#daphne daughter of peneus
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apollo using the leaves of the laurel tree, of daphne’s tree, daphne who had ran so, so far to get away from him, who had begged her father to do anything to save her, who had even still shrunk away from his embrace after she had turned into the tree, is something so evil + rotten to me.
after her clear “no”, emphasised over and over again, after her desperation to escape him, he then uses her leaves and bark to “honour her” in a way that ensures she can never be free of him, must always be touching him, brought with him wherever he goes, part of his “glory” + “victory”.
even after a kind of “death”, even after trying so hard to outrun him that she gives up her life + dreams + family, by doing the only thing she now can, he doesn’t let her go. and now, not only does he have her, but she can’t refuse:
she can’t say “no”, and she can’t pull away.
she can’t even speak.
#this story has always made me so so sick to my stomach i hate it i hate it so much#tagamemnon#apollo#apollo x daphne#greek mythology#daphne daughter of peneus#apollo and daphne#ancient greek myth#ancient greece#mythology#i
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Metamorphosis - Daphne and Apollo / Armand, Pandora, and Marius
The myth of Daphne and Apollo was an ancient Greek myth retold in Ovid's 'Metamorphosis'. In Ovid's retelling, Apollo is struck by a golden arrow meant to bring love, while Daphne (daughter of Peneus) is struck by an arrow made of lead, meant to make love 'run off'.
Daphne runs away in fear from a lovestruck Apollo, crying to her father for help, and she is transformed into a laurel tree.
Apollo and Daphne in The Vampire Chronicles
In 'Blood and Gold', Marius describes painting Daphne and Apollo, and how he finds that the Daphne he painted greatly resembled Pandora.
In 'The Vampire Armand', the myth of Apollo and Daphne is mentioned twice. First, when Armand first tours the Palazzo he sees a marble statue of Daphne and Apollo.
Then, in the moments before Armand's turning, Marius brings him to his painting of Daphne and Apollo, to witness the metamorphosis, before Armand’s own.
The metamorphosis myth greatly compliments the transformation into a vampire. Armand and Pandora were both transformed by Marius and thereby forever separated from him, he was no longer able to see into their minds.
#marius de romanus#the vampire armand#blood and gold#pandora anne rice#greek mythology#daphne and apollo#roman mythology#tvc meta
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Little Medics Extras II
What Greek Mythology Character Each Kid Is
Munchkin as Asclepius
God of medicine
Like Asclepius, Munchkin has had a passion for medicine since she was little
Both have a great desire to help people both injured and sick
Duckie as Antigone
Daughter of Oedipus
Both have a great love and draw a lot of strength from their family and loved ones
Willing to circumvent and ignore rules to look after, help and protect those they love
Squish as Daphne
Naiad daughter of either Peneus or Ladon
Ultimately transformed into a laurel tree to escape the god Apollo's unwanted advances
As a Naiad, Daphne was associated with bodies of freshwater and as a dryad, she was associated with the laurel tree
Like Daphne, Squish is closely in tune and loves nature
Squish is very much at home in Daphne's domain
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Daphne and Apollo
Artist: Odilon Redon (French, 1840–1916)
Daphne and Apollo
The story of Daphne and Apollo is told in Ovid's Metamorphoses, Book 1, ll. 452–567.
Apollo's first love was Daphne, daughter of the river Peneus. It was not blind chance that caused this, but the wicked anger of Cupid.
One day the Delian god, Apollo, flushed with pride at his recent killing of the serpent Python, saw Cupid bending his bow, its string drawn tight.
'Saucy lad!' he scoffed, 'What are you doing with those powerful weapons? That kit is suited to my shoulders – I who can wound both beasts and enemies, I who just now laid low with my arrows that swollen Python who was crushing so many acres with his noxious belly. You should be content to use your torch to provoke those love affairs of yours, whatever they are, and not aspire to honours that are mine.'
The son of Venus said to him, 'Phoebus: your bow may pierce all things, but my bow will pierce you. And just as all animals yield to a god, so is your power inferior to mine.'
