#deception of zeus

[sarafangirlart]

Hera seducing Zeus

Based on the scene in the Iliad book 14. I followed how it was described + what Hera was wearing but also took some creative liberties.

[aquitainequeen]

Me: So where are you off to, Hera?

Hera: I'm on my way to cleanse myself with ambrosia, don all my finery, borrow Aphrodite's magic girdle that makes one irresistible, and go and seduce Zeus so utterly and thoroughly that he'll sleep right through the Greeks gaining the upper hand in the Trojan War.

Me: i am so turned on right now

[puppetmaster13u]

When the league finds out that Captain Marvel is a kid, why doesn't Billy just, do a bit of a half lie?

Oh yeah technically I (Marvel) came into being like 3 years ago at the rock of eternity, I usually use this form to go around as a human.

He doesn't mention that the 10 to 12 year old is his real form, and doesn't correct the league when they assume that Marvel came into being a full adult, not unlike Athena. And wait, didn't Zeus have shapeshifting abilities? Hm....

Billy is honestly very shocked that this is somehow working?? The league thinks he's an adult still, just uses younger form to try and figure out how humans work and have a childhood??

[wondyvillains]

Top 10 Wonder Woman Villain Moments of 2022

Trying something a little bit different this year... let's look at the top 10 moments of the year featuring Wonder Woman's Villains!

Medusa's Redemption - Medusa is one of Wonder Woman's deadliest adversaries, so many of us weren't too surprised when she emerged as a major threat on Themyscira in the pages of NUBIA & THE AMAZONS. What did surprise us was Nubia using her mythical spear to purify Medusa of her reptilian curse. Similar to Paula von Gunther in the 1940s, Medusa was ultimately invited to join the Amazons and continues to remain on Themyscira despite her past deeds. Compassion and rehabilitation have always been major themes for the Wonderverse, so it was truly a delight to see Nubia redeem Medusa this year.

The Villainy of Our Fears - One of the first supervillain teams to ever appear in comics is Villainy Inc., a group of Wonder Woman's archenemies who first appeared way back in 1948. While there has been a modern incarnation led by Queen Clea, the team hadn't been used for decades until 2022. Doctor Psycho takes command of the newest incarnation which is comprised of some… questionable members. While many of us would have loved to see the classic 8 members return, it's great to see the Villainy Inc. name live on.

Feral - While Greg Rucka has established quite possibly the best version of Cheetah in her 79 year history, subsequent writers have fallen back into the habit of treating Cheetah pretty poorly. However, the current comics by Becky Cloonan and Michael W. Conrad are showcasing Cheetah as a powerhouse and a reluctant ally for Wonder Woman. While it remains to be seen where her character is going, seeing her interact with Steve, Etta, and Siggy on a regular basis has been very entertaining, to say the least.

Dolos, the Duke of Deception - The Duke of Deception was a major archenemy from the 1940s to the 1960s, but modern Wonder Woman stories have pushed the Duke to the wayside in favor of other villains like Deimos and Phobos. 2022 saw the Duke's return, with a major addition to his mythos: he is now Dolos, a figure from Greek myths and the embodiment of trickery and deceit. Fans have long speculated that the Duke and Dolos were one in the same, but it's great to see it confirmed in the comics.

The Men of Historia - If you haven't read WONDER WOMAN HISTORIA, you don't know what you're missing. The male Olympian Gods are outraged when Athena, Aphrodite, Hestia, Demeter, Artemis, and Hecate create the Amazons. Zeus, Ares, Poseidon, and several others appear as the antagonists in some of the most beautiful pieces of art ever put to page.

Dark Crisis - Several of Wonder Woman's rogues gallery appear throughout this major event. Ares is one of the first recruited into Darkseid's Dark Army, though he is later joined by Cheetah, Giganta, and Angle Man. While none of the Wondyvillains get too much spotlight, it's great to see some representation even if they're all possessed by the Great Darkness.

Giganta vs. Nubia - We're still waiting for a big, iconic Giganta story, but for now, we'll take this fun romp from DC PRIDE 2022 SPECIAL. In this segment of the anthology special, Giganta joins the Babes of Bodyslam, a group of female wrestlers, as part of her parole. This ultimately leads to a clash with Nubia, a breakout Wonder Woman character in her own right.

Trial of the Amazons - The first big major event featuring Wonder Woman since War of the Gods (because Amazons Attack should always be ignored), Trial of the Amazons is a decent story that unfortunately doesn't feature any classic Wonder Woman villains in a major capacity. While Chaos serves as the major antagonist, we do get an Echidna appearance as well as Altuum the Survivor, a new villain introduced for 2022.

Hell Hath No Flurry - Blue Snowman's had quite a year in 2021, but we haven't seen much of them in 2022 beyond this chapter of SENSATIONAL WONDER WOMAN SPECIAL #1. Byrna has been gender-bending since the 1940s, and it's fitting that they'd be the antagonist of a story about a young boy who dresses as Wonder Woman.

Gigantaur - 2022's JURASSIC LEAGUE was… a choice. Fans weren't sure what to expect… but the series ended up being quite a fun ride. Featured in the series is a dinosaur version of Giganta who serves as arch-nemesis of Wonderdon (Wonder Woman as a triceratops). Ares also makes a brief appearance.

