#dde part 5
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asktotallyhuman · 3 months ago
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Using the last of their strength, they teleport straight to the surface. Relief flooding them just at the sight of those walls, they make their staggered trek back home to blessed safety.
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Luckily, just as they collapse, they're spotted from the walls by the night patrol. The commander quickly jumps into action, sending for help while he goes and checks on the unconscious Nyzak.
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And just in time, too. Just as the commander reaches the exhausted ender, they collapse to the ground. Eyes fighting to stay open until the world fades to black...
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PRINCIPE ANTONIO 10583288-E BILLIONAIRE Nº 1 OF THE WORLD INVERSIONES NEW YORK COMPUTOS HECHOS RANKING Nº1 AUCTION CLAUSOR & COMPUTOS DEVENGOS DAÑOS AGRAVIO LEGADOS LIQUIDO TODAS LAS ASEGURADORAS POR INSOLVENCIA TOTAL SE INHIBEN BIA OM3525145 AR+OL4409662 AR RA CAUCIONFIANZA E-37431-012 ILIMITADAS BCO ESPAÑA ORDEN U-3511008 INS 9 OVIEDO DOLO SPAIN HOY HUELLAS DACTILARES RECONOCIMIENTOS DE DEUDA.. AUTO 000132/011 BANDA ORGANIZADA APO ALLIANZ A/28007748 Y SECUACES CARCEL INCONDICIONAL E INHABILITACIONES PERPETUIDAD CLUBS DE FUTBOL Y PRESIDENTES INCLUIDOS DIRECTORES MEDUIOS DE DIFUSION PUBLICOS ABREV 0001084/011 ART 117 50/1980 LEC/LECRIMLECRIM757 LEY 57 LEC/LECRIM LECRIM 774 LEY 30/1992 ART 71 LEC/LECRIM EJECUTORIA 821/08 INSTR 3 SE INHIBEN TODAS LAS ASEGURADORAS DECLARADAS INSOLVENTES BANCOS OBLIGADOS BCO ESPAÑA BIA OM3525145 AR + OL4409662 AR RA DAÑOS AGRAVIO LIQUIDACIONES LEGADOS LIQUIDO LO MISMO RA COSTAS TITULOS A PARTE ABREV 0004666/014 UNIDOS AR RA CORRELATIVO PENAL1 OVIEDO DILIGENCIADO DIA DIA DE NOTARIA SRTA ANA COLEGIO NOTARIOS SECRETARIA PASANTE OBLIGADA Y SR FUMANAL PROCURA OTRO NO D LUIS EJUCA NOTARIO NOTARIA REYERO SR NOVAL SR JARDON OBLIGADO COMPUTOS HECHOS CONHUELLAS NOTARIA ELECTRONICA AUTOMATICA INMEJORABLE IRREVESIBLE 12/2/23... DOC GOOGLE 18 FOLIOS CANTIDADES EXACTAS 4 BANDAS REMISIONTSJAS 13/5/16 EMPLAZADO PENAL 1 OVIEDO SEPTIEMBRE 017 1 AÑO CON RA ART 117 50/1980 LEC7LECRIMLECRIM 109 101 LEY 29/1998 LEC/LECRIM EL PRINCIPE ANTONIO 10583288-E ES VAMPIRO. (4) ANTONIO J ARIAS RODRIGUEZ C/FÉLIX ARAMBURU 8 2º A OVIEDO 33007 SPAIN....10583288-E NOE XISTIO OTRO ACCIDENTE MAS PSICOLOGIA PSIQUIATRIA PERFECTO ... UNA REMISION Y OTRA POR SEGURIDAD DE NOTARIA SR FUMANAL PROCURA OTRO O OBLIGADO REMISIONTGSS DEST.EA0029057 (5/11/19... INMEJORABLE IRREVESIBLE COMPUTOS HECHOS Y HUELLAS SEA LEY 1/2000 Ó PÀGO AUTOMATICO 305 308 C.P.LEC7LECRIM .. RA ILMO SR CAAMAÑO FISCALIA GRAL ESTADO RECIPROCO CO RA ART 117 0/1980 LEC/LECRIMLECRIM 282 288 32 C.P. LECRIM 552 553 591 LEC/LECRIM LEY 1/2000 LO MISMO 19/OCT/12 CAUCIONFIANZA E-37431-012 LECRIM 440.1 442 L 298 304 C.P. 305 308 C.P. LEC7LECRIM 446 447 449 C.P.LEC/LECRIM 243 C.P. 248.1 C.P. JUZGADOS OVIEDO INS 9 DOLO ENESIMA SERV NOTIF EJECUCIONES OVIEDO ENESIMA COMPUTOS HECHOS HUELLAS CADA 5 DIAS X LEY 29/1998 LECRIM 86 165 404 24 C.P. LEC/LECRIM LECRIM 177 777 LEC/LECRIM INTERVENTORES FAX Y A TAVES DEL DECANATO CANTIDADES EXACTAS COMPUTOS Y HUELLAS CADA 5 DIAS POR LEY SRA CRUZ INSPECTORA HACIENDA DPTOSIVA RGTROS R NOVAL SRA P ARIAS SR HEVIA D LUIS TEJUCA REQUIERA CADA5 DIAS DE NOTARIA COLEGIO CANTIDADES EXACTAS LAS POLIZAS TODAS DEL PRINCIPE ANTONIO 10583288-E INCLUYEN ROBOS PERDIDAS PAGAS MAL 30 VECES PAGAS 31....ORDEN FISCAL ORDEN JURIDICO ORDEN DDE PAGO 1º DOLO INS 9 PENAL 1 OVIEDO Y PENAL TODOS LOS SITIOS DEL MUNDO Y RA BRESCIA MAS COMPUTOS ITALIA ALEMANIA ART 117 50/1980 LEC/LECRIM AUCTION CLAUSOR CAUCION FIANZA E-37431-012 FOTOCELULA TRIENOIOS PENSIONES LIQUIDO LO MISMO COSTAS TITULOS A PARTE COMPUTOS HECHOS INCLUYE RSP PENALESCARCEL INCONDICIONAL CLUBS DE FUTBOL INHABILITADOS A PERPETUIDAD R OVIEDO CF Y SPORTING DE GIJON CF CARCEL INCODICIONAL INHABILITACIONES PERPETUIDAD PRESIDENTES CLUBES DE FUTBOL
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todaysdocument · 2 years ago
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“The Soviet Government also expects that the Government of the United States of America will take the necessary steps to prevent violations of Soviet airspace by American aircraft in the future . . . “ April 22, 1958. 
Collection DDE-WHOSS: White House Office, Office of the Staff Secretary: Records of Paul T. Carroll, Andrew J. Goodpaster, L. Arthur Minnich, and Christopher H. Russell
Series: Alphabetical Subject Files
File Unit: Intelligence Matters (4)
Transcription: 
LS No. 10662
No. [underline: 9]
The Embassy of the Union of Soviet Socialist Republics
presents its compliments to the Department of State of the
United States of America and, referring to the Aide Memoire
of the Department of State dated March 31, 1958 and containing
a reply of the Government of the United States of America
to the Aide Memoire of the Soviet Government dated March 5
concerning a violation of the Soviet state border in the Far
East by an American military jet aircraft, has the honor to
communicate the following:
[circular seal reads: The Dwight D. Eisenhower Library]
In the reply Aide Memoire of the Department of State an
attempt is made to deny the fact of an American military
aircraft having violated the Soviet border.
As has already been communicated, the Soviet Government
has at its disposal carefully verified data on this violation,
the reliability of which leaves no room for doubt. According
to these data, on March 2, 1958, at 4:05 a.m. Moscow time, an
American military reconnaissance aircraft of the Lockheed U-2
type, having appeared from the direction of the Sea of Japan,
violated the state border of the Soviet Union in the area of
the settlement Velikaya Kema, 32 kilometers south of that
settlement. Then the violating aircraft penetrated the
airspace of the USSR and, after remaining over its
territory for a considerable period of time, passed beyond
the limits of
the Soviet
Department of State,
   United States of America,
      Washington, D.C.
[page 2]
-2-
the Soviet territory 45 kilometers south of the Olga Bay at 8:11 a.m.
