#darcy still exists
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I was trying to make a new banner but I ended up listening to nevermore by sasakure uk on repeat and accidentally made a vague AU...
#naem draws#amphibia#maybe I'll finish it#<-- I say that having piles of wips in a corner#don't know what this au would be about exactly#but time travel is a thing#it'd have anne and her existential crisis#darcy still exists#doing something sus too#marcy's going through it???#sasha is about to throw hands#imagine a scenario where your younger selves#see your older selves going though it#and going what the frog happened#the multiverse happened#maybe there's a version of darcy out there#who ascended into godhood#how scary#goodbye normal stable adult lives hello magic and interdimensional multiverse god bullshit#domino 3: so do you still wanna become god? anne: i still can't decide what to eat for dinner
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okay but just thinking about how dark it is that Anthonyâs kind of ultimate fantasy isnât marrying Kate âitâs being married to her sister while lusting after Kate, his honor about to SNAP
#like. where is the love. frankly it isnât there!!!!!!!!#I know thatâs not what the show thinks itâs doing#BUT IT IS WHAT THE SHOW IS DOING#because there is no coherent reason he canât just stop courting Edwina and marry Kate!!!#like. nothing that makes ACTUAL sense#because the show (book?) is driving so hard at creating a situation where heâs torn apart by forbidden passion#that they are not thinking about creating something that makes reasonable sense#lust IS their goal! and/or the in between space that exists right before lust#and so if you actually examine it coherently it is just confusing cruelty#like him snarling âand it is not far eNOUGHâ#is actually a) embarrassingly hilarious b) cruel??????????#because itâs like. all about his own desire#the show pretends he is honorable. HE!!! IS !!!!!! NOT!!!!!!#thatâs not what honor IS#and because all the stakes are lies/at the very least incoherent it creates something that celebrates something so dark#the end of lust is cruelty!!!!!!!!! and it accidentally shows that#like Iâm so sorry Iâm still talking about this and I will stop in a second (I just keep repeating myself)!#but his actual goal as a character is never to recognize his love/attraction for Kate and do something sensible about it#to forward his own happiness#the show is so badly written that his goal becomes to stay in the state of being both attracted to Kate and angry at her for it#because thatâs what the show runners want to present its viewers#and that is actually SO. DARK.#to say that Darcy would n e v e r is so obvious I almost canât even say it#itâs not that Bridgerton is just silly itâs that !!!!!!!! it is DARK
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"âMargotâs not well versed on the Daysâ fandom, but she says thereâs this site that does a great job of archiving fics and keeping everything organized. She wanted my email so she can send me an invitation. Archive of Our Own?â Darcy shrugged. âApparently the filters for searching for fics are unparalleled, but thereâs still a bit of a learning curve. She offered to show me the ropes. Give me a tour of the site. In case I want to get back into it. Reading, maybe writing.â"
-Written in the Stars
#book things#written in the stars#quotes#darcy lowell#discovering the joys of ao3#the filters are great#although i still often have trouble finding what i want#probs because a lot of the time it doesn't actually exist
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thinking about them....
sometimes all i think about is youâŚ

#i dont know wether to be happy or sad.#im happy that i got to whitness it but im sad that this team spesifically will never exist again#like not the avs but like the players on the 2022 team#plus tyson jost because hes always gonna be one of my favorite players ever no matter if hes in the nhl or ahl or on the avs or the wild#or the sabers or canes what ever hes still one of my favorites#colorado avalanche#avs stanley cup champions#andre burakovsky#gabriel landeskog#cale makar#erik johnson#nathan mackinnon#nazem kadri#darcy kuemper#pavel francouz#tyson jost#bo byram#alex newhook#jt compher
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Ngl, it's kinda crazy how Darcy greeted killbot 86 as if they knew each other and been homies for a long time lmao.
#chewys notes#killbot 86#like#didn't darcy existed for like two years???#And killbot 86 been around since 2014??#Doesn't matter cause it made me happy either way#Darcy#still crazy as fuck tho lmao#Wish to see him more in the future#And because of this recent cameo#im gonna assume Killbot 86 might actually serve a role in season 3#Yippee!!
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bookworm II
-> blurbs pt. I
-> rafe x bookworm!reader



At first, you thought it was a coincidence. A fluke. A strange alignment of the universe that had Rafe Cameron showing up at your bookstore every single day.
Then, the excuses started.
âYeah, uhâI lost my bookmark. Need a new one.â
You arched a brow. âYou bought one yesterday.â
âYeah, well. Lost that one too.â
The next day, it was:
âDo you guys sell⌠maps?â
ââŚMaps?â
âYeah. Like, of the world. Or South Carolina. Or, actually, just this bookstore. So I donât get lost in here. Yâknow. Again.â
You smirked. âYouâve been in here at least a dozen times, Rafe.â
âYeah, but, like. What if I forget where the classics section is?â
You tilted your head toward the large sign hanging from the ceiling labeled Classics.
Rafe nodded like that was irrelevant.
And then there was your favorite excuse:
âYeah, so, uhâmy dad told me I need to umâŚread more.â
Your lips twitched. âYour dad, huh?â
âYeah. Real big on literacy.â
ââŚWard Cameron?â
âYep.â
âThe same Ward Cameron who tried to build a golf course over the town library?â
Rafe coughed. âUh. Yeah. Heâs changed.â
It was obvious. He wasnât here for the books.
He was here for you.
You never called him out on it, though. Not when heâd come in pretending to browse, only to spend an hour leaning against the counter, talking to you about anything, or, sometimes, nothing.
Not when he bought The Odyssey and then asked you, dead serious, âIs this, like⌠a pirate book?â
Not when he sat on the floor of the poetry aisle, flipping through a book like he actually understood it, just because it was your favorite section.
And definitely not when he smiled at youâsoft, lopsided, like he had nowhere else in the world heâd rather be, and asked, âWhat should I read next?â
Because, at the end of the day?
You kinda liked that he kept coming back.
...
âYou donât have to help, you know.â
âI want to help,â Rafe said, rolling up the sleeves of his absurdly expensive button-down, like he was about to perform some impossible manual labor.
You squinted at him. âDo you⌠even have a job?â
He waved a dismissive hand. âNot important.â
You had your doubts, but you handed him a stack of books to shelve anyway. Simple task. Foolproof.
Five minutes later, you turned around to see him absolutely butchering the organization system.
âRafe.â
âYeah?â
âWhy is Pride and Prejudice in the True Crime section?â
He turned back to the shelf, frowning. âOh. Thatâs my bad. I just, yâknow, Mr. Darcy? Heâs kinda criminal. The way he was actinâ.â
You sighed. âAnd Where the Crawdads Sing?â
ââŚNature documentary?â
You pinched the bridge of your nose. âThatâs fiction, Rafe.â
âOkay, well who decided that?â
The next disaster struck when he insisted on manning the register.
A sweet old lady handed him a book, and you watched as he flipped it over, looked at the price tag, and said, âYeah, uh⌠howâs twenty bucks sound?â
You smacked his arm. âRafe. The register does that for you.â
âOh. Yeah. Right.â He punched in the numbers dramatically, furrowing his brow. âBeep. Boop. Okay, thatâll be⌠twelve dollars and ninety-nine cents.â
The woman blinked. âThatâs the full price, dear. Donât I get the senior discount?â
Rafeâs face scrunched. He turned to you, looking genuinely distraught. âBabe, we canât just rob old ladies. Thatâs messed up.â
You groaned. âItâs built into the system, Rafe.â
He looked at the register, squinting at the screen like it had personally betrayed him. Then, sighing dramatically, he pressed some buttons.
âOkay, maâam, with the discount, thatâll be⌠uhâŚâ He turned to you and whispered, âHow much is twelve minus ten percent?â
You just laughed, shaking your head.
And the worst part? You still didnât kick him out. You let him stay.
Because even when he was the most useless bookstore assistant to ever exist, he looked so damn proud every time he got something right, like when he stacked books into a perfectly symmetrical pile, or when he finally figured out how to use the barcode scanner.
And, okay. Maybe you liked seeing him here. Maybe you liked the way he leaned against the counter, twirling a pen between his fingers, looking at you like you were the best thing heâd ever found in a bookstore.
Maybe you liked him.
Just a little.
...
The second you heard loud, obnoxious laughter from the back corner of the shop, you knew it was trouble.
You peeked around a bookshelf, your stomach sinking. A group of guys were shoving books back onto shelves backwards, tossing paperbacks to each other like footballs. One of them had the audacity to rest his drink on top of your classics display.
You took a deep breath, smoothing your hands over your pants. âHey, guys,â you called, forcing a polite smile. âCould you please be a little more careful with the books?â
One of them barely glanced at you, smirking. âRelax, sweetheart. We're real careful.â
You hated when men called you that.
Well, most men.
Another guy laughed, nudging his friend. âWeâre just here for Rafe Cameron. Heard he hangs out here now. Figured weâd see what the big deal is.â
Your jaw clenched. Of course.
Then, like divine intervention, the bell above the door jingled.
And there he was.
Rafe Cameron, walking in with that lazy, effortless confidence, except the second he spotted them, his whole demeanor shifted. His jaw ticked. His shoulders squared.
âYo,â one of the guys called. âThere he is! Dude, what are you even doinâ in a bookstore, man? Thought you were out crashin' boats or whatever.â
Rafe didnât laugh. Didnât even acknowledge them.
Instead, his gaze landed right on you.
âYou okay?â His voice was low, rough. Protective.
Your stomach flipped, but you nodded. âTheyâre just messing up the shelves.â
That was all Rafe needed to hear.
He turned, stepping up to the group with a slow, deliberate swagger. âYou break somethinâ in here?â His voice was calm, but there was a dangerous edge to it.
The guy with the drink shrugged. âRelax, man, itâs just books.â
Rafeâs expression darkened. âPut the drink down.â
The guy blinked. âWhat?â
âPut. It. Down.â
Slowly, the guy obeyed, setting the cup on a table. Rafe stepped in even closer, his voice dropping lower. âNow pick up every single book you messed up.â
One of the guys scoffed. âBro, whatâs the big deal? Since when do you give a shit aboutââ
âI give a shit,â Rafe snapped. âAnd if you donât, then you can get the hell out.â
Silence.
The guys glanced at each other, clearly not expecting this Rafe Cameron. They expected the reckless party boy, the guy who didnât care about anything.
Not the guy who was standing in the middle of a tiny bookstore, ready to start a fight over misplaced books.
One of them grumbled something under his breath, but they started fixing the shelves. Sloppy, but youâd take it.
When they left, shoulders hunched, trying to laugh it off, Rafe turned back to you. âYou sure youâre okay?â
You just stared at him for a second, crossing your arms. âI didnât know you were my personal security now.â
Rafe smirked. âWhat, you think Iâm gonna let some jackasses ruin our bookstore?â
You blinked. Our bookstore.
Your face felt warm.
ââŚYou put Pride and Prejudice in True Crime last week.â
âI stand by that.â
...
At first, you didnât notice.
Rafe would sit at the counter, flipping through books as you worked, occasionally grumbling when he came across a word that was too long for his liking.
But then you started finding them.
Books left open on the counter, always on a page with some long, complicated passage, marked up in that messy, boyish scrawl of his.
You found the first one in a well-worn copy of Wuthering Heights.
âThis dude is insane. No way she actually likes him. (Not that I relate)â
Then, in Pride and Prejudice, right under one of Mr. Darcyâs confessions:
âThis is the most dramatic way to say âI like youâ Iâve ever seen. Might use it tho.â
And your favorite, scribbled in the margins of The Picture of Dorian Gray:
âWould I sell my soul for eternal youth? Idk, would you still like me if I had gray hair?â
You had to bite your lip to keep from laughing every time.
Finally, one evening, as you locked up, you found a copy of Jane Eyre left open right on the counter. A single sentence underlined.
âI have for the first time found what I can truly loveâI have found you.â
And right next to it, in his handwriting:
âYeah. What he said.â
A/N: my fav duo :(
#rafe cameron#rafe cameron x reader#rafe x reader#rafe cameron fluff#rafe cameron imagine#rafe cameron x y/n#rafe cameron x you#rafe cameron fanfiction
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Two statements about characters can and should co-exist: Pride and Prejudice edition
Mr Bennet has a close relationship with Elizabeth and provides amusing observations on the folly of human nature BUT he is a terrible husband and father who consistently neglects the women who rely on him for absolutely everything; Elizabeth and Jane turned out so well in spite of him, not because of him.
Mrs Bennet's behaviour is understandable given the era in which she lived and the subsequent pressure she was under to get her daughters married well, which wasn't entirely for vanity reasons given that Longbourn was entailed BUT she was still fundamentally vain, ridiculous and rude; such pressure, even combined with an absent husband, still does not make her behaviour justifiable, nor her a sympathetic character, as she enabled Lydia (whose subsequent elopement with Wickham almost ruined the family) for far too long.
