY WATCH

Ship and let ship, this is actually a very intresting pairing and I think the scene flowed very naturally. But I still hope that in the future manga focuses more in the plot and not in the ships. I'd hope the same from fandom, but of course that's too much to ask...

This was a nice moment away from death and destruction

They’re definitely gonna die soon

am i the only one who don’t ship annie and armin? like bro... she squashed your little friends like bugs

Yoo bitch AruAni is canon LETSS FUCKING GOOO Love this cinnamon couple..More canon couple please Yams!

CANT BELIEVE ARMIN IS TRYING TO GET A GF WHEN MILLIONS R DYING HES FR A HOE🤦🏽‍♀️🤦🏽‍♀️

I only saw Bertolt there.

Maybe it's just me but i dont see anything romantic about the scene to me i prefer the weird friendship they have

While it seemed slightly out of place I’m glad Isayama touched on their “therapy sessions”.

Oh God no please don’t do this, Annie isn’t they type of character that needs any sort of romance in her story to be happy

Both aruani is canon 🥳 and wtf Isayama not the time…

c'mon falling for an enemy uncounscious girl with whom you have wangsty once-sided talks, a girl you manipulated to capture and used as a bait against enemies, really ???

They’re finally talking, I’ve been waiting so long for them to talk things out, also I really like Annie’s character development! And finally CANON, I’ve been waiting for sooooo long!!!!!!

I selected the bird because I feel threatened by it but also WOO HOO ARUANI IS CANON

I really enjoyed the scene between Annie and Armin. I think it further cements AOT as a very human narrative. They both know there are bigger things going on, but that doesn't allow them to turn off their very human emotions, which come out in a moment of rest. I don't believe this will necessarily lead to more romantic scenes between them, unless the ending of the story is far more hopeful than I expect it to be.

  WHY DO YOU THINK EREN APPEARS TO BE IN A SLEEP-LIKE STATE? 2,088 responses

Not long after his grand arrival on the shore, Eren seems to be having a little nap. 45.3% of respondents think he’s relying on his base instincts for his walk around the world. 15.8% think he’s wide awake but just trying to ignore the squishy things he’s stepping on. Turns out it’s actually pretty tiring to declare war on the world, or so say 14.2% of you. 12.1% think it’s no coincidence his apparently sleepy face was shown right after the intense stare of birb, and 8.8% think that the image hints at a secret puppet master pulling Eren’s strings. We received a lot of comments suggesting Ymir might be the big bad after all - now how is Eren gonna earn that sweet sweet freedom if he’s not willing to bust a few billion skulls, eh?

He left the Attack Titan on auto-mode

i just wish to know that....now that Eren has a long ass neck.....will he come back as a human or....he will be like this forever

Symbolic of the fact that he isn’t really seeing the sight. It’s a fools errand like Eren’s goal.

I think it is symbolic. The 'adult' in him is sleeping while the 'child' in him is taking the reigns.

His consciousness has been transferred to his titan's brain. He's essentially an Attack Titan battery .

He is dreaming, ignorant to the destruction below and seeing the freedom he envisioned as a kid.

his consciousness is in PATHS dimension and he's controlling things from there

How the fuck is he sleeping when the wall titans are executing complex commands, like diving under ships and surrounding the city?

I don't think he is sleeping. He rather looks beaten and devastated and just numb to what he is doing in order to cope.

I figure that bc he's so big, he kind of has to be like this. Normally when he's in his titan with his eyes open, he's being active. I think that although he's set the titans in motion, he's in a more passive role now. He also can't be all that active when he's that huge, right?

I honestly don't know. I can speculate its connection to Ymir's apparition and child Eren's lucid dream?

He's irrevocably fucked thanks to good old Gabi and her rifle.

He's losing his will to live.  Also leaves an opening for Armin to wake him up like he did in Trost.

HE'S THE SLAVE NOW

Maybe he is actively controlling / managing something else at the time? Maybe something crucial we don't know about yet, I don't believe that he is just exhausted.

His adult self is asleep now because his child self is having fun in his perfect world. Eren is mentally weak as adult but his inner child is strong and is reaching everything Eren always wanted - freedom and happiness.

He’s unable to regenerate due to controlling all the colossal titans, or just won’t because he wasn’t in Titan form when his head was blown off, meaning he will eventually die

i feel as if having eren not be in control would be mildly disappointing because the manga has done so much to set up erens decent into madness and how his actions became so extreme, i would be disappointed if all of that went to waste.

I would guess that Eren might be sifting through future memories at the moment. Looking at the "unknown world"/"the scenery" that made him smile wistfully instead of being horrified/the thing "beyond hell" Eren mentioned to Falco.  

His adult self is sleeping now, while his young self is having fun.

I think hes not fully in control (maybe ymir calling the shots)

I'm kinda torn between him operating on base instincts and him being controlled by someone (Ymir?) so I'm gonna go with both as the possibility.

Maybe he really doesn't want this? I think Ymir's the one in control

Ymir is controlling him

He is not the one driving this titan, Ymir is.

Really? You talk about his eyes being closed and not the fact that he has the neck structure of a turkey!?

  THE FINAL PAGE ENDS ON ARMIN’S HOPEFUL WISH FOR THE EXISTENCE OF THE OUTSIDE WORLD HE ENVISIONED AS A CHILD, BUT WHAT DO YOU THINK? 2,101 responses

Despite the darkness this chapter brought to the story, Armin ends on a hopeful note. The top two options were 36.8% thinking there’s a possibility Armin will in fact be able to stop Eren. and 33.7% believe Armin to be too optimistic, and that it won’t pan out the way he wishes.

Armin's recalling of his childhood dream with Eren in the last page made me think there's still a hidden solution to resolve the dilemma.  

This chapter also shown Armin not wanting to give up with reconciling the Eren he wanted to see and the actual Eren. He hears no evil.

Tragic ending, yes, but I don't think Armin's hope is misplaced all the same. I think Eren cannot be stopped without death, but I also don't think the entire world will be destroyed, and I don't think it will end hopelessly.

Either Armin’s gonna save humanity or everybody just dies the end 😹

That one bird that was perched on the ship might be the symbol of peace. But I'm not sure how that peace is going to be achieved if the option's still on the table.

I hope the alliance is able to save Eren from doing this unthinkable sin.

Probably a blossoming hope through Armin breaking Eren from Ymir's plan uwu

I think Armin could join/support Eren

  THIS CHAPTER CONTINUED THE BIRD MOTIF, THIS TIME HAVING A FOCUS ON SCENES ENDING WITH A BIRD STARING DIRECTLY AT A CHARACTER. WHAT DOES IT ALL MEAN?! 2,067 responses

The Spy Birds theory seemed a bit nutty last month, but I don’t trust that seagull one bit. And it looks like many of you agree because that nutty theory has gone mainstream! The majority of respondents (54.1%) think that the birds are under the influence of a higher power, mainly that of Eren (27.4%) or Ymir (26.7%). 26.6% don’t think the birds are suspicious, they’re just free, man. 13% just reckon Isayama has moved on from his love of drawing thicc horses, and birds are the cool new animal. No complaints here. But I still don’t trust that seagull.

The birds are up to something

Animals sense danger coming from nature before humans do.

bird is symbol for freedom, but some bird like crow and raven in some culture are symbol for death.

I think that pigeons are watching me through P A T H S

Black birds symbolize the people's doom , white bird that flew to armin symbolises hope

black birds: death ; seagul: garbage :))) I dunno, the seagul was so random. It means they are approaching the shore?

EREN IS BRAN STARK IN AOT UNIVERSE LET'S GOO

I dont sure its eren or ymir. But i hope there is something about bird. I hope there are a huge plot twist

Might be another Odin parallel if Eren is using them, but I don't really see why he'd bother. I don't think he needs to do recon.

FREEEEEEEDOOOOOM

Last time I thought that the bird theory was a little far-fetched but now I think that's 100% the deal. That seagul is just somehow way too focused on to be just a random animal.

I commented in the previous poll that the birds are surveillance cameras and i’m even more convinced now. And isn’t it poetic that the Wings of Freedom logo is made up of a pair of black and white wings, representing the different interpretations of freedom pursued by Eren and Armin.

This is all just a Genjutsu by Itachi

my personal favorite theory, it’s zeke seeing everything transpire through the power of the beast titan

Pure!Boy Armin gets the seagull because he still has DREAMS and Eren gets crows because he wants to feast on human flesh.

WHAT'S UPP WITH THE BIRDS AAAAAAHHH TELL ME

I don't know but is really cool if you see it as a symbol of hope/freedom. Birds are the only kind who will not going to be tumble over the rumbling.

I think it's about the colors, black is dark, just like the destruction Eren is causing to the world (including Ramzi and Halil) and white is bright, just like the peace that Armin wished for and is aiming to achieve with the alliance

  HOW DID THIS CHAPTER AFFECT YOUR VIEWS ON THE RUMBLING? 2,100 responses

If we thought seeing the reality of the rumbling would be a game changer when it comes to our view of it, we were wrong. Only 5% of people who formerly supported it no longer do. For the rest of us 44% do not support the rumbling and 30% do. Most curiously, 21% claim to have no opinion. More on that below when we mirrored this question about our views on Eren.

I still don't support The Rumbling, I just want it to stop. It doesn't do anything good for anyone, even Eren himself, and this awfully awesome chapter proves it. I totally expect that via P A T H S.FM Armin and Mikasa could stop him (and save him, physical or psychologically, idk) . It's the only plausible way.

I think the rumbling is justified but I don’t think the civilians who had nothing against Erin don’t deserve to die.

I don’t think there is any other solution, and that’s the point… His outburst at Hange tells me that he was desperate for something. This is coming from Eren who can essentially see everything and inherited multiple people’s memories. If he couldn’t come up with it, I don’t think anyone else can (aside from Armin? But I’m not holding my breath). The 50-year plan was a delusional fantasy at best, technology would evolve rapidly and nullify any threat the Rumbling poses.

I was still kind of hoping Eren had something up his sleeve that wasn't mass slaughter, but I guess we're going there

I believe the full rumbling is a morally grey decision, but I’ll concede and say it’s on the darker end of the spectrum. ultimately eren will have to answer for what he’s done, necessary or not killing millions of innocent people is a horrible thing to do.

The world was never peaceful, and never will be. The Rumbling was inevitable, nothing could stop that.

  ON A SCALE FROM “IT’S JUST A FLESH WOUND” TO “HOLY SHIT THIS IS AWFUL”, HOW DID YOU FEEL ABOUT THE PORTRAYAL OF THE RUMBLING?   2,110 responses

This probably didn’t need to be asked but we did it anyway. For the vast majority of us, the portrayal of the rumbling was overwhelming in terms of sheer horror. “It’s awful! I love it!” seems to be a common reaction.

Whelp... we wanted to see the rumbling. I guess be careful what we wish for.

I am once again reminded how gory SnK can be.

No holds barred. This is the sad, traumatic truth that we asked for.

RIP in pieces Clown-kun

At this point, it makes me sick to read pro-rumbling posts. Normally, when you like a villain or a morally grey character (Eren went past this point long ago) you enjoy seeing how their mentality works. And this is fully respectable, but not the "uuuh my baby did nothing wrong". If we did the same with our kings Floch and Zeke, it would be crazy, wouldn't it?

I’m glad the Rumbiling was shown in its full glory. It didn’t hide anything about the situation and was very gory. I’m glad we were shown what happened to the people during it, and not just after.

I can't feel engaged in the rumbling when it has been the default scenario since the sea, but more specifically 123. The boy had a death flag the size of Marley and now he's dead. Thanks for the shock, Yams. I'm interested in the potential of everything else. I hope I didn't follow this story for the final conflict to be whether to save more people or less people

It was great to see the Rumbling in its full gore. Isayama showed it masterfully and rly put emphasis on how terrifying and disturbing it is. I was never anti or pro of it before, bc I'm just enjoying the view as the reader, that didn't change, and I still like Eren bc he is a very entertaining character.

I loved seeing how awful everything was. Ofc in real life I wouldn't support it, but narratively? Wow!

  WHICH OF THE FOLLOWING BEST DESCRIBE YOUR FEELINGS ABOUT THE RUMBLING? (MULTISELECT) 2,109 responses

This chapter didn’t hold back in its brutal display of the rumbling, and it may be difficult to find the words to describe it, so we gave you twelve. A clear majority are able to agree on it being both tragic and terrifying, closely followed by those who would describe it as unavoidable, distressing or immoral. The choices in the minority included describing the rumbling as awesome, justified or heroic. Fun fact, over a third of the people who chose “heroic” also described it as some combination of “excessive”, “immoral” and “indefensible”. Talk about mixed feelings.

  HOW DID THIS CHAPTER AFFECT YOUR VIEWS ON EREN? 2,093 responses

If we thought seeing the horrors of the rumbling would be a game changer when it comes to our view of the person who unleashed it, we were wrong. This chapter did nothing to change the minds of the 40% who support Eren and the 30% who do not. Only a minority (8.3%) said this chapter made their support for Eren wane.

We were most curious about the 20% who selected “I have no opinion.” When we’ve waited so eagerly for Eren’s POV, how could a quarter of the fandom be neutral on how it affected them? Was this a failure on Isayama’s part or were our poll options poorly worded? We decided that rather than having no opinion,  “I don’t know what to think yet” might have been the better cop out...err I mean *neutral* option :P

I was one of those that was convinced that there had to be something more to the Rumbling, and this chapter shocked me to my core by revealing that there really isn't. Eren is just that disturbed. We wanted Eren POV but we weren't ready for it. Now I just want to see how Armin and Mikasa end this.

i love eren so much nothing can make me hate him but he is insane... all this and for what. THEY COULDNT HAVE TALKED IT OUT??? i feel so bad for eren he clearly does not want to kill all those people man...

We finally have Eren's pov now; I still don't know how to feel about it, but I'll always support him.

Eren is a character who really disgusts me because of his fucked up delusion of fReEdoM but I love him at the same time because he's really well written, this boy is a fascinating mess.

This chapter seems to have made things pretty straightforward. Eren is a lot of things but he’s not one to go back on his word. He said he was gonna rumble and now he’s doing it.  Not sure why people are having a hard issue saying he wouldn’t have done it. Uhhhh hello he’s nuts

i get eren's side but i just wish that there was another way to bring freedom and justice without genocide

I support eren as a character, however if his actions were translated to real life I would disagree with them. At the end of the day, genocide is not ok. He could’ve wiped out military bases, but civilian deaths is not ok. HOWEVER, for the sake of fiction, & the fact that there’s no decent alternative, it’s team Yeager.

Deep down his choice is selfish and this is why he is ashamed of it, the rest are just justifications. And he is not the only character who has selfish objectives hidden over good intentions, Erwin fought for humanity, but deep down he wanted to prove his father right, and Reiner on his quest to "Save Humanity" was just a mask to become a hero.

Really I want to see Eren fufill his dream, I’m still supporting him.

Ymir might have a role to play in his mental state.

Not to support the rumbling or anything, but I do feel sorry for Eren. He's like a cornered animal that attacked in panic and that attack's freaking deadly.

Even though the rumbling is tragic, this is Eren truly getting his way, no matter what. It's a rare thing to see in any literary work, and although I'm curious as to what the downfall/tragedy of his character will end up being after this, I love it all because for what feels like the first time, a character with bad intent is using the god power to accomplish their goal, and I can't get enough of it.

  WHAT BEST DESCRIBES YOUR THOUGHTS ABOUT EREN THIS CHAPTER 2,111 responses

Empathy for Eren is the theme for nearly 70% of the fandom with “I feel for him. He’s in a tough position” (43.7%) and “my heart aches for him” (22.1%) being the top two selections. On the opposite and more extreme ends of the spectrum, those who think he’s the greatest (15.1%) and those who think he’s the worst (14.9%) are nearly evenly matched. Interestingly only 4.2% expressed “I have no opinion” on this question compared to more than 20% on the question above.

Eren is my favorite character but I also don't support his actions.

I was disstressed for a few days after it.  How did it go to this? I kept reading this far just because I wanted Eren to be happy and have his happy ending, and what do we have now?..

I feel bad for eren, he's in a position no one would want to be, and he hates what hes doing no matter how much he needs to

This chapter could possibly stablish once and for all Eren as a unchangable character since he has reached a point of no return.

Eren is GOAT, the rumbling is wrong but I still love eren

This entire chapter just reaffirms the fact that Eren has always been a self absorbed, self-pitying child from the very beginning

I don't get how people can still support Eren just because he cried a little.

To think that all the shit that has happened since RTS (Sasha killed, Liberio attacked, Tybur murdered, Zackley assassinated, Nile and Pixis titanised, Levi forced to decimate his own titanised squad and then nearly dying, Jaegerist coup, Shadis beat up, Historia pregnant AND ANYTHING ELSE I'VE FORGOTTEN) is all because of some long, convoluted plan for one single boy's childish, problematically simplistic, black-and-white dream for "Freedom" is. I can't. I'm tired. Eren's pov is so outrageously outlandish that I can't relate. At all.

I cant feel bad for Eren, he is the only person responsible on his guilt and sadness. Also genocide is the worst option and even Eren says it.

He was sheltered his whole life; he has no proper context or framework for concepts like racism and war between humans. He “optimistically” thought his fight was that of human vs titan. That's why I don't blame him for coming to the Rumbling conclusion after the basement reveal. I give him a lot of credit for empathizing with "the other side" and I do believe Eren tried his best to come up with alternative solutions.

I feel for Eren, he was sold the idea of a perfect, peaceful, untouched world, ripe for discovery, filled with the beauty and awe of nature, but in reality it was full of cruel xenophobia people who hated his very existance. I don't support the rumbling but i understand why Eren did it.

Eren is obsessed with his perfect vision of "Freedom" where there are no limits to his will, but sadly for him, he lives on a reality where others exist and as long he has to interact with them, there are going to be limitations he is going to be bound. So even if he kills everyone outside the island, there is going to be another "wall" he needs to overcome.  

Seeing Eren cry and hear his doubts actually made me just more angry with him: "If you are so sad about the fate of the outside world then fucking change the future, don't just give up!!!!!!!" He seems to be very clung in the idea that the future is set and there is nothing he can do to change it.

Okay but look at Eren's centipedal Hell's creation's TINY BUTT. It's so funny seeing that little boney ass on this gigantic thing

  EREN SEEMS TO HAVE MANY MOTIVATIONS. HOW WOULD YOU RANK THEM?

This one was interesting. With this chapter’s iconic imagery of kid Eren spreading his arms declaring “this is freedom”, it’s unsurprising that most of us agree with that as a very important motivation for him. His friends were also chosen as a very important motivation, though not as much as his love for freedom. Historia and her child just edged out the motivation of the people of Paradis, though interestingly it has less “somewhat important” votes and more “not important at all votes”, making it clearly divisive even if it has more “very important” votes.. But the motivation with an even more divisive perception is revenge, with nearly an even split between those who view it as very, somewhat and not important at all.  

Everything Eren is doing is for the sake of his friends and Historia, there was no other choice to protect the island.

I think that the only thing what matters to Eren is freedom and reaching the perfect world he saw in his dreams after reading Armin's book. The dream of his inner child is playing the most important role in his life. Eren is ready to sacrifice his friends, his mentors and people on Paradis - just to see the special scenery and finally feel FREE.

Feel sad to see eren need to do all of this, but i know its for his friend and paradis

I hope that Eren doesn’t harm the alliance

  REGARDLESS OF WHETHER YOU FEEL POSITIVELY OR NEGATIVELY ABOUT EREN, DO YOU THINK HE IS BEING PORTRAYED AS A VILLAIN AT THIS POINT IN THE STORY? 2,098 responses

It’s truly a testament to Isayama’s strength as a writer when a character’s deliberate annihilation of billions is met with a majority response of “there are no villains or heroes here.” 57.1% think that as tragic as the situation now may be, nobody in this manga really qualifies as villainous. Or at least, not when our feisty protagonist is involved. 33.7% think the manga is a tale of a hopeful boy slowly turning to the dark side. 5.6% see this all as part of a hero’s tumultuous journey. Finally, 3.5% think it’s unfair to cast Eren as a villain since he’s not the one in control. Gotta say, if Eren is not the one destroying the world he really shouldn’t have said he was going to destroy the world.

This chapter just proves that Eren ISN'T a complete villain. I disagree with the rumbling, but what Eren's going through is something that I empathize with.This chapter just made it easier for me to keep rooting for everyone, even though a completely happy ending is not an option anymore.

I really hope Eren's in for a change of heart soon. I hate the idea of him being the final villain. He's definitely redeemable. Even he is eligible to have a dark foil and rival. Maybe we'll get that later on in Zeke who I feel is also redeemable.

More and more of the story is unveiled, I really like how this is going. Ever since knowing the outside world I have decided that Eren is no longer a hero but then he is not a villain either so does everyone in the story. I like Eren a lot but I'd say that I just like to observe, to see, never to support or to oppose. So this chapter is really amazing to me as I managed to see more about Eren.

eren is a villian whether you like it or not

I feel Walter white Vibe from Eren.

Eren is evil period!!!! There is no justification for mass murder. If he wants to savr his ppl then just wipe out the army, navy, air force, warriors and the leaders period not everyone including INNOCENT ppl....

EREN IS GOAT. He is portrayed as a hero who makes tough choices that no other shitty shonen character even can do.

Eren needs to stop the rumbling. It maybe justified his needs but the people outside the walls didn't deserved it. They're both each other's enemies. He used to say people outside the walls are monsters but he became one himself. He desired freedom but in the end he was a slave to his own desire.

Isayama could chose to make him some what of a villainous character, or he could chose to set it up as if eren is more of an anti hero doing then wrong things for the right reasons

  DESCRIBE THE CHAPTER IN ONE WORD 1,543 responses

No superlatives to describe how great or awesome this chapter was this month. The Rumbling hurt us all (well done, Yams, mission accomplished). That being said, it looks like we’re all masochists, considering this chapter is in the top 5 highest rated chapters since chapter 91.

Tragic [169; 4.69]

Sad [89; 4.73]

Pain [77; 4.86]

Depressing [69; 4.75]

Heartbreaking [48; 4.77]

  WHAT ARE YOU MOST HOPING TO SEE NEXT CHAPTER? 2,089 responses

With what we want next chapter we find it especially surprising that the majority are ready to give Eren’s perspective a break. Since google sometimes fails us in displaying the data, we’ll just list it all out. Of the options we provided, our wishes for next chapter from most to least popular are: Let’s keep it with the Eren POV (23.4%), The alliance reaching Odiha (22.4%), WHERE TF IS LEVI??? (10.6%), I could go for a few more mental breakdowns (10.1%), More Ymir being mysterious (7.9%), WHERE TF IS LEVI??? (10.6%), SAVE US ZEKE (8.9%), Oh god go back to Historia please (8.5%), Finality for Floch (6%) and More birbs ovo (2.2%)

Yo where tf is Rico

I want to see levi

fuck yeah more mental break down, I'm ready to be depressed

I really want to see more of Armin and kid Eren in Paths next chapter. That one panel was super interesting and I would love to go back to it.

hurt me more isayama

Please yams I want to see Flochad kill Hange, that’s all I ask for.

