#decided to change it up a bit this time

[batbabydamian]

*you opening the love letter* what does your damijon look like, pls pls pls pls pls pls pls, i know it would be so cute, i just know it 🙏🙏🙏

here you go! thank you for the ask, this was a lot of fun to do! they're working on a case together ^^

[fenneqy]

more more more!

[bunnieswithknives]

How much can you fit under your skin?

For @warning-heckboop's AU :3

[sugurugetos]

THE ERAS TOUR: March '23 — December '24

🍉 🇵🇸 Graphic by @whisperedsighsohlord for #SwiftiesforPalestine.

Palestinian Children Relief's Fund / United Nations Relief and Works Agency / Gaza Funds / Masterpost by @dykesbat with Verified Fundraisers / SwiftiesforPalestine Fundraiser for Medical Aid

[red-moon-at-night]

After doing some research on the types of pets people had in ancient Greece, I'd like to imagine that Helen is the sort of person who has a whole menagerie of birds — and she loves each and every one of them very, very much.

It fits well with her being good at mimicry, you know. Talking and imitating and singing with her beloved birds 💜

Close up under the read more:

I had to include that one necklace from the minoan 'saffron goddess' fresco because it's my favourite thing Ever

[poorly-drawn-mdzs]

No teen farewell is complete without embarrassment.

[First] Prev <–-> Next

[plateboundary]

it/he funny jello animal

[holysheithyall]

i made. an au.

newly graduated journalist tony becker spends most of his time trying to solve the infamous serial disappearances case. after running into multiple dead ends, he finally has a promising lead. unfortunately this ends up with him becoming a cult’s target. oh well.

[thefrsers]

requested by @ashmarie1687: Broger visiting Lallybroch in 7.05 + flashback of Lallybroch in 1.12 with JamieClaire welcoming the tennants comparing the grounds from 1743 to 1980

[gingermintpepper]

I saw it in your tag game post that you're also fond of the Apollo-Heracles conflict 👀 for a myth that appears in only a couple of sources, it sure has a lot of presence in the vase paintings (no seriously, everytime I think I've seen the last of it, I find ten more)

SO do you have any favorites among the paintings that represent this story??

OMG OMG THIS ASK IS A GIFT. IT IS A GIFT THANK YOU VERY MUCH FOR LETTING ME TALK ABOUT THIS

I also think it's extremely interesting that it's a story so popularly portrayed by vase paintings and in such a variety of ways!! It's certainly one of the stories that gets left out of written compilation of Heracles' legend a bit (which is a shame, I think it's a fantastic story) but Apollo had a very peculiar relationship with Heracles in general that I just kind of find amazing (and very, very funny).

Apollo is not a god with any legitimate grudge against Heracles, but he does argue with the mortal a bit like he argues with his favourite brothers 😂Part of why I love the story of Apollo and Heracles fighting over the tripod so much is that it is such a little brother thing for Heracles to be upset with the proclamation his elder brother has given him and so, he throws a great fit, taking up the chair and declaring that he'll just give himself a better prophecy! And Apollo, instead of being a marginally professional big brother, decides to fight him for it until their father has to break up their cat-fight. Like was that not just the plot of the Homeric Hymn to Hermes? Is this not exactly how Apollo treated Hermes when he was a child and now those two are inseparable? 💀

Because of this, my favourite vase paintings tend to be the ones that highlight the personal squabbling between Apollo and Heracles the most. There are some very elaborate ones that have the full host of them - Athena, Heracles, Apollo, Artemis, usually a dog and a doe, I've even seen a couple that had birds and plants etched on them, but the simplest ones that show Heracles about to bonk Apollo with his club out of frustration or depict Heracles nyooming away from Apollo while Apollo (presumably) yells curses about how he's going to fling Heracles head first into Tartarus for daring to take his things? Yeah, those are the premium big brother/little brother things I'm looking for.

(Photo. Marie-Lan Ngyuen)

(Photo. Museo Claudio Faina)

Also the one in the Theoi.com archives is a real classic - perfect energy.

[triglycercule]

horror having crazy irrational thoughts about food,,,,, like bro thinks there's poison in the cupcakes. someone snuck razor blades into the bread and once he takes a bit it'll cut him up. somehow there's mold growing inside the bananas and when he eats it the mold colony is gonna start growing on HIM and then he'll become a moldy skeleton and oh god and oh god and he is paranoid but hes so hungry.... BUT WHAY ABOUT BUGS IN THR FOOD,,,, BUT HES HUNGRY.... a struggle it truly is

probably doesnt help that dust and killer could feed into it. killer could make off hand remarks on how he snuck razor blades into the meat horror's attempting to eat (to fuck around with horror. just some eeeever so slight psychological anguish. and also because killer would just be the type of casually carry those around. what for you may ask well decide for yourself) and then immediately horror's mood drops and he storms out of the dining room. dust and horror go on a sweet little picnic in a beautiful field and its all beautiful and inconspicuous but dust made the food and horror knows that look in his eyes. horror knows dust was muttering something about chemicals a day or 2 ago. the food is poisoned isnt it??? and dust just smiles and motions for horror to eat it

[yurki-posts]

The Nopony

(I made the eye wrong on the upper right aaaghhhhh)

[frankenfossil]

Oh! I nearly forgot, but can I ask the significance of this panel?