Mr Collins is unfairly portrayed as a middle-aged sycophant in most adaptations, rather than the young clergyman who sucks up to his patroness in pursuit of a more lucrative living that he was BUT he is still a ridiculous character who you are not meant to feel sympathy for when Elizabeth rejects him; he is rude, hypocritical and thinks of himself far too highly considering how vapid he actually is.
Caroline Bingley is often too harshly judged as a 'pick-me,' even though her relentless pursuit of Darcy is understandable given his wealth & status and how important it was for women to make a good marriage BUT she was still rude, vain and treated Jane terribly; plus she was a hypocritical snob, given the manner in which she looked down upon the Bennet family's relations despite the Bingleys' own background in trade.
Elizabeth is incredibly witty, courageous and endearing and instantly likeable which makes Darcy's slight of her at the Meryton assembly all the more of an affront to us as readers BUT, while it explains her dislike of him, she is no means perfect herself; she had far too much misplaced pride in her ability to successfully read others' characters and consequently ignored positive accounts of Darcy in favour of believing the deceitful Wickham, given her prejudice against the former.
Mr Darcy was harshly judged by Elizabeth, even though there are many more sympathetic elements to his character than immediately meet the eye BUT he was not shy or innocent; he was always a haughty rich man who had never been told no, thought far too highly of himself and, ultimately, thoroughly deserved to be rebuked and subsequently made to reform his character.
#pride and prejudice#jane austen#mr bennet#mrs bennet#mr collins#caroline bingley#elizabeth bennet#mr darcy#fitzwilliam darcy#classic lit#text#my analysis#all these characters have so much nuance to them#it's why i adore the book and care so passionately about them NOT being flattened#like all humans they are flawed and jane austen very much meant for us to know that!!!!#i was trying very hard to say something nice about mr bennet#great gowns beautiful gowns#i truuuuly loathe him but don't confuse hating mr bennet for redeeming mrs bennet#elizabeth can't even fault darcy on that like his approach was wrong but. he had a POINT#anyway thanks for coming to my ted talk this is very important to meeeeee#1k
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Edit on 5/2/2025: I have mixed feelings about aspects of this essay these days but have chosen to keep it up and pinned as I'm still happy with my analysis even if I'm furious at NG, who is mentioned several times. TW for that. Argh.
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The thing about romance is, it makes a good story.
As soon as NG described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.
Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.
The problem is a story is only a story.
Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.
But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.
And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.
Neil also mentioned Pride and Prejudice.
Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?
Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.
Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.
The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.
Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)
The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.
Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.
The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.
Quiet, gentle, romantic. It was.
But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.
But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.
The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.
And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.
Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.
But they'll get there. So will we.
#good omens#good omens season 2#gos2 spoilers#good omens season 2 spoilers#crowley#aziraphale#ineffable husbands#nina#maggie#nina and maggie#stories#romance#relationships#am I projecting here#of course I am isn't that the whole point?#pride and prejudice#elizabeth and darcy#quiet gentle romantic#good omens meta#much later edit: i do not support neil gaiman's actions and i believe his victims#but i can't bring myself to take down this essay#argh
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"Three Times is a Charm"
Pairing: Spencer Reid x reader
Genre: fluff
Warnings: awkwardness?, sweet kisses, use of y/n
Words: 3,5k
Summary: Meeting Spencer Reid was like stumbling upon a rare bookâunexpected and thrilling. Our paths crossed not once, not twice, but three times in the most peculiar ways.
I didnât mean to end up at that bookstore. It wasnât on my list of errands, and truthfully, I didnât even know it existed until I spotted the faded sign hanging above the shop door: Old Tomes & New BeginningsâClearance Sale. There was something irresistible about it, the promise of stories hidden in dusty corners. My car could wait, and my to-do list wasnât going anywhere. So, I pushed the creaky door open and stepped inside.
The air inside was pleasantly warm, and the aroma of vanilla candles mixed with the familiar scent of old books. I could almost hear the stories whispering to each other, nestled in their places on the wooden shelves. A small bell chimed as the door closed behind me, announcing my arrival. The shop was a maze of tall wooden bookshelves, most sagging slightly under the weight of the books they held, their spines worn from years of handling. It was the kind of place that invited you to stay for hours, to get lost in forgotten pages and dusty memories. And that's exactly what I did. I wandered, my fingers trailing along the spines, occasionally pulling a book down and skimming through its pages before deciding to leave it behind.
Then, my eyes landed on it: Pride and Prejudice ânot a rare edition or a first printing, but a well-loved copy with a faded cover and yellowing pages. There was something about it that felt inviting, as if it had been waiting for me to pick it up. I reached for it, standing on my tiptoes, trying to stretch my fingers far enough to grasp the spine. But the stack of books around it was precariously arranged, and as I nudged it, the entire tower of books began to shift.
"No, no, no!" I muttered under my breath, trying to stabilize the pile, but it was too late. The books tumbled one by one, crashing to the ground with a series of loud thuds.
"Are you okay?" a voice called from behind me.
I froze, looking over my shoulder to see a tall, slightly disheveled man crouched down, his hands already gathering the fallen books. His brown hair was messy, and his glasses perched on the edge of his nose as if they might fall off at any second. He was dressed in a cardigan that looked like it belonged in an old library, and his slightly awkward but genuine expression caught me off guard.
"I think so," I said, still kneeling. "Though it seems the books have declared war on me."
The man smiled faintly, then held out a hardcover to me. "Here," he said. "This one seems to have missed the fall."
I glanced at the title. It was Pride and Prejudice. A knowing smile tugged at the corner of my lips. "You have good taste."
"Jane Austen is a classic," he said, a little too earnestly. "Not to mention a master at subtle social commentary. And Mr. Darcyâs arc... Well, itâs iconic."
I raised an eyebrow. "You really are a fan of Austenâs work, aren't you?"
He looked slightly embarrassed but managed to maintain eye contact. "Guilty as charged," he said. "Iâm Spencer, by the way."
"Nice to meet you, Spencer," I replied. "Iâm [y/n]." We exchanged a polite smile, and he moved to help me collect the remaining books. Once we were both standing, I found myself glancing back at Pride and Prejudice, wondering if I should buy it, but I didnât want to seem too eager.
"You know," Spencer said with a slight hesitation, "I think Pride and Prejudice is the perfect book for someone who wants a little bit of everything. Romance, wit, social critique..."
I looked at him with a playful smile. "Youâve clearly done your homework."
"I suppose I have," he replied, looking sheepish.
Before I could say anything else, he gave a quick nod. "Well, I should probably leave you to the rest of your book shopping. Enjoy the rest of your day."
As he turned to leave, I couldnât help but watch him disappear down one of the aisles. There was something about himâsomething intriguing, something different.
---
A week later, I found myself standing in line at my usual coffee shop, juggling my phone, keys, and a to-do list. It was a Monday morning, and the place was packed with people trying to start their day. The smell of freshly ground coffee beans and baked pastries filled the air as I anxiously checked the time on my phone, wondering if Iâd make it to my meeting on time.
As I finally reached the counter to pick up my drink, I turned to make my way to a nearby table. Thatâs when I collided with someone. My coffee cup slipped from my hand in a perfect arc toward the floor.
"Watch out!" I cried, but it was too late. The hot coffee splashed across the table, narrowly missing the man standing in front of me.
He quickly stepped back, raising his hands in an attempt to shield himself, but the damage had already been done. I froze for a second, staring at the coffee stain spreading across the table.
"Oh no, Iâm so sorry!" I exclaimed, feeling my face flush with embarrassment.
The man bent down and grabbed a napkin to start mopping up the spill. I blinked. There was something about this scenario that felt... familiar.
"Twice in one week?" I asked, still stunned. "Are you following me, Spencer?"
He looked up, his eyes widening in shock. "No! I swear, Iâm not stalking you!" He paused, looking around at the busy cafĂŠ. "I mean, I do come here often, but I donât think itâs quite the same thing."
I couldnât help but laugh, the awkwardness of the moment suddenly lifting. "Same here. But I guess we just keep running into each other."
He gave a sheepish grin. "Maybe weâre just... fated to meet by accident."
I gestured to the table behind me. "Do you want to sit with me? Itâs the least I can do since Iâve made a mess of your morning."
Spencer looked a bit hesitant but then shrugged. "Sure, why not?"
As we sat down and chatted, the conversation turned from the coffee mishap to our work. I learned he worked for the FBIâprofiling, specificallyâand was part of a team that investigated serious crimes. I couldnât help but be impressed. His intelligence and passion for his job were evident in the way he talked about his cases, even though he seemed more humble than I expected.
We exchanged stories about our favorite books and movies, discovering that we had quite a few shared interests. Despite his shy demeanor, Spencerâs intelligence and sense of humor shone through. I found myself laughing more than I had in a long time, and before I knew it, hours had passed.
âLooks like Iâve kept you from your plans,â Spencer said, glancing at the clock and looking a bit guilty.
I waved him off. "No, Iâm glad we talked. Letâs do this again sometime."
As we parted ways, I found myself secretly hoping that Iâd bump into him againâpreferably without any coffee mishaps. Gladly, we got to exchange numbers.
---
Two weeks later, Spencer invited me on a spontaneous picnic. I was hesitant at first; after all, Spencer wasnât exactly the type to suggest spontaneous outdoor activities. But when he mentioned his favorite park and that he'd packed us both lunch, I couldnât say no.
We met early on a Saturday morning, the sun barely peeking over the trees. Spencer had a basket in hand, looking as if heâd stepped straight out of a vintage romance movie. His cardigan, now unbuttoned, fluttered slightly in the morning breeze. He had a nervous energy about him, which I found endearing.
âI may have overpacked,â he said, setting the basket down next to a picnic blanket.
I raised an eyebrow. âWhatâs in there? Enough food to feed an army?â
âWell, no. Just enough food to feed two people who might be hungry after talking about random trivia for hours,â Spencer replied with a smile, clearly amused by his own self-awareness.
We settled down on the blanket, the sounds of the park around usâchildren laughing, birds chirping, and the distant hum of trafficâmixing with the peaceful vibe of our little picnic. Spencer unpacked the basket, revealing an assortment of sandwiches, chips, and fresh fruit.
âDid you make all this?â I asked, impressed by the spread heâd laid out.
Spencer flushed slightly. âWell, I mean, I donât cook a lot, but I thought sandwiches would be simple enough. The fruit is from a local farm stand.â
âYouâve got good taste,â I said, picking up a sandwich. âYou sure youâre not a secret chef?â
He laughed. âI think my talents lie more in... making the perfect cup of coffee and identifying obscure book quotes. Cookingâs not my thing.â
âIâm not complaining,â I said, taking a bite of the sandwich. âEverythingâs delicious.â
For the next few hours, we talked about everything and nothing. We shared little-known factsâSpencer told me about his favorite historical figures and how fascinated he was by World War II espionage. I laughed and chimed in with my own trivia, telling him about random facts Iâd read in articles or heard in podcasts.
Every so often, Iâd glance over at him and see how deeply he was listening, his full attention on me. It was a quiet, comfortable feelingâone I hadnât realized I needed in my life. I hadnât had many deep conversations with people outside my closest circle, but with Spencer, it felt effortless.
As the sun began to set, casting a golden glow over the park, we packed up the basket and sat together for a few moments longer. It wasnât about rushing to the next activity but savoring the peacefulness of the moment. Just us, sharing a space without the pressure of anything else.
âYou know,â Spencer said after a while, his voice quieter now, âI think I could get used to this.â
I looked at him, heart swelling with affection. âMe too. Iâm glad we did this.â
He smiled, his eyes sparkling under the fading sunlight. âMaybe we could make it a regular thing,â he suggested, and I felt the warmth of his words settle inside me.
âThat sounds perfect,â I replied, squeezing his hand, and for a moment, I couldnât help but feel like everything was finally falling into place.
---
From that point on, our meetings became a little less accidental and a lot more intentional. We made plans to see each other every weekend, enjoying more quiet moments, long conversations, and shared laughter. Spencerâs nervousness faded as he became more comfortable around me, and I couldnât help but fall even harder for him.
One day, after another one of our cozy park picnics, Spencer turned to me with that signature smile that always made my heart flutter.
âI think weâve made it a habit,â he said, his voice light and teasing.
âYeah,â I agreed, squeezing his hand. âA really good habit.â
We both leaned back against the blanket, the soft rustling of the trees above and the golden glow of the setting sun casting a warm light around us. For a moment, there was a comfortable silence between us, but it was the kind of silence that spoke volumes. I could feel the closeness between us growing stronger, like something was just waiting to happen.
Spencerâs gaze lingered on me, and there was a softness in his eyes that made my heart skip a beat. He seemed almost hesitant, his lips parted slightly, like he was debating something in his mind.
Without saying anything, I slowly leaned in, my heart racing, and before I could second-guess myself, I brushed my lips against his. It was gentle, like a quiet promise, and for a moment, everything else faded away. It was just him and me, the cool breeze, the sound of our breathing, and the feeling of everything clicking into place.
