#dane donohue
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Dane Donohue - Can't Be Seen
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Music
Artist
Dane Donohue
Composer
Dane Donohue David Getreau Mark Fisher
Lyricist
Dane Donohue David Getreau Mark Fisher
Produced
Terence Boylan Jai Winding Steve Hodge John Boylan
Credit
Dane Donohue - Vocal, guitar Mike Porcaro - Bass Ed Greene - Drums Jay Graydon - Guitar Steve Lukather - Guitar Victor Feldman - Percussion Jai winding - Piano Ernie Watts - Saxophone Angelle Trosclair - Backing vocals Bill Champlin - Backing vocals Tom Kelly - Backing vocals
Released
1978
Streaming
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magicalmusicaltour · 6 months ago
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Dane Donohue
The lost prince of Yacht Rock,
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bengtisak · 2 months ago
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Finally in my mailbox after some mess with FedEx.
Dane Donohue - L.A. Rainbow
Westcoast/AOR Music
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instanttunes · 2 years ago
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Dane Donohue - Casablanca
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multi-muse-transect · 3 years ago
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My ideal cast if the Halo games were adapted into live action movies taking influence from some books.
Halo CE
Steven Downes as Master Chief
Jen Taylor as Cortana
Josh Brolin as Captain Keyes 
Angela Bassett as Foehammer
Keith David or Carl Weathers as Sergeant Avery Johnson 
Domnhall Gleeson as Guilty Spark
Halo 2 (maybe take some elements from First Strike with Blue Team assisting Chief during the invasion of Earth.)
Minka Kelly as Miranda Keyes
John Cena or Joel Kinnaman or Chris Evans as Fred-104
Scarlet Johannsson as Linda-058
Margot Robbie or Sophia Di Martino as Kelly-087
Ron Perlman as Lord Hood
Keith David as The Arbiter
Kevin Michael Richardson as Tartarus
Andy Serkis as the Prophet Of Truth
Tom Vaughan-Lawlor or Domnhall Gleeson as the Prophet Of Regret
Anthony Hopkins as the Prophet Of Mercy 
Halo 3 (maybe Miranda survives and meets Sarah Palmer in a post credit telling her she has a mission for her.)
Same cast.
Halo ODST 
Nathan Fillion as Edward Buck 
Michael B.Jordan as Kojo “Romeo” Agu
Dave Bautista as Taylor “Dutch” Miles”
Katee Sackoff as Veronica Dare
Oscar Issac as Mike “Mickey” Crespo
Dylan O’Brien or Brenton Thwaites as JD AKA The Rookie 
Halo Reach
Josh Duhamel as Carter-A259
Olga Kurylenko as Kat-B320 
John Boyega as Emile-A239 
Simu Liu or Steven Yeun as Jun-A266 
Tom Hardy as Jorge-052
Phillip Anthony Rodriguez as Spartan-B312
Rachel Weisz as Catherine Halsey 
Stephen Lang as Urban Holland
Halo 4 (adapts parts of the Spartan Ops story) 
Toby Maguire as Captain Lasky 
Ethan Peck as Gabriel Thorne 
Chris Hemsworth or Jon Bernthal as Paul DeMarco
Tyrese Gibson as Carlo Hoya
Dane DeHaan as Anthony Madsen
Karen Gillian as Tedra Grant
Dominique McElligot as Sarah Palmer 
Mark Rolston, Ethan Hawke or Bruce Greenwood as Andrew Del Rio
Halo 5 
Idris Elba as Jameson Locke
Gina Rodriguez as Olympia Vale
Cynthia McWilliams as Holly Tanaka
Melanie Minichino as Exuberant Witness
Dan Donohue as Warden Eternal
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d-criss-news · 4 years ago
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EXCLUSIVE: Quibi has firmed the list of 19 shows, and the accompanying stars and filmmakers it will submit for the 2020 Primetime Emmy Awards. Deadline has the whole list of shows that fall into the short form comedy and drama categories, as well as Short Form Nonfiction/Reality, and Variety series.  Quibi launched in April, and has found that a venture meant to generate content designed to be consumed in short bites by people on the go, has been challenged by landing right in the middle of an unprecedented pandemic that has rendered the world to a state of not going anywhere. That will pass, but Quibi has no shortage of programming that will vie for nominations.