Zeke returns next chapter pleaseeeee

HOPE WE GET TO SEE HOW THE ISLAND IS DOING NEXT CHAPTER

It's getting to the final and I don't like that

as only 3-4 chapters are left, I dont think we are going to get another eren POV, I am still dying to see the conditions of the other main characters, whereas zeke and floch are unfinished mysteries.

someone from alliance is dying soon

I've gotta see more Historia. What is she doing and thinking right now? What is her role moving forward?

Just shut up with historia in this survey. She's irrelevant. Now I hate answering your polls.Never again!

i literally don't know what to expect next chapter like yams is just THAT good

  WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 2,025 responses

The platforms where we discuss the series remain relatively unchanged with Reddit providing the plurality of responses. Thank you Reddit! We appreciate it. That said, we’d love to see this chart balance out a little more so please feel free to share the poll wherever you discuss the series. That includes the 5 of you degenerates on Snapchat.

  ADDITIONAL THOUGHTS ON THE CHAPTER? 553 responses

Uhhh *disappears*

ZEKE-KUN PLEASE BE A GOOD ONII-CHAN AND SAVE THE WORLD FROM YOUR TROUBLED LITTLE OTOTO

listen, birds are pretty cool ok

Beautifully tragic, exactly what I wanted to see from Eren after being shown in a villainous light for 30+ chapters. Being introduced to a new character, in particular an innocent child and then finally revealing his name and story was a perfect way to show the true horrors of an indiscriminate near-omnicide, it definitely brought tears to my eyes.

(😢) SIE SIND DAS ESSEN UND WIR SIND DIE JAEGER (😢)

As expected of Isayama-sensei, it's exactly right.

Annie being revealed as aromantic is the unexpected happy development in this tragedy.

Kiddos, the "it's just fiction" argument refers to the fact that you are allowed to *enjoy* watching fucked up things in fiction because people, in general, can distinguish between fiction and reality. It does not mean writing essays to *justify* said fucked-up things that happen in fiction, because you almost certainly start bringing your own real-life logic to fictional events. Aka, mixing up reality and fiction. Showing your true colors. Allowing your beliefs to slip into discussion. Whatever you call that.

THE BIRDS HAVE PATHS, I CALLED IT LAST CHAPTER!

Annie has always had a hard time expressing her feelings and that she has had complexes for a long time. I'm glad Armin was able to tell her what he was thinking because it will give Annie more confidence. Plus, Annie has always been introverted and I love that Isayama tells us more about her character.

The ravens are a reference to Odin’s, a mythology character. He has two ravens, they symbolise memory and mind/thought.

What a manga.

what eren did is right you can come up with any other solution

What in the everliving fuck is going on? Can we go back to factory reset and knock some sense into Eren before he starts having wild ideas like this one? Please

BEST SHIP FINALLY HAPPENING PROPERLY AHHHHH MY BOY ARMIN IS FINALLY TALKING ABOUT HIS FEELINGS EVEN IF IT'S SUBTLE

If Eren is the bird he really is Armins WINGman.

I KNEW ARMIN LIKED ANNIE! But seeing Annie blush was a nice surprise. I thought she was the ice queen in terms of romance.

This poll is bias toward historia. I wish if y’all stop the shipping b.s

birds are supposed to symbolize freedom in most cultures, innit?

This chapter was so important to me. It showed the reality of the rumbling, and that scenery, and most importantly, Eren's true feelings on the genocide, including his now split younger self. He feels guilty about it, he knows it's bad yet he has to do it because he has no other option if he wants Paradis and everyone he loves to survive. During my life I have had a lot of instances where I had to sacrifice a lot  in order to survive, including disociating and splitting my personality in two, crushing my own feelings to do what had to be done, so characters like Eren are very relatable in that sense to me. In a kill-or-be-killed situation, there is no place nor time for doubts nor mercy and you have to do what you have to do.

Very interesting, trágico and raw, but also  liked the comparison between different concepts of the world and freedom between Armin and Eren. Also loved all the AruAni moments, they were not only adorable but also helped those two characters talk about things they needed to open up about since a long time ago lol.

I want to get off Mr. Isayama's Wild Ride

Am I the only one who can't take the alliance seriously?

Wasn't really feeling the AruAni moment, but other than that top tier chapter can't wait for more.

Armin possibly realizes Eren isn't in the right state of mind. If Eren is projecting himself as a child, then Armin might be able to come up with a plan to stop what he is doing.

Fantastic, worth the wait.

Fav chapter yet. Fall of Wall Maria got overthrown as the most depressing event in the series for me.

Favourite line in AOT :"SIT DOWN"

I don't want it to end, but I am very happy about the direction the manga is going.

I felt for eren

This chapter was legendary, it hit all the right notes for finally giving Eren's POV. The shot of child Eren above the clouds will go down as one of the best panels ever... also Eren's line about "disappointment"... fantastic it gave me chills.

I find ‘the cycle of revenge’ storyline tiring. I’ve seen it so many times before and there isn’t anything new being covered here. I just feel tired and sad honestly. My last (and probably unfulfilled) hope for the series would be for Levi to make it through this, work things out with Zeke without violence and be able to move on in his life. He could help the survivors of the rumbling and reestablish civilization, maybe open his tea shop, see the world, maybe fall in love. I don’t really care. I just want to see my boy alive and doing okay for himself. A ridiculous thought for this series, I know. With 3-4 chapters left I feel we will most likely just be left in a misery marinara. I’m soaking in it right now.

I have too many thoughts on this chapter, I wouldn't know where to begin

i wanted him to save ramzi, but i didnt at the same time?? i was glad he didnt spare him, but im sad he didnt?? i dont know why

I just want everything to end already

i just want the best ending for all characters, esp Eren.

I like how Isayama is pushing the cognitive dissonance that i have of what side i should choose.....he is really fuckin with me at this point. All the thinking has now made me kinda numb

I like Isayama drawing birds and see the art improvement through the chapters :D I announce August is the Eek Appreciation Month dedicated to the Wings of Freedom! EEEEEEEEEEEK

I like that it pretty much ended the discussion of Eren having other plans. He's been totally honest the entire time. If he had other plans, why'd he put his friend in danger by having them fight against him?

for real had to pause for a bit at many points in this chapter lmao

Maybe this is why he never talked to his friends- he didn't care about discussing what's right for them, he just wanted his FrEeDoM and would walk over children to get it.

Glad to see Armin and Annie being cute, they deserve a few moments of happiness.

Glad to see Eren’s thoughts and feelings about the rumbling. There are a lot of loose ends that I was hoping to have some answers for in this chapter but it didn’t happen in this chapter, which just made me more intrigued.

Glad to see that Eren's uncaring exterior was finally dispelled this chapter

God I can't see this ending good and I just really want this to be over soon. Never rooted as much for an MC to die as now.

Which of the following best describe how you feel about the rumbling?  Pointless, it won't achieve anything.

while i find aruani cute i still find it weird since she literally was crying the previous chapter. i was disappointed that we didn't get to see all the alliance

Why tf is Ymir in the realworld!?

WHENS MAHVEL

SS ARUANI GONNA RUMBLE THE SHIP HARDER THEN EREN RUMBLED THOSE POOR CHILDREN, TAKE THAT NONBELIEVERS no really, this was built up from s1, and they have wonderfully complementing personalities. Sad that half the fandom gets triggered from any het ship (and vice versa)

Crack theory: Eren has two personalities which is why he acts in contradictory ways. The "evil" nature is in kid Eren and the "good" nature is in the bird. There is no consciousness in his actual body anymore.

Genocide route best route

Way better than the last chapter. 130 was just good art and shipping bait which felt like it was forced for the sake of the end of a volume. This chapter was amazing and balanced its multiple purposes effortlessly, as opposed to the clunky nature of the previous chapters. Probably the best chapter since Ymir's backstory. I love how Armin tied into it, we haven't seen he and Eren's shared dream brought up for a while, as it had faded into background despite being such a driving force for both characters before the timeskip.

I was sure that the dichotomy between Eren's motivations was clearly between his friends/the people he wants freedom for, and his own quest to soothe the anger he has in his heart. Essentially is he doing this for love or hate. Yet we get a third motivation introduced this chapter, of him achieving his child self's dream of freedom in a wall-less world, and what do you know it's tied into "that scenery/that sight", Isayama you genius. What does this mean about those other motivations, though? Is everything false and it's just what Eren is telling himself? What's the lie? What's the truth? What to believe…

It might just be because Eren subconsciously called to Armin. So if more memories surface, more characters can talk with him potentially.

Time loop theory!

Timey Wimey P A T H S shenanigans.

Even if I'm not surprised, it's disappointing to see how Eren is the worst Jaeger after all. He used to make bad decisions trying to help "humanity", but now he just thinks he's right, when not even half of Paradis agrees with his ideas.

I hate Eren from the bottom of my heart. He's disgusting, a total piece of shit. And I love Isayama for giving me all these feelings. He's the real GOAT here.

Really made me wish Isayama hadn't gone for the ~mystery~ of Eren becoming the villain and had instead at least given us the flashbacks in chronological order. The way this long-awaited PoV reveal has been done has felt so clunky and awkward.

I honestly don't understand those who used to support the Rumbling but no longer do after this chapter; maybe they are the same kind of people that romanticized Omnicide and kept defending it as the  "morally correct thing to do"  and that they "would most certainly do it"  if they were in Eren's shoes... Until the reality hit them and all of their posturing like a bag of bricks - i.e. the typical edgy keyboard warrior.

As a pro-Rumbling fan, I always knew this was the expected outcome; if anything this chapter was everything I hoped that Isayama would show to us because it once and for all disproved the idea that Eren has a plan beyond the Rumbling. A Lelouch ending (which I hope doesn't happen) can still be pulled, but its not something that Eren is actively working torwards, but the end result if the alliance somehow stops him.

rumbling go brrrrrrrr

Zeke is controlling the bird with his beast Titan ability that he learnt from the paths realm

"what will my mother think of me?" Ashamed of you, eren, duh.

I really can't feel sorry for eren when this is ultimately the choice he made. There were always other choices up until the point where he killed many world leaders in his attack on Marley.

A bit sappy but understandable. From a egoist point of view Eren is justified in his actions, but of course this just reaffirms the Eldians "monstrous" nature to them. The Eldians dont have a realistic out unless the titans are truly gone forever if Eren loses. Curious about the birds.

A freckled girl appeared. That's progress.

BRUTAL.

Also what about the Eldians living outside of Paradis Island? IMO they are the ones suffering the most

Can he even be stopped?

Can people stop saying that because you enjoy the direction of the story that you’re a genocide supporter? I like shooter games too but I’m obviously not going to go kill anyone, everyone needs to chill out with the moral policing, you sound like the Tipper Gore crowd. Is the rumbling justified? No, but it’s a great direction for the story and it was inevitable once it was established what was in the walls. Chekhov’s gun had to go off sometime, I’m actually surprised how many people seem to be agonizing over this.

Can't put it into words how amazing AOT has become and is just stepping over each level taking one step at a time !!!

Can't wait till next one

Changed the opinion of many people on eren's genocide

Chapter confirmed Eren is NOT the father

Cruel just like the world

This chapter re-assured me that that first scene of Mikasa is the moment she says goodbye to a dying Eren.

Damn bro it’s great

Dang. When this is animated, I guarantee a lot of youtubers and just the anime fandom in general will think this is the best series of all time.

Eren is one of the best MCs of all time.

Eren is one of the most tragic characters on manga

Eren is the best protagonist

Eren is the GOAT but is also wrong and needs to die real soon

EREN IS THE GOATTTT. AOT IS THE GOATTTT. ISAYAMA IS THE GOATTTT.

Eren is truly the best developed main character from any shonen series, this chapter made my mind.

Eren loses it, again

great job Isayama. well done you madman

Great painfull chapter, Eren having a breakdown Made me so sad and depressed,  I wish him to achieve freedom

Greatest manga of all time

greatest piece of fiction of our generation

Hange is right, this is not an acceptable solution

I cried while reading it no joke

I don't even know what to say about Eren. Sure, this chapter is showing his guilt, but that definitely does NOT justify his actions. EXPLAIN YOURSELVES, YEAGERISTS, EREN STANS!!!!!! (sorry I'm just angry about him)

I still think there needs to be a twist, because for me the character development still doesn't work. Eren and Historia have both forgotten common sense and do awful stupid things for stupid, hollow (plot) reasons, and the 104th this entire arc have both become somewhat useless and self-righteous at the convenience of the author. I don't care if the whole arc happened this way just because clearly Isayama wants to have the rumbling as the last arc, but if this was his objective he should have been more focused on character consistency and less on the mystery of it all. It still all feels less like the choices of actual characters than plot convenience, and it gives me the same sensation of the Serumbowl, which I thought was the nadir of the series.

If truly there's won't be some last minute twist it's just bad character writing in service of a plot decided in advance. Same with Historia and the 104th. Who cares about character consistence? Not Isayama, apparently

For some reason Eren wants Armin to the what his is doing.

Honestly, of all the characters Armin is the last I'd want succeding in stopping Eren. Let Mikasa have the spotlight, damn it.

Beautiful pain

Beautifully drawn but very gory

a person can gladly become a devil or a god if he has to, for justice.

A truly sad and terrifying chapter. I never understood how anyone could support this. Don't get me wrong. I understand plotwise why it had to happen. I knew Isayama would show us this. This part was unavoidable for the story he's trying to tell. Doesn't mean I have ever supported it, or that I ever will. But hey at least Aruannie is cannon, so that's a silver linning to this absolutely horrible chapter.

PS. I never wanted to punch a fictional character in the face as much as I want to punch Eren's. Alas, he's not real and I will never get the satisfaction of doing that.

Adding onto child eren's freedom panel, i believe it represents the idea of freedom he had wished for before he was betrayed by the world itself.

All hail the mad king

All that suffering, for what. You won but at what cost

IT MAKES MY HEAD SPIN AND THE FORSHADOWING BUILD UP TO THIS CHAPTER IS JUST *chefs kiss*

It really shows that Attack On Titan isn’t an ordinary story. It is a storyline filled with emotions, tragedies and somehow the cruel reality that this world possesses.

It shifted through a lot of POVs, it was pretty good.

It showed the rumbling and Eren in much more impartial way.

It was crazy to finally see in Eren's Head but all it did was confirm the things I was thinking for awhile and put me more on his side.At this point I'm ride or Die Eren Yaeger just so I can see how this all ends.

It was good, but I wish we would've gotten more with the rest of the crew going to Marley.

Listen, I really love Eren, I have deeply felt for him. I still do, I relate too much with his own traumas but since the timeskip. I have distanced myself from him and I don't and have never supported on his stance for genocide because he set this up with Zeke and pushed Marley to go into war while they didn't want it in the first place. However I have too much of a strong emotional connection to him so I understand him and I admit, it made me doubt a little bit on some of my stances. Since Eren is so different from who he was back before the timeskip, I have always assumed and the manga has not proved me wrong, that he's being influenced by something or someone which is feeling on his traumas, anger, depression and dissapointments. So I am still extremely optimistic about him.

Jesus Fucking Christ

its funny how the dream dies with reality

Its great to finally get some of Erens thoughts but it’s just made me think he’s not acc the one in control

My tears create a whole new ocean.

no opinion really, chapter felt kinda flat and repetitive in parts

Alliance supporters learning that Eren is suffering with all this shit and isn't trash and pitiful like their hypocrite babies who were genociding their own people in the last 32 volumes.

Amazing. The way Eren developed from this angsty little child to someone who's willing to kill everyone to achieve his childhood dream and save his pals is truly wonderful.

Rumbling go wee

I found it tragically ironic that Eren just has a passing thought of what his mom would think of his actions, and it reminds me of how he wouldn’t listen to her when he was younger. Do you think this is a subtle indication that Eren hasn’t matured from the thought processes of a selfish boy, or does he truly hold weight and more consideration to what his mother (and other people) would think? Personally, I think he is more aware of outside views, but just refuses to accept that reality because he is so stuck on his own desires.

It's one of the pivotal scenes because atleast I know that within Eren he still at somepoint have consicience and shows that at somepoint he can be stopped.

Rumbling goes rumble

Eremin <3

Yams makes me confused! I dunno!

Collosal Titans go brr

CONFUSING IN WAY TOO MANY PARTS!!! where to start or stop... from ymir to bird to child eren is all confusing af but nice :)

Depression and depression

Did we really need to spend that many pages on that AruAni BS? So much for fucking 5% being left.

Dis gon be good

Let's get the final confrontation underway!

Welp, there is absolutely no defying it: Eren is the big bad and there is no secret plan to make it up.

Let’s get ready to RUUUUUUUUMBLE!

LETS FUCKING GOOO

Levi and Hange convo when? Armin and Annie end of the world sex when? Jean confessing to Mikasa when? Floch suprise killing Connie or Jean when? Floch getting thrown over board to die at sea rather than being shot when?

LOLZ at anyone still defending the rumbling after this chapter portraying it as something heroic or justifiable

Make me feel. Make me feel more.

Man, this is rough.

Overall well rounded chapter. Time to get back to alliance and Historia after this though.

Poor Eren. But I kind of understand.

Ppl who are calling Eren GOAT or saying they were only sad in this chapter bc Eren cried are legit psychopaths.

Seeing Eren’s POV and reasoning behind pursuing the rumbling makes me feel for him. We know he cares about his friends, paradis, etc. I am at a loss of words for this chapter. However I will say this, Armin in paths with Eren is not a coincidence. I think isayama is foreshadowing of a conversation THEY’VE ALREADY HAD, and what’s to come..

Isayama is being stingy about letting his characters talk to each other properly. I mean really how many scenes do we have left on this boat while the rumbling goes on? When there’s still so much to be said. Wasted chapter imo, a lot more could’ve been said and done.

E+H=Y

Eren confirmed that he will kill everyone. The rumbling cannot be stopped.

Even though we have gotten some insight on Eren's pov, it has created more questions than answers. His motives are still very confusing and we are still being kept in the dark

Every chapter update makes me sad :( the story has gotten so tragic and i love it but oof. I didnt think it could get sadder but Isayama proves me wrong every month

Every new released chapter is better than the last one. I love these series. Props to mr. Hajime Isayama 💪🏆

Exactly what we needed, have more faith now.

Exceeded my expectations. The last two chapters were mindblowing after a slow mini Arc at the port. Isayama can really pull ar your heartstrings with flashbacks and Eren's pov.

Thanks Isayama for the microscopic eremin crumbs

that kid eren scene though... easily the best scene the series so far

That was damn perfect

That was f***ing amazing and awful at the same time. I want this series to end, but actually no. Keep going Isayama. You crazy motherf***er.

the "beyond the walls" talk between armin and eren is being brought up again and im emotional now thx

The ending's gonna disappoint people, no matter how well/badly it's executed. Chapter was cool, but overhyped imo

The pacing seems slow, but then again, it was recently nodded to that the manga won't end at Chapter 134 or 135 but 136. And Isayama does have everything planned out for a long time. I don't think he'll disappoint.

the significance of many things in the story are too epic, carla and mikasa look alike, grisha and eren look alike, historia and dina even look alike, the repeating actions, along with the intricate history formed, give us a lot to speculate but nothing to confirm.

I am somewhat sad for eren, to see the point that he has reached by having that freedom that he longed for so much but that I hardly think exists is sad, I don't know how the hell this is going to end but hey I don't know

I can't even begin to imagine how this is going to look in the anime. Definitely not for the faint of heart.

I can't imagine how the manga will end in a few chapters

I can't wait for 132.

I can’t believe this

I can’t wait to see this chapter voice acted, holy shit.

I loved the context that Eren's apology provides, really gives some much needed insight on his thoughts about the future during the timeskip

I need him to talk to mikasa and armin!

On this poll, I noticed that there's nothing about Mikasa haha. I want her to have a moment for the next chapter, or appear on Eren's memories. We know she's gonna be playing a big role for this arc.

I like where the story is going and I can’t wait for the anime so I can show AOT to everyone.

I think Eren is going somewhere. If he wanted to rumble the world, he can control the titans even from the safety of Paradis. I think he is going to that tree under which Ymir fell.

I think it focuses on Eren a bit too much. Maybe show us some Levi? Thank you.

i think reiner is gay

I am currently not taking a side. Not with Eren or with the Yeagerists or with our heroes. I'm just here to see how it all goes down and how Isayama wants to play it out. I've been enjoying every single chapter and being so moved it's insane. F the ship wars and the bs, this story is much more than that. And tragedy is written all over it. Ok brb getting my tissues prepared for next chapter.... 👍

I don't know how many more issues we're going to have but I worry that the story is going to come to a screeching halt and leave too many questions unanswered. Isayama has got so many plates spinning, narratively speaking, I have no idea how he is going to finish them or if he'll finish them at all.

Just a series of gut-punches one after the other after every panel, oof this chapter affected me more than any other. It also made me wonder about how the planet in general would be affected.  Like how would ecosystems change?  Will Eren only go after the civilized countries and then stop?  Or will he not let a single person survive outside the island and just actually steamroll the whole planet?  If he does, wouldn't that change climates and stuff?  What's about the animals and plants? Am I thinking too much about this? How will the drastic changes affect the Paradisians? All this assuming the alliance doesn't manage to stop him (which is likely)

although initially him and reiner seemed to pursue the same path, eren initial motive was to wipe them all and he said it multiple times, I don't believe he has guilt nor remorse because "it was all set from the very start"

We also got a seamless reintegration of the theme of what it means to be a "good person", something both Armin and Annie have grappled with as far back as Female Titan arc, and it's great to see it re-emerge in the context of the rumbling. Annie is an underrated character. Isayama could have had her come back with some bullshit royal blood or daughter-of-Kruger twist, but instead he decides to integrate her into the conflict as her own person and make her a more interesting character than Reiner (sorry Soul).

Eren is allowed to have emotions, he should be able to feel terrible about himself for having to wipe out most of humanity. But he also believes that this is the only way. He begged Hange if there was another way, he WANTED an option that didn't end with the world being rumbled. When Hange had no ideas, and no else had a plan that would keep Paradis safe, he felt like he had to move forward, towards freedom.

Eren is neither right or wrong in his decision. Killing innocents, destroying entire ecosystems and ending human civilization is morally bankrupt. In many ways his plan is short sighted, but when I say this, my stance comes from a logical standpoint rather than a moral one(the political instability of the island, the precedent it sets, the danger he put his friends in). The *most* moral thing to do was a partial rumbling(there are still some issues both logistical and moral) and while 2 wrongs don’t make a right, I hold Marley and many other nations equally at fault for not being willing to end this diplomatically. Their scorched earth policy brought this on. It’s unfortunate that their citizens are paying the price for their governments crimes. But you can’t threaten to wipe out an entire civilization with no negotiation and not expect a desperate response like a full rumbling. This doesn’t absolve eren of responsibility of his actions, but the rumbling is an extremely unfortunate even that was 100% avoidable if diplomacy had been an option.

