#dan ewen

[geekcavepodcast]

Dear Santa Trailer

Let this be a lesson. Spelling is very important, kids.

Dear Santa stars Jack Black, Robert Timothy Smith, Keegan-Michael Key, Brianne Howey, Hayes MacArthur, Post Malone, P.J. Byrne, Jaden Carson Baker, and Kai Cech. The film is directed by Bobby Farrelly. The screenplay is written by Ricky Blitt and Peter Farrelly from a story they concieved with Dan Ewen.

Dear Santa hits Paramount+ and on Digital on November 25, 2024.

[milliondollarbaby87]

Dear Santa (2024) Review

When Liam Turner makes a crucial spelling mistake in his letter to Santa addressing it to Satan instead, he has a rather interesting Christmas visitor that is about to cause some chaos. ⭐️ Continue reading Dear Santa (2024) Review

[adamwatchesmovies]

Dear Santa (2024)

While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...

Dear Santa is a film that doesn’t know where to stand. Luckily, Jack Black’s performance and the original premise are enough to bridge the gap. You categorize the picture as an enjoyable but imperfect PG-13 Holiday comedy. Then, we get to the gigantic pile of coal of a conclusion. It’s such a bad call you have to dismiss the entire film because of it.

Dyslexic 6th-grader Liam Turner (Robert Timothy Smith) mistakenly sends his holiday wishlist to Satan instead of Santa Claus. When “Santa Claus” (Jack Black) appears in his room and offers to grant Liam three wishes for an undisclosed price, he’s initially skeptical – this jolly red fellow doesn’t look like he does on the greeting cards – but accepts. His first wish is for his crush at school, Emma (Kai Cech), to give him a chance.

If I hadn’t told you the film’s MPAA rating, what would you have guessed was the target audience for this movie? Probably the same crowd that saw Sausage Party or Good Boys? Surely not children with the whole “Satan is trying to trick this pre-teen into giving him his soul" thing. The jokes write themselves. Satan needs to grant Liam’s wishes to keep making more. Once he grants that third one, the boy's going straight to Hell. Can Satan fulfill the boy's deepest desires without giving away his true identity? Keep in mind, that those wishes might be harder to fulfill than you think because the kid is… kind of dumb. Infernal powers can only do so much, you know? Before you get upset, I’m not calling Liam dumb because he’s dyslexic. I’m saying he’s dumb because he a) still believes in Santa Claus despite being in the sixth grade and b) Confuses Satan for Santa Claus. This is a comedy so you’re willing to suspend your disbelief. In fact, Liam not realizing something that obvious is the joke. Even so, the part feels like it was meant for someone younger than twelve. The problem is, our protagonist can’t be too young because if he was any littler, his crush on Emma would be weird. It’s still weird now. The screenplay by Ricky Blitt and Peter Farrelly, with Jack Black (who I assume wrote most of his own dialogue because the other two are credited with the story, along with Dan Ewen) does give another reason for why this seemingly dopey kid is so easily tricked by the fallen angel but we’ll get to that a little later and even with that extra reason, he’s still too old to be duped this easily.

The PG-13 rating is not due to violence, gore or frightening imagery. It's due to language as Satan liberally says shit, ass, damn, crap, hell, etc. That wouldn’t necessarily be a bad thing. If this movie had tweaked it humour and premise to appeal to younger children, you can see how it would’ve been successful. In fact, it is often successful, thanks to Jack Black. He’s clearly having a great time with this role, he has all the best lines and the funniest scenes. He even plays a pretty good “Santa”. The reason you keep watching despite everything is because of him, and to a certain extent, Robert Timothy Smith. He and Black play off each other well.

Despite the film’s confused identity, I might’ve given it a mild recommendation if it weren’t for the ending. When we learn that Liam’s parents (Brianne Howey as Molly and Hayes MacArthur as Bill) are having marital problems, you think it’s just so they can be kept busy their son runs around with the Prince of Darkness. When you learn the marriage is strained because Liam’s younger brother recently passed away, you think “That’s unusually harsh for a goofy movie like this” but you file it away as an odd decision on top of the choice to waste Keegan-Michael Key as Liam’s psychiatrist and below the scene where Post Malone is magicked into becoming Liam’s best friend. Actually, it’s the crack that will cause the dam to burst. Eventually, Liam proves himself a good boy. His unselfish wishes melt Satan’s heart. As a reward, The Devil resurrects poor, dead Spencer and alters everyone’s memories (save for Liam’s) accordingly. First of all, this contradicts an earlier scene where Satan explicitly says he cannot change history. Second of all, what is this movie trying to say? At best, it’s “If you’re good enough, ANYTHING you want will come true”. At worst, it’s "Send a letter to a demonic entity and you’ll be able to snap the laws of the universe in half.” It’s genuinely upsetting; a complete, jaw-dropping miscalculation.

The "I can’t believe you actually went there” conclusion should make Dear Santa worth a watch but it doesn’t. The film constantly hints at the success it could’ve been but even if it was tonally consistent, the finale leaves you angry and confused. Not in a “What happened?” kind of way; in a “What were they thinking?” kind of way. Again, I feel like I’m making it sound like this is so bad you’ve got to see it for yourself, but it’s merely a letdown. (December 6, 2024)

[badmovieihave]

Bad movie I have Pearl Harbor 2001

[alexzalben]

OUR FLAG MEANS DEATH RETURNS ON OCTOBER 5

OUR FLAG MEANS DEATH returns for Season 2 on October 5, with three new episodes. Max will stream two new episodes a week until the season finale on October 26.

Teaser trailer, key art, and more info below!

The eight-episode second season of the Max Original comedy series OUR FLAG MEANS DEATH, from creator-showrunner David Jenkins, Emmy®-nominated executive producer and star Taika Waititi, and Emmy®-nominated executive producer Garrett Basch, debuts with three episodes THURSDAY, OCTOBER 5 on Max. The season continues with two new episodes weekly leading up to the season finale on Thursday, October 26.  

Season 2 logline: OUR FLAG MEANS DEATH is based (very) loosely on the true adventures of 18th century would-be pirate Stede Bonnet (Rhys Darby). After trading the seemingly charmed life of a gentleman for one of a swashbuckling buccaneer, Stede became captain of the pirate ship Revenge. Struggling to earn the respect of his potentially mutinous crew, Stede’s fortunes changed after a fateful run-in with the infamous Captain Blackbeard (Taika Waititi). To their surprise, the wildly different Stede and Blackbeard found more than friendship on the high seas…they found love. Now, they have to survive it.  

