#darcy still exists

[no-naem]

I was trying to make a new banner but I ended up listening to nevermore by sasakure uk on repeat and accidentally made a vague AU...

[itspileofgoodthings]

okay but just thinking about how dark it is that Anthony’s kind of ultimate fantasy isn’t marrying Kate —it’s being married to her sister while lusting after Kate, his honor about to SNAP

[arttsuka]

I'm gonna share my thoughts and overall opinion about heartstopper (it's negative), if that upsets you just, scroll away.

So, heartstopper. I don't like it. I'm not very good at writing or articulating my thoughts properly but I'll try to explain as best as I can.

First, I want to address the 'you're not part of the target demographic' excuse I'm hearing here and there. That's really not a good excuse. A good media (whether that is a movie, a series, a book, or anything else) can and should be enjoyed by more than one age group. And while my experiences in life don't exactly align with what these characters are going through, that still shouldn't stop me from enjoying the show.

The characters

Darcy, ooo boy. Legit one of the more unlikable characters on the whole show even if it's clear we are meant so sympathize with her. Her actions are clearly hurting her girlfriend and friends but that's ok because she has problems on her own apparently.

They're all very boring, stereotypes really, with no real personality (at least the main characters). And a lot of them are plain unlikable. Part of it can be blamed on how stereotypically they act.

Charlie is the soft uwu gay boy who's being bullied, has an eating disorder, has 1000 problems, is not very athletic, is the 'black cat' of the relationship. Notice anything? Yes, all these stereotypes could be describing any character (at least how the fandom usually misinterprets them). He doesn't feel like a real person because he has no sense of self. And yes, it is a fictional world, but at the same time it's clearly written to reflect reality on a big level. He is also extremely selfish and not very forgiving (and while yes you don't have to forgive others if you don't want to, closing the door on someone's face with a simple 'no' isn't exactly the best thing to do).

Nick is the golden retriever bi boyfriend who's never done anything bad in his life (despite doing some of the same things Ben did aka the most irredeemable character of the series that I'll talk more about later albeit for different reasons, the resultremains the same).

Tory is very underdeveloped but still, very boring as well. I'd like to see more of her but so far her writing is bad at best.

The gays

I can't stretch this enough, all the characters end up being boring because they are stereotypes without anything new added to them.

And Ben. Ben was the villain, he never stood a chance to redeem himself because someone had to be the bad guy apparently. Obviously not justifying his actions, but it's clearly he had problems as well. He knew he'd be bullied for his sexuality and he had to pretend around others (the difference between him and Nick is that Nick was the 'good' replacement I guess). And isn't it kind of weird how he's the only non-straight character to be cast aside from the lgbtq group? How they refuse to give him a chance? I don't know, seems excessively cruel for our main characters to do.

The writing

I fear the writing isn't that strong. Some episodes are pretty packed while others are a bit boring because nothing really happens to progress the story (and this is a slice of life show, filler isn't really a thing in the usual sense because the relationships between characters and seeing them interact with each other is part of the genre).

The dialogues range from 'pretty believable' to 'no one talks like that' although I can't be sure how much the webcomic is at fault for that.

The acting

The acting is pretty good actually. I really enjoy the performances of most of the cast with 2 exceptions, Tori and Mr. Farouk. I don't know the actual intention behind it, but I feel like they both play into the autistic stereotype, in a way that feels uncomfortable to watch. Again, I don't actually know why, maybe it was intentional but it still feels a bit weird.

All the 'good' characters from this show have to be a part of the lgbtq community. Straight cis people can't really be good people apparently (even Imogen wasn't straight in the end). And I'm not saying gay characters can't be good but it feels like the show itself makes that connection, gay->good (except if you're Ben), straight->bad (or, if good then not straight).

The intimate stuff

It made me really uncomfortable actually. Not the implied sex but the excessive kissing (of the gay characters, God forbid any of the other couples kiss more than twise).

The eating disorder and mental problems

I can't really say much about it. I think they handled it pretty well on some parts and not so great at others. I liked how the show made it clear Nick shouldn't feel responsible for helping Charlie by himself and how having a mental problem or ed isn't something you should feel like a burden for, you can still be a human being.

The transphobia

Again, there's nothing much to say, but I will say this. The statement 'Gender neutral bathrooms will increase cases of sexual assault against women' isn't inherently transphobic, but rooted in misandry (it can obviously be both, but at it's core it's about stereotypes against men). It's how society is formed at this moment, how patriarchy is hurting everyone, not just women and all.

At the end of the day, my biggest problem with heartstopper lies in this. People claim it's a cozy show about the lgbtq youth, finding love, that I'm just jealous I didn't have something like this growing up etc. But at the same time the show tackles extremely sensitive topics like homophobia, transphobia, eating disorders...

You can't have both, it's either a cozy little show that you shouldn't criticize too hard or it's a show that deals with difficult, important stuff that deserve critisism.

I'm closing with this image I saw a while back because it's hilarious

[6erikjohnson6-8calemakar8]

thinking about them....

sometimes all i think about is you…

[chewysgummies]

Ngl, it's kinda crazy how Darcy greeted killbot 86 as if they knew each other and been homies for a long time lmao.

[ashfae]

The thing about romance is, it makes a good story.

As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.

Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.

The problem is a story is only a story.

Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.

But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.

And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.

Neil also mentioned Pride and Prejudice.

Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?

Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.

Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.

The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.

Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)

The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.

Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.

The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.

Quiet, gentle, romantic. It was.

But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.

But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.

The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.

And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.

Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.

But they'll get there. So will we.

[witchesverse]

girlfriend killer.

pairing: dark!agatha x fem!reader

summary/request: I don’t know if you are accepting request but if you are I have an idea for Agatha Harkness and R… AU where R has had horrible luck in love. Every partners R has dies. R always finds comfort in her friend and neighbor, Agatha. R has no idea Agatha is killing R’s partners so that no one will ever take R away from Agatha..

content: noncon, mention and small descriptive of murder, mention of stabbing, mention of drowning in bleach, heavy manipulation, HEAVY TOPICS, funerals, mention of missing people, cum eating, pussy eating, strap-on sex, small mommy kink, knife play, crying, cum-filled strap, tummy bulges, humiliation, kidnapping, cutting.

a/n: this is honestly the darkest fic i've ever written and i loved writing it. (shoutout to @beggingforyours for being my assistant in writing this)

masterlist

You sniffled and wiped at your nose as tears stained your cheeks. You held a small rose bouquet; they were her favourite flowers. You were surprised that you were able to hold your sobs back as they lowered your late girlfriend into the ground.

"Come here, dear."

Your neighbour, Agatha held her hand out for you. You buried your face in her neck and cried. She held you and rubbed circles on your back.

For the past few years, you have had horrible luck with love. All of your partners have passed away in tragic accidents or have gone missing. This was the fourth girlfriend that you have attended a funeral for, and you don't know how much more you can take.

Without Agatha, you don't know if you would still be here. She has nursed you back to health after each funeral. Your friends would tell you Agatha was creepy and weird, but Agatha was your rock.

"Shall we go back to my place?" Agatha whispered.

Whilst still sobbing, you nodded.

-

It had been two weeks since the funeral and you hadn't left Agatha's house once. You had no reason to with how good Agatha cared for you.

Occasionally, Agatha had to leave for work reasons which left you alone in her house for a few hours. Agatha had one rule at her house.

Do not enter her basement.

It was an easy rule to follow. Half the time you forget the basement existed. But waiting for her to arrive back home got boring, so curiosity struck.

The wooden steps creaked underneath your steps, making you cringe each time. You dragged your hand across the wall, silently triumphing once you found the light switch and turned it on.

The basement looked normal. A large desk was at one side of the room and was covered with books and papers, and red paint splattered on the floor.

You didn't know Agatha enjoyed art.

A frown settled across your face when you noticed the weapons around the room. There must have been at least 20 different weapons. You guessed she enjoyed collecting them.

You looked at the papers and books on her desk, recognising a few titles but a diary caught your eye. You know it's bad to look at someone's diary but you couldn't help it.

Entry 42: Murder #4 I killed Darcy Lewis with a Zombie knife. The blade perfectly pierced her skin and ripped it up as I pulled it out. I smile remembering her screams for help and her promises to leave Y/n alone. Once she was weak, I held her head under bleach-

You slammed the diary closed and grasped onto the table. You felt like you were going to puke. You covered your mouth with your hand and cried.

Agatha Harkness was a fucking murderer.

She had murdered Darcy, the girlfriend who you had just buried two weeks ago, and she had comforted you through it. Darcy's body was never found, but if you continued reading, you were positive you would know where it was.

Darcy promising to leave you alone made questions swirl in your head.

Why did she say that? Is Agatha targeting your lovers? Did Agatha kill your other girlfriends? Why you?

You had to tell the police. You grabbed Agatha's diary and searched for anything else that could be evidence.

Loud claps rang throughout the basement and you froze.

"It looks like we have a little rule breaker, isn't that right, hon?"

Agatha stood at the bottom of the staircase and looked at you with an amused smile. She balanced a small knife between her fingers.

You swallowed, trying to find your voice.

"Y-You fucking killed her." You shrieked.

Agatha shrugged.

"Did you kill the others?" You asked but shook your head after "No. No, don't tell me. Just get out of my way so I can tell the police and get your insane ass in jail."

Agatha's eyes narrowed, her amused expression disappearing. You shuffled backwards as she stalked closer.

"Oh no, baby." She tsked "That's not how you talk to mommy."

A wave of confidence washed over you and you ran. You didn't get far. Her hand reached out and grabbed onto your hair, yanking you into her. Her diary flew out of your hands and you pushed away from her.

Agatha was stronger than you and kept her hold. She forced you on your knees and held the tip of her knife underneath your chin to keep your head up. Her grasp on your hair was painful.

"Why?" You cried.

Agatha rolled her eyes, "Those bitches weren't good enough for you so I had to remove them."

"You don't get to decide what is good-"

Her knife nicked your cheek as she slapped you. The unexpected slap shocked you and you didn't know how to reply.

"But I do get to decide."

She roughly pulled you to your feet and shoved you into the table. You grunted as your front collided with wood. Agatha pinned you down with one hand and held her knife in the other.

"Don't move unless you want to be cut."

You couldn't control your tears and cries.

Agatha used her knife to cut a hole in your pants, revealing your panties to her. She placed her knife on the table. She pushed your panties to the side and groaned at the sight of your bare cunt.

You held back a sob as her fingers dragged through your slick. She moaned at the taste of you on her fingers. She lowered her face to your cunt and licked a stripe up it.

Her moans caused vibrations and you shivered against her.