[apiswitchcraft]

greek god epithets (pt.2)

this post includes hades, persephone, aphrodite, hermes, apollo, artemis, dionysus, and hekate. for part one including zeus, hera, demeter, ares, athena, poseidon and hephaestus click here

HADES:

-PLOUTON= of wealth

-THEON CHTHONIUS= god of the underworld

-POLYSEMANTOR= ruler of many

-POLYDEGMON/POLYXENUS= host of many

-NECRODEGMON= receiver of the dead

-NECRON SOTER= savior of the dead

-ADESIUS= of grace

-STYGIUS= from the Styx

-URAGUS= of fire

-NIGER DEUS= the black god

PERSEPHONE:

-CHTHONIA= of the earth

-CARPOPHORUS= bringer of fruit

-SOTEIRA= the savior

-MEGALA THEA= the great Goddess

-HAGNE= the pure/holy one

-DAEIRA= the knowing one

-PRAXIDICE= the exacter of justice

-PROTOGONE= the first born

-BRIMO= the dreaded/vengeful

APHRODITE:

-URANIA= of heavenly/divine love

-PANDEMOS= common to all people

-MACHANITIS= the diviser/contriver

-EPISTROPHIA= she who turns to love

-CALASCOPIA= the spying/all seeing

-PSITHYRISTES= the whispering

-PRAXIS= of sexual action

-MELAENIS= the black

-SYMMACHIA= the ally in love

-APATURUS= the deceptive one

-NYMPHIA= the bridal

-MIGONTIS= of unions

-DORITIS= the bountiful

-MORPHO= of shapely form

-AMBOLOGERA= the postponer of old age

-NICEPHORUS= the bringer of victory

-HOPLISMENA= the armed

-AREIA= the warlike

-EUPLOEA= of fair voyages

-PONTIA= of the sea

-LIMENIA= of the harbor

-XENIA= of hospitality to foreigners

-PHILOMIDES= the laughter loving

-APHROGENEIA/APHROGENES= the foam born

-PHILOMMEDES= the genital loving

-CHRYSEA= the golden

-DIA= the golden/shining

-POTHON MATER= the mother of desire

-EUSTEPHANUS= the richly crowned/the well girdled

-EN KIPIS= of vegetation/agricultural fertility

HERMES:

-EPIMELIUS= keeper of the flocks

-OEOPOLUS= the shepherd

-AGORAEUS= of the market place

-DOIUS= of crafts/wiles

-ENAGONIUS= of the games

-PROMACHUS= the champion

-HERMENEUTES= the interpreter/translator (of the gods)

-TRICEPHALUS= the three headed

-DIACTORUS= the guide/messenger

-ATHANATUS DIACTORUS= the immortal guide

-ANGELUS MACARON/ANGELUS ATHANATON= messenger of the divine

-CHRYSORRHAPIS= of the golden wand

-CLEPSIPHRON= the deceiver

-MECHANIOTES= the trickster/contriver

-PHELETES= the thief/robber/rustler

-ARCHUS PHELETEON= leader of robbers/thieves

-POECILOMETES/POLYTROPUS= the wily

-DAIS HETAERUS= comrade of the feast

-CHARIDOTES= giver of joy

-CHARMOPHRON= the glad-hearted

-DOTOR EAON= giver of good things

-ACACETA= the guileless/gracious

-EUSCOPUS= the keen sighted/watchful

-CYDIMUS/ERICYDES/AGLAUS= the glorious/famous/splendid

-CRATUS/CRATERUS= the strong/mighty

-POMPAEUS= the guide

APOLLO:

-THEARIUS= of the oracle

-PROUPSIUS= the foreseeing

-CLERIUS= of distribution by lot

-CLEDONES= of omens

-HECATUS= the shooter from afar/the archer

-AGRAEUS= of the hunt/the hunter

-MUSAGETES= the leader of the Muses

-ULIUS= of good health

-PAEON= the healer

-ACESIUS= of healing

-ALEXICACUS= averter of evil/harm

-EPICURIUS= the succoring/helping

-BOEDROMIUS= the rescuer

-LYCIUS= of the wolves

-SMINTHEUS= of the mice

-DELPHINIUS= of the dolphin

-ACTIUS= of the foreshore

-THEOXENIUS= the god of foreigners

-ARGYEUS= of streets/public places/entrances to homes

-VIROTUTIS= the benefactor of humanity

ARTEMIS:

-AGROTERA= of the hunt

-PHERAEA= of the beasts

-ELAPHAEA= of the deer

-DAPHNAEA= of the laurel tree

-CEDREATIS= of the cedar tree

-CARYAE/CARYATIS= of the walnut tree

-LIMNAEA/LIMNATUS= of the lake

-HELEIA= of the marshes

-EURYNOME= of broad pastures

-LYCAEA= of the wolves

-LEUCOPHRYNE= of the white (bird)

-PAEDOTROPHUS= the nurse of children

-PHILOEIRAX= the friend of young girls

-ORSILOCHIA= the helper of childbirth

-SELASPHORUS/PHOSPHORUS= the light bringer

-SOLEIRA= the saviour

-HEMERASIA= she who soothes

-HYMNIA= of the hymns

-HEGEMORE= the leader of dances/choir

-ARISTE= the best/the excellent

-EUCLEIA= of good repute

-CALLISTE= the very beautiful

-BASILEIS= the princess

-HIEREIA= the priestess

-HEURIPPA= the horse finder

-PEITHO= the persuasive

-PYRONIA= of the fire

DIONYSUS:

-BROMIUS= the noisy/boisterous

-MAENOLES= the mad/raging

-NYCTELIUS= of the night

-LAMPTERUS= of the torches

-HESTIUS= of the feast

-PHALLEN= the phallic

-ANDROGYNUS= the androgynous (of sexuality, he bed all genders)

-PHLEON= the luxuriant

-STAPHYLITES= of the grape

-OMPHACITES= of the unripe grape

-LENAEUS= of the wine press

-THEOENUS= the god of wine

-AGATHUS DAEMON= the good spirit (as in a ghost, not a drink)