Saying this Cupid struck the air with beating wings and swiftly landed on the shadowy top of Mount Parnassus. From his quiver he produced two shafts with contrary functions – one banished love, the other created it. The one that caused love was made out of gold and glowed with a sharp point. The one that banished it was blunt and had lead under its reed stem.
The blunt one Cupid fixed in the nymph Daphne, Peneus' daughter, while the sharp one passed through Apollo's bones and pierced his marrow.
Immediately Apollo was in love while Daphne took flight at the very word, rejoicing instead in woodland dens and the trophies of captured beasts, trying to rival the virgin goddess Diana. A headband held together her unkempt hair. Many men wooed her but she turned them all away. Having no time for men, she roamed the pathless glades. She cared nothing for the god of marriage, or love, or for a wedding.
Often her father said to her, 'My daughter, you owe me a son-in-law,' and as often, 'Child, you owe me grandchildren.' But she rejected marriage torches as if they were a crime. Her beautiful face blushed red and she clung to her father's neck. 'Dearest father', she said, 'allow me to enjoy perpetual virginity. Diana's father allowed her this in the past.'
He let you have your way, Daphne. But your beauty rebelled against your prayer. Phoebus was smitten, and upon setting eyes on Daphne he knew he must marry her. As corn stalks are burned after their ears have been harvested, as hedges catch fire from torches dropped by a careless traveller, so was the god in flames. His whole breast burned. And he nourished this fruitless love with hope.
He looked at the nymph's uncombed hair hanging down her neck and wondered, 'What if she wore it up?' He saw her eyes shining with fire: they were like stars. He saw her lips – but just to see was not enough. He praised her fingers and hands, her shoulders, her arms that were naked past the elbow. Whatever was hidden from view, he thought must be even better.
She fled from him faster than the breeze and did not stop to hear the words that he called out: 'Nymph, I beg you, wait! I am not your enemy, nymph. Wait! This is how lambs run from wolves, and deer from lions. Thus do doves flee with trembling wings from eagles. All things flee from their enemies, but the cause of my pursuit is love.
'Darling, oh! Don't fall and let the brambles scar those undeserving legs. Don't let me be the cause of pain to you … Run slower, I pray. Restrain your flight and I'll follow more slowly. At least ask who it is who so admires you. I am no mountain dwelling bumpkin or shepherd. I'm not one of those yokels who watches herds and flocks. You do not know, rash girl, you do not know who you are running from, and that is why you run. The Delphic land, Claros and Tenedos and the Libyan temple of Patara all serve me! Jupiter is my father! Through me is known what will be, what has been, and what is. Through me, songs harmonise on lyre-strings. My arrow flies straight – but there is one arrow even more sure than mine and it has made a wound in my empty heart. Medicine is my invention and throughout the world I am called Help-Bringer! The powers of herbs are subject to me! But – poor me ! – love cannot be cured by herbs, and the arts which profit the world cannot profit their master!'
He would have said more but Daphne fled from him in a fearful rush. Even then she seemed attractive: the winds laid bare the shape of her body, the breezes she came against met with her clothes and shook them out and a light gust struck her hair and sent it streaming backwards. Her lovely figure was enhanced by running.
But now the youthful god could no longer bear to waste his charming words, and as Love himself urged him, he followed her footsteps with unrestrained strides. It was like when a Gallic hound spots a hare in an empty field: the one uses his feet to seek his prey, the other to seek safety. The hound looks as though he's about to make the grab, and again and again he thinks he has her. He grazes her heels with his outstretched muzzle, while the hare, uncertain whether she is caught or not, tears herself away from the biting jaws, the mouth that's touching her. So it was with the god and the virgin. He was swift with hope, she with fear.
The one who was chasing, however, went faster, assisted by the wings of Love. He gave her no rest, was close on her back, breathing on the hair that was scattered down her neck. Her strength gone, she grew pale. Worn down by the effort of her flight, she spied the waters of Peneus, and said: 'Give me help, father, if your streams possess the power. Change and destroy the beauty for which I was too much admired.'