——
Here are all the Quibi shows that are being submitted for Emmy nomination consideration:
OUTSTANDING ACTRESS IN SHORT FORM COMEDY OR DRAMA SERIES
Anna Kendrick, Dummy
Jasmine Cephas Jones, #FreeRayshawn
Kaitlin Olson, Flipped
Kether Donohue, Royalties
Maika Monroe, The Stranger
Nicole Richie, Nikki Fre$h
Sophie Turner, Survive
OUTSTANDING ACTOR IN SHORT FORM COMEDY OR DRAMA SERIES
Christoph Waltz, Most Dangerous Game
Corey Hawkins, Survive
Dane DeHaan, The Stranger
Darren Criss, Royalties
Laurence Fishburne, #FreeRayshawn
Liam Hemsworth, Most Dangerous Game
Stephan James, #FreeRayshawn
Will Forte, Flipped
OUTSTANDING ORIGINAL MUSIC & LYRICS
Nikki Fre$h
Royalties
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darrencrissarmy · 4 years ago
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Here are all the Quibi shows that are being submitted for Emmy nomination consideration:
OUTSTANDING ACTRESS IN SHORT FORM COMEDY OR DRAMA SERIES
Anna Kendrick, Dummy
Jasmine Cephas Jones, #FreeRayshawn
Kaitlin Olson, Flipped
Kether Donohue, Royalties
Maika Monroe, The Stranger
Nicole Richie, Nikki Fre$h
Sophie Turner, Survive
OUTSTANDING ACTOR IN SHORT FORM COMEDY OR DRAMA SERIES
Christoph Waltz, Most Dangerous Game
Corey Hawkins, Survive
Dane DeHaan, The Stranger
Darren Criss, Royalties
Laurence Fishburne, #FreeRayshawn
Liam Hemsworth, Most Dangerous Game
Stephan James, #FreeRayshawn
Will Forte, Flipped
OUTSTANDING ORIGINAL MUSIC & LYRICS
Nikki Fre$h
Royalties
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papermoonloveslucy · 4 years ago
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SEPTEMBER 11
Since 2001, the date September 11th has been a date associated with the life-changing terrorist attacks on America. But previously, the date was one of the busiest in the Lucille Ball calendar, with memorable performances of her three hit sitcoms in three decades. Lucille Ball’s mission in life was to make us laugh - even in our darkest moments.  So while we remember the events of 2001, let’s take a quick tour through the date in the life of Lucille Ball.  
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1960
The September 11, 1960 issue of Parade Magazine (which was inserted into Sunday newspapers nationwide) featured a unique and colorful portrait of Lucille Ball. The article inside was “Lucille Ball: Life Without Desi”. The couple formally divorced in April 1960, five months earlier.  This coincided with her last appearance as Lucy Ricardo. Although this would be the first September since 1951 that she wasn’t on series television, she was still working; promoting her new film with Bob Hope called Critic’s Choice. Toward that end, two weeks later, she appeared on “The Garry Moore Show.”
1937
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On September 11, 1937 Hollywood columnist Jimmy Starr of the LA Evening Herald Express, rated the film Stage Door as ‘Outstanding’ stating that “smaller roles were excellently portrayed by Lucille Ball and others.” 
1943
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The Hollywood Bond Cavalcade, a 16-city, two week railroad tour of American by a dozen Hollywood celebrities, comes to New York City on September 11, 1943 for a gala performance at Madison Square Garden designed to sell war bonds to defray the debt incurred by the USA during World War II. Desi Arnaz had gone on a similar tour the year before - but 1943 was Lucy’s turn. Much of America was still reeling financially and emotionally from the effects of the War. 
