magicalmusicaltour

[magicalmusicaltour]

Chris Cornell - “Nothing Compares 2 U” (Prince Cover) [Live @ SiriusXM]…

[magicalmusicaltour]

I Didn't Mean To Turn You On - Robert Palmer

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Blue Collar Man (Long Nights) · Styx

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Foreigner - Waiting For A Girl Like You (Lyrics)

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Led Zeppelin - Whole Lotta Love

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40 years ago today, Wham!'s single "Wake Me Up Before You Go Go" reaches #1.

[magicalmusicaltour]

Journey - Don’t Stop Believin’ (Lyrics)

[magicalmusicaltour]

Ludwig van Beethoven -- Melody of Love ( beautiful)

[magicalmusicaltour]

Chris Rea -Texas

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U.S. Army Rangers Theme

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This is how you do rehabilitation

[magicalmusicaltour]

Toto - Hold The Line

[magicalmusicaltour]

10cc I’m Not in Love

The ethereal BAcking vocals? From wikipedia: "Stewart spent three weeks recording Gouldman, Godley and Creme singing "ahhh" 16 times for each note of the chromatic scale, building up a "choir" of 48 voices for each note of the scale. The main problem facing the band was how to keep the vocal notes going for an infinite length of time, but Creme suggested that they could get around this issue by using tape loops. Stewart created loops of about 12 feet in length by feeding the loop at one end through the tape heads of the stereo recorder in the studio, and at the other end through a capstan roller fixed to the top of a microphone stand, and tensioned the tape. By creating long loops the 'blip' caused by the splice in each tape loop could be drowned out by the rest of the backing track, providing that the splices in each loop did not coincide with each other. Having created twelve tape loops, one for each of the 12 notes of the chromatic scale, Stewart played each loop through a separate channel of the mixing desk. This effectively turned the mixing desk into a musical instrument complete with all the notes of the chromatic scale, which the four members together then "played", fading up three or four channels at a time to create "chords" for the song's melody. Stewart had put tape across the bottom of each channel so that it was impossible to completely fade down the tracks for each note, resulting in the constant background of vocals heard throughout the song.[6] Composer and music theory professor Thomas MacFarlane considered the resulting "ethereal voices" with distorted synthesized effects to be a major influence on Billy Joel's hit ballad "Just the Way You Are", released two years later.[7]"

[magicalmusicaltour]

Your Flag Decal Won't Get You Into Heaven Anymore - John Prine

Good morning and happy Friday.

I've written 5 or 6 new songs but I've been stuck for a couple weeks now. I decided to listen to some stuff I've never really explored for inspiration. Started with John Prine's first album from 1970. This song is from 19 fucking 70. Hmmm.

Be Safe Be Kind And Be Awesome