Her prayer was scarcely finished when a heavy torpor took hold of her limbs. Her soft chest was surrounded by a thin bark. Her hair grew into leaves and her arms into branches. Her foot, that had recently been so swift, was stuck in sluggish roots. A treetop overwhelmed her face. Only her radiant beauty remained.
This tree, too, Phoebus loved. He put his hand on the trunk, and felt the heart still trembling under the new bark. He embraced the branches with his arms as if they were limbs, and planted kisses on the wood. Even the wood tried to escape his kisses.
'Although you cannot be my wife', the god said to her, 'You will certainly be my tree. My hair, my lyre and my quivers shall always wear you, Laurel. You will adorn Latin leaders when a happy voice proclaims a triumph and the Capitol sees long triumphal processions. At Augustus' doorposts you will stand, as faithful guard before his doorway, and see the oak in between. And as my hair is uncut, you too will wear an everlasting crown of leaves.'
Apollo finished. The laurel nodded her new branches.
#mythological painting#daphne and apollo#odilon redon#french painter#french symbolistic painter#french culture#symbolism#ovid's metamorphoses#literature#chariot#horses#european art
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Daphne: Dryad daughter of Peneus (river god) when Apollo fell in love with her she asked her father to helped her and transformed into a laurel tree
Calypso: She is one of Odysseus' lover. He was on her island for 7 years before she accepted she could not overcome his longing for home
#once again THE MYTHS ARE WAY MORE COMPLICATED THAN THAT#greek myth sexywoman poll#polls#daphne#calypso
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Hi it's me from the Apollo & Daphne comment about Will and Nico in the Asklepios au, I'm not exactly sure what brought me to the comparison but I guess it's the way you sorta described their relationship in one of your other posts(?)
Assuming this is a finite to be written work, the story starts after will and nico have gotten acquainted. nico does his thing, begins as a weird unfriendly guy but after being acquainted becomes a good friend. they bond over losing their siblings and feeling responsible for their deaths, less of a "you did nothing wrong" and more of a "yeah that sucks balls" kind of empathy. then will learns that nico is a child of hades(the guy) and (after an orphic hymn infertility joke) has to fight the urge to use nico to bring people from hades(the place)/keep them from ever going there
in typical nico fashion he disappears like fully. will is reasonably concerned and tries to look for him whenever he isn't practicing and teaching medicine in case of impending war with a neighboring state? this part is funny and i want to say war is the conflict because battle is the usual conflict in the myth and history i've read and also in riordan's series itself. turns out the guy is dead. yippee! (probably some scene where will sees nico but its actually just the ghost or nico visits in a dream or will actually just finds the body preserved in snow. the last one's a little too intense)
That part just reminded me of D&A, Sorry If I'm not making much sense I just got out of school and I'm about to take a nap
Despite her not yet knowing who pursues her, Apollo seems to know exactly who she is, calling, "Wait nymph, daughter of Peneus, I beg you! I who am chasing you am not your enemy." He comments that she is running from him as prey would from a predator, but tells her that he is spurred on by love and a desire to be with her, not destroy her, so she should have pity on him. He then says that he is worried that she will be injured in the chase and cause him guilt, so if she slows down he will too, but she continues. I just see it ???
ohhh im picking up what youre putting down now yeah. the vibe of chase and intentions vs perceptions. the plot is slightly different now so i didnt see the comparison lol
#now nico is going to hazel's execution to act as defense and bc he's ousted his relations with the romans from before wartime#and before anyone else knew he tells will and chb that they can have his head after he tries saving his sister#since he's already lost that chance once#and he never returns and the camp assumes he's defected or otherwise fled#making him a wanted criminal#but no the execution was actually his own it was all a ploy#he manages to escape but succumbs to his injuries and dies#and will finds the body by chance months later#and then he gets brought back to life#so good thing is no one thinks he's died so no one would guess he was unpiously brought back to life#bad thing is people want him dead anyway#no escape or retribution once he is denied death sorta deal#i think a big distinctor is the amnt of info between them#in a&d daphne is completely unaware of who is chasing her and she has no means to verify his claims at goodwill#whereas apollo is fully aware of who she is and what he wants to do with her#my attempt is getting a relationship in which both parties exchange information on the same level
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Can you tell the difference game from mine version or LO/RS version
Note that I do not own the characters from the Greek Myth, I was doing this for fun.