When we pulled away, I saw the same warm, amused smile on Spencerâs face. He reached out, tucking a loose strand of hair behind my ear.
âThat was... nice,â he said softly, as if he was surprised by the simplicity and sweetness of the moment.
I smiled, my cheeks flushed. âYeah. It was.â
âI think this might just be my favorite habit of all,â he whispered.
I leaned in again, this time not hesitating, and kissed him once moreâthis time a little deeper, a little more certain.
As we parted again, I felt like the world had shifted in the most beautiful way. With Spencer, everything felt natural, easy, like this was exactly where I was supposed to be.
We settled back into the blanket, hands intertwined, not needing to say anything else. The sun dipped lower in the sky, but for the first time, it didnât feel like time was slipping away. It felt like we had all the time in the world.
#criminal minds#criminal minds fanfic#mgg#spencer reid#spencer reid fluff#spencer reid imagine#spencer reid x reader#spencer reid one shot#spencer reid fanfiction#spencer reid fandom#criminal minda imagine#criminal minds fluff#criminal minds one shot#criminal minds x reader#criminal minds fanfiction#criminal minds fandom
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girlfriend killer.
pairing: dark!agatha x fem!reader
summary/request: I donât know if you are accepting request but if you are I have an idea for Agatha Harkness and R⌠AU where R has had horrible luck in love. Every partners R has dies. R always finds comfort in her friend and neighbor, Agatha. R has no idea Agatha is killing Râs partners so that no one will ever take R away from Agatha..
content: noncon, mention and small descriptive of murder, mention of stabbing, mention of drowning in bleach, heavy manipulation, HEAVY TOPICS, funerals, mention of missing people, cum eating, pussy eating, strap-on sex, small mommy kink, knife play, crying, cum-filled strap, tummy bulges, humiliation, kidnapping, cutting.
a/n: this is honestly the darkest fic i've ever written and i loved writing it. (shoutout to @beggingforyours for being my assistant in writing this)
masterlist
You sniffled and wiped at your nose as tears stained your cheeks. You held a small rose bouquet; they were her favourite flowers. You were surprised that you were able to hold your sobs back as they lowered your late girlfriend into the ground.
"Come here, dear."
Your neighbour, Agatha held her hand out for you. You buried your face in her neck and cried. She held you and rubbed circles on your back.
For the past few years, you have had horrible luck with love. All of your partners have passed away in tragic accidents or have gone missing. This was the fourth girlfriend that you have attended a funeral for, and you don't know how much more you can take.
Without Agatha, you don't know if you would still be here. She has nursed you back to health after each funeral. Your friends would tell you Agatha was creepy and weird, but Agatha was your rock.
"Shall we go back to my place?" Agatha whispered.
Whilst still sobbing, you nodded.
-
It had been two weeks since the funeral and you hadn't left Agatha's house once. You had no reason to with how good Agatha cared for you.
Occasionally, Agatha had to leave for work reasons which left you alone in her house for a few hours. Agatha had one rule at her house.
Do not enter her basement.
It was an easy rule to follow. Half the time you forget the basement existed. But waiting for her to arrive back home got boring, so curiosity struck.
The wooden steps creaked underneath your steps, making you cringe each time. You dragged your hand across the wall, silently triumphing once you found the light switch and turned it on.
The basement looked normal. A large desk was at one side of the room and was covered with books and papers, and red paint splattered on the floor.
You didn't know Agatha enjoyed art.
A frown settled across your face when you noticed the weapons around the room. There must have been at least 20 different weapons. You guessed she enjoyed collecting them.
You looked at the papers and books on her desk, recognising a few titles but a diary caught your eye. You know it's bad to look at someone's diary but you couldn't help it.
Entry 42: Murder #4 I killed Darcy Lewis with a Zombie knife. The blade perfectly pierced her skin and ripped it up as I pulled it out. I smile remembering her screams for help and her promises to leave Y/n alone. Once she was weak, I held her head under bleach-
You slammed the diary closed and grasped onto the table. You felt like you were going to puke. You covered your mouth with your hand and cried.
Agatha Harkness was a fucking murderer.
She had murdered Darcy, the girlfriend who you had just buried two weeks ago, and she had comforted you through it. Darcy's body was never found, but if you continued reading, you were positive you would know where it was.
Darcy promising to leave you alone made questions swirl in your head.
Why did she say that? Is Agatha targeting your lovers? Did Agatha kill your other girlfriends? Why you?
You had to tell the police. You grabbed Agatha's diary and searched for anything else that could be evidence.
Loud claps rang throughout the basement and you froze.
"It looks like we have a little rule breaker, isn't that right, hon?"
Agatha stood at the bottom of the staircase and looked at you with an amused smile. She balanced a small knife between her fingers.
You swallowed, trying to find your voice.
"Y-You fucking killed her." You shrieked.
Agatha shrugged.
"Did you kill the others?" You asked but shook your head after "No. No, don't tell me. Just get out of my way so I can tell the police and get your insane ass in jail."
Agatha's eyes narrowed, her amused expression disappearing. You shuffled backwards as she stalked closer.
"Oh no, baby." She tsked "That's not how you talk to mommy."
A wave of confidence washed over you and you ran. You didn't get far. Her hand reached out and grabbed onto your hair, yanking you into her. Her diary flew out of your hands and you pushed away from her.
Agatha was stronger than you and kept her hold. She forced you on your knees and held the tip of her knife underneath your chin to keep your head up. Her grasp on your hair was painful.
"Why?" You cried.
Agatha rolled her eyes, "Those bitches weren't good enough for you so I had to remove them."
"You don't get to decide what is good-"
Her knife nicked your cheek as she slapped you. The unexpected slap shocked you and you didn't know how to reply.
"But I do get to decide."
She roughly pulled you to your feet and shoved you into the table. You grunted as your front collided with wood. Agatha pinned you down with one hand and held her knife in the other.
"Don't move unless you want to be cut."
You couldn't control your tears and cries.
Agatha used her knife to cut a hole in your pants, revealing your panties to her. She placed her knife on the table. She pushed your panties to the side and groaned at the sight of your bare cunt.
You held back a sob as her fingers dragged through your slick. She moaned at the taste of you on her fingers. She lowered her face to your cunt and licked a stripe up it.
Her moans caused vibrations and you shivered against her.
She pulled away from you and you heard her taking her pants off. There was the click of something opening and closing, and then you felt the head of a cold, lubed strap pushing into you.
"Please, Agatha." You sniffled, "Don't do this."
Agatha grabbed a fistful of your hair and shoved your face into the table, "Shut up and take it."
Her strap easily pushed into you. You cried as the stretch burned and your walls clung to her. She slowly pumped into you, thankfully letting you adjust before her speed increased.
The basement was filled with your moans, your skin slapping together and the wet noises your cunt made.
Agatha pulled you up into her chest, her hand finding its way around your throat and fingers twisting and tugging at your nipples. You moaned loudly and your head fell onto her shoulder. Agatha kissed your neck before sucking and licking at it.
Her hands rested on your tummy, "You feel that? That's how deep my dick is."
You whimpered.
Agatha started to softly moan and grunt in your ear, and you knew you were both getting close. She dug her fingernails into you, carving crescent-moon marks into your skin.
Agatha moaned loudly and forced you back onto the table. You felt warm liquid squirt inside of you, which pushed you over the edge into your orgasm.
Your head went blank and you pressed yourself into Agatha's strap until you came down from your high. You couldn't deny that orgasm was one of the best orgasms you had ever had.
Agatha turned your body around and pulled her strap out. She wrapped her arms around your legs and licked at you, cleaning you up.
You softly cried at the realisation of everything.
Your sweet, perfect neighbour has been murdering your partners for years and she had just fucked you in the same room she killed them in.
What's going to happen to you?
#agatha x reader#agatha x you#agatha x y/n#agatha harkness x reader#agatha harkness x you#agatha harkness x y/n#agatha all along#agatha harkness#agatha harkness smut#bluewrites
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MOST DATABLE DATABLE CHARACTER 2 THIRD PLACE
Claude propaganda:
"To say Claude has trust issues is an understatementâyou have to spend half the game earning his. (Claude isn't even his real name!) Once you have it, though, he's absolutely ride or die for you until the stars go out. He is so full of heart and ambition: He wants both sides of his heritage to get along, he wants to open borders and eliminate xenophobia and promote equality between commonfolk, and deep down, I think he craves a partner to stand with him at that new dawn, or an equal who sees his vision for the future and will fight for it just as hard. Nobody believed in him when he was a kid, but if you put your faith in him, he'll return it tenfold. Some people don't like that he's calculating, or has to leave the player character at the end of the game to go back to his homeland, but both are necessary elements for his goals to change things. He will always come back, and everyone who bets against him and his love for his companions is wrong with a big fat W. #KhalidForMostDatablePrez"
"Claude is a fun little onion of facades. He calls himself the embodiment of distrust, he acts like he's carefree and without worries, an unscrupulous schemer--and so many in universe buy into that hook line and sinker. He's used to others viewing him with suspicion and uses it as armor to obscure his not-so-dark truth: that he cares immensely, that he values minimizing the loss of life, and that above all he has so much hope that people will fundamentally choose to do better given the choice.
His front guards a center that his conflict filled world would be happy to tear apart. As the child of people from two nations in constant conflict--one of which is explicitly isolationist and dehumanizes those outside its church's reach--he hasn't really had a place where he can be without his facade. As a child he thought he could run, but when confronted with the fact that this hatred existed no matter where he ran, he chose to instead try to create a more just and kind world.
His inability to let others in beyond his facade at first may lead to a sense of distance, but isn't it then all the more satisfying when you're allowed in? All he wants is a little trust, a little faith, and--like what he wants to give everyone--a chance to be better.
And like that you got a charming young lad with a fun personality that your grandma would be thrilled to have stay forever."
Elliott propaganda:
âJust look at him. Pure hunk energy.â
âI will punch anyone who dislikes him. Heâs like a fire emblem character in the modern day. Heâs so flamboyant and handsome, he can play the piano and heâs best friends with the old fishing man!â
âdramatic writer man with sexy hairâ
"Since I like elliott. I will state some reasons why I like him
Imagine if Mr. Darcy didnât insult your family first time you met him, thatâs Elliott. The man whoâs basically the hallmark romance love interest. Heâs a writer who moves to the small town in the country side to find inspiration for his writing. Then he finds the farmer.
He has a crab living in his pocket
He can play the piano (hopefully it isnât the river flows in you however)
His fans sometimes hc him as a merman and thatâs just a major plus IMO
He genre of the book he writes is dependent on what genre you say you like.
He also sends letters to you if you marry him
Okay and also some things I dislike
His liked gifts, the easiest one is pomegranates, which cost like 6000g to grow a tree if you donât pick the fruit cave. I AM NOT GETTING SQUID INK IN YEAR ONE FOR YOU.
he might be British /j
The fact he has no kitchen but still likes food like lobster, like he is just a mystery. Lives in a cabin, with no kitchen, no washroom (okay no character has a washroom), but still likes the most fancy food out there and has luscious hair worthy of a LâOrĂŠal ad.
Gifting him on rainy days when you donât have two hearts"
#claude von riegan#Fire Emblem#fire emblem: three houses#fe:3h#sdv elliott#elliott stardew valley#Stardew Valley#Third Place#MDDC 2
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THE TRUST?
I'VE JUST NOTICED THAT AND THIS.
Gif from @darlenicy

ICY TRUSTED DARCY TO COVER HER BACK, DIDN'T EVEN FLINCH. SHE KNEW HER SISTER WON'T LET THAT SPELL HURT HER.
THIS. THIS SPEAKS LOUDER THAN ANY OF THEIR CONFLICTS, ARGUMENTS AND STUFF. THEY TRUST EACH OTHER WITH THEIR LIFE.
NO ONE WILL CONVINCE ME OTHERWISE SINCE NOW ON, TRIX LOVE EACH OTHER AND WOULD DIE FOR EACH OTHER (or rather kill others for each other), ALTHOUGH THEY NEVER ADMIT THAT even to themselves.
Also not long ago i was told that in season 8 Icy said to Darcy and Stormy something like "leave me and run" and like HUH????? MY MIND WAS BLOWN. THIS SEASON HAS AT LEAST SOMETHING JUSTIFYING IT EXISTANCE. BECAUSE IN MY HEAD ICY WOULD. SHE WOULD. Maybe not so straight up but she WOULD. I don't know the context what happened before or after that moment and it doesn't matter. I got what i needed. The rest may still burn.
