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thepersonperson · 7 months ago

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Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3 Part 5

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

#cactus yaps #I need to have my weeaboo license revoked.#How on earth did I miss this?#GEGE WHAT DID YOU MEAN BY THIS.#Hi yes I will dress as a traditional groom on Dec 24th the most romantic day in Japan after someone else called the arrangement a date.#Is this even subtext at this point?#Why can’t these men use their got danged words instead of Umineko levels of psychological warfare.#Sukuna: ''Gojo is clearly driven by lust. How do I have s*x with him without actually having s*x?#Fighting and death are basically the same thing as s*x so I’ll do that and hopefully he sees that I love him.''#Gojo to Geto: ''Sukuna gave me the best *rgasm I've had in years. I think he hates me.''#Geto: ''Huh.''#Absolutely fascinated by girlfailures Sukuna and Geto horribly fumbling Gojo in completely different ways.#I want them to fight over him in the most passive aggressive way possible.#Gojo was meant to be a romcom harem protagonist.#Though Sukuna should be way more ok with poly given Heian rules on relationships.#But you know Geto was also ok that someone else was able to make Gojo feel good.#I like that prioritization of his pleasure. Even if it came a little too late.#Much to think about.#Consider this my Sukugo manifesto part 2.#Update 8/14/24: One of these days I'm just going to have to make a new post.#Update Cont: Sukuna calling Gojo his mid unenlightened husband wife spouse all at once using two kanji is truly insane.#Update 8/19/2024: All according to Keikatsu.#sukugo #ryomen sukuna #gojo satoru #jjk spoilers #jujutsu kaisen #lemons

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trashytracktales · 23 days ago

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omg I LOVE your writings, its my first time ever requesting one, hope u can write it (if u dont like it i would completely understand)

i was thinking about some lando thing, where his girlfriend is reading some spicy book and he accidentally reads some lines and the room gets hot lol, and when everything its done he is just the fluffiest boyfriend of the world

hope u are doing good🩵

By the book | LN⁴

💌 REQUESTED by anon ──── I genuinely had so much fun with this one, thank you so much for the request. Hopefully this is a nice first experience 😉🤍

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𐙚 summary ──── When boredom leads him to a new world, intense and full of possibilities, Lando wants to prove to his girlfriend that despite the perfect moments in her erotic books, the real deal is still better than fiction.

𐙚 pairing ──── Lando Norris x she/her reader

𐙚 rating ──── explicit

𐙚 category ──── F/M

𐙚 warnings ──── 18+, mature/sexual content, established relationship, fluff & smut, descriptive language, fingering & oral ─ (f)receiving, unprotected sex, swearing, edging, teasing, roleplay elements, Max F. cameo.

𐙚 word count ──── 3.7k

𐙚 date ──── Dec. 19, 2024

𐙚 a/n ──── Guys! I’ve got a couple more one-shots coming your way before the year wraps up, and I just wanted to thank you all so much for your patience and support. It means the world to me 🤍

﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌

THE FAINT GLOW from Lando’s monitors is the only light in the room, casting faint shadows over his side of the bed. It’s pretty late — later than it probably should be for him to start a streaming session — but Max insisted, and Lando figured it was either this or mindlessly scrolling through his infinite feed until falling asleep. His headset lies next to his keyboard, untouched, as he waits for his best friend to finish whatever pre-stream rituals he’s currently busy with.

From the en suite bathroom, the sound of running water echoes like ambient noise, muffled by the walls yet delicate, while his girlfriend showers. He glances at the door, thinking about how she had kissed him on the forehead just a few minutes ago, hair piled on top of her head in that messy bun he secretly loves. She had told him to have fun streaming, flashing him a sweet smile that made him wish she weren’t about to leave him alone to his boredom.

Lando sighs, spinning slightly in his chair, his gaze randomly falling to the nightstand on her side of the bed. A stack of books rests there unbothered, as it always does, each spine a different color. She goes through them so quickly that he can never keep up with what she’s reading now versus what she finished last week, that's why, normally, he doesn’t pay them much attention. But tonight, in the thick silence, with Max still not ready and the hum of the bathroom as his only company, he reaches for the book at the top of the stack.