Season 2 cast: In addition to Darby and Waititi, season two stars returning cast members Samson Kayo, Vico Ortiz, Ewen Bremner, Joel Fry, Matthew Maher, Kristian Nairn, Con O’Neill, David Fane, Samba Schutte, Nat Faxon, and Leslie Jones. New additions joining the ensemble cast include recurring guest stars Ruibo Qian, Madeleine Sami, Anapela Polataivao, and Erroll Shand, and guest stars Minnie Driver and Bronson Pinchot.  

Season 2 credits: OUR FLAG MEANS DEATH is executive produced by Academy Award® winner Taika Waititi, alongside creator-showrunner David Jenkins. In addition to his duties as showrunner, Jenkins directed the first two episodes of season two. Garrett Basch, Dan Halsted, Adam Stein, and Antoine Douaihy also serve as executive producers. Season two was filmed in Auckland, New Zealand.

[scotianostra]

Musician Musician Graeme Hunter Kelling passed away on June 10th 2014 in Glasgow.

Graeme was the original guitarist with Deacon Blue..

Born in Paisley, and brought up in Mount Vernon in the East End of Glasgow, Kelling always had a passion for music. A self-taught guitarist, he joined his first band, Tune Cookies, in the early 1980s. Kelling developed his technique while working as a session musician. He performed with numerous groups before auditioning for Deacon Blue in 1986.

Deacon Blue became one of Scotland’s biggest acts in the late 1980s and early 1990s. Taking its name from a Steely Dan song, the band consisted of Kelling, Ricky Ross, Lorraine McIntosh, Dougie Vipond, Jim Prime and Ewen Vernal. Deacon Blue had numerous chart hits like “Dignity,” “Fergus Sings the Blues” and “Real Gone Kid,” before breaking up in 1994.

The group reunited five years later and released the album, “Walking Back Home.” In the interim, Kelling wrote and produced theme music for television as well as running his own recording studio. He also wrote restaurant reviews and contributed to Scotland The Best, a travel almanac compiled by Peter Irvine.

Deacon Blue did a reunion gig in 1999 and this led on to a new album, Kelling was diagnosed with pancreatic cancer but continued on with the band.

Graeme dealt with his illness with dignity, courage and characteristic dry humour. Friends will recall his passion for life, his sensitivity to others, his capacity to give and receive love and his devotion to his family, who brought him such joy.

Graeme’s final appearance with Deacon Blue took place on March 26 2004 at the Glasgow Academy, he passed away on June 10th same year, he was aged 47.

Rather than pick a song of my choice as I normally do I thought it more fitting to post the bands own tribute to him in 2014 , the lyric for the song is lovely and certainl shows how he was appreciated and loved.......

I was hoping you’d come back I was looking for a chance To gather up some photographs and laughs To give to you So I drove the long road back Just to hear one last remark Or maybe just an old gag Like “they always get the fat guy in the end.” In the end In the end Sun goes down And the stars come out And the world keeps on turning In the end I know you couldn’t see But I was there to watch you sleep And I figured out Jesus was wanting you more You’d told me what was bad And told me if I was good At last, too Late I understood Cause they’ll always Leave the loser And they always pick a winner Cause they always take the good guy In the end In the end Sun goes down And the stars come out And the world keeps on turning In the end

[emarasmoak]

Rollacoaster catches up with face of Halbrand and The Lord Of The Rings: The Rings Of Power, Charlie Vickers

Shedding the mystery of his character, The Lord Of The Rings: The Rings Of Power's Charlie Vickers talks on playing Halbrand, the pressures of his craft and what can we expect next from the Middle Earth star.

Nice interview with some great photos 🔥😍

This year’s hotly-anticipated return to Middle Earth saw a staggering quarter of a million viewers settle in for an Orc-infested ride into all things mythical, with 30-year-old actor, Charlie Vickers, leading the foray. Introducing Hollywood’s newest name, assuming the role of Halbrand, the lost king of the fictional Southlands.

After several auditions – seven, to be exact – and months perfecting the Middle Earth common tongue, the Australian actor wasted no time in syphoning the armour of the cunning character. Vickers might be worlds apart from Halbrand’s machiavellian self (spoiler alert: later to be revealed as Sauron), it’s not Vickers’ first rodeo fabricated a character far from his day-to-day life, playing Guglielmo Pazzi in Medici: Masters of Florence as well as Dan in Palm Beach. Sizing up a plentiful roster, the rising star reflects on the pressure that came with signing onto the major movie franchise and setting his heights high for what comes next.

CATY PENZA: Before we start talking about all things Lord of the Rings, can you tell us a little bit about how you got into acting? What has your journey been like?

CHARLIE VICKERS: I never really considered acting as a possibility at first because I didn’t believe it would be a successful career for me. It wasn't until a couple of years into me studying at university that I realised maybe I could have a go at acting because I didn’t feel any passion towards what I was doing. So I flew to Sydney and auditioned for a drama school and got selected. That’s kind of where everything started unfolding.

CP: Growing up, were there any actors you looked up to?

CV: I was in Melbourne and I went to see a production of Richard III and the leading actor was Ewen Leslie. I definitely look up to him, even though I’ve never actually met him, but his performance was a real catalyst for my career. I’d love to tell him that one day.

CP: Hopefully he reads this interview and finds out!

CV: Yes! That would be incredible.

CP: You play Halbrand in The Lord Of The Rings: The Rings Of Power, how did you come about getting cast for the role?

CV: It was a long audition process for me. I auditioned maybe six or seven times over a period of six months. I originally auditioned for another character three times, and then got moved to audition for Halbrand. It was a long process, I even flew to Spain to test shoot with J.A. Bayona, who directs the first two episodes. It was a pretty amazing day and it was the last piece of the puzzle to getting the role.

CP: What was it like switching into the Halbrand persona? Did you have to do or think about anything in particular?

CV: I spent a lot of time researching source material. Because he’s an original character, I wanted Halbrand to fit into that world and make sure he had all the talking elements. Halbrand is also very different to me, so I had to tap into things that I wasn’t necessarily used to tapping into. It was so interesting watching the show and seeing that difference.