Eren, no! That’s all I can say at this point! Armin please, I’m begging you, stop your mans.

Eren, what the fuck?

Eren's self pity doesn't change the fact that he's killing millions of innocents and he's not going to stop despite it.

Eren’s guilt over his actions doesn’t mean a thing considering he’s still doing it. The fact that he saw the future and did nothing to stop it (and actively made it happen) makes him even worse. I don’t feel sorry for him in the slightest.

Even though Eren has the skeletal structure as an (I don't even know.. turkey/bird.. eh...) people are still going to simp the shit out of him on twitter, like jfc-

Eren wanted to destroy all life outside paradis not because he wanted outside world to be just a wonderland of blazing fire , grasslands etc. but because the people outside are making it impossible enough for him to realise his dream of total freedom

I would like to add that AruAni scene was, in my opinion, really important for both armin and Annie character development, since they're having a romance scene with the theoretically enemy (armin is from paradis and Annie is from Marley). I think this represent well that people from Marley and people from Eldia can live together, without violence. (I wish I could write more, but English is not my first language)

I'm glad we're finally getting things more thoroughly from Eren's perspective. Up until now, his motivations and thoughts have mostly been discussed by other characters, but we finally get to hear from him directly. This chapter mostly confirmed what I suspected, that Eren isn't heartless, but he was also a tragic character that was perfectly aware of the destruction he was about to bring upon so many people. Overall really good, can't wait for the next chapter, whatever it may be.

I'm happy that Isayama made clear what an egoist and violent nature  Eren always had, since he was a child: he's not an hero, not an avenger and surely not the "chad goat" some teen edgelords think.

I'm literally shaking so hard rn

The wall titans were always an obvious metaphor for "what if Japan had WMDs", but in this chapter this is made even more obvious when there is nothing left from migrant children but two dark kid-shaped splatters on the ground, which is a pretty clear visual reference to citizens of Hiroshima leaving nothing but scorched silhouettes behind when the atomic bombing happened.

Ironically, there was a popular twitter thread this week about the bombings of Hiroshima and Nagasaki, and despite not being very familiar with the topic itself, I was somewhat amused to find the arguments in the comments to be very familiar. It's payback, it's to prevent future war, it was justified because of Japanese government's war crimes, Japanese citizens were indoctrinated and racist and would NEVER give up fighting foreigners so bombings were a mercy, it's collateral damage, etc etc.

The warriors deserve much better than being used as props.

There's 99% chance this series is getting a downer ending

They had it coming. The world was warned yet they still provoked him so much. I feel for Eren..

What is the most disappointing thing is how selfish and unreasonable mankind can be. So much hatred between so many people and nations, the world of Attack on Titan is a cursed one. So much blood spilled everywhere, and why? Is it because it's justice? Or is it because it's mother nature? Or is it because mankind is known for bloodshed and selfishness? So much hatred has blinded people, they no longer care to listen for the reason. Nothing matters to them, just their goals. All of this pointless conflict when people can simply try to speak up, try to understand each other, simply make bonds. If people could only live with a bit more empathy... All we can do is hope that so many deaths will have any meaning. Or perhaps Genocide/omnicide never had any meaning... Perhaps all of this was pointless strife.

This chapter confirmed Uri's predictions during his conversation with Kenny by the river. It remains to be seen now whether the alliance will be able to stop eren. I am sad for the world and for Ramzi and his brother. The pictures were horrible to watch (Isayama is very good at drawing emotions).

i'm...so very tired

I’m freakin cryin i need someone to hold me

Slowly, everything is coming back in its place. I am super dedicated at this point to the manga and I just hope Isayama is gonna be able to reach the perfect conclusion for such all these years of construction.

So Eren is a fish Titan...?

Still pro-rumble

Such a tragedy this whole story is. Really heartbreaking to witness. But so meticulously done and masterfully written.

Somebody said, maybe Eren and Zeke were actually fighting or going on memory journey schmuck in the Paths currently, that's why Eren is sleeping and automatically runs the titan on the outside.

If zeke didn’t pull this shit up in the first place none of this wouldn’t happen

Starting to reconsider the time-loop theory being wrong. Everything is literally coming full circle.

Isayama youre a genius but you love seeing us hurt and confused dont you 😭😭😭

It bothered me how surprised people were that Eren did the rumbling and it was sad.  He's been saying he was gonna do it for ages, and now he is.  What's with the surprised pikachu fandom?

Jesus Christ everyone needs therapy

Please end this story with happy ending!

[vs-redemption]

who are your favorite top ten my hero academia characters & ships? talk about them! ~tat!

From Cindy: Hello again Tat! Sorry, I’m a little late with posting this. Thank you for being patient. Now I’m wondering about your top ten characters and ships from my hero and black clover now. 

Again, I’m not a huge shipper so I just wrote a few that stand out to me. If anyone wants to know my thoughts or feelings on a specific ship, feel free to ask. I’m pretty much cool with anything as long as it’s legal.

Top 10 BNHA Characters

Shoto Todoroki

Todoroki will always be my precious sweetness. I really don’t think there’s anything I dislike about him. He tried to be a grumpy bean in the beginning but that didn’t last long. I admire him for wanting to be a hero even despite his tragic/horrible upbringing. I mentioned this in a different post, but I’ve really enjoyed watching him develop a sense of self and come to the realization that it is okay to open up and rely on friends. He’s willing to learn and change and grow and that’s amazing. He’s come so far in his relationship with his classmates, and his relationship with his father. I’m very proud of him! Of course, I also love the way he takes everything too literally.

Katsuki Bakugo

Another character I could write an entire essay about. Basically though, I love Bakugo’s raw passion and determination. We all know his personality is a little rough around the edges, causing people to compare him to a villain or question his goal of becoming the best hero. And unlike Midoriya, Bakugo doesn’t have the overwhelming support of family, friends, and even All Might. Despite all that, he never wavers. He continues to run full speed ahead and I admire both his independence and confidence so much. His growth as a character has been incredible too. He’s become more aware of his own shortcomings and the reasons behind them and has tried to improve upon those shortcomings without any prompting from other characters. I also love that he follows the rules and is more responsible than most of the other kids in class 1A. Plus, he can cook!

Tokoyami Fumikage

Underrated badass bird boy. The story focuses heavily on Midoriya, Todoroki, and Bakugo, but I think people forget that Tokoyami got third place in the sports festival. Without him, Midoriya wouldn’t have even made it to the individual fights that day. I love his admiration of his classmates. It was so cute that he hyped up Denki, recalling the way they’d bonded during the culture festival. Even just the whole thing where he figured out Hawks was in danger and escaped Fat Gum’s fat to go rescue him shows how smart and strong he is. He’s best boy.

Hawks

I know Hawks is a very controversial character, but I’m on the side of supporting him (sorry). When you think of his position when he was first introduced, he was a young, attractive hero in the number two spot with the second highest popularity rating. When he accepts the mission to go undercover with the villains, he agrees to not only put his life in danger, but also give up his reputation and trust with the public. Plus, his dedication to keeping people safe and alive is probably stronger than any other hero. The Hero Commission straight up tells him he’ll have to sit back and do nothing while innocent people get hurt, but he still refuses to let that happen by saving all those people with his feathers during the High-End nomu fight. Plus, he was able to find a way around killing Best Jeanist, and tried everything he could to avoid killing Twice. If you hate him for the things he’s done… I’m pretty sure Hawks is going to hate himself more than anyone else ever could.

Present Mic

Sometimes I forget that Present Mic has a radio show on top of his other duties as a teacher and pro hero. Does this man sleep? His work ethic must be insane. I think I really started getting into Present Mic when Todoroki and Bakugo were doing the makeup license exam. He really could not sit there and watch without providing some commentary. It was cool to see him use his quirk in a real fight during the recent arc. I wouldn’t mind seeing him doing more hero stuff in the future.

Neito Monoma

His chaotic energy brings me mass amounts of joy. Not only that, how could I possibly dislike someone who is so proud and supportive of his own classmates? Does he do it in an obnoxious way? Absolutely. But I can’t fault him for bragging about and advocating for his classmates when he knows they deserve more recognition. Also, can we talk about how amazing it is that he got into a UA hero course at all with his particular quirk? Monoma is a badass and I wish more people agreed with me about that.

Best Jeanist

Best Jeanist is my favorite pro hero. This guy really saw how savage and out of control Bakugo was and said “I really do not want him at my agency but someone has to do something about this…” Also, even when he was face to face with someone like All For One, he didn’t let the fear overtake him and decided to leave himself completely open to the full force of the attack in order to save the lives of all the other heroes around him. I have mad respect for him for having that level of bravery and resolve. Even in the most recent chapters, he shows up after so many heroes struggled and single handedly restrained Machia and the entire league of villains. So cool.

Momo Yaoyorozu

I don’t hype Momo up enough but when I think about all the things she’s done up until now I get really excited about her. I know her confidence took a huge hit after losing to Tokoyami in the sports festival, but she’s come a long way since then. I liked seeing her get the acknowledgement of Todoroki during the final exam against Aizawa. She also had a lot of badass moments in the provisional license exam against that tea drinking girl. I also really liked how much her teammates relied on her during the joint training, and her whole little rivalry thing with Kendo. I felt so bad for her in the current arc too when Midnight put so much pressure on her with the decision to either fight Machia or flee.

Shota Aizawa

Aizawa is another character that I should seriously talk about more. It’s no wonder he looks so exhausted all the time because he spends every second of his life looking after and caring for everyone with every fiber of his being. He doesn’t show it on the outside really, but he makes it clear through his actions. I like that Aizawa is one of the only people to really understand Bakugo too. He was so fast to defend him during the Sports Festival and publically criticized anyone who questioned Bakugo’s resolve to become a hero after he got kidnapped by the villains. The more you learn about Aizawa, the more you realize how amazing he is. Even the tiniest things, like finding out he re-enrolled the students he expelled to teach them the meaning of “loss” so they wouldn’t hesitate or fear it when they encountered it in the real world. I mean, I could list a million examples of why he’s amazing, including Shinso, Eri, and the whole war arc in general. Gosh, he’s incredible!

Eijiro Kirishima

Kirishima is another precious boy. I have a little bit of a bias because he has the same birthday as me, but there are plenty of reasons to love him beyond that. I think I saw him described before as the one to bridge the gap between the other students in class 1A, and I think that’s pretty accurate. He gets along with everyone and has such a positive and encouraging personality. I was honestly kind of surprised to learn that he had so many insecurities and self-doubt. I remember losing my mind over his “unbreakable” form, and I loved that he got to ‘redeem’ himself in the current arc by jumping in and saving Mina when he’d failed to have the courage to do so in the past before he went to UA.

 Top 10 6 BNHA Ships/BroTPs

Todoroki x Midoriya

I totally understand why people ship this. Midoriya played a huge role in helping Todoroki move past some of his mental obstacles that kept him from being as powerful as he could be so of course it’s not too farfetched to think he could develop deeper feelings.

Todoroki x Bakugo (brotp)

I really did not understand why people shipped this for the longest time. But after the makeup provisional license exam and internship with Endeavor I can at least appreciate them as friends. Bakugo is still so aggressive and offensive and Todoroki is standing there like “look at my best friend, I love him.”

Todoroki x Momo

I know they don’t interact as much but I do like Momo’s admiration and respect for Todoroki, and I do like the way Todoroki become more aware of her and showed concern for her self-confidence during the joint training arc.

Midoriya x Uraraka

It doesn’t really seem to be going anywhere anymore, but I do think it’s cute that Uraraka gets inspired by Midoriya’s drive to be a better hero and that she uses him to inspire her to reach for her goals. They both had the cute “getting flustered around each other” thing going on and that’s fun.

Bakugo x Uraraka

I think this ship gets a lot of criticism, right? I don’t understand why though. Sure, it’s never going to be canon but I liked that Bakugo saw Uraraka as a worthy opponent during the sports festival. Uraraka is a (not so) secret badass. I love that she did her internship with gunhead and learned all sorts of martial arts. She’s bubbly and cute, which is a nice contrast to Bakugo. But she’s also strong and determined which I think he can respect.

Denki x Jiro

This is like… really adorable. Denki praising Jiro when she was all insecure about her music was so cute. And the way they were thinking of each other and rooting for each other during the war arc. I can definitely get onboard!

[gravecinema]

Top 10 Horror Movie Franchises - 07/06/2020

Number 10 – Phantasm

Number of movies - 5

In the first movie of this series, the residents of a small town have begun dying under mysterious circumstances, leading the young boy Mike to investigate. After discovering that the town's mortician -- known as the Tall Man -- is killing and reanimating the dead, Mike seeks help from his older brother, Jody, and local ice cream man Reggie. Working together, they try to lure out and kill the Tall Man, all while avoiding his zombie minions and a deadly flying silver sphere.

Featuring a beautiful Plymouth Hemi Cuda, a four-barrel shotgun-toting ice cream man, and a menacing tall and creepy antagonist with a ton of iconic flying silver balls of death, the Phantasm series is one the best and most enduring franchises in all of horror. With most of the main cast and actors returning and being featured in all five films, the quality of the series rarely dips, which can always be a detriment for other franchises. This is extra impressive considering the first film came out in 1979, with the final one being released 37 years later in 2016.

The character of Reggie would go on to become a great horror hero on par with the character of Ash from the Evil Dead series. His character becomes the main heart of the series, and really gives the audience someone to root for in each of the films. Combine that with the great villain of the Tall Man and the unforgettable killer flying spheres, and the Phantasm series is definitely deserving of the number 10 spot in the top 10 horror franchises of all time.

Number 9 – Saw

Number of movies - 9

In the first Saw movie, a photographer and an oncologist wake up in a dark and dirty bathroom while chained to pipes at either end. The two men soon realize that they've been trapped by a sadistic serial killer nicknamed "Jigsaw." Jigsaw then forces them to complete his perverse puzzle to live, while flashbacks reveal the fates of his previous victims. Meanwhile, the Dr.'s wife and young daughter are forced to watch his torture via closed-circuit video.

That first Saw movie is intense and suspenseful with a great twist ending. Working off a low budget, it would become one of the highest grossing movies of the year, and spawn 8 sequels, with the latest one set to be released within the near future. For seven years, the Saw franchised owned the Halloween movie season, with a new installment of the series being released every year. The low cost of the production of the movies pretty much guaranteed a high return at the box office for as long as the movies remained popular.

The character of Jigsaw would go on to become an Icon of the new millennium of horror. The movies would coin a new subgenre of horror known as torture porn. They have certainly left their mark and continue to inspire newer filmmakers today. They will always make us want to answer the question of whether or not we want to play one of Jigsaw’s games.

Number 8 – Psycho

Number of movies - 6  

Secretary Marion Crane is fleeing after stealing $40,000 from her employer in order to run away with her boyfriend, Sam Loomis. She buys a new car and soon gets caught in a heavy rainstorm. Traveling on the back roads to avoid the police, she stops for the night at the small Bates Motel and meets the polite but odd proprietor Norman Bates, a young man with an interest in taxidermy and possessing a difficult relationship with his mother. One fateful shower later, and Psycho would then transform itself into a landmark of horror cinema.

The original Psycho movie by Alfred Hitchcock is one of the great masterpieces of horror. It made an entire generation afraid to take a shower the same way Jaws made people afraid to go into the ocean. The shower scene is one of the true iconic moments of horror with a great soundtrack to go with it. The great twist at the end would give Anthony Perkins one of the most memorable roles in horror, and he would go on to give equally great performances in the next three sequels.

The first Psycho sequel released 23 years after the original is one of the best sequels I have ever seen and is just as pleasing to watch as the first movie, with another great ending. While the quality of the other films may be questionable, Anthony Perkins always gives a great performance and makes the movies well worth a watch. That’s why the Psycho series is one of my favorites, and worthy of a spot in my top 10.

Number 7 – Evil Dead

Number of movies - 4

Ashley "Ash" Williams played by the great Bruce Campbell, his girlfriend Linda, and three friends drive into the woods to a cabin for a fun night away. There they find an old book bound in human flesh and inked in blood called the Necronomicon, whose text reawakens and possesses the dead when it's read aloud. The friends inadvertently release the evil from the book and must fight for their lives or become one of the evil dead. Ash watches his friends become possessed one by one and must make a difficult decision before dawn in order to save his own life in the first of Sam Raimi's great trilogy.

The first movie of the series is a landmark in independent horror, and the next movies would each outdo the other in their own way, with Evil Dead 2 being more of a horror comedy, and Army of Darkness being more of a horror fantasy adventure. There would also be a remake released in 2013 that would take the series back to its terror roots and it is one of the better remakes of the genre. Bruce Campbell would also return as Ash in the Starz series Ash vs. Evil Dead in 2015 for three seasons.

There is not a weak installment in the entire series, and the character of Ash continues to be one the most iconic heroes in all of horror. When you have a chainsaw for a hand, and a boomstick in the other, the cool factor is definitely on your side. Another movie installment has recently been announced, and that is sure to be another great watch in one of the greatest horror series ever produced.

Number 6 – Frankenstein

Number of movies - 7

Released in 1931, The first iconic Universal horror film of this series follows the mad scientist Dr. Henry Frankenstein as he attempts to create life by assembling a creature from body parts grave robbed of the deceased. Helped by his loyal hunchback assistant, Fritz, Frankenstein succeeds in animating his great monster, played by Boris Karloff in his breakout role, but, confused and possessing an abnormal brain, it escapes into the countryside and begins to wreak havoc on the local villagers. Frankenstein searches for the elusive creature, and eventually must confront his tormented creation.

The original Frankenstein series of movies is among the most historical and iconic in all of horror. It was the original series to bring true terror to audiences starting all the way back in the 30’s. It is the most successful and prolific series of the original Universal horror monsters and maintains a high level of quality with each film. Bride of Frankenstein is highly regarded as one of the best sequels ever made. Each film has some of the best actors of their time, and Frankenstein Meets the Wolf Man kicked off the very first cinematic universe of films.

This universe reaches its zenith with the final film of this franchise in Abbott and Costello Meet Frankenstein in 1948. This classic film can be considered the first horror comedy, and brings together the classic monsters of Frankenstein, Dracula, and the Wolf Man, with even the Invisible Man making a quick cameo at the end. It features only the second and last cinematic performance of the great Bela Lugosi as Dracula and has as great an ending as any horror franchise can ask for, inspiring even greater franchises in the years to come. This landmark horror series of cinema more than earns its place in the top 10.

Number 5 – Child's Play

Number of movies - 8

Gunned down by a detective, dying murderer Charles Lee Ray, played by the great Brad Dourif, uses black magic to put his soul inside a buddi doll named Chucky, which an unsuspecting mother then buys for her young son, Andy. When Chucky kills Andy's babysitter, the boy realizes that his new doll is alive and he tries to warn people, but he's institutionalized. Now his mom must convince the detective of the existence of the murderous doll, before Andy becomes Chucky's next victim, and the next vessel for the killer’s soul.

The greatness of the Child’s Play series is the ongoing story of the killer doll Chucky. Aside from the recent remake, all the movies in the series are written by Don Mancini, which provides the series with great continuity. Once the series starts getting named for Chucky and drops the Child’s Play title, each installment offers something new and different from the previous one. The introduction of killer doll Tiffany in Bride of Chucky breathes new life into the series, and her character soon becomes just as iconic as Chucky himself.

After the events of the most recent film which ended in a bit of a cliffhanger, a new television series will soon be released further exploring these characters and expanding the mythology in this great and ongoing franchise that started in 1988. The length of this franchise, it’s iconic status, and the continuing installments of the series has this franchise earning its place in the top half of my top 10 horror franchises.

Number 4 – Halloween

Number of movies - 11

On Halloween night in 1963, six-year-old Michael Myers brutally murdered his 17-year-old sister, Judith. He was then locked away in and institution for 15 years. But on October 30, 1978, while being transferred for a court date, a now adult Michael Myers steals a car and escapes. He returns to his quiet hometown of Haddonfield, Illinois, donning a simple white mask where he looks for his next victims, including that of Laurie Strode, played by Jamie Lee Curtis in her first starring role.

The very first Halloween movie has to be the most iconic in all of slasher-horror. It has spawned a franchise that has released 11 theatrical movies, with 2 more soon to be released within the next two years. The memorable theme song can be considered to be the finest in all of horror. Laurie Strode is also known as one of the best final girls of all time. Even after the series gets a little tired, every now and again, a new semi reboot gets released to install new life into the series, such as the most recent installment in 2018.

Even though the Halloween series is probably the most well-known horror franchise, the inconsistent quality of the movies and multiple restarts of continuity keeps this series out of my top 3. Starting with the third film, the series starts to branch off in multiple directions and continuities that essentially turn the Halloween franchise into a choose-your-own-adventure series. However, just like Michael Myers, the Halloween franchise never stays dead for long and always finds a way to come back.

Number 3 – Scream

Number of movies - 4

In 1996, writer Kevin Williamson and director Wes Craven re-invented and revitalized the slasher-horror genre with this modern horror classic, which manages to be funny, clever and scary. The movie starts with the finest opening scene in all of horror and shocks the audience into believing that no one is safe and that anything can happen. As a ghost-faced knife-wielding maniac stalks high school students in the remote town of Woodsboro, a who-dun-it takes place as the cast tries to figure out who the killer is as they all start to die one by one.  

With the first few sequels, the Scream franchise single handedly revitalized the entire horror genre that had been on a downward trend in the 90’s, with each film being a commentary on certain aspects of the genre. After the initial trilogy, a fourth film was released a decade later to add another self-aware take on reboots and remakes that had been happening more widely during that time period. With each movie being directed by Wes Craven and with the main surviving characters returning for each one, the quality and continuity of this series remains higher than any other franchise in horror.  

With the announcement of a new movie planning to be released within the next few years, the Scream series continues to live on. Even with the sad passing of Wes Craven, the willingness of cast members to keep returning to this series almost guarantees that the quality of movies will remain to be high. As Sydney Prescott, Neve Campbell will go on as possibly the greatest final girl in all of horror, starring and surviving in each installment of the series. The sheer force of creative nature that keeps the quality of each movie insanely high earns this franchise my number 3 spot.

Number 2 – Friday the 13th

Number of Movies - 12

In the first movie of this classic and iconic horror series, Crystal Lake's history of murder doesn't deter a young group of counselors from setting up a summer camp in the woodsy area. Superstitious locals warn against it, but the fresh-faced and lusty young people pay little heed to crazy Ralph. Then they find themselves stalked by a brutal killer. As they're slashed, maimed, and stabbed, the counselors struggle to stay alive against a merciless and unseen killer.

If Halloween started the slasher craze, then the Friday the 13th series launched it into the stratosphere. With 8 installments released in the decade with varying degrees of quality, Friday the 13th lorded over 80’s horror. After a brief cameo in the first movie, the character of Jason Vorhees would go on to become one of the titans of horror. Donning his iconic hockey mask for the first time in part 3, the image of the machete-wielding hockey-masked killer would live on as one of the most recognizable and greatest in all of horror.  