She pulled away from you and you heard her taking her pants off. There was the click of something opening and closing, and then you felt the head of a cold, lubed strap pushing into you.

"Please, Agatha." You sniffled, "Don't do this."

Agatha grabbed a fistful of your hair and shoved your face into the table, "Shut up and take it."

Her strap easily pushed into you. You cried as the stretch burned and your walls clung to her. She slowly pumped into you, thankfully letting you adjust before her speed increased.

The basement was filled with your moans, your skin slapping together and the wet noises your cunt made.

Agatha pulled you up into her chest, her hand finding its way around your throat and fingers twisting and tugging at your nipples. You moaned loudly and your head fell onto her shoulder. Agatha kissed your neck before sucking and licking at it.

Her hands rested on your tummy, "You feel that? That's how deep my dick is."

You whimpered.

Agatha started to softly moan and grunt in your ear, and you knew you were both getting close. She dug her fingernails into you, carving crescent-moon marks into your skin.

Agatha moaned loudly and forced you back onto the table. You felt warm liquid squirt inside of you, which pushed you over the edge into your orgasm.

Your head went blank and you pressed yourself into Agatha's strap until you came down from your high. You couldn't deny that orgasm was one of the best orgasms you had ever had.

Agatha turned your body around and pulled her strap out. She wrapped her arms around your legs and licked at you, cleaning you up.

You softly cried at the realisation of everything.

Your sweet, perfect neighbour has been murdering your partners for years and she had just fucked you in the same room she killed them in.

What's going to happen to you?

[little-jana]

"Three Times is a Charm"

Pairing: Spencer Reid x reader

Genre: fluff

Warnings: awkwardness?, sweet kisses, use of y/n

Words: 3,5k

Summary: Meeting Spencer Reid was like stumbling upon a rare book—unexpected and thrilling. Our paths crossed not once, not twice, but three times in the most peculiar ways.

I didn’t mean to end up at that bookstore. It wasn’t on my list of errands, and truthfully, I didn’t even know it existed until I spotted the faded sign hanging above the shop door: Old Tomes & New Beginnings—Clearance Sale. There was something irresistible about it, the promise of stories hidden in dusty corners. My car could wait, and my to-do list wasn’t going anywhere. So, I pushed the creaky door open and stepped inside.

The air inside was pleasantly warm, and the aroma of vanilla candles mixed with the familiar scent of old books. I could almost hear the stories whispering to each other, nestled in their places on the wooden shelves. A small bell chimed as the door closed behind me, announcing my arrival. The shop was a maze of tall wooden bookshelves, most sagging slightly under the weight of the books they held, their spines worn from years of handling. It was the kind of place that invited you to stay for hours, to get lost in forgotten pages and dusty memories. And that's exactly what I did. I wandered, my fingers trailing along the spines, occasionally pulling a book down and skimming through its pages before deciding to leave it behind.

Then, my eyes landed on it: Pride and Prejudice —not a rare edition or a first printing, but a well-loved copy with a faded cover and yellowing pages. There was something about it that felt inviting, as if it had been waiting for me to pick it up. I reached for it, standing on my tiptoes, trying to stretch my fingers far enough to grasp the spine. But the stack of books around it was precariously arranged, and as I nudged it, the entire tower of books began to shift.

"No, no, no!" I muttered under my breath, trying to stabilize the pile, but it was too late. The books tumbled one by one, crashing to the ground with a series of loud thuds.

"Are you okay?" a voice called from behind me.

I froze, looking over my shoulder to see a tall, slightly disheveled man crouched down, his hands already gathering the fallen books. His brown hair was messy, and his glasses perched on the edge of his nose as if they might fall off at any second. He was dressed in a cardigan that looked like it belonged in an old library, and his slightly awkward but genuine expression caught me off guard.

"I think so," I said, still kneeling. "Though it seems the books have declared war on me."

The man smiled faintly, then held out a hardcover to me. "Here," he said. "This one seems to have missed the fall."

I glanced at the title. It was Pride and Prejudice. A knowing smile tugged at the corner of my lips. "You have good taste."

"Jane Austen is a classic," he said, a little too earnestly. "Not to mention a master at subtle social commentary. And Mr. Darcy’s arc... Well, it’s iconic."

I raised an eyebrow. "You really are a fan of Austen’s work, aren't you?"

He looked slightly embarrassed but managed to maintain eye contact. "Guilty as charged," he said. "I’m Spencer, by the way."

"Nice to meet you, Spencer," I replied. "I’m [y/n]." We exchanged a polite smile, and he moved to help me collect the remaining books. Once we were both standing, I found myself glancing back at Pride and Prejudice, wondering if I should buy it, but I didn’t want to seem too eager.

"You know," Spencer said with a slight hesitation, "I think Pride and Prejudice is the perfect book for someone who wants a little bit of everything. Romance, wit, social critique..."

I looked at him with a playful smile. "You’ve clearly done your homework."

"I suppose I have," he replied, looking sheepish.

Before I could say anything else, he gave a quick nod. "Well, I should probably leave you to the rest of your book shopping. Enjoy the rest of your day."

As he turned to leave, I couldn’t help but watch him disappear down one of the aisles. There was something about him—something intriguing, something different.

---

A week later, I found myself standing in line at my usual coffee shop, juggling my phone, keys, and a to-do list. It was a Monday morning, and the place was packed with people trying to start their day. The smell of freshly ground coffee beans and baked pastries filled the air as I anxiously checked the time on my phone, wondering if I’d make it to my meeting on time.

As I finally reached the counter to pick up my drink, I turned to make my way to a nearby table. That’s when I collided with someone. My coffee cup slipped from my hand in a perfect arc toward the floor.

"Watch out!" I cried, but it was too late. The hot coffee splashed across the table, narrowly missing the man standing in front of me.

He quickly stepped back, raising his hands in an attempt to shield himself, but the damage had already been done. I froze for a second, staring at the coffee stain spreading across the table.

"Oh no, I’m so sorry!" I exclaimed, feeling my face flush with embarrassment.

The man bent down and grabbed a napkin to start mopping up the spill. I blinked. There was something about this scenario that felt... familiar.

"Twice in one week?" I asked, still stunned. "Are you following me, Spencer?"

He looked up, his eyes widening in shock. "No! I swear, I’m not stalking you!" He paused, looking around at the busy café. "I mean, I do come here often, but I don’t think it’s quite the same thing."

I couldn’t help but laugh, the awkwardness of the moment suddenly lifting. "Same here. But I guess we just keep running into each other."

He gave a sheepish grin. "Maybe we’re just... fated to meet by accident."

I gestured to the table behind me. "Do you want to sit with me? It’s the least I can do since I’ve made a mess of your morning."

Spencer looked a bit hesitant but then shrugged. "Sure, why not?"

As we sat down and chatted, the conversation turned from the coffee mishap to our work. I learned he worked for the FBI—profiling, specifically—and was part of a team that investigated serious crimes. I couldn’t help but be impressed. His intelligence and passion for his job were evident in the way he talked about his cases, even though he seemed more humble than I expected.

We exchanged stories about our favorite books and movies, discovering that we had quite a few shared interests. Despite his shy demeanor, Spencer’s intelligence and sense of humor shone through. I found myself laughing more than I had in a long time, and before I knew it, hours had passed.

“Looks like I’ve kept you from your plans,” Spencer said, glancing at the clock and looking a bit guilty.

I waved him off. "No, I’m glad we talked. Let’s do this again sometime."

As we parted ways, I found myself secretly hoping that I’d bump into him again—preferably without any coffee mishaps. Gladly, we got to exchange numbers.

---

Two weeks later, Spencer invited me on a spontaneous picnic. I was hesitant at first; after all, Spencer wasn’t exactly the type to suggest spontaneous outdoor activities. But when he mentioned his favorite park and that he'd packed us both lunch, I couldn’t say no.

We met early on a Saturday morning, the sun barely peeking over the trees. Spencer had a basket in hand, looking as if he’d stepped straight out of a vintage romance movie. His cardigan, now unbuttoned, fluttered slightly in the morning breeze. He had a nervous energy about him, which I found endearing.

“I may have overpacked,” he said, setting the basket down next to a picnic blanket.

I raised an eyebrow. “What’s in there? Enough food to feed an army?”

“Well, no. Just enough food to feed two people who might be hungry after talking about random trivia for hours,” Spencer replied with a smile, clearly amused by his own self-awareness.

We settled down on the blanket, the sounds of the park around us—children laughing, birds chirping, and the distant hum of traffic—mixing with the peaceful vibe of our little picnic. Spencer unpacked the basket, revealing an assortment of sandwiches, chips, and fresh fruit.

“Did you make all this?” I asked, impressed by the spread he’d laid out.

Spencer flushed slightly. “Well, I mean, I don’t cook a lot, but I thought sandwiches would be simple enough. The fruit is from a local farm stand.”

“You’ve got good taste,” I said, picking up a sandwich. “You sure you’re not a secret chef?”

He laughed. “I think my talents lie more in... making the perfect cup of coffee and identifying obscure book quotes. Cooking’s not my thing.”

“I’m not complaining,” I said, taking a bite of the sandwich. “Everything’s delicious.”

For the next few hours, we talked about everything and nothing. We shared little-known facts—Spencer told me about his favorite historical figures and how fascinated he was by World War II espionage. I laughed and chimed in with my own trivia, telling him about random facts I’d read in articles or heard in podcasts.

Every so often, I’d glance over at him and see how deeply he was listening, his full attention on me. It was a quiet, comfortable feeling—one I hadn’t realized I needed in my life. I hadn’t had many deep conversations with people outside my closest circle, but with Spencer, it felt effortless.

As the sun began to set, casting a golden glow over the park, we packed up the basket and sat together for a few moments longer. It wasn’t about rushing to the next activity but savoring the peacefulness of the moment. Just us, sharing a space without the pressure of anything else.

“You know,” Spencer said after a while, his voice quieter now, “I think I could get used to this.”

I looked at him, heart swelling with affection. “Me too. I’m glad we did this.”

He smiled, his eyes sparkling under the fading sunlight. “Maybe we could make it a regular thing,” he suggested, and I felt the warmth of his words settle inside me.

“That sounds perfect,” I replied, squeezing his hand, and for a moment, I couldn’t help but feel like everything was finally falling into place.

---

From that point on, our meetings became a little less accidental and a lot more intentional. We made plans to see each other every weekend, enjoying more quiet moments, long conversations, and shared laughter. Spencer’s nervousness faded as he became more comfortable around me, and I couldn’t help but fall even harder for him.

One day, after another one of our cozy park picnics, Spencer turned to me with that signature smile that always made my heart flutter.