My Daphne: Note this is a old art of her that I drawn her, when I was 16.
Daphne is a beautiful naiad nymph, who is the daughter river god Peneus and the naiad nymph Creusa, she is the sister of Menippe, Stilbe and the king Hypseus. She is a loving wife of Apollo and Hyacinth.
Likes: Reading, playing with flower, dancing, listing to Apollo’s songs, listing to her sister in law Artemis’ stories, sending a loving time with Apollo and Hyacinth, baking or cooking, and sometimes getting drunk and wanted to stared a fight with everyone who makes her mad (mostly her sisters or Theseus) but Apollo most likely stop her.
Dislikes: Hunting (because her father made her), snakes, Artemis doing something stupid (like bring the animals at her home), pranks (from Hermes), people mistaking her for a tree nymph, Artemis making too much mess, and Astraeus telling vaguer jokes about her husband.
Personally: She may have a Tsundere personally type, she maybe harsh and cold on the outside, but she is very kind and loving on the inside, she loves her family and her husbands deeply, and she can be over Protective of them.
Friends/Allies: Apollo(Husband), Hyacinth (Friend or co husband), Hermes (Sometimes), Peitho (They can get along just fine), Dionysus (She likes his funny personally), Psyche (saw her as a fun goddess to hang out), Ariadne (same thing with Peitho), Makaria (best friends), Thanatos, Pan (sometimes), Hypnos, Pasithea, Echo (best friends), Demeter, Hades, Persephone, Artemis (if she did’t do something stupid), Crocus, Hebe (She thinks she is cute and she looks like a doll), Hestia (loves her warm personally), Iasion (He is nice guy to her), Ampelos (sometimes), Ganymede, Hecate, the demigods, Selene, Endymion, and Astraeus.
Enemies: Zeus (because he graped Apollo right in front of her, when he was 13), Eros (because he’s the one who shot her with the hate arrow), Hera, Theseus (She hates him for being an a$$hole),Astraeus (sometimes), Cassandra (She hurts Apollo), and Adonis (for being on Eros’ side).
LO’s Daphne
Personally: She is a Naiad nymph turn into a FLOWER NYMPH??? For some reason and she is another little miss goodie two shoes and is the poor Unfortunate Victim of Apollo the bad guy (even known she is cheating on him on a date, with Thanatos) and she is sweet like honey, which makes her boring, even know making her into a tsundere wound be fun.
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Apollo and Daphne
The myth says that once Apollo, the god of light and poetry, found Eros, dealing with his bows and arrows. Eros was using bows to struck people into love. Apollo had just won Python, a horrible earth-dragon that was living in the area of Delphi, and had got so arrogant from his victory that he abruptly told Eros to leave war-like weapons to mighty gods like him and stick to his own pastimes, devaluing his duty to inflate love and passion to others.
This infuriated the headstrong Eros who decided to take his revenge on the audacious Apollo. Eros climbed on a rock of Mt Parnassus and unleashed two arrows: one sharp and gold-tipped and another blunt and lead-tipped. The sharp, gold-tipped arrow pierced the heart of Apollo inflaming his love for Daphne, a beautiful nymph, daughter of the river god Peneus, while the blunt, lead-tipped arrow struck the nymph creating an intense aversion for love in the her heart.
She was constantly rejecting the love of the glorious Apollo, despite his repeated pleadings and cajoleries. She similarly detested all the other men who were trying to get her. It is said that Leucippus, a handsome man, had been so desperate to win Daphne that he disguised himself into a girl and mixed her company. However, the nymphs understood his trickery and killed him.