CP: What was your reaction like when you saw the show for the first time?

CV: It was pretty amazing. We saw it for the first time as a cast in Los Angeles, with a screening of the first three episodes. It was so overwhelming and incredible to see the scope of the show and all my friends performing.

CP: Given The Lord Of The Rings’ hugely loyal fandom, were you at any point nervous about taking on a role in this spinoff show?

CV: Obviously there is a huge amount of pressure and expectations that come with being a part of a world that is so important to so many people, but that’s almost a good thing. Signing onto the show though, there was no hesitation. I didn’t know the full ins and outs of what I was signing onto, but there was still no doubt I wanted to be a part of it.

CP: And how has your life changed since the show’s release?

CV: I don’t go out into very busy settings that much, but, the few times I have been, I have been recognised and everyone has been very kind so I guess in that sense it has changed. But besides that, I tend to lead a quiet life so it hasn’t changed that much.

CP: Speaking of which, what does an average day in the life of Charlie Vickers look like?

CV: My work days and my days off are very different. On a work day, I’ll be picked up very early in the morning and I’ll film all day. But on a day off, I need sleep. Minimum nine hours. I do some exercise when I get up, have lunch and then just sit at my laptop and do some work. I also spend some time with friends and family and if I’m by the coast I’ll also go for a surf, but if I’m in London then I just try and do something fun for the day.

CP: You definitely cannot surf in London.

CV: There is a wave pool I think! But right now it’s limited, yeah.

CP: Where do you envision yourself as an actor in 10 years time?

CV: Working on a project of this magnitude has been amazing, but it’s also given me the desire to work on things completely different in the future. Smaller projects, like independent films or mini-series. I always look for new adventures in my work and I’m open to them in whatever form they may come.

CP: Finally, is anything else currently in the works?

CV: I filmed a mini-series in Australia based on the novel by Holly Ringland titled The Lost Flowers of Alice Hart. It’s a story about female resilience and generational trauma. I play the father. It’s a spectacular story and it will hopefully come out next year.

[sofya-fanfics]

Je t’ai toujours aimé

Fandom : Spy x Family

Relationship : Damian x Anya

Voici ma participation pour le Flufftober 2023 pour le prompt : « Attends, tu m’aimes ? » « Je t’ai toujours aimé. »

J’espère que ça vous plaira.

Résumé : Damian était assis seul au fond de la salle et remuait nerveusement sa jambe de plus en plus. Il en avait assez. Il voulait partir et broyer du noir. Mais Anya avait insisté pour qu'il soit là et il n'avait pas pu refuser. Ils venaient d'obtenir leur diplôme et Becky voulait fêter cela en organisant une fête. Toute leur classe était présente. En particulier James, pensa Damian en fronçant les sourcils. Ce garçon l’énervait au plus haut point. En particulier lorsqu’il se montrait trop proche d’Anya.

Disclaimer : Spy x Family appartient à Tatsuya Endo.

@flufftober

AO3 / FF.NET

Damian était assis seul au fond de la salle et remuait nerveusement sa jambe de plus en plus. Il en avait assez. Il voulait partir et broyer du noir. Mais Anya avait insisté pour qu'il soit là et il n'avait pas pu refuser. Ils venaient d'obtenir leur diplôme. Après toutes ces années à l'académie Eden, ils étaient enfin diplômés et Becky voulait fêter cela en organisant une fête. Toute leur classe était présente. En particulier James, pensa Damian en fronçant les sourcils.

Ce garçon l’énervait au plus haut point. En particulier lorsqu’il se montrait trop proche d’Anya. Lors de leurs premières années à l’académie, Damian n’avait jamais vraiment fait attention à lui. Ils étaient dans la même classe, mais ils ne s’étaient jamais véritablement parlés.

Un jour, alors qu’ils avaient douze ans, James et Anya s’étaient retrouvés en binôme pour un exposé. Cela les avaient rapproché. Ils parlaient, ils riaient, ils passaient leur temps libre ensemble. Bien sûr, Becky était toujours avec eux, mais Damian était bien trop jaloux pour la remarquer. Même à ce moment précis, ils étaient ensemble, entrain de rire. Ewen et Emile se mirent devant lui, lui bloquant la vue d’Anya et de James.

« Damian, pourquoi tu restes tout seul ? Demanda Ewen.

-On est diplômé ! Viens t’amuser ! Continua Emile. »

Tous deux affichaient un immense sourire et ils voulaient que leur meilleur ami profite de la soirée. C’est vrai qu’il était diplômé et c’est vrai qu’il devait fêter cela. Pourtant, il avait cette boule à l’estomac qui l’empêchait de s’amuser. Mais ce n’était pas parce qu’il était de mauvaise humeur qu’il devait gâcher la fête de ses amis. Il se leva soudainement.

« Je vais y aller, dit-il. »

Il se dirigea vers la sortie, ignorant ses deux amis qui lui demandaient de rester. Il sortit et l’air frais le saisit. Il pouvait sentir la différence de température comparée à la chaleur qui régnait à l’intérieur. Peut-être qu’un peu d’air frais l’aiderait à calmer ses nerfs.

« Damian ! »

Il sentit son cœur s’accélérer. Anya ? Qu’est-ce qu’elle faisait là ?

« Est-ce que tout va bien ? Demanda-t-elle. Tu es parti tellement vite.

-Ça va, répondit-il en feignant l’indifférence. »

De toute façon, pensa-t-il, comment pouvait-elle savoir s’il allait bien où pas, puisqu’elle passait tout son temps collée à James. Anya écarquilla les yeux comme si elle était surprise. Est-ce qu’il lui avait répondu trop brusquement sans s’en rendre compte ? Il voulut s’excuser, mais Anya le coupa.

« Pourquoi est-ce que tu n’aimes pas James ? »

Pendant une seconde, Damian ne sut quoi répondre. Il s’attendait à tout, sauf à ça.

« Qu’est-ce qui te fait dire ça ? Réussit-il à demander.

-Tu n’es pas très gentil avec lui. Même si tu n’es pas toujours très gentil avec tout le monde. »

Damian grimaça en repesant à la manière dont il avait traité Anya quand ils étaient enfants. Mais elle ne lui en avait jamais voulu et était devenue son amie.