In the light of the established facts the reply of the Government of the United States of America can in no way be recognized as satisfactory. Naturally, the question arises as to how to explain such a reply of the American Government:  whether it was misled deliberately by its military representatives in the Far East or whether it considered it possible to protect such persons subordinate to it, who, without regard to the possible consequences, sanction violation of Soviet borders, thus creating a threat of international complications.
Such a reply of the Government of the United States of America to the communication of the Soviet Government cannot fail to cause serious concern, the more so since the new case of violation of Soviet airspace took place after warnings on the part of the Government of the USSR to the effect that American authorities should take the necessary steps to prevent such violations.
In connection with the foregoing the Soviet Government expects that the Government of the United States of America will undertake further investigation of this at of violation of the airspace of the USSR by an American military aircraft and will punish severely those guilty of this violation.
The Soviet
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The Soviet Government also expects that the Government of the United States of America will take the necessary steps to prevent violations of Soviet airspace by American aircraft in the future and states that in the event of new violations full responsibility for the consequences will rest with the Government of the United States.
[stamp] The Dwight D. Eisenhower Library
Washington, D.C.    April 21, 1958
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orange1896 · 2 years ago
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13037377 Bolt 4110000846113 W010251970 WEICHAI SDLG
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13037377 Bolt 4110000846113 W010251970 WEICHAI SDLG
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COWL MTG RR F71N6-03210 R375-7回二总成 16041552 油底壳密封垫D3973509 28270011971 驾驶室总成 J7300001705D 链轨总成8216-MN-A530000-02 29051006931 导控外弹簧 DYK250L-006 6232000003 发动机总成 4190000792 水温传感器J2B-92A-16000 4110001386050 散热器进水管 4110001026027 ��车架 26030003731 后车架附件 28241001391 管夹 29240007061 推杆叉总成LY50A-3507010 26110000121 牵引器(型号:568C/53) 订货号:565053 28160004351 备件 26140005861 空心螺栓M14 6420002383 P-螺栓 ZJ4190001215 PIPE_ASSY 4110000076232 进气胶管 29360020401 轴承 14402766 细牙机丝攻(M8*1 LG2929004011 3 耳形挡片CBAk2-04 29121006061 副车架支撑架 29110009811 LG936L驾驶室总成 29250010152 T-NIPPLE_ASSY SHUTTLE L968F 4110000997353 油环C05AL-6I0499 6410005944 发动机除气管 4110003380029 油管 11215093 拉刀 Mobile/WhatsApp:0086-1525-4934-126 26370007871 胶管 6212001497 前桥制动软管 29170067473 前车架 29200013721 覆盖件附件 28250023471 双联泵HGP3160/1032 KKZW4011010372 回转立轴油封AP4399 4120005735 水泵皮带 D08NE-1307002 26290004751 下弧板 6270000120 带后视模块的IECU 4130015998 板 20459900 28010010231 过渡油块 29120023521 护套LGB313-B28*100*160 28060002991 LG933L线束总成 29170050551 C型轴套Q/HL 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LG938L驾驶室围板总成(超高动臂) 4120008688009 槽钢 4190000536492 MT86H SELL MACHINE 12736893 油水散热器LY970-1 6B080053AA300 加强板 4110016195003 发动机右前支架 26130007901 锁体安装支架 4130001346 弯板 11038369 FRAME_WA CTR UPPER FRAME GROUP 29130022351 右侧门总成 2060600002 LG6400E液压挖掘机零部件图册 4120003687009 3层彩色纸盒125*125*85 14401901 水散出水管A 6231000245 胶管F8111519242024-1700 4110015440 机罩电气总成 4110002234013 螺栓 29220021121 水温传感器接头 11216699 空调管JD3010-0152 F851231 筋板 4110000565095 LG955N油缸总成(加高) 29270010841 上叉 4120002071081 左右前挡泥瓦 21906005593 滤芯 4043016023 贴盘LGB315-50*80*20 6410005807 驾驶室围板总成 Read the full article
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allbrickscount · 2 years ago
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Sluban’s Car Club Black and White Knight set.. a small car done in the 6wide “Lego Speed Champions scale”. Build is fine, but the wheels don’t roll great and the stickers are a pain.
Sluban M38-B0633C
Car Club
Black and White Knight
152pcs
2017
Live Build: https://www.youtube.com/watch?v=ymk25ZamBNk
Arrival Video: https://youtu.be/uKReyv4t3mE?t=3173
More Photos: https://photos.app.goo.gl/8rXCa2B5GXRixy2g9
Part of a 5 set amazon bundle.
All Bricks Count • News • Reviews • Live Builds • Brick Hauls •
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#Sluban #CarClub #DDE #DailyDrivenExotics #Lego #SpeedChampions #SpeedChamps
#notLego #LegoCompatible
#AllBricksCount #NewBricksToday #LiveStream #LetsBuild
#photooftheday #photography #happy #picoftheday #followme #fun #photo #toys #hobby #hobbyphotography #toys #toyphotography
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asktotallyhuman · 3 months ago
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//here's a little piece im working on between posts. Just a fun thing.
Currently working on DDE part...5? SHOULD be the final, if ive planned it right. And an ask👌✨✨
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A lil sketched up doodle I've been workin on. Just wanted to draw Aeder and Nix interacting. i plan to color this later.
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carrionbeast · 3 years ago
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Part 1 of my @daredevilexchange​ Daredevil + Defender Exchange Piece for @hehearse​! Part 2
Also available on Ao3 once the collection is revealed! Prompt used: talking about lost opportunities, lost chances
Image IDs are on Ao3, separately in chapter 2 and also under the cut!
[Image description: 6 images containing 11 Daredevil fan comic pages and 1 cover
Cover: 
Daredevil is written in the bright red, tilted lettering of the classic logo. In the upper left corner is a box with a black outline, split in two. The top half is a red box with white lettering, reading DDE, mimicking the marvel logo should be and under it, in a white box, is the number 1 in black lettering. Under these two boxes is the name of the author and artist, Neon Brutalism.
The cover features a large empty hourglass, tilted towards the upper left of the page. Trapped in the bottom of the hourglass, we see Daredevil and Foggy. The glass is too small for the both of them and they’re tangled in each other’s limbs. Matt’s sitting with his knees bent, uncomfortably on his tailbone. The toes of Matt’s boots are pressed up to the glass and his hands are pushing up against it above him and to his side, the red fabric of the gloves lighter where it’s tight against the curved glass. He’s blushing under his mask, tilting his head away from Foggy. Foggy, dressed in a suit with bow tie, with his legs up in the air, has one hand between Matt’s boots and one above his head, against the glass. The bottoms of Foggy’s shoes are up against the glass, right leg across Matt’s lap and his left leg behind Matt’s back. Foggy is also looking away from Matt and blushing deeply.
At the bottom of the page, the title, “The Glass of Sand and Fog” is written in white lettering with a thick black outline. /end image description]
[Image Description: Interior cover:
No art but text in the center that reads: 
Disclaimer: All publicly recognizable characters, settings, etc. are the property of Marvel. The original characters and plot are the property of the creator of this story. The author and artist is in no way associated with the owners, creators, or producers of any previously copyrighted material. No copyright infringement is intended. 
In the lower left corner of the page, more text, that reads:
“For Heherse, Daredevil and Defenders Exchange 2021” /end image description]
[Image Description: Page 1
Panel 1  - Inside a warehouse. The moon glows through the warehouse’s glass-block windows, casting a sharp light on the room. The camera is pointed up at the villain, a thin, short-haired man, half-hidden in shadow. His right eye is obscured by a large monocle and he has a triumphant expression on his face. He is standing on top of a giant clock with a large battle-axe replacing the hour-hand. The axe-hand is pointing to the number twelve in roman numerals. The man is dressed in high-waisted riding pants with suspenders and an old fashioned button-up shirt. In his left hand, he holds a staff with a small hourglass on the top. 
The Villain: “Don’t worry, Mr. Nelson! You still have one more hour for Daredevil to come save your miserable life! But beware, the Axe of Time may be the end of you both!”
A speech balloon coming from below the panel’s edge.
Off Camera Voice: “What the hell is the axe of time?”
Panel 2 - The camera pulls out to reveal the full shape of the clock. It stands solitary on a short platform in an empty warehouse. The villain leans over the clock to glare downwards with an offended expression.
