#death & all that follows

[prlssprfctn]

Jason, who is constantly making death jokes, and gets back a "dgaf" kind of answers from his siblings. Which he is... used to. Firstly, because it is what siblings supposed to do, be mean to each other, and secondly, because... they are not wrong. His death didn't mean anything. No one cared much about him dying. Yes, they were bothered that he died - a kid, a son and a brother, had died. Everyone mourns dead kids, he wasn't special. Right?

So, he is fine with whatever he gets from his brothers. He often laughs back, even his laughter sounds far too strained to his ears. But, honestly, whatever! It is fine!

Until once, it isn't.

Maybe it is just a bad day. Or maybe his death anniversary is getting closer, and he gets more anxious. Nonetheless, he makes another joke - something about warehouses and crowbars; so, nothing new - and gets a usual funny-snappy reply back, something along the lines And no one cared. And he just huffs, his smile turning to a scowl, and before he can take it back, he shrugs.

'I know.'

Suddenly, it is too quiet in the room. And suddenly everyone is staring - confused, hurt, slightly surprised, even. Jason tries to laugh it off, to make them stop looking at him with so much pity, but his forced laughter sounds too much like a certain clown's in his insane, tired mind, and he ends up murmuring a haste farewell, before practically running away from the cave.

He thinks someone tries to call him back, but he ignores it.

The defeating silence and the looks of pity haunt him in his dreams for the rest of the night.

[asthedeathoflight]

I think an underrated angle on 2x05 is something that either Jacob or Assad said in some interview somewhere, which is that in that episode Louis is addicted to heroin. Thats why he has that whole stash of drugs that he gives to Daniel, that's why he gives Daniel the drugs even though he's already got him alone. He didn't just use those 128 boys for sex he was using them to get high. Bring them home, get them to shoot up, and then drain them to get that secondhand high.

It clarifies something that's always confused me about that scene, which is why Armand saves Daniel the first time. He wouldn't save Daniel as a person, he clearly knows Daniel needs to die, but he's not seeing Daniel as a person there. Daniel is just a substance. He rips him away from Louis to stop him from using.

And i think that adds a whole other layer to the fight he and Armand have to think that this is Louis on a bender, with Armand cleaning up after him because he's not stable enough to. Louis in the bed for a week isn't just healing from the burns, he's going through withdrawal. Him at the table with Daniel giving him the "bright young reporter" speech is probably the first time he's been sober in months.

It adds another layer to Armand's desperation, that Louis has been running from both Armand and himself in this way, and of course Armand wants to erase that memory. Of course he wants to pretend that that fight never happened. Not just to protect himself but in a way to protect Louis from having said those things. When he describes the fight to Louis afterwards, he says "you said the worst things you've ever said to me." And he doesn't really know how to forgive Louis for that so he just wants to bury this rock-bottom moment and move on like it never happened. After all, Louis was high, he didn't really mean it, but if he remembers then maybe he might think that he had a point. Better to wipe the whole experience away.

[kathaynesart]

REPLICA PLAYLIST

MUSIC UNDER CUT

I have been receiving requests for any songs that inspired Replica, so here, have my personal playlist. Sorry it’s not Spotify/Soundcloud but they don’t have some of these songs available so uh… guess you’re stuck with YouTube vids. For fun I'll include my personal titles for them (which might give a few hints of what to expect in the future/end).

Replica Main Theme - “Die for You” by Grabbitz Like Father Like Son Like Brother (Omega and Shelldon) - "As Above So Below" by Alistair Lindsay Mikey's Theme / The 1st Vision - "Suzume no Tojimari" by Nanoka Hara Military (Mad) Dogs / Central Park Colony - "Imperium" by Madeon Shanghai - "Icarus" by Madeon Boom Goes the Donnie-mite (Mikey/Donnie vs the Sweeper) - "The Red Zone" by Mitsuoto Suzuki The Day the Sky Bled Red - "7 Seconds Till the End" by Nobuo Uematsu Going Out Like a Boss (Raph and Leo) - "Agape" by Nicholas Britell Remembering the Right Way (Mikey and Leo) - "The Souls of Many" - by Alistair Lindsay Mystic Hands / The 2nd Vision - "Am I Dreaming" by Metro Boomin x A$AP Book 2 Trailer - "Sea Dragon" by Covet 7 Years Later - "Iron" by Woodkid Leo's Theme / Attack on the Labor Camp - "Ego Death" by Polyphia Omega's Theme - "Touch" by Daft Punk Flat Lines (Omega Alone) - "Die Toteninsel Emptiness" by 1000 Eyes Spear - "Monsters" by Tommee Profitt Final Protocol - "The Kraken" by Katie Dey Rise / Epilogue - "Close in the Distance" by Masayoshi Soken & Tom Mills

