#death scenes

[scansfrommagazinesandbooks]

[katie5000]

Trigun Appreciation Week!

Day 4 - Oct 3rd: "Alex hasn't been a good Catholic in a long time, but he knows confession is a sacrament." (Casey McQuiston)

See also: this gifset, which is the first thing the quote made me think of.

@trigunsource

[highladyofterrasen7]

Never happened to me personally but Ik it’s common

The first one shouldn’t really be crying but oh well

[nugothrhythms]

"Death Scenes" by Kansas City, Missouri-based lo-fi deathrock act Witch Jail off of 2021 release Here Lies

[spiriosstars]

I am SICK of stories having death scenes be a quiet ending where a character accepts the fate so easily. Make them grip and claw at desperate attempts for their life, make them *fear* whatever is waiting on the other side. Make their death feel more alive then they ever could be.

[shironezuninja]

Zero Tolerance rules suck sometimes. Talk to me, or get burned by my Collage Graffiti.

[samanddean76]

Why?!?!?

2.21 // 9.23

[bruciemilf]

Batman isn’t a mask; It’s a leash. In this essay I will—

[adzeisval]

Death Scene blogging #2

I've also been thinking about how quite a theater can get during a death scene, how still it can be in there. I like the feeling.

The quietest and stillest I've ever seen a theater be though was during the last few minutes of Avengers Infinity War. You could hear a pin drop in a packed theater, it was awesome.

[luna-azzurra]

How to Write a Death Scene

So, you want to write a death scene that hits your readers hard, right? Something that sticks with them, makes them feel something real?

First, give the death meaning. You can’t just toss in a death for the shock factor and call it a day. Even if it’s sudden or unexpected, the death has to matter to the story. Think about how it changes things for the characters who survive. Does it mess with their relationships? Their goals? Make sure this moment sends ripples through the rest of your plot. It’s gotta affect everything that happens after, like an emotional earthquake.

Then, think about timing. You don’t want to drop a death scene at the wrong moment and ruin the vibe. If it’s part of a big heroic moment or a heartbreaking loss in the middle of the story, it should feel earned. The timing of the death decides how your readers will react, whether they feel relief, gut-wrenching sorrow, or are totally blindsided. The right moment makes all the difference.

Next up, focus on the characters’ emotions. Here’s the thing, it's not always the actual death that makes a reader cry, it's how everyone feels about it. How do the characters react? Is the person dying scared, or are they at peace? Are the people around them in shock, angry, or just completely destroyed? You need to dive deep into these emotions, because that’s where your reader connects.

Make sure to use sensory details to pull readers into the scene. What does it feel like? The sound of their breathing, the stillness when they’re gone, the way everything feels heavy and wrong. Little details make the death feel real and personal, like the reader is right there with the characters, feeling the weight of the moment.

If your character has the chance, give them some final words or actions. What they say or do in those last seconds can really hit hard. Maybe they share a piece of advice, ask for forgiveness, or try to comfort the people around them. Even a simple gesture, a smile, a touch, a last look can leave a lasting impression. This is your last chance to show who this character was, so make it count.

Finally, don’t just stop when the character dies. The aftermath is just as important. How do the survivors deal with it? Does your main character fall apart, or do they find a new sense of purpose? Are there regrets? Peace? Whatever happens next should be shaped by the death, like a shadow that never quite goes away. Let your characters carry that weight as they move forward.

[bamsara]

Narilamb dancing doodles I made on art streams this last week, mainly trying to get the motion in mind for the Anchordeep Ballroom scene (its a lot easier writing motion and movement when you have a visual reference)

Also ngl I keep listening to 'Forbidden Friendship' from HTTYD for this scene because the build up from ' mock dance invitation' to 'timidly testing the waters' to 'actually having tons of fun dancing' to 'climatic pause after the dip + tension' fits REALLY well

also little bonus:

[thelostmoongazer]

...Their face darkens. “I told you no weapons.” Narinder’s smile is dripping with their own blood as he laughs and sways, low and maddening. “You said nothing against teeth.” They cannot tell if it’s the drink or the adrenaline that burns heat to the tip of their ears, but blood pools behind their irises with it, and Lambert runs for him again...

TRoD AU and writing belongs to @bamsara

[sapin7]

cleansing rain

[faeriekit]

"Okay." Danny slowly laid the already cold body back onto the table, ready to slide back it into the refuge of cold storage. "Okay. Dead guy. Stay there."

The body didn't move.

"Fantastic. Now. Hang out while I pour the embalming fluid into the pump, alright? It should only be a minute."

And it usually did; working in a funeral home wasn't extremely glamorous, but it paid the bills, and Danny had already been used to the rhyme and rhythm of negotiating death with the public by the time he sent in his mortuary school application. It had been a transition that made sense. And in the end, the degree had only cost him a few extra years post-graduation and a little dig into student loans, and now Danny had a stable 12-8 job and health insurance valid in the state of new jersey.

Today, though, the pump had that decided enough was enough. With a bang and a boom, the pump spat out a cloud of smoke and clunked uncomfortably.

The dead body sat up.

Danny scrambled over to push it back down. "No. We talked about this. Dead people don't move. If you want to stay here and have me put you back together all the time, you have to stay put. Got it?"

Whatever the weird gold-eye corpses were on in Gotham, they at least listened to him on occasion. They weren't ghosts, per se— they never pinged on any of the ghost detection devices Mom and Dad had packed in his going-away-to-college bag— but they were, despite being occasionally animate, perfectly deceased.

Weird. Danny had never gotten used to it. Still, they came in droves, too eager to sit on the top of the basement stairwell and lurk in the corners and stare endlessly at them with their weird, avian eyes, and sometimes they heralded the arrival similarly weird-ass bodies that had lost their heads or their arms or their limbs through the more conventional channels.

"I'm losing too much thread to all y'all coming in all the time," Danny complained to the dead body, who, at the moment, was the only person present to blame. "Stop getting your limbs cut off. This stuff is expensive, you know. It's a specialty order."

The body didn't even have the courtesy to blink. Rude.

"At least let them bury you this time. Every time one of you darts off when my back's turned, my boss thinks I'm stealing corpses. My coworkers think I'm building my own Frankenstein or something."

The corpse neither verbalized nor blinked, but Danny hadn't expected it to; with a sigh, he rolled the corpse back into cold storage, locked its little door (not that locking it in had ever stopped it) and called it quits for the night.

It's not like anyone was paying him for the extra hours anyway.

The whole fic on ao3

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[ulgapodatkowa]

I have so many thoughts but I at least want to address the "for the new unicorn" note. because first of all it's so incredibly gratifying for izzy to finally be accepted into a community. it was shown before that the crew cares for him in some way but it was the first time he really saw that. that he isn't useless and alone, that he still has a place on the ship. even more so the crew WANTS HIM to be on the ship. and also that they want him to embrace his disability which doesn't make them think any less of him.

but also the choice of words. because inherently it rings queer, unicorn as a symbol of queerness. and even if it may have a negative sound when you use it differently here it is extremely positive. izzy is not only accepted to the crew, he's also accepted to the queer community, to the family. the unicorn on the revenge was also the one that was leading the ship, so one can argue that they want him to take that role in their dynamic.

and you can see that he does so immediately. he puts himself together and starts helping the crew. he's still bitchy but no longer violent and cruel. he helps stede and lucius immensely because that is what he does now. he's part of the family. twat.