1953
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Perhaps the most dramatic September 11th in Lucille Ball’s life came in 1953, when she was accused of being a Communist by the House Un-American Activities Committee (HUAC). 
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The news broke on the very same night that “The Girls Go Into Business” (ILL S3;E2) went before the cameras in Desilu’s brand new studio. Needless to say, the news could not be ignored, and prompted Desi’s now famous remarks in his pre-show welcome:  
“Lucy has always had a clear conscience about this. She has never been a Communist, and what’s more, she hates every Communist in Hollywood. The only thing red about Lucy is her hair, and even that is not legitimate.” 
1955
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On Sunday, September 11, 1955, CBS airs the 22nd of 25 repeats of early episodes of “I Love Lucy” under the umbrella title of “The Sunday Lucy Show”. Under the impression that few viewers had a TV set when the series first began,CBS polled viewers to decide which episodes to air in their early Sunday evening time slot (6pm). This week’s entry is “New Neighbors” (ILL S1;E21) from 1952.
1961
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On September 11, 1961 CBS aired the fourth and final re-run of "I Love Lucy” to fill a month-long scheduling gap. This is the last prime-time airing of the series in a regular time slot.
1967
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On September 11, 1967, Lucille Ball kicks off the sixth and final season of “The Lucy Show” with Milton and Ruth Berle playing themselves.  
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This was one of many appearances by Milton Berle, who appeared on all of Lucille Ball’s CBS sitcoms, despite being the reigning king of NBC. While all was hysterical on screen, there was a lot of life-changing activity going on for Lucille Ball. 
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This is the last episode directed by Maury Thompson, who had started working for Desilu in 1956. Ball heard that Thompson wanted a raise and decided to dismiss him and bring back the show’s original director, Jack Donohue. 
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Having made Desilu profitable again, Ball had just agreed to take the big step of selling Desilu to Paramount, dissolving the company by the end of 1967 and starting up her own Lucille Ball Productions (LBP) to produce a new sitcom, “Here’s Lucy,” rather than work for Paramount. This was perhaps the biggest business decision that Executive Lucy would make in her entire career. 
1972
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After season 4 of “Here’s Lucy” wrapped, Lucille Ball experienced a run of bad luck. First, the final episode of the season was designed as a pilot for a spin-off series starring Lucie Arnaz, but CBS declined to pick-up the show for production. At the same time, Vivian Vance, who was being eyed as a reliable sidekick for Lucy should Lucie get her own show, was diagnosed with breast cancer.  Finally, in January 1972 on a ski trip to her condo in Snowmass, Colorado, Lucille Ball broke her leg. Instead of canceling the series, Ball had the injury written into the scripts, so that Lucy Carter would also have a broken leg. Almost all of this season’s scripts had to be quickly rewritten or postponed.  The injury meant that Ball would have to limit her physical comedy and musical numbers and re-think the show’s overall dynamics.  It also meant that her plans to start filming the musical film Mame would be put on hold until her injuries healed.  The September 11, 1972 episode that kicked off this extended plot-line was titled “Lucy’s Big Break” (HL S5;E1). 
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To add to that, earlier in the day on September 11, 1972 Ball made her first appearance on Dinah Shore’s syndicated talk show “Dinah’s Place”. Lucy makes Irish coffee and tells Dinah how she broke her leg.
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The night before this episode aired (September 10, 1972), Lucille Ball had appeared on “A Salute to Television’s 25th Anniversary” on ABC, getting an award alongside Bob Hope. Quite a busy 24 hours for Lucy fans! 
1984
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The week of September 11, 1984, Lucille Ball, now 73 years old, begins a week of appearances on the pantomime game show “Body Language” playing against Charles Nelson Reilly and hosted by Tom Kennedy. She returned to the show over Christmas week in 1984. Lucy was also depicted on the box cover of the board game of Body Language, as well as doing TV commercials for the game. The show managed only a fraction of the audience of other daytime games and CBS canceled the game in late 1985 after only one season on the air. 