“I think we’ve made it a habit,” he said, his voice light and teasing.

“Yeah,” I agreed, squeezing his hand. “A really good habit.”

We both leaned back against the blanket, the soft rustling of the trees above and the golden glow of the setting sun casting a warm light around us. For a moment, there was a comfortable silence between us, but it was the kind of silence that spoke volumes. I could feel the closeness between us growing stronger, like something was just waiting to happen.

Spencer’s gaze lingered on me, and there was a softness in his eyes that made my heart skip a beat. He seemed almost hesitant, his lips parted slightly, like he was debating something in his mind.

Without saying anything, I slowly leaned in, my heart racing, and before I could second-guess myself, I brushed my lips against his. It was gentle, like a quiet promise, and for a moment, everything else faded away. It was just him and me, the cool breeze, the sound of our breathing, and the feeling of everything clicking into place.

When we pulled away, I saw the same warm, amused smile on Spencer’s face. He reached out, tucking a loose strand of hair behind my ear.

“That was... nice,” he said softly, as if he was surprised by the simplicity and sweetness of the moment.

I smiled, my cheeks flushed. “Yeah. It was.”

“I think this might just be my favorite habit of all,” he whispered.

I leaned in again, this time not hesitating, and kissed him once more—this time a little deeper, a little more certain.

As we parted again, I felt like the world had shifted in the most beautiful way. With Spencer, everything felt natural, easy, like this was exactly where I was supposed to be.

We settled back into the blanket, hands intertwined, not needing to say anything else. The sun dipped lower in the sky, but for the first time, it didn’t feel like time was slipping away. It felt like we had all the time in the world.

[elsa-fogen]

THE TRUST?

I'VE JUST NOTICED THAT AND THIS.

Gif from @darlenicy

ICY TRUSTED DARCY TO COVER HER BACK, DIDN'T EVEN FLINCH. SHE KNEW HER SISTER WON'T LET THAT SPELL HURT HER.

THIS. THIS SPEAKS LOUDER THAN ANY OF THEIR CONFLICTS, ARGUMENTS AND STUFF. THEY TRUST EACH OTHER WITH THEIR LIFE.

NO ONE WILL CONVINCE ME OTHERWISE SINCE NOW ON, TRIX LOVE EACH OTHER AND WOULD DIE FOR EACH OTHER (or rather kill others for each other), ALTHOUGH THEY NEVER ADMIT THAT even to themselves.

Also not long ago i was told that in season 8 Icy said to Darcy and Stormy something like "leave me and run" and like HUH????? MY MIND WAS BLOWN. THIS SEASON HAS AT LEAST SOMETHING JUSTIFYING IT EXISTANCE. BECAUSE IN MY HEAD ICY WOULD. SHE WOULD. Maybe not so straight up but she WOULD. I don't know the context what happened before or after that moment and it doesn't matter. I got what i needed. The rest may still burn.

[kinaaaard]

Tommy looks at Evan in his bed and thinks of Mr. Darcy. Thinks of period pieces. Thinks of Love, Actually. 

If you were to glance him in a grocery line or catch his profile in traffic, it wasn’t a surface-level judgment anyone in sane society would ever make: this guy loves a bleeding-heart romance. It was a left-of-field, out-of-pocket fact of himself that felt like less of a secret and more of the thing tacked on by the producers of romance reality TV — this guy’s too unapproachable, let’s give him some charm. 

Guys like Tommy (broad, blue collar, a wealth of oppression and military repression) were rare to even exist within the genre unless you delved into the more harlequin novel bodice-ripping romance of it all. And maybe that’s why he liked them. 

They allowed easy oxycontin. He liked when people miscommunicated for the sake of the narrative, only to end up falling into bed by the end. He liked how declarations were made about the other’s faults, and that they blearily choked out, and despite it all, I still love you! He liked how often the romances brought together opposite people under unlikely circumstances, and how fate wrapped them up in a neat little bow. 

Most of all, he liked how far away they felt. How untouchable. To him, streetlamp-yellow kisses under soft falling snow felt as plausible as dragons and space operas. 

His other interests felt imbedded in his person. Muy Thai, engines, those were par for the course. The expected things he would readily wear on his sleeve. A man like him, into romcoms, on the other hand? It was something that seemingly only existed in the grey matter of his brain. A secret. A gentle smile from a barrel-chested man didn’t necessarily betray this penchant for treacly, cinematic love. He didn’t pretend that it did, and certainly not with the men he dated in the past. He never wanted to jar previous boyfriends with the disconnect, never wanted to shatter the veneer of masculinity. That felt dangerous. That felt vulnerable. 

But he looks down at Evan in his bed. 

His face is slack and easy with sleep, half-pushed into the pillow. Pale morning light swallows the room, gilding the corkscrew turns of his curls. Burnishes them as they rest against his forehead, the skin smooth and unbothered. Tommy’s eyes linger on the soft bed of hair, hands tingling with memory of how they feel between his fingers — not unlike Mr. Darcy’s hand after holding Lizzy Bennet’s — before trailing down to the slopes of his eyes, his lashes. They rest undisturbed on his cheeks as Evan’s body takes deep, beautiful breaths of air. He almost mourns the view of Evan’s cornflower blue eyes. Then the slope of his nose, prominent and round, before dipping to the petal-soft plush of his lips. Pink like early, early dawn. 

He can’t help it. He plants his hand on the curve of Evan’s stubbled jaw and cups, thumb brushing against the soft thistle. Romcoms don’t feel so far away, anymore. Don’t feel like a contrary fact or a rare allergy or a study of ancient mythology. It feels close, nestled in his chest. Just looking at Evan is easy oxycontin. 

Evan starts to rustle, brows knitting. His face turns a bit but Tommy keeps his hand steady. Tommy thinks, I’ll make him coffee soon, just the way he likes it. 

Tommy thinks of the Mr. Darcy’s deep, anguished yearning. How it culminates into warmth at the end. Thinks of how he kisses her on the nose, on the forehead, and the cradle of love seen before the credits. 

He looks at Evan and wonders if he’ll ever watch a romcom again. He doesn’t need to, really. 

[sarahreesbrennan]

Another Interesting Spoilery Evil Question

To directly answer the question before I start rambling, the Cobra’s body’s physical age is 24.

(You can stop reading here if you like. This gets very long!)

When Marius meets the Cobra (chapter 18 epigraph from Time of Iron) he correctly identifies him as Marius’s own age at the time - 18.

At the time of the book all the physical bodies’ ages are as follows.

Marius - 24

The Cobra - 24

Rahela - 24

Octavian - 24

(Pio and Nemeth, Octavian’s advisers, are in their early 40s and late 50s respectively - they’re Octavian’s dad’s people and that is part of why they are so stressed. Their king died young, Octavian became king in his teens and it has been an uneasy court ever since.)

Emer - 23

Key - 20

Lia - 19

Rae and Eric in our world were both 4 years younger than their bodies in this world (so they would both be 20 if the story hadn’t happened to them). For the moment we’ll leave aside Key, who had another life too, in a different way. (He was a little kid, but old enough to walk after his father, in the epigraph from Time of Iron in chapter 15.)

I do age shenanigans for two reasons.

—One is that age in fiction and reality is weird, and I wanted to portray that. If I had a crush on Mr Darcy when I was 7, is that okay? If I had a crush on Mr Darcy when aged 41, is that okay? Mr Darcy’s always in his late twenties: Elizabeth Bennet will never be older than 21, but she seemed so glamorous and all-knowing to me when I was a kid.

And if you walk into a story, when in their character development do you find them? Would we like Darcy when he’s sneering at Elizabeth at a ball? Who is it that we love and when?

Plenty of adult women fancied Edward Cullen, perpetually a teen (or was he? Fantasy and horror also open up the possibility of immortality - but in a way, all fictional characters are immortal. Holden Caulfield isn’t growing up any more than Edward Cullen is. And like fictional characters and immortals, the dead aren’t getting any older either—I think often of Anne Rice, author of the Vampire Chronicles, who wrote the doomed child vampire Claudia after losing her own daughter Michele as a child. Death, immortality, fiction and the overlap!) When I read or watched stories in which characters were in different/changed bodies they usually seemed younger - often their younger selves, or a younger/cuter body (Peggy Sue Got Married, Scarlet Heart). (Exceptions exist of course, e.g. Howl’s Moving Castle.) And I like magic losing something, costing you something, plus I’m a contrarian. So I wanted them older.

—The other is that LONG LIVE EVIL is a story about trauma, which often arrests your age in your mind. The period in which you were enduring the horrors is a blank in which you couldn’t develop normally, or in which you had plenty of experiences but few of them match with your peers’.

Cancer did it to me, which wasn’t horrendous as I was in my early 30s and that’s still adult, just meant a bit of ‘oh no I’m not this child’s mother, I’m too young - actually I’m a bit old to be this child’s mother now I think about it, but anyway I don’t claim her’ and the like. But I’ve seen it do the same for people with cancer I befriended or whom I mentor, and it’s a very different proposition if the lost years are 17-21.

It’s not just cancer, I’ve seen bereavement work that way on people, and apparently celebrity works on the mind like trauma and arrests you at the age you became famous in a lot of ways. It’s being taken out of the run of ordinary life, walking through your portal into strangeness.

But in the end most of us wind up with years that feel lost, I think, and playing catch-up is the only way forward.

And allegory remains allegory: if I’m writing a werewolf I’m taking about rage and body horror, sure, but I’m also talking about werewolves.

I was actually confused by this ask at first as I’d written a whole section where Eric says he’s going to die of a heart attack at 20 and Marius is exasperated as Eric is a little young to start lying about his age! But it must have fallen victim to my many cuts - stories transform! - and I can see why, because I don’t think Eric exactly thinks of himself as 20 anymore.

I had some struggles with the age stuff, it’s another layer of complication in a complicated story and there were worries raised that it was unnecessary and might make some characters less appealing but in the end I decided it was necessary to me and let the characters be unappealing, then.

I also enjoy the twisting, fluid ages because they cause conflict, and conflict is story.

Rae uses her new age (and thus doesn’t need to think of her absolutely horrible self worth) to count herself out as a romantic option in Key’s eyes.

She also thinks of the Emperor as in his mid-20s, as he is - after a time skip that happens in the original Time of Iron, years in which Key and Emer were Lia’s servants. She knows about those years, but she doesn’t put it together.

At Eric and Marius’s first meeting 6 years before the events of LONG LIVE EVIL, Eric also hasn’t been in the book that long. He was in a horrifically traumatic survival situation for a large part of the time he was inside, when he approached Marius to blackmail him. That is objectively a deranged thing to do, but Eric is thinking like a terrified 14 year old and also like a Huge Fan of Marius. aka the quintessential white knight, the Last Hope who is reserved and dignified and crucially, 24-28.