In the meanwhile, Apollo was persistently pursuing Daphne. The poor girl, in order to escape from him and to protect his virginity, pleaded for help from her father, Peneus (or from Mother Earth, according to another version), who drew back to Daphne's prayers and transformed the nymph into a nice short plant with excellent smell.
This plant was the laurel, which is called "daphne" is Greek, after the nymph's name. Apollo was heart-broken at the loss of Daphne and to remember her for ever, he made the laurel the symbol of tribute to poets. The laurel became therefore the symbol of the god. Note that Pythia, the priestess in the oracle of Delphi, was chewing leaves of laurel to communicate with Apollo and give her prophesies to people.
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@cchipollo The fact, that before Q showed up Picard and Beverly were alone in the dark in some warehouse probably having another one of their 'moments' that Q just had to interrupt. And that Q really had to change his entire body type just for that representation. Also Q trying to ignore that Beverly even exists in all of the panels I have seen from that comic just screams petty jealousy.
Also if you did not know the mythological meaning of the laurel wreath (because I think you would like it): Basically Apollo dared to tell Eros that he had a bad aim and you do not insult Eros. So Eros shot two arrows, one of love through Apollos heart and one at the nymph Daphne about the 'aversion of love'. A chase where Apollo tried to reassure her that 'love' for the reason for her pursuit (I beg you, nymph, daughter of Peneus, remain! I pursue not as an enemy;), where he told her to at least flee a bit more carefully (I pray that you run more gently and restrain your escape, I myself will pursue more gently.) and that the reason she is running away is that she seems not to understand that he is Apollo, a god, and not some common hunter or shepherd (You don’t know, o thoughtless one, you don’t know whom you flee, and therefore you flee). This however only makes her continue to flee and she begs her father to help her and as a way to rescue her from Apollos love she is turned into a tree and since Apollo still loves her he kisses her and says:
The god said to her, since you can't be my bride, at least you will certainly be my tree! My hair(s) will always have you, my lyres [will have you], my quivers [will have you], o Laurel;
(the texts from Apollos words are taken from Ovids Metamorphoses: https://en.wikisource.org/wiki/Translation:Metamorphoses/Daphne_and_Apollo)
He goes on further what he intends for laurel to mean.
So, I like to think that Picard is less focused on Qs peacock-like display and more on the laurel branch, thinking how fitting it is. Just that nobody is going to turn him into a tree in order to get Q to leave him alone.
Also, you really gave Q the body of a young greek god, I gotta give you that.
felt really REALLY normal when i saw this comic panel ha ha ha !!!!
#Picard blushing and really trying not to look down#Q thinking that after Vash he knew that he was Picards type and wondering#why Picard is not yet head over heels for him and coming to the conclusion that it's probably his human form#Beverly is just standing a few feet away and having a great time#cannot wait to tell Deanna and Will#Q is trying to seem like he is teasing Picard#but the one who comes off just a little bit desperate is him
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Master of the Die (1512–1570) - River gods consoling Peneus for the Loss of his Daughter, Daphne. From 'The Story of Apollo and Daphne', 1530–60.
#River gods consoling Peneus for the Loss of his Daughter Daphne#Peneus#Daphne#turned into tree#Metamorphoses#Apollo and Daphne#apollo#Master of the Die
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We never actually see Apollo's reaction to Daphne's transformation, but there's a passage about Daphne in Hyginus' Fabulae that would have really hammered home how awful Apollo can be when his pride is damaged.
I'm going to put it under a cut in case anybody would rather avoid it as it involves the mutilation of Daphne's body.
"When Apollo was pursuing the virgin Daphne, daughter of the river Peneus, she begged for protection from Earth, who received her, and changed her into a laurel tree. Apollo broke a branch from it and placed it on his head."
(The myths of Hyginus, 1960, translated by Mary Grant)
Not only does Apollo hunt down Daphne against her will, he snaps off parts of her transformed body to wear as a trophy after.
I know Rachel would never do it but there's potential for a whole new level of horror there.