The cover is intricate and inviting — soft, watercolor-like strokes of flowers in muted tones frame a bold, serif title. There’s no hint of what it’s about, and when he flips it over, the description on the back isn’t much help, either.

“Vague as hell,” he mutters under his breath after reading it.

He flips the book open, thumbing through the pages, noticing that she's halfway through it, with a scattering of sticky tabs peeking out from various places. A glance at the pages confirms his girlfriend’s habit of underlining sentences and jotting tiny notes in the margins. He smirks to himself, picturing her curled up on the couch, pen in hand, diligently marking her favorite parts, as she always does.

He stops at one of the tabs — a pink one — curiosity getting the best of him. The text beneath is neatly underlined, with a couple of notes scribbled faintly in the margin. His eyes skim over the words, and then he freezes, blinking at what he’s just read.

His hands roamed my bare skin with a deliberate slowness, mapping every curve, every dip. I gasped when his fingers dipped lower, teasing just enough to make me squirm beneath him. “Patience, my love,” he murmured against my neck, his voice rough with desire. “I'll give you what you need.”

Lando’s mouth goes dry, while his eyebrows shoot higher on his forehead. His fingers tighten slightly on the book as his eyes dart to the highlighted lines. She’s underlined “I'll give you what you need” and scrawled something next to it — he squints to make it out.

‘OMG. The tension here is insane,’ it reads, followed by ‘On. My. Knees’.

His pulse quickens, and he feels a flicker of heat low in his stomach.

Suddenly, Lando realizes how intimate it is to rummage through her annotations, as they are pure, unfiltered emotions, evoked by scenes that obviously awakened something in her when she read them, and now he feels way too guilty to continue.

But not enough to stop.

He flips ahead, stopping at another pink tab, as if he's on autopilot, guided by sheer curiosity alone.

My legs wrapped around his waist, pulling him closer, until there was no space left between us. His mouth was everywhere — on my lips, my collarbone, the sensitive skin of my nipples. I trembled as he kissed his way lower, his tongue leaving a trail of fire in its wake. I moaned his name, breathless, as he looked up at me with a smirk that promised more.

Lando swallows hard. He shifts in his chair, hyperaware of the heat creeping up his neck. He tells himself to stop, to close the book and put it back, but he can’t seem to help himself.

“You liked that, don’t you?” he asked in a whispered tone. I whimpered in response, my nails digging into his shoulders as my body arched into his touch. “You did, my good girl,” he murmured, his voice a low rumble that sent a shiver down my spine. “Keep being good, and you'll get to cu—”

He sucks in a sharp breath, snapping the book closed. His mind betrays him, conjuring images of her beneath him, her breath hitching the way it does when he teases her, her hands clutching at him as she whispers his name in pleasure.

His jaw clenches, and he drags a hand through his hair, all too aware of the way the air has changed inside the room. Luckily, the vibration of his phone on the desk jolts him back to reality. He startles, nearly dropping the book in his lap.

Scrambling to grab his phone, he sees a text from Max:

“Shit,” Lando mutters under his breath.

He rushes to put the book back where he found it, his movements momentarily clumsy. He’s acutely aware of the way his body feels now — tense, restless, hot — as he makes himself more comfortable in his chair, tugging his headset over his ears.

The monitor flickers to life as Max joins the call, his voice loud and cheery in Lando’s ear. “Finally, mate! Thought you fell asleep or something.”

“Yeah, yeah,” Lando replies, his voice a little strained. “Let’s just get started.”

By the time she's done with showering and coming out of the bathroom dressed in one of his oversized t-shirts and towel-drying her hair, Lando is fully immersed in his racing game. She pauses in the doorway, watching him for a moment with a small smile on her face, and he catches her eye briefly, following her as she crosses the room, the t-shirt swallowing her frame entirely. He gives her a quick nod before returning his focus to the screens, while she climbs onto the bed and grabs the book from her nightstand, settling in against the pillows to read.

At that, Lando finds himself smirking.

It’s hard not to, knowing what’s tucked between those pages now. His fingers twitch on the steering wheel, but he keeps driving, throwing himself into the rave to avoid getting distracted.