That would be the Marius Eric at the time knows when he approaches Marius in the flesh, Marius at 18 and coming off family trauma, friend trauma and quasi-romantic trauma himself. Marius actually DOES go into dissociative states and kill people, Eric was taking a huge risk with his own life that not a single person in the country would have taken. Marius is a Valerius, and they are killers. (The whole court, Marius included, thought Lady Katalin ((Rahela’s mother)) was being very daring by like, touching Marius’s hand when he was 17.)

Eric is acting wild partly because a) he is wild, b) he’s desperate but also crucially c) he’s thinking of Marius as someone that Marius isn’t yet and d) he’s not thinking of things from Marius’s POV, and doesn’t until the events of LONG LIVE EVIL. Their quasi friendship/quasi hostage situation (that the hostage had firmly decided was happening) couldn’t have happened without a perfect storm of weirdness, risks and lack of understanding what the hell was going on.

Marius would not have seen a 14 year old Eric (not a child to him exactly, but squire age rather than knight age) as a criminal threat in the same way as he saw the Cobra, his own age (18, which was definitely very adult, Marius thought at the time). Eric wouldn’t have failed to consider consequences or failed to consider Marius as person rather than character, if he’d actually been 18. But by the time anyone knew better, a status quo was established, and habit is second nature and a stronger nature than the first.

Eric’s plight is horrific initially. But at the same time, Eric is extremely intelligent (both intellectually and emotionally) and able to both cover and play catch-up to this new life, and he can advise Rae with the benefit of his experience - but that doesn’t mean that he didn’t screw up massively when he first came into the book, or that he doesn’t still have many things to work through.

Similarly, Emer is used to Rahela who is quasi older sister and quasi mistress, while Rae is now acting younger. And all of them are dealing with a gross system in which men are seen as in their youthful prime when women the same age are getting long in the tooth and can be traded in for teenagers - so even two people who are the same age aren’t treated as if they’re the same age, if they’re different genders. Age stuff is crunchy!

Also, while Emer thinks of Lia as having all the power due to class, Lia looks on someone who was her glamorous older stepsister’s age mate and went off to the big city years ago rather differently. But then, are adulthood and childhood different worlds? Is being in different social classes being in different worlds?

Can we reach the different universes of other people is something I’m always asking, I think.

THIS IS SO LONG. I AM SO SORRY.

[misscrawfords]

I was listening to Pride and Prejudice on my drive back from my mother's today and it's been so long since I've actually read the novel as opposed to engaged with one or other adaptation...

Goodness, it's good, isn't it? And Elizabeth is so much more complex a character than she is often presented in adaptations.

The thing that was standing out to me today - I was listening to from when Mr. Collins proposes to Charlotte and I stopped just when Elizabeth was talking to Colonel Fitzwilliam at Rosings - was the chapter which is just Jane and Elizabeth talking about Bingley. This gets cut from adaptations or so condensed to be meaningless, but it's incredible. It's just a whole chapter of the sisters chewing over why Bingley ghosted Jane (for lack of a better term) and what Caroline's motivations were and the thing that gets me is that they're both right. Jane is right that Bingley can't be blamed for being a friendly young man and that he had no malicious intentions but Elizabeth is also right that young men can be thoughtless in their dealings with women who have less freedom than them and their thoughtlessness can do real hurt. (She's also right about Caroline, of course.) It struck me as such a modern issue. Maybe I've just been thinking about the unwitting hurt that thoughtless young men can cause recently, but everything is so complicated. Bingley is a flake who makes a mistake with regards to Jane but he's also a genuinely lovely young man who makes it right in the end - he's still on his own journey through life which he will continue with Jane. Jane herself lets her desire to see the best in others cause her to see friendship where it isn't, but being deceived in a friend is not so uncommon, is it? And she's not stupid or weak. Heck, she endures her heartbreak being talked about openly by her mother in public for months silently and without rancour. And she does it all without ever resenting Bingley! Jane's the strongest character in the whole novel and an inspiration to the rest of us - FIGHT ME on this!

The other thing I really picked up on was what an important moment in Elizabeth's character development Charlotte's engagement is. It actually kind of breaks my heart - her best friend makes a life choice that she can't support but has to and nothing will ever be the same again between them. It's the first dent into Elizabeth's world view that forces her to see that people are different from her and can make different decisions and this is okay and not just something she can laugh at. It's so relatable in terms of life events - when a close friend marries and then when they have a baby, these things absolutely still do alter friendships. Elizabeth gets over it and even enjoys seeing Charlotte in Hunsford but we are frequently reminded by the narrator that the previous confidences they enjoyed will never be the same again. It's a really big moment for Elizabeth and really the first event in the novel to start to shake her foundations of her comfortable existence. The other two are Bingley's desertion of Jane and Wickham's decision to pursue Mary King over her. By the time she goes to Hunsford, she is prepared in a way for the final massive shock to the foundations of The World According to Lizzy Bennet, not that she knows it. Such is growing up.

And OMG Lady Catherine is SO vulgar and inappropriate! She is a direct parallel to Mrs. Bennet and the rest of the Bennets. Just as Elizabeth feels accute embarrassment at the Netherfield Ball, Mr. Darcy is feeling exactly the same at Rosings. Beautifully done. But their awareness of what is appropriate behaviour is something that unifies Darcy and Elizabeth even if Darcy massively fails to behave like a human around Elizabeth. Pride and Prejudice is such an expose and examination of "how to behave in social situations". There is nobody who doesn't come under scrutiny and pretty much every type of behaviour is gone over with a fine tooth comb.

Sometimes I feel almost ashamed when people ask me what my favourite novel is and I say "Pride and Prejudice" because it's such a damn cliche. I should say something heavier or more obscure or at least I should say it's Persuasion, the "thinking girl"'s favourite Austen. But P&P is so special to me on so many levels and you know what? It is a MASTERFULLY written book.

[taradactyls]

Something I love about how Pride and Prejudice is told through an omnipresent narrator, aside from the witty remarks and insight into other characters it allows even though it's usually focused on Elizabeth, is how it plays on the audience's own prejudices and assumptions.

The narrator tells us very early on, chapter 4, that Darcy is "haughty, reserved, and fastidious, and his manners, though well-bred, were not inviting." We've already seen that when we meet him the previous chapter, and will see more of it in those following. But it's the readers, along with Elizabeth, who take that observation as not only a list of flaws (despite only the first actually being negative) but presumes even more damaging flaws must be attached to it. Darcy can be off-putting, especially so in the setting we meet him in: he dismissed Elizabeth within earshot of her, didn't engage with people attempting to converse with him, etc. It's easy to assume the worst of him in a world so driven by social niceties, and because we follow Elizabeth, who is so lively and playful amidst the rules which govern society. Elizabeth thinks he's bad tempered? It would make sense - he hasn't shown consideration for others much socially, why would he care when he's angry? He acted from resentment and jealousy and went against his father's will? That's not such a jump after the conclusion of a bad temper, his own acknowledgement of implacable resentment, and evidence of pride. The awareness of one offensive trait so naturally leads to prejudice against it, that we easily assume still worse qualities must exist. We are as mistaken as Elizabeth.

Even the idea that 'No, Darcy was never haughty or rude, he was just shy and misunderstood, the narrator is wrong' is just magnifying that prejudice. Yes, we do find out later that Darcy is not at ease among strangers, and was always intrinsically good; his morals and core values meant he was never as bad as Elizabeth believed. But that doesn't mean he was without flaws, and it's so fascinating that some analysis of his character seek to completely remove the negative traits which he eventually overcame after acknowledging them in himself. The logic seems to be that they feel if he had them in the start that he isn't actually such a good person. It's just another example of being so prejudiced against certain flaws that it's impossible for some people to reconcile that there doesn't have to be more serious failings attached, and someone can still be a good person despite being arrogant and not always nice. It's, ironically, being prejudiced in the exact same way that Elizabeth was at the start of the novel. It's amazing that Jane Austen was able to tap into that aspect of human nature so deftly, and invoke in both in her main character, and readers to this day.

Now, of course, the story is so well known it's rare for anyone to read it blind, so it's less likely anyone will be unaware of Darcy's good qualities despite first seeing his worst. Even if they do, Pride and Prejudice has become so genre defining that new readers who are the slightest bit genre savvy will be more aware than contemporary audiences were. But even if we know the story it's still so understandable why Elizabeth feels the way she does. We see what she sees and feel her conclusions make sense. Just as, even though the narrator tells us Darcy is starting to catch feelings for Elizabeth, we fully comprehend her not noticing and believing there's a mutual dislike. And though that is concrete evidence of Elizabeth not reading Darcy and his motives correctly, we are still so sympathetic of the basis of her prejudice that her continued belief in Darcy's lack of virtues makes sense from her point of view. We can see, as she later will, that she takes it too far, and should have noticed evidence to the contrary, but her prejudice against him based on his early behaviour and her pride at reading people correctly is so understandable.

Basically, in a story about the characters' pride and prejudices, I love, love, LOVE how the narrator's voice brings out those same traits in readers the exact same way we see it presenting in Elizabeth. We're all on that journey with her, and we can likewise learn the same lessons about ourselves as she does. Pride and Prejudice feels timeless, because even though society and thus the nuance changes, the book is about human nature, and that remains essentially the same.

[ur-fairy-of-mimicry]

New headcanons!!!

Sky has dimples. They are only visible whenever he laughs.

Lady—Sky's pet dog—was a present from Princess Krystal, the princess of planet Lynphea.

Stella has two moles on her right shoulder and one on her left breast.

Brandon has a cleft chin. He inherited this gene from his father. Brandon also has huge scars on his face, results from being slashed by a dagger to defend his prince.

Out of everyone, it is Brandon who gets awful nightmares the most.

Riven has a huge scar on his left bicep. He got this when he was being belittled by older kids in his younger years, one of them slashing his arm with a stick. He also has a small scar on his bottom lip.

Timmy has nearsightedness, therefore the existence of his glasses. His glasses are not ordinary, however. They can be quite handy in certain situations since it is made by technology.

Timmy also knows how to play Cat's Cradle. His usual playmate in this game is Helia.

Flora is allergic to bunnies. Because of this, she avoids Kiko at all times. Flora's allergic reaction is sneezing.

Tecna is farsighted, therefore she cannot read or see things clearly that are near her eyes. However, she does not like wearing glasses as she prefer lenses.

Helia often suffers through what artists usually do. And in writing poetries, he loves writing angst (what a mood).