Sitting on the platform, positioned at the 6 on the clock, under the axe, is Foggy. He’s wearing a bowtie and a slightly rumpled suit. His hair is parted in the center and slightly messy. His hands are bound together at the wrist and his feet at the ankles but he does not seem very distressed. 
The Villain: “Well, not all of us can afford the giant hourglass needed for a sands of time trap.”
Foggy: “It’s just really thematically confusing.”
Panel 3 - Medium zoom in on the villain. The camera right side of his face is hidden in shadow and his grin is toothy and threatening.
The Villain: “You should be more worried about your dear friend Daredevil -”
Panel 4 - Same zoom. The villain is confused and raises a single eyebrow.
The Villain: “Wait. Friend? Associate? Client? I’m unclear on the nature of your relationship.”
Panel 5 - Medium zoom in on Foggy’s face. He rests his chin on his bound-together hands and stares forward in resignation. 
Foggy: “Yeah, you and me both.” /end image description]
[Image Description: Page 2
Panel 1 - Pulling back into the shadows a little, the villain grins, still gripping his staff.
The Villain: “Well, no matter…”
Panel 2 - The shadows behind the villain have shifted into the silhouette of a figure with horns. Enormous, bright red eyes glare ominously forward into the camera.
The Villain:  “Once your companion shows up to save you, he’ll meet his grisly-”
Panel 3 - The villain’s speech balloon continues into the next panel but his sentence is cut off as the shadows materialize into Daredevil. Daredevil punches the villain in the face, fist flying towards the camera. We see the villain’s full face at last as his monocle goes sailing off his face and out into the gutters between the panels. 
The Villain makes a distressed noise.
Panel 4 - A bird’s eye view down at the floor from the top of the clock. We can see Daredevil’s boots standing on the top of the clock. The villain lies unconscious on the floor, his monocle next to him, cracked and his staff out of reach.. Still sitting on the platform is Foggy, who looks up at the camera with a fond expression. 
Foggy: “My hero.”
Panel 5 - Camera at ground level, Foggy watches as Daredevil jumps towards the ground. Daredevil: “I’m guessing this was a me-related kidnapping?”
Panel 6 - The camera is over Foggy’s shoulder. Daredevil is facing away from Foggy as he unties Foggy’s hands. His expression is regretful and apologetic and the far-side of his face is slightly cast in shadow. 
Foggy: Well…
Daredevil: Sorry... /end image description]
[Image Description: Page 3
Panel 1 - Daredevil sits on his knees as he unties the ropes around Foggy’s ankles. He’s still regretful. Foggy reaches over to pat Daredevil on the shoulder with a comforting expression.
Foggy: “Really, don’t get pouty. This guy wasn’t exactly threatening.”
Panel 2 - Daredevil and Foggy are both standing now. Foggy is holding the remnants of the rope in his hand and examining it with a dubious expression. Behind him, Daredevil looks confused.
Foggy: “He didn’t even tie me to the clock.”
Daredevil: “That’s a clock?”
Panel 3 - Far zoom out at ground level. Foggy and Daredevil walk away from the camera towards the double-doors of the warehouse. Light from the street casts a shadow behind them as they move towards the light.
Daredevil: “Why’s there an axe on it?”
Foggy: “His theme is inconsistent.”
Daredevil: “Hm.”
Panel 4 - Pull back and reveal the outside of the warehouse, a square brick building with a low, flat roof. The full moon hangs low in the sky. The streets around them are empty and a bright streetlamp casts the warehouse area in light, reflecting off the power lines and windows of the warehouse. Daredevil climbs a rickety ladder next to the warehouse door, leading up to the warehouse roof as Foggy stands on the ground and watches him climb.
Daredevil: ”To be honest, I think time is scary enough without a giant axe clock.”
Panel 5 - Foggy grins up at Daredevil as he climbs up the ladder towards the camera.
Foggy: “What, worried about getting old? Daredeviling getting hard on your knees?”
Daredevil: “No, no…”
Panel 6 - As Daredevil’s boots retreat out of the top of the panel, Foggy starts to climb up after Daredevil.
Daredevil: “It’s hard to explain.”
Panel 7 - At the top of the warehouse. The roof access door visible over h’s shoulder, Daredevil is standing on the flat roof and reaching over the ledge to pull Foggy the remaining distance up the ladder.
Daredevil: “Maybe it’s the idea of stuff slipping away, missing chances, that sort of thing.”
Foggy: “Let’s not talk about slipping when you’re pulling me up a rusty ladder?” /end image description]
[Image Description: Page 4 - 
Panel 1 - The New York City skyline lights up the horizon as Daredevil and Foggy sit on the ground of the roof, their backs to the ledge wall surrounding it. Daredevil hugs his knees and Foggy has one  leg stretched out and one bent slightly, more relaxed. Foggy looks at Daredevil.
Foggy: “So, what slipped away from you?”
Panel 2 - From behind, Daredevil pulls his cowl up and off, revealing Matt’s hair. It’s static-y and wild from being under the cowl.
Matt: “Oh…”
Panel 3 - Matt grips his knuckles and faces down, blushing brightly as Foggy, with a determined expression, runs his fingers through Matt’s hair trying to smooth it down. 
Matt: “Just… Stuff.”
Panel 4 - Matt in profile, gently wincing. The blush has receded and Foggy is smiling at him.
Foggy: “Oh. like how I still wish I had tried out for the Hell’s Kitchen community theater production of The Scarlet Pimpernel?”
Matt: “Ha, kind of.”
Panel 5 - Meta panel, borderless with a white background. Cartoon-y versions of Matt and Foggy pop up from the edge of the lower panel’s border, standing next to an elaborate image of Foggy dressed in a French Revolution era military outfit, reminiscent of Norm Lewis’s from the 2006 revival. Cartoon Foggy is looking at the version of himself in costume thoughtfully, cartoon Matt has his arms crossed and is nodding.
Foggy: “Well, it’s not too late. They’re doing Les Mis in the fall. What do you think, should I try out for Fog Valfog or Fog-vert?”
Matt: “Oh, Fog-vert, one hundred percent.”
Panel 6 - Tight on Matt, his face is half-hidden in shadow. He’s smiling slightly but is more sad than anything else. 
Matt: “I think I’m too late for what I’m thinking about, though.”
Panel 7 - Panning over to Foggy, who is reaching for Matt’s shoulder.
Foggy: “Oh, come on, Matty, don’t be so broody.”
Panel 8 - Tight on the lower half of Matt’s face and his shoulder, where Foggy’s hand is resting. Matt is blushing again. In the background, Foggy is prattling on about something unclear but Matt isn’t paying attention.
Panel 9 - Matt in profile, his head cast down and shadows cover the top half of his face. He’s hesitant to explain.
Matt: “Foggy I - …” /end image description]
[Image Description: Page 5 -
Panel 1 - Pull out to see Matt facing the camera and Foggy next to him. Matt isn’t facing Foggy and is still blushing. Foggy’s excited and has taken his hand off Matt’s shoulder.
Matt: “... Do you want a ride home?”
Foggy: “Oh hell yes, I do!”
Panel 2 - The lights of the New York buildings around them blur as Matt swings through the city on his billy club, Foggy’s arms tight around his neck.
Panel 3 - Foggy’s apartment, small amongst the New York skyscrapers. Scattered lights are on in the windows of the buildings, but Foggy’s apartment is dark.
Foggy: “So, uhhh…”
Panel 4 - Inside Foggy’s apartment, the lights are off. Matt stands stiffly with his arms crossed in the corner, next to the window, staying in the shadows. Foggy, in the foreground, is pulling off his dress shirt, revealing his undershirt. His belt is unbuckled and hanging loosely. He’s not looking at Matt.
Foggy: "... So you think Javert? Its a good role. I'm - I mean, I'm not sure I can carry it but ..." 
Panel 5 - Matt’s blushing bright red under his mask again and he points outside, leaning towards the window, slightly panicked. Foggy’s a little disappointed.
Matt: “I - um, sorry. I need to go. Because - I … Crime.”
Foggy: “Oh, sure, no proble-”
Matt: “Bye.”
Panel 6 - Foggy frowns as a red blur leaps out the window.