« Avec James, c’est différent, continua Anya. Je vois bien que tu ne l’aimes pas. Si tu apprenais à le connaître... »

Damian leva les yeux au ciel. Elle voulait qu’il devienne ami avec James, mais c’était quelque chose qu’il refusait.

« Tu verras qu’il est très gentil.

-Laisse tomber Anya.

-Je suis sûre que vous pourriez devenir ami.

-Je t’ai dit de laisser tomber ! »

Pourquoi est-ce qu’elle insistait comme cela ? Pourquoi est-ce qu’elle ne comprenait pas qu’il ne voulait pas devenir ami avec James ? Pourquoi est-ce qu’elle ne voulait pas voir ce qu’il ressentait ? Il sentait la colère et la tristesse monter en lui. Il porta sa main à sa poitrine et serra le poing, espérant faire passer la douleur. S’il devenait ami avec James, il devrait supporter de le voir avec Anya et cela lui était impossible.

« Pourquoi est-ce que tu réagis comme ça ?

-Anya, arrête.

-Aide-moi à comprendre.

-Parce que je t’aime ! »

Le silence s’installa entre eux. Les mots de Damian résonnèrent dans leurs oreilles. Il avait l’impression que son cœur allait exploser. Il n’aurait jamais cru lui avouer qu’il l’aimait de cette façon. Anya le regardait, surprise. Elle ouvrit et ferma la bouche plusieurs fois, avant de dire :

« Attends, tu m’aimes ? »

Damian soupira et s’ébouriffa les cheveux. Cela ne servait plus à rien de le cacher.

« Je t’ai toujours aimé. »

Étrangement, il se sentait bien. Bien sûr, il avait peur de sa réaction, mais il se sentait aussi libéré de lui avoir avoué ses sentiments. Même s’il aurait voulu que les choses soient différentes et qu’il ne lui ait pas dit qu’il l’aimait à cause de sa jalousie envers James. Il observa Anya qui était perdue dans ses pensées. Il l’entendit marmonner :

« Je comprends mieux ce qu’il y avait dans tes pensées.

-Quoi ? »

Anya revint à la réalité et écarquilla les yeux, comme si elle avait été prise la main dans le sac. Ce n’était pas la première fois qu’elle agissait ainsi, pensa Damian.

« Rien, répondit-elle.

-Tu n’es pas obligé de me répondre quoi que se soit.

-Pourquoi est-ce que tu ne me l’as jamais dit ?

-La peur d’être rejeté, de te perdre et que les choses soient différentes entre nous.

-C’est pour ça que tu étais jaloux de James ? »

Il fallait encore qu’elle parle de lui. Comme si elle savait à quoi il pensait, elle lui prit la main pour le rassurer.

« Tu n’as pas à être jaloux de lui. C’est mon ami, comme Becky. Et même si tu es aussi mon ami, ce que je ressens pour toi est différent de ce que je ressens pour Becky ou James. »

Elle rougit et sa main trembla légèrement. C’était la première fois que Damian la voyait ainsi. Il se demanda si elle aussi ressentait la même chose que lui. Il sentit l’espoir monter en lui. Il lui serra la main, espérant lui transmettre ce qu’il pouvait ressentir. Sans à ce qu’il ne s’y attende, Anya se mit sur la pointe des pieds et posa ses lèvres sur les siennes. Cela n’avait duré qu’une seconde, mais pour Damian, cela avait été la plus belle seconde. Anya s’écarta légèrement.

« Je t’aime aussi. »

Elle l’embrassa à nouveau et Damian répondit à son baiser. Il passa timidement ses bras autour d’elle et la serra contre lui. Plus rien ne comptait à part Anya. Il l’aimait et elle venait de lui avouer qu’elle l’aimait aussi et c’était tout ce qui importait.

Fin

[diceriadelluntore]

Storia Di Musica #291 - Deacon Blue, Raintown, 1987

Lo spunto per le storie settembrine me lo ha dato un aneddoto simpatico sugli Steely Dan, protagonisti dell'ultima storia di Agosto. Una delle loro canzoni più famose, Deacon Blues, da Aja (il loro capolavoro del 1977) fece un viaggio emozionale fino in Scozia, dove un giovane ragazzo si appassionava alla musica, soprattutto a quel pop così sofisticato, pieno di stratificazioni sonore, piccoli gioielli musicali incastonati nelle melodie, e immensa classe esecutiva. Ricky Ross si chiama quel giovane ragazzo, che dopo che a Dundee viene licenziato da professore precario delle scuole secondarie, si trasferisce a Glasgow, dove decidere di mettere su un gruppo. Prima trova il batterista, Dougie Vipond, poi un bravissimo pianista, James Prime, un chitarrista, Graeme Kelling, e una corista, Carol Moore. Le prime esibizioni sono incoraggianti, ma la Moore decide di mettersi da parte. Ross si ricorda che aveva sentito ad un provino, improvvisato in Bath Street, una ragazza che lascia il suo indirizzo, ma non il suo numero di telefono. E la storia vuole che fu lo stesso Ross ad arrivare sulla Great Western Road di Glasgow per chiedere a Lorraine McIntosh di unirsi al gruppo. E c'è la ciliegina sulla torna: durante uno delle prime serata acclamati dal pubblico, Dougie Vipond leggermente brillo incontrò Ewen Vernal, bassista, nel bagno di un locale e gli chiese di unirsi al gruppo. Il nome per la band è quello che Ross ha in testa da anni: Deacon Blue, e siamo nel 1985. Glasgow in quegli anni è una città in piena trasformazione sociale, anche con profonde fratture socio economiche (per farsi un'idea, suggerisco i romanzi di Douglas Stuart) ma dal punto di vista musicale sarà la capitale scozzese della musica. Tanto che un giornalista del Glasgow Herald, John Williamson, decise di produrre una cassetta in allegato alle pagine culturali del giornale con tutte le promesse della musica cittadina di quel periodo: ci sono futuri gruppi e artisti molto famosi come i Wet Wet Wet, Kevin McDermott, Hue and Cry e i Deacon Blue, che contribuiscono con Take The Saints Away.