-OENOPS= the wine-dark

-ACRATOPHORUS= the bringer of mixed wine

-CISSEUS= of the ivy

-CITIOPHORUS= the ivy bearer

-ANTHION= of the flowers

-CISTOPHORUS= the basket bearer

-DIMETOR= twice born

-IRAPHIOTES= the goat child

-AEGOBOLUS= the goat slayer

-MELANAEGIS= of the black goat-skin

-ANTHROPORRAESTUS= the man slayer

-LYSIUS= of release

-ELEUTHEREUS= of liberation/freedom

-PSILAX= uplifted on wings

-SAOTES/SOTERIUS= the savior

-AESYMNETES= the dictator

-POLITES= the citizen

-MYSTES= of mysteries

-CHTHONIUS= of the earth

-MELPOMENUS= the singer/of the tragic plays

HEKATE:

-BRIMO= the dreaded/the vengeful

-CHTHONIA= of the earth

-DESPOINA= the goddess/our lady

-ENODIA= of the crossroads

-AENAOS= the eternal/the ever loving

-AGLAOS= the beautiful/the bright

-APOTROPAIA= the one that protects

-EROTOTOKOS= the bringer of love

-INDALIMOS= the beautiful

-KLEIDOUCHOS= the keeper of the keys of Hades

-KOUROTRPHOS= the nurse of children

-PHOSPHOROUS/LAMPADEPHOROUS= the bringer/bearer of light

-SOTERIA= the savior

-TRIMORPHE- the three formed

-TRIODIA/TRIODITIS= she who frequents crossroads

[undeadwhilealive]

Aphrodite Epithets

Philommeidês(Φιλομμειδης) - Laughter-Loving

Philommêdês(Φιλομμηδης) - Genital-Loving

Aphrogeneia(Αφρογενεια) - Foam-Born

Khryseê(Χρυσεη) - Golden

Dia(Δια) - Diving, Shining

Dios Thugatêr(Διος θυγατηρ) - Daughter of Zeus

Pothôn Mêtêr(Ποθων Μητηρ) - Mother of Desire

Eustephanos(Ευστεφανος) - Richly Crowned, Well Girdled

Ourania(Ουρανια) - Heavenly, Divine(Love)

Pandêmos(Πανδημος) - Common to All People(Love)

Makhanitis(Μαχανιτις) - Deviser, Contriver

Epistrophia(Επιστροφια) - She who Turns to (Love)

Apostrophia(Αποστροφια) - Averter of (unlawful desires)

Kataskopia(Κατασκοπια) - Spying, Peeping

Psithyristês(Ψιθυριστης) - Whispering

Praxis(Πραξις) - Action(Sexual)

Melainis(Μελαινις) - Black(Of Night)

Symmakhia(Συμμαχια) - Ally(In Love)

Apatouros(Απατουρος) - Deceptive One

Nymphia(Νυμφια) - Bridal

Migôntis(Μιγωντις) - Union(Marital)

Dôritis(Δωριτις) - Bountiful

Hêrê(Ἡρη) - Of Hera(Of Marriage)

Morphô(Μορφω) - Of Shapely Form

Ambologêra(Αμβολογηερα) - Postponer of Old Age

Nikêphoros(Νικηφορος) - Bringer of Victory

Areia(Αρεια) - Of Ares, Warlike

Hôplismenê(Ὡπλισμενη) - Armed

Euploia(Ευπλοια) - Fair Voyage

Pontia(Ποντια) - Of The Sea

Limenia(Λιμενια) - Of The Harbour

Xenia(Ξενια) - Of The Foreigner

These might not be all of them, I apologize if I missed any.

Big thanks to Theoi.com for helping me out on this post.

[tylermileslockett]

Hekate is known as a protector of entryways, borders, and crossroads. She is also a Cthonic (underworld) goddess who exists on the peripheries of the pantheon, and teaches witches like Circe and Medea their magical crafts. Therefore, she has darker associations with death, the underworld, the moon, magic spells, and spirits.

In Hesiod’s Theogany, Hecate is the daughter of Titans Perses and Asteria. For defeating the giant Pergamon in the Gigantomauchy (epic battle between Olympians and Giants), Hekate is the only Titan to retain her powers under the rule of Zeus, who gives Hecate a share of earth, heaven and sea.

One of the most famous myths involving Hecate is Hades’ abduction of Demeter’s daughter, Persephone. Hekate assists Demeter in the underworld by leading the way with torchlight, and later becomes an attendant to Persephone. Hecate’s sacred animal ally is a black dog, said to be Hecuba, Queen of Troy, who was reincarnated by Hekate after suicide. Another sacred animal servant is the Polecat (weasel), who was the handmaiden Galinthias punished for a deception involving the birth of Hercules.

  Around the 5th century B.C.E. we see the first sculptural totem figures portraying Hekate in the triple body form surrounding a central column. These votive statues for the protection of travelers would be placed at crossroads with each figure facing a different path.

Hekate is associated with a variety of frightening Daimones (minor divinities or spirits which could be good or evil.) the Empusae was a shapeshifting specter with the body of a woman, and one leg of brass and the other of a donkey, with hopes of devouring a traveler. The Lamia was originally a vengeful Libyan serpentine woman who devoured children, but later was seen to take the form of attractive, voluptuous woman who would seduce a traveler and feast on their fresh blood. The Mormo was another phantom bogeyman said to be sent out by Hekate to nibble on misbehaving children. 

Thanks again for everyone's suggestions. Hope you like the final painting! Please share it if possible. Xoxo

[muppetebbtide]

LOCKED TOMB CHARACTERS X CLASSICAL REFERENCES

explanations for parallels come from here and here

I know I spelt pelleamena wrong and missed off juno zeta btw but it was getting a bit crowded. I could also probably extrapolate more but it can stay like this for now

EDIT: BITS WOT I FORGOT AND ADDITIONS FROM TAGS:

@mayasaura makes a fantastic point about the treatment of gideon's body by BOE being almost identical to the treatment of hector's by achilles, down to animals refusing to touch it and it not rotting or tearing because of divine intervention. hence there should be a light blue line between gideon and hector. this hadn't ocurred to me is and is v cool, here is their post on it (the original asker's point about harrow and priam is also v good)

@iamanoccasionaldoodler points out that Pyrrha is named after Achilles directly, given the 'Achilles taking the name of Pyrrha while on Skyros avoiding the war' thing; I did just forget to draw the line here sorry lol it was in my post! also the tags about camilla and hector... no you're right. they feel so similar, there has to be something.