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Tommy looks at Evan in his bed and thinks of Mr. Darcy. Thinks of period pieces. Thinks of Love, Actually.Â
If you were to glance him in a grocery line or catch his profile in traffic, it wasnât a surface-level judgment anyone in sane society would ever make: this guy loves a bleeding-heart romance. It was a left-of-field, out-of-pocket fact of himself that felt like less of a secret and more of the thing tacked on by the producers of romance reality TV â this guyâs too unapproachable, letâs give him some charm.Â
Guys like Tommy (broad, blue collar, a wealth of oppression and military repression) were rare to even exist within the genre unless you delved into the more harlequin novel bodice-ripping romance of it all. And maybe thatâs why he liked them.Â
They allowed easy oxycontin. He liked when people miscommunicated for the sake of the narrative, only to end up falling into bed by the end. He liked how declarations were made about the otherâs faults, and that they blearily choked out, and despite it all, I still love you! He liked how often the romances brought together opposite people under unlikely circumstances, and how fate wrapped them up in a neat little bow.Â
Most of all, he liked how far away they felt. How untouchable. To him, streetlamp-yellow kisses under soft falling snow felt as plausible as dragons and space operas.Â
His other interests felt imbedded in his person. Muy Thai, engines, those were par for the course. The expected things he would readily wear on his sleeve. A man like him, into romcoms, on the other hand? It was something that seemingly only existed in the grey matter of his brain. A secret. A gentle smile from a barrel-chested man didnât necessarily betray this penchant for treacly, cinematic love. He didnât pretend that it did, and certainly not with the men he dated in the past. He never wanted to jar previous boyfriends with the disconnect, never wanted to shatter the veneer of masculinity. That felt dangerous. That felt vulnerable.Â
But he looks down at Evan in his bed.Â
His face is slack and easy with sleep, half-pushed into the pillow. Pale morning light swallows the room, gilding the corkscrew turns of his curls. Burnishes them as they rest against his forehead, the skin smooth and unbothered. Tommyâs eyes linger on the soft bed of hair, hands tingling with memory of how they feel between his fingers â not unlike Mr. Darcyâs hand after holding Lizzy Bennetâs â before trailing down to the slopes of his eyes, his lashes. They rest undisturbed on his cheeks as Evanâs body takes deep, beautiful breaths of air. He almost mourns the view of Evanâs cornflower blue eyes. Then the slope of his nose, prominent and round, before dipping to the petal-soft plush of his lips. Pink like early, early dawn.Â
He canât help it. He plants his hand on the curve of Evanâs stubbled jaw and cups, thumb brushing against the soft thistle. Romcoms donât feel so far away, anymore. Donât feel like a contrary fact or a rare allergy or a study of ancient mythology. It feels close, nestled in his chest. Just looking at Evan is easy oxycontin.Â
Evan starts to rustle, brows knitting. His face turns a bit but Tommy keeps his hand steady. Tommy thinks, Iâll make him coffee soon, just the way he likes it.Â
Tommy thinks of the Mr. Darcyâs deep, anguished yearning. How it culminates into warmth at the end. Thinks of how he kisses her on the nose, on the forehead, and the cradle of love seen before the credits.Â
He looks at Evan and wonders if heâll ever watch a romcom again. He doesnât need to, really.Â
#needed to write this........................#Tommy staring at buck while he's asleep is quite important to me actually#also a little Tommy study because PLEASE we need to talk about how his favorite movie is love actually.#Tommy kinard#Evan buckley#bucktommy#9-1-1 abc
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bewitching mr. batchbury / crosshair x f!reader
pairing: crosshair x f!reader
description: ever since you met him and he ignored you, mr. batchbury has completely infuriated you. but as you spend time with the batchbury's as their sister's companion for the social season, your feelings for him become confusing and you cannot get the handsome silver-haired man out of your head.
REGENCY AU
word count: 8,649
warnings:Â none. kissing (making out, neck kisses). secret crushes. hate to love. misunderstandings. crosshair being annoying.
after writing regency hunter i knew i had to write regency crosshair too :') this exists in the same universe as hunter's piece so there are allusions to his romance :) this was so fun to write! crosshair has always been mr darcy coded to me so there's definitely an influence from p&p! i hope you enjoy this as much as i enjoyed writing it!
also posted this on ao3. feedback is welcomed, reblogs are appreciated.
PART ONE
Mr. Carlisle âCrosshairâ Batchbury was completely and utterly infuriating. It did not matter that he was cripplingly handsome, uniquely distinguished by his strange grey hair, tall and lean stature, and a smattering of a port wine birthmark over his right eye â his personality was maddening.
And yet, you couldnât stop thinking about him.
Acting as a companion to his little sister, Meg Batchbury, for Londonâs social season, you had spent many hours in the presence of the infamous Batchbury Brothers.
After returning from the war where they had started as lowly soldiers trained under a Commodore of the Royal Navy, they had made their fortune by collecting a wealth of prize money with an unbroken streak of successful battles. The band of brothers had been the talk of the ton, their rise from rags to riches captivating every gentleman and woman â but it was the mamas and their daughters who found themselves completely taken by them. When theyâd ascertained the brothers had only enlisted to secure a future for their sister, their hearts were all of a flutter â for handsome, brave soldiers who were family men made perfect husbands.
The eldest Batchbury â Hunter â was already married, much to their dismay. But that still left three viable brothers for them to sink their lacey fans and dance cards into. When theyâd heard the Batchburyâs would be attending this yearâs social season, cries of delight were heard across the ton.
As a favour to your friend â the eldest Batchbury Brotherâs wife, youâd promised you would accompany Meg to various balls and act as her companion and confidant for the season. Meg had expressed her desire to attend this year, now that her brothers had returned home. Sheâd been regaled with tales of fancy parties, endless food and dancing, and wanted to experience it for herself.
âItâsâŚa little more than that, Meg,â youâd told her carefully, cautious of her ideas that had seemed to be formed naively. âThe point of these balls and parties is for matchmaking.â
Meg had waved her hand, dismissing your words. âOh, I am aware. But Iâm not interested in such things at present.â
Youâd frowned. âBut attending the social season does send the message that you are interested.â
Meg just grinned ruefully and shrugged. âThen Iâll just do my best to avoid it.â
You had shaken your head, smiling along with her. Youâd sighed with some relief, knowing youâd not have to try and steer her from unsuitable matches or chaperone strolls in Hyde Park and could just simply enjoy time spent at extravagant balls and luncheons.
You were past the age of eligibility and the thought of simply attending a London social season to enjoy it was simultaneously scary and exciting. To know there were no expectations on you from your own family or on Meg, it was freeing.
You had joined the Batchburyâs at their London residence, and from the very moment you set foot inside the newly acquired townhouse, your eyes were drawn to the youngest Batchbury brother, Crosshair.
Youâd been welcomed enthusiastically by Meg, who had petitioned her brothers to attend the London social season, much to their behest. But they had been kind and amiable when you were first introduced. You hadnât been sure what to expect, but you had been surprised at how large they all were, and their history as soldiers was clear with their injuries and the weathered look of their faces. You already knew Hunter, whoâd just returned from his honeymoon and itching to return to the country to his wife, but Wrecker and Tech had all been a picture of politeness upon introductions, meeting you with manners that were clearly practised. But Crosshair had stood behind, arms crossed, a scowl etched into his brow with no sign of it disappearing. Heâd immediately met you with hard eyes the colour of coffee that were so scrutinising you had flinched.
âPleasure to meet you, Mr. Batchbury,â youâd said as you curtseyed, trying not to be bothered by his gaze.
Mr. Batchbury had looked you up and down, brow remaining creased as he seemingly evaluated you before his eyes met yours for a moment before looking away from you without greeting. Youâd been puzzled by his lack of manners, and then hurt by his rejection and then angry, for who was he to be judging you? He did not even know you. And from that moment, Mr. Crosshair Batchbury was a rude annoyance you endured only for his siblings, despite his handsomeness â which only added to your irritation.
How cruel, for such beauty to be wasted on someone so dreadful.
He held that same hard gaze now, watching you from the other side of the Kenobiâs ballroom. The room was filled with people, and a string quartet played a cotillion that had those on the dance floor that separated you from Mr. Batchbury bouncing lively to the music.
It was the final ball of the season, and at the request of Meg, she wanted all the brothers in attendance tonight and they were completely powerless to say no.
Being in such close quarters with the four brothers for the season meant you not only saw their brash, loud, clever and cunning natures, but also the immense love they had for their sister. Each brother was different, but it was obvious what connected them all was their strong sense of family and loyalty. You had observed it all.
Wreckerâs love was boisterous and loud and coupled with fierce hugs and booming laughter. Techâs affection was more subtle, but youâd find it in the way he consumed knowledge with the intent to share, to provide answers to questions his family asked; prepared for any situation. Hunterâs care was gentle and warm yet with a firmness that was steadfast and immovable. Crosshair, despite your feelings towards the other less amiable parts of his personality, showed love quietly, often through gesture or merely listening. He would grumble at Wreckerâs affection, but never push it away. He would listen to Techâs ramblings even when everyone had vacated the room. And when Hunterâs strength managed to wane, Crosshair would swoop right in, ready to support in however he could.
Seeing this kind of love juxtaposed with the other parts of his caustic, sharp and, quite frankly, snarky personality was what vexed you the most; knowing he had the capacity for such softness and kindness but chose not to use it.
And actively chose not to use it with you.
You sipped your champagne, meeting his gaze from across the dance floor, ignoring the warmth that ignited your rest at his gaze. He mirrored your movements with his own glass of brandy, and you couldnât help but drop your gaze to his lips that lay gently on the rim of the glass and think back to that moment in the greenhouse at the Across the Stars Ball where they were anything but gentle on your own.
Prince Anakin Skywalker and his wife, Queen Padme Amidala held their annual âAcross the Starsâ ball at their London palace and it was the event of the social season. Everyone who was everyone in the ton was invited, and that now included the Batchbury family â much to Megâs delight and her brotherâs chagrin.
Meg had been ecstatic upon receiving the invitation and begged for her brothers to accept so that she could attend. As the first ball of the season, it was the first time all the brothers would be seen by the eyes of the ton, and you watched on from your place in the drawing room as they argued about etiquette and dancing, of which they had little experience.
âIf we go, we will be expected to dance and socialise,â Hunter told his brothers.
âSounds like a marvellous time!â Wrecker grinned, rising to his feet from where he sat on the settee that he practically dwarfed.
âYou donât know how to dance, Wrecker,â Tech pointed out from the armchair, raising an eyebrow as he looked up from his book, a wooden cane he used to aid his walking lent against the side table. He pushed his spectacles up his nose. âNone of us do except for Hunter, who had clandestine lessons in a garden maze with his now wife.â
The eldest Batchbury blushed, port wine stain darkening as both Meg and Wrecker giggled. You smiled too, a book open on your lap.
Mr. Crosshair Batchbury remained silent from his seat on the writing desk, where he was penning something diligently in a notebook with his non-wooden hand.
Perhaps one of the most admirable traits about Mr. Batchbury was that he taught himself how to write with his left hand after losing his right in the war. Meg told you that he had spent weeks holed up in his room alone, practising his script until it was perfect and unsmudged. It was quite remarkable, to be so determined.
Now, he observed his siblings with his steely gaze as he casually dipped the end of the quill in ink, raising and lowering the feathered tool gently in the pot, sparing it no glance.
You always wondered what he was writing in that notebook. He never seemed to be without it. It lived in the back pocket of his trousers, and youâd often found him in different places throughout the townhouse, writing in it.
Once, early in your stay, youâd seen him lounging in a bay window that overlooked the streets of London, one leg outstretched and the notebook leaning on the other heâd pulled up as he wrote in careful hand. Youâd almost walked past him, but your footsteps had stopped on their own accord. The sun was hitting him just right, bathing him in a golden glow that made the silver strands of his hair glitter and the warmth of his brown skin radiate through the small alcove. He had on a cream-coloured shirt, sleeves pushed halfway up his forearms, the collar of it wide and its ties undone, scandalously revealing the dip in his lean chest. His left side was closest to you, and his hand was poised so the side of it didnât drag over the graphite words he'd just penned. You could see his wooden hand rest on the book to keep it steady.
He barely fit in the small space, one foot of his long legs pressed flat against the wall opposite him and half bent at the knee. He didnât look comfortable, but he never really did anywhere in the house. He always looked like he was trying to slot himself into the new life theyâd acquired but could never really find the right position for it to work.
When you thought back to that tableau, you were sure that was the moment you realised just how handsome he truly was, and the moment your thoughts and feelings for the standoffish and biting Mr. Batchbury became all muddled.
Sensing your eyes on him, you watched him flick his gaze to yours. âWhat?â
You flinched as his hard brown-eyed gaze landed on yours with a piercing fierceness. âNothing. My apologies.â
Mr. Batchbury looked at you, his eyes trailing over you before moving back to your face, studying it before he returned his gaze to his writing, pencil moving once again.