Through the years, many of Lucille Ball’s co-stars passed away on September 11: 
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1959 ~ Paul Douglas died at age 52. He played himself in “Lucy Wants A Career” (LDCH E9) which aired just five months before his death. 
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1970 ~ Chester Morris died at age 69. He appeared in Five Came Back (1939, above) and The Marines Fly High (1940) with Lucille Ball. 
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1987 ~ Lorne Green died at age 72.  The star of NBC’s “Bonanza” from 1959 to 1973. He appeared with Lucille Ball on “Dean Martin’s 1968 Christmas Show,” “Dinah Shore’s Like Hep!”, “Swing Out Sweet Land,” and “Zenith’s A Salute to TV’s 25th Anniversary.” 
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1994 ~ Jessica Tandy died at age 85. Tandy and Lucille Ball were both recipients of “The Kennedy Center Honors” in December 1986. The ceremony was televised on CBS on Boxing Day 1986.   
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1998 ~ Dane Clark died at age 86. He was the star of Desilu’s “Wire Service” (1956-57), did two episode of Desilu’s “The Untouchables” (1962-63) and appeared with Desi Arnaz Jr. in “Police Story” in 1976.
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2003 ~ John Ritter died at age 54. Lucille Ball was an outspoken fan of John Ritter, hosting a ‘best of’ special for his hit sitcom “Three’s Company” in 1982. Ritter guest-starred as himself on her final sitcom, “Life With Lucy” (1986). 
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2004 ~ Fred Ebb died at age 76. Ebb produced and wrote the Shirley MacLaine TV special “Gypsy in My Soul” (1976) that co-starred Lucille Ball. 
THE GREATEST TRIBUTE
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icedanceupstarts · 5 years ago
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Assorted Senior Dance Musings
1. What even is a score anyway?: Scores are made up of numbers that we're apparently just putting where the hell ever this year. At this rate, anyone who wants to make the FD cut at worlds will need to aim to break 70 at a minimum. Curiously enough, this so far extends more to the RD than the FD, where not only do we seem less at risk of maxing out the scoring system before the second half of the season but also where the teams putting up big leads in the RD are losing some of their edge over the next tier of teams.
2. Papadakis/Cizeron: Because when you're a four time world champ you get your own bullet point. P/C have gone for an entirely new look in their rhythm dance, taking us to a campy aerobics class that miiight slightly overstay its welcome. An entire half a Finnstep of 123 dance?? This may not be the aerobics class we’re personally rushing to sign up for, but we certainly appreciate they’ve gone for something fun here. It's kind of refreshing seeing them go for something so unabashedly silly and campy. Their spoken word FD was possibly scientifically engineered in a lab to be the most Not Our Thing program conceivable, but surprisingly there's a fair amount to like. Hearing that they were skating to a spoken word poem made your mods go blue screen of death for a bit, but the program wouldn't stand up without it, and it's a well conceived program that clearly comes from a specific vision they have for their skating. Is it a vision that we, personally, need or want to see more of? Not really, but the wonderful thing about ice dance is that there's something for everyone.