Since the remake that was released in 2009, the franchise has remained stagnant and caught in litigation hell, preventing another movie from being released for the time being. However, that will eventually pass, and just like Jason Vorhees himself, there will be no stopping this behemoth of a franchise from returning from the dead with a new movie in the near future. The only thing keeping this series out of my top spot is the franchise performance of Jason’s greatest rival in horror...

Number 1 – A Nightmare on Elm Street

Number of movies - 9

In Wes Craven's classic slasher film, several teenagers fall prey to Freddy Krueger, played by the charismatic Robert Englund, a disfigured fedora-wearing murderer known as the Springwood Slasher who preys on the teenagers in their dreams -- which, in turn, kills them in reality. After investigating the phenomenon, Nancy begins to suspect that a dark secret kept by her and her friends' parents may be the key to solving the mystery, and finally defeating Freddy Krueger once and for all.

Released in 1984, A Nightmare on Elm Street is quite possibly the most unique and best horror film ever made. The story terrorized audiences, and throughout the sequels, Freddy Krueger became a household name. Each movie launched Freddy more and more into the spotlight, giving us a killer who was not only scary, but also funny. The success of these movies single handedly turned a small movie studio into a major player in Hollywood. There’s a reason why New Line Cinema is known as the house that Freddy built. No other horror franchise can lay claim to that honor.

With the rights to Freddy Krueger recently reverting to the Craven estate, rumors continue to run rampant on the possibility of Robert Englund returning for at least one more movie as Freddy. His last movie as Freddy was when his character finally faced off against that other titan of 80’s horror, Jason Vorhees, in Freddy vs. Jason from 2003. If that movie should ever come, you can be certain that it will be the king of the box office just like the Freddy films of old. Even though Freddy may have lost his fight against Jason in Freddy vs. Jason, the massive success of the Nightmare on Elm Street franchise and the continued adoration of the Freddy character has let A Nightmare on Elm Street claim the top spot as my top horror franchise of all time.

[hamliet]

The Man-God: BSD’s Dostoyevsky and Demons’ Kirillov

So, I finally read Bungou Stray Dogs. And y’all, I freaking love this manga. It’s got themes of life, grief, death, trauma, and is chock-full of literary references and puns. 

Shocking no one, one of my favorite characters--the reason I started reading the story--is Dostoyevsky, since I’m... rather an admitted fangirl of Dostoyevsky’s novels. I’ve reread each of them at least twice and some (C&P) up to five times. Clearly BSD’s Dostoyevsky not the hopeful, faithful author, but he’s definitely a fascinating antagonist whose arc is digging into the themes of Dostoyevsky the writer’s novels--with a particular focus on the two novels that are my very favorite novels ever written, by anyone, in history: Crime and Punishment and Demons. 

But in truth, it draws more from Demons than from Crime and Punishment, right down to having BSD!Dostoyevsky directly quote it.

Demons is far, far less popular that Crime and Punishment, The Brothers Karamazov, and even The Idiot, so I was really surprised to see how often it’s been referenced in BSD (The reason it’s less popular is honestly justified: the first 100 pages are paced... horribly, but the rest of the novel is so powerful that I can overlook that). It’s been translated under a variety of titles as well: The Possessed, The Devils, and the most recent is Demons so that’s what we’re going with in this meta.

Pssst--look at how often BSD!Dostoyesvky is associated with demons or devils:

Yet Demons has been popular with literary theorists (one well-known critic has described it as containing “the most harrowing scene in all of fiction,” an assessment I’d agree with--and this is the scene I’m going to discuss in detail) and existentialists like Camus (sorry Camus). Anyways, I have a soft spot for Demons because it contains my very favorite character in existence: Alexei Nilyich Kirillov, who is the character BSD!Dostoyesvky directly quotes.

@blackandwhitemusician did a great analysis of the similar philosophies BSD!Dostoyevsky shares with Crime and Punishment’s Raskolnikov, but I want to talk about how BSD!Dostoyevsky is also modeled after Kirillov’s philosophical ideas. This isn’t to say he embodies them, because Kirillov is decidedly not a villain unlike BSD!Dostoyevsky, but BSD!Dostoyevsky definitely draws heavily from Kirillov’s ideals.

Kirillov is a character who, like Raskolnikov, embodies the contradictions of human nature, but in a hyperbolic way. He's noted to have a "calm but warm and kindly expression"and adores children, playing with them, and he even helps his friend Shatov's wife give birth (he's endearingly awkward and scared for the whole ordeal). He affirms that he is “fond of life” and yet he is determined, from the moment we meet him, to shoot himself as suicide because in doing so he will save himself and the world. 

Kirillov’s reasoning is complex and at the same time, spotty, and stems from a deep despair and disgust with human sin. Sound familiar?

Time is also a major motif with BSD! Dostoyevsky and with Kirilllov. He does not believe in time as more than an “idea.” He insists that “life exists, but death doesn’t at all… [I believe] in eternal life here. There are moments, you reach moments, and time suddenly stands still, and it will become eternal.”

(Clocks constantly appear in BS chapter 42, Dostoyevsky’s introduction, as well.)

Kirillov also draws from other philosophies such as Descartes’ “I think, therefore I am,” affirming that “man is unhappy because he doesn’t know he’s happy… If they knew that it was good for them, it would be good for them, but as long as they don’t know it’s good for them, it will be bad for them. That’s the whole idea, the whole of it… They’ll find out that they’re good and they’ll all become good, every one of them.”

In other words, reality is what Kirillov makes of it in his own mind, which is what BSD!Dostoyevsky hints his ability is (but it isn’t).

It’s still a belief BSD!Dostoyevsky holds: that his beliefs create reality.

Kirillov muses, in conversation with his friend Stavrogin (bold is Kirillov):

“He who teaches that all are good will end the world.”

“He who taught it was crucified.”

“He will come, and his name will be the man-god.”

“The god-man?”

“The man-god. That’s the difference.”

In BSD, anything written in The Book becomes truth, and Dostoyevsky plans to use it to rid the world of the sins of ability-users. Similarly, Kirillov plans to use his decision to set people free, and Pyotr plans to use Kirillov’s mental instability and philosophical suicide to erase consequences for his own sins. And as Kirillov also believes this will make moments heaven, Dostoyevsky expresses (using religious language) that this will make a heavenly reality as well:

As Demons goes on, we find out that Pyotr Stepanovich had struck a deal with Kirillov. Since Kirillov really tries to believe that everyone and everything is good, when Pyotr asks him to kill himself and write a note specifying something Pyotr won’t specify until the time comes, to help Pyotr, Kirillov agrees. Pyotr notes that he doesn’t tell Kirillov what he plans—to have Kirillov take the blame for the murder of their mutual friend Shatov, which Pyotr commits—because he thinks that if Kirillov knows in advance, “Kirillov could not be relied upon.”

The irony, of course, is that by seeking to prove the ultimate will in the universe is of the individual, that the individual is his/her own god, Kirillov becomes an unwitting tool in Pyotr Stepanovich’s terrible plots. He contributes to the unjust death of someone he cares deeply for by taking the blame. And Kirillov did not want this at all. When Pyotr comes to collect, he realizes what he’s done (bold is Kirillov_:

“He is dead!” cried Kirillov, jumping up from the sofa.

“He died at seven o’clock this evening, or rather, at seven o’clock yesterday evening, and now it’s one o’clock.”

“You have killed him!”

…

“You are a strange man, though, Kirillov; you knew yourself that the stupid fellow was bound to end like this. What was there to foresee in that? I made that as plain as possible over and over again. Shatov was meaning to betray us; I was watching him, and it could not be left like that. And you too had instructions to watch him; you told me so yourself three weeks ago.…”

…

“I won’t write that I killed Shatov … and I won’t write anything now. You won’t have a document!”

Pyotr refuses to leave until Kirillov is dead, and Kirillov explains that “I won’t put it off; I want to kill myself now: all are scoundrels.” The exact opposite of what he expressed before about things being good.

"He’s guessed the truth at last! Can you, Kirillov, with your sense, have failed to see till now that all men are alike, that there are none better or worse, only some are stupider, than others, and that if all are scoundrels (which is nonsense, though) there oughtn’t to be any people that are not?”

And then we see what motivates Kirillov is a desperate need to have a reason to match his desire to live. It’s literally one of the main themes of Bungo Stray Dogs (bold is Kirillov):

 “If you stopped yourself, you become God; that’s it, isn’t it?”

“Yes, I become God.”

…

“Let it be comfort. God is necessary and so must exist… But I know He doesn’t and can’t… Surely you must understand that a man with two such ideas can’t go on living?”

And of course, this is BSD!’s Dostoyevsky in what I am betting is a direct quote from Demons as translated into Japanese: If god does not exist, then I am god.

His man-god belief, like Dostoyevsky’s in BSD, are explained thusly (bold is Kirillov):

“I’ve always been surprised at every one’s going on living,” said Kirillov, not hearing his remark.

...

“Hold your tongue; you won’t understand anything. If there is no God, then I am God.”

“There, I could never understand that point of yours: why are you God?”

“If God exists, all is His will and from His will I cannot escape. If not, it’s all my will and I am bound to show self-will.”

“Self-will? But why are you bound?”

“Because all will has become mine. Can it be that no one in the whole planet, after making an end of God and believing in his own will, will dare to express his self-will on the most vital point? It’s like a beggar inheriting a fortune and being afraid of it and not daring to approach the bag of gold, thinking himself too weak to own it. I want to manifest my self-will. I may be the only one, but I’ll do it.”

That’s a direct quote.

BSD!Dostoyevsky manipulates human will to lead people into committing suicide, and is killing them to create a new world without the sins of ability-users:

Kirillov says this right before he finally writes the false confession to Stavrogin’s murder and kills himself:

“Man has done nothing but invent God so as to go on living, and not kill himself; that’s the whole of universal history up till now. I am the first one in the whole history of mankind who would not invent God. Let them know it once for all...

“I am awfully unhappy, for I’m awfully afraid. Terror is the curse of man.… But I will assert my will, I am bound to believe that I don’t believe. I will begin and will make an end of it and open the door, and will save. That’s the only thing that will save mankind and will re-create the next generation physically; for with his present physical nature man can’t get on without his former God, I believe. For three years I’ve been seeking for the attribute of my godhead and I’ve found it; the attribute of my godhead is self-will! That’s all I can do to prove in the highest point my independence and my new terrible freedom. For it is very terrible. I am killing myself to prove my independence and my new terrible freedom.”

Yet Kirillov is inventing god: himself. He signs the paper and then does kill himself, but it’s not without the last terrible, terrifying realization that he does not want to die. He wants to live. And he fights Pyotr, biting his finger nearly off, before committing suicide. But Kirillov, as wrong and tragic as his philosophy is, is the one who recognizes the theme of Demons.

“Stavrogin, too, is consumed by an idea,” Kirillov said gloomily, pacing up and down the room.

The point of the entire tragedy in Demons is basically if you are consumed by an idea, it will turn you into a devil. Kirillov is, along with Shatov, perhaps the most likeable main character in Demons (others are far more horrifying as their various political, religious, and philosophical ideas take them over). And so is Dostoyevsky in BSD: consumed by his ideas, convinced his will is all that matters.

It won’t end well.

[renzywenzy]

Joker Review

*Disclaimer* I held off posting this review until Phoenix won the Oscar. I promised myself that if he hadn’t won, I would have just left this in the drafts forever. That’s how much faith I had in this man and now here is my critique of my favorite film of 2019. 

I have a tattoo on my right arm. The tattoo is actually the Batman logo but altered. One half of the logo is normal but the other half is made up of red “HAHAHAHA’s” all over. There’s a reason why the dynamic between these two is my favorite of all-time. It’s two different interpretations of insanity colliding in an eternal battle. It’s two iconic, well-written, captivating characters having epic confrontations. 

Needless to say, I love the characters of Batman and The Joker. I grew up on them and they have played a huge part of my life. My ideologies, my way of thinking, my perception of the world, my behavior in private and in public have been directly and/or indirectly impacted by these two characters.

Any film or any form of media that have these two, separate or together, is already met with my high expectations. So obviously, my expectations for this film were through the roof. If this film was nothing short of great, I would have been really angry. 

I would have been the first to say how disappointed I was, I would have been the first to say that Joaquin Phoenix should never play The Joker again, I would have been the first to say that Todd Philips should stick to raunchy comedies and stay away from the character as far as possible....but that’s not the case here. 

I’m singing a different tune. A tune that I’m gonna be letting everyone hear with every chance I get. A tune that I’m gonna be playing in my head whenever I dance on the street. 

Ladies and gentlemen... please welcome Joker.

The Tragedy

First of all, I’ll begin with some faults that I found in the film. Not a whole lot but I have to get these out of the way so that I can end the review with high points. 

1.) The origin story we didn’t want but the one we got anyway

Now when I talk about origin story, I don’t mean Joker’s. I mean Batman’s. I’m really sorry to say but I am getting absolutely sick of seeing THAT scene. 

I have to point out that it felt like this scene was rushed. It wasn’t shot as well as the other scenes. Every other scene in Joker felt like there was a beautiful story behind it. As if there was a creative progress going through the minds of the people in the scene and off the camera but this scene felt rushed and was treated like an afterthought. 

I must admit, of all the films that showed Bruce’s parents in the alley, this one might be one of the weakest I’ve seen in a while. Even that piece of garbage Batman V. Superman had a slightly better way of showing that scene. If you’re going to show us a scene that’s been overly done since the beginning of Batman films, you gotta add a little more flavor and cinematic flair to it. Sad to say that for a film that was shot so well, this scene stuck out like a sore thumb. 

2.) A little too much dancing and a few too many ribs

As it says in the point, there’s a little too much there.  Don’t get me wrong, I love most of his dance scenes but there’s maybe 1 or 2 too many. I personally would have kept the first dance scene when accidentally shoots a gun, the one after his first kill, the one with his mother, and all the dance scenes once he completely transforms. These particular dance scenes were showing us a slow evolution and allowed to see how his mind was slowly changing. But there were a few dance scenes that didn’t really do that and instead was just kind of there. For example, the few dance scenes where he’s half-naked can be taken out completely and it wouldn’t make a difference. 

And speaking of him being half-naked. I understand the film wants us to see how weak he his and in some scenes, it wants to show you the literal scars he got from society. However in some of these scenes, it gets a little distracting. The first scene where he’s half naked and trying to adjust his shoe is just perfect because for one, you don’t know really know what he’s doing at first so it leaves you wondering for a few seconds and two, you get to see how much his frail body struggles with something so simple. 

But then you have a few scenes where he’s unnecessary shirtless like the one where he’s smoking and watching TV. It seemed needless for him to be shirtless for this scene because the main point of it was his reaction towards what was being shown on TV. Again, it’s no problem to show us how skinny and weak he looks but it has to be the point or a point of a scene or else it’s just distracting.

Small gripes but I had to find some criticisms for the film. But now that that’s out of the way, let’s put a smile on that face (I know they’re not the same. Just be like Joe and Chill).

The Comedy 

1.) Romero, Nicholson, Ledger, Hamill, and now...

 ...Phoenix

There have been numerous people who have played the Joker with each actor adding their own twist to the Clown Prince of Crime. Romero embodied the camp and goofiness of the Silver Age iteration, Nicholson provided a more laid-back and mafia-esque performance, Ledger portrayed him as a true anarchist who “wants to watch the world burn”, and the legendary Hamill basically performed multiple layers of Joker’s persona for his 20+ years as the character and is THE definitive voice (and laugh) of The Joker. 

Joaquin Phoenix joins this hall of fame (or infamy) by giving us a closer, more in-depth look at the mentally ill, physically battered, and emotionally abandoned man behind the smile. 

I honestly can’t give this guy the praise he really deserves but I’ll do my best. My lord...this man blew me away like I was a talk-show host. Powerhouse performance doesn’t even begin to describe his acting. 

This film, as well-made as it was, wouldn’t have worked nearly as well had it not been for its main star. This film hinged on how well Mr. Phoenix played the titular character and he absolutely delivered.

The film had a tough job in its hands: portray how a man was slowly dissenting into madness to the point that he lets the madness in and indulges in it. It was going to be a deliberately slow process that required an actor who can be significantly subtle enough to convey to the audience how a character is evolving but taking small steps to do so. Phoenix did that with flying colors. 

If you look at the first scene where we’re introduced to Arthur, it’s clearly not the same Arthur when the film reaches its ending. We went from a man who walks with a slouch and a noticeable stiffness to a man who vigorously dances in the streets without a care in the world. 

Don’t get it twisted, though. Phoenix didn’t play two different people nor did he play a man who takes a sudden huge leap in his personality. He played a person who displays slight changes to his psyche in each scene and these small changes eventually pile up. Arthur was meant to be a man who was layered like an onion and Phoenix’s performance mirrored that perfectly. 

Is he the best Joker? I can’t say that. Each Joker I’ve been introduced to, while having a different spin, is ultimately the Joker at his peak or even at the twilight of his criminal life. This is the first time where I’ve witnessed a Joker who is still truly staring out. And no, Nicholson doesn’t count because Jack Napier was an established criminal way before he became the Joker. So I’m not too sure yet where to rank Phoenix’s actual full-blown Joker as it doesn’t last long however excellent it was AND a huge factor for me when it comes to ranking Jokers is the interactions with Batman. There was no Joker and Batman clash here. Only Arthur and Bruce. As it stands, Phoenix’s spot on the all-time Joker list may not be the highest but in terms of pure acting, he may very well be #1. 

I know this sentiment has been repeated multiple times but I do honestly believe Phoenix deserved the Oscar here or at least a nod. 

2.) Familiar punchline, fresh set-up 

For any Batman/Joker fan, you’ve probably heard of this following quote:

“If I’m going to have a past, I prefer it to be multiple choice.” 

It’s an iconic quote and one that you will hear in almost any review of this film but there is a good reason for it. The line encapsulates one of the best things about The Joker: the mystery of his origins. 

As mysterious as the character is, it’s hard to keep The Joker interesting these days. He is the most over-exposed Batman villain of all time and quite possibly the most over-exposed villain in fiction period. Comic books, video games, tv shows, live-action movies. The Joker has been in EVERYTHING. Like his heroic counterpart, the Joker has been exposed too much to the point that there’s really not a lot of fresh things you can do with him.  

The last time any media brought something refreshing to The Joker was in Telltale’s Batman video game where you meet a man named “John Doe” who’s still looking for himself and finding out which path in life he wants to take. In the game, whatever John becomes is based on your actions. That was in 2017. 

The last time before that was in 2011′s Flashpoint where Martha Wayne became The Joker in an alternate timeline where Bruce dies in the alley. Even though this version of the Joker had a clear backstory and no mysterious origin, it was still fresh because of the sheer novelty of seeing Bruce Wayne’s mother as The Joker and his father as Batman.

So there are stretches of time where there’s nothing new and exciting for The Joker character but I’m happy to say that this film does breathe new life into the character. 

The filmmakers understood how this specific character should be handled and they did it in ways that are plausible. His abusive but vague childhood and his delusions help in keeping the film from being straightforward. 

Let me give some examples. In the scene where Arthur steals his mother’s files in the Asylum, it’s said that he was adopted by Penny and that he was abused by one of her boyfriends. 

Some people I’ve talked to believe that it was Thomas Wayne who put Penny in the Asylum and forged adoption papers. Some people even say that it was Thomas Wayne who abused them when Arthur was a child. Some people say that it’s true and Arthur really was adopted. 

We don’t know these things definitively and that’s the best part. It’s whatever you want it to be. Multiple choice. 

I personally want to believe that Arthur really was adopted because that just adds another air of mystery to him. If he was then we don’t know his actual birth name or who is real parents are.  

All in all, even though the evolution of Arthur into The Joker remains the ultimate goal, the film lets you make up your own path into how he got there. It’s handled beautifully and the script is clearly made with a lot of knowledge of and love for the character. 

3. A problem tackled with grace

I just wanted to point how well this film handles the issue of mental health and illness. This topic will forever be relevant and is an issue that’s been tackled in media before. Some handled it terribly, some handled it bad, some handled it ok, some handled it well. And then there’s Joker that handles it amazingly. 

As someone who sees mental illness on a regular basis, it was so sublime how accurate this film was. The image of a decaying mind and one that descends further and further down is so powerful in this film and it just never half-asses it and I loved that. 

My girlfriend is a nurse and she interacts with mentally ill people far more than I ever will and she praised it more because everything she saw from Arthur is something that she has personally had to deal with in her patients. I asked her if there was even one inaccurate and she said “No” because everything was completely plausible and has actually happened in real life on multiple occasions. Delusions of grandeur, uncontrollable ticks (like a laugh), murderous tendency, self-harm, stalking, hallucinating, you name it and most likely, this film shows it. 

Not only is Arthur’s mental illness accurate but what makes it better and why I praise it is how others deal with him. It’s scary how much it mirrors reality. Some people may know how to interact with him while others just get annoyed with him. Even those who are accepting of mentally ill people can still have be irritated with them when they come in contact with them. 

Arthur is beaten not just because he’s mentally ill but because he just looks like a weak man who can be pushed around. People don’t care if he’s sick, they’ll kick his ass or make fun of him regardless and in some cases, they’ll have even more incentive when they learn he has mental problems which is sadly similar to the world we live in today.

Joker is arguably the best adaption of mental illness for this decade (I say arguably because Bojack Horseman is up there) and I can’t believe that the director of the Hangover films got it right and speaking of which...

4. He directed what??

Todd Philips, the man behind the Hangover trilogy, Starsky and Hutch (2004), and Old School directed this film. Imagine late 2018 and you just heard who the director was and you search for the films he directed prior. Did you honestly believe, in your heart of hearts, he was going to pull this off?

Don’t get me wrong, comedic talents have proven to excel in other genres. Jordan Peele is a great example of that but that doesn’t necessarily apply to every comedian...However, it applied to Mr. Philips. 

His direction, his vision, his execution was top-notch and I have to apologize to this man because I honestly doubted him when I initially heard about it. I knew Phoenix was going to do well and I thought that the film would just rely solely on his performance but no. Todd Philips deserves a lot of credit here. Yes, he takes some ideas and cues from Scorsese (not a bad inspiration by the way) but he handles the psychological aspect in his own style.

In terms of performers, this was close to a one-man show as you can get but Philips’ contributions behind-the-scenes should to be given as much appreciation. Phoenix was the master painter and Philips gave him the tools.

Honestly, if Philips wants to direct more dramatic and heavier films akin to this, I’m all for it. If he wants to stick around and maybe direct some more DC films, I am definitely on board. In this time of uncertainty towards DC films, Philips gave me hope. Yes, I know this film isn’t part of the DCEU but if they want to create more films in the Elseworld universe, Philips should still be part of it in some way. 

5. The sound of laughter

I’m not going to lie. I rarely appreciate film scores. While I do believe they enhance a film’s quality, I’m not actively seeking it out unless it truly stands out. The only scores I truly remember and appreciate is the opening score for Star Wars, the Superman score, the main score for Indiana Jones, the Back to The Future action sequence score, Danny Elfman’s Batman score, and all of the scores from The Godfather films. 