You swallowed as you watched his movements, and the words fell out of you before you could stop them. âWhat are you writing?â
Mr. Batchbury froze, and he looked at you with a scrutinising regard. âWhy?â
âIâm just curious. You never send any letters, and whenever I see you, youâre always penning something.â
He narrowed his eyes at you and continued on, suddenly trying to bridge this distance between you that both puzzled and annoyed you. âIt must be something you love.â
His eyes widened. âWhat?â
âWhat youâre writing.â Your face burned, but maybe if you found a connection; a common ground, then maybe this strange dynamic between you would end. âIf you return to it every day, you must love it.â
Mr. Batchbury stared at you before slamming his notebook closed and standing up. You watched him as he sent you a scathing look, eyes hard and port wine stain a deep red. He brushed past you without another word before stalking away. You were shocked and completely and utterly confused. What had you said? What had you done? But your befuddlement just returned to the anger and disdain youâd already held, but now multiplied.
Mr. Batchbury was rude and unapproachable, nothing you did would change that. So, you were done being amiable towards him. No matter how attractive he was.
Coming back from your memory to the drawing room, you shut your book and stood, making your way across the room, nearing the writing desk.
âPerhaps I could give you all some lessons? So you can dance once or twice to keep up appearances. I would suspect that the quadrille would be easily mastered by former soldiers.â
Wrecker and Megâs eyes lit up and they spoke simultaneously. âWould you?â
You smiled at them and nodded. âI would be happy to. Dancing is the best way to spend a party.â
âAnd build affection between partners,â Meg smiled, reciting something youâd told her.
âWell, yes, that too,â you smiled, and you saw something grey move in the corner of your eyes as Meg jumped up darted towards you to through her arms around you. âHow wonderful! We can start lessons this afternoon, so we are ready for the ball on Saturday.â
âWhatever you want, Meg,â you gently untangled her from you and clasped her hands.
She grinned, squeezing your hands before turning to her brothers, of whom Wrecker and Hunter seemed genuinely happy for her. âIsnât this exciting? A real ball!â
âYes. It is most thrilling,â Tech kept his eyes on his book, his voice unenthused despite its sincerity, but it made you smile. You looked towards the writing desk and saw Mr. Batchburyâs scowl had only deepened, the quill in his hand unmoving and dripping ink on the page.
âAre you not excited too, Mr. Batchbury?â you slid over to the desk, eyes drifting down to the inked parchment as subtlety as you could manage, but Mr. Batchbury swiftly closed the notebook with a soft thud, preventing you from reading anything.
âItâs rude to impose your eyes on personal writings,â Mr. Batchburyâs raspy voice hissed at you. It was like a coiled snake, and it lit up your insides in the most improper way, wrapping itself around your bones and staying there long after you left his presence. His eyes met yours in a blazing stained gaze. He was so alluring, his face all angles and silver hair kept close to his head. There was a ghastly-looking scar on the side of his head he sustained during the war. His brother Wrecker had one too. But it did not detract from his good looks, at least not to you.
You stopped yourself from rolling your eyes and instead slid him a look that showed your distaste. âMy apologies. I had no idea of your writings being the personal kind. But you still havenât answered my question Mr. Batchbury, and one might say that is rather rude too.â
Your back and forth with Mr. Batchbury no doubt tired everyone to no end, but no matter how hard you tried, you simply were incapable of ignoring his remarks. Something in you needed to put him in his place, but it only seemed to spur him on more, driving the wedge harder between you both. It no longer mattered how many times Meg had to step between you two, it did not do anything to change your behaviour towards each other. You could not stand Mr. Crosshair Batchbury, and he could not stand you.
He scoffed in response. âI wonât be attending dancing lessons. Nor will I be attending the ball.â
âBut you must!â Meg pleaded to her brother, but his coffee-coloured eyes only remained on you.
âWhat a shame,â you said, no disappointment in your voice at all. âBut perhaps itâs best. No one will want to dance with someone so impudent and rude as you are anyway.â
Mr. Batchburyâs lip curled in a snarl before he pushed his chair back roughly, wooden legs screeching on the floorboards, snatched his notebook and stalked out of the drawing room.
âMust you provoke him?â Meg sighed. You watched the roomâs remaining brothers share a glance at each other that you could never decipher.
You dropped your shoulders, suddenly feeling bad that youâd upset Meg. She was so lovely, like a little sister. You looked at her sullen face, her blonde hair swept into a braid and tied with a red ribbon â the Batchburyâs had seemed to adopt it as their family colour. She was so full of light.
âIâm sorry, Meg,â you said sincerely before holding out your hand. âShall we learn the quadrille?â
That afternoon was spent teaching Meg and Wrecker how to dance a slew of dances that would be performed at the Across the Stars Ball including the quadrille, the cotillion, the scotch reel, the Naboo country dance and the waltz. Tech played the piano, unable to dance due to his injuries, and you paired with Hunter, who made the perfect partner for your instruction since he knew the dances already. Wrecker and Meg laughed as they stepped on each otherâs feet and spun around. Their laughter was infectious, and you and Hunter and Tech laughed along too until you were all laughing so hard that you were unable to dance, and Tech was unable to play.
You caught your breath, hand on your chest as it heaved inside the confines of your corset, smiling at Meg as she pantomimed how ridiculous Wrecker had looked only minutes ago when you thought you saw a flash of grey hair up in the balconied eaves of the townhouseâs small ballroom. You frowned. Surely you were imagining such things.
It seemed as if the entire population of London was in attendance at the Across the Stars Ball, their ballroom was full of gentlemen and women, debutantes as well as members of the aristocracy and even parliament. Everyone was dressed in their finest gowns and suits coloured in rich navies and purples, gold and silver embellishments, fitting into the celestial theme perfectly. You swore you saw the elusive Duchess Satine Kyrze who rarely ventured from her country estate in Mandalorshire and even laid eyes upon Prince Reginald from the far-off Kingdom of Kamino, or Rex as he preferred to be called â the tonâs gossip mill had come to the conclusion that he was a close friend of Prince Skywalker.
You watched along with Tech as the Batchbury siblings â minus the youngest brother â took to the floor. Hunter and Wrecker took turns dancing with Meg, much to her delight and the scrutiny of the ton, but the Batchburyâs cared little for impropriety and more for their sisterâs happiness. After lessons this week, they had taken to the dances fairly quickly and you smiled as they performed the steps as if theyâd been doing them all their lives.
Hunter switched out with Wrecker, needing to catch his breath. You smiled at him.
âAre you missing the wild seas yet, Hunter?â you joked.
Hunter returned your smile. âNot even the decks of the Marauder couldâve prepared me for this.â
You laughed before Hunter excused himself for a drink. You sipped your champagne, listening to the whispers from those around you as they discussed the Batchburyâs debut at the most anticipated ball of the season.
âTheyâre a littleâŚodd.â The voice dripped with pretentiousness from behind you, her tone all nasally.
You watched Wrecker lift Meg up and spin her around in an improvised turn that was not part of the choreography, both laughing loudly with glee. They were having the time of their lives.
âOdd is putting it kindly.â This voice blubbered with pompousness. You gripped your champagne glass tightly.
âThis is why I believe we need to stop just anyone from acquiring fortunes, because this happens. Common people have no place here.â
You just about broke your glass, and your shoulders raised as you were seconds away from turning around and dressing the pair of snobs down, but Tech put a hand on your arm to stop you.
âPay it no mind,â he said evenly, his hands returning to the top of his cane in front of him.
âBut theyâre being so cruel,â you protested, shoulders sagging.
He shook his head before pushing his glasses up his nose. âIt is nothing we are not used to. It no longer affects us. We know who we are, and thatâs all weâve ever cared about.â
You softened your smile at him. You knew how the Batchburyâs had grown up in destitution and had endured many hardships to get to where they were now. You had grown fond of them all since joining them as Megâs companion, and it just wasnât right that people thought they were undeserving of their fortune. Out of anyone, they deserved to be happy and live without worry. You wished all of the ton believed that too.
You placed your now empty glass on a passing tray before turning to Tech. âIâm taking some air.â
âLeaving so soon?â
You whipped your head to see Mr. Batchbury in all his handsome glory. Similarly to his brothers, he was dressed in a dark grey tailored suit embroidered with silver thread, unintentionally matching his hair. His front pocket held a red pocket square, like all his brothers as a representation of their family. He towered over you, his trousers accentuating his long legs as they tucked into his shiny black knee-high boots. You flushed as he looked at you, the corner of his mouth upturned in his infuriatingly attractive smirk.
âMr. Batchbury,â you stammered out. âIâm surprised youâre here.â
âAs am I,â Tech blinked behind his spectacles. âYou have expressed your distaste for these events, Crosshair.â
Crosshair scowled out at the dance floor, his eyes finding Meg and Wrecker. Hunter was held up somewhere, no doubt the bar was filled with people of the ton wanting to make his acquaintance, much to his discomfort.
âYes, well, I donât like being left behind,â Crosshair spoke bitterly, grabbing a glass of champagne from a tray. He sipped it, grimacing at the taste. You knew he hated champagne. âIs there nothing stronger?â he complained.
âThereâs a bowl of punch on the other side of the room that has been spiked with a liquor that tastes like an oil lamp, if that is more to your taste,â you said dryly.
âFunny,â Mr. Batchbury drawled before downing the rest of the champagne. The string quartet finished the music, and everyone gave a gentle applause. People moved on and off the dancefloor in a sea of bodies as they prepared for the next dance of the evening.
âCare to dance?â Mr. Batchbury held out his left hand towards you. You looked up at him in shock, mouth agape.
âIâm sorry?â Had you heard him right?
Mr. Batchbury rolled his eyes and emphasised his outstretched palm. âA dance. Would you like one?â
You looked at him incredulously. He wanted to dance with you? The man who did not hide how much he disliked you and your presence in his household with his family. The man who did not acknowledge you at all and when he did, did so with such disdain that it was tangible. And yet he held out his gloved un-wooden hand towards you.
You looked at Tech who watched the interaction with interest, a look on his face you couldnât decipher. You crossed your arms at Mr. Batchbury. âIs this a trick?â
âWould you give me an answer,â he hissed, growing impatient and agitated.
You studied him for a moment, trying to find any mischief or dishonesty in his gaze, but found none of it. Was he truly asking you in earnest? You couldnât fathom it. It crossed your mind to reject him, to say no and humiliate him in front of everyone but something tugged in your chest. Heâd come here of all places, even though he vehemently expressed his dislike for balls and intention not to attend. Even though he never seemed to feel comfortable in this new life he had and to dance with you in front of everyone was making a spectacle of himself.
And Mr. Batchbury, you had learned, did not do anything he did not want to do, and it seemed as though he did indeed wish to dance with you, but you could not place why. No one had asked you to dance in such a long time, and you doubt Mr. Batchbury made a habit of asking anyone to do anything at all, much less dance with him. It simply seemedâŚcruel to reject his offer â and you could not deny the part of you that actually wanted to dance with him; to be close to him in a way that wasnât through argument.
Your inconvenient crush on the youngest Batchbury brother should not be encouragedâŚbut it would be nice to dance.
Cautiously, you placed your gloved hand into his, his fingers wrapped around yours securely, but not tightly. His palm felt firm and strangely comforting against yours as he led you onto the dance floor and you watched the side of his face in fascination. He looked at you when you reached your position on the floor and dropped your hand. You looked up at him, his hands behind his back, and he stared down wordlessly at you, his eyes studying you intensely. You averted your gaze, landing on Wrecker and Meg in the next row, who were watching you both with curious expressions.
Your eyes slid back to him when the music began, and you met his bow with a curtsey. His eyes never left yours as he took your hands gently in his and performed the first step, moving towards each other and passing by the shoulders. He was poised and effortless in his movement, which surprised you.
âI thought you did not know how to dance,â you whispered, not sure why your voice decided to lower so.
Mr. Batchbury didnât answer, the corner of his mouth twitching like it was about to smile. You frowned as you came together again.
âYou didnât attend my lessons with your family,â you whispered again a little louder.
You almost tripped over your own feet when you saw Mr. Batchburyâs mouth lift into a small, amused smile. Your frown deepened which only seemed to make him more delighted. What could he possibly be smiling about? You held his hands as you spun in a slow circle, his thumbs gently resting on your knuckles, brushing yours. You watched him, the way his whole face seemed to change just at the lift in his expression. The way the crease in his brow went away, the smile lines on his face deepening and his eyes filled with mirth. It was breathtaking.
Your mind then went back to the flash of grey hair you saw up in the balconied eaves of the Batchburyâs ballroom and it all became clear.
âYou watched, didnât you?â you asked, though you knew you were right. âFrom the eaves.â
Mr. Batchbury was silent for a moment, his smile falling back into that pensive line, as if he was annoyed youâd seen him and caught on to his little game.
âAnd if I did?â he countered, passing by your shoulder again. He hardly ever answered a question directly and it drove you to such frustration. You rolled your eyes.
âWhy would you not come down and learn properly? Are you embarrassed, or do you simply hate me that much?â you held hands again, moving down the line on the dancefloor.
Mr. Batchbury scoffed, a light puff of air from his nose. âI donât hate you.â
âCouldâve fooled me, sir,â you snapped back, sarcasm dripping from your voice.
