#death scary

[thnksfrthmmrs]

i was tagged by @ybcpatrick to do this song title q&a so slay thank you best fwend (let's see if i can be interesting enough)

choose an artist you like and use the names of their songs to answer these questions as closely to the truth as possible!

artist chosen: fall out boy, who else :)

what is your gender? i don't care

describe yourself: the patron saint of liars and fakes

how do you feel? i've got all this ringing in my ears, but none on my fingers

if you could go anywhere, where would it be? heaven's gate

who is/describe your best friend: *friends :) the last of the real ones

your favorite time of day: golden

if your life was a tv show, what would it be called? the kids aren't alright

what is life to you? the pros and cons of breathing

relationship status: alone together

what do you fear? death valley

tagging: @celestialtoy, @such-a-happy-mess, @missmissingsyou, @themightyfall, @pmvstump, @p4nsy, @meat-wentz and anyone else can say i tagged u!! pls make ur own post <3

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[deep-dark-fears]

Out out, Mister Goofums. A fear submitted by Lauren to Deep Dark Fears - thanks!

You can find original artwork or commission portraits in my shop!

[bloominflowers]

The Duke 🐺⛓

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[nyancrimew]

i think every queer (whether they've realized it already or not) kid should have to go through an emo phase, let's force them to listen to nu-metal while they skip school to cry about a broken heart

[demapatto-art]

the talk

[glow-in-the-dark-death]

Survive the Dorms

~

Danny can now easily say that college sucks.

He's getting less sleep than when he first started being a hero back home.

His roommate was straight out from the horror stories you would hear about roommates. He was hoping to switching rooms after the year was over, but that was still so far away.

Danny was falling asleep whenever and wherever he could.

His lack of sleep mixed in with his stress about school started to show some of his ghostly side while he was out of it.

Sleepwalking would be normal for anyone, but Danny was far from normal, he would go invisible and intangible, some people even managed to get video of it, if a very distorted version no mater how hard they tried.

Sleep talking as well, which would scare the hairs off anyone who would listen. Humans weren't meant to hear ghost speak after all.

Somehow people never could figure out it was Danny,

And Danny,

Danny had no clue he was the reason people thought that the dorms and school were haunted.

~

Danny getting the best sleep he has had in weeks: *yawn* "I need to do that more often"

The Dorm: "Salt I need more saLT!!"

TD: "I'm still alive!"

~

TD: "I was so freaked out last night! Did you see how it moved?"

Danny oblivious thinking their talking about a new horror movie

~

Danny's Roommate holding a cross he got from the Dollar General

Danny floating in the air above his bed, sleep talking about his homework in Ghost Speak

DR: "Fuck this, I'm dropping out!"

~

Danny looking at his classmates being Stressed TM: " Ah yes normal collage things!"

TD every night:

~

Just an Idea

[chthonic-cassandra]

Actually we should say that Cassandra screams outside of language. The scream is to gash the fabric of normal life, to rend it into strange tatters. Then it is open to prophecy. Then Cassandra lives in her own future.

Selby Wynn Schwartz, After Sappho

[158590]

[sinister-sincerely]

This little restraining order waiting to happen has me in a chokehold.

I'd fold so fast-

Alt version under cut. Which one is better?

[drenched-in-sunlight]

i don’t think it’s talked about enough that the reason there’s a Godwyn ending where he becomes a Lord (not a God) is because symbolically, he was mirroring Godfrey in more than just name.

Godwyn’s alive body sprouting fish tail and scales isn’t just a random design choice, it’s a reference to Confucius' The Book of Rites, where it’s stated that the subjugation of the Four Divine Beasts will grant the person who tamed them different kind of control:

- Dragon -> control over animals with scales (specifically, FISH. See?)