@zombified-queer mentions I left out dios apate; bugger it, so I did lmao. I was focusing mostly on characters but that's such a big one! in the iliad it's the deception of zeus, hera's plan to distract him by seducing him so that the greeks can regain the upper hand. in harrow the ninth, as we know, it's... not dissimilar! both times in fact it is very similar!

I did also forget Juno Zeta I know, but as it currently stands I don't really know if it has any narrative significance...? Maybe.

I also realised I forgot Protesilaus, god damn it

[mariposakitten]

Something I find very interesting about Kaos is how we, the audience, perceive (and are meant to perceive) Dionysus, Persephone, and Hades.

Because... they know. They DO know about what I will call, for the sake of avoiding spoilers, The Great Deception. I thought maybe Dionysus didn't know, but no, the last episode makes it clear that no, he's in on it too. Hades and Persephone are actively complicit in it! And when they protest, it's not for the humans' sake, not because it's inherently cruel or unfair, but because it's unsustainable and about to blow up in their faces. Dionysus, for all that he genuinely likes humans, seems vaguely sad about the concept but doesn't speak against it. And yeah, Zeus is scary and powerful, but you'd think they'd at least try!

By any realistic, mortal sense of morality, they're just as much monsters as Zeus, Hera, and Poseidon.

And yet.

And yet we DO like them! And we DO see them as "the good guys." Despite knowing about their complicity in this betrayal, we want them to be happy, we want Dionysus to find love, we want Persephone to get some goddamn respect, we want Hades to get a good night's sleep, poor guy. We want them to survive whatever's coming as this prophecy comes to pass.

Maybe it's just because they don't indulge in petty cruelty (or at least not the permanent/fatal kind - Dionysus's trick at the pawn shop wasn't particularly kind, but we can forgive it for Dennis's sake) like the others do, or maybe it's because we see the other three being mean to them and we feel protective, or maybe it's just easier to sympathize with a party boy who wants to prove himself and a harried pair of overworked administrators than with the rich and powerful. Maybe we're just judging gods on a different standard from humans.

But I think it's interesting! And this isn't a criticism, please don't read this as me arguing that we SHOULD hate them - I love them too! It's just really neat how the narrative has sold us on these characters that we love them despite knowing what they're doing.

What I do wonder, though, is how the humans, living and dead, are going to react to them in-universe once the truth gets out.

[genericpuff]

So, I want to confess something. I believe I speak for everyone when I say that the SA in LO is not only poorly written but very mishandled and was unnecessary. I want to point out I am not a SA victim, so I can not say with experience how well the deception was. Though I do know people in real life that were victims, I also don’t want to disclose their stories either. But, here’s the thing. I personally don’t mind SA in the media, if it is handled with care and they portray it as a serious issue!

The problem I have with most media is that shows and stories will either use SA as A. A plot device for romance development. B. Shock value or C. A joke. So many media I���ve watched use SA as any of the three categories (13 Reasons Why and content from Vivziepop being a few that I can think of off the top of my head). The only show I can think of that actually portrays SA seriously and shows real life impact is Tuca and Bride. I also think it’s pretty hypocritical that the media will use SA as long as they fall into any of the three categories, but when you want to show the negative effects of it like in Moral Orel, suddenly you get canceled! Again, Hypocrites! I also don’t think first time writers should write this kind of stuff, and Rachel is no exception. You can tell she didn’t know what she was doing, based on how little importance the SA has on the plot or how it falls into said categories as well. (and the rumors that she didn’t even know it was SA doesn’t help).

Now, that being said I don’t think a SA plot line was a bad idea for this kind of story. Again, the original myth was “The abduction of Persephone” and in some versions, Hades did force himself onto Persephone. And considering Ancient Greece was rife with many stories of such heavy topics, I can see why they would include that. My personal issue with LO’s SA plotline… is Apollo! First of all, while Apollo may have had some questionable relationships in his myths, he never really forced himself on anyone. In fact, the most famous story of him chasing Daphne was only because he was under the influence of Eros, meaning Apollo had no agency in loving Daphne. Second, Apollo had nothing to do with Persephone. They never interacted in any myths. Sure, there was one myth where Apollo asked Demeter for her daughter’s hand and Demeter rejected, but that’s it. The two never had any relationship. So it makes the plot line even more convoluted because of their lack of historical and mythical connection. Though, I do admit I kind of like Apollo and Persephone as a couple (In Rekindled not Lore Olympus), but I know they don’t get together.

Honestly, if Rachel really wanted to do a SA story that would prop up Hades without demonizing anyone, she could have done that! By making Persephone’s assaulter be Zeus instead of Apollo! Hear me out, in some stories, Zeus actually disguised himself as Hades and slept with Persephone, thus it resulted in Zagerus. So, it is canon in a sense that Zeus did SA Persephone. Not only that, but given he had a role to play in the “Abduction of Persephone” where he sold his daughter off to Hades, this makes him even more impactful to the story. He could be the villain instead of Demeter, who wants to use Persephone. And considering Zeus’s love affairs and his god complex (no pun intended) he would believe he was entitled to Persephone and would want to have her as a secret concubine.

Maybe Zeus would be able to learn more about Persephone through Hera and he would decide to set his sights on her. He could try and get closer to her as she is naive and never met the King of Gods, and would use her trust to pounce on her (Because in SA cases, your attacker is more likely to be someone close to you rather than a stranger.) And maybe Zeus would blackmail Persephone so she would have to keep seeing him or else get kicked out of school and be a disgrace to her mother. Then, you could have Hades find out and he would rage against Zeus. Maybe Hades would get Demeter involved and they would team up to punish the King all for the sake of protecting Persephone. Hades would suggest making Persephone his queen for protection, and Demeter would make the world grow cold unless Zeus complies, thus explaining Winter. Zeus would agree to give Persephone to Hades, and she will be under Hades’s protection. But Persephone would still want to be with her mother, so Demeter and Hades make custody arrangements.