Panel 7 - Cut to a bright day. Foggy, wearing a dress shirt with vest and tie, is sitting at a  restaurant table across from Kirsten, who is wearing a blouse and slacks. The table has a glass of water and an uneaten burger and fries in front of Foggy and fried shrimp and salad in front of Kirsten Foggy has his eyes closed and arms crossed, frowning. Kirsten is leaning back, resting her left arm on the back of the chair and holding her drink casually in her right hand.
Foggy: “And that is the longest I’ve seen him in two weeks.” /end image description]
[Image Description: Page 6 
Panel 1 - A restaurant patio on a New York street during the day. Foggy buries his face in his hands.
Foggy: "I had the perfect opportunity there. He was talking about - things he wished he'd done. UGH- Kirsten, why did I have to keep talking about musicals?"
Panel 2 - Close on Kirsten. She smirks and rolls her eyes.
Kirsten: “Hm, changing the subject to avoid being honest about something? Sounds like you've been hanging around Matt plenty to me.”
Panel 3 - Foggy holds a french fry and scowls at Kirsten while she takes a sip of her water through the straw. 
Foggy: “Hilarious. I'm pretty sure he knows how I feel anyway.”
Panel 4: Foggy, chewing, rests his cheek in his hand and looks away from Kirsten, pouting.
Foggy: “He turned red and panic-jumped out the window before I could finish talking about Javert."
Panel 5 - Pull out to a bird’s eye view. A graffitied truck rumbles by the patio as Foggy takes a bite of his hamburger. Kirsten has put her drink down.
Kirsten: "Well, is that better or worse than an actual rejection?"
Panel 6 - Foggy is glaring down at his burger as he chews, annoyed. 
Foggy: "At least an actual rejection has catharsis. Avoiding me is just him being a selfish dick." /end image description]
[Image Description: Page 7 
Panel 1 - The camera shifts slightly, pointing up from under the table, revealing the restaurant name behind Foggy and Kirsten; The Dog Track, and in the corner of the sign, the disclaimer “No longer associated with the New York Gaming Commission”. Kirsten is keeping her face carefully neutral as Foggy’s expression is more irritated. 
Kirsten: “That’s a little uncharitable.”
Foggy: "Just because I'm in love with him doesn't mean I don't know what he's LIKE."
Panel 2 - Kirsten tilts her head and holds a fried shrimp on a fork in her right hand. 
Kirsten: "And you can't just skip all the drama, pick up your phone and call him right now because...?"
Panel 3 - Tight on Foggy, who isn’t meeting Kirsten’s eye and is blushing.
Foggy: "It's ... complicated!"
Panel 4 - Pull out on Kirsten and Foggy. Kirsten is grinning and Foggy is hunched over, eating his hamburger and looking annoyed and embarrassed.
Kirsten: "You know you're about 15 years late for this high school shit, right?"
Foggy: “You’re 15 years too late.” /end image description]
[Image Description: Page 8 - 
Panel 1 - Another warehouse at night, large shadows cast around the room.There’s no moon lighting the windows tonight. An enormous hourglass stands on the dirty floor, a few old crates are up against the wall and some of the pipes nearby are leaking water out onto the floor. There’s a human figure in shadow within the top section of the hourglass and another one on the floor, pacing. All the sand within the hourglass is in the bottom section.
Shadowed Figure in the Hourglass: “So did you get a grant or what?”
Shadowed figure on the floor: “Silence.”
Panel 2 - Foggy, of course, is the one trapped inside the hourglass. He’s annoyed but sitting comfortably like he’s in a hammock. He throws his hands up, gesturing to the hourglass around him.
Foggy: “It's just this is kind of a big budget upgrade from two week ago! I thought you spent all your money on that tranquilizer you hit me with.”
Panel 3 - Foggy frowns, skeptically and taps the glass with a finger.
SFX: Tink-tink
Panel 4 - Close on the villain, still cast in shadow. His monocle has a crack down the middle and he is wearing a waistcoat over a dress shirt and he’s furious. The hourglass is visible behind him and as Foggy pulls his cell phone from his pocket, watches the villain from within the hourglass.
Foggy: "... You know I need to be in the bottom part of this, right?" 
Villain: “I know how an hourglass works.”
Panel 5 - Over Foggy’s shoulder, within the hourglass, we see his phone. There’s a series of unreadable text messages sent to and from a devil emoji, but the latest one, sent from Foggy, simply reads “Halp”.
Foggy: “Touchy, touchy…” /end image description]
[Image Description: Page 9 - 5 panels.
Panel 1 - Foggy is still reading his phone, more or less bored with the villain’s theatrics and waiting for a return text. 
Foggy: “So, what, you forgot you needed a way to flip it over?”
Panel 2 - The villain crosses his arms and glares up at Foggy, offended.
Villain: “I’m sorry, do I come into your place of business and tell you how to do your job?”
Panel 3 - The camera faces Foggy within the hourglass. He throws his hands up in frustration, still gripping his phone. 
Foggy: “Sorry, this is an even less deadly death trap than the first one!”
Panel 4 - Super tight shot on the villain’s eyes. The cracks in his monocle gleam and his visible eye makes him look deranged with the rest of his face in shadow.
Villain: “I am perfectly content to just push the hourglass into the river, Mr. Nelson, and let Daredevil find your bloated corpse when it washes up."
Panel 5 - Foggy smirks, looking profoundly unintimidated and reading his phone. 
Foggy: “I’d be more intimidated if I thought you could afford to replace it.” /end image description]
[Image Description: Page 10 - 6 panels.
Panel 1 and 2 - The villain furiously points up at Foggy. 
Villain: “I will have you know Mr. Nelson, I”
The villain is suddenly cut off when a red billy club flies in from the left side of the panel, hitting him in the side of the head. His monocle goes flying and the villain himself drops like a sack of bricks.
Panel 3 - Daredevil in silhouette jumps down and lands gracefully on the silhouette of the hourglass with Foggy inside.
Foggy: “You know I don't think this guy thought this supervillain thing through.”
Panel 4 - Foggy looks up and watches as Daredevil perches on the edge of the hourglass and pushes it open at a hidden hinge. He faces down at Foggy.
Daredevil: “I don’t think any of them do.”
Panel 5 - Free of the hourglass, Foggy stands in the background next to the exit of the warehouse, one hand on his hip and the other rubbing the back of his neck. He eyes Daredevil as Daredevil scowls, fastening ropes around the villain’s hands.
Foggy: “So, we haven't really had a chance to talk at the office lately…”
Daredevil: “Well, we’ve been really busy.”
Panel 6 - Daredevil faces the exit, his face hidden and looking away from Foggy, who stands in the foreground.
Foggy: “I, uh, do need to talk to you about something -”
Daredevil: “Sure - yeah, sure, just uh….” /end image description]
[Image Description: Page 11 - 6 panels.
Panel 1 - A red blur as Matt takes off, leaving Foggy in silhouette behind him.
Panel 2 - Matt’s office, during the day. Matt is sitting in a leather chair behind his desk. He is wearing a suit and tie and his eyes are hidden behind his rectangular, red sunglasses.. Kirsten is there, sitting on the edge of Matt’s desk, half-turning to look at him as they talk, she’s wearing a pair of high-waisted slacks and a flowy blouse. Matt’s office is tidy, with a long filing cabinet in the corner with a braille printer on top. His desk is clean aside from his braille reader, hooked up to his closed laptop and a mug next to him. Other buildings are visible in the window behind him. Kirsten’s expression is slightly skeptical and Matt is wincing, embarrassed.
Kirsten: “So you left a devil-shaped dustcloud.”
Matt: “Look, I’m not proud of it.” 
Panel 3 - Matt leans back in his chair, smiling weakly. 
Matt: “I just need some time. I’ve been actively pushing this down for years, it just… comes back up sometimes.”
Panel 4 - Kirsten is skeptical and Matt smiles grimly. Behind Kirsten, we see Matt’s office door which reads Murdock (in reversed letters).
Kirsten: “And that’s why you’re hiding in your office.”
Matt: “And that’s why I’m hiding in my office.”
Panel 5 - Zoom in on Matt. He’s half-smiling, but clearly sad.
Matt: “I just… I know he won’t be a dick about it. But it’ll make him uncomfortable and I …”
Panel 6: Matt slouches all the way down in his chair, the office around him having vanished into a white void and leaving him alone to sulk.