“Mate, you’re lagging behind,” Max calls out through the headset, breaking Lando’s focus.

“Yeah, mate. Don't worry, I’m here,” he replies, steering his car to catch up.

Time passes in a blur of laughter, strategy, and the occasional curse as he and Max trade wins and losses. At some point, she gets up from the bed, her book left open and facedown on the comforter. Lando watches out of the corner of his eye as she pads over to him, stopping just out of frame.

“Want some tea?” she asks quietly, her voice careful not to interrupt his live stream.

Lando glances up at her briefly, his lips curling into a small smile. His hand leaves the steering wheel, trailing to the back of her thigh, his fingers traveling up slowly, squeezing the soft curve of her ass.

“Yeah,” he whispers, the word leaving him on a smirk.

Her breath catches in her throat at his touch, and she shoots him a pointed look, though the pink dusting her cheeks betrays her.

She swats his hand away lightly, protesting quietly, “Behave,” before disappearing into the kitchen.

TWO HOURS LATER, the game session finally winds down. Lando thanks the chat, throws a parting joke at Max, and shuts down his stream with a satisfied sigh. He swivels in his chair to find his girlfriend still awake, her book now resting on her stomach while she scrolls idly on her phone.

She glances at him and smiles kindly, watching as he heads to the bathroom, but when he gets back a few minutes later, he’s wearing nothing but a fresh pair of boxers and a wide smile. His skin glows faintly from the shower, and water droplets cling to the sharp angles of his collarbone.

Lando approaches the bed slowly, his gaze fixed on her. She looks up from her phone as he slides in beside her, his presence warm and familiar. Without a word, he takes the book from her stomach, his fingers brushing hers lightly as he closes it and sets it back on the nightstand. Then, he leans down, brushing his lips over hers in a kiss that’s soft but full of intent — definitely not the kind that he uses to send her to sleep. Quite the opposite. It makes her hum against his lips, her hand coming up to rest lightly on his chest as she kisses him back.

“You’re still wet,” she notices, pushing Lando lightly to look at him.

When he pulls away, his voice drops, small but teasing. “We can both be,” says Lando.

She scoffs, rolling her eyes, “Yeah, not tonight, buddy. You took too long, and I’m sleepy from all the reading.”

“Come on, just wrap your legs around my waist, and pull me closer, until there is no space left between us,” he murmurs the words deliberately.

For a second, her heart skips a beat, her eyes widening slightly as she registers his sentence. Blood rushes to her cheeks and beyond, her pulse quickening.

“What?” she asks, giving him a puzzled look.

Lando’s smirk deepens. He leans closer, letting his breath fan over her ear as he continues, his tone overly suggestive. “What? You don’t want my mouth everywhere? On your lips, your collarbone, the sensitive skin of your nipples?”

Her breath hitches, and her lips part in surprise. Her mind starts spinning as the words he’s quoting — the ones she underlined so carefully in her book — fall from his mouth.

“Lando,” she says cautiously, her voice shaky.

“Hm?” he asks innocently, his fingers ghosting over her hip beneath the t-shirt. “I hope it's okay, I’m just trying to remember what you liked so much. What else was there? Something about… good girls?”

She swats at his chest, but there’s no real force behind it. “You’ve been reading my stuff!”

His laughter is quiet, but there’s heat in his gaze as he leans down to kiss her again, this time deeper, as if he has a purpose.

When Lando pulls back just enough to catch her gaze, his eyes are glinting with mischief. His hand trails up her side, his thumb slowly brushing the soft curve of her waist through the thin fabric of his t-shirt.

“And? What’s that about, baby?” he asks. “Don't you want to be my good girl?”

She lets out a soft laugh, a mix of flustered and amused, and presses a hand to his chest. “For the record, you’re not allowed to touch my books anymore,” she says, trying to sound stern but failing miserably when her cheeks flush under his intense gaze.

“Oh, I don’t know,” he drawls, leaning closer, his lips brushing her skin. “I think I learned a lot. Like how you’re into being told what to do, and being touched like this,” he continues, tracing the pads of his fingers up and down her body.

“Lando,” she protests, but her voice wavers, her breath hitching when his teeth graze the sensitive spot just beneath her earlobe.