By the way I realized the first three examples I gave all sound similar but it makes sense since John Williams made them all.

So out of the hundreds (possibly thousands) of films I’ve seen, these are the only scores I can truly remember and now we add one more to the list: the dark and beautiful score by Hildur Guðnadóttir. 

She absolutely gave me a much better understanding of how music can not only enhance a scene but be worked around it. Apparently, the music was made first and Todd Philips would shoot scenes with the score playing in the background so that he can craft scenes based on which part of the score he was listening to. This is the first time something like this has ever happened in the filmmaking process and it absolutely worked wonders. No wonder why each scene tied in so beautifully to a specific part of the score.

Hildur has made it and I hope to hear more of her work in future projects. 

6. To a bright future (hopefully)...

This section is more of a call to action than a positive point for the film. That being said, Joker’s success has opened up many possibilities for DC films moving forward. 

Let’s be honest here. The recent attempt of DC keeping up with Marvel in terms of films has not been great. DC is Marvel’s biggest competitor but when you just look purely at movie success, you wouldn’t think that.

That’s because Marvel started something solid over a decade ago and is currently having the biggest and most epic film franchise today and, quite possible, of all time. 

DC tried (and is still trying) to do the same but it has been a roller-coaster with some enjoyable ups (Man of Steel, Wonder Woman, Shazam) and terrible downs (Batman V. Superman, Justice League, Suicide Squad, Birds of Prey). 

Now with the huge commercial and critical success of this film, Warner Bros. need to take advantage of this while they have the chance. Joker is a film that is set in its own universe and not a part of the bigger DCEU and this could be DC’s way of being as successful as Marvel. Elseworld stories. Detective Comics was the first to put huge emphasis on a multiverse in their comics and I believe it’s time to bring that to the films. 

They’ve already implemented a multiverse with the television shows but now is the time to let the silver screen experience this. 

Unlike Disney, Warner Bros. has the movie rights to ALL of the DC characters. All of them. From heavyweights like Superman and Batman to less popular characters like Question and Red Tornado. They need to make use of that advantage because there are plenty of characters who have not had successful film ventures yet. Green Lantern, Martian Manhunter, Batgirl, Constantine (sorry Keanu) Lobo, Zatanna, Static Shock, Booster Gold (a personal favorite) and so many more. Give these characters a chance. They can shine in their own standalone movie that doesn’t have to do with the DCEU. However, if you want to put all of them in the same universe, you’ll need visionary writers capable of that. 

Consider this my call to action for Warner Bros. because I’m admittedly more of a DC fan than a Marvel. Don’t get me wrong, I love both franchises but DC was my first so I am biased towards them. I’m happy that Marvel has continuous success but it also makes me melancholic because it makes me question why DC can’t experience the same. 

Only time will tell if DC can keep this up because right now, they’re doing well overall but even if they ultimately never catch up, they can be proud of this one. 

Overall...

I love this film and its portrayal of an iconic character. They took an overused and overexposed character and somehow made him fresh again without taking away what made him so popular in the first place.

Todd Philips had a vision and he took it to a level that I didn’t think he was capable of. Joaquin Phoenix just absolutely killed with a performance that’s going to be remembered forever. 

As I write this review, talks of a sequel have already begun. I’m honestly not sure if they can do outdo themselves. My expectations will be even higher but they are most certainly welcome to exceed them again. 

[smokeybrandreviews]

Love Is Rationed

I love BLEACH, man. Way back when the Big Three was the big thing, my allegiance fell in with Kubo’s tale of swords and shinigami. I thought his story was far more compelling than One Piece, at the time. I later found out, at the behest of my chick, that Oda was about that long game. Luffy has had some emotionally gut-wrenching expeditions. I concede that now. back then, though, it wasn’t on my radar. I fell off of Naturo real fast, mostly because the fandom was ridiculous. I didn’t care for the Narutards screaming about it’s superiority at me, when Kishimoto had just gotten into the meat of the Chunin Exams and it turned into power wank high school for a while.  Admittedly, the Naruto got real dope toward the end but that took, what? Decades? No, for my money, it was definitely BLEACH. Kubo captured my attention with a brilliant and unique art style but, even more than that, a dope ass narrative.

The first two arcs of BLEACH, the Substitute Shinigami and Soul Society arcs, are manga masterpieces. Kubo did an excellent job of introducing the principal characters, ichigo and his little cadre of friends and frienemies, perfectly. HE was able to carve out a world chock full of lore, intrigue, and whimsy with those first, few chapters. We went from the desperate victory against Fishbone D, to the emotionally crippling battle with Grand Fisher, to the hilarious team-up dispatching of a Menos Grande; All while maintaining a true, narrative, focus. It was outstanding. We watched Ichigo and his friends claim victory after victory, which made their defeat at the hands of Byakuya Kuchiki and Renji Abarai so goddamn devastating. That loss scarred us because be had grown to love those characters so much. Kubo brought these imaginary creations to life in a way that i had not seen in some time. I thought he had peaked bu then he topped himself with the Soul Society Arc.

The second Ichigo recovered and we realized he had to storm heaven, itself, in order to save Rukia, i was on board. We watched him struggle. We watched his friends struggle. We watched everyone claw out narrow victories in brilliant fashion, all the while being introduced to so many more dope ass characters and even richer lore. The Soul Society arc was BLEACH at it’s best. You can tell there was a real passion there, in each word, written, and frame, drawn. That Urahara reveal. The first time we saw the Old Man. That fight with Kenpachi. That fight with Kurotsuchi. That Bankai for the first time. That first Zangestsu takeover. Everything was so goddamn excellent but it’s the Aizen heel-turn that cinched it for me. I legitimately did not see that sh*t coming and was blown away. I couldn’t wait to see what was coming next. And then the Arrancar arc farted out. At this point, there was a very real, very visible decline in Kubo’s Magnum Opus and it hurts to revist.

I like the Arrancar arc, I want to be very clear about that. There is a ton of good in that thing. I enjoyed most of the Visored. That concept, in itself, was outstanding writing. I absolutely adore most of the Espada; Cirucci, Ulquiorra, Nell, Grimmjow, Coyote, and Hallibel in particular. Those are some of my favorite characters within the entire series. I also liked the little detour we took with Turn Back the Pendulum that sh*t was dope. The best part of this entire arc, though, was it’s finale. Ascended Aizen. That Mugetsu. F*ck, that Mugetsu, man. “That's the logic of a loser!!. A winner must always think not of how the world is, but how the world should be!!!!” Bro. That line. Bro. Pure f*cking kino, dude. With that one line, we understand every motivation, every reason, everything fueled Aizen’s drive. That one line laid bare one of the most enigmatic villains in manga history and he was right. Absolutely brilliant. Everything else around it was bullsh*t powerwank and lazy retread though. The entire Arrancar arc is the worst of Dragon Ball Z. There are legitimate bright spots, but it’s mostly generalized shonen cliche. That said, what came after was even more pedestrian.

The Fullbring arc, if you can call it an arc, was balls. it was. The narration was sh*t, the new characters introduced were bogus, and the Fullbring powers were poorly executed. I didn’t give a sh*t about any of that so when it ended as abruptly as it did, i was okay. Then came the Thousand-Year Blood War arc and, holy sh*t, BLEACH was back! And then it wasn’t. By this time, Kubo had lost all passion for being a mangaka. Jump has burned him out. the pressures of maintaining a tent pole manga in a tent pole magazine was too much for a dude who just wanted to draw cool sh*t. I understand. The ill thing? It was Jump that cancelled BLEACH. That rushed “ending” we got wasn’t even Kubo being lazy. Honestly, after the first few chapters, it seemed he had been reinvigorated and wanted to end BLEACH on the highest of notes. Blood War was shaping up to be dope as sh*t. There were revelations, returns, brand new lore, expanded pathos; Sh*t was legit. and then he farted out that ending. and then he farted out that epilogue. Bro, for real? IchiHime? RenRuki? For real?

Look, if that’s where we land, that’s where we end, but there was no lead up. No foreshadowing. No build up. According to the narrative, it had to be Rukia. It had to be her. Literally all of the emotional hits were in service toward or directly instigated by Rukia. Orihime was little more than a plot device or constantly damseled. IchiHime doesn’t feel earned. It feels like a “F*ck you” to the fandom, Of course, there could be a shift. Of course, there can be a course correction. We saw that in the Boruto movie or last Naruto movie or whatever. the point s, that turn toward Hinata, after an entire series focused on Sakura, had a real, emotional, pivot. Ichihime does not. And that is the major through-line of this essay; Kubo’s decline. My man had plans. he built a world in his head that he wanted to share on paper. Then that world became incredibly popular. It became incredibly profitable. Kubo suffered the same fate as Toriyama and his work, just like his predecessor, suffered with him. The narrative fell apart, the plot got messy, and the art became pedestrian. Everything that made BLEACH great, fell by the wayside. Even when Kubo showed that spark, corporate greed snuffed it out. BLEACH died the day the Arrancar arc was artificially prolonged and that betrayal festered within Kubo for the rest of it’s run.

There’s been whispered and an unconfirmed but confirmed announcement for a BLEACH 20th anniversary anime. It’s probably going to be adaption of the Thousand-year Blood War arc. Does this mean we’ll get to see the true vision of this story on screen? Will we get to see the actual events Kubo envisioned on his sketchpad? Are they going to fix that rushed ass ending and god awful epilogue? Are we getting that initial Kubo passion or the disparate Kubo finale? I love BLEACH. I know that Kubo loves BLEACH. I’m hoping we can finally get the closure we deserves, for the creator more  than any of us fans. He, more than anyone, deserves to see this story to it’s proper end. After twenty years, it only feels right.

[poisonquill]

                                       QUEEN OF THE QUILLS.                                         rita alvera skeeter. twenty five.                                               creative. silver tongued. resourceful.                                                 corrupt. cruel. vindictive. selfish.                                                  reporter. columnist. gossip icon.                                                        death eater collaborator.

                                                             too bad. so sad.

playlist pinterest 

soft betrayal, mom jeans and high heels, long nails tapping impatiently against paper, organized chaos, quietly humming while ruining yet another life ( piece by piece ), ancient typewriters, never getting your hands dirty ( but your hands are stained red, regardless ), the devil’s favorite weapon is a quill, coffee that burns your tongue, burying yourself in strangers, chasing stories, the sweet taste of destruction, heart shaped lollipops, sunkissed shoulders, blurred lines between right and wrong, dog eared pages, blowing bubbles, fake smiles, the color of dark oceans, running in high heels, slowly becoming an empty shell of a girl, sour ambition, ‘my heart will leave you blistered and stained’, roses tucked behind ears, revenge in a tea cup, backhanded compliments, writing and writing and writing until your heart bleeds, scribbled notes in margins, blood red lips..... and how you’re so afraid that you think it might just break you ( luckily, villains don’t break that easily ).

LINDSEY MORGAN? No, that’s actually RITA SKEETER from the MARAUDERS ERA. You know, the child of ADRIANNA VARGAS (NEE SKEETER) and DIEGO VARGAS? Only 25 years old, this SLYTHERIN alumni works as an REPORTER and is sided with THE NEUTRALS / HERSELF ONLY. SHE identifies as a CIS WOMAN and is a HALFBLOOD who is known to be VINDICTIVE, CRUEL, and CORRUPT but also SILVER TONGUED, CHARMING, and RESOURCEFUL. — &&. ( LIZ, GMT+2, SHE/HER, 22. )

BACK TO BASICS.

name: margarita alvera skeeter. born name: margarita vargas. occupation: journalist. nicknames: rita, ree.

+ creative, silver tongued, resourceful, charming and bright. - two faced, cruel, vindictive, selfish and scheming.

age: 25. date of birth: december 31. zodiac: capricorn. hometown: acapulco, mexico. current location: lives across the street from the ministry in an apartment she can most definitively not afford. gender: cis female. pronouns: she/her. orientation: bisexual. allegiance: herself only. but she collaborates with the death eaters frequently, as she will write anything that they want. spoken languages: spanish ( native language ), english ( fluently ), french ( sufficient ). moral alignment: neutral evil. - A neutral evil villain does whatever she can get away with. She is out for herself, pure and simple. She sheds no tears for those she kills, whether for profit, sport, or convenience (x).

element: water. house: slytherin.

BACKGROUND & FAMILY.

so. margarita vargas was born as the youngest of five daughters. she grew up in the coastal city of acapulco, located in mexico, and her first few years were spent in absolute bliss. her father, a muggle man, was a famous - and later, infamous, televangelist. diego vargas was known all over mexico for his weekly broadcasted church service, and became very rich for it. what did he do with this wealth? well, for the most part, he spoiled his family rotten.

the vargas girls were the perfect daughters, as was expected of them. they grew up in the public eye, attending sermons, smiling pretty, posing for elaborately staged family portraits. and always, always saying the right things. like pretending that they were being sent off to a christian girl’s school every year, instead of attending illvermorny.

mr. vargas married adrianna vargas knowing full well that she was a witch, and intended to take full advantage of that. and adrianna was happy to make diego’s life easier, because she loved him. but more than anything, she loved him for his fame, his money, his success.

unfortunately for the vargas, everything came crumbling down when rita was eight. then, it became public knowledge that her father was heavily involved in financing and also collaborating with several corrupt political bodies which aimed to cause mayhem, destruction and terror within the country.

so the vargas fell from grace, and out of favor in the public eye. mr. vargas faced jail time, lost all of his sponsors, and suddenly didn’t seem so appealing to mrs vargas anymore. so adrianna packed up her bags, took her daughters, changed their names and moved to england. and so margarita vargas found herself with a new identity - rita skeeter.

after that, she would never see her father again. her mother never spoke of him ( like most things, in the skeeter household - problems were buried but never forgotten ), and refused to acknowledge his existence.

their new life was a sharp contrast to their past, which would come to seem like a blurry dream. while the vargas had bathed in luxury and money, the skeeters kinda struggled financially. her mother was fueled by fury - angry with a man that had humiliated her, taken advantage of her, left her with nothing. so she vowed to never be dependent on anyone else ever again. she found herself a job, and set up a new life for herself and her daughters, one that wasn’t focused on the saintly teachings of her ex-husband. instead, adrianna skeeter drilled into her daughters that success, power and glory was all that mattered. everything else, even family, comes second. you can only depend on yourself.

so, the skeeter girls became competitive. cut throat. dangerous. her sisters’ names can be read in the highest offices of britain, in politics, in the nicest corporate offices in london. but they also hardly ever speak to each other, anymore.

HOGWARTS YEARS.

she arrives at hogwarts ready to prove herself. show that she’s just as good as her sisters, if not better.

but she soon realizes that she falls painfully short — that she isn’t the brightest of the skeeter bunch, that she isn’t the most talented witch. hell, she doesn’t even place second.

so what does she do? she plays dumb. pretends that she’s just a pretty face. it’s just a fluke that she’s getting high grades - it’s not that she sits up all night studying. or that she manages to bribe and cheat her way into getting a time turner by her fourth year. she’s working herself into the ground, but refuses to let anyone know. it’s better, that way.

really though, pride isn’t the sin that will hang rita. she’s playing the long game, and comes to realize that no one doubts a pretty, senseless girl. so that is what she shall be.

she gets through hogwarts on dirty tricks and hard work, but makes it look effortless.

around hogwarts, she was known as quite the party girl, always looking to have a good time. maybe a little too good of a time, actually. her reputation always walked the line, on that one.

she acts drunker than she is, but is careful to always remain sharp. most people think of her as baby skeeter - fun, but harmless. for rita, secrets become a currency.

and so she moves through different social circles, shedding her personality like a snake sheds its skin, all to fit in with any crowd, any house. she loses herself somewhere along the way - at this point, rita doesn’t know who she is. but that’s just as well. rita skeeter has never let anyone in, and she never will.

a new name appears in the school paper around rita’s fourth year. bridget higgins writes the stories that are on everyone’s lips, but no one knows who she is. obviously it’s rita.

by her seventh year, rita manages to become an animagus, and a royal blue beetle begins its reign. miss higgins’ stories become more and more elaborate, more daring, more scandalous. by the end of her time at hogwarts, rita is already writing in blood, destroying lives through the flick of her quill.

AFTER HOGWARTS.

rita started interning at witch weekly during the summers after her fifth year at the school. she wrote short fluff pieces about fashion.

after graduating, rita started working as a columnist for witch weekly. she wrote a popular gossip column about popular famous witches and wizards, but also dipped her toes into the pool of wizard politics in britain.

eventually, she came to take on a second job at the daily prophet. she stretches herself too thin, but she makes it work. somehow.

at the daily prophet, she writes more political stories. zeroes in on the ministry. asks uncomfortable questions. shows up where she is definitively not allowed to be. she becomes a pain in the ass like no other, and writes exposés that become notorious for putting people in tight spots.

many at the ministry treat her like crap, like a bug that needs to be squashed. she realizes quickly that they have little respect for her, and she is quite happy to return the favor. if they treat her like she’s awful, she might as well be just that.

her stories aren’t entirely fabricated —- every story that she writes has a seed of truth in it. just enough to make it believable.

most of it is bullshit though, but to stir the pot, she every now and then drops something that is very accurate. sometimes she does it to help the order. sometimes she does it to help herself or the death eaters. but there is always a motive behind it.

eventually gets involved with the death eaters. didn’t actually mean to, but fucked with the wrong person at the ministry !!! now she’s under their thumb and it kinda sucks but she’s also not that mad about it because she gets some ~~~~carefully selected~~~ information in return. so she basically writes whatever the fuck the death eaters want her to write.

rita started out with the goal of doing good reporting, but realized quickly that those stories did not sell papers and gained little interest from the public. so she turns to sensationalism, doesn’t see the harm in spinning her stories a little further than necessary. which soon spiraled out of control.

RITA’S FUTURE ( 1998 and forward. )

rita skeeter goes missing in 1999 and is rumored to be laughing all the way to the bank because the biographies she wrote on harry potter, albus dumbledore and severus snape sold MILLIONS. new books by rita skeeter resurfaces every few years, but no one ever sees her again. conspiracy theorists are sure that she was murdered ( and her books are now penned by a ghost writer ), but others say that she’s off on an island somewhere.

THE TIME CLASH.

so ------ rita is pulled from her youth, straight into the future. it’s a bit of a shock, of course.

rita is a reporter first, everything else second. so what does she do? RESEARCH. looks around. tries her best to figure shit out. makes diligent notes of everything that has gone wrong, and everything that has gone right. she researches her future self. she researches everything her future self has written.

most of all, i think she adapts. to the muggle technology, mostly, but also to the new world order.

AS A PERSON.

holds a grudge like no other !!

other talents include backstabbing and lying!

lowkey mean. lol.

only does what serves her best : ~)

neutral evil thank u

never sleeps? runs on coffee and caffeine pills

has never done a selfless thing in her entire life

daddy issues 4 sure

super good at faking niceness!!! it’s a talent, really

most stubborn gal ever, try to change her mind

doesn’t actually realize that she’s the villain

always playing dirty

*sombra vc*: where’s the fun in playing fair?

has like three cents to her name at all times :/

always working a fucking angle and plays the long game.

loves attention!!!

cut throat, will drop u so fast !!!

very bi 

loves hearing her own voice!!!

but also very observant and can shut up if she knows that’s more beneficial to her !!

the type of person to take and take and take until u are left with absolutely nothing

10000% her parents’ daughter !!! takes after them both.

very determined!!!

doesn’t really believe in what voldemort is doing, but also isn’t personally invested enough to properly care.

trust issues!!

not so much motivated by money ( she’s broke ) as she is by fame. could have something to do with her past idk.

possibly the most selfish girl on the planet?

FAVORITE CHARACTER TROPES.

THE DARK CHICK - good at reading emotions, resolving fights and weaponizing her strengths — all the while keeping an eye on what she considers to be the bigger picture.

FEMME FATALE - ‘first she turns you on, then she turns on you.’

INTREPID REPORTER - a troublemaker sort of journalist.

THEN LET ME BE EVIL - any sense of good reporting and morals gets broken down by being treated like crap by presumptuous forces of good for too long. aka everyone telling her she’s shit.

CONSUMMATE LIAR - a liar so good you never want to play poker with them because you’d go home without your underwear and short next week’s paycheck.

BITCH IN SHEEP’S CLOTHING - wears a thousand masks to hide her true colors.

THE POWER OF ACTING - a character who acts her way through life.

NO FACE UNDER THE MASK - does the real rita skeeter even exist? who is she? can she remember her true personality? probably not.

THE EVIL PRINCE - a character that knows they’re meant for greatness, but there are a lot of other… less great characters in their way. if only these characters could be “persuaded” to move, then nothing would stand in their way to the throne. ;)

CHRONIC BACKSTABBING DISORDER - someone who constantly and successfully betrays their allegiances. switches sides as frequently as she switches clothes. what is loyalty?

AMBIGUOUSLY EVIL - it’s never quite made clear what side she is truly on? sike, she’s playing for both teams !!!

HEEL / FACE REVOLVING DOOR - morality is grey, and this character switches sides so often that in the long run, they end up… just not having one.

THE CORRUPTER - the metaphorical devil on your shoulder.

THE CON ARTIST - selling lies so outrageous they can’t possibly be true, but still getting away with it.

CHARACTER INFLUENCES.

SOMBRA ( overwatch ) - always got another dirty trick up her sleeve, kinda selfish, always infiltrating something, out there manipulating those in power hell yeah

KELLY KAPOOR ( the office )- the narcissism, the many layers, the gossip, the jealousy, the drama, the lies, ‘i don’t talk trash, i talk smack. they’re totally different’.

CONNOR WALSH ( htgawm ) - wow i can’t believe rita skeeter is connor walsh?? either way. so sly, bit of a slut, utterly shameless, lies a lot, doesn’t care too much about other people, very confident, bit over emotional at times. gets whatever the fuck they set their mind on. the ends justify the means, always.

MARGAERY TYRELL ( game of thrones ) - the cleverness, the manipulation, the scheming.

HERA ( the goddess ) - the vengeance, the viciousness, the jealousy.

DEBBIE EAGAN ( glow ) - lowkey thinks the world revolves around her. bit manipulative. really ambitious. kinda cut throat. ready to throw anyone under the bus to get places.

JESSICA HAMBY ( true blood ) - the strict religious upbringing, the rebellion, the occasional softness.

ALISON DILAURENTIS ( pretty little liars ) - the bitchiness, the cruelty, the constantly shifting personas, the lies.

CHANEL OBERLIN ( scream queens ) - really ruthless, can be quite mean, bit narcissistic.

LIRA ( to kill a kingdom ) - the siren!!!! singing (aka writing) people to their undoings!!!! with little to no remorse!!! hell yeah

LAUREL CASTILLO ( htgawm ) - a snake that is good at hiding under the radar, kind of shady, highly manipulative, bounces back and forth between allegiances.

JACKIE BURKHART ( thats 70s show ) - the STYLE!!!!!!!! the narcissism! the manipulation! the greed!

[dcarevu]

Batman TAS: Mad as a Hatter

“Why don’t you go do something useful like… Oh, go jump in the river.”