I will admit, it's a little embarrassing since you can easily see the patterns of what I've been listening to for the past year or two. I swear I listen to more than just videogame OSTs, these songs just jive well with the story and I often find lyrics distracting when brainstorming scenes. Regardless, the music I listen to is such an important part of my creative process and some of these songs really defined the scenes I now have locked in my head. So I figured it was only fair to give them the credit they're due.

I will continue to add to this playlist, and will note in comic updates when one of these songs is applicable!

[yaolmao]

they should work together idk guys

[dannyphannypack]

some people go to college to make more money. i go to college to write more danny phantom fanfiction. we are not the same

[opens-up-4-nobody]

Something something Merlin is Arthur's bane.

[yashley]

So sad. Do you think I do not understand the sorrow of responsibility?

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[corviiids]

i think L should've tried harder to piss light off. provoking light into slipping up would not only be hilarious i also think it would be extremely easy and effective. not saying you could get light to actually confess this way, but he would definitely make more dumb mistakes if, for example, L kept interrupting their homoerotic brain chess matches to insist that kira is actually matsuda because the butts match

[justaz]

a spell is cast on camelot that thins the veil enough for ghosts to appear. the catch? the ghosts that appear are spirits of people that were killed by the person they’re haunting. the knights have a good amount of bandits/raiders/whatever that they took down in battle, maybe a few shady knights have genuinely innocent people that they murdered and got away with. the executioner’s killings are transferred to the king since he was simply acting out the king’s commands. arthur has quite a few. uther has hundreds of sorcerers in various states of gore and horror. those who were hanged have perpetually bent necks, those who were beheaded have either no head or just a head floating a bit above their body, and those who were burnt are more charred remains (the most grisly of them all). merlin has more than anyone expected (which was zero) and all of them keep calling out for arthur/uther’s death and camelot’s downfall while also turning to merlin and calling him a traitor.

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 4: Deranged Bedfellows

(Part 1, Part 2, Part 3, Part 4.5)

[transmechanicus]

The transgender contrast of loving your parents but also for Trust Reasons longing for an additional external authority figure you can count on more unconditionally to support or protect you that totally doesn’t risk becoming a kink

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[romantichopelessly]

something about the raven cycle kids and the quest to be seen and understood and the physical manifestations they have of their inner selves. gansey and his eccentric camaro that’s always breaking down. ronan and his raven that’s almost literally his heart. blue and her old beech tree that’s with her through everything. and adam who doesn’t know his true self; adam who is the trailer, the hondayota, the st agnes apartment, the magician card. adam who has to remake himself.

[skeleton-squid-b0y]

twelve is not more ruthless or cruel or endangering than any of his predecessors. he just doesn't hide it. I think he was the kindest doctor because he didn't hide his ruthlessness from his companions, didn't hide it behind a goofy bow tie or the charm that makes people follow him to the end of the universe. . . he showed Clara exactly who he was and the brutal things he was willing to do if he believed they were right. And he didn't pretend to feel bad about them. I think after amy and rory he got tired of how easily people believed he was good, how easy that made them to kill, how their faith in him always always meant they never got home. So he does the kindest thing he can think of, and doesn't hide that they're not just choosing to travel with him, they're also choosing to travel with the death that follows him everywhere he goes. I think he's the first doctor not to hide from that second companion and the part he plays in keeping it onboard.

[isagrimorie]

Agatha All Along 1x08 - Follow Me My Friend / To Glory to the End