“You marked all the good bits for me,” he says, his mouth trailing along her neck, placing soft, lingering kisses there. “Made it so easy, really.”

She shakes her head, trying to maintain her composure, but the warmth of his lips and the purposeful way his hands roam her body make it impossible. “You’re being ridiculous,” she whispers.

“And you’re so cute when you’re blushing,” he counters, his lips hovering just above hers. His tone shifts, teasing, giving way to something more profound. “Just know that if you ever want to recreate something from your books... all you need to do is ask, yes?”

Her breath catches as Lando’s fingers find the hem of her t-shirt and tug it upward. She lifts her arms without hesitation, letting him pull it over her head and toss it aside.

“And if you can't tell me, just underline the scenes,” he continues, smirking down at her. “I'll figure it out.”

“Lando…” her voice is much softer now, her eyes searching his, but he silences her with another kiss. Slow and lazy, his tongue dancing with hers on a rhythm only they know.

His hands move over her bare skin, stopping on her waist, then continuing until one of them curls around her neck, “My good girl,” whispers Lando against her lips, echoing the words from her book. “What should I do with you?”

She laughs softly, but it turns into a gasp as his lips leave hers, trailing down over her collarbone, while he squeezes lightly at her neck. He pauses to nip at the delicate dip at the base of her throat, his tongue flicking out to taste her skin. She smells like her vanilla body lotion, a faint scent that drives him wild.

“You don’t—” she tries to say something, but his mouth moves lower, and her words dissolve into a soft moan as he presses kisses across the swell of her breast, moving his hand on top of it to squeeze the flesh there.

“Relax, baby,” he says, looking up at her briefly, his expression a mix between adoration and pure need. “Just let me play by the book, yeah?”

Her cheeks burn at the intensity in his gaze, but she doesn’t look away. Her hands find his shoulders, holding onto him as his kisses travel lower, across her stomach, his tongue darting out to trace wet patterns against her skin.

When he reaches the waistband of her shorts, he glances up again, his fingers toying with the elastic. “Can I?” he asks softly, his voice full of want.

She nods, her breath shaky, and lifts her hips to help him slide them down her legs.

Lando kisses along her inner thighs, taking his time, savoring the way her body reacts to every little, torturous touch. She’s already trembling under him, anticipation coiling in her stomach as he hooks his arms around her thighs, spreading her legs wider.

“So ready for me, hm?” asks Lando, reaching for a pillow, and sliding it beneath the small of her back, adjusting her gently until she’s perfectly positioned for him. “Every time I open your pretty legs, fucking hell.”

She nods, chewing on her lower lip as she feels his hot breath falling over her skin. The first swipe of his tongue along her slit has her gasping, her head falling back on the mattress, unable to keep her eyes on him. Lando groans, the sound reverberating through her, his movements teasing, as always.

Her hands find his hair, threading through the damp strands as she arches toward him, desperately wanting to feel the heat of his tongue on her.

He looks up, his lips glistening while smirking. “Better than your book so far?”

“Mhm,” she breathes, her voice catching as he dips lower, his tongue working in a rhythm that has her eyes rolling.

He breathes heavily as he runs his tongue over her clit, teasing her hole with the tip. It's too much for her, yet still not enough to make her body shudder, but only ache for more instead. Luckily, Lando doesn’t stop, his hands gripping her hips to hold her in place as he gives himself entirely to her, the soft sounds she makes driving him on.

Patiently, he brings his fingers between her folds, opening her even more, little by little. When he pushes in the second finger, she moans his name again, which encourages him to curl them inside her, feeling her pussy tighten around him, the sound alone making him so painfully hard.

Lando’s mouth doesn’t leave her for a long while, drawing every gasp, every shudder from her as if it’s his life’s purpose. His tongue flicks, teases, and presses, his movements confident and practiced but still reverent, like he’s savoring her in a way words could never describe.

She’s close, and Lando knows it from the way her thighs tighten around his shoulders, and the way her fingers tug at his hair, grounding herself as the pleasure builds higher and higher. It makes him hum against her wetness, the muffled sound forcing a loud gasp out of her. But right when she approaches the edge, his mouth pulls away, leaving her breathless and shaking.