Episode: 27 Robin: No Writer: Paul Dini Director: Frank Paur Animator: Akom Airdate: October 12, 1992 Grade: B

I was in high school when Tim Burton’s version of Alice in Wonderland showed up in theaters, and like almost everyone I knew, I could not have been more excited. I really loved the Disney version, and considering that the man involved with Beetlejuice, The Nightmare Before Christmas, Batman, and more would be giving us his take on it right as I was starting to move toward my emo-scene phase, it was a dream come true. Even now, on paper, this seems like the perfect recipe, doesn’t it? But I think most of us can agree that it just didn’t meet expectations. The first time I watched it, I wouldn’t admit to myself that I wasn’t a fan. It was dark, and strange, and Tim Burton + Alice in Wonderland. Everything I wanted! As a developing emo kid, I was supposed to like it! The reason I bring this up is because Batman the Animated Series being fused with Alice in Wonderland seems like another fantasy-combination that would have no way to turn out subpar. Mad as a Hatter is an episode that, for the most part, actually gets a lot of praise. Alas (or, for the sake of the pun, Alice), maybe the idea seemed a little bit too easy, making it easier to over-shoot, missing the mark. This is another episode featuring a crazy set-piece at the end, but it is also another episode that was handed to Akom. Christ, why. Of all the episodes. All the episodes. Why is it some of the ones with the highest reliance on visuals? This episode involved not just complicated, creative visuals, but incredibly weird ones as well that needed to be animated just right to not look like subjects from one’s fever dreams. You wanna know how that turned out? Well, I heard an, “Oh my god!” from Char as the walrus and the carpenter made their appearances. While that did make me laugh quite hard, and Akom definitely got the weirdness down, it should have looked like intentional weirdness. Beyond the animation, the story is actually decent. It is Paul Dini, so what can you really expect. But even here, I would not call it A-level material. Some strange dialogue/delivery choices, and other leaps of logic/strains on the suspension of disbelief take away from it and leave me feeling extremely neutral.

Okay, so after that paragraph above was written, I went and took the screenshots from my DVD. I was surprised. The DVD looks so much better than the Blu Ray here. This was the case with The Clock King too, and I fear it is starting to seem like a pattern. I think it all comes down to the Blu Ray release looking too clean, and way too bright at times. Because of course, the DVD is in lower definition. Shadows are lightened so that we can see all of the imperfections of Akom’s drawings. Smudges and dirt are removed, giving the people a plastic look at times. It’s not the way the show was meant to be watched (as I said, probably VHS would be my preferred way of viewing if that were feasible). This puts me in an interesting spot, because I paid near $100 for the set, and also, some episodes look absolutely phenomenal. But is it worth it when some look like absolute crap? The great-looking shows look godly. The mediocre-looking ones look horrible. I was ready to tear into how Mad as a Hatter looked and rip it a new one, but now I do not think that would be fair. No, the animation here isn’t perfect. But it’s passable. And I think that’s worth something given the frequency at which I complain about Akom. At this point, I have watched up to Robin’s Reckoning. From here, I honestly might start using the ol’ dvd’s again. It’s unfortunate, but if I go back to specific episodes that I love later on, then I’ll use the Blu Ray. Remember, I am watching these with Char who has never seen the DCAU before. I want the series to make the best possible impression, and even with the best plot ever, a bad-looking episode can make a disappointing episode. Merely getting the episodes at a higher definition, but leaving them dirty and dark would have been my preferred solution. Anyway, back to talking about the episode itself (and yes, this does slightly affect how I see the episode. At first I was giving it a C. But I think I’ll have to bump it up to B territory).

We start with episode with some cute-ass mice, only to then be introduced to a face that a mother would have a hard time loving. Jervis Tetch, aka The Mad Hatter, is a character-design, alright. I think I know what they were going for, though. He has this kooky look that makes him stand out from every other character. He certainly looks like he could play someone from Wonderland. But the problem I think comes from Akom (ironic given that last paragraph, huh?). This design could probably work, but he has such an odd model, so I think they had a tough time animating him. Or maybe he simply does not translate to movement very well in general, and there was a problem the moment his model sheet was created. Regardless, he can be pretty tough to look at sometimes. Other times, though, he does have that level of whacky which I would hope would be in an episode based on Alice in Wonderland. But we see that Jervis is working on some mind-control technology while also being smitten for a girl that works in his office named Alice. Unfortunately, Alice has a boyfriend, and like many sociopaths in real life, Jervis is not okay with this, taking matters into his own hands. First of all, her name being Alice is kinda stupid, and Char agrees. It takes parallels a little bit too far, and Char noted that it would have been more subtle if her name were something like Alycia. Alice is one of the only people that Jervis feels is nice to him, so if we follow the most sound of incel-logic, she owes him her heart, mind, and body. Not only is she nice to him, but, again, her name is Alice. And it would not surprise me if this were a main factor of why Jervis is into her. He has an Alice in Wonderland poster in his office, he takes her to a theme park of sorts that has a section which is themed after the book, he owns a Mad Hatter costume (or perhaps he obtained this from the park), he quotes the book regularly, etc. He is clearly obsessed. When we reach the point where he mentions that it is one of his favorite stories, it’s like, “Wow! No kidding!” He is not quite wired into reality, likely developing this obsession at an early age to escape from life’s burdens. But Wonderland has burdens of its own.

Jervis ends up using these mind-control cards that he created (another Alice in Wonderland-related thing) to make people basically do his bidding. He first uses them on two thugs attempting to rob him and Alice, forcing them to climb up on top of a bridge and jump into the river. Batman catches notice of this through a police broadcast, and to my surprise, the show mentions a possible suicide in progress. How often do you hear a family cartoon like this use the word “suicide”? I think this is the only time I have ever heard it, despite references occasionally popping up in shows like Spongebob. He then uses more cards on his coworkers, Alice’s fiancé, and Alice herself, creating an army of Alice in Wonderland-themed warriors to defend him from Batman when Batman finds out what’s going on and sets after him. He wants Alice all to himself, and is willing to do whatever possible to obtain her. The final battle takes place in the theme park, the big set-piece of the episode. It’s got some great looking background paintings that 100% capture the tone of the book. It is a shame that the animation done by Akom couldn’t hold up to Radomski’s work. We have moments such as Batman balancing on top of the walls of a playing card maze that I wish stressed me out a little bit more. But because of how stilted the movement is, Batman never really seems like he is having a tough time keeping balance, even though we clearly see him struggling. The fight scenes could also be much better, with more impact felt. The odd costumes that most everyone is wearing makes for some really distorted-looking characters, and it’s clear that not a lot of time was spent making them look quite right. At the same time, though, between the subject material, the gimmicks, the overall surreal nature, and the background art, it is still a lot of fun to watch, even if it is in a more campy way. It is not an episode to be taken extremely seriously. This can be a problem with Batman. The tone can fluctuate greatly from episode to episode. At the beginning, it did not matter as much. Right away we had varying quality and seriousness. I mean, we went from On Leather Wings to Christmas With the Joker. But now we are getting gothic masterpieces like Two-Face, so episodes like Mad as a Hatter feel jarring as hell. It is an episode I enjoyed more on second watch as I gathered screenshots. I loosened up and let myself have fun with it.

The Mad Hatter fails to be a sympathetic villain like I feel they might have been going for, but I do enjoy him being so delusional and sociopathic. When Alice mentions her boyfriend, he gets this scary scowl, and you know at that moment that this is no character you want to root for. When Alice’s boyfriend temporarily breaks up with her, rather than attempting to comfort her and being upset over her sorrow, he jumps for joy because he has a chance to finally swoop in (the epitome of an Internet “nice guy”). When she gets back together with her boyfriend, turned fiancé, he squeezes a bouquet of roses in frustration so hard that he bleeds. I think they were able to get away with this portion because maybe the blood could have passed off as liquid from the flowers? Which doesn’t really make a lot of sense, but for the sake of the blood being included, um, sure. It was definitely rose-goo, guys. Not blood at all… And he also blames Batman for why things ended up the way they did, even though Batman had virtually nothing to do with anything until the very end. He decided to mind-control everyone because he was being a spoiled little piss-baby who could not let the girl he supposedly loves be happy. Char did not care for the character, and jokingly mentioned that he was appropriating the Mad Hatter, doing things that he would never do. Like some batshit crazy super-fan who feels sooo connected with a character, but actually doesn’t understand them at all.

Not a perfect episode, but a grower.

See? Cute-ass mice!

Wow, I didn’t realize that we were watching Attack on Titan. (Joke inspired by Char).

The poster on the wall matches the title card/an actual illustration from the book. It’s actually a pretty dope poster.

A variety of shots showing Jervis’ face. See how inconsistent it is? It is a little similar to the Pokémon Drilbur, where it only works 2D. Adding an element of 3D illusion (such as movement) causes it to fall apart.

Oh, sure, go and rob them right after you see Batman drive by. That’s always smart.

“Please, Mr. Hat. Go easy on us.” The delivery here was wicked funny. It was so monotone, and sounded like he was faking.

I quite like this facial expression. His smile reminds me of the Cheshire Cat.

Batman + Taco Bell

I love the panic in Batman’s voice as he tries to stop them from jumping off of the bridge. It shows how concerned he is with keeping them safe.

They were able to animate this shimmer pretty damn well. Then again, how hard could it be?

A very subtle recreation of the illustration/title card.

I don’t think the background here quite comes together, the composition is off. Still neat to look at.

A close-up of the illustration.

Now this is an ugly facial expression. Gross! And it’s not like this was a quick frame. It was there long enough to notice.

This shot has a lovely glow to it. It looks quite nice. 

One of the only times they were able to get away with blood. Um. Oops. I meant flower-goo! It’s flower-goo, guys! The blood drips right onto Billy’s face. As if a hit were put on him. Awesome detail.

“Oh, do be quiet!”

Bruce whispers “Congratulations.” in such a goobery way. I love it. 

The shadow of the plants shifted in some wonky-looking ways. Also, when the Mad Hatter and Batman both arrive on the scene, she says, “This is getting too weird.” But she says it so nonchalantly. Not the best delivery.

Very sloppy-looking drawings of their faces. These costumes, though. 

Cool impact here. He just decimates that wood. I’m not sure if Storybook Land has the safest costumes. 

This is some enjoyable stuff right here. I had a lot of fun with this portion.

“Off with his head!” I should have counted how many times this line was said.

Perfect example if how cool the painted visuals are paired with some mediocre animation. Hell, I’m pretty sure Batman’s run was recycled for two of these stills.

Gee, I wonder which cards are going to move. Great Mad Hatter, pose, though. This is what I wish he looked like all the time!

The looming Jabberwock ends up falling on him, ending the adventure through Wonderland. 

There’s no reversing the damage, Jervis. You’ll never talk with her again. Was it worth it? Also, his hair totally changed color at one point. Um... Maybe he dyed it?

Char’s grade: D Next time: Dreams in Darkness

Full episode list here!

[thebestoftimes]

50 QUESTION BOOK TAG FOR WORLD BOOK DAY

By me, Jess. I made this for world book day but then got depressed and didn’t post it on time lmao but here ya go kids be warned though it’s a long one. Also the numbers thing got fucked up and I couldn’t fix it.  I got a lot of these questions from other tags I’ve seen and google so if something sounds familiar... that’s why.

Who or what sparked your love of literature?

Aw my parents fueled my book habit when I was a kid and took me to the bookstore all the time and since then all my teachers have always encouraged me and made me love books even more than I thought possible.

Do you have an ‘odd’ book habit? (page sniffing/never leaving the house with a book)

It’s true that I never go anywhere without a book. I got one in my backpack or purse or reading on my phone but it’s always there.

Do you have a book that you think has changed your life? How?

A lot of books and series have made significant impacts on my life (like I can’t picture elementary school without Percy Jackson being in my life) but like as a person I can’t think of any one book that has changed who I am. It’s been a team effort.

Which book have you reread most frequently?

I think I reread Hush Hush every year lmao idk why

You can meet any author and ask one question. What author would you chose and what question would you ask?

I’d want to meet Shakespeare and ask him if all his characters really were just that gay or if we’re all reading too much into it.

Best book published this year so far?

It’s only March but The Gilded Wolves by Roshani Chokshi

Imagine you’ve started a book and don’t like it. Do you see the experience through to the bitter end, or are you able to talk away from it mid story?

I used to always finish what I started but now that I’m in college and have a mountain of a TBR I’ll just stop.

What book is top of your wish list/TBR pile?

Uhh A Winter’s Promise by Christelle Dabos  is on top rn

Favourite place to read?

My bed. Boring but a classic.

If you buy books, do you lend them out? Ever had a bad experience?

Of course. No all my friends respect my stuff and return them promptly.

What fictional character do you ship yourself with?

So many but I think Gansey and I from The Raven Cycle would make the best couple.

Weirdest thing you’ve used as a bookmark

I use whatever near me so I might have done something weirder but lately I’ve been using tissues because I have a tissue box by my bed and never real bookmarks. But I’ve used graded homework, a toy car, a crayon, earbuds, etc.

Favorite quality/qualities in a protagonist and antagonist

Wow this is s hard okay for protag I am a sucker for like stubborn, smartass with a martyr complex. Sad but true. Antags I love a good morally grey character or anti-villain. Tragic backstory but smart as hell. The worst (the best). Characters like the Darkling from The Grisha Trilogy, and Warner from the first Shatter Me book (I know he’s a good guy NOW but back then we all thought he was a sadistic and sexy villain).

Favorite genre and favorite book from that genre.

YA Urban Fantasy babyyy and that’d be City of Bones by Cassandra Clare or Lady Midnight by Cassandra Clare:)

  Best/worst movie adaptation in your eyes

Best: Harry Potter and The Hunger Games | Worst: Percy Jackson

Do you prefer reading your own books, or library books?

My own.

How do you choose your next book to read?

Literally whatever I’m feeling like at the moment.

Your favorite word.

I love many words but I have a soft spot for “lively” and “lilt”.

Book that got you hooked on reading/how you got hooked.

I’ve always been obsessed with reading but The Peter and the Starcatchers Series was like my shift from nicotine to heroine.

Opinion on dog-earing, margin writing, ect.

I only write in the margins of books I have to read for class/textbooks. And that’s for studying and active reading purposes. For any other situation: no.

Top 5 immediate to read in no order

A Winter’s Promise by Christelle Dabos

A Very Large Expanse of Sea by Tahereh Mafi

Crazy Rich Asians by Kevin Kwan

The Wicker King by K. Ancrum

A Darker Shade of Magic by V.E Schwab

Most underrated book you’ve read

Definitely The Foxhole Court/ All for the Game series. Fairly small fanbase for some of THE most amazing books I’ve ever read. And the memes will have you in stitches.

What is the first book that catches your eye when you look at your bookshelf?

Fangirl by Rainbow Rowell because of the exceedingly bright cover/spine haha

How do you arrange your books on your shelves?

LOL I do not have a system at all. I keep series and authors together and that’s it. Everything is placed where there is room.

You have the power to change a book’s ending. Which ending would you change and what would you make happen instead?

I’d change the end to Allegiant and SPOILERS SPOILERS not make Tris fucking die over her shitty ass brother. I know why she did it but like Veronica girl wyd with that. And I’d want the entirety of Mockingjay by Suzanne Collins to be rewritten into a book that just focused on the domestic life of Finnick and Annie and no one dies.

Favourite book cover?

This is SO HARD. Either The Unbecoming of Mara Dyer by Michelle Hodkin or Ignite Me by Tahereh Mafi

Which book from your childhood has had the most impact on you?

My entire personality was shaped by the Maxmimum Ride series by James Patterson. For better and worse.

When reading, what do you value most: writing style, characters, plot, world building, pacing, etc?

Characters. I think all of those things are essential and as I read more and more, the pickier I get, but I find myself leaning towards being a fan of a book when I become obsessed with the characters. Like hey!! New friends!!! For my brain!!!

Do you prefer buying books or borrowing them from a library/friend?

Buying them even though I shouldn’t. It’s a real problem.

What books/sequels that are being published this year are you most excited for?

SO MANY OH MY GOD

Okay some of these already came out because it’s March right now but I’ll include them anyways.

SEQUELS/ SPIN-OFFS AND SHIT

The Wicked King by Holly Black; King of Scars by Leigh Bardugo; Dream by Natalia Jaster; Chain of Gold by Cassandra Clare; The Red Scrolls of Magic by Cassandra Clare; Capturing the Devil by Kerri Maniscalco, Call Down the Hawk by Maggie Stiefvater; Defy Me by Tahereh Mafi; The Shaw Confessions #3 by Michelle Hodkin

FIRST BOOKS

The Binding by Bridget Collins; Wicked Saints by Emily A. Duncan; The Gilded Wolves by Roshani Chokshi; A Curse So Dark and Lonely by Brigid Kemmerer; Romanov by Nadine Brandes; The Infinite Noise by Lauren Shippen; The Beautiful by Renee Ahdieh

Which fictional character would you want as a sidekick?

Percy Jackson because he’s my firstborn son and one of my favourite characters of all time. He is talented, smart, hilarious, an amazing friend, and the sweetest of boys (when he isn’t the sassiest of boys).

How many books have you read so far this year?

Only 15 I am so behind :(

What’s been your favourite read so far this year?

Oh man. Gotta be Crooked Kingdom by Leigh Bardugo :)

You’re stuck on an island with a suitcase big enough to hold five books. What books are they?

I probably shouldn’t cheat and say How to Build a Boat huh

City of Bones by Cassandra Clare

Wuthering Heights by Emily Bronte

The King’s Men by Nora Sakovic

Six of Crows by Leigh Bardugo

The Lightning Thief by Rick Riordan

If you had to go out to dinner with any character who would it be and why? What would you talk about?

Will Herondale and we’d talk about books

Is there a book you have such a hatred for that you would throw it off of the highest tower knowing that the last copy of it will be destroyed so that not another living soul can read it or would you rather keep it and give it to someone else who might actually enjoy it?

The Scarlet Letter by Nathaniel Hawthorne or After by Anna Todd

Do you believe books make nice decoration?

I mean. I think they should be read before used as decor but I love showing off my books so I guess both. But I don’t believe in buying books for the purpose of decoration instead of reference or reading lol

Do you listen to music when you read? Or do you need complete silence? 

I need silence or low amount of white noise. I used to read and listen to Taylor Swift when I was a kid but I can’t do it anymore.

Do you have a favorite book? If not are you in the group that believes there are too many great books out there to just choose one?

I tell people it’s City of Bones by Cassandra Clare but in all honesty no I don’t have a favourite.

Do you sleep with books under your pillow.

Nope

Do you go to the library or do you have a book buying addiction or are you one of those lucky people who is able to do both?

I do both. Mostly bookstore though.

Own any book inspired clothing?

Yes. Several items :)

Have you ever read a book in another language?

I read Harry Potter and the Sorcerer’s Stone, Tristan and Isolde, and Beauty and the Beast in French. And parts of Les Mis.

Strangest book you’ve ever read?

John Dies at the End by David Wong. Still not sure exactly what was going on. 

Favourite type of non-fiction?

Memoirs babey

Favourite non-fiction?

Unbroken by Laura Hillenbrand

Favourite subject to read about?

History

Favourite book you’ve read in school?

Wuthering Heights by Emily Bronte

Favourite work of Shakespeare?

Hamlet

Character you’d love as a mom or dad or guardian?

Hmm Sally Jackson, The Women of 300 Fox Way, or Tessa and Will (they totally count because The Last Hours Series)

I tag literally whoever wants to do this and @fangirl-daydreamer97 @acleeds12 @iviisastrawberry @221bdoom @bicycles-bees-bisexuals @betterthanapit @dippindots126 @vlctorvale

[smokeybrand]

Smokey brand Select: Shaken, Not Stirred

I was watching that trailer for the last Daniel Craig bond film again and it’s still hype as f*ck. I cannot wait to see who the f*ck Raimi Malek is playing. I have a sneaking suspicion it’s a modern take on Dr. No but we’ll see. It’s weird how much anticipation i have for this movie because i would consider myself a casual Bond fan, until i revisited the franchise. I started with Dr. No and worked my way back through to Spectre. To my surprise, i am kind of hype for this franchise. I kind of didn’t know that about myself. In retrospect, i do have vague memories of catching that Bond marathon on one of those Turner stations every year. it was one of very few things my dad and i shared. Odd. Anyway, here’s my favorite of the bunch! Full transparency, A lot of Daniel Craig era films are going to make an appearance They are the best of the franchise, hands down. Not all of them are my favorite but the majority are definitely going to make this list, and probably pretty high. A lot of the Pierce Brosnan Bond flicks are going to miss this list and make the honorable mentions. Those things are pretty terrible but Brosnan is my generation’s Bond so, mediocrity aside, they hold a special place in my heart. Just, not on my list.

10a. A View to a Kill

This one makes the list because i really like the villains in it. I’m sure there are many, many, better entries in the franchise that could have taken this spot, but i believe that if you have an engaging or entertaining antagonist, you can salvage a mediocre plot. Christopher Walken and Grace Jones do exactly that for this otherwise sub par Bond outing. The plot is a throwback to the more outlandish of the early Bond films which makes it a little more whimsical than i like but it’s tolerable. What ain’t, is the fact that this is a Roger Moore Bond flick. Moore is my least favorite Bond of the lot. I even kind of like Lazenby more and that guy was just impersonating Connery for two hours. Honestly, dude’s movie is great and i might like him more strictly because his one film is arguably better than all of Moore’s outings. I mean, Moore was in Moonraker for crying out loud. Talk about jumping the shark. I mean, honestly, i actually enjoy that absolutely ridiculous film. My mans Jaws got his girl, Dolly, in the end but that’s no excuse for how aggressive sh*t it was. Like, the lowest of lows in the franchise were on Moore’s watch and he never had any real defining highs. Dude’s time in the tux is just blergh.

10b. The Spy Who Loved Me

The last of the Moore Bond films to make this list. Again, i don’t care for Moore as a Bond but he’s had some of the best villains to date. I’d say only Craig has better antagonists. Moore’s rouges carry his films for me and one of my favorites makes his first appearance here: Jaws. Man, i love this dude! I mentioned my love in passing at the end of the A View to a Kill entry, but i can really dig into my affection the giant, beast of a man, here. I first witnessed this man’s iron toothed glory as a kid, long before i understood the nuance of film. To me, Jaws was this massive, imposing, near mute, force of f*cking nature that just absolutely manhandled Bond throughout the film. Jaws left every impression on me and he wasn’t even the primary antagonist! I don’t even remember who the big bad was in this one and that’s because the sheer cinematic presence of Richard Kiel overshadowed every aspect of this movie. Jaws was the first villain to completely steal the show from Bond. It would happen a few more times over the years but, for me, this was the first time i was more impressed with the bad guy, than i was the Bond. It also helps tremendously that Kiel would later play Mr. Larson in Happy Gilmore; The best Adam Sandler film ever made! Fight me about it!