Bam! A SA plot line that A. Actually adds to the story and raises stakes. B. Makes a terrifying but complex villain for the story that we all can hate without assassinating his character. C. Have Hades and Demeter come out on top. D. Be historical and mythologically accurate. (I’m also not saying that I wanted SA in LO or LR, nor do I think this version would have made it better, but I personally believe this plot line makes way more sense than: Apollo meeting Persephone in one day and SA her in her sleep.)

I agree with a lot of this, thank you for sharing!! (sorry this is a late response, I didn't want this big analysis to go to waste fdjasklfdsajlk)

But yeah, in essence / on paper the SA plotline in LO would have been fine, especially considering SA is present in just about every Greek myth story, but I don't think Rachel was really cut out to tackle that subject yet, mostly as a writer as all of her writing is very baseless and doesn't have the necessary planning, research, and direction required to depict a subject like that. It takes a lot of sensitivity, self-awareness, and self control, none of which LO has as a narrative or Rachel as a writer.

IMO Apollo being the god of the sun made for a great springboard for him to be like, this self-centered god who was so delusional in his own ego that he couldn't believe Persephone wouldn't want him, that alone was enough to make him out to be a great villain - even with the use of SA, where he couldn't take no for an answer - but then we had to get into the whole "Apollo is gonna use Persephone to overthrow Zeus" crap and it all fell apart from there. Not to mention the story could never decide if Apollo was some nefarious puppet master or just a delusional dumbass, so all the flip-flopping on his motivations led to him becoming a very weak villain.

That said, I will cut her some slack for not having Zeus assault her. Because while it's more accurate to the myths (and character accurate) the story could barely handle Apollo and he's the canon Good Boytm in the myths, imagine it trying to handle an actual serial assaulter?

But that's not me saying it's necessarily a bad idea. I just don't think LO would be able to handle it with Rachel at the helm lol

[sarafangirlart]

Why are tumblrinas so insistent on saying that Zeus and Hera’s relationship was normal by standards back then? It really wasn’t like when he yelled at her in the Iliad everybody was so uncomfortable and Hephaestus approached his mother and told her to stop arguing with Zeus bc he might get violent like yeah Hera and Zeus’s relationship is interesting but it can only be interesting if we acknowledge it as toxic.

[melandrops]

The Magnus Archives Entities as Greek Gods

The Vast - Zeus

The all powerful, infinite cosmic force that is both the king of the gods and the fear of insignificance. The fear of falling, and of openness. Pray that when lightning strikes, you will not taste ozone on your tongue.

The Buried - Poseidon

The ocean could very well be a part of the Vast, but they are fundamentally opposed. The same sides of a coin, one side pewter the other side copper. Two kings that rule next to each other yet are complete opposites. Pray that his brutal storms do not swallow you whole, crushing you under the weight of his world.

The End - Hades

He is the one inevitability of the world. He waits, passive, for victims. The other gods squabble and bicker and play their games while he looks on from the Underworld and knows that he is the ultimate winner. It is pointless to hope that he will not claim you eventually. Pray that you will be contented when he does.

The Web - Athena

The goddess of strategy, of weaving and trickery and cunning. She once cursed a girl to become a spider for her insolence. Pray that she does not lay her marionette strings over you, for then you will never know free will again.

The Slaughter - Ares

The god of war, and the gleam of bloodshed in your eyes and the eyes of the person on the other end of the battlefield. Pray that the blood streaking your hands and face is not your own.

The Corruption - Aphrodite

She is love, and the unbecoming of it all. The deadly force that eats away at your soul and changes you into someone you don't recognize anymore. She whispers that she is the most good and right form of the world, but her kiss is made of rot. Pray that her love will not break you apart piece by piece.

The Eye - Apollo

The god of the sun, who sees all the occurs in the daylight. Prophecy, truth, and the goings on of the world are the way he idles his time away. Pray that you are not intriguing enough to catch his vicious interest.

The Lonely - Hestia

She is the goddess of the hearth, of warmth and of family. Yet it was she who was foisted out of Olympus to make way for Dionysus. She tends to a hearth with no visitors to warm themselves by it. Pray that she does not beckon you to join her by the empty fire.

The Stranger - Dionysus

His parties are the raucous screams in the night, and people who walk in will never walk out the same person. There will always be something a little bit off about them. Pray that when the wine touches your lips you will still recognize yourself the next morning.

The Desolation - Hephaestus

Ugly, marred and disfigured. His wife refuses to look at him. He burns with a rage that he cannot distinguish as self hatred or as loathing for the world he lives in. He toys with the fire in his forge and the burns are the only thing that bring him joy anymore. Pray that he does not look at you with that fiery hatred in his eyes.

The Hunt - Artemis

She hunts in the dead of night, armed by the protection of the moon. Occasionally she enlists help. But always, she will dedicate herself to the next hunt. Pray you are not next.

The Flesh - Prometheus

He built humans out of clay. He built them with imperfections they would see in the mirror and insecurities that feel like a gaping pit in their chest. The god of innovation is also a god who wants their passions to hurt. Pray that when he creates you, your imperfections do not swallow you whole.

The Spiral - Janus

Doors and transitions and new beginnings but also endings all rolled into one. Everything and anything but also nothing and no one. He is a two faced god of deception and lies, and you can never trust what either face tells you. Pray for truth, but there is no point.

The Dark - Nyx

She's always there. Waiting for Apollo to leave. You're not safe from her. No matter how much you try to convince yourself otherwise, the most animal part of your brain will always fear her. Pray that she smiles at you without teeth as she watches while you sleep.