- Qilin (Lion) -> control over beasts (think of how the Hornsent coveting the power of the Crucibles via the lion dance ritual. The “lion” in lion dance is Qilin in the native language of Asian countries that celebrate that tradition. And it’s why Godfrey’s symbol is a lion, why lion imagery plays such important role in Elden Ring world)

- Phoenix -> control over birds

- Turtle -> control over the heart of men (this might be a reach but Miquella’s connection to the Carian family and thus, the Turtle Pope could be a nice parallel to this)

in Godfrey’s cut dialogues, he said “Dearest Marika is precisely what I must take back” and “Dear Marika, do not fear. I am returned.”, and even without all that, The Talisman of Lord’s Bestowal stated that Godfrey accepted his duty without any sign of wavering, even taking Serosh upon his back so he could conduct himself as a Lord worthy of her. Bro, he loves that girl, he passed Messmer’s vibe check with flying colors.

For Godwyn to be a fruit of such a loving union, i do think Godfrey instilled in him a sense of duty to protect his Mother, and there’s his own love and devotion to her as well. Leyndell Knights all use Dragon Cult incantations and buffs - the kind of power that is only available to them because Godwyn befriended Fortissax (which is why i said that move has an ulterior motive to it).

All of that brings me to this main point I’m trying to make: does Godwyn really that devoid of agency?

I see it’s a popular interpretation in the fandom that oh Godwyn was just a symbol, he had no voice, we never knew what he wanted, etc etc… Do we really not know though?

Sorry for slapping another fandom on this, but this is really relevant to my understanding of Elden Ring as a story, even with the base written by a Western author, was developed by a Japanese team of storytellers and designers:

The concept of soul - body and body snatching etc etc exists a lot in Asian media, and there’s always a general consensus that the body remembers even as the soul perishes. What is Godwyn’s body is doing? The game specifically states that his body is alive. He only perishes in soul.

He was infesting the Erdtree’s roots, spreading Death around like free real estate. If he wanted to let go of life, of his Mother, his body should have just let go on its own. But no, he was tenaciously clinging to the Erdtree, to Marika.

Even Fortissax remembrance stated that despite its best effort, it could not fight back the Death within its friend. If Godwyn really, truly wanted to embrace a true death, would his body just let Fortissax fight alone in an uphill battle like that?

Then there is the DLC revealed that Godwyn’s personal knights were in LoS to find and guard his cadaver surrogate, specifically for the Age of the Duskborn. Their helm stated that their loyalty to him is unbroken. So will they just go and do something that their Master would not want?

These Knights are literally an elite circle that was bestowed the most precious of jewels in Godfrey’s time (the +3 medallions), they aren’t merely good, they are the very best. They are Godwyn’s inner circle the same way the Fire Knights are said to be the ones who know Messmer best.

Even if you think Fia and Those Who Lived in Death were just taking advantage of Godwyn’s death… her endgame goal technically did not even succeed. She wanted to be Mother to TWLiD, but the ending very much shows that the Mending Rune was returned to Marika’s womb. It’s her who would birth Godwyn a second life, so the True Mother™ to TWLiD… would actually be Marika 💀

Like, am i the only one who saw this as some real crazy 4D chess Uno reverse move from Godwyn? Oh these ppl wanted to get rid of him then took advantage of his body? Fine, he would take that challenge and run a mile with it. If Age of Duskborn came, it meant Ranni didn’t succeed, Fia didn’t actually get to be Mother of TWLiD, Death - the very thing that Marika tried to seal, would now be something within her control, because Godwyn is its Lord now. Exactly like how the Dragons’ power became something wielded in Marika’s favor in the end. Thanks to him.

In the Duskborn ending, bro, the God would still be Marika. It’s the only possible new Age involving a demigod that doesn’t get rid of her. Even if it utilize heretical powers to get there.

And the crazier thing? This is not the first time Fromsoft did this, btw.

[deep-dark-fears]

The hat came back. A fear submitted by Tae to Deep Dark Fears - thanks! You can buy original artwork and commission portraits in my shop! Click Here! #comics #deepdarkfears

[virulent-scum]

Ghoulcy enjoyers, we feast. This is based on a head cannon post by @pigandpepper. Cooper recites multiple literary references during the show, and Lucy is schooled in classical literature, no doubt partially by Hank. It’s only a matter of time before Cooper gets a taste of his own medicine, aka Lucy being a big lit nerd, just like him.

[vaxxman]

> WARNING ! FILE CORRUPTION DETECTED. > PROCEED ? [Y / N] ---Please.

[zimt-deathnote]

"Trick or treat, motherfucker?"