Dopo questa esperienza, sono pronti ad andare in studio, insieme a Jon Kelly, capo ingegnere del suono agli Air Studios di Londra. Ross ha in mente una sorta di concept album su Glasgow, che ne racconti le sfumature più varie. Raintown, pubblicato nel 1987, si presenta con una meravigliosa foto in bianco e nero di Oscar Marziaroli, italo scozzese futuro acclamato fotografo, che ferma una città avvolta nella perenne pioggerellina con sullo sfondo uno dei simboli della città, la Finnieston Crane, una gigantesca gru portuale, ormai non operativa, simbolo dell'industriosità degli abitanti, proprio all'imbocco del porto cittadino. Dal punto di vista musicale, seppur si parte dall'idea di pop sofisticato del mitico duo da cui prendono il nome, i Deacon Blue mischiano il lirismo vocale e le atmosfere uniche di Van Morrison, un canto-racconto degno del primo Springsteen e un'eleganza che ha una sua totale particolarità. Il disco ha un andamento ondeggiante tra brani calmi e riflessivi e quelli più incalzanti: l'inizio è davvero suggestivo, con Born In The Storm che come una nebbia si dirada e sfuma in Raintown, canzone che è profondamente legata all'esperienza di Ross, con versi che dicono "Waiting for the phone to ring to make me all I am.\You're in the suburbs waiting for somewhere to go\I'm down here working on some dumb show\In a raintown" che raccontano l'inizio di tutta la storia. Ross scrive del rapporto con il business musicale nella bella Ragman e nell'altrettanto suggestiva Loaded, scritta di getto come un flusso di coscienza su una base improvvisata dagli altri componenti della band su una cassetta super 8, ed è capace di dipingere affreschi musicali persino drammatici in abiti delicati e affascinanti. He Looks Like Spencer Tracy Now è ispirata ad un pensiero, a che vita avesse fatto l'uomo che sganciò la bomba atomica su Hiroshima: tra incontri particolari ("he may have been with Oppenheimer, shaken Einstein's hand\Did we have to drop the bomb? You bet, to save this land\He was only taking pictures around the critical mass\While the troops on Tinian island sang 'Follow the bouncing ball') e cosa potrebbe essere oggi (He may have been a nationalist, a physicist or a pacifist (...) Well, I have seen that movie of Dr. Jeckyll and Mr. Hyde\And I know he looks like Spencer Tracy Now). When Will You (Make My Telephone Ring) ha ai cori il famoso gruppo R&B londinese dei Londonbeat. Alto livello è anche Chocolate Girl, che racconta di un tipo anaffettivo, un certo Alan, ricco e spendaccione, "He calls her the chocolate girl\Cause he thinks she melts when he touches her\She knows she's the chocolate girl\Cause she's broken up and swallowed\And wrapped in bits of silver". Ma il capoavoro è Dignity: ritratto di quello spirito scozzese della dignità del lavoro, racconta la storia di un impiegato comunale, probabilmente uno che lavora sulle strade, e che non perde il sorriso nemmeno quando è preso in giro dal ragazzini e che ha un sogno, comprare un gommone, un dinghy, che vuole chiamare Dignity, con cui "I'll sail her up the west coast\Through villages and towns\I'll be on my holidays\They'll be doing their rounds\They'll ask me how I got her I'll say, "I saved my money"\They'll say, "Isn't she pretty? That ship called Dignity". In Love's Great Fears, liricissima e tutta giocata sul duetto Ross - McIntosh, che diventeranno marito e moglie poco tempo dopo, c'è Chris Rea alla chitarra.

Il disco, per le qualità musicali, per la scelta azzeccata dei singoli e per la sua atmosfera sofisticata, che quasi inventerà un genere, ha un successo clamoroso: arriva fino al numero 14 nella classifica dei dischi più venduti, rimane in classifica un anno e mezzo e vende oltre un milione di copie. La band continuerà a scrivere belle cose, e il successivo When The World Knows Your Name del 1989 arriva persino al numero 1 in UK e contiene la loro canzone più famosa, Real Gone Kid, facendo divenire sogno il successo che un ragazzo scozzese aveva immaginato sentendo una canzone, Deacon Blues, che parla di nerds and losers, secondo le famose parole di commento di Donald Fagen. Dedicherò il mese di settembre a gruppi scozzese degli anni '80, che è un periodo storico e una zona geografica che ha regalato cosine niente affatto male alla storia della musica.

[londonspirit]

The eight-episode second season of the Max Original comedy series OUR FLAG MEANS DEATH,from creator-showrunner David Jenkins, Emmy®-nominated executive producer and star Taika Waititi, and Emmy®-nominated executive producer Garrett Basch, debuts with three episodes THURSDAY, OCTOBER 5 on Max. The season continues with two new episodes weekly leading up to the season finale on Thursday, October 26.

Season 2 logline: OUR FLAG MEANS DEATH is based (very) loosely on the true adventures of 18th century would-be pirate Stede Bonnet (Rhys Darby). After trading the seemingly charmed life of a gentleman for one of a swashbuckling buccaneer, Stede became captain of the pirate ship Revenge. Struggling to earn the respect of his potentially mutinous crew, Stede’s fortunes changed after a fateful run-in with the infamous Captain Blackbeard (Taika Waititi). To their surprise, the wildly different Stede and Blackbeard found more than friendship on the high seas…they found love. Now, they have to survive it.

Season 2 cast: In addition to Darby and Waititi, season two stars returning cast members Samson Kayo, Vico Ortiz, Ewen Bremner, Joel Fry, Matthew Maher, Kristian Nairn, Con O’Neill, David Fane, Samba Schutte, Nat Faxon, and Leslie Jones. New additions joining the ensemble cast include recurring guest stars Ruibo Qian, Madeleine Sami, Anapela Polataivao, and Erroll Shand, and guest stars Minnie Driver and Bronson Pinchot.

Season 2 credits: OUR FLAG MEANS DEATH is executive produced by Academy Award® winner Taika Waititi, alongside creator-showrunner David Jenkins. In addition to his duties as showrunner, Jenkins directed the first two episodes of season two. Garrett Basch, Dan Halsted, Adam Stein, and Antoine Douaihy also serve as executive producers. Season two was filmed in Auckland, New Zealand.