Musa can speak Cantonese. Despite not knowing languages in Earth, the people in planet Melody can somehow speak both Cantonese and Mandarin.

Although constantly being healed, Icy has frostbites due to her powers. They sometimes backfire, resulting to frostbites on her fingers.

Darcy actually loves to watch Rom-coms, but it eventually turns into a guilty pleasure.

Stormy is the youngest out of the triplets, so she tends to act the most immature and demanding of them all. Still, the sisters don't seem to mind.

[bethanydelleman]

If the Austen heroines lived today (and had to work outside of the home), what jobs do you think they would have?

If we look at the heroine's relative incomes, it's likely that Catherine Morland, Fanny Price, and the Dashwoods would require professions, as clergyman and naval marine don't pay that well today and the Dashwoods lost their inheritance. Elizabeth Bennet, Emma Woodhouse, and Anne Elliot are all trust fund babies, though Elizabeth and Anne would likely get jobs since their families are blowing all their money and they're not idiots. Emma is the only one who genuinely would not need to work, even in a modern context. I am not going to assign her a profession, I suspect if she existed in a similar context today she would manage her father's affairs, run the family company, and a charity, much like she does in the novel.

Catherine Morland - in university, is in a very general program and has no idea what to do with her life. Ends up in some sort of childcare career because she knows she's good at it but still scrolls through job pages imagining what else she could do. Writes very bad novels on the side.

Elinor Dashwood - public school art teacher, secure career path with a solid pay cheque, never even considered becoming an artist

Marianne Dashwood - concert pianist/piano instructor reluctantly, because piano playing doesn't pay well, failed lyricist. Has a very popular YouTube channel

Elizabeth Bennet - I see lawyer SO OFTEN in fan fiction, but I disagree. This observer of human nature is getting sucked into psychology and becoming a researcher. She'll realize how bad of a judge of character she can be pre-Darcy because now she has evidence. May become a therapist as well.

Anne Elliot - Anne is so intelligent, she can be whatever she wants. She's so good with kids too, maybe a pediatrician? She threw herself into education after the Wentworth thing.

Fanny Price - the Bertrams paid for her university education and she chose the most guaranteed source of income: accounting. Companies will always need accountants and she can help support her family.

Jane Bennet - I can see her also choosing a very practical career but then dropping out of the workforce to be a stay-at-home mom. Charles has enough money to make that work.

[crosshairlovebot]

bewitching mr. batchbury / crosshair x f!reader

pairing: crosshair x f!reader

description: ever since you met him and he ignored you, mr. batchbury has completely infuriated you. but as you spend time with the batchbury's as their sister's companion for the social season, your feelings for him become confusing and you cannot get the handsome silver-haired man out of your head.

REGENCY AU

word count: 8,649

warnings: none. kissing (making out, neck kisses). secret crushes. hate to love. misunderstandings. crosshair being annoying.

after writing regency hunter i knew i had to write regency crosshair too :') this exists in the same universe as hunter's piece so there are allusions to his romance :) this was so fun to write! crosshair has always been mr darcy coded to me so there's definitely an influence from p&p! i hope you enjoy this as much as i enjoyed writing it!

also posted this on ao3. feedback is welcomed, reblogs are appreciated.

PART ONE

Mr. Carlisle ‘Crosshair’ Batchbury was completely and utterly infuriating. It did not matter that he was cripplingly handsome, uniquely distinguished by his strange grey hair, tall and lean stature, and a smattering of a port wine birthmark over his right eye ��� his personality was maddening.

And yet, you couldn’t stop thinking about him.

Acting as a companion to his little sister, Meg Batchbury, for London’s social season, you had spent many hours in the presence of the infamous Batchbury Brothers.

After returning from the war where they had started as lowly soldiers trained under a Commodore of the Royal Navy, they had made their fortune by collecting a wealth of prize money with an unbroken streak of successful battles. The band of brothers had been the talk of the ton, their rise from rags to riches captivating every gentleman and woman – but it was the mamas and their daughters who found themselves completely taken by them. When they’d ascertained the brothers had only enlisted to secure a future for their sister, their hearts were all of a flutter – for handsome, brave soldiers who were family men made perfect husbands.

The eldest Batchbury – Hunter – was already married, much to their dismay. But that still left three viable brothers for them to sink their lacey fans and dance cards into. When they’d heard the Batchbury’s would be attending this year’s social season, cries of delight were heard across the ton.

As a favour to your friend – the eldest Batchbury Brother’s wife, you’d promised you would accompany Meg to various balls and act as her companion and confidant for the season. Meg had expressed her desire to attend this year, now that her brothers had returned home. She’d been regaled with tales of fancy parties, endless food and dancing, and wanted to experience it for herself.

“It’s…a little more than that, Meg,” you’d told her carefully, cautious of her ideas that had seemed to be formed naively. “The point of these balls and parties is for matchmaking.”

Meg had waved her hand, dismissing your words. “Oh, I am aware. But I’m not interested in such things at present.”

You’d frowned. “But attending the social season does send the message that you are interested.”

Meg just grinned ruefully and shrugged. “Then I’ll just do my best to avoid it.”

You had shaken your head, smiling along with her. You’d sighed with some relief, knowing you’d not have to try and steer her from unsuitable matches or chaperone strolls in Hyde Park and could just simply enjoy time spent at extravagant balls and luncheons.

You were past the age of eligibility and the thought of simply attending a London social season to enjoy it was simultaneously scary and exciting. To know there were no expectations on you from your own family or on Meg, it was freeing.

You had joined the Batchbury’s at their London residence, and from the very moment you set foot inside the newly acquired townhouse, your eyes were drawn to the youngest Batchbury brother, Crosshair.

You’d been welcomed enthusiastically by Meg, who had petitioned her brothers to attend the London social season, much to their behest. But they had been kind and amiable when you were first introduced. You hadn’t been sure what to expect, but you had been surprised at how large they all were, and their history as soldiers was clear with their injuries and the weathered look of their faces. You already knew Hunter, who’d just returned from his honeymoon and itching to return to the country to his wife, but Wrecker and Tech had all been a picture of politeness upon introductions, meeting you with manners that were clearly practised. But Crosshair had stood behind, arms crossed, a scowl etched into his brow with no sign of it disappearing. He’d immediately met you with hard eyes the colour of coffee that were so scrutinising you had flinched.

“Pleasure to meet you, Mr. Batchbury,” you’d said as you curtseyed, trying not to be bothered by his gaze.

Mr. Batchbury had looked you up and down, brow remaining creased as he seemingly evaluated you before his eyes met yours for a moment before looking away from you without greeting. You’d been puzzled by his lack of manners, and then hurt by his rejection and then angry, for who was he to be judging you? He did not even know you. And from that moment, Mr. Crosshair Batchbury was a rude annoyance you endured only for his siblings, despite his handsomeness – which only added to your irritation.

How cruel, for such beauty to be wasted on someone so dreadful.

He held that same hard gaze now, watching you from the other side of the Kenobi’s ballroom. The room was filled with people, and a string quartet played a cotillion that had those on the dance floor that separated you from Mr. Batchbury bouncing lively to the music.

It was the final ball of the season, and at the request of Meg, she wanted all the brothers in attendance tonight and they were completely powerless to say no.

Being in such close quarters with the four brothers for the season meant you not only saw their brash, loud, clever and cunning natures, but also the immense love they had for their sister. Each brother was different, but it was obvious what connected them all was their strong sense of family and loyalty. You had observed it all.

Wrecker’s love was boisterous and loud and coupled with fierce hugs and booming laughter. Tech’s affection was more subtle, but you’d find it in the way he consumed knowledge with the intent to share, to provide answers to questions his family asked; prepared for any situation. Hunter’s care was gentle and warm yet with a firmness that was steadfast and immovable. Crosshair, despite your feelings towards the other less amiable parts of his personality, showed love quietly, often through gesture or merely listening. He would grumble at Wrecker’s affection, but never push it away. He would listen to Tech’s ramblings even when everyone had vacated the room. And when Hunter’s strength managed to wane, Crosshair would swoop right in, ready to support in however he could.

Seeing this kind of love juxtaposed with the other parts of his caustic, sharp and, quite frankly, snarky personality was what vexed you the most; knowing he had the capacity for such softness and kindness but chose not to use it.

And actively chose not to use it with you.

You sipped your champagne, meeting his gaze from across the dance floor, ignoring the warmth that ignited your rest at his gaze. He mirrored your movements with his own glass of brandy, and you couldn’t help but drop your gaze to his lips that lay gently on the rim of the glass and think back to that moment in the greenhouse at the Across the Stars Ball where they were anything but gentle on your own.

Prince Anakin Skywalker and his wife, Queen Padme Amidala held their annual ‘Across the Stars’ ball at their London palace and it was the event of the social season. Everyone who was everyone in the ton was invited, and that now included the Batchbury family – much to Meg’s delight and her brother’s chagrin.

Meg had been ecstatic upon receiving the invitation and begged for her brothers to accept so that she could attend. As the first ball of the season, it was the first time all the brothers would be seen by the eyes of the ton, and you watched on from your place in the drawing room as they argued about etiquette and dancing, of which they had little experience.

“If we go, we will be expected to dance and socialise,” Hunter told his brothers.

“Sounds like a marvellous time!” Wrecker grinned, rising to his feet from where he sat on the settee that he practically dwarfed.

“You don’t know how to dance, Wrecker,” Tech pointed out from the armchair, raising an eyebrow as he looked up from his book, a wooden cane he used to aid his walking lent against the side table. He pushed his spectacles up his nose. “None of us do except for Hunter, who had clandestine lessons in a garden maze with his now wife.”

The eldest Batchbury blushed, port wine stain darkening as both Meg and Wrecker giggled. You smiled too, a book open on your lap.

Mr. Crosshair Batchbury remained silent from his seat on the writing desk, where he was penning something diligently in a notebook with his non-wooden hand.

Perhaps one of the most admirable traits about Mr. Batchbury was that he taught himself how to write with his left hand after losing his right in the war. Meg told you that he had spent weeks holed up in his room alone, practising his script until it was perfect and unsmudged. It was quite remarkable, to be so determined.

Now, he observed his siblings with his steely gaze as he casually dipped the end of the quill in ink, raising and lowering the feathered tool gently in the pot, sparing it no glance.

You always wondered what he was writing in that notebook. He never seemed to be without it. It lived in the back pocket of his trousers, and you’d often found him in different places throughout the townhouse, writing in it.