Matt: “I’ve put him through enough.” /end Image description]
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moonstomars · 4 years ago
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Hi! So, I was wondering if you could do King and Diane for the character questions. Thanks! Have a great day!
HELLO AND THANK YOU SO MUCH! Here we go, and have a great day as well!
King
Why I like them: there are so many reasons why I like this boy but I think the main one is that I find him so human and relatable. King makes mistakes, judges people without knowing their whole story, has killed people without thinking much about it, but he has also a moral code and will do anything, even if it hurt him, to protect the people he loves and fight for what he thinks is right. I also like the fact that he expresses his emotions very openly. 
Why I don’t: uhm I really like him so no reason? He should stop holding back maybe 
Favorite episode (scene if movie): I really enjoyed his whole journey in the past with Diane
Favorite season/movie: maybe as a whole season ... season 2?
Favorite line: that one about the fact that true evil doesn’t exist ... maybe it’s a bit a cliche, but it showed very well how much he grew up from the start 
Favorite outfit: I like his current one and the one he wore during the New Holy War a lot
OTP: KIANE
Brotp: I love King and Helbram but I also enjoy a lot King and Ban as a brotp
Head Canon: King can communicate with the Fairy King’s Forest and pretty much all the flora. It’s a totally different language from the one humans speak but he always had a strong connection with plants and trees and learning to understand them wasn’t hard. 
Unpopular opinion: I don’t know if this is unpopular but King is way more powerful than what he seems. I mean, he has a crazy amount of powers he never uses ... Nakaba is just holding him back
A wish: for him to be finally happy with his family 
An oh-god-please-dont-ever-happen: I don’t want him to die in the sequel please! Just let him be a soft dad
5 words to best describe them: selfish, caring, brave, anxious, determined 
My nickname for them: I don’t have many ... fairy boy, elvis King for his latest appearance and an honourable mention to DDE King (that belongs to the Kiane discord)
Diane 
Why I like them: I like Diane because she got an interesting personality, at least at first, and I love the fact that she is powerful and physically strong but dislikes so much to fight
Why I don’t: It’s not Diane’s fault, but I think it’s a pity she lost her memory so many times. It changed her a lot.
Favorite episode (scene if movie): I can't remember the episode but when she shows up in Liones to save Elizabeth and fights Dreyfus and the Holy Knights. That was EPIC! 
Favorite season/movie: season one or three.
Favorite line: that’s difficult ... I can’t remember a specific line right now but I liked her dialogues in her gaiden, her discussions with Matrona were interesting and showed quite well her personality
Favorite outfit: her second one! 
OTP: KIANE AGAIN
Brotp: Elizabeth! And Gowther 
Head Canon: I like to think that now she is perfectly comfortable with her body and role as queen. And I want to believe that she managed to unify the giants!
Unpopular opinion: I wouldn't have minded if she has kept part of the cold personality she showed at first... 
A wish: I just want her to live happily, have a huge family and be a cool queen and mom 
An oh-god-please-dont-ever-happen: DON’T DIE IN THE SEQUEL
5 words to best describe them: passionate, brave, fragile, caring, kind
My nickname for them: I don’t really have one!
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blogdaana8530 · 4 years ago
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Um perfeito cavalheiro- julia quiin
olá! imagine a seguinte cena: Você é um amante da  leitura, que acaba de sair de uma ressaca literária. você olha para sua estante de seus maravilhosos livros que vc não conseguia ler,e  pensa “ vou procurar algo pra ler”. Passa dde livro a livro, até ver a capa de um livro que te chama atenção e pensa:” vou ler”. Depois de ler em menos de 5 dias, vc olha e pensa: “ que história bonitinha”. Essa foi a minha reação.
Primeiramente, deixa eu me apresentar: prazer, sou Ana Cláudia.Irei dar minha humilde opinião. Vamos primeiro de resenha de, irei tentar ao máximo ilustrar melhor pra vcs.
“ Sophie sempre quis ir a eventos publicos. Sua vida era completamente trabalhosa. Além de ser uma empregada de sua madrasta, ela tem que aturar as suas duas irmas portiças que não sao nem um pouco gentil. Um dia surge a oportunidade de ir a um baile dado pelos Bridgertons. Ela vai e lá se depara com Benedict, o segundo irmão mais velho da família. Naquele momento, os dois se conectam de uma forma especial.( eles não sabem quem são).Ela é a Dama do baile e ele um dos mais ricos do momento.  
Após meia noite, tristemente acaba. A vida não é justa com nenhum deles. O destino os afasta, e os junta 3 anos mais tarde.Os dois se apaixonam novamente, mas nem tudo é fácil né. Então será que haverá chance pro amor deles? haverá um final feliz pra ambos? será que um bridgertons ficará com uma filha ilegtima de um duque?.....”
Este livro foi bem legal de ler. O casal foi bem formado. Cara eu ficava de boca aberta com algumas páginas, e com raiva do Benedict em outras vezes.  Nunca tinha lido um romance de época, gostei da experiência. Apesar de demorar pra eu consegui ficar fisgada pelo livro, gostei! Gostei da escrita da Julia Quiin, bem boa.
Sophie foi uma personagem que mais sofreu nesse livro em MDS! Admiro pela sua força, não sei como ela aguentava aquela mocreia e as filhas dela. E ainda ter sido expulsa pela madrasta, não tendo nem pra onde ir. Aquela bruxa da madrasta dela não deixava ela em paz nem ela não estando morando na casa dela em....
Gostei muito da Violet .Ela é uma mulher que msm sendo ficticia admiro muito. ela tem um caráter adorável.
 Amei os babados dessa lady desconhecida. Quem derá tivesse na vida real isso, eu todo dia ia ler com certeza. Como que ela descobria as coisas em ????? ela tá melhor que minhas vizinhas fofoqueiras em kkkk
como assim o benedict não reconheceu ela? isso me irritou, coitada da menina em, esperava que ele soubesse quem é ela. Acho que ele não queria acreditar que ela era só pode. Apesar de eu gostar de Benedict, tenho que dizer: “ vc precisou do seu irmão fala umas verdades, pra vc cair na real?; precisou dela tá vendada pra reconhecer ela?”.
O final me surpreendeu um pouco, pois eu não esperava. por isso é uma das partes que mais gosto desse livro. Se você gosta de um romance, um pouco tipo cinderela, eu te indico este livro. 
Minha avaliação pra ele é.........4 estrelas.
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planegypttoursspain · 5 years ago
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Mejor oferta de paquete barato a El Cairo y Luxor, viaje en  paquete económico, El Cairo y Luxor a las pirámides Guiza, la pirámide de Keops, Kefrén, Micerinos y la esfinge grande, paquetes baratos en El Cairo y Luxor, visita al Templo de Karnak y el Templo de Luxor.
Tours Baratos a El Cairo, Luxor, Asuán y Abu Simbel
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Día 1: Llegada a El Cairo Egipto
Primer día en Egipto. Ustedes estarán bien recibidos por parte del responsable de Plan Egypt Tours a la llegada al aeropuerto de El Cairo según el horario del vuelo, terminar los datos de la entrada y visado de Egipto luego camino al hotel en El Cairo, noche en el hotel reservado en El Cairo Egipto.
Día 2: Tours En El Cairo
En su primer día en Egipto terminar desayuno en el hotel en El Cairo y encontrara con el guía de Plan Egypt Tours certificado del ministerio de turismo de Egipto en idioma español para tours en El Cairo, visita de las piramides de Guiza, Keops, Kefren y Micerinos pero quedan las pirámides de las reinas esposas reales de estos faraones enterradas también en pirámides más pequeñas, así la área de Guiza once pirámides para visitar, además del templo del valle de Kefrén y la esfinge famosa llamado (Abu El Hol) padre del terror por la gente local en Egipto.
Ahora seguir tour opcional al Museo Egipcio en el centro de El Cairo donde está la colección más grande de piezas antiguas en el mundo, terminar su visita en El Cairo, a la ciudadela dde Saladino y la mezquita de Alabastro, el barrio cóptico (Misr El Kadima) donde está la cripta de huida de la sagrada familia en Egipto la iglesia San Sergio, terminar el tour de El Cairo en Jan El Jalili el suco típico donde se puede conseguir un recuerdo de su tour en El Cairo. Traslado a la estación de tren en Guiza para tomar el tren coche cama a Luxor, cena en el camarote del tren y noche abordo.