“Why did you—Lando!” she starts to protest, but her words are cut off when he moves up her body, kissing a heated trail along her stomach, her breasts, and up her neck.

“Patience, baby,” he whispers, the word heavy with intent. “Isn’t that what your book said?”

She squeezes her eyes shut, her breath hitching as she remembers the very scene he’s playing out now. “I couldn’t care less about my book right now, Lando.”

He smirks, his hand sliding between her legs to tease her hole again, his fingers brushing over her sensitive heat with a featherlight touch. “Tell me what you want, then. I want to hear you say it.”

Her heart pounds, her mind is spinning, and the tears are so close from slipping out of her eyes. He's still quoting her stupid book, when he should be fucking her into oblivion instead. Even though now those words feel entirely different coming from his mouth, spoken in that low, rough voice that sends shivers down her spine, only makes her cry in protest when his fingers keep playing with her clit. The pressure he applies is measured enough to just keep her on the edge, but never pushing her over it.

“I want you,” she breathes, her voice barely above a whisper. “Need you, please.”

“And if I ask you, pretty please, to say it again, will you?” his soft voice forces another moan to slip from her lips, his fingers dipping into her pussy, slow and teasing, feeling her walls constricting around them.

She nods, swallowing hard, “You,” she repeats, louder this time, her hips rolling against his hand. “I want you.”

Lando hums in approval, his lips curling into a satisfied smile as he leans down to kiss her, his fingers moving with more intent now. “So good for me, aren't you?” he asks against her lips, and the words make her whimper, heat pooling in her belly.

It doesn’t take long for him to position himself between her thighs, his body fitting against hers like they were made for each other. Unfortunately, he takes his time, teasing her with his length, dragging himself over her wetness, his eyes never leaving hers.

“So good and needy, is that why you read those books?” he asks, mostly curious than anything. “You need something to keep you stimulated all the time? Because if that's the case, we can—”

“Please, Lando,” she begs, her hands gripping his shoulders, her nails digging into his skin, while breathing heavily.

He chuckles, satisfied, “I've got you, baby, you know I do.”

His restraint snaps at her plea, and he pushes into her hard yet measured, his gaze locked on hers as he fills her inch by inch. Her head falls back, a broken moan spilling from her lips as he bottoms out, his hips flush against hers.

“Fuck, you wrap around me so good,” he mutters, his voice strained with the effort of holding back. He waits for her to adjust, his hands running soothingly over her thighs, her waist, and her breasts.

“Move,” she whimpers, her voice breathless as she drags her nails over his back.

He obeys, his hips rolling in a steady rhythm that has her arching beneath him, her body responding to his every thrust. He leans down, his lips capturing hers in a kiss that’s as much about love as it is about hunger — a desperate desire to show her that he can be whatever she needs him to be.

“You’re fucking perfect,” he breathes against her mouth. “Every inch of you.”

Her body rises to meet his with every thrust, their movements fluid and desperate as the tension coils tighter and tighter. His name falls from her lips like a prayer, and he drinks it in, his mouth finding the sensitive spot on her neck once again.

“Lan…” she cries out, her legs wrapping around his waist to pull him even deeper inside her.

“Yes, baby. Wanna hear you,” he continues, his hand slipping between them to find the bundle of nerves that has her crying out again, her body trembling beneath him as his thumb circles around her clit. “Let go for me, come on.”

She shatters beneath him, her release washing over her in waves as she clings to him, her nails raking down his back. He follows moments later, her name a rough groan on his lips as he spills into her, his body shaking with the force of it.

This will always be better than anything, she realizes — better than any fantasy, any scenario, and any book. Just them, sharing each other in every possible way, then taking their time to come down. Together.

Their bodies are still tangled when Lando asks, “So? Was it better?” his voice is rough, but playful as he brushes a strand of hair from her face.

She laughs, her cheeks flushed, and pulls him down for one more kiss; of course he knew what she was thinking about.

“I think it might’ve been,” she teases.

“Oh? Might’ve?” Lando scoffs, his grin widening. “Guess we’ll just have to try again and make sure, then.”

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