The dance continued, and you moved towards him and turned so your back was to his front, and one of his hands found your waist and the other held your hand. You lay your hands on his as you both moved in a circle with some other couples. Your chest tightened as you felt his hands on your body as he pulled you close to him. You felt his hand rest in the dip of your waist, and you were so aware of the way his fingers flexed against your palm. His touch ignited your body in ways you never believed was possible and you tried to control the heat that rushed to your cheeks and up the back of your neck. How could he illicit this response from you when you were constantly at odds? It was nonsensical.
You were hoping he couldnât tell your fluster when you felt him bend down to your ear, breath tickling you there.
âI do not hate you.â His voice was like gravel, and you felt the vibrations of his low voice move down into your bones. It flared through you, goosebumps prickling across your skin, and you fought off a shiver that threatened to travel down your spine. You spun away from him, returning to face him once more.
Mr. Batchbury looked at you with that same pensive, almost emotionless expression, and you felt the irritation in you rising as you passed by his shoulder again, circling him.
âYou always ignore me when I am in the room, and if by some miracle you do acknowledge my existence, you reject any civil conversation with me with caustic barbs and scowls. You all but yelled at me when I innocently inquired about what you write in your notebook. So, please explain to me why I should believe you donât hate me when itâs clear that you do.â
Mr. Batchburyâs expression remained impassive despite your blunt claims, fanning the flames of your ire until they were ablaze with fury. You wished he was not so handsome, that his touch and proximity did not affect you so â it made this all the more difficult and confusing. You returned to your place and watched as he passed by your shoulder, circling you. You waited for his response, waiting to see how he came to his own defence, but it did not come.
He had nothing to say, and that hurt even more. For it meant he truly did hate you.
You laughed humorlessly, shaking your head, feeling tears begin to prick your eyes and you tried to hide your hurt as the music came to a close, thankful your dance was over.
You curtseyed as he bowed, chastising yourself for getting upset at how he treated you. He did not deserve to mould your feelings in this way. You shook your head again, face aflame and tears threatening to spill down your cheeks in front of everyone â in front of the person you loathed the most yet whose eyes haunted your dreams. You quickly walked off the dance floor without another word. You ignored the calls of your name from Meg and instead made your way towards the doors that led to the gardens.
When you made it outside, the cool air prickled your skin, and you took a deep breath, closing your eyes. There were small droves of people outside among lanterns, their chatter an even din to your ears. But you needed to be further away. Stray tears falling, you went down the steps and into the gardens, away from the ball and the people.
The Queen and Princeâs staff had not placed the lanterns everywhere, and soon you left them behind as you walked through the well-kept gardens towards the glass building which could not be anything but the greenhouse, your feet crunching softly on the gravel pathways. You wrapped your arms around yourself and looked up at the sky as you walked, at the constellations that littered the blue night with glowing dots. You smiled tearfully at the reminder that you were only a small part of something much bigger, and nothing could truly matter so much when the stars existed. Even if it felt like the opposite.
When you reached the door, you pushed it open and closed it quietly behind you. The temperature was much warmer than it was outside, and you could feel the heat seep into your skin. You walked further in, marvelling at the various plants that grew and seemed to flourish in this environment, some of them youâd never seen before in your life. There were fruit trees and shrubs, flower bushes and others. The greenhouse was lit inside, giving the plant life an orange glow in the night. You walked around stone fountains and admired the stone statues, letting the ball and its people slip away.
You didnât know why you were so hurt by Mr. Batchburyâs actions and lack of words. Something about him flared up a part of yourself you didnât like. You hated meeting his barbs with cutting remarks, it was exhausting. You hated ruining your time spent with the Batchburyâs, so aware of their youngest brother and primed for any words that may be sent your way. You spent almost every waking thought fixated on Crosshair Batchbury and no matter what you did, nothing could sway your mind elsewhere. Always thinking about his stupid words that fell from his pretty lips and his even more stupidly handsome face with those searing brown eyes that spread fire through you when you looked into them.
You kicked the edge of the fountain with a frustrated sound coming from your throat and then sat on the edge and put your head in your hands. You felt more tears fall down your cheeks and you sniffled, wishing you had a handkerchief.
You could not deny it to yourself any longer.
You were completely enamoured by Mr. Crosshair Batchbury, and the hurt you felt was because you wanted him to like you. You kept fighting with him because it was the only way he would look at you with those pretty eyes of his. Ever since that first introduction, you wished his attention to be filled with the love, care and kindness you knew he possessed. But his handsome angled face would only ever send you daggers. So, with nothing else to do, with no explanations to why he did not like you, you just kept arguing with him, over and over again. But nothing ever changed. Whatever you did, whatever you said would never win him over, and you were exhausted.
You deserved better than that.
You heard footsteps running inside and you quickly straightened, eyes wide. You wiped your face and hoped your eyes werenât so red. The footsteps stopped and you turned to your right and scoffed when you saw the source of all your hurt, confusion and desire standing there in all his glory.
âWhat do you want, Mr. Batchbury?â you asked, but did not want an answer. He looked at you, beautiful brown eyes trained on your face, and you watched them search your features for something. You laughed humorlessly and kept talking.
âWanted to see if I finally cracked? If your words, or lack thereof I should say, finally landed their blow? Well, they did, sir. They did. You win. Iâm not playing this game with you any longer, I am tired of it.â
âWhat game?â he croaked out, standing there all tall and handsome with a crease in his brow you wanted to press away with your thumb. Oh, how you wished heâd just been nice to you. It wouldâve been so much easier.
You stood up and smoothed your gown. âOur arguments. I donât want to have them anymore.â
He looked at you, incredulous. âThe ones you started?â
âI did not start anything!â You hissed at him, balling your fists. âYou did!â
Mr. Batchbury took a step closer to you, his voice deepening with disdain. âPlease enlighten me, because I distinctly remember you disliking me from the moment we met, and nothing could change your mind.â
You rolled your eyes before narrowing them at him. âThatâs rich coming from you, Mr. Batchbury, seeing as though you were the one who decided I was not up to your standards upon our introduction.â
Mr. Batchbury reeled back. âWhat are you talking about?â
âYou know exactly what Iâm talking about,â you spat, taking a step towards him. âYou looked me up and down and decided that was it, youâd seen enough of me. And now I simply plague you by existing. Shall I reiterate my words from the ballroom?â
âI know perfectly well what you said.â
He was so close to you now and you had to crane your neck to meet his eyes. When you were this close, you could see the uneven outline of his port wine stain across his eye, the deep red a contrast to his brown skin. You watched the way the colour flared with his emotions, and you wanted to place your fingertips over it, feel if it was as hot as his anger. He scowled down at you, his shoulders broad despite his lean frame. He was intimidating to most, and he knew it â but he never scared you. This attention that he gave you in these moments only solidified your wish for him to look at you in other ways. For those burning eyes of his to look upon you with love and not disdain. You drew yourself up as tall as you could, meeting him in every way except the way you wanted to, hoping your voice didnât tremble.
âSo, you do not deny it? That you took one look at me and decided I was not worthy of your company.â
Mr. Batchburyâs face softened ever so slightly. If you had blinked, you wouldâve missed it. âThatâs not what happened.â
You smiled only to hide the immense hurt that only seemed to cut deeper with every moment he continued to look at you like that. âOh, please, spare me.â
Mr. Batchburyâs eyes searched your face. What did you look like to him right now? You must look unkempt with the mess of your emotions. You were not good at hiding any of them, all the anger and hurt seemed to show up in the creases of your face and across your skin. Did he feel bad about the mess he had made you? Did he feel anything which was not frustration and vexation towards you? You could not imagine it. His face had softened marginally since the beginning of this spar, but the only thing it could be is pity; pity that you believed such things, pity that you couldnât take the arguments anymore.
Pity that you felt for him in ways he could never fulfil.
You felt your eyes brim with tears, and you took a step back, putting distance between you. Being so close to him was not helping in any such way. This had to stop.
âYou know, sir, just because you are rich, tall, and a handsome war hero does not mean you can treat people like they no longer matter. You and your family are wonderful people. The love you have for each other is truly remarkable and if I ever had a family, I would hope they are as close as yours is. I love your brothers and sister dearly, but it does not take away from the fact you have continued to provoke and anger me, and I will no longer allow it.â
Something shifts in Mr. Batchbury; he straightens and his once steady feet falter as he looks at you, like heâd just been knocked off balance. You stare at each other, his eyes wide and yours full of hurt and surrender. He blinks, processing your words, and you realise what youâve just let slip from your tongue.
Handsome. Handsome. Handsome.
Wonderful. Wonderful. Wonderful.
The words linger in the air between you both, and you feel yourself stiffening as your mouth opens slightly, before closing again. You could not take the words back. Your secret was out; he knew what you really thought of him.
Despite all the insults and affronts towards him, you did think he was wonderful and handsome, and the love he showed his family made a different kind of warmth seep through you. Not the warmth of anger, but the warmth of admiration and love.
Mr. Batchbury seemed to recover from the weight of your words, shifting on his feet, but his eyes never left you. You watched his face soften, harden then soften again, the creases around his eyes and mouth betraying his usual stoic face. You watched as he took a tentative step closer to you, his voice barely above a whisper as he spoke.
âYou wonât, will you?â
You felt the breath of his words tickle your face and you looked up at him, heart beating so fast you were sure he could hear it in this quiet, empty corner of the greenhouse. You swallowed. What was he doing? His words sounded like a challenge, but his voice was softer than youâd ever heard it; softer than it had ever been towards you.
But youâd been burned by him before, and you stood your ground, on guard for the insult that would surely follow. Your voice was low with your response, mustering up as much challenge as you would with his eyes looking down on you.
âNo, I wonât.â
You were unprepared for his next words, delivered in that same softness as before but not coated in an uncertainty that puzzled you and caught you off guard. âWhat will you allow then?â
You blinked up at him, eyes moving between his. Were they even softer than before? Your eyes trailed down his face and watched the way his lips pressed together. You quickly met his gaze once more, your reply coming out strained. âI havenât decided yet.â
Mr. Batchbury voice was unnervingly gentle as he said, âWill you allow this?â
He silently lifted his gloved hand and put the end of it between his teeth. You watched the movement, eyes trained on his mouth as he pulled it off and let it drop from his mouth to the floor. Then he took your hand in his bare one softly, and his wooden one cradled your elbow. Your breath hitched at the touch. His eyes left yours only for a moment as he pinched the seam of the tip of your silk glove, just above your middle finger. Then his gaze returned as he tugged, slowly pulling your glove from your arm until it was bare. Your chest began to rise and fall rapidly as you moved your eyes between his and his movements in quick darts.
âWhat are you doing?â Your voice rushed and breathless.
His voice was calm, if not slightly bored as he dropped the glove to the ground. âSeeing what you will allow.â
Mr. Batchbury began to do the same with your other glove, repeating the movements carefully. You blinked up at him, your heart racing and your stomach flipping over itself once you felt his hand move across the bare skin of your arms and hands. His palm was not rough, but it was not quite smooth, either. It was dry, warm, and large and completely engulfed your own hand, and you imagined his other hand wouldâve felt the same if it had not been lost. His hand was a working one; a hand that had held rifles and pulled on ropes; a hand you knew held his sisterâs when she was little; a hand that learnt how to write when he lost his other; a hand that carried around his leather-bound book tightly; a hand that had held you close to him when you had danced; a hand that removed your gloves so artfully you felt the sensations move through your entire body.
A hand that was, in fact, gentle with you in ways his words had never been.
You stared at him, and he looked at you as he held your hand, thumb brushing over your knuckles in a gesture that seemed almost instinctual. Heâd done that during the dance too, you realised. You thought it had been done absently, but what ifâŚit was intentional? You searched his face and saw a vulnerability you had never once seen grace his features. It made him look boyish, and something in your chest bloomed before you realised what you were doing.
You were holding hands with Mr. Batchbury in a greenhouse, and his skin was warm against yours.
You shook your head, face aflame. âThis isnât proper,â you choked out.
His voice was soft once more. âDo you want to stop?â
You looked at him. You had lamented only moments ago of how you wished he would show you the kindness he showed his family, and now here he was, holding your hand. How did he move from throwing barbs towards you, to such gentle gestures? How had the hostility between you shifted so quickly into softness? Your surrender to this game between you, your secret feelings towards him that had finally revealed itself after hiding them behind venom-soaked words. Something in that had changed the way he looked at you, how he spoke and how he held you.
What did it all mean?
But as he looked at you, finally looking at you with something other than hate, you couldnât bring yourself to push him away.
âNo,â you whispered.
His eyes softened once more, and it was an expression youâd grown very fond of in the past minutes, and you found yourself getting lost in the tourmaline of his eyes. They were the colour of a fireplace, of cinnamon sticks in hot cider â and maybe that was Mr. Batchbury to his core. Sweetness on the edges of the tart acidic warmth that permeated you as you consumed it.