Día 3: Luxor tours (Los templos de Luxor y Karnak)
Desayuno a bordo del tren, llegada a luxor y traslado con el representante de Plan Egypt Tours al hotel en Luxor, tours en la ciudad fabulosa Luxor para visitar el complejo de templos de Karnak del dios grade de faraones Amon Raa, acuerdas de tomar fotos del escarabajo grande en granito rosa del dios de la buena suerte, está al lado de la alberca en el Karnak templo, anochecer visita del templo de Luxor donde están figuras grandes de Ramsés II en granito negro y caliza blanca, regreso a su hotel en Luxor, y posibilidades de tours opcionales de luz y sonido en Karnak o paseo en caliza a conocer Luxor, noche en Luxor.
Día 4: Luxor (El Banco Occidental en Luxor)
En su hotel en Luxor un temprano desayuno y visita opcional al banco occidental de Luxor con su guía local al Valle de los reyes donde excavaron los faraones desde el Imperio Nuevo sus tumbas en la roca por debajo de tierra, el templo del mujer faraón Hatshipsut y los Colosos de Memnon o Amenofis III papa de Tut Ank Amón, almuerzo opcional probar una comida típica egipcia, transferencia al hotel en Luxor y noche en el hotel en Luxor. Acuerdas de tener idea de los tours opcionales espectáculo de Luz y Sonido del templo de Karnak, noche en Luxor.
Día 5: Asuán tours
Desayuno en su hotel y visita a Asuán en automóvil privado con aire acondicionado Para tours en Asuán la ciudad de marfil, era parada para comerciantes africanos de marfil, pasar un día en Asuán y visita el templo de Filae de la diosa Hator y su suegra Isis, el templo Filae en Asuán está construido en una isla en el rio Nilo, también las canteras de granito, el obelisco inacabado y cruzar el puente de la antigua presa para visita de la alta presa de Asuán, traslado al hotel en Asuán y noche en Asuán.
Día 6: Asuán / Abu Simbel / Aswan
Temprano a las cuatro de la mañana salida del hotel con el guía local de Plan Egypt Tours de idioma español y un desayuno de comida picnic, tour a Abu Simbel en el sur de Egipto al lado del lago Nasser y visita los dos templos en Abu Simbel, el templo grande de Ramsés y el templo pequeño de Nefertari, una sorpresa de los cuatro colosos representan a Ramsés segundo sentado en el trono en medidas de 22 m. cada, tour dentro del templo grande de Abu los relieves en las paredes y los colores muy bien conservado todo, el templo pequeño de la esposa favorita de Ramsés segundo Nefertari está representada en forma de la diosa Hathor la diosa de belleza, camino de regreso a Asuán disfruta del paisaje natural, llegada a la estación de tren en Asuán para tomar el tren hacia El Cairo, noche y cena en el tren.
Día 7: El Cairo ( Tours Opcionales )
Desayuno a bordo del tren. Llegada a la estación de tren en Guiza y traslado a su hotel. Acuerdas de tener idea de los tours opcionales de Plan Egypt Tours a las pirámides de Saqqara y la piramide escalonada de Zoser, tour a Menfis la capital antigua de Egipto, espectáculo de Luz y Sonido en la área de las pirámides de Guiza o cena con show de danza de vientre en crucero Nilo en El Cairo, noche en El Cairo.
Día 8: El Cairo / Salida final
Hasta próximo viaje en Egipto, desayuno en el hotel del Cairo y llegada del representante de Plan Egypt Tours para salida al aeropuerto de El Cairo con los mejores recuerdos de viaje El Cairo con Luxor y destino a su país de origen.
Incluido:
Asistencia del representante de Plan Egypt Tours en el aeropuerto para el traslado a su hotel.
Alojamiento 2 noches en El Cairo (desayuno incluido).
Medio día de excursiones a las pirámides de Guiza en El Cairo.
Guía local en El Cairo de habla español.
Una botella de agua mineral por persona.
Alojamiento 2 noches en el hotel en Luxor (desayuno incluido).
Las entradas de las visitas según el itinerario del viaje Luxor.
Tours por un día en Luxor según el itinerario de viaje en Luxor:
Visita El templo de Karnak
Visita El templo de Luxor.
Guía local de habla español para los tours en Luxor.
Tour por un día a los dos templos de Abu Simbel desde Asuán.
Alojamiento una noche en Asuán.
Tour por un día en Asuán:
Visita El templo de Filae.
Visita Las canteras de granito y el obelisco inacabado.
Visita La alta presa.
Visita a Abu Simbel.
Todos los impuestos y cargos del viaje Egipto.
Traslado al aeropuerto internacional de El Cairo para la salida final de Egipto.
...................................................................................................................
https://spain.planegypttours.com/Viajes-A-Egipto/Viajes-Baratos/
https://spain.planegypttours.com
Departamento Español:
Contactos con: Azza
Móvil: +2 010125 32 888
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asktotallyhuman · 3 months ago
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"I would like to ask the local cleric more about their religion, as being raised with an open mind to listen and learn (and only told of one legend story for bedtime in my youth)... Father Syrus didn't hold any belief himself, but he was still enjoying listening to others of their own..."
"... but right now, I don't think they would be open to... talking with me just yet... what with my gray skin and all..." ^^;
(Wanted to ask Father Aldurn as Orchid just for laughs)
But luckily, with the magic of her charm, she's able to walk the town freely. Even enter the church, and speak to reverend Father himself.
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Father Aldurn closes his book before he continues.
"The Aether, and the Nether, both places one could access with the right resources. Heaven and hell. Death brings one of three options:"
"One: A soul that is virtuous, is given the gift of "creation," spirit awakening within the paradise of the aether, free to fly and create in true paradise for eternity.
Two: A soul that is vengeful, filled with hatred and spite, is bound to eternal damnation. Dread souls to become a part of the soul-sand that covers the nether realm.
Three: Some say, that within the realm of the void exists a form of purgatory. Lost souls wander the barren wastelands of the void and the endrealm, their former beings slowly stripping away, until they become akin to a pearlless enderfolk, screaming in the dark with powers they can't control."
"If you want to learn more, my child, perhaps you would like to attend one of my sermons!"
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rjzimmerman · 5 years ago
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Excerpt from this Smithsonian article:
Significant traces of the harmful pesticide DDT, or dichloro-diphenyl-trichloroethane, are still present in the sediment of Canadian lakes, nearly 50 years after the last drop was sprayed, a new study published in the journal Environmental Science & Technology has found.
One of the major uses of DDT was controlling insect outbreaks, like spruce budworm, in conifer forests across North America. Thousands of tons of the chemical were blanketed over forests using airplanes and helicopters—and a portion of it washed into the lakes. Bob Weber at The Canadian Press reports that in the province of New Brunswick alone, almost 6,300 tons of the stuff covered forests between 1952 and 1968.
That’s why the study’s lead author Joshua Kurek, an environmental scientist at Mount Allison University, and his colleagues wanted to measure just how much DDT still persisted in the lake sediments of remote bodies of water in the province. The team collected sediment samples from five lakes in May and June 2016, pulling up cores that went back to 1890.
Most of what the team found wasn’t too surprising. The amount of DDT in the sediment peaked in the 1960s and 1970s. But they were dismayed to find that the levels of DDT in the top layers of sediment were still significantly more than 5 parts per billion, which is considered acceptable by the Canadian Council of Ministers of the Environment. On average, the modern-day sediments were 16 times beyond that level, but one lake was 450 times over the limit. That means DDT and its toxic breakdown products, DDD and DDE, are still hanging around causing problems in those lakes—and likely many more throughout the continent.
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kynthosmojo · 7 years ago
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Was the DDE really only in 2017? Angels vs hunters :) I kinda wish the whole of the fandom: Hets, Hats, wives fans... would get on the same page and push those fuckers out. What is your take on this War that makes the Apocalypse look like child's play?