[yokalinski]

"THE MONKEY KING" END CREDITS (Golden Wolf)

PRODUCTION

Creative Director Ewen Stenhouse Supervising Producer Tan Jones Supervising Producer Dotti Sinnott Production Manager Lucy Caetano Production Assistant Danielle Bordelon Talent Director Henry Purrington

DESIGN Design Mikhail Kalinin Design Simon Leclerc Design Yujia Wang Colour Script Dan Burgess Lap Pun Cheung Layouts Gaia Lamiot ANIMATION

Animation Lead Maxime Delalande Animation Charles Badiller Animation Stephanie Mercier Animation Diego Porral Animation Mourad Elias Seddiki Animation Kensei Thomas Animation Alain Vu Animation Tim Whiting Animation Clean Up Jennifer Belobi Animation Clean Up Eric Bradford Animation Clean Up Thomas Eide Animation Clean Up Myra Hild Animation Clean Up Mila Obelleiro Technical Director / Compositing Lead Ian Pinder Compositing Stefan Ahmad Compositing Karl Fekete Compositing Gabrielle Locre Compositing Laurence Parsons Compositing Thomas Purrington Compositing John Taylor

[ptbf2002]

My Top 10 Favorite Nickelodeon Movies

#10 The Rugrats Movie

#9 Rugrats In Paris: The Movie

#8 Rugrats Go Wild

#7 Playing With Fire

#6 The Adventures Of Tintin

#5 Yours Mine And Ours

#4 Teenage Mutant Ninja Turtles: Mutant Mayhem

#3 The SpongeBob Movie: Sponge on the Run

#2 The Loud House Movie

And #1 The SpongeBob SquarePants Movie

Original Template: https://www.deviantart.com/jackskellington416/art/My-Top-10-Favorite-Nickelodeon-Films-852482372

The Rugrats Movie Belongs To Arlene Klasky, Gábor Csupó, Paul Germain, David N. Weiss, J. David Stem, Animagic Studio, Anivision Corporation, Sunwoo & Company Co., Ltd. Class-Key Chew-Po Commercials, Grimsaem Animation Co. Ltd. Klasky-Csupo, Inc. United International Pictures, Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

Rugrats in Paris: The Movie Belongs To Arlene Klasky, Gábor Csupó, Paul Germain, J. David Stem, David N. Weiss, Jill Gorey, Barbara Herndon, Kate Boutilier, Grimsaem Animation Co. Ltd. Koko Enterprises Ltd. Seoul Movie, Sunwoo Digital International, Sunwoo & Company Co., Ltd. Tama Production, Wang Film Productions Co., Ltd. Yowza! Animation, MFP Munich Film Partners GmbH & Company I. Produktions KG, Rugrats Production K.G. Klasky-Csupo, Inc. United International Pictures, Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

Rugrats Go Wild Belongs To Arlene Klasky, Gábor Csupó, Paul Germain, Steve Pepoon, David Silverman, Stephen Sustarsic, DongWoo Animation Co. Ltd. Lotto Animation, Inc. Sunwoo & Company, Co., Ltd. Klasky-Csupo, Inc. Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

Playing with Fire (2019 film) Belongs To Dan Ewen, Matt Lieberman, Broken Road Productions, Walden Media, LLC, Anschutz Entertainment Group, Inc. Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

The Adventures of Tintin (film) Belongs To Hergé, Steven Moffat, Edgar Wright, Joe Cornish, Casterman, Les Éditions du Lombard, Egmont International Holding A/S, Little, Brown and Company, Hemisphere Media Capital, The Kennedy/Marshall Company, WingNut Films Productions Ltd. Amblin Entertainment, Inc. Amblin Partners, LLC. Columbia Pictures Industries, Inc. Sony Pictures Releasing, Sony Pictures Entertainment Motion Picture Group, Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

Yours, Mine & Ours (2005 film) Belongs To Mort Lachman, Melville Shavelson, Bob Carroll Jr. Madelyn Davis, Ron Burch, David Kidd, Robert Simonds Productions, Metro-Goldwyn-Mayer Studios, Inc. MGM Holdings, Inc. Amazon MGM Studios, Amazon.com, Inc. Columbia Pictures Industries, Inc. Sony Pictures Releasing, Sony Pictures Entertainment Motion Picture Group, Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

Teenage Mutant Ninja Turtles: Mutant Mayhem Belongs To Peter Laird, Kevin Eastman, Brendan O'Brien, Seth Rogen, Evan Goldberg, Jeff Rowe, Dan Hernandez, Benji Samit, Mikros Animation, Technicolor Creative Studios S.A. Vantiva S.A. Cinesite, Mirage Studios, Point Grey Pictures, Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

The Spongebob Movie: Sponge On The Run Belongs To Stephen Hillenburg, Tim Hill, Jonathan Aibel, Glenn Berger, Mikros Animation, Technicolor Creative Studios S.A. Vantiva S.A. MRC, United Plankton Pictures Inc. Nickelodeon Movies, Paramount Animation, Paramount Players, Paramount Pictures Corporation, And Paramount Global

The Loud House Movie Belongs To Chris Savino Kevin Sullivan, Chris Viscardi, Top Draw Animation, Inc. Jam Filled Entertainment, Boat Rocker Media Inc. Nickelodeon Animation Studio, Nickelodeon Movies, Nickelodeon Group, Paramount Players, Paramount Home Entertainment, Paramount Pictures Corporation, Paramount Global, And Netflix, Inc.

The SpongeBob SquarePants Movie Belongs To Derek Drymon, Tim Hill, Stephen Hillenburg, Kent Osborne, Aaron Springer, Paul Tibbitt, Rough Draft Studios, Inc. Rough Draft Korea Co, Ltd. Toon Boom Animation Inc. United Plankton Pictures Inc. United International Pictures, Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

[aboutanimation]

MOONBIRDS - Rise of the Mythics from Golden Wolf on Vimeo.

What’s that? You really wish the world had more animated owl-based sacrificial adventure content? Well sometimes dreams really do come true as we present you with the next exciting chapter in the Moonbirds saga "Rise of the Mythics".

Delving deeper into Moonbirds lore, we bear witness to an ancient ceremony from which a new legend will be awakened. Long live the Mythics!

As ever, it was an absolute pleasure collaborating with our friends at PROOF Collective to bring this story to life.