It comes directly after Dee explains that he can’t come and see her from the future whenever he wants. (Which is one of my favorite moments where Dee’s true eldritch horror leaks in to the story), so I assume it’s… sort of a metaphor? How Emily finds herself at the foot of something she realizes is much, much bigger than she contemplated before?

(Also, I just wanted to compliment you for this panel)

(The first time I saw it, I imagined Dee was showing her this on purpose, time traveling from sometime the same day to really show her what it would be like. An object lesson.

The second time I saw it, I started to wonder

Because Dee himself doesn’t really look aware of what is going on behind him.

And maybe, just maybe, this one moment in time has become the only moment that Dee allows himself to come back to to see Emily, the one moment where he can get lost in the crowd with every other time he came back to look. The one moment where he’s explaining why he can’t come back.

Just… Makes me sad, and I wanted to say thank you for that too, because I love these characters and the story they tell, the sweet and bitter.)

Oh!!!

(Quick test of my ability to find which chapter stuff happens in)

I love your reading of that Uluru panel!! I think I probably didn’t intend anything that deep with it; these time skip montage style chapters are pretty choppy and I’m usually trying to figure out a way to touch on all these brief scenes or moments that I don’t want to spend a whole chapter on for whatever reason, and arrange them in a way where the cuts aren’t too hideously abrupt. For visual reasons I try to contrast different locations and not put 2 dialogue heavy moments directly next to each other. Mood wise, I don’t really want to cut from something serious and angsty to something that’s a complete backflip on that. I also sometimes just feel like drawing a nice landscape and hope it achieves my aims on these fronts haha.

I think also here I was trying to move from that final sentence, “The present is more than enough”, to demonstrating them appreciating having that present together - being able to go do cool and enriching stuff, something not completely mundane but not completely fantastical either. (I mean... sightseeing within your own country is extremely normal, but going to Uluru from Melbourne... not a convenient day trip, since it’s 2000km; 25 hour solid driving, or you can fly in a few hours but I think you have to go via Sydney, so that makes it take at least twice as long I guess. Not that it's specified how long they're there for. I haven’t been myself but I’d love to one day...)

So, yeah!! More of a mechanical/compositional rationale than an intentional metaphor, but I think your reading makes complete sense and actually improves the page! (Sometimes I do intend visual metaphors... but sometimes they’re just happy accidents.)

And thanks for the compliment re the crowd of Dees!! I also love the moments I can lean into his eldritch qualities... they’re sadly few and far between but maybe that helps them be more surprising?? Definitely your first reading was what I intended, that he zigzagged back pretty quickly, probably even from within the conversation, but there is an inherent ambiguity to Dee’s time travelling where unless I take pains to spell it out, there really is no way to know when he’s come from. Even if he can be assumed to be taking every interaction chronologically, there’s no knowing how much time has passed for him between each visit. I don’t even know how to estimate how long his experience of time is, when he’s zigzagging back so densely all the time; even the number of living things on Earth any moment is an incomprehensibly mind-boggling number. That eldritch horror again!

Truth be told I hadn’t thought of him coming back to this moment and blending in with the crowd for the rest of the future ;_; but that’s so real... he could well be, the sad sack...

I had a different sillier thought from slightly misreading your question on first pass, which is that maybe he doesn’t originally know what’s going on behind him, but then later on as he’s just going about his business he goes “oh I know exactly how to punctuate that thing I said earlier!!!” and then does it as an afterthought. Oh to have the ability to add the things you wish you’d said to an earlier conversation 😂

[nonokoko-draws]

ℌ𝔞𝔭𝔭𝔶 ℌ𝔞𝔩𝔩𝔬𝚠𝔢𝔢𝔫 !̴

[vaguely-concerned]

I was just ambushed within the turbulent halls of my own mind by some headcanons about rye ingellvar's childhood that did 15000000 points of psychic damage to me and my heart personally and also made me almost sure of how I want to play it all at the end (very very differently from how I imagined going in!). some 'oh holy fuck this changes everything' rocking my own world bullshit going on in my neurons right now I'm reeling

[amygdalae]

had a dream last night i was lost wandering the streets of a big city at night and i was cold so i walked into the nearest open store and it was a sex shop but half of the store had several displays of just leather jackets and pants. i wanted it to be real so bad