3. Assorted Front Runners: Hubbell/Donohue and Stepanova/Bukin won't be debuting until Skate America, but the other major medal contenders have shown up in some capacity already. Sinitsina/Katsalapov are continuing their highly classical approach, with a particularly charming Singing in the Rain RD(version linked from the Test skates because the Ondrej Nepela videos are barely half a step above a fancam). Their free dance is all classic Russian ice dance like last year's, if mostly more cohesive although that ending does seem to come a little out of nowhere. They actually have the lowest scores of the top teams thus far by a few points, although the jury is very much out on whether that's going to mean anything or not. In sharp contrast you have Guignard/Fabbri doing a David Bowie free dance that has a bit too much going on musically and needs another pass with the music editor, but is a really strong program for them, despite or possibly because it's such a strong stylistic departure for them. They have generally tended towards more classic programs, so this is definitely an attempt to make waves. They've got some great elements like their stationary lift, and just generally unique, interesting choreo that stands apart from any of the other top teams. In that same vein, Chock/Bates have also picked something outside of their previous wheelhouse, a somewhat controversial snake charmer FD, not linked because NBC hates us. We're going to punt to people more qualified to talk about whether it's cultural appropriation or not and focus on what we are qualified to talk about, namely that Evan needs a snazzier shirt. Regardless of anything else, we don't love this free dance, and most of the things we do like come from Chock/Bates themselves. Their lifts and expressiveness, obviously, that's just a built in feature of any C/B program, and this year's free features some of the best use of body shaping we've ever seen, culminating in a truly amazing end pose. Gilles/Poirier have followed up on their acclaimed Vincent program to deliver another highly emotional, artsy free dance as part of their #programsforthepeople. Unfortunately we are not in the segment of the population that this Joni Mitchell FD is targeting, but it's a great vehicle for them anyway. Their programs are always so intricately choreographed and feature innovations that other teams adopt years later. After Weaver/Poje announced that they would not be competing this season, Gilles/Poirier seemed to have a free pass to the national title, but...
4. Rise of the Canadanes: There have been a number of unexpected occurrences already, but one of the most notable has been the rise of Fournier-Beaudry/Sorensen to seemingly major medal contention status. The former Danes are one of surprisingly many teams to have chosen Bonnie and Clyde, and they show great style and flair in this program. They always have such a sleekness to their skating, and they even found a third song in this musical that no one else seems to have discovered. We're a bit torn on the twizzles-- we admire the commitment to theme, but the placement in the middle of This World Will Remember Us is pretty jarring. We see what they're going for, but it would be smoother if those twizzles were at the top of the program. Their free dance, courtesy of Mr. Buble’s Cry Me A River, is as Canadian as their teammates Gilles/ Poirier's free dance, but far more dynamic. That extra energy and drama may help them challenge G/P for the national title, and at least help Canada keep three spots in ice dance for next season, a slightly tricky prospect. Keep watch on their marks at Skate America, where they'll face Hubbell/Donohue and Stepanova/Bukin, the two top teams from last season that haven't shown their programs yet.
5. American Bronze Battle: the lower ranks of American ice dance were tight last season, and have only gotten more so. We've already had a number of matchups, and will have a few more as the season progresses. Carreira/Ponomarenko have split placements with both McNamara/Carpenter and Hawayek/Baker, and beat the former while losing to the latter due to a twizzle error. McNamara/Carpenter are lagging behind in scores internationally thus far, but who the fuck knows what that means or if it means anything at all. Green/Parsons have also shown up extremely strongly with great matching skating technique and truly who knows at this point. Their scores have not yet been on par with the other on the Challenger series, but scores are just a collection of numbers in various orders, eliciting sound and fury from the fanbase but signifying nothing.
6. No, but really, what IS score?: It’s been frustrating watching the Challenger series and seeing scores fluctuate week to week knowing that it all counts for Season’s Bests, but this year has outsold in not a good way to the point it’s felt like even within the same competition scores aren’t reflecting decent margins or comparisons. Orihara/Pirinen made their team debut at Lombardia with decent performances, a few small bobbles, for a total score of 148.48. Just one week later they competed again at Nepela, cleaned up the bobbles and scored 166.93, an almost twenty point increase in a week. Across both programs that was a more than six point increase in PCS alone! Now don’t get us wrong, they are off to an outstanding start as a team and Finland could wind up with their own version of an ice dance battle here very soon, but just ????? We genuinely don't know how people are making predictions on how the season will go based on these early scores because we can't even tell you how the Challengers are going to go while they're underway, much less several months in the future. Nine teams broke 100 in the free dance at Nebelhorn alone, which we're pretty sure meant more just last year?