The Extinction - Pan

He is the god of nature, and there is no length he will not go to in order to protect it. Mankind is but a blemish on the world. The wild, untamable forces of nature will conquer it eventually. Pray that you will be overlooked when it floods the cities and burns the crops.

[sera8273]

The thing that gets me about angry Hermes is that he’s not often like that so it comes as a shock to others. Another thing about Hermes is that while he’s not as strong as Poseidon and Zeus, he’s clever and has connections. As the messenger of the gods, what’s stopping him from pulling a few strings and getting Hera and Hestia involved or bargaining with someone like Nemesis the goddess of vengeance and retribution? Though the only reason why he hasn’t resorted to that yet is probably due to being worried about Odysseus, his great grandson is in no state to deal with the suitors in his home. Hermes will very much make the therapy saga happen and no one is going to stop him from helping Ody. He might need Penelope’s help though, the poor king misses his family and wife and Penelope would bring the wrath of the storms once she hears what happens.

Hermes is also depicted as the God of not only Messengers but Trickery, Deception, Persuasion, Thieves, and Troublemaker. Which Odysseus fits. Not in a cocky arrogant asshole way (if we’re only talking about EPIC…hopefully) but in a way of helping either others or himself occasionally.

Hermes could easily try to spread a rumor or, as you said, get other Gods involved.

But seeing how Zeus is shown in EPIC (and in general with those who act out on his own will) I feel like He knows all of Hermes tricks and would take the blame either on Hermes, or worse; Odysseus. Who’s already having enough trouble as it is with Calypso and his Depression.

Penelope would 100% help her husband who she hasn’t seen in 20 years if it meant those fuck up suitors left. I can see Hermes tell a few exaggerated lies hidden in buckets of truths so Penelope would be angry enough to even impress Ares.

[skygemspeaks]

have i talked about youtuber!jarra au on here before?

au where jarra contacts her family at 14 and finds out just how very adored she is and after getting to know them for a while she decides to make a youtube channel under her legal betan name (jarra tell feren, because she won't be jarra tell morrath for another few years and she doesn't want to use her legal earth name for privacy reasons)

the videos she makes are just general things about life on earth, and it doesn't really occur to her to clarify that she herself has Immune Syndrome because it's just such an integral part of her that everyone around her already knows

but her first video ends up going viral in beta sector - because of course it does, she's a daughter of the noble Tell clan of Zeus - and it eventually becomes obvious from the comments that the people in her audience just kinda? assumed that she was norm-born? she had mentioned at one point in her video that her father was the commanding officer of the earth solar arrays, so people just assumed she visited earth often to spend time with her dad in his off hours. it doesn't help that she often records her videos in one of the military accommodation domes for solar array workers (again, for privacy reasons).

so she decides to see how long she can keep this up, while taking advantage of her newfound fame to teach people about what earth is really like.

she starts off pretty tame, just showing videos about popular earth tourist attractions like mount everest, pompeii, stonehenge, etc. and then eventually she starts branching out into things like the discrimination faced by people with immune syndrome, the corruption of hospital earth, etc.

over time, she starts to notice that she's gathering a following from other sectors as well, and starts including videos about betan culture to help destigmatize beta sector as well, which gains her even more popularity with her betan audience.

by the time she enters universty asgard for history, she's got a huge audience, and most of her classmates (as well as playdon) are either her subscribers, or at least know of her, so no one even thinks to be suspicious of her cover story.

eventually, after solar 5 crashes into new york main, jarra naturally becomes the star of the story, not just because she's a famous internet personality, but also because 2 of the people she had to help save were her own parents.

it's at that point that her secret comes out.

naturally, there are people who are upset about her deception. but at this point she's been an internet celebrity for several years and she's so well-beloved by her audience and has done so much work towards destigmatizing handicapped folks that the reaction isn't nearly as negative as she'd always worried about.

[littlesparklight]

Read a paper on the third Homeric Hymn (Aphrodite's long hymn) the other day, and I've been musing on Aphrodite, her ability to 'cast sweet desire' into the hearts of people, and agency. Not sure this will have any insight, I'm just trying to think out loud, basically, but -

On the one hand, obviously the instances we know of where someone or other gets cursed/deliberately struck with desire is a specific and forcible/foreign sort of experience.

On the other, where does the line (is there a line?) go between Aphrodite as the origin and cause of all sexual(-romantic) feelings and desire, in general, and Aphrodite as deliberately forcing someone to fall in love/desire with another person?

Is each and every case of such a spell a wholly foreign-to-the-person desire, something they wouldn't have at all felt otherwise, or is it (sometimes) bringing out what could be/is there and making it impossible to ignore?

In the hymn, Zeus first strikes Aphrodite with desire for Anchises, and then Aphrodite herself does the same to Anchises, for her.

The layers to the question of agency and consent and whatnot are of course many, here, if we should strictly look at this from a modern lens (at the very least Aphrodite commits rape by deception). On the other hand it'd be somewhat wrong to look at it in such terms, I think.

Neither Aphrodite nor Anchises are turned into unthinking sex beasts who fall upon the object of their desire with the need to screw, and nothing more. Aphrodite plans out her approach, and goes to very deliberate effort to gain what she (now) wants in a way that will be as free of stress/fear for Anchises (in the moment, before her revealing herself) as it possibly can be. Anchises, in turn, also takes steps to assure himself this strange "girl" is someone he actually is "allowed" to have sex with - that is, that she is mortal, and not divine. (Even if we allow that he does want the answer to be 'yes', and thus is probably an even easier target for Aphrodite's deceptions than he might otherwise have been.)