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The story of Daphne and Apollo
the Greek god of music, poetry, art, the sun, and a great warrior, mocked the god of love, Eros, for his use of bow and arrow, as Apollo is also patron of archery.
“What are you doing with powerful weapons, boy?” He said.
"That equipment of yours is fitting of our shoulders, which are able to give certain wounds to wild animals, and to enemies, I who recently killed the swollen Python, who was pressing down so many acres with his disease-bearing belly, with countless arrows! You will be content to provoke some loves by your fire, not to lay claim to my honors.”
Eros took that insult very personally then prepared two arrows: one of gold and one of lead. He shot Apollo with the gold arrow, instilling in the god a passionate love for the poor and non-consenting river nymph Daphne.
He shot Daphne with the lead arrow, instilling in her a hatred for Apollo. Having taken after Apollo’s sister, Artemis, Daphne had spurned her many potential lovers, preferring instead woodland sports and exploring the forest.
Due to her identity as an “aemula Phoebes” (female rival or emulator of Artemis),
She had not the need for any man in anyway.
she had dedicated herself to perpetual virginity. Her father, the river god Peneus, demanded that she get married and give him grandchildren. She, however, begged and fought with her father to let her remain unmarried; he eventually complied seeing as such a life would never truly bring his daughter happiness.
Apollo continually followed her, begging her to stay, but the nymph continued to reject him. They were evenly matched in the race until Eros intervened, helping Apollo catch up to Daphne. Seeing that Apollo was bound to reach her, she called upon her father,
"Help me, father! Peneus! Open the earth to enclose me, or change my form, hide me from the man which has brought me into this danger! Let me be free of men from this moment forward!"
And with that, Peneus answered her plea.
She turned into a laurel tree.
In spite of Daphne's terror and fervent insistence that he leaves her alone, Apollo vowed to honor her forever: “Always my hair will have you, my lyres will have you, my quivers will have you, laurel tree. You will be present for the Latin leaders when a happy voice will sing a triumph and the Capitoline Hill will see long processions.”
Apollo also used his powers of eternal youth and immortality to render Daphne evergreen
"You also, wear always the perpetual honors of your foliage!"
For this reason, the leaves of the Bay laurel tree do not decay.
{ I always felt so very sad for Daphne but at least now no man may harm her again }
#babacore#goblincore#fairytale#fairycore#dark fairytale#fairytalecore#faesthetic#faerycore#greek mythology#myths#mythical creatures#mythology#fairy tales#folk tales#folklore#legends#storybook#story time#ace#aro#trees#forestcore#forests#trees and forests
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Medusa: in one version of the myth: cursed by Athena to become a gorgon and turn anyone she looked at into stone for sleeping with poseidon in her temple. She ends up killed by Perseus
Daphne: Dryad daughter of Peneus (river god) when Apollo fell in love with her she asked her father to helped her and transformed into a laurel tree
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Daphne
Project Gutenberg
https://www.gutenberg.org/ebooks/44460
A daughter of the River Peneus, or of the Ladon, and the goddess Terra, of whom Apollo became enamored. Daphne fled to avoid the addresses of this god, and was changed into a laurel.
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DO NOT REPOST.