7. Why @ music editors: It's only September but look, we need to have A Talk. The music edits and overall construction of programs is already driving us to madness. We've brought up several teams already, and yet there are still more questions. Both of Smart/Diaz's programs suffer from this, with their super fun Grease RD for some reason having a final music cut after all the elements have been completed, and their Free Dance being made up of two extremely separate programs uneasily sandwiched together. Wang/Liu, for reasons we cannot yet grasp, opted to to put the Swan Lake finale in the middle of their free dance instead of at the end. We are no purists, we're all for shifting musical selections around to best fit the program, but it very much sounds like The End and then the programs keep going with a much lighter selection and it's very confusing? We can appreciate the choice to put their twizzles to the part where Odile famously does her 32 fouettes, but not where in the program they put those twizzles. Lauriault/Le Gac just have a massive shift in mood and style in the last 45 seconds. While further development of their free dance in addition to her cheery yellow dress has answered the question of whether it was a happy or sad program that troubled us so over the summer, it just changes into a completely different program right at the end without warning, and we're never prepared for it.
8. The rest of the Russians: There are just so many teams right now. And thank goodness for that third spot at Worlds but So. Many. Teams. You’ve got a seemingly clear top two and then... everyone else. Due to a combination of injuries, late changes to RD music, and Russia not sending any dance teams to Autumn Classic, US Classic OR Nebelhorn, we don’t have many competition results to discuss at this point but then again, see points #1 and #6 above. Shpilevaya/Smirnov and Popova/Mozgov both finished fourth at their respective Challenger assignments, the former with good season opener performances and the latter with an untied boot and an unexpected double splat at the end, and will be up against each other at Finlandia. Skate America will be a big event for Russian dance season debuts with Zagorski/Guerreiro putting their own unfortunate boot lace incident at Nationals last season behind them and Shevchenko/Eremenko making their senior debut.
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thegroovyarchives · 5 years ago
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playlist: hanging around the lobby of an old movie theatre in the 1980s (please and thank you!!)
1. Romeo And Juliet - Dire Straits2. And...Somewhere I've Never Travelled - Ambrosia3. Casablanca - Dane Donohue4. Souvenir – Orchestral Manoeuvers in the Dark5. We Close Our Eyes - Oingo Boingo6. I’ve Seen That Movie Too - Elton JohnI hope you enjoy, my friend !! :D
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chuck-snowbug · 5 years ago
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コーヒーのある食卓の風景・その184 - いわゆるYacht Rock的なアルバムを添えてみる編 - Coffee with Foods Part 184: Yacht Rock Albums
1. Coffee with Passion Fruit, Coconut Yogurt & Smoothie feat. “Careless” Stephen Bishop CD - Breakfast
2. Coffee with Kiwi, Mint Sweets & Yakult + Vegetable Juice feat. “Dane Donohue” Dane Donohue CD - Breakfast
3. Coffee with Peach & Yakult + Vegetable Juice feat. “Oasis” Jimmy Messina CD - Breakfast
4. Coffee with Blueberry, Peach & Mint Sweets feat. “Suspended Animation” Evie Sands CD - Breakfast
5. Coffee with Passion Fruit, Hanafubuki Sweets, Grape Gelee & Yakult + Vegetable Juice feat. “Partners In Crime” Rupert Holmes CD - Breakfast
6. Coffee with Kiwi, Passion Fruit, Peach, Mint Sweets, Apple Gelee & Almond Milk feat. “The More Things Change...” Far Cry CD - Breakfast
Previous Post:
https://chuck-snowbug.tumblr.com/post/186830355036
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izmitliheisenberg · 2 years ago
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magicalmusicaltour · 6 months ago
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The lost prince of Yacht Rock:
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A classy song from 1978. Contributing musicians of this album include: Jai Winding, Victor Feldman, Don Henley, Stevie Nicks, J.D. Souther, Larry Carlton, Herb Pedersen, Jay Graydon, Bill Champlin, Steve Lukather, Tom Kelly...the list goes on
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chelsanitys · 7 years ago
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Real question: Will PC stay now that all these teams are coming to Gadbois or do they not give a fuck cause they know they’ll still win? Will Didier care? I want them to leave and go to Marina just for the drama.