OOOH! My first ask and it is a really awesome question! Thank you anon! A favorite moment in history, not in J2 history per se, but inliteral history.I have other many, many favorite J2 moments! OK, this is my first ever ask, but forgive my long answerbecause it is something that has been on my mind a long time. I don’t exactly know how to do that “under the cut” thing, so …  
(update: Figured it out!)
~Was the DDE really only in 2017?~ Yes, that spoken invalidation of that particular ship aspart of CANON, meaning actual part of the plot, story-line, etc. in the show,happened a mere year ago, if even. It was during JAXCON 2017. It was taken, inmy opinion extremely out of proportion by many sides, but mainly, by the sideof the fandom that is EXTREMELY invested in that ship.This war, though, has been going on for way longer thanthat, and Jensen has been vocal earlier than that about it. That moment was, asthe saying goes, “the straw that broke out the long guns and sank that“problematic” battleship.“There is a Tumblr that has all the moments Jensen spoke outagainst Destiel. If I can find it, I will link it here, but you may have seenit before.
Anyway, in reply to your wish, I agree, but solemnly thinkTHAT would be too much like perfect.
One problem is IMHO, there are so many factions, so manyindividual agendas, and so many opinions clashing, there is hardly, rarelyeven, an honest opportunity for people to come together on even the broadesttopic in the fandom. There are some people claiming to be multi-shippers, open-minded people who respect wives and family members, fence-sitters, etc. whenthey’re not.
I ONLY say this because they have an obvious preference when theygive their opinions, and they feel the need to defend that preference at allcosts. This results in extreme behaviors from all sides Surprising as it may seem, whether they are hats, wifestans, hets, etc. Destitutes have actually infiltrated every branch of thefandom, even Wincest shippers.
There are some fans who are reasonable, logical, and not soinvested in THAT ship that they go out to harm others, but those folks are notwhat I call Destitutes.
Where is that same defense for J2 and Wincest, or fuck it,just J2 if that is all you like?!
Everyone claims to try to be inclusive, to allow people newto the fandom and its many branches to learn, but realistically we cannot agree oneverything. And some people just can’t leave shit alone that they don’t agreewith. I get that not EVERYTHING can be 100 percent agreed upon.But if you don’t agree, then how about just leave the conversation as anoption, if not that particular SM group?
Hatters, if they so chose, could still enjoy het groups, and vice versa, ifthey each left certain convos, debates, and discussions alone. But other peopletend to make it intolerable. I will never understand the immediate jump todefense, or the unnecessary comment that someone doesn’t like or agree withsomething.
No one really needed to know that because this is a public forum,not your house.
It is one thing to not allow hate, bashing, or bullying withoutdefense, a totally different thing to push a one-sided view upon others.
Another thing that is a huge problem is dishonesty in theseSM groups due to fear, OR malicious intent. Yep that still happens. Ask questions and get answers, but they are not how that person really feels, they were just trying to get in, for whatever reason
I’d love to know WHO exactly is fence-sitting and wants to really learn about things, WHO is justshipping and enjoying the lucky gifts we get in real pics and things, and WHO actually believes due to the proof that is just there.
Yes, there isa difference in shipping and believing. Neither one is entirely wrong. But people lie when they feel like they’re in trouble, orwhen they want to cause trouble. These are GROWN people, meaning over the ageof 10, and they’re lying like kids under the age of 5.
A precious, dear friend of mine once said to me, "Ijust wish we could stop attacking first and asking questions later…”
I fully and totally agree and wish we as humans first andforemost could do exactly that.
As an example of differing opinions WITHIN common ranks,factions, branches, whatever:
There are believers who think J2 are Bi, that’s cool. Thereare believers who think they’re married to each other / not married, buttogether / not together, but will be after everything is done / in an open  relationship, but ultimately loyal to eachother.
 ANY AND ALL of the above are completely OK, because NONE ofus know the entire truth of anyone’s situation unless we are in it and makingthose same exact decisions daily. But all of the believers have 1 foundation in common. THEYBELIEVE J2 ARE MORE THAN JUST PLATONIC BESTIES.
It is not just a ship to imagine and write fictional stories about, it is notjust a wait and see situation, it is an internal belief based on things we’veseen over the years.
It’s the rest of the factions that I get real wary andsuspicious of. What kind of proof are they looking for, shit is so obvious andso consistent, what else do they need in order to stop denying and startaccepting?
A friend of mine said this to me: "I say they fuck on the regular and are on the DL causeof US the Fans. I don’t think that it would hurt them in the least if they weretogether and out, career wise. This isthe most popular reason WHY though!“
My response was, "That is the thing though. I am notlooking for people’s why’s. I don’t care WHY people believe, just whether theybelieve and in what capacity. Then I can have a decent conversation in thatcontext alone.
So, all those deeply personal relationship types I listedabove, those are all valid, those things can happen in every day life!
I think it is important to acknowledge the situations peoplethink are going on, but not the actual why’s. When we get into the why’s andexamining motivations, people start projecting their own personal, emotional,moral, and ethical standards and experiences on someone none of us have anyidea what is in their heads.
That skews all opinions! I say we LEAVE THAT PART OUT!
I know it is a challenge not to personalize things, and notto project your own life onto someone else’s, but that is IMHO the answer tonot having so many fights and so much vitriol within a fan-base that has splitso very, very extensively.
I hope my novel of a soapbox answer did not put you tosleep, and hopefully it will reach others and give them something to seriouslyconsider.
I want our fandom to thrive and NOT be the joke of all fandoms, orknown as the fandom to avoid, or be careful before you enter. I want a diverse fandom (yes with all its multitudes ofopinions) I can be proud of!
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allbrickscount · 2 years ago
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Sluban M38-B0663D
Car Club
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Build Video: https://youtu.be/MF8TH_Qr6WU
Part of a 5 set amazon bundle.
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juniperpublishers-imst · 4 years ago
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Exploring Innovative Teaching Techniques in Higher Institutions in Cameroon – A Case Study of the Catholic University Institute of Buea, The Growth Entrepreneurial Mindset University
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Abstract
Innovative or creative teaching is known to nurtures students�� creative potential and this requires four competencies namely learning, social, educational, and technological which involves the preparedness and readiness to learn, communicate with others from different backgrounds, passion and knowledgeability, and finally the use of technology to further student understanding. While there are clearly significant benefits to innovative teaching methods, there is a need for caution too in our fast-paced digital world where students have an extensive amount of visual information to hand throughout the day and night. Selflessness is also a factor when trying to innovate and innovation is not carrying a single idea to a predetermined destination and at some point, innovation must be inclusive. The Catholic University Institute of Buea (CUIB) as a professional university has taken the bold step to be the premier game changer and leader in entrepreneurial education in Cameroon and one thing is certain, that entrepreneurialism does not mean a compromise of traditional academic values. On the contrary, it not only fosters it but elevates it since it requires higher order thinking skills such as problem solving; creativity, critical thinking, and thinking for understanding and transfer. CUIB do not only teach students the tasks and practices of business (Heart of Business) but also help them to develop a moral compass (soul of Business) that will enable them to find the right solutions even when in uncharted territory with a growth mind-set.
Keywords: Entrepreneurship, Innovative teaching,Teaching
Introduction
Traditional lectures is known to have ruled auditoriums for decades however there are new styles of teaching that have been discovered and are being discovered and these newer and more innovative teaching methods are moving away from the traditional model of lecturing and passive learning towards a greater focus on active learning, whereby students flexibly interact with others as they do participate in the lectures. Studies proposed that the collaborative way of learning in primary schools, where children sit around a table to work out a problem together, holds significant benefits for active learners but can become lost as the student progresses through their education. Paradoxically, as students develop superior thinking skills and problem-solving skills, the existing teaching methods becomes more and more passive with time thus leading to disengagement and frustration. The traditional lectures limit the opportunities for student interaction, but recent attempts to provide greater student interactions in lectures have resulted in much higher satisfaction, higher thinking skills and enhanced motivation.
According to the president of the Catholic University Institute of Buea (CUIB), Rev. Dr. George Nkeze Njingwa, most traditional universities are too “content” based and do not allow for the transfer of knowledge, new ideas and technology from university to the industry or community. This is what is popularly known as the Triple Helix Concept, namely the University as the Knowledge base, working with the Industry and Society. It is for this reason that CUIB runs a four-year entrepreneurial programme which is mandatory for all students and the purpose of this programme is to foster innovation, creativity, new ideas and new businesses. Students belong to entrepreneurial base groups and are expected to start their own businesses and run them.