9. Diamonds Are Forever

Diamonds Are Forever is an adequate Bond film and i could go into minute detail as to why but, let’s be honest with ourselves; This thing makes it to this list on the strength of that title song, alone. Diamonds Are Forever is a f*cking banger and, fifty years later, still slaps harder than most of the sh*t coming out of the music industry today! Shirley Bassey births one helluva of a song with this track, beating out her excellent Goldfinger opening. She sings both of these songs with such force, such passion, it’s hard to argue against their position as the best music in the franchise. Seriously, Bassey’s voice control, lyrical delivery, and abject power, are exquisite and really makes it difficult for those who came after to even hold a candle. There’s a reason Kanye sampled this thing for his record Diamonds from Sierra Leone, a whole ass classic in it’s own right. All that aside, as a film, Diamonds is mediocre at best. It’s the last of Connery’s outings and he definitely rests on his laurels in this one. Dude is visibly older than the last time he had donned the tux in the disappointing You Only Live Twice. If that movie was Connery portraying contempt for his contractual obligation to the character, then this one is the phoned in performance of a Connery who has completely checked out, but definitely wants that check to cash. Diamonds has it’s strengths as movie but, let’s be honest, it’s Connery going out with a fart instead of a bang. It’s a serviceable Bond outing if a bit derivative. I’d definitely take it over anything in Moore’s era but it ain’t that great a watch. But that title track is strong as f*ck, though!

8. On Her Majesty’s Secret Service

Listen, George Lazenby is no one’s favorite Bond. Dude really feels like he’s doing his best impression of Connery, which makes sense as he was the first to try and fill the tux after Connery bailed. I don’t think Lazenby did a bad job as Bond but he was in a f*cked up position to begin with. After four films with Connery, people had impossible expectations so they just outright rejected man. The never gave him a chance to begin with so Lazenby never did another Bond after this one. He’s the only actor to hit it and quit it. Don’t misunderstand, i get the vitriol. Connery is my favorite Bond, too, so of course i didn’t like Lazenby way back when i was a kid. Watching Majesty’s, now, as an adult with a proper sense of cinema? Yeah, Lazenby got shafted. He never got a chance to properly give us his version of Bond and that’s a shame because i think, given the character trajectory Majesty’s had Bond pointing, we could have had some pretty substantial development. However, this thing was hated upon it’s release and buried until Dalton’s turn as 007. It wasn’t even referenced until one of Moore’s later films, if I'm not mistaken. That sh*t is absurd, especially considering this was the first time we saw Bond vulnerable and actually wounded. Spoiler alert for a film that’s five decades old but Bond quits MI-6 and marries his love interest, Tracy di Vicenzo. Diana Rigg’s performance really gives Tracy life, presenting to us a woman that could absolutely capture Bond’s womanizing heart, until she’s mercilessly gunned down at the end of the film. Yes, I'm aware Fridging a love interest is a problematic and cheap way to grow the Protagonist but, come on, this thing was made in a different time. Watching Tracy get capped left an impression on those ye ole timey audience and even left Lil Smokey slack-jawed.

7. Dr. No

I would be remiss if i didn’t recognize where this all started. Dr. No blew my mind when i first saw. I was very young back then and this was the very first Bond movie i ever saw. I didn’t have near as much understanding about film making back then and just appreciated the movie for what it was. Let me tell you, Lil Smokey really thought it was something. I mean, never mind the beach side reveal of Honey Ryder, an iconic scene in film history in of itself, but it’s real hard to beat that very first Bond introduction. Connery is my favorite Bond and this was my first experience with 007 so i was left with a great impression. Some years later Craig will come along a press Connery for that title but, to this day, it’s still Sir Sean. When people think Bond, they think Connery for a reason. As a film, Dr. No is okay. I like the plot for the most part but, revisiting it as an adult, it’s pretty one dimensional. Most films back then were. I think, though, that’s mostly because of the time period in which it was made. It’s difficult for me to appreciate older movies like those because of how spoiled i was growing up during the Eighties and Nineties. I was born in Eighty-four so the movie i grew up with, were leaps and bounds beyond the almost rudimentary filming structure of Dr. No. New Hollywood had yet to come along and revolutionize how to make movies so i could only judge Dr. No on the strength of it’s performances and they are pretty great. at least Connery is and that’s enough. He carries this inaugural film, definitely leaving a tall shadow out of which to climb.

6. Goldfinger

Goldfinger is the highest rated Bond film on Rotten Tomatoes and for good reason. This thing is quintessential Bond viewing. If there was ever a template on how to make these movies, Goldfinger is definitely it. It has the best of everything; Outstanding performance as the titular protagonist from Sean Connery, an epically timeless title song, a cartoonishly deranged yet sinister villain in Gert Frobe’s Auric Goldfinger, one of the best henchmen in Oddjob portrayed Harold Sakata, a truly ambitious plot with proper world altering consequence if Bond fails, a classic Bond Girl performance from Honor Blackman as Pussy Galore, and the very first appearance of the Bond staple Aston Martin. Goldfinger is an amazing watch and really leans into Connery’s take on the character. This would be his third outing as Bond and he feels right at home with it, like it’s finally his performance to beat. There are just so many classic aspects of this movie that would go on to be recognized, not only in the franchise, but in the cultural zeitgeist, itself. Tell me you don’t remember that scene where Goldfinger has Bond strapped to a table with a laser pointed at his junk, before smugly quipping about his expectation of death? How about Jill Masterson, revealed to have been murdered under the cover of night, her gilded corpse lying prone in Jame’s bed? Bro, i know if you’ve ever played GoldenEye on the N64, you f*cking KNOW who the hell Oddjob is! Goldfinger is just everything a Bond film should be and deserves it’s place as one of the best to ever do it.

5. GoldenEye

I love GoldenEye. It’s a near perfect Bond film. It walks the line between the suaveness if Connery’s era, the gadget-laden camp of Moore’s run, the more grounded nature of Dalton’s time in the tux, and the potent physicality of Craig’s turn. Before the sequels turned him into a straight up caricature, Pierce Bronsan was my second favorite Bond. His take on the character in this one film, was the best i had seen since Connery. I loved the plot, too. It’s a throwback to those more “Ransom the World” narratives from entries like Thunderball or The Spy Who Loved Me. I mean, maybe the GoldenEye space laser is what that Senator was talking about when she referenced her reason for California wildfires, i dunno? Suffice it to say, i adore the villains in this thing. Sean Bean as 006, Alec Trevelyan, is every bit the foil to Brosnan’s Bond and i definitely enjoyed Alan Cumming’s hackerman, Boris Grishenko. Cummings is a consummate joy and he really chews the scenery in this one but, come on, this movie would be nothing without Xenia Onatopp. Famke Jensen simply stole every scene she was in as the flagrantly psychopathic, sexually sadistic, femme-fatale. She is every bit the Bond girl Pam Bouvier turned out to be, but on the opposite in almost every way that counts. Xenia is absolutely out of her f*cking mind and she enjoys every second of it, just like i enjoyed every second of her and this movie. It’s a shame Brosnan’s follow-ups never reached this height again because GoldenEye is an outstanding Bond outing. Interestingly enough, this was directed by the same person who helmed the Bond flick everyone touts as the best in the franchise. That might be why this one is so good.

4. Quantum of Solace

Look, i love Quantum of Solace, okay? I just do. It’s probably the third weakest of Craig’s four outings but i kind of f*ck with it. Solace holds a special place in my heart because it was the fist of the Craig era films i ever saw. Yes, i skipped out on Casino Royale, that was one me, but i circled back around after i heard how much people hated this one. I thought it was pretty good so i was confused by it’s fervently negative reception. Quantum feels like a throwback to Connery’s era. I enjoyed the plot tremendously, thought it was shot well, and the visuals were exceptional. I mean, that scene where Strawberry Fields was killed with a Goldfinger homage was enough for me to completely fall in love with this flick. The fact hat she’s played by Gemma Arterton, whom i happen to believe is a proper goddess among us plebeian mortals, helps tremendously, too. Also, Olga Kurylenko is in this thing and i adore her as much as Arterton. I think she’s one of the only Bond Girls to never sleep with Bond and that really left an impression. Problematic Brownface aside, Kurylenko's Camille Montes has more autonomy than ninety percent of the woman in any of these films. On the strength of Bond girls, alone, this thing makes the list but Quantum is more than just that. I cannot stress enough how much i really, really, dig this plot. The stakes are ridiculous and the antagonist is pretty good. Not as great as the one that came before or the one that would follow (I’ll get to SiIva, just you wait) but Mathieu Amalric’s Dominic Greene is sufficiently slimy and is definitely a throwback to villains like Auric Goldfinger. I think that’s why i like this one so much, it just really reminds me of Goldfinger but with a modern spin to that type of narrative. I think Quantum gets more sh*t than it deserves but, i mean, i don’t thing Casino Royale is as good as everyone says so what the f*ck do i know?

3. License to Kill

I really like Dalton’s Bond films. Both of them. The Living Daylights is a great outing for the franchise, but it’s License to Kill that really delivers on Dalton’s version of Bond. Daylights, up to that point, was the most visceral and grounded Bond to date but it still felt right at home in Moore’s more campy era. License does not. It doesn’t even really feel like a Bond film which, i think, added to it’s divisive nature among audiences. This wasn’t the first time Bond was taken out of his rather debonair comfort zone but it was the first time he was so aggressively violent. Like, this movie is straight up Scarface with a 00 in front of it. I loved every second of this more grounded, realistic, violently angry Bond (something that Craig would be praised for some two decades later) and you could tell Dalton was really establishing his take on the character. It was far different than his predecessor, hearkening back to the darker aspects of Connery’s Bond. It’s a shame we never got that third Dalton flick because, i think, he could have really did something special with the character going forward from License. The plot, itself, is a rather simplistic revenge story but f*ck if it isn’t a bloody affair. Bond is carnage incarnate through this movie’s run time, really earning it’s tile. It’s incredibly f*cking gory and never apologizes for the body count, something that is quintessentially Eighties. If Dr. No is a product of it’s time, then License to Kill is just as much for it’s own decade. Not only that, but this thing has a great primary antagonist in Robert Davi’s Franz Sanchez and an equally brilliant henchman with Benicio del Toro’s Dario. Those two psychopaths can give Tony Montana a run for his money any day. Also, Carey Lowell’s Pam Bouvier is one of the best Bond girls to make the franchise. She’s every bit the problem Bond, himself, is and that speaks volumes to her agency in a historically misogynistic franchise. Just like Quantum of Solace, i think this entry, Dalton’s entire era in actually, is given too much sh*t. These films aren’t bad just ahead of their time.

2. Casino Royale

Casino Royale is a straight up force in the Bond franchise. I did not expect how kinetic, how physical, this entry turned out to be. Like noted above, my introduction to Craig’s take on Bond was Quantum of Solace. While there was a distinct physicality in that film, it was very apparent the narrative quality of that movie was a throwback to the more espionage nature of Bond. Imagine my surprise when i popped this thing and and watched 007 straight up Jason Bourne a guy to death! Like, holy sh*t, dude. It’s weird to think, after seeing that explosively savage opening sequence, Royale would settle into an unnervingly tense card game. Those poker scenes really had all of that menacing energy but anytime there’s a semblance of action? Anytime there’s a hint of a fight? Oh my god! You FEEL that sh*t! I was exhausted by the time i finished this movie, which has never happened with a Bond entry. Ever. Not even Skyfall had me that f*cked up when the credits rolled and i believe that movie is superior to Royale in every way. I think a lot of that intensity has to do with the direction. Like i said before, this one was directed by the visionary who gave us GoldenEye, Martin Campbell. Dude introduced us to two separate Bonds, in the the perfect way possible, because Daniel Craig immediately shot to the top of my list. Quantum put him in the running but Royale sealed it. This is the most Bond feeling of plots in Craig’s era, hearkening back to Dr. No in a lot of ways. It gives us a quietly sinister antagonist in Le Chiffre, portrayed deftly by a scene stealing Mads Mikkelsen, but this film’s secret weapon is definitely Eva Green’s Vesper Lynd. Listen, i gushed about the strength of Quantum’s Bond Girls but Lynd is easily the best of the franchise. Easily. By a wide margin. Everything bout this movie is the perfect re-introduction to the Bond franchise, the perfect reboot of a film series that had gotten itself mired in over-the-top camp and unwieldy plot contrivance. I love Casino Royale so much and can absolutely understand why people say this is the best movie in the entire franchise, so why isn’t it my favorite? Because Skyfall is a superior film, overall, in almost f*cking every way.

1. Skyfall

I absolutely love Skyfall. For me, this is the best Bond of the entire franchise. As a film, it’s f*cking exceptional. Beautifully shot, expertly directed, paced brilliantly, and, holy sh*t, the performances! Sam Mendes really directs the f*ck out of this movie and Craig always delivers as Bond whenever he dons the tux but, f*ck, can we just talk about Javier Bardem’s Raoul Silva? Dude gives us a villain as insidious and cruel as his Anton Chigurh but uncannily charming. Silva is this tanned and blonde, sophisticated, charismatic, psychopath who simply oozes this disarming smarm but, just underneath that aloof playboy facade, burns an incandescent malice for everything M. I am staunch believer that you can judge the worth of a film by it’s antagonist and Silva is one of the best i have ever seen put to film. His whole reason for being, the driving force in his life, is just to kill M. That’s all. For all intents and purposes, this is as much his flick as it is Bond’s. Skyfall is basically just License to Kill but for Silva. It’s a deceptively simple plot, but one charged with personal stakes and emotional agency. Most people say this is just The Dark Knight with a coat of Bond paint and i can totally see that. however, if you actually think about that criticism, is it really something for which this film should be ashamed? Let’s be honest, The Dark Knight is an exceptional film, with an exceptional antagonist, and an exceptional plot. If you ask me, that comparison isn’t derogatory but actually vaults Skyfall into great company. Plus, TDK is in a three-way tie for my all-time favorite film so any comparison with that flick is going to be looked upon pleasantly from my very biased eye. All of that considered, how could this one not me my favorite Bond? Plus, we got Q, Moneypenny, and one of the best title songs, ever, from Adele!

Honorable Mentions: Spectre, The Living Daylights, From Russia With Love, Die Another Day, Tomorrow Never Dies, The World Is Not Enough, You Only Live Twice, Moonraker, Live and Let Die, Thunderball

[valyrfia]

hey friend! fello eurovision shitposter here :) first of all I want to say that im so glad to have finally found someone whos as convinced as i am that bulgaria should win this year! I had another question for you: so you post a lot of marvel as well and a lot of stony so i stalked your blog and im confused because you said you started to ship them more after civil war? idk im a huge stucky shipper and steve and bucky just seem to have the better dynamic no offense intended i just want yourview

BULGARIA. THEY’RE AMAZING RIGHT? I’m honestly almost more in love with this song that I was with Beautiful Mess last year (that’s a lie I still cry that my boy Kris didn’t win but I also adore Amar Pelos Dois so I’m not mad). Now with the footage of their AMAZING live performance at the London pre-party, I’m almost fully convinced that they are gonna clinch the top spot this year. I mean, imagine Bones with the camera work and lighting of Eurovision and the atmosphere of the arena. It’s going to be incredible I’m so excited. 

Moving on from my trash talk: why I ship stevetony and not stucky? Whoo boy this is gonna take an essay to answer, and it’s going to be difficult  a. because I can never remember all the reasons why I do ship stevetony (I always end up missing one lol) and b. because stucky shippers are…enthusiastic, for the lack of a better word. I love them, I respect a lot of them and I’m friends with people who ship it. But fandom is a tricky business. Stevebucky never did it for me as a ship. The explanation is long and complicated but it can be boiled down to a distinct idea: For me, adding a romantic element to Steve and Tony’s dynamic makes their interactions much more interesting and intriguing, while adding a romantic element to Steve and Bucky’s dynamic would almost subtract something quintessential from both of those characters. 

Friendships to me are almost more impactful on a person’s life than romantic relationships, god knows where I would be without my friends today. There’s a tendency in the media to push the obligation that the most important person in your life has to be your significant other. I hate that, frankly. Steve and Bucky love each other more than anybody else in the world, and for me, that’s beautiful. I guess I just never did understand the romantic connotations that people attached to what seemed to me, seemed to be a fully functioning, complete and beautiful relationship. 

Steve and Tony’s relationship however, you always feel like you’re missing some part of the story when you observe their interactions. From their respective monologues to each other, The Confession and The Oath to their familiar joking with each other right before everything goes to shit at the base in Siberia in CA:CW. You feel like you’re missing some part of their story. I, (it seems along with Jonathan Hickman, RDJ and Chris Evans) like to headcanon that this missing piece is a romantic plotline, but you can interpret it however you want. That’s the beauty of fictional works. It’s not the cold, hard canon that matters, but your interpretation of it. My experience is different from yours and to me that’s beautiful.

An essay is available below the cut, if you’re interested in how I actually stopped shipping stucky and started shipping stevetony (an origin story if you will.)

In my introduction to Marvel, a couple of years ago, I did initially read Steve/Bucky fics more than any other pairing, but incidentally it was a Steve/Bucky fic that made me start reading Steve/Tony ones (oops I guess?) The Man on the Bridge by boopboop on AO3 was the one that got me invested in the Steve/Tony dynamic, it was the fic with the highest kudos on AO3 at the time that I was reading Stucky. It’s a really great fic 11/10 definitely worth the read (I think you need an AO3 account though) but what kept me going wasn’t the ship I was supposed to be reading it for, it was the dynamic between Steve and Tony. For example: you get great scenes like Steve and Tony bickering like an old married couple over coffee at least four times and banter like this out of nowhere: 

““I sent flowers?” Tony asks, trying like hell to play it cool. He gives her a desperate look that she ignores by default.

“Tony picked them,” Pepper says, determined as ever to ruin Tony’s reputation.

“He did, did he?” Steve asks knowingly.

Pepper leads them all into the wide social space inside. “He spent a lot of time trying to find your favorites.”

It’s dark enough to hide the fact that Tony’s ears are a little pink, even when someone has as sharp a vision as Steve does. That doesn’t stop him wanting to crawl back into his suit and hide. “Really? Do we have to tell him that?”

“He might think you don’t like him if I don’t,” Pepper says with a knowing smile flashed in Steve’s direction.

“I don’t,” Tony says firmly. “I tolerate him. Barely.”

“Uh huh.” Steve chuckles, his smile growing warm. “Right. I get it.””

and lines like this

“We - Nat and I - figured Rogers would come to you for help once he and Bucky made it out of Florida.”

“You did?” Tony asks, stunned. He can think of a dozen people Steve would have picked over him, even with the resources Tony has at his disposal.

Barton looks at him like he’s an idiot. “Yes,” he says, simple as that.

“And that brings you here why?”

“Because neither of you idiots have a single shred of self preservation between you,” Barton says bluntly. “That’s why you’re good for each other.”

and general power couple stuff

She hardly looks a day older than she had appeared in the recording they saw before leaving for London - but Tony knows that file was dated 1991. Her sharp features are paired with dark eyes and unnaturally pale skin, offset by a razor sharp, almost masculine suit. “Mr Stark,” she inclines her head, “Captain Rogers.”

She had been given no other identification in the videos, other than being addressed by Lukin as ‘Synthia’. Since they don’t want to give away how much information they have, Tony tips his head to one side and asks, “Should I know you? Have we met?”

“We have not, Mr Stark. Captain Rogers and I do have a shared acquaintance, however.”

“Don’t you dare talk about him,” Steve growls, tense at Tony’s side. The fact that he hasn’t rushed forward and unleashed that brewing violence is something of a shock. He’s practically shaking with his rage, every muscle in his body tense and strained.

Tony puts one hand on Steve’s arm, steadying him. “Look lady, I don’t know who you are but I’m tired of games. What do you want with us?”

She tilts her head, “Why not the pleasure of your company? You are Iron Man and Captain America after all. An unstoppable force. The two greatest superheroes of our time.”

even the goddamn villains ship it I was supposed to go into this fic and not come out the other side shipping steve and tony come on

there’s a reason that this is the only non-stevetony fic i’ve read in three years goddamnit 

*clears throat*

But yeah that was the fic that got me interested in the possibilities surrounding the Steve/Tony dynamic. Then I started doing some research and came up with the canon content (like their respective love confessions in 616 and the actors fascination with the ship (shoot me I’m weak okay)), and it’s been a wild ride ever since. 

If you’re interested in seeing their dynamic in action through a romantic lens, may I suggest Disrepair by Tippet for MCU and  Belief Space by magicasen for 616. Neither have huge confessions of love or anything like that, Belief Space does have one kiss towards the end but the focus point is Steve and Tony’s dynamic during the incursion crisis in 616 and Steve’s POV remains largely platonic throughout the fic. Disrepair actually has no romantic connotations in it, as far as I remember, but it analyses the MCU dynamic in such a way that you start to see what I mean when I say that Steve and Tony’s relationship would be ten times more intriguing with a romantic element. Both fics are interesting character studies of both Steve and Tony and I would highly recommend reading them anyway. Also Belief Space is my favourite fic of all time, and does not get enough love goddamnit, so there’s that. 

Anyway, I’ll finish your lovely ask by giving you what is frankly my stevetony song for Infinity War and the only song I listen to nowadays. It’s my fave. What else would it be in the month before Eurovision? It’s Bones by EQUINOX. 

[ivegotsomethingtosay]

Wonder Woman (movie review)

My sister is a huge Teenage Mutant Ninja Turtle fan (trust me, I’m going somewhere with this). She’s got t-shirts, posters, pajamas, a definitive ranking of who the best Turtle is, etc.

So anyway, a couple of weeks ago, we were having a conversation about what our favorite super hero movies were, and it occurred to me about half way through that she hadn’t brought up TMNT once. When I pointed this out, she gave me a weird look.

“The turtles aren’t superheros,” she said with a curious lack of confidence. When I proceeded to point out to her that the Turtles did more actual “saving” that either Batman or Superman in either of their last movies, she quickly added Michelangelo to her list.

But it got me thinking: in a time when “superhero” movies have joined the Western as one of the most popular genres in the global market, have we lost sight of what the word “superhero” really means? Have we entangled ourselves so hopelessly in the throngs of geek culture that we can’t even properly define the word we assign to some of the highest grossing and most beloved movies of all time?

And that’s when I remembered Wonder Woman, a movie which came out a few months ago. A movie which I saw, twice, and have been struggling to write a review of ever since. Partially because my summer has turned out to be a lot more hectic than I anticipated, and partially because I really wasn’t sure what to say about it.

It was great, of course, but anyone could tell you that. Besides, plenty of other movies that are just like Wonder Woman are also great. The first two Rami Spider-Man movies were great. The first Avengers was great. The second Nolan Batman movie was great.

But Wonder Woman was something else, and it wasn’t until I had that discussion with my sister that I realized what that “something” was.

If you haven’t seen it by now, shame on you. Kidding, but seriously, it’s a phenomenal film, popcorn or otherwise. Gal Gadot plays the titular super heroine, who embarks on a journey to save mankind from the clutches of the evil war-god Aries when smarmy WWI pilot Steve Trevor (the ever charming Chris Pine) crash lands on her isolated island of Themyscira. Together with Trevor and his rag-tag band of smugglers, spies, and soldiers, Diana travels to mainland Europe where she must come to terms with her own identity and powers if she is to defeat Aries and save the world, the key word there being “save.”