Once, early in your stay, you’d seen him lounging in a bay window that overlooked the streets of London, one leg outstretched and the notebook leaning on the other he’d pulled up as he wrote in careful hand. You’d almost walked past him, but your footsteps had stopped on their own accord. The sun was hitting him just right, bathing him in a golden glow that made the silver strands of his hair glitter and the warmth of his brown skin radiate through the small alcove. He had on a cream-coloured shirt, sleeves pushed halfway up his forearms, the collar of it wide and its ties undone, scandalously revealing the dip in his lean chest. His left side was closest to you, and his hand was poised so the side of it didn’t drag over the graphite words he'd just penned. You could see his wooden hand rest on the book to keep it steady.

He barely fit in the small space, one foot of his long legs pressed flat against the wall opposite him and half bent at the knee. He didn’t look comfortable, but he never really did anywhere in the house. He always looked like he was trying to slot himself into the new life they’d acquired but could never really find the right position for it to work.

When you thought back to that tableau, you were sure that was the moment you realised just how handsome he truly was, and the moment your thoughts and feelings for the standoffish and biting Mr. Batchbury became all muddled.

Sensing your eyes on him, you watched him flick his gaze to yours. “What?”

You flinched as his hard brown-eyed gaze landed on yours with a piercing fierceness. “Nothing. My apologies.”

Mr. Batchbury looked at you, his eyes trailing over you before moving back to your face, studying it before he returned his gaze to his writing, pencil moving once again.

You swallowed as you watched his movements, and the words fell out of you before you could stop them. “What are you writing?”

Mr. Batchbury froze, and he looked at you with a scrutinising regard. “Why?”

“I’m just curious. You never send any letters, and whenever I see you, you’re always penning something.”

He narrowed his eyes at you and continued on, suddenly trying to bridge this distance between you that both puzzled and annoyed you. “It must be something you love.”

His eyes widened. “What?”

“What you’re writing.” Your face burned, but maybe if you found a connection; a common ground, then maybe this strange dynamic between you would end. “If you return to it every day, you must love it.”

Mr. Batchbury stared at you before slamming his notebook closed and standing up. You watched him as he sent you a scathing look, eyes hard and port wine stain a deep red. He brushed past you without another word before stalking away. You were shocked and completely and utterly confused. What had you said? What had you done? But your befuddlement just returned to the anger and disdain you’d already held, but now multiplied.

Mr. Batchbury was rude and unapproachable, nothing you did would change that. So, you were done being amiable towards him. No matter how attractive he was.

Coming back from your memory to the drawing room, you shut your book and stood, making your way across the room, nearing the writing desk.

“Perhaps I could give you all some lessons? So you can dance once or twice to keep up appearances. I would suspect that the quadrille would be easily mastered by former soldiers.”

Wrecker and Meg’s eyes lit up and they spoke simultaneously. “Would you?”

You smiled at them and nodded. “I would be happy to. Dancing is the best way to spend a party.”

“And build affection between partners,” Meg smiled, reciting something you’d told her.

“Well, yes, that too,” you smiled, and you saw something grey move in the corner of your eyes as Meg jumped up darted towards you to through her arms around you. “How wonderful! We can start lessons this afternoon, so we are ready for the ball on Saturday.”

“Whatever you want, Meg,” you gently untangled her from you and clasped her hands.

She grinned, squeezing your hands before turning to her brothers, of whom Wrecker and Hunter seemed genuinely happy for her. “Isn’t this exciting? A real ball!”

“Yes. It is most thrilling,” Tech kept his eyes on his book, his voice unenthused despite its sincerity, but it made you smile. You looked towards the writing desk and saw Mr. Batchbury’s scowl had only deepened, the quill in his hand unmoving and dripping ink on the page.

“Are you not excited too, Mr. Batchbury?” you slid over to the desk, eyes drifting down to the inked parchment as subtlety as you could manage, but Mr. Batchbury swiftly closed the notebook with a soft thud, preventing you from reading anything.

“It’s rude to impose your eyes on personal writings,” Mr. Batchbury’s raspy voice hissed at you. It was like a coiled snake, and it lit up your insides in the most improper way, wrapping itself around your bones and staying there long after you left his presence. His eyes met yours in a blazing stained gaze. He was so alluring, his face all angles and silver hair kept close to his head. There was a ghastly-looking scar on the side of his head he sustained during the war. His brother Wrecker had one too. But it did not detract from his good looks, at least not to you.

You stopped yourself from rolling your eyes and instead slid him a look that showed your distaste. “My apologies. I had no idea of your writings being the personal kind. But you still haven’t answered my question Mr. Batchbury, and one might say that is rather rude too.”

Your back and forth with Mr. Batchbury no doubt tired everyone to no end, but no matter how hard you tried, you simply were incapable of ignoring his remarks. Something in you needed to put him in his place, but it only seemed to spur him on more, driving the wedge harder between you both. It no longer mattered how many times Meg had to step between you two, it did not do anything to change your behaviour towards each other. You could not stand Mr. Crosshair Batchbury, and he could not stand you.

He scoffed in response. “I won’t be attending dancing lessons. Nor will I be attending the ball.”

“But you must!” Meg pleaded to her brother, but his coffee-coloured eyes only remained on you.

“What a shame,” you said, no disappointment in your voice at all. “But perhaps it’s best. No one will want to dance with someone so impudent and rude as you are anyway.”

Mr. Batchbury’s lip curled in a snarl before he pushed his chair back roughly, wooden legs screeching on the floorboards, snatched his notebook and stalked out of the drawing room.

“Must you provoke him?” Meg sighed. You watched the room’s remaining brothers share a glance at each other that you could never decipher.

You dropped your shoulders, suddenly feeling bad that you’d upset Meg. She was so lovely, like a little sister. You looked at her sullen face, her blonde hair swept into a braid and tied with a red ribbon – the Batchbury’s had seemed to adopt it as their family colour. She was so full of light.

“I’m sorry, Meg,” you said sincerely before holding out your hand. “Shall we learn the quadrille?”

That afternoon was spent teaching Meg and Wrecker how to dance a slew of dances that would be performed at the Across the Stars Ball including the quadrille, the cotillion, the scotch reel, the Naboo country dance and the waltz. Tech played the piano, unable to dance due to his injuries, and you paired with Hunter, who made the perfect partner for your instruction since he knew the dances already. Wrecker and Meg laughed as they stepped on each other’s feet and spun around. Their laughter was infectious, and you and Hunter and Tech laughed along too until you were all laughing so hard that you were unable to dance, and Tech was unable to play.

You caught your breath, hand on your chest as it heaved inside the confines of your corset, smiling at Meg as she pantomimed how ridiculous Wrecker had looked only minutes ago when you thought you saw a flash of grey hair up in the balconied eaves of the townhouse’s small ballroom. You frowned. Surely you were imagining such things.

It seemed as if the entire population of London was in attendance at the Across the Stars Ball, their ballroom was full of gentlemen and women, debutantes as well as members of the aristocracy and even parliament. Everyone was dressed in their finest gowns and suits coloured in rich navies and purples, gold and silver embellishments, fitting into the celestial theme perfectly. You swore you saw the elusive Duchess Satine Kyrze who rarely ventured from her country estate in Mandalorshire and even laid eyes upon Prince Reginald from the far-off Kingdom of Kamino, or Rex as he preferred to be called – the ton’s gossip mill had come to the conclusion that he was a close friend of Prince Skywalker.

You watched along with Tech as the Batchbury siblings – minus the youngest brother – took to the floor. Hunter and Wrecker took turns dancing with Meg, much to her delight and the scrutiny of the ton, but the Batchbury’s cared little for impropriety and more for their sister’s happiness. After lessons this week, they had taken to the dances fairly quickly and you smiled as they performed the steps as if they’d been doing them all their lives.

Hunter switched out with Wrecker, needing to catch his breath. You smiled at him.

“Are you missing the wild seas yet, Hunter?” you joked.

Hunter returned your smile. “Not even the decks of the Marauder could’ve prepared me for this.”

You laughed before Hunter excused himself for a drink. You sipped your champagne, listening to the whispers from those around you as they discussed the Batchbury’s debut at the most anticipated ball of the season.

“They’re a little…odd.” The voice dripped with pretentiousness from behind you, her tone all nasally.

You watched Wrecker lift Meg up and spin her around in an improvised turn that was not part of the choreography, both laughing loudly with glee. They were having the time of their lives.

“Odd is putting it kindly.” This voice blubbered with pompousness. You gripped your champagne glass tightly.

“This is why I believe we need to stop just anyone from acquiring fortunes, because this happens. Common people have no place here.”

You just about broke your glass, and your shoulders raised as you were seconds away from turning around and dressing the pair of snobs down, but Tech put a hand on your arm to stop you.

“Pay it no mind,” he said evenly, his hands returning to the top of his cane in front of him.

“But they’re being so cruel,” you protested, shoulders sagging.

He shook his head before pushing his glasses up his nose. “It is nothing we are not used to. It no longer affects us. We know who we are, and that’s all we’ve ever cared about.”

You softened your smile at him. You knew how the Batchbury’s had grown up in destitution and had endured many hardships to get to where they were now. You had grown fond of them all since joining them as Meg’s companion, and it just wasn’t right that people thought they were undeserving of their fortune. Out of anyone, they deserved to be happy and live without worry. You wished all of the ton believed that too.

You placed your now empty glass on a passing tray before turning to Tech. “I’m taking some air.”

“Leaving so soon?”

You whipped your head to see Mr. Batchbury in all his handsome glory. Similarly to his brothers, he was dressed in a dark grey tailored suit embroidered with silver thread, unintentionally matching his hair. His front pocket held a red pocket square, like all his brothers as a representation of their family. He towered over you, his trousers accentuating his long legs as they tucked into his shiny black knee-high boots. You flushed as he looked at you, the corner of his mouth upturned in his infuriatingly attractive smirk.

“Mr. Batchbury,” you stammered out. “I’m surprised you’re here.”

“As am I,” Tech blinked behind his spectacles. “You have expressed your distaste for these events, Crosshair.”

Crosshair scowled out at the dance floor, his eyes finding Meg and Wrecker. Hunter was held up somewhere, no doubt the bar was filled with people of the ton wanting to make his acquaintance, much to his discomfort.

“Yes, well, I don’t like being left behind,” Crosshair spoke bitterly, grabbing a glass of champagne from a tray. He sipped it, grimacing at the taste. You knew he hated champagne. “Is there nothing stronger?” he complained.

“There’s a bowl of punch on the other side of the room that has been spiked with a liquor that tastes like an oil lamp, if that is more to your taste,” you said dryly.

“Funny,” Mr. Batchbury drawled before downing the rest of the champagne. The string quartet finished the music, and everyone gave a gentle applause. People moved on and off the dancefloor in a sea of bodies as they prepared for the next dance of the evening.