The paper I read points out that we have a possibility that Anchises is actually asking for immortality (and thus to be able to keep having a relationship with Aphrodite), and that Aphrodite might want this too (and thus mirroring Anchises desire) but then steps away from that. And this is after they have satisfied each of their love/desire "delusions". And the Bibliotheke gives her and Anchises a second son, who, given that Aphrodite names only Aeneas in the Hymn, must have been conceived at a later date if we acknowledge this variant, so they clearly still desire each other. Is it natural, at this point, then?

Zeus' part in this is his act of turning Aphrodite's powers against her (the paper suggested he might be able to do this not just because he's the current ruler of the cosmos, but, as the Hymn uses that genealogy, because he's Aphrodite's father), as revenge for her doing the same to him, many times. This is probably meant in a general sense, but - later tradition had Zeus be forcibly induced to at least some of his liaisons, as the Dionysiaca shows.

But is he helpless, someone who is being used and have no agency?

I think I can begin to see what is meant by that even if a character is under divine compulsion, they have responsibility for themselves. What matters is what they do, not whether the desire is entirely natural to them or not.

We're not talking sex pollen or omegaverse-levels of heat/rut need to have sex, really.

Basically all characters we see impelled in this way still have agency to (attempt to) resist, to reason with themselves and to decide how to act.

Phaedra in (the surviving version) Euprides' Hippolytus' play has been suffering for months, maybe more than a year, before the tragedy goes down - and this because Aphrodite meddles more, not from her initial awakening of that desire. (And, as a side point, considering that Euripides has Hippolytus raised by Pittheus, so Phaedra hasn't even spent every day for however many days around a small child who's grown up into a beautiful young man. She's seen him only briefly, if at all, until the moment she sees him when she's struck - is it impossible that even a sliver of that attraction is her own entirely?) Seneca's version of this play has Phaedra shameless instead of struggling, already having given in, and that does lend a different look, but given that we know it's perfectly possible to resist and even choose death (Phaedra is just pre-empted out of her chance to do this before tragedy strikes and she still also goes through with it).

Pasiphae does not launch herself at the bull, either. (Though here it's usually Poseidon, and not Aphrodite, striking her with the desire.) She may have resisted, and we don't know how long she might have been thought of as doing so, since we don't have any (surviving) text that touches on this. If one wants to look at it that way, she even makes sure her indiscretion might have gone unnoticed, thanks to Daidalos' contraption. Unfortunately she sleeps with an animal sent by a god, so it's not odd her precaution is foiled by a result that would otherwise be impossible.

We don't actually know how the oldest sources that did/might have touched on Helen and her meeting with Paris portrayed this. We don't know what sort of influence Aphrodite exerted, or in what way, and this is quite necessary to be able to say anything about it. The later sources that actually show this either have no gods involved (because it's "realistic"), or if the gods still exist, no obvious divine interference (like Ovid's Heroides and Colluthus' Abduction of Helen).

Helen talking of delusion/madness in the Odyssey doesn't really tell us anything, since this could be either actual forcible influence of some kind, or just a generalized way to talk about love-desire given the way the Ancient Greeks conceived of it. The Iliad is ambiguous on the matter, and there is certainly no divine influence of the sort we're talking about here at play in Helen and Aphrodite's scene - at best, simple wingmanning and flirting-by-proxy, in the way Aphrodite presents Paris and Helen acknowledges this is exactly what it is (seduction) and she reacts to it, too.

Going back to Zeus and the Iliad, where he unquestionably actually is under a forcible influence that cannot be denied (Aphrodite's belt/girdle), that is one of the closest of "unthinking sex beast" reaction we have. He is singularly focused on getting Hera to sleep with him right then and there, and while it shares some similarities with the versions where Phaedra has abandoned her inhibition/shame, she's more aware of that than Zeus is, while under the influence of the girdle.

The possibility of self-awareness and resistance, and ability to reason and plan, even in the grip of being struck by a deliberate influence makes the whole thing a lot more nuanced than we might first think it is, I feel like.

(Not really touching on Medea here in the versions of the Argonautica we have; I have no idea if we should categorize Eros/Cupid's influence as somehow different in kind/degree/ability from Aphrodite's or not, first of all. Second, the fact that Aphrodite seems to "lose" the ability to strike desire into people by herself and needs Eros/Cupid to do so in later sources is curious, and, again, feels like it'd be needed to be looked at as a separate thing.)

[apiswitchcraft]

greek god epithets

this post includes zeus, hera, athena, demeter, ares, hephaestus, and poseidon. for part two including hades, persephone, hekate, aphrodite, hermes, apollo, artemis, and dionysus click here

epithets are surnames (as <god's name> <epithet>) used to call upon the greek gods without saying their name directly. the epithet that you choose often corresponds to the purpose you are invoking them for

ZEUS:

-OMBRIUS/HYETIUS/APHESIUS= of the rain

-SCOTITAS= the dark/murky

-CERAUNIUS= of the thunderbolt

-ASTRAPAEUS= of the lightning

-CATAEBATES= the descending

-LABRANDEUS= the furious/raging

-ICMAEUS= of moisture

-CONIUS= of the dust

-MAEMACTES= the boisterous

-EVENEMUS= of fair winds

-LIMENOSCOPUS= the watcher of sea havens

-BASILEUS/CORYPHAEUS= the king/chief/ruler

-HYPATUS/HYPSISTUS= the supreme

-CTESIUS= of the house/property

-HERCEIUS= of the courtyard

-BULAEUS= of the council

-AMBULIUS= the counsellor

-TELEUS/ZYGIUS= of marriage

-MOIRAGETES= the leader of the Fates

-CLARIUS= of the lots

-SEMALEUS= the giver of signs (like clairvoyant messages)

-MECHANEUS= the contriver

-COSMETES= the orderer

-THEUS AGATHUS= the good God

-EPIDOTES= the giver of good

-PLUSIUS= of wealth

-PHILIUS= of friendship

-XENIUS= of hospitality/strangers

-HICESIUS= of suppliants

-PHYXIUS= of refuge

-PALAMNAEUS= the punisher of murderers

-CATHARSIUS= of ritual purification

-PROSTROPAEUS= the turner of pollution

-APEMIUS= averter of ills (ailments)