Client: Proof / Moonbirds

Golden Wolf Executive Creative Director: Ingi Erlingsson Executive Producer: Tan Jones Creative Director: Ewen Stenhouse Head of Production: Heidi Stephenson Talent Director: Henry Purrington Art Director: Dan Burgess Producer: Clara Etcheverry Production Manager: Lucy Caetano Production Coordinator: Alex Young Resource Coordinator: Beatriz Rodrigues Storyboard: James Nguyen Designers: Julien Becquer, Tiago Calliari, Alice Tagliapietra, Cecilia Petrucci, Cendan Claiborne, Thibaut Denise, Pablo Hidalgo 3D Lead: Thomas Purrington FX Design: Kensei Thomas, Alice Tagliapietra 2D Lead: Olivier Lescot 2D Animation: Rohit Kelkar, Rory Byrne, Henrik Søenniksen, Ian Chan FX Animation: Kensei Thomas CU Animation: Natalia Bedrossian, Ian Chan Compositing TD: Ian Pinder Compositing Lead: John Taylor Compositors: John Wilkinson, Michael Müller Sound & Music Design: Take Your Medicine

Additional Clean up: Pudoctopus

goldenwolf.tv/

[celtfather]

Thankfully, There's You and Celtic Music #687

Happy Thanksgiving from the Irish & Celtic Music Podcast #687 . Subscribe now!

Socks in the Frying Pan, Conor Lamb, Brendan Mulholland & Deirdre Galway, Cherish The Ladies, Ewen Henderson, Irishtown Road, Adam Agee & Jon Sousa, Jesse Ferguson, Alexis Chartrand & Nicolas Babineau, Emerald Accent, Jimmy & Scots Folk Band, Maggie’s Wake, Charlie Rutan, RIver Drivers, The Langer's Ball

GET CELTIC MUSIC NEWS IN YOUR INBOX

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VOTE IN THE CELTIC TOP 20 FOR 2024

This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create next year's Best Celtic music of 2024 episode. You have just three weeks to vote this year. Vote Now!

You can follow our playlist on Spotify to listen to those top voted tracks as they are added every 2 - 3 weeks. It also makes it easier for you to add these artists to your own playlists. You can also check out our Irish & Celtic Music Videos.

THIS WEEK IN CELTIC MUSIC

0:07 - Socks in the Frying Pan "Jam Making" from Waiting for Inspiration

3:26 - WELCOME

6:02 - Conor Lamb, Brendan Mulholland & Deirdre Galway "Clifford's (slides)" from Music in the Glen

9:06 - Cherish The Ladies "12 Ambletown (feat. The Ennis Sisters)" from Heart of the Home

12:57 - Ewen Henderson "Coire Gabhail" from Lèirsinn  -  Perception

17:07 - Irishtown Road "Our Lad Dan" from On the One Road

18:52 - FEEDBACK

23:02 - Adam Agee & Jon Sousa "Farewell to Glasgow / Maud Millar / The Long Drop / John

Naughton’s / The Laccaroe / The Easy Club" from Suantraí

31:17 - Jesse Ferguson "Two Magicians" from Ten

35:36 - Alexis Chartrand & Nicolas Babineau "Soucy" from Écoutez tous

39:11 - Emerald Accent "Star of the County Down" from All of Us

43:32 - THANKS

46:28 - Jimmy & Scots Folk Band "FOLLOW ME UP TO CARLOW_Swallowtail Jig" from The Viking Irishman

49:16 - Maggie’s Wake "Grosse Isle (Far Away)" from Maggie’s Wake

52:38 - Charlie Rutan "Raggle Taggle Gypsies, O (feat. Sylvia Platypus)" from Urban Village Piping

55:40 - RIver Drivers "PAT WORKS ON THE RAILWAY" from Live at SteelStacks

58:21 - CLOSING

59:45 - The Langer's Ball "It Feels Good" from Hold Tight

1:02:29 - CREDITS

The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You’ll find links to all of the artists played in this episode.

Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you’ll get 7 weekly news items about what’s happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage.

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Finally, remember. Reduce, reuse, recycle, and talk with others about climate change. This is the only way we will make a significant change to climate policies. So start a discussion with someone today.

Promote Celtic culture through music at http://celticmusicpodcast.com/.

WELCOME THE IRISH & CELTIC MUSIC PODCAST

* Helping you celebrate Celtic culture through music. I am Marc Gunn.

This podcast is for fans of Celtic music. Not just the big names you’ve probably heard of. But also the Celtic bands in your neck of the woods, at your festivals.

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You are amazing. It is because of your generosity that you get to hear so much great Celtic music each and every week.

Your kindness pays for our engineer, graphic designer, Celtic Music Magazine editor, promotion of the podcast, and allows me to buy the music I play here. It also pays for my time creating the show each and every week.

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A special thanks to our Celtic Legends: Bruce, Brian McReynolds, Marti Meyers, Alan Schindler, Karen DM Harris, Emma Bartholomew, Dan mcDade, Miranda Nelson, Nancie Barnett, Kevin Long, Gary R Hook, Lynda MacNeil, Kelly Garrod, Mike Schock, Annie Lorkowski, Shawn Cali

Patreon made a big change recently. You no longer make a pledge per episode of the podcast. Instead, you can make one set, solid pledge per month.

HERE IS YOUR ALL  -  NEW THREE STEP PLAN TO SUPPORT THE PODCAST

Go to our Patreon page.

Decide how much you want to pledge per month, $3, $5, $15, $25.

Keep listening to the Irish & Celtic Music Podcast to celebrate Celtic culture through music.

You can become a generous Patron of the Podcast on Patreon at SongHenge.com.

TRAVEL WITH CELTIC INVASION VACATIONS

Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through its culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos. Learn more about the invasion at http://celticinvasion.com/

#celticmusic #irishmusic #celticmusicpodcast

I WANT YOUR FEEDBACK

What are you doing today while listening to the podcast? Please email me. I’d love to see a  picture of what you're doing while listening. Is there a new Celtic CD or Celtic band that you heard of or saw?

Email me at follow@bestcelticmusic.

Yoje emailed on Patreon: "Greetings! After listening to the podcast almost a year, I finally got around to subscribing on Patreon  -  apologies it took so long. Though I noticed that with the RSS feed, I no longer get any of the podcast/album art when playing, which is especially noticeable since I listen to it regularly on my commute and my car screen shows a big generic musical note instead of the artwork! Any ideas what I may be doing wrong? Thanks again for an awesome podcast!"