You wanted to reach up and touch his face, see if the stubble that lined his jaw was rough against your fingers, you wanted to trace the line of his port wine stain, and see if his eyes closed with the touch, or if they stayed trained on you.
You felt your cheeks heating as he continued to look at you. What did he see now when he looked at you? Still the mess of anger and hurt? Or the unhidden feelings of enamour you had hidden for so long?
You felt his hand on yours squeeze before he swallowed, and slowly moved his face closer to yours. It was a cautious kind of movement that left room for you to push him away, but you couldnât â or wouldnât. And instead, the thump of your heart filled your ears as his lips inched closer to yours, both your gazes dropping to each otherâs lips. He paused and you felt the breath of your name over the lips.
âYes,â you breathed back.
âI have never once hated you,â Mr. Batchbury whispered before he pressed his lips to yours.
You had never kissed anyone in your life, and all your knowledge came from novels or chatters overheard from servants. But this kiss wasnât like anything you have ever heard or read. It started off sweet, tentative a little unsure as you both tried to figure out what to do and what felt good. He pulled you closer, so you were pressed up against his chest, and his arms went to your hips whilst yours draped themselves over his shoulders. He lifted you so your feet were on top of his, and you pressed your tip toes into the tops of his boots as the kiss deepened, both of you finding your footing as you grew used to the ministrations. He smelled like the fireplace his eyes matched, and you breathed him in as Mr. Batchburyâs lips claimed yours. Your body was on fire as felt his tongue at the seam of your lips and you couldnât hold back a moan as you tasted him. He tasted of the champagne heâd downed earlier, and you could feel the hardness of his frame against you, like nothing was close enough.
âEnchanting,â you thought youâd heard him say between kisses.
The kisses youâd heard about had never detailed the kind of passion and want this kiss held. The greenhouseâs heat coupled with the heat of this embrace was making you hot all over, your body tingled with the need for more. And as the kiss went on, you both became more frantic, gasping between each kiss. His hands moved up and down your back, holding you securely against him and your bare hands grasped at the short strands of his silver hair that lay at the nape of his neck. He groaned as you tugged at them and kissed you harder, his hot mouth slanting over yours as he pulled you in deeper, bodies pressed together like nothing was close enough.
âMr. Batchbury,â you breathed as his lips left yours to move down your jawline to your neck. You pressed your hand against his cheek and felt the stubble, confirming the roughness of it you had imagined. God, you wanted him everywhere â improper be damned. How could something that felt so good be so improper? Why were people denying themselves this for the sake of propriety? You feared you could never get enough of this, of him.
âCrosshair,â he insisted, just like his lips as they pressed into your skin, nipping at your exposed collarbones.
âCrosshair,â you repeated before he swallowed your breath with his lips once more.
He let out a groan that you felt vibrate into your lips and chest and something about that sound, the deepness and loudness of it in the bubble you both had made, brought you back to yourself, and you remembered where you were and realised what you were doing.
You pulled away, chest rising and falling, eyes wide and cheeks burning. Your face was so close to his, and you took him in. His eyes were blown, brown irises bright, and his mouth parted with swollen lips. His port wine birthmark was a deep red as his skin flushed. You felt his chest press into yours as he breathed hard, and he blinked at you.
In his face, you saw a man whoâs kissed you senseless, who held you to him, whoâd touched your bare hands, and had been so gentle, all you had ever wanted him to be with you and yet, you felt yourself freeze.
Was this real? Or another cruel game at the expense of your feelings? One where he told you he never hated you, kissed you until your knees buckled then spat cruelties later on? Was he lulling you into complacency so his acid tongue would burn you when you werenât expecting it?
The thought hit you like a twelve-horse carriage and the guard youâd foolishly let down flew back up. Youâd lost your mind; taken by your fantasies. Mr. Batchbury was never gentle with you, no matter how much you wished it â why would he start now?
You couldnât be sure. But you were not going to be hurt by Mr. Batchbury again â your heart couldnât take it.
He rasped out your name, your kisses still lying in his throat and you felt yourself jolt before wrenching yourself out of his embrace.
âI have to go,â you strained out, already feeling your eyes burn with tears.
You watched his expression change into one of shock and then indignation. âWhat?â
âThis shouldnât have happened,â you choked before turning away from him and running back through the greenhouse the way you came, leaving Mr. Batchbury behind.

i hope you enjoyed this FIRST installment!! bc ofc! what is a regency romance without a steamy encounter!! ANYWAY stay tuned!!
(i am travelling for a bit so part 2 will be posted sometime in december! thank you for your patience!)
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So I could be totally wrong but, I believe it was sort of expected that men/gentlemen lose their virginity before marriage in regency times. But I also thereâs some fandom âdebateâ about whether or not Mr Darcy wouldâve had sex before getting married. So I was just curious about what your canon for Mr Darcy in T3W is. Is he a virgin or not?
I knew someone would ask me this eventually, haha. I've actually had really long conversations with my beta reader about this trying to figure it out. It sounds like this might all be stuff that youâve already seen discussed in the fandom, but Iâve never thought about it deeply before and so these are new thoughts to me.
I keep going over the historical real-world likelihood, the authorial intent, and the text itself but Iâm still not 100%. Iâll explain my thinking and what I find most likely, but hereâs your warning that itâs not a clear cut yes/no.
Because on one hand, at that time period it was most common for men in his position to have seen sex workers or have casual encounters/mistresses with women from their estates. Though I do absolutely believe not all men did that, no matter how much wealth and power they had. To go back some centuries, William the Conqueror seemed to be famously celibate (no hints of male lovers either according to the biography I read) until his marriage, and there's no evidence of affairs after it either. The best guesses as to why are that it was due to his religious devotion and the problems that had arisen from himself being a bastard and not wanting to recreate that situation. Concerns over religion and illegitimate children would certainly still have been applicable in the regency to men who thought that way. And in modern times I've seen sex workers say that when an 18/21yo is booked in by his family/friends to 'become a man' often they end up just talking and agree to lie about the encounter. After all, itâs not like every man wants casual sex, even if they arenât demisexual or something in that vein. But, statistically speaking, the precedent of regency gentlemen would make Darcy not a virgin.
On the other hand, just how aware was Jane Austen, the very religious daughter of a country rector, of the commonness of this? Thereâs a huge difference between knowing affairs and sex workers existed (and no one who had seen a Georgian newspaper could be blind to this) and realising that the majority of wealthy men saw sex workers at some point even if they condemned the more public and profligate affairs. The literature for young ladies at the time paints extramarital sex - including the lust of men outside of marriage - as pretty universally bad and dangerous. This message is seen from 'Pamela' and other gothic fiction to non-fiction conduct books which Jane Austen would have encountered. Here's something I found in 'Letters to a Young Lady' by the reverend John Bennett which I found particularly interesting as it's in direct conversation with other opinions of the era:
"A reformed rake makes the best husband." Does he? It would be very extraordinary, if he should. Besides, are you very certain, that you have power to reform him? It is a matter, that requires some deliberation. This reformation, if it is to be accomplished, must take place before marriage.��Then if ever, is the period of your power. But how will you be assured that he is reformed? If he appears so, is he not insidiously concealing his vices, to gain your affections? And when he knows, they are secured, may he not, gradually, throw off the mask, and be dissipated, as before? Profligacy of this kind is seldom eradicated. It resembles some cutaneous disorders, which appear to be healed, and yet are, continually, making themselves visible by fresh eruptions. A man, who has carried on a criminal intercourse with immoral women is not to be trusted, His opinion of all females is an insult to their delicacy. His attachment is to sex alone, under particular modifications.
The definition of a rake is more than a man who has seen a sex worker once, it's about appearance and general conduct too, but again, would that distinction be made to young ladies? Because they seem to simply be continuously taught 'lust when unmarried is bad and beware men who you know engage in extramarital sex.' As a side note, Jane Austen certainly knew at least something about the mechanics of sex: her letters and literature she read alludes to it, and she grew up around farm animals in the countryside which is an education in itself.
We can also see from this exert that the school of thought seems to be 'reformed rake' vs 'never a rake' in contention for the title of best husband, there's no debate over whether a current rake is unsuitable for a young lady. And, from Willoughby to Wickham to Crawford, I think we have a very clear idea of Jane Austen's ideas of how likely it is notably promiscuous men can reform. This does not preclude the possibility that her disparaging commentary around their lust is based more on over-indulgence or the class of women they seduce, but it's undoubtedly a condemnation of such men directly in line with the first part of what John Bennett says so it's no stretch to believe she saw merit in the follow-on conclusions of the second part as well. Whether she would view it with enough merit to consider celibacy the only respectable option for unmarried men is a bit unclearer.
I did consider that perhaps Jane Austen consciously treated this as a grey area where she couldnât possibly know what young men did (the same reasoning is why we never see the men in the dining room after the ladies retire, etc) and so didn't hold an opinion on men's extramarital encounters with sex workers/lower-class women at all, but I think there actually are enough hints in her works that this isnât the case. Though, unsurprisingly, given the delicacy of the subject, thereâs no direct mention of sex workers or gentlemen having casual lovers from among the lower-classes in her texts.
That also prevents us from definitively knowing whether she thought extramarital sex was so common, and as unremarkable, as most gentlemen treated it. But we do see from her commentary around the consequences of Maria Bertram and Henry Crawford's elopement that she had criticism of the double standards men and women were held to when violating sexual virtue. Another indication that she perhaps expected good men to be capable of waiting until marriage in the way that she very clearly believed women should. At the very least, a man who often indulges in extramarital sex does not seem to be one who would be considered highly by Jane Austen.
She makes a point of saying, in regards to not liking his wife, that Mr Bennet âwas not of a disposition to seek comfort for the disappointment which his own imprudence had brought on, in any of those pleasures which too often console the unfortunate for their folly or their vice.â This must include affairs, though cheating on a wife cannot be a 1:1 equivalent of single young men sleeping around before marriage. However, the latter is generally critically accepted to be one of the flaws that Darcy lays at Wickhamâs door along with gambling when talking about their youth and his âvicious propensities" and "want of principle." Though this could be argued that itâs more the extent or publicity of it (but remembering that it couldn't be anything uncommon enough that it couldn't be hidden from Darcy Sr. or explained away) rather than the act itself, or maybe seductions instead of paying women offering those services. I also believe Persuasion mentioning Sunday travelling as proof of thoughtless/immoral activity supports the idea that Jane Austen might have been religious enough that she would never create a hero who had extramarital sex.
So, taken all together this would make Darcy potentially a virgin, or, since I couldn't find absolute evidence of her opinions, leave enough room that he isnât but extramarital sex isnât a regular (or perhaps recent) thing and he would never have had anything so established as a mistress.
Iâve also been wondering, if Darcy isnât a virgin, who would he have slept with? Iâve been musing on arguments for and against each option for weeks at this point. No romantasy has ever made me think about a fictional man's sexual habits so much as the question of Darcy's sexual history. What is my life.
Sex workers are an obvious answer, and the visits wouldnât have raised any eyebrows. Discretion was part of their job, it was a clean transaction with no further responsibilities towards them, and effective (and reusable, ew) condoms existed at this time so there was little risk of children and no ability to exactly determine the paternity even if there was an accident. It was a fairly âresponsibleâ choice if one wanted no strings attached. In opposition to this, syphilis was rampant at the time, and had been known to spread sexually for centuries. Sex workers were at greater risk of it than anyone else and so the more sensible and risk-averse someone is (and I think Mr Darcy would be careful) the less likely they would be to visit sex workers. Contracting something that was known as potentially deadly and capable of making a future wife infertile if it spread to her could make any intelligent and cautious man think twice.
Servants and tenants of the estate are another simple and common answer. Less risk of stds, it can be based on actual attraction more than money (though money might still change hands), and is a bit more intimate. But Wickhamâs called wicked for something very similar, when he dallies (whether he only got to serious flirting, kissing, or sleeping with them I donât think we can conclusively say) with the common women of Meryton: âhis intrigues, all honoured with the title of seduction, had been extended into every tradesman's family.â And it isn't as though Wickham had any personal duty towards those people beyond the claims of basic dignity. Darcy, who is shown to have such respect and understanding for his responsibilities towards the people of his estate and duties of a landlord, would keenly feel if any of his actions were leading his servants/tenants astray and down immoral paths. Servants, especially, were considered directly under the protection of the family whose house they worked in. I think it's undoubtable that Mrs Reynolds (whose was responsible for the wellbeing - both physically and spiritually - of the female servants) would not think so well of Mr Darcy if he had experimented with maids in his youth. It would reflect badly on her if a family entrusted their daughter to her care and she 'lost her virtue' under her watch. Daughters/widows of others living on the estate not under the roof of Pemberley House are a little more likely, but still, if he did have an affair with any of them I can only think it possible when he was much younger and did not feel his duties quite so strongly. Of course lots of real men didn't care about any of this, but Darcy is so far from being depicted as careless about his duties that the narrative makes a point of how exceptional his quality of care was. Frankly, it's undeniable that none of Jane Austen's heroes were flippant about their responsibilities towards those under their protection. I cannot serious entertain an interpretation that makes Darcy not, at his current age, at least, cognizant of the contemporary problems inherent in sleeping with servants or others on his estate.