“Care to dance?” Mr. Batchbury held out his left hand towards you. You looked up at him in shock, mouth agape.

“I’m sorry?” Had you heard him right?

Mr. Batchbury rolled his eyes and emphasised his outstretched palm. “A dance. Would you like one?”

You looked at him incredulously. He wanted to dance with you? The man who did not hide how much he disliked you and your presence in his household with his family. The man who did not acknowledge you at all and when he did, did so with such disdain that it was tangible. And yet he held out his gloved un-wooden hand towards you.

You looked at Tech who watched the interaction with interest, a look on his face you couldn’t decipher. You crossed your arms at Mr. Batchbury. “Is this a trick?”

“Would you give me an answer,” he hissed, growing impatient and agitated.

You studied him for a moment, trying to find any mischief or dishonesty in his gaze, but found none of it. Was he truly asking you in earnest? You couldn’t fathom it. It crossed your mind to reject him, to say no and humiliate him in front of everyone but something tugged in your chest. He’d come here of all places, even though he vehemently expressed his dislike for balls and intention not to attend. Even though he never seemed to feel comfortable in this new life he had and to dance with you in front of everyone was making a spectacle of himself.

And Mr. Batchbury, you had learned, did not do anything he did not want to do, and it seemed as though he did indeed wish to dance with you, but you could not place why. No one had asked you to dance in such a long time, and you doubt Mr. Batchbury made a habit of asking anyone to do anything at all, much less dance with him. It simply seemed…cruel to reject his offer – and you could not deny the part of you that actually wanted to dance with him; to be close to him in a way that wasn’t through argument.

Your inconvenient crush on the youngest Batchbury brother should not be encouraged…but it would be nice to dance.

Cautiously, you placed your gloved hand into his, his fingers wrapped around yours securely, but not tightly. His palm felt firm and strangely comforting against yours as he led you onto the dance floor and you watched the side of his face in fascination. He looked at you when you reached your position on the floor and dropped your hand. You looked up at him, his hands behind his back, and he stared down wordlessly at you, his eyes studying you intensely. You averted your gaze, landing on Wrecker and Meg in the next row, who were watching you both with curious expressions.

Your eyes slid back to him when the music began, and you met his bow with a curtsey. His eyes never left yours as he took your hands gently in his and performed the first step, moving towards each other and passing by the shoulders. He was poised and effortless in his movement, which surprised you.

“I thought you did not know how to dance,” you whispered, not sure why your voice decided to lower so.

Mr. Batchbury didn’t answer, the corner of his mouth twitching like it was about to smile. You frowned as you came together again.

“You didn’t attend my lessons with your family,” you whispered again a little louder.

You almost tripped over your own feet when you saw Mr. Batchbury’s mouth lift into a small, amused smile. Your frown deepened which only seemed to make him more delighted. What could he possibly be smiling about? You held his hands as you spun in a slow circle, his thumbs gently resting on your knuckles, brushing yours. You watched him, the way his whole face seemed to change just at the lift in his expression. The way the crease in his brow went away, the smile lines on his face deepening and his eyes filled with mirth. It was breathtaking.

Your mind then went back to the flash of grey hair you saw up in the balconied eaves of the Batchbury’s ballroom and it all became clear.

“You watched, didn’t you?” you asked, though you knew you were right. “From the eaves.”

Mr. Batchbury was silent for a moment, his smile falling back into that pensive line, as if he was annoyed you’d seen him and caught on to his little game.

“And if I did?” he countered, passing by your shoulder again. He hardly ever answered a question directly and it drove you to such frustration. You rolled your eyes.

“Why would you not come down and learn properly? Are you embarrassed, or do you simply hate me that much?” you held hands again, moving down the line on the dancefloor.

Mr. Batchbury scoffed, a light puff of air from his nose. “I don’t hate you.”

“Could’ve fooled me, sir,” you snapped back, sarcasm dripping from your voice.

The dance continued, and you moved towards him and turned so your back was to his front, and one of his hands found your waist and the other held your hand. You lay your hands on his as you both moved in a circle with some other couples. Your chest tightened as you felt his hands on your body as he pulled you close to him. You felt his hand rest in the dip of your waist, and you were so aware of the way his fingers flexed against your palm. His touch ignited your body in ways you never believed was possible and you tried to control the heat that rushed to your cheeks and up the back of your neck. How could he illicit this response from you when you were constantly at odds? It was nonsensical.

You were hoping he couldn’t tell your fluster when you felt him bend down to your ear, breath tickling you there.

“I do not hate you.” His voice was like gravel, and you felt the vibrations of his low voice move down into your bones. It flared through you, goosebumps prickling across your skin, and you fought off a shiver that threatened to travel down your spine. You spun away from him, returning to face him once more.

Mr. Batchbury looked at you with that same pensive, almost emotionless expression, and you felt the irritation in you rising as you passed by his shoulder again, circling him.

“You always ignore me when I am in the room, and if by some miracle you do acknowledge my existence, you reject any civil conversation with me with caustic barbs and scowls. You all but yelled at me when I innocently inquired about what you write in your notebook. So, please explain to me why I should believe you don’t hate me when it’s clear that you do.”

Mr. Batchbury’s expression remained impassive despite your blunt claims, fanning the flames of your ire until they were ablaze with fury. You wished he was not so handsome, that his touch and proximity did not affect you so – it made this all the more difficult and confusing. You returned to your place and watched as he passed by your shoulder, circling you. You waited for his response, waiting to see how he came to his own defence, but it did not come.

He had nothing to say, and that hurt even more. For it meant he truly did hate you.

You laughed humorlessly, shaking your head, feeling tears begin to prick your eyes and you tried to hide your hurt as the music came to a close, thankful your dance was over.

You curtseyed as he bowed, chastising yourself for getting upset at how he treated you. He did not deserve to mould your feelings in this way. You shook your head again, face aflame and tears threatening to spill down your cheeks in front of everyone – in front of the person you loathed the most yet whose eyes haunted your dreams. You quickly walked off the dance floor without another word. You ignored the calls of your name from Meg and instead made your way towards the doors that led to the gardens.

When you made it outside, the cool air prickled your skin, and you took a deep breath, closing your eyes. There were small droves of people outside among lanterns, their chatter an even din to your ears. But you needed to be further away. Stray tears falling, you went down the steps and into the gardens, away from the ball and the people.

The Queen and Prince’s staff had not placed the lanterns everywhere, and soon you left them behind as you walked through the well-kept gardens towards the glass building which could not be anything but the greenhouse, your feet crunching softly on the gravel pathways. You wrapped your arms around yourself and looked up at the sky as you walked, at the constellations that littered the blue night with glowing dots. You smiled tearfully at the reminder that you were only a small part of something much bigger, and nothing could truly matter so much when the stars existed. Even if it felt like the opposite.

When you reached the door, you pushed it open and closed it quietly behind you. The temperature was much warmer than it was outside, and you could feel the heat seep into your skin. You walked further in, marvelling at the various plants that grew and seemed to flourish in this environment, some of them you’d never seen before in your life. There were fruit trees and shrubs, flower bushes and others. The greenhouse was lit inside, giving the plant life an orange glow in the night. You walked around stone fountains and admired the stone statues, letting the ball and its people slip away.

You didn’t know why you were so hurt by Mr. Batchbury’s actions and lack of words. Something about him flared up a part of yourself you didn’t like. You hated meeting his barbs with cutting remarks, it was exhausting. You hated ruining your time spent with the Batchbury’s, so aware of their youngest brother and primed for any words that may be sent your way. You spent almost every waking thought fixated on Crosshair Batchbury and no matter what you did, nothing could sway your mind elsewhere. Always thinking about his stupid words that fell from his pretty lips and his even more stupidly handsome face with those searing brown eyes that spread fire through you when you looked into them.

You kicked the edge of the fountain with a frustrated sound coming from your throat and then sat on the edge and put your head in your hands. You felt more tears fall down your cheeks and you sniffled, wishing you had a handkerchief.

You could not deny it to yourself any longer.

You were completely enamoured by Mr. Crosshair Batchbury, and the hurt you felt was because you wanted him to like you. You kept fighting with him because it was the only way he would look at you with those pretty eyes of his. Ever since that first introduction, you wished his attention to be filled with the love, care and kindness you knew he possessed. But his handsome angled face would only ever send you daggers. So, with nothing else to do, with no explanations to why he did not like you, you just kept arguing with him, over and over again. But nothing ever changed. Whatever you did, whatever you said would never win him over, and you were exhausted.

You deserved better than that.

You heard footsteps running inside and you quickly straightened, eyes wide. You wiped your face and hoped your eyes weren’t so red. The footsteps stopped and you turned to your right and scoffed when you saw the source of all your hurt, confusion and desire standing there in all his glory.

“What do you want, Mr. Batchbury?” you asked, but did not want an answer. He looked at you, beautiful brown eyes trained on your face, and you watched them search your features for something. You laughed humorlessly and kept talking.

“Wanted to see if I finally cracked? If your words, or lack thereof I should say, finally landed their blow? Well, they did, sir. They did. You win. I’m not playing this game with you any longer, I am tired of it.”

“What game?” he croaked out, standing there all tall and handsome with a crease in his brow you wanted to press away with your thumb. Oh, how you wished he’d just been nice to you. It would’ve been so much easier.

You stood up and smoothed your gown. “Our arguments. I don’t want to have them anymore.”

He looked at you, incredulous. “The ones you started?”

“I did not start anything!” You hissed at him, balling your fists. “You did!”

Mr. Batchbury took a step closer to you, his voice deepening with disdain. “Please enlighten me, because I distinctly remember you disliking me from the moment we met, and nothing could change your mind.”

You rolled your eyes before narrowing them at him. “That’s rich coming from you, Mr. Batchbury, seeing as though you were the one who decided I was not up to your standards upon our introduction.”

Mr. Batchbury reeled back. “What are you talking about?”

“You know exactly what I’m talking about,” you spat, taking a step towards him. “You looked me up and down and decided that was it, you’d seen enough of me. And now I simply plague you by existing. Shall I reiterate my words from the ballroom?”

“I know perfectly well what you said.”

He was so close to you now and you had to crane your neck to meet his eyes. When you were this close, you could see the uneven outline of his port wine stain across his eye, the deep red a contrast to his brown skin. You watched the way the colour flared with his emotions, and you wanted to place your fingertips over it, feel if it was as hot as his anger. He scowled down at you, his shoulders broad despite his lean frame. He was intimidating to most, and he knew it – but he never scared you. This attention that he gave you in these moments only solidified your wish for him to look at you in other ways. For those burning eyes of his to look upon you with love and not disdain. You drew yourself up as tall as you could, meeting him in every way except the way you wanted to, hoping your voice didn’t tremble.