See, for all the focus pop culture has given super heroes over the last decade or so, very little has been given to what super heroes actually do, and when said focus is given, it is frequently in context of the super heroes themselves. By this, I mean that in most super hero movies (particularly Marvel ones), the only saving a super hero does is in issues directly related to his or her self. The Suicide Squad would not have been deployed had Enchantress, a member of the Suicide Squad, not defected and gone bat-shit crazy. That quaint small New Mexico town in the first Thor movie would have not gotten destroyed had Thor himself not gotten his arrogant ass banished from Asgard in the first place.

The list goes on, but the point remains the same: in an effort to deconstruct and complicate the super hero archetype, Hollywood has taken all of the *ahem* wonder out of what it actually is super heroes were made to do. This is why Marvel has a “villain problem.” The antagonist is almost always there so that the protagonist can grow and develop as a character. In fact, the whole world seems to exist for the express purpose of serving the superhero’s growth and needs. The question I keep finding myself asking during most of these movies is: who’s doing the saving?

And this is what makes Wonder Woman so special. By the end of act one, Diana has made the conscious and intentional decision to leave the safety of her homeland and save the world. She has taken responsibility for a problem that she has spotted, and realized that she can do something about. Even if she weren’t able to deflect bullets with her arms, or jump twenty feet in the air, she would still be a super hero because she wants to save the world.

There’s a simplicity and innocence in that central statement that makes Wonder Woman the movie just as—if not more—inspiring than Wonder Woman the character. This is, after all, the first major tentpole superhero film to be lead by a woman (and by major, I mean MAJOR. Sorry Elektra). It was going to cary with it an immense power and responsibility absent from, say Thor: Ragnarok, no matter who was in charge or what the story ended up being. But that director Patty Jenkins and writer Allen Heinberg decided to make power and responsibility the driving thematic forces of the film itself is worthy of all kinds of praise. This is a film that recognizes its place in the pop culture, and uses its wide canvas to make a touching and beautiful case for gender equality and social responsibility. It, like Wonder Woman herself, wants to save the world.

And damn it doesn’t come close. The production is crisp, well mounted, and impeccably performed. Chris Pine and Gal Gadot have disarming chemistry, the supporting players are all fleshed out and interesting. The design is incredible, the action is astounding. But most importantly, it makes us believe in superheros again. It makes us marvel at a character’s central humanity, their desire to do good above all else. It overwhelms us with sweeping spectacle, joy, and wonder.

If Wonder Woman doesn’t end up being one of the best movies of 2017, it is most certainly one of my favorites. Long may she reign.

OVERALL RATING: 9.5 / 10 SEE IT OR SKIP IT: See it.

[wbwest]

New Post has been published on WilliamBruceWest.com

New Post has been published on http://www.williambrucewest.com/2017/01/18/west-year-ever-pop-culture-review-2016/

West YEAR Ever: Pop Culture In Review - 2016

Thank 8 pound, 6 ounce newborn Baby Jesus that 2016 is over! I mean, I guess there was some good stuff peppered in there, but it was an overall rough year for a lot of people. I tried to keep my sanity here on the blog, but even I checked out for the month of November. Like Kenny Rogers told us, sometimes you’ve gotta know when to walk away. But I did make a return in December just to kick the year in the ass on its way out. So, besides celebrity deaths, what did 2016 bring us? Well, there was that week we were all mesmerized by Pokemon Go! Those were fun times. We got new X-Files episodes. Peyton Manning retired after winning the Super Bowl with the Denver Broncos. Atlanta and Luke Cage came along and entertained us on television. And things weren’t too shabby here on the blog either.

During Spring Break Week, I discussed several of the most underrated TV theme songs, including Webster, California Dreams, and Enterprise.

I also covered the worst Batman comic ever written, in the form of Just Imagine Stan Lee’s Batman

I did my annual Fall TV Upfronts post, where I discussed the upcoming fall lineups of the major broadcast networks.

A post that was several years in the making, I ranked the Hot Moms of Teen Shows over on The Robot’s Pajamas

I also did a guest post ranking the hottest Power Rangers Villains

It wasn’t all fun and games, though. The country was going through some dark stuff, and I’m particularly proud of this West Week Ever where I discussed the racial problems in the country.

I also experience my first live wrestling event as I attended a taping of WWE Monday Night Raw.

I brought back my graphic novel review column, Adventures West Coast, where I covered Wonder Woman: Earth One.

I also brushed off my Comical Thoughts column, where I discussed IDW’s disappointing Hasbro-centric Revolution event.

Finally, I closed out the year with a post that I’m particularly proud of, discussing the greatest problems facing comic retailers.

I saw about 13 fewer movies in 2016 than in 2015. It wasn’t for lack of trying, but there are only so many hours in the day. As you know, I’m not necessarily Mr. Movie, so I’m not even going to try to rank them. Here they are, simply in the order that I saw them. Wanna know my thoughts? Plug the title into the search box up on the top righthand corner!

Movies I Watched This Year

Lucy

Beauty Shop

Bikini Spring Break

Fifty Shades of Grey

X-Men: Days of Future Past (The Rogue Cut)

We Don’t Live Here Anymore

Gone Girl

Cloudy With A Chance of Meatballs 2

The Martian

Inside Out

Sisters

Batman: Bad Blood

Son of Batman

Batman vs. Robin

The Hundred-Foot Journey

Tomorrowland

Deadpool

San Andreas

Diary of a Wimpy Kid: Rodrick Rules

Autism In Love

Cop Car

Batman v. Superman: Dawn of Justice

Dead 7

Justice League vs. Teen Titans

Pacific Rim

All Things Must Pass: The Rise and Fall of Tower Records

CHAPPiE

Unhung Hero

Trainwreck

Confirmation

The Boss

Captain America: Civil War

They Live

Ted 2

Creed

Zoolander 2

The Ladykillers

10 Cloverfield Lane

X-Men: Apocalypse

The Intern

You’re F@#k’n Dead!

LEGO DC Comics: Batman Be-Leaguered

LEGO DC Comics Superheroes: Justice League: Attack of the Legion of Doom

Focus

The Good Dinosaur

Sleeping with Other People

Big Hero 6

Keanu

Southpaw

The Night Before

The Equalizer

The Bronze

Popstar: Never Stop Never Stopping

Batman: The Killing Joke

Sharknado: The 4th Awakens

Suicide Squad

The Day

Kingsman: The Secret Service

Independence Day: Resurgence

Miss Peregrine’s Home for Peculiar Children

Meet The Hitlers

Mike and Dave Need Wedding Dates

Neighbors 2: Sorority Rising

Doctor Strange

Rogue One: A Star Wars Story

  West Week Ever Recipients of 2016 (with commentary)

1/8/16 – Fall Out Boy’s “Irresistible” video

I’m a huge boyband fan, so the news that one of my favorite bands (Fall Out Boy) had reimagined the It’s Gonna Be Me video by one of my favorite boybands (*NSYNC) definitely made my week. The sheer fact that it didn’t really move the world of pop culture, however, shows you how slow of a news week it was. There would be many weeks like this in 2016.

1/15/16 – Power Rangers

This was quite the week for the Power Rangers franchise. First off, it was revealed that Saban would be skipping the train-centric sentai series Ressha Sentai ToQger, and instead adapt Shuriken Sentai Ninninger as Power Rangers Ninja Steel. This announcement was almost a year to the date of the premiere of the show (scheduled to debut next Saturday), and we spent the next few months getting casting and toy news about the show. Meanwhile, the #0 issue of the Mighty Morphin Power Rangers comic was released by Boom! that week, setting up a series that is so much better than it has any right to be. I’ve written about it several times over the year, as I’m a big fan. And finally, former Wild Force Red Ranger actor Ricardo Medina was formally charged that week for killing his roommate with a sword. All in all, I think Power Rangers truly earned the West Week Ever that week.

1/22/16 – DC Entertainment

The Suicide Squad trailer was released this week, as well as the series premiere of Legends of Tomorrow. The Suicide Squad promotion machine would see its ups and downs over the year, the Legends premiere was fairly strong, even with a bunch of useless characters (I’m looking at you, Hawks). The show would get stronger in its second season, but this is where it all started. We also got a DC movie special hosted by Kevin Smith, giving us some Wonder Woman and Justice League footage. Marvel usually dominates the news cycle, but DC showed that they can also step up to the plate.

1/29/16 – The X-Files

When news of an X-Files revival hit, it was pretty big news. Then it launched, and it wasn’t exactly what folks were expecting. Clocking in at 6 episodes, only half of them focused on the conspiracy aspect of the show, plus they were aired out of order.  I went from really liking the premiere to completely forgetting it existed, in a very short amount of time. If it was going to get the WWE, it would had to have been this week of the premiere, as it ended with more of a whimper than a bang.

2/5/16 – UnderScoopFire Podcast

I appeared on the UnderScoopFire Podcast 8 times over the years, and had a great time on every one of them. Those guys are some of my good friends that I’ve met online, so of course I was sad to see it go. After 150 shows (give or take a few. Yeah, I’m not letting that go!), I think their swan song deserved the West Week Ever.

2/12/16 – Denver Broncos

I couldn’t give two shits about sports, but Lindsay’s from Denver, so we’re a Broncos household. So, everything was coming up Milhouse this week, as the Broncos won Super Bowl 50. Not only was it a nice, round, milestone number, but it also served as future Hall of Famer Peyton Manning’s final game. It was the perfect storybook ending that sports fans seem to love so much. So, yeah, they totally deserved the West Week Ever.

2/19/16 – Deadpool

Deadpool came out and blew away everyone’s expectations. I mean, this thing is getting nominated for awards. And not Razzies, too! Personally, I thought it was too gratuitous. I’ve gone over my reasoning before, so I won’t rehash that here. Still, it went on to become the second highest grossing superhero film of the year, just behind Captain America: Civil War. Totally deserved.

3/4/16 – Fuller House

After Girl Meets World came along, the runway was cleared for any and every nostalgic reboot to come along. And along came Fuller House. Every fan of TGIF awaited it with bated breath, hoping for the same mindless entertainment they got from the original show. And it did not disappoint! The second season just debuted a few weeks ago, and it’s already been picked up for a 3rd on Netflix. This show not only showed the power of Netflix as a home for original comedies, but also showed that old dogs still have some fight left in them. I think this was definitely the high point of that week.

3/11/16 – Jay Pharaoh

This was a slow week. Sure, Pharaoh did an amazing impersonation spree during that week’s Saturday Night Live Weekend Update. Like, it was AMAZING. And to pay him back, the show fired him at the end of the season. He’s OK, as he immediately booked a Showtime pilot, but the fact that this was the most noteworthy thing of the week shows how slow things were.

3/18/16 – Nothing

Some weeks you’ve just gotta call a spade a spade. Instead of insulting anyone’s intelligence, nothing had the West Week Ever.

3/25/16 – Wonder Woman

Like a lot of people, I did not like Batman v. Superman: Dawn of Justice. Like a lot of people, I also felt that Wonder Woman was the brightest spot in that dark film. Totally deserved

4/1/16 – Batman v. Superman: Dawn of Justice 

I may not have liked it. A lot of folks may not have liked it. But it made some money. A lot of money. And it was the true springboard to DC’s cinematic universe. So, for its money-making and its importance, I think it earned the West Week Ever. Just because I don’t like something doesn’t mean that it’s bad. It just wasn’t for me.

4/8/16 – American Idol

Idol‘s series finale aired that week, marking the end of a pop culture juggernaut. Unlike The Voice, Idol actually created household names. It gave us Kelly Clarkson, Clay Aiken, Carrie Underwood, and Fantasia. On the flip side, it also gave us William Hung, Taylor Hicks, and Daughtry. It spawned so many copycats, but it was the original recipe. Its influence may have waned in later years, but no one can deny what it was in its heyday. I think it’ll eventually come back, but this was when we said “Ta ta, for now.”

4/15/16 – Marvel

That week, we found out Natalie Portman wasn’t coming back for Thor: Ragnarok, we got a teaser trailer for Doctor Strange, an we learned that the new Spider-Man movie would be called Spider-Man: Homecoming. Marvel definitely dominated the news cycle that week.

4/22/16 – Harriet Tubman

While it was pretty monumental that a woman (a Black woman, mind you) would be adorning American currency, it doesn’t really move the pop culture needle that much. So, I ended up giving the West Week Ever to a dead woman – in a column that has a pretty strict No Death policy. This was kind of a slow week…

4/29/16 – Beyoncé

The singer dropped the surprise album Lemonade following their airing of her HBO special. One of the songs alluded to the possibility that her husband, Jay-Z, might have cheated on her. For the next week, everyone was pondering the identity of “Becky, with the good hair”. This is the kind of thing the drives pop culture. Totally deserved.

5/6/16 – Captain America: Civil War

I had seen the movie, and thought it was excellent.

5/13/16 – Captain America: Civil War

Then the movie made a lot of money. I mean, a fuckton of money.

5/20/16 – Nothing

It was just one of those weeks

5/27/16 – DC Universe: Rebirth #1

DC Comics lost a lot of fans after the New 52 event, in which they rebooted their universe. So, the Rebirth event was something of a mea culpa to those fans. More like a “Please come back! We promise to make stuff you’ll like again!” And for the most part it has worked. This special not only brought fan favorite Wally West back into the fold, but it also sort of introduced the Watchmen comic into the mainstream DC universe. We don’t yet know how that’s all going to play out, but this move helped DC to dominate more market share than Marvel for most of the year.

6/3/16 – Ecto-Cooler

I never really liked Ecto-Cooler. I mean, it tasted kinda like tropical piss, but I loved the fact that Slimer was on the box. That’s about where my nostalgia ended. But a lot of y’all out there LOVED that shit! So, when it was announced that Coca Cola was bringing it back in conjunction with the Ghostbusters movie, y’all started assembling street teams to track it down. I swear, if the 2016 election had been run in a manner similar to the vim and vigor displayed trying to track down green sugar water, I might actually have some hope for tomorrow!

6/10/16 – Awesome Con 2016

Slow week. Cool show, great company, but slow week.

6/17/16 – Hamilton

I discovered the Hamilton soundtrack the same week that it won 11 of the 16 Tony Awards for which it was nominated. We’ll talk more about the show later, but the West Week Ever was deserved, even if the wins did fall short of the Tony Award record.

6/24/16 – Black actors in Hollywood

This was more of a joke, as every Black actor in Hollywood was being cast in the upcoming Black Panther film. That trend has continued since this post. Still, slow news week.

7/1/16 – The 683 New Members of the Oscar Academy

Another joke. Due to the #OscarsSoWhite hashtag, signifying that the Academy was lacking in diversity, 683 people were invited to be members, bolstering the number of women and minorities. Still, slow news week.

7/8/16 – TNA’s The Final Deletion

Oh, man! This thing was incredible. They went on to milk it for the rest of the year, andI missed all subsequent installments. Still, this got me to pay attention to a wrestling promotion not owned by Vince McMahon, and for a brief moment, all wrestling eyes were on TNA to see what Matt Hardy would do next. Completely deserved.

7/15/16 – Pokemon GO!

This game came along and took the world by STORM. To say it was a success would be an understatement. It was envisioned to promote fitness, as kids would have to walk around to find perks and to get their eggs to hatch, but there were workarounds. Hell, I drove around looking for Pokestops. For about 4 weeks, this was all anyone could talk about. It was the Tamagotchi of a new generation, and I think, outside of all the political stuff, it’s one of the things we’ll remember most about 2016.

7/22/16 – Ghostbusters

It was a slow week, but Ghostbusters and the Republican National Convention were the only newsworthy events of the week. As much as we want to pile on that movie, it did take in a respectable $46 million, and it set a record for Paul Feig/Melissa McCarthy movies. I know a lot of folks don’t feel the movie’s deserving of any kind of accolades. As you saw above, I didn’t watch it, but I still think it’s not as bad as people would like me to believe. I swear, though, had they named it anything other than Ghostbusters, we’d still be talking about it.

7/29/16 – DC Entertainment

DC, back with their SECOND West Week Ever of the year? The word on the street was that they “won” San Diego Comic Con, with their new footage of Justice League, as well as the debut of the Wonder Woman trailer. Considering Marvel usually dominates SDCC, this was a feat worth acknowledging.

8/12/16 – Suicide Squad

The movie made $160 million in 5 days, which is nothing to sneeze at. Plus, I actually enjoyed it. I didn’t like it as a component of DC’s cinematic world building, but I liked it as a standalone thing on its own.

8/19/16 – Ryan Lochte

He was an Olympian at the center of a fake robbery attempt in a foreign country, who then fled to let his teammates take the fall. It’s the stuff of a great Aaron Spelling show. He had the West Week Ever simply because he got away with it.

8/26/16 – Guardians trailer

Slow news week, even if the trailer is pretty awesome. Billed as “Russia’s Avengers”, the English version of Guardians trailer started making the rounds because of its crazy action and gun-wielding bear man. Yeah, you’ve gotta see it to believe it. The movie might not even be released over here, and if it is, it’ll never get higher than cult status. Still, if you want to know what everyone was talking about that week, it was Guardians.

9/2/16 – Are You Being Served? one-off special

Some might say this was a slow news week, but I think this applied the West Week Ever to an international stage when I typically just focus on the US. After all, this special didn’t even air in America (nor has it since, nor do there seem to be plans to do so in the future), and I had to resort watching it on YouTube. Still, I grew up with Are You Being Served? and I was more than curious to see how an update of it might hold up. With a few small exceptions, it was pitch perfect, and definitely in the spirit of the original series. This one might’ve been a bit personal for me, but I think it was the best part of this particular week.

9/9/16 – Atlanta

The show just won the Golden Globe for Best Comedy Series. I think I called this one correctly.

9/16/16 – Better Late Than Never

Another personal one for me, but it’s my site, so whatever. I’m more than certain none of my friends were watching this show, but I watched it weekly with my mom and we enjoyed it. I wrote about it to get folks to seek it out, but I doubt that happened. Still, in a week when nothing happens, things like this are allowed to shine.

9/23/16 – Lindsay West

Mah wife. Running your first half marathon is pretty impressive. And nothing happened in the overall pop culture world. If you’ve followed West Week Ever since the beginning, you know that every so often some random person gets the honor. Hell, last year, my kid had the West Year Ever, so you never know where I might play that card.

10/7/16 – Luke Cage

It broke Netflix! So many people tuned in that Netflix couldn’t handle it. I still haven’t seen it, but I haven’t heard a bad thing about it other than the fact that it kinda drags in the middle – like most Marvel Netflix shows.

10/14/16 – Will & Grace

Considering I think I was the only one impressed by this Will & Grace special that was designed to get folks to get out and vote, I’m sure a lot of folks disagreed with this choice. Still, if you were a Will & Grace fan, then you can’t deny how great it was to see those characters in a way that felt like they’d never left us.

10/21/16 – Logan trailer

Can’t say much more because the movie’s not out yet, but we were ALL talking about this after it dropped, and it’s on most folks’ most anticipated movies of 2017 lists. I don’t think it’s going to disappoint.

10/28/16 – The Walking Dead

I don’t watch it, but I did tune into this episode just to watch a man die. Or two men. Whatever. All folks could talk about this week was whether or not the show had gone too far. The Walking Dead dominated the discussion, so this West Week Ever was well-deserved.

11/4/16 – The Chicago Cubs

Um, the “cursed” team won their first championship after 108 years. Yeah, this was deserved.

12/2/16 – Search Party

I don’t feel like a lot of my readers had seen the show when I wrote this, but I know a few who checked it out because I’d written about it. That’s why I do this, kids! It was one of my favorite shows of 2017, and if you haven’t checked it out yet, I’m not quite sure what you’re waiting for.

12/9/16 – Hamilton

Hamilton for the second time this year. The last time was for its Tony wins, but this one was two-fold: The Hamilton Mixtape was released and a beautifully pirated copy of the play was uploaded to YouTube. I watched it during the 5 days that it was allowed to stay on the site, and I can now die saying that I saw Hamilton. This was on the heels of a controversy where the cast members took a moment to address Vice President-Elect Mike Pence while he was taking in the show. For the next week, the conversation was whether or not they should’ve done that. So, it’s safe to say that Hamilton was on everyone’s lips around that time.

12/16/16 – WWE’s New Day

Yeah, then the lost two days after I posted this. I guess that’s how the cookie crumbles. Still, they deserved the West Week Ever for all they had put in leading up to this point.

12/23/16 – Rogue One: A Star Wars Story

It was the last thing to make a dent in pop culture before the clock ran out on 2016. A lot of folks are saying it’s one of their favorite Star Wars movies. I don’t really get that, but I’m happy for them if that’s the case. I thought it was entertaining, but I didn’t really like it. It’s hard to explain, and I’ve tried. Still, there’s no way anything else is going to take center stage when there’s new Star Wars to be consumed.

So, who had the West Year Ever? In the past, I’ve added up who had the most West Week Ever wins and then it’s a runoff. If we’re being honest, Death had the West Year Ever. There were SO many celebrity deaths this year, that it would take another post just to do a proper In Memoriam for everyone we lost. And of course, you have those guys who wanna “Neil deGrasse Tyson” everything by pointing out that people die all the time, or that the year is an arbitrary number. Whatever, asshole. That doesn’t help anybody, and it’s why you don’t get invited to many parties. Anyway, I don’t like to focus on death in West Week Ever -not because it’s morbid, but more because I feel like I’d have to acknowledge every celebrity death, even when I didn’t personally give a shit about that person. Ain’t nobody got time for that!

Doing the math, it’s a three-way tie between DC Entertainment, Captain America: Civil War, and Hamilton. DC Entertainment really stepped up this year, taking a good chunk of the comics market share away from Marvel, as well as by launching their cinematic universe. After years of being the joke of the industry, DC finally started pushing back. And the Rebirth initiative didn’t hurt things, either. Meanwhile, not everyone loved Civil War. I did, but even I’ll admit that it’s basically “Dawn of Justice Done Right”. They’re both superhero slugfests that surround the concept of dead moms. Some called it “Civil Bore”, but I don’t agree with that. Still, I have to kind of acknowledge that there is a divide out there. Finally, there’s Hamilton. It had a big year, but I don’t know if we’ll look back and say “Hamilton really came into its own in 2016.” If anything, that’s more likely to happen at a time when the show can more easily be consumed by the masses. So, Hamilton’s year may actually be ahead of it, but it’s not 2016. So, I think it’s pretty clear. 2016 was the year where retailers stopped buying everything Marvel was selling, and so did the fans. The quality of Marvel’s output was in question more this year than it was in recent years, yet people still seemed to be able to find positive things about the DC Universe. Meanwhile, their movies might not be your cup of tea, but they made money, and the critics haven’t deterred them from forging ahead. So, with that, I believe I simply have to admit that DC Entertainment had the West Year Ever.