-SOTER= the savior/deliverer

-MILICHIUS= the gracious/merciful

-PANHELENIOS= of all the Greeks

-LAOITES= of the people

-POLEIUS= of the city-state

-SOSIPOLIS= the city-savior

-ELEUTHEREUS= of freedom

-CHRYSAORUS= of the Golden Sword

-STATIUS/AREIUS= of war/the warlike

-STHENIUS= of strength/the strong

-TROPAEUS= turns to flight/who defeats

-PHYXIUS= puts to flight/banishes

HERA:

-PAIS= the girl

-NYMPHEUOMENE= the betrothed bride

-TELEIA= the (adult) woman/the goddess of marriage

-CLEIRA= the widow

-GAMELIA= of marriage

-ATAUROTE/PARTHENOS= the virginal

-ZYGIA= presider over marriage

-HENIOCHE= of the chariot

-ANTHEA= of the flowers

-ARGOEA= of the ship Argo

-HYPERCHEIRIA= whose hand is above

-BASILEIA= the queen

ATHENA:

-NIKE= victory

-AREIA/PALLAS= of war/the warlike

-ZOSTERIA= girded in armor

-STHENIAS= of strength/the strong

-POLEMODOCUS= the war sustaining

-HIPPIA= of horses

-CHALINITIS= bridler of horses

-ERYMA= the defender

-SOTEIRA= the savior

-ALALACOMENEIS= the protectress

-POLIAS= of the city

-POLIUCHUS= the city protectress

-POLIATIS= the keeper of the city

-ERGANE= the worker

-PAEONIA= the healer

-HYGEIA= of good health

-ALEA= of escapes to refuge

-AMBULIA= the counsellor

-PRONOEA= of foresight

-APATURIA= the deceiver/of deception

-MACHANITIS= contriver of plans

-OXYDERCES= the sharp sighted

-CORYPHASIA/CORYPHAGENES= relating to the head (like her birth)

-PARTHENUS= the virgin/maiden

-CORIA= the maiden

-XENIA= of hospitality (especially to strangers/foreigners)

DEMETER:

-CHTHONIA/DEO= of the earth

-CHLOE= the green/the first shoots

-EPOGMIA= of the furrows

-ANESIDORA= she who sends forth gifts

-PLUTODOTIRA= the giver of wealth

-CARPOPHORUS/MALOPHORUS= bearer of fruit

-THERMASIA= of warmth/heat

-MEGALA THEA= the great Goddess

-MEGALA MATER= the great Mother

-THESMOPHORUS= the bringer of law

-THESMIA= of the laws

-PROSTASIA= the patron/leader

-PANACHAEA= of all the Greeks

-ERINYS= of fury/wrath

-MELAENA= the black

-LUSIA= the bathing/purifying

-HORAPHORUS= the bringer of season

-POLYPHORBUS= the all nourishing/bountiful

-AGLAOCARPUS= the giver of goodly fruit

-AGLAODORUS= the bestower of splendid gifts

-CALLISTEPHANUS= the beautifully crowned

-EUSTEPHANUS= the lovely crowned

-EUCOMUS= the lovely haired

-XANTHE= the blonde/golden-haired

-CYANOPEPLUS= the dark veiled/cloaked

-CALLISPHYRUS= the beautiful

-CHRYSAORUS= of the golden blade

-DIA THEA= the bright Goddess

-SEMNE= the holy/revered

-HAGNE= the pure/chaste/holy

-ANASSA/POTHIA= the queen

-POTHIA THEAON= the queen amongst goddesses

-CYDRA THEA= the glorious/noble goddess

-ORGIA= of religious orgies

-MYSTERIA= of mysteries

ARES:

-THERITAS= the beastly/brutish

-HIPPIUS= of the horses

-APHNEIUS= the abundant

-GYNAECOTHOENAS= feasted by women

-MIAEPHONUS= the blood stained/bloody

-LAOSSOUS= he who rallies men

-BROTOLOEGUS= the manslaughtering

-ANDREIPHONTES= the destroyer of men

-CHALCEUS/CHALCOCORUSTES= of the bronze/armed with bronze

-TEICHESIPLETES= the stormer of cities

-AATUS POLEMOEO= insatiate of fighting/war

-ENCHESPALUS= spear-brandishing

-RHINOTORUS= shield/flesh piercing

-OXYS= the sharp/piercing

-THOOS= the swift/fleet

-THURUS= the violent/furious

-OBRIMUS= the strong/mighty

-DINUS= the terrible/fearsome

-ENYALIUS= the warlike

-CHRYSOPELEX= of the golden helm

HEPHAESTUS:

-CLYTUS= the renowned/famed

-PERICLYTUS/AGACLYTUS= the very famed/the glorious

-CLYTOMETIS/CLYTOTECHNES= famed for crafts/skills

-POLYTECHNES= of many skills

-POLYPHRON= the ingenious/inventive

-POLYMETIS= resourceful

-AETHALOIS THEUS= the sooty god

-CHALCEUS= the bronze/copper smith

-CYLLOPODIUM/AMPHIGYEIS= referring to his disability

POSEIDON:

-BASILEUS= the king/lord

-PELAGAEUS= of the sea/marine

-AEGAEON= of the Aegeon sea

-PROSCLYSTIUS= who dashes against

-ASPHALIUS= who secures safe voyage

-EPOPTES= the overseer/watcher

-GAEOCHUS= the holder of the earth

-ENNOSIGAEUS= shaker of the earth

-HIPPIUS= of the horses

-HIPPOCURIUS= the horse tender

-PHYTALMIUS= the plant nurturer

-GENETHLIUS= of the kin/the kindred

-DOMATITES= of the house

-LAOITES= of the people