“So, you do not deny it? That you took one look at me and decided I was not worthy of your company.”

Mr. Batchbury’s face softened ever so slightly. If you had blinked, you would’ve missed it. “That’s not what happened.”

You smiled only to hide the immense hurt that only seemed to cut deeper with every moment he continued to look at you like that. “Oh, please, spare me.”

Mr. Batchbury’s eyes searched your face. What did you look like to him right now? You must look unkempt with the mess of your emotions. You were not good at hiding any of them, all the anger and hurt seemed to show up in the creases of your face and across your skin. Did he feel bad about the mess he had made you? Did he feel anything which was not frustration and vexation towards you? You could not imagine it. His face had softened marginally since the beginning of this spar, but the only thing it could be is pity; pity that you believed such things, pity that you couldn’t take the arguments anymore.

Pity that you felt for him in ways he could never fulfil.

You felt your eyes brim with tears, and you took a step back, putting distance between you. Being so close to him was not helping in any such way. This had to stop.

“You know, sir, just because you are rich, tall, and a handsome war hero does not mean you can treat people like they no longer matter. You and your family are wonderful people. The love you have for each other is truly remarkable and if I ever had a family, I would hope they are as close as yours is. I love your brothers and sister dearly, but it does not take away from the fact you have continued to provoke and anger me, and I will no longer allow it.”

Something shifts in Mr. Batchbury; he straightens and his once steady feet falter as he looks at you, like he’d just been knocked off balance. You stare at each other, his eyes wide and yours full of hurt and surrender. He blinks, processing your words, and you realise what you’ve just let slip from your tongue.

Handsome. Handsome. Handsome.

Wonderful. Wonderful. Wonderful.

The words linger in the air between you both, and you feel yourself stiffening as your mouth opens slightly, before closing again. You could not take the words back. Your secret was out; he knew what you really thought of him.

Despite all the insults and affronts towards him, you did think he was wonderful and handsome, and the love he showed his family made a different kind of warmth seep through you. Not the warmth of anger, but the warmth of admiration and love.

Mr. Batchbury seemed to recover from the weight of your words, shifting on his feet, but his eyes never left you. You watched his face soften, harden then soften again, the creases around his eyes and mouth betraying his usual stoic face. You watched as he took a tentative step closer to you, his voice barely above a whisper as he spoke.

“You won’t, will you?”

You felt the breath of his words tickle your face and you looked up at him, heart beating so fast you were sure he could hear it in this quiet, empty corner of the greenhouse. You swallowed. What was he doing? His words sounded like a challenge, but his voice was softer than you’d ever heard it; softer than it had ever been towards you.

But you’d been burned by him before, and you stood your ground, on guard for the insult that would surely follow. Your voice was low with your response, mustering up as much challenge as you would with his eyes looking down on you.

“No, I won’t.”

You were unprepared for his next words, delivered in that same softness as before but not coated in an uncertainty that puzzled you and caught you off guard. “What will you allow then?”

You blinked up at him, eyes moving between his. Were they even softer than before? Your eyes trailed down his face and watched the way his lips pressed together. You quickly met his gaze once more, your reply coming out strained. “I haven’t decided yet.”

Mr. Batchbury voice was unnervingly gentle as he said, “Will you allow this?”

He silently lifted his gloved hand and put the end of it between his teeth. You watched the movement, eyes trained on his mouth as he pulled it off and let it drop from his mouth to the floor. Then he took your hand in his bare one softly, and his wooden one cradled your elbow. Your breath hitched at the touch. His eyes left yours only for a moment as he pinched the seam of the tip of your silk glove, just above your middle finger. Then his gaze returned as he tugged, slowly pulling your glove from your arm until it was bare. Your chest began to rise and fall rapidly as you moved your eyes between his and his movements in quick darts.

“What are you doing?” Your voice rushed and breathless.

His voice was calm, if not slightly bored as he dropped the glove to the ground. “Seeing what you will allow.”

Mr. Batchbury began to do the same with your other glove, repeating the movements carefully. You blinked up at him, your heart racing and your stomach flipping over itself once you felt his hand move across the bare skin of your arms and hands. His palm was not rough, but it was not quite smooth, either. It was dry, warm, and large and completely engulfed your own hand, and you imagined his other hand would’ve felt the same if it had not been lost. His hand was a working one; a hand that had held rifles and pulled on ropes; a hand you knew held his sister’s when she was little; a hand that learnt how to write when he lost his other; a hand that carried around his leather-bound book tightly; a hand that had held you close to him when you had danced; a hand that removed your gloves so artfully you felt the sensations move through your entire body.

A hand that was, in fact, gentle with you in ways his words had never been.

You stared at him, and he looked at you as he held your hand, thumb brushing over your knuckles in a gesture that seemed almost instinctual. He’d done that during the dance too, you realised. You thought it had been done absently, but what if…it was intentional? You searched his face and saw a vulnerability you had never once seen grace his features. It made him look boyish, and something in your chest bloomed before you realised what you were doing.

You were holding hands with Mr. Batchbury in a greenhouse, and his skin was warm against yours.

You shook your head, face aflame. “This isn’t proper,” you choked out.

His voice was soft once more. “Do you want to stop?”

You looked at him. You had lamented only moments ago of how you wished he would show you the kindness he showed his family, and now here he was, holding your hand. How did he move from throwing barbs towards you, to such gentle gestures? How had the hostility between you shifted so quickly into softness? Your surrender to this game between you, your secret feelings towards him that had finally revealed itself after hiding them behind venom-soaked words. Something in that had changed the way he looked at you, how he spoke and how he held you.

What did it all mean?

But as he looked at you, finally looking at you with something other than hate, you couldn’t bring yourself to push him away.

“No,” you whispered.

His eyes softened once more, and it was an expression you’d grown very fond of in the past minutes, and you found yourself getting lost in the tourmaline of his eyes. They were the colour of a fireplace, of cinnamon sticks in hot cider – and maybe that was Mr. Batchbury to his core. Sweetness on the edges of the tart acidic warmth that permeated you as you consumed it.

You wanted to reach up and touch his face, see if the stubble that lined his jaw was rough against your fingers, you wanted to trace the line of his port wine stain, and see if his eyes closed with the touch, or if they stayed trained on you.

You felt your cheeks heating as he continued to look at you. What did he see now when he looked at you? Still the mess of anger and hurt? Or the unhidden feelings of enamour you had hidden for so long?

You felt his hand on yours squeeze before he swallowed, and slowly moved his face closer to yours. It was a cautious kind of movement that left room for you to push him away, but you couldn’t – or wouldn’t. And instead, the thump of your heart filled your ears as his lips inched closer to yours, both your gazes dropping to each other’s lips. He paused and you felt the breath of your name over the lips.

“Yes,” you breathed back.

“I have never once hated you,” Mr. Batchbury whispered before he pressed his lips to yours.

You had never kissed anyone in your life, and all your knowledge came from novels or chatters overheard from servants. But this kiss wasn’t like anything you have ever heard or read. It started off sweet, tentative a little unsure as you both tried to figure out what to do and what felt good. He pulled you closer, so you were pressed up against his chest, and his arms went to your hips whilst yours draped themselves over his shoulders. He lifted you so your feet were on top of his, and you pressed your tip toes into the tops of his boots as the kiss deepened, both of you finding your footing as you grew used to the ministrations. He smelled like the fireplace his eyes matched, and you breathed him in as Mr. Batchbury’s lips claimed yours. Your body was on fire as felt his tongue at the seam of your lips and you couldn’t hold back a moan as you tasted him. He tasted of the champagne he’d downed earlier, and you could feel the hardness of his frame against you, like nothing was close enough.

“Enchanting,” you thought you’d heard him say between kisses.

The kisses you’d heard about had never detailed the kind of passion and want this kiss held. The greenhouse’s heat coupled with the heat of this embrace was making you hot all over, your body tingled with the need for more. And as the kiss went on, you both became more frantic, gasping between each kiss. His hands moved up and down your back, holding you securely against him and your bare hands grasped at the short strands of his silver hair that lay at the nape of his neck. He groaned as you tugged at them and kissed you harder, his hot mouth slanting over yours as he pulled you in deeper, bodies pressed together like nothing was close enough.

“Mr. Batchbury,” you breathed as his lips left yours to move down your jawline to your neck. You pressed your hand against his cheek and felt the stubble, confirming the roughness of it you had imagined. God, you wanted him everywhere – improper be damned. How could something that felt so good be so improper? Why were people denying themselves this for the sake of propriety? You feared you could never get enough of this, of him.

“Crosshair,” he insisted, just like his lips as they pressed into your skin, nipping at your exposed collarbones.

“Crosshair,” you repeated before he swallowed your breath with his lips once more.

He let out a groan that you felt vibrate into your lips and chest and something about that sound, the deepness and loudness of it in the bubble you both had made, brought you back to yourself, and you remembered where you were and realised what you were doing.

You pulled away, chest rising and falling, eyes wide and cheeks burning. Your face was so close to his, and you took him in. His eyes were blown, brown irises bright, and his mouth parted with swollen lips. His port wine birthmark was a deep red as his skin flushed. You felt his chest press into yours as he breathed hard, and he blinked at you.

In his face, you saw a man who’s kissed you senseless, who held you to him, who’d touched your bare hands, and had been so gentle, all you had ever wanted him to be with you and yet, you felt yourself freeze.

Was this real? Or another cruel game at the expense of your feelings? One where he told you he never hated you, kissed you until your knees buckled then spat cruelties later on? Was he lulling you into complacency so his acid tongue would burn you when you weren’t expecting it?

The thought hit you like a twelve-horse carriage and the guard you’d foolishly let down flew back up. You’d lost your mind; taken by your fantasies. Mr. Batchbury was never gentle with you, no matter how much you wished it – why would he start now?

You couldn’t be sure. But you were not going to be hurt by Mr. Batchbury again – your heart couldn’t take it.

He rasped out your name, your kisses still lying in his throat and you felt yourself jolt before wrenching yourself out of his embrace.

“I have to go,” you strained out, already feeling your eyes burn with tears.

You watched his expression change into one of shock and then indignation. “What?”

“This shouldn’t have happened,” you choked before turning away from him and running back through the greenhouse the way you came, leaving Mr. Batchbury behind.

i hope you enjoyed this FIRST installment!! bc ofc! what is a regency romance without a steamy encounter!! ANYWAY stay tuned!!

(i am travelling for a bit so part 2 will be posted sometime in december! thank you for your patience!)

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