A servant in a friendâs house would remove some of that personal responsibility, but transfer it to instead be leading his friendâs servants astray and in a manner which he is less able to know about if a child did result. That latter remains a problem even if we move the setting to his college, so not particularly likely for his character as we know it⌠though it wouldnât be unusual for someone to be more unthinking and reckless in their teenage years than they are at twenty-eight so I donât think having sex then can be ruled out. Kissing I can much more easily believe, especially when at Oxford or Cambridge, but every scenario of sleeping with a lower-class woman has some compelling arguments against it especially the closer we get to the time of the novel.
Men did of course also have affairs with women of ranks similar to their own, though given Jane Austenâs well-known feelings towards men who âruinedâ the virtue of young ladies we can safely say that Darcy never slept with an unwed middle- or upper-class woman. Any decent man would have married them out of duty if it got so far; but if he was the sort to let it get so far, I think it impossible Jane Austen would consider him respectable. Widows are a possibility, but again, the respectable thing to do would be to marry them. Perhaps a poorer merchantâs widow would be low enough that marriage is off the table but high enough that the âleading astrayâ aspect loses its master-servant responsibilities (though the male-female âprotect the gentler sexâ aspect remains) but his social circle didnât facilitate meeting many ladies like that. Plus, an affair with a woman in society would remove many layers of privacy and anonymity that sex-workers and lower-class lovers provided by simply being unremarkable to the world at large. It carries a far greater risk of scandal and a heavier sense of immorality in the terms of respecting a womanâs purity which classism prevented from applying so heavily to lower-class women.
I think itâs important to note here that something that removes the need to think about duties of landlords towards the lower-classes or gentlemen towards gentlewomen is having affairs with other men of a similar rank. But, aside from the risk of scandal and what could be called the irresponsibility of engaging in illegal acts, itâs almost certain that Jane Austen would never have supported this. For a devout author in this era the way Iâm calculating likelihoods makes it not even a possibility. But if you want to write a different fanfiction (and perhaps something like a break-up could explain why Darcy doesnât seem to have any closer friend than someone whom he must have only met two or so years ago despite being in society for years before that) it does have that advantage over affairs with women of equal- and lower-classes. I support alternate interpretations entirely â it just isnât how Iâm deciding things in this instance.
I keep coming back to the conclusion that, at the very least, Darcy hasnât had sex recently and it was never a common occurrence. It wouldnât surprise me if Jane Austen felt he hadnât done it ever. Kissing, as we can see from all the parlour games at the time, wasnât viewed as harshly, so I think heâs likely made out with someone before. But in almost every situation it does seem that the responsible and religious thing to do (which Jane Austen values so highly) is for it to never have progressed to sex. I also donât think it conflicts with his canon characterisation to say that he wouldnât regard sexual experience as a crucial element of his life thus far, and his personality isnât driven to pursue pleasure for himself, so itâs entirely possible that he would never go out of his way to seek it. So, Iâm inclined to think that the authorial and textual evidence is in favour of Darcy being a virgin even if the real-world contemporary standard is the opposite. (Though both leave enough room for exceptions that Iâm not going to argue with anyone who feels differently; and even if you agree with all my points, you might simply weight authorial intent/textual evidence/contemporary likelihoods differently than I do and come to a different conclusion).
Remember that even if Darcy is a virgin this wouldnât necessarily equate to lack of knowledge, only experience. There were plenty of books and artwork focused on sex, and Darcy, studious man that he is, would no doubt pay attention to what knowledge his friends/male relatives shared. Though some of it (Looking especially at you, 'Fanny Hill, Memoirs of a Woman of Pleasure') should NEVER be an example of appropriate practice for taking a woman's virginity. Darcy would almost certainly have been taught directly or learnt through exposure to other men talking to make sex good for a woman â it was a commonly held misconception (since Elizabethan England, I believe) that women had to orgasm to conceive. It would be in his interests as an empathetic husband, and head of a family, to know how to please his wife.
Basically, Iâm convinced Darcy isnât very experienced, if at all, and will be learning with Elizabeth. But he does have a lot of theoretical knowledge which heâs paid careful attention to and is eager to apply.
#sorry for how my writing jumps around from quoting sources to vaguely asserting things from the books I only write proper essays when forced#if anyone has evidence that Austen thought a sexually experienced husband was better/men needed sex/it's a crucial education for men/etc#PLEASE send it my way I'm so curious about this topic now#this is by no means an 'I trawled through every piece of evidence' post just stuff I know from studying the era and Austen and her work#so more info/evidence is always appreciated#I had sort of assumed the answer was 'not a virgin' when I first considered this months ago btw but the more I thought about it#the less I was able to find out when/where/who he would've slept with without running into some authorial/textual complication#so suddenly 'maybe a virgin' becomes increasingly likely#But the same logic would surely apply to ALL Austen's heroes... and Knightley is 38 which feels unrealistic#(though Emma doesn't have as much commentary on sex and was written when Austen was older so maybe she wasn't so idealistic about men then)#but authors do write unrealistic elements and it's entirely possible that *this* was something Austen thought a perfect guy would(n't) do#and if you've read my finances breakdowns you know I follow the text and authorial voice over real-world logic because it IS still fiction#no matter how deftly Austen set it in the real world and made realistic characters#pride and prejudice#jane austen#fitzwilliam darcy#mr darcy#discourse#austen opinions#mine#asks#fic:t3w#I'm going to need a tag for 'beneath the surface' but 'bts' is already a pretty popular abbreviation haha#just 'fic: beneath' maybe?? idk
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Another Interesting Spoilery Evil Question

To directly answer the question before I start rambling, the Cobraâs bodyâs physical age is 24.
(You can stop reading here if you like. This gets very long!)
When Marius meets the Cobra (chapter 18 epigraph from Time of Iron) he correctly identifies him as Mariusâs own age at the time - 18.
At the time of the book all the physical bodiesâ ages are as follows.
Marius - 24
The Cobra - 24
Rahela - 24
Octavian - 24
(Pio and Nemeth, Octavianâs advisers, are in their early 40s and late 50s respectively - theyâre Octavianâs dadâs people and that is part of why they are so stressed. Their king died young, Octavian became king in his teens and it has been an uneasy court ever since.)
Emer - 23
Key - 20
Lia - 19
Rae and Eric in our world were both 4 years younger than their bodies in this world (so they would both be 20 if the story hadnât happened to them). For the moment weâll leave aside Key, who had another life too, in a different way. (He was a little kid, but old enough to walk after his father, in the epigraph from Time of Iron in chapter 15.)
I do age shenanigans for two reasons.
âOne is that age in fiction and reality is weird, and I wanted to portray that. If I had a crush on Mr Darcy when I was 7, is that okay? If I had a crush on Mr Darcy when aged 41, is that okay? Mr Darcyâs always in his late twenties: Elizabeth Bennet will never be older than 21, but she seemed so glamorous and all-knowing to me when I was a kid.
And if you walk into a story, when in their character development do you find them? Would we like Darcy when heâs sneering at Elizabeth at a ball? Who is it that we love and when?
Plenty of adult women fancied Edward Cullen, perpetually a teen (or was he? Fantasy and horror also open up the possibility of immortality - but in a way, all fictional characters are immortal. Holden Caulfield isnât growing up any more than Edward Cullen is. And like fictional characters and immortals, the dead arenât getting any older eitherâI think often of Anne Rice, author of the Vampire Chronicles, who wrote the doomed child vampire Claudia after losing her own daughter Michele as a child. Death, immortality, fiction and the overlap!) When I read or watched stories in which characters were in different/changed bodies they usually seemed younger - often their younger selves, or a younger/cuter body (Peggy Sue Got Married, Scarlet Heart). (Exceptions exist of course, e.g. Howlâs Moving Castle.) And I like magic losing something, costing you something, plus Iâm a contrarian. So I wanted them older.
âThe other is that LONG LIVE EVIL is a story about trauma, which often arrests your age in your mind. The period in which you were enduring the horrors is a blank in which you couldnât develop normally, or in which you had plenty of experiences but few of them match with your peersâ.
Cancer did it to me, which wasnât horrendous as I was in my early 30s and thatâs still adult, just meant a bit of âoh no Iâm not this childâs mother, Iâm too young - actually Iâm a bit old to be this childâs mother now I think about it, but anyway I donât claim herâ and the like. But Iâve seen it do the same for people with cancer I befriended or whom I mentor, and itâs a very different proposition if the lost years are 17-21.
Itâs not just cancer, Iâve seen bereavement work that way on people, and apparently celebrity works on the mind like trauma and arrests you at the age you became famous in a lot of ways. Itâs being taken out of the run of ordinary life, walking through your portal into strangeness.
But in the end most of us wind up with years that feel lost, I think, and playing catch-up is the only way forward.
And allegory remains allegory: if Iâm writing a werewolf Iâm taking about rage and body horror, sure, but Iâm also talking about werewolves.
I was actually confused by this ask at first as Iâd written a whole section where Eric says heâs going to die of a heart attack at 20 and Marius is exasperated as Eric is a little young to start lying about his age! But it must have fallen victim to my many cuts - stories transform! - and I can see why, because I donât think Eric exactly thinks of himself as 20 anymore.
I had some struggles with the age stuff, itâs another layer of complication in a complicated story and there were worries raised that it was unnecessary and might make some characters less appealing but in the end I decided it was necessary to me and let the characters be unappealing, then.
I also enjoy the twisting, fluid ages because they cause conflict, and conflict is story.
Rae uses her new age (and thus doesnât need to think of her absolutely horrible self worth) to count herself out as a romantic option in Keyâs eyes.
She also thinks of the Emperor as in his mid-20s, as he is - after a time skip that happens in the original Time of Iron, years in which Key and Emer were Liaâs servants. She knows about those years, but she doesnât put it together.
At Eric and Mariusâs first meeting 6 years before the events of LONG LIVE EVIL, Eric also hasnât been in the book that long. He was in a horrifically traumatic survival situation for a large part of the time he was inside, when he approached Marius to blackmail him. That is objectively a deranged thing to do, but Eric is thinking like a terrified 14 year old and also like a Huge Fan of Marius. aka the quintessential white knight, the Last Hope who is reserved and dignified and crucially, 24-28.
That would be the Marius Eric at the time knows when he approaches Marius in the flesh, Marius at 18 and coming off family trauma, friend trauma and quasi-romantic trauma himself. Marius actually DOES go into dissociative states and kill people, Eric was taking a huge risk with his own life that not a single person in the country would have taken. Marius is a Valerius, and they are killers. (The whole court, Marius included, thought Lady Katalin ((Rahelaâs mother)) was being very daring by like, touching Mariusâs hand when he was 17.)
Eric is acting wild partly because a) he is wild, b) heâs desperate but also crucially c) heâs thinking of Marius as someone that Marius isnât yet and d) heâs not thinking of things from Mariusâs POV, and doesnât until the events of LONG LIVE EVIL. Their quasi friendship/quasi hostage situation (that the hostage had firmly decided was happening) couldnât have happened without a perfect storm of weirdness, risks and lack of understanding what the hell was going on.
Marius would not have seen a 14 year old Eric (not a child to him exactly, but squire age rather than knight age) as a criminal threat in the same way as he saw the Cobra, his own age (18, which was definitely very adult, Marius thought at the time). Eric wouldnât have failed to consider consequences or failed to consider Marius as person rather than character, if heâd actually been 18. But by the time anyone knew better, a status quo was established, and habit is second nature and a stronger nature than the first.
Ericâs plight is horrific initially. But at the same time, Eric is extremely intelligent (both intellectually and emotionally) and able to both cover and play catch-up to this new life, and he can advise Rae with the benefit of his experience - but that doesnât mean that he didnât screw up massively when he first came into the book, or that he doesnât still have many things to work through.
Similarly, Emer is used to Rahela who is quasi older sister and quasi mistress, while Rae is now acting younger. And all of them are dealing with a gross system in which men are seen as in their youthful prime when women the same age are getting long in the tooth and can be traded in for teenagers - so even two people who are the same age arenât treated as if theyâre the same age, if theyâre different genders. Age stuff is crunchy!
Also, while Emer thinks of Lia as having all the power due to class, Lia looks on someone who was her glamorous older stepsisterâs age mate and went off to the big city years ago rather differently. But then, are adulthood and childhood different worlds? Is being in different social classes being in different worlds?
Can we reach the different universes of other people is something Iâm always asking, I think.
THIS IS SO LONG. I AM SO SORRY.
#long live evil#pride and prejudice#twilight#ageism#portal fantasy#the golden cobra#marius valerius#emer ni domitia#king octavian#Rae parilla#key of the cauldron#Lia felice#prime minister pio#lle spoilers
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