Background of Study
The Catholic University Institute of Buea (CUIB) South West Region, Cameroon, was approved as a non-profit making university in two separate letters. The authorization to create CUIB on 09/01/0194 of 11 June 2009 and the authorization to start was signed by the Honourable Minister of Higher Education Prof Jacque Fame Ndongo by decision no 10/02173/N/ MINSUP/DDES/ESUP/SAC/NJE/ebm dated 26th of May 2010. Its primary purpose is to train professional servant leaders with moral and spiritual values so that they may be responsible to their communities. The proprietor/chancellor of the Catholic University of Buea is the Bishop of the Diocese of Buea. In June 2011, another arm of the University, the Business and Research Park was created as a legal entity of its own by the Cameroon laws no RC BUC.2031-B023 with the name CUIB-Centre for entrepreneurship research and innovation [1]. The Catholic University Institute of Buea Sport Academic (CUSA), Went operational in December 2014 with authorization no 1106/ G37/C84/VOL II/SAAJP with the main aim of assisting young, talented and excellent skilled Cameroonians in the various field of sport like football, volleyball, basketball, handball etc.
Literature Review
Innovative teaching is the process of leading to creative learning, by implementing new methods, tools and contents that can benefit learners and their creative potential. Instructors, trainers and teaching assistants’ relapse to educating students in the way they were educated and thus implementing the teaching practices that were effective in helping them learn furthermore how students learn best has change as time too has change [2]. Sternberg & Lubart [3] proposed that divergent thinking and embracing alternate solutions to problem solving while demonstrating a sensitivity to problems could help educators achieve these goals. Additionally, it has also been recommended that providing opportunities for active learning and stimulating learning interests could also help nurture innovative practices in the learning environment. Project-based learning is a good example of innovative learning, but it is possibly not the way you would expect as learning through projects is indeed innovative compared to teacher-led and textbook-sourced instruction.
Innovative teaching is good, whether technology is used; as a bad teacher does not suddenly become a good teacher just because technology is not included into the mix nor does a good teacher need to always use technology to maintain their effectiveness. Innovative teaching therefore focuses on creating conducive environments within which good learning can occur and the innovative teachers are excellent at supporting students and are also expert at creating engaging content and new experiences and they measures progress without causing any stress to the learner.  
Research Methodology
For this research work, the researchers used both primary and secondary data that is information collected from fieldwork through direct observation and through books and the website of the University respectively. This research also uses quantitative or qualitative method of data collection and according to Jary & Jary [4], qualitative techniques rely on the skills of the researcher as an interviewer or observer in gathering data whereas quantitative methods place reliance upon research instruments employed to gather data and analyze it for example questionnaires.
Findings and Analysis
According to Rev. Dr. George Nkeze cited in the 2018/2019 bulletin annual publication of the Catholic University Institute of Buea, the dynamics of a constantly changing world is complicated: the education landscape is constantly changing, the old ways of learning- going to school and writing a test is no longer tenable and therefore it will essential to train students and adults about how to learn efficiently (skills oriented) and not what to learn (knowledge oriented). The Catholic University Institute of Buea – CUIB ubiquitous satellite campus: study anywhere, anytime campus is an initiate to take advantage of the technology advances that permit the blend of e-learning with the university’s traditional learning methods and models. This model involves a hybrid form of on-site and ubiquitous learning where students, professionals as well as non-professionals alike can benefit from the university state of-the-art and many amenities it provides. The university authorities believe that gone are those days where learning is confined to a physical classroom or restricted to hours of the day as this method contributes to the university’s goal to train individuals that can flourish in a rapidly changing world.
According to Kasey Bell [5] google classroom is designed to help teachers and students communicate and collaborate, manage assignments paperless, and stay organized and borrowing from the Google classroom which is part of the Google Apps for education suite, the authorities of the Catholic University Institute of Buea in an effort to continue to foster its policy of on-site and ubiquitous learning. It should be noted that students, professionals as well as non-professionals learn from the comfort of their environment without necessarily meeting in a physical environment and working with the guidance and support of the lecturer. The entrepreneurship training and practice program and activities which provide the scope and tradition necessary to implement the learning processes inherent in building an entrepreneurial mind-set [6].
The Catholic University Institute of Buea – centre for entrepreneurship and innovation academic fair (CUIB-CEI). It is an annual flagship event organised within the first two quarters of the month, it is under the theme ‘Economy of Communion’. There are also other innovative teaching methods namely: colloquium guest speaker, academic boot camps and start-ups, business plan challenge contest, one eagle one talent initiative and student incubator program [7].
Conclusion
As the educational environment is constantly changing in this complicated landscape especially with regards to the changing technology, for educational institutions to remain competitive, authorities must move from a fixed mind-set to a growth mind-set [8-11]. This means that they should be able to embrace challenge, be an opportunity to grow and be persistent in the marketplace, learn and identify areas to inform gained more skills from hard work and always accept continuous improvement.
To Know More About Insights in Mining Science & Technology Please click on: https://juniperpublishers.com/imst/index.php
To Know More About Open Access Journals Please click on: https://juniperpublishers.com/index.php
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semprefantastico6 · 4 years ago
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como cantar bem e ter a voz bonita em 5 passos (15)
Cantora BritâNica Dá 4 Dicas De Como Proteger A Voz
Conhecendo A Voz Para Aprender A Cantar Sozinho
Saiba a posição correta da língua quando praticar as vogais. Ao explorar sua extensão vocal, a boca deve abrir e fechar segundo . Sua boca se abrirá porque você levantará a língua adiantado, de modo a sustentar o mesmo espaço. Muito espaço cria um som escuro e artificial. É uma técnica esquecida, não obstante essencial.
Como Trovar No Meu Tom?
Os termos tom e semitom são usualmente usados juntos para expressar intervalos. Por ex, a quarta combate tem 5 semitons ou 2 tons e meio. Em sua forma abreviada vamos poder utilizar esses termos para expressar as diferenças de profundeza entre as notas sucessivas de uma escala.
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Isso define o alcance da voz dde um indivíduo. https://bit.ly/3mLzUzG Outro tema interessante é descobrir que cada voz possui seus limites. Conquanto, com aulas de esquina e bastante treino mediante exercícios, uma pessoa pode alcançar tons mais graves ou tons mas agudos. O sota também faz parte dos elementos que tornam a sua voz potente e provável. Portanto, é necessário admitir o poder da força natural da biologia ao tentar trabalhar a voz que se cobija, em vez de tentar modificá-la. Todas e cada uma das vozes podem ser bastante preciosas e agradáveis, aliás, trabalhando a sua voz e não fabricando alguma coisa sintético, você certamente terá a maré de cantar por diversos e vários anos. Sem mediação cirúrgica, é irreal mudar o comprimento das cordas vocais de uma pessoa. A voz necessita de grandes músculos do corpo. Sendo assim, uma postura ruim deve levar à tensão muscular e à distorção oral. Há também outros fatores que podem parecer menos óbvios. Pratique vocalizes (no primeiro vídeo desse artigo, nós mostramos número reduzido de exercícios de vocalizes). Ou seja, o aplicativo simula uma aula de canto prática em que o piano é usado como “instrumento guia” para as notas. Autor, compositor e aedo de rap Eminem é um dos artistas que mais venderam álbuns na história da indústria da música. Que nem em varias coisas na vida, é importante ter um modelo para ter certeza de que é provável com sucessotrabalhar sua vozsemaulas de cantoou professor de quina. Pequeno número de realmente são mais talentosos do que outros, embora todas vozes podem ser corrigida e benfeitoria. Use um gravador ou o aplicativo de disco do seu celular e cante uma música por no mínimo 30 segundos. Qualquer tipo de voz também possui subcategorias, como lírica e dramática, para caracterizar melhor as habilidades vocais individuais.
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Aqueça a voz sem forçá-la.Solte o maxilar e relaxe os ombros. Inspire e expire normalmente enquanto cantarola. Vá da nota elevado para a baixa, como uma sirena suspirando. https://www.facebook.com/fellipe.neto.5872 Se você sentir cócegas à volta do nariz e lábios, é porque está fazendo correto.
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