Say hello to the newest of my endeavors, an attempt to transfer Winx characters to Genshin; or, old obsession meet new obsession, have fun boiling together in my head. (If I get around to it, Stella's coming next.) First in the series is, of course, Bloom. In Winx Impact, her full name is Bloom Hendrickson, and her birth name is Cyrene Vassago (my reasoning being that both Cyrene and Daphne were naiads and daughters of Peneus, so I figured why not; her birth parents, with no idea of her birth name, named her Bloom, and that's the only name that matters to her). She's a 5✩ Pyro Sword character. And here's a little blurb about her: Bloom Hendrickson is adopted daughter to Mike and Vanessa Hendrickson, and older adopted sister to Flora and Chloris Hendrickson, born as Cyrene Vassago, younger sister to Daphne Vassago and daughter to Oritel and Marion Vassago. She’s currently 20, and a Guard Captain to the Knights of Favonius. She’s good friends with Albedo and Kaeya, as well as often times the designated babysitter for Klee. She also is constantly at odds with Jean, because she’s of the opinion that Jean, as the acting grandmaster, should be focusing on running the knights, instead of behaving like a cat-saving, errand-running apprentice. In the Winx Impact AU, Bloom is the one who ended up hunting down and killing Ursa the Drake about a year after it caused the death of Crepus, which saw her instant rise in popularity among the people, which made Varka to push for her promotion. Bloom used her newfound influence to reveal the truth behind Crepus’ death; because she valued the integrity of the knights more than their scandal-free reputation. The move made her widely unpopular with the higher-ups, but also made Diluc appreciate her a whole lot and the two are now somewhat friends. As the person in charge of internal security, and one infamously disliking the Fatui, she always strives to make their lives unnecessarily harder than they should be in the entirety of Mondstadt. Bloom is aware that she’s adopted, her parents told her as much, and even if they didn’t, she has always known something was different; she has been having dreams about a woman in a pillar of fire in an ice-covered throne room. It was that very woman, with whom Bloom feels an inexplicable connection, who directed her to find and kill Ursa the Drake, which she inexplicably managed despite initially thinking it a fool’s errand. Bloom is fairly sure there’s more to her than just being a child her parents found and adopted. (She knows something is going on, just not how deep it goes, or that a forgotten nation at the bottom of the Dark Sea is missing a princess, and a god-dragon is slowly coming back after its sacrifice to keep its people safe from Celestia’s greed. And Bloom, of course, is in the middle of it all.) Bloom as a Knight is strong, driven, and dedicated, almost scarily so. At the beginning of the events of Genshin Impact, she's 20 years old. Credits: Winx Club belongs to Iginio Straffi and all the apropriate companies. Genshin Impact (and the 3D model of Royal Longsword) belongs to MiHoYo. The design of Bloom-as-GI-Character belongs to me. Pose by anastasia-berry (https://www.deviantart.com/anastasia-berry/art/Poses-Reference-79-female-811243685 the second pose, swapped leg position) Antiche cover book Seamless textures by jojo-ojoj (https://www.deviantart.com/jojo-ojoj/art/Antiche-cover-book-Seamless-textures-520748615) Dragon referenced from a bad-quality screenshot from the Winx Show
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"But Apollo, the eternally beautiful youth, the perfection of all that is graceful and refined, rarely seems to have been happy in his love; either his advances met with a repulse, or his union with the object of his affection was attended with fatal consequences. His first love was Daphne (daughter of Peneus, the river-god), who was so averse to marriage that she entreated her father to allow her to lead a life of celibacy, and devote herself to the chase, which she loved to the exclusion of all other pursuits. But one day, soon after his victory over the Python, Apollo happened to see Eros bending his bow, and proud of his own superior strength and skill, he laughed at the efforts of the little archer, saying that such a weapon was more suited to the one who had just killed the terrible serpent. Eros angrily replied that his arrow should pierce the heart of the mocker himself, and flying off to the summit of Mount Parnassus, he drew from his quiver two darts of different workmanship - one of gold, which had the effect of inspiring love; the other of lead, which created aversion. Taking aim at Apollo, he pierced his breast with the golden shaft, whilst the leaden one he discharged into the bosom of the beautiful Daphne. The son of Leto instantly felt the most ardent affection for the nymph, who, on her part, evinced the greatest dislike towards her divine lover, and, at his approach, fled from him like a hunted deer. He called upon her in the most endearing accents to stay, but she still sped on, until at length, becoming faint with fatigue, and fearing that she was about to succumb, she called upon the gods to come to her aid. Hardly had she uttered her prayer before a heavy torpor seized her limbs, and just as Apollo threw out his arms to embrace her, she became transformed into a laurel-bush. He sorrowfully crowned his head with its leaves, and declared, that in memory of his love, it should henceforth remain evergreen, and be held sacred to him.-"THE MYTHS AND LEGENDS OF ANCIENT GREECE AND ROME" by E. M. Berens,2010
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