pc are a virtual lock for 2022 gold, i wouldn’t be that bothered if i were them
the ones who should be REALLY pissed are hubbell/donohue. marie france takes on not one but two of their DIRECT COMPETITORS? h/d, weapo and bock are all on the same scoring field - the only thing separating h/d from the other two is better programs….wHICH THEY WONT GET NOW THAT EVERYONE’S GETTING A MARIE FRANCE PROGRAM.
oh also the danes should be pissed too. could’ve been canadian #1 next season with the right programs. 2 late now i guess
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jrpneblog · 4 years ago
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Ready for a break
This weekend sees the first of the International breaks in the season proper and for North End it it probably cannot come a moment too soon. Just one point from three league games and a duanting trip to Brentford on Sunday afternoon means that it hasn`t been the kindest of starts for Alex Neil and the boys. A disappointing home defeat against Swansea on the opening day was followed by an excellent point down in Norfolk that really could have been three. However last weeks home reverse to Stoke heightened the gloom around Deepdale and left North End languishing at the wrong end of the table ahead of the trip down to TW8. In between we had our usual mini League run before we were just outclassed at home to Brighton in round three and amde our usual graceful exit from a competition we have never been further than round four in since it`s inception in the 1960-61 season. 60 years of the League Cup and we have never been in the last eight...sheesh!.
Reflecting back on last Saturday and an unfortunate defeat at the hands of the Potters. Personally, I thought we would have won the game if we had not lost Tom Barkhuizen to a ridiculous Red Card just a quarter of the way through the game. We were certainly in the ascendancy and looking the most likely to score when Mr Donohue decided that Barkhuizen slipping was dangerous play and off Tom went in abject disbelief. We never really recovered from going down to ten men and although we had some half chances near the end we never really looked like taking a point from a game we could have easily taken three from.
On Sunday we pay our first visit to The Brentford Community Stadium. With a capacity of 17,500 the new ground isn`t massive in size but it must be a massive improvement in terms of facilities, particularly for the away fans. Griffin Park must rank as one of the worst venues in the Championship for facilities but is near the top in terms of days out for the North End faithful. The Bees haven`t started off quite how they would have liked in the Championship but dispatched Fulham in the Carabao Cup by three goals to nil on Thursday evening so it does look a bit omnious for our visit on Sunday 2pm Kick Off. North End put up a good display down there towards the end of last season after the restart and all things being equal I think most fans would take a point from this fixture. Perhaps Mr Jacobsen might have a dream debut and score the winner but I am not holding my breath.
And finally this week - the striker we have all been screaming for finally arrived on Thursday evening in the form of 6`3`` Emir Riis Jacobsen. Yes, I don`t know anything about him either suffice to say that he is a Danish U21 and from the clips we have seen of him in action he certainly looks like he knows where the net is. Let`s give him a good run before we start casting doubt on the lad and by that I mean at least half a season as I fear the Championship will be a little tougher week in, week out than what he has been used to. Let`s hope this lad becomes a Great Dane and brings home the Bacon
JR`s HIGH FIVES   
Tranmere to beat Scunthorpe 11/10   
A £5 Stake returns £10.50 on bet365   
Running total  =    + £3.25  
Predictions 4   won 2   lost 2
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acab5023 · 4 years ago
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🇺🇸 Dane Donohue ‎– Dane Donohue - 1978 One of the pillars of the most sophisticated Californian Pop. Perfect from start to finish with a selection of stratospheric musicians. https://labibledelawestcoast.blogspot.com/2010/10/dane-donohue-dane-donohue-1978.html Masterfully produced by "Terence Boylan" for the "CBS" label. The album is divided into two parts, one part more Country-Rock and the other with a more exquisite WestCoast sound. https://youtu.be/Z4yfS0AEoRI The artist, magnificent singer and songwriter left us this basic gem of the genre and then disappeared from the music scene until he was rescued a few years ago by Frederic Slama again for music. Classic Essentials !!! https://www.instagram.com/p/CF0e_MHpS-S/?igshid=r9hynowxg5qo
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