Darren Mahoney commented on a Patreon post: "Would like to see more west coast Irish music content. Sean Daly (Shams), Stout pounders, Coming up three’s, Stark raving plaid, Whiskeydicks we have some great acts out here! 😁"

Charlie O'Brien emailed: "Hey Marc, My name is Charlie O'Brien, I'm a folk singer from Killarney. For the past two years I've been in Argentina researching and singing Irish trad songs printed in a rural paper in Buenos Aires in the late 1800's. Last month I released an album of these ballads "The Trackless Wild, Irish Song of the Pampa" during a Culture Ireland sponsored tour of Argentina with trad. fiddle player Aidan Connolly.

Here's a download link for the album, would be great if ye could give a song or two a spin on your podcast. I think you played songs from a previous album of mine "Hy Brasil" a few years back.  beir bua,"

  Check out this episode!

[detournementsmineurs]

“Le Chien de Baskerville” de Terence Fisher (1958) - d'après le roman éponyme de Sir Arthur Conan Doyle dans la série des “Sherlock Holmes” (1901-02) - avec Peter Cushing, André Morell, Christopher Lee, Francis De Wolff, Marla Landi, Ewen Solon, Miles Malleson, John Le Mesurier et Helen Goss, novembre 2024.

[alexlacquemanne]

Octobre MMXXIV

Films

Quartet (2012) de Dustin Hoffman avec Maggie Smith, Tom Courtenay, Billy Connolly, Pauline Collins, Sheridan Smith, Michael Gambon, Andrew Sachs et Gwyneth Jones

Bob le flambeur (1956) de Jean-Pierre Melville avec Roger Duchesne, Isabelle Corey, Daniel Cauchy, Guy Decomble, Simone Paris, André Garret, Claude Cerval et Colette Fleury

Indian Palace (The Best Exotic Marigold Hotel) (2011) de John Madden avec Judi Dench, Bill Nighy, Tom Wilkinson, Maggie Smith, Celia Imrie, Dev Patel, Ronald Pickup et Penelope Wilton

Grosse Fatigue (1994) de et avec Michel Blanc et aussi Carole Bouquet, Philippe Noiret, Josiane Balasko, Marie-Anne Chazel, Christian Clavier, Guillaume Durand, Charlotte Gainsbourg, David Hallyday, Estelle Lefébure et Gérard Jugnot

L'Air de rien (2012) de Grégory Magne et Stéphane Viard avec Grégory Montel, Fred Scotlande, Céline Milliat-Baumgartner, Michel Delpech, Martine Schambacher, Miossec, Jérôme Huguet, Benoît Belleville et Pauline Moulène

Code Mercury (Mercury Rising) (1998) de Harold Becker avec Bruce Willis, Miko Hughes, Alec Baldwin, Chi McBride, John Carroll Lynch, John Doman, Peter Stormare et Kim Dickens

Le Privé (The Long Goodbye) (1973) de Robert Altman avec Elliott Gould, Nina van Pallandt, Sterling Hayden, Mark Rydell, Henry Gibson, David Arkin, David Carradine et Arnold Schwarzenegger

Mon oncle Benjamin (1969) d'Édouard Molinaro avec Jacques Brel, Claude Jade, Bernard Alane, Paul Frankeur, Rosy Varte, Lyne Chardonnet, Robert Dalban, Bernard Blier et Armand Mestral

Le Tueur triste (1984) de Nicolas Gessner avec Guy Marchand, Edwige Feuillère, Michel Creton, Béatrice Agenin, Franck Olivier Bonnet, Jean Louis Richard, Jacques François, Amélie Gonin et Marcelle Barreau

Indian Palace : Suite royale (The Second Best Exotic Marigold Hotel) (2015) de John Madde avec Judi Dench, Maggie Smith, Bill Nighy, Dev Patel, Celia Imrie, Ronald Pickup, Diana Hardcastle, Richard Gere et Tina Desai

Gremlins 2 : La Nouvelle Gén��ration (Gremlins 2: The New Batch) (1990) de Joe Dante avec Zach Galligan, Phoebe Cates, John Glover, Robert Prosky, Robert Picardo, Christopher Lee, Haviland Morris, Dick Miller, Jackie Joseph et Kathleen Freeman

L’Été meurtrier (1983) de Jean Becker avec Isabelle Adjani, Alain Souchon, Suzanne Flon, Jenny Clève, Maria Machado, Évelyne Didi, Jean Gaven, François Cluzet, Michel Galabru et Roger Carel

Baisers volés (1968) de François Truffaut avec Jean-Pierre Léaud, Claude Jade, Delphine Seyrig, Michael Lonsdale, Harry-Max, André Falcon, Daniel Ceccaldi, Claire Duhamel et Catherine Lutz

Key Largo (1948) de John Huston avec Humphrey Bogart, Lauren Bacall, Edward G. Robinson, Claire Trevor, Lionel Barrymore, Thomas Gomez, Harry Lewis et John Rodney

Soleil rouge (1971) de Terence Young avec Charles Bronson, Ursula Andress, Toshirō Mifune, Alain Delon, Capucine, Bart Barry et Lee Burton

Le Chien des Baskerville (The Hound of the Baskervilles) (1958) de Terence Fisher avec Peter Cushing, André Morell, Christopher Lee, Marla Landi, David Oxley, Francis De Wolff, Miles Malleson et Ewen Solon

L'Arnaque (The Sting) (1973) de George Roy Hill avec Paul Newman, Robert Redford, Robert Shaw, Charles Durning, Ray Walston, Eileen Brennan, Harold Gould, John Heffernan, Dana Elcar et Dimitra Arliss

Au service de Sara (Serving Sara) (2002) de Reginald Hudlin avec Matthew Perry, Elizabeth Hurley, Vincent Pastore, Bruce Campbell, Cedric the Entertainer, Amy Adams et Terry Crews

Tirez sur le pianiste (1960) de François Truffaut avec Charles Aznavour, Marie Dubois, Nicole Berger, Michèle Mercier, Serge Davri, Claude Mansard et Richard Kanayan

Séries

L'été rouge

Episode 1 - Episode 2 - Episode 3 - Episode 4 - Episode 5

Castle Saison 8

M. et Mme Castle - Meurtre a cappella - Témoin-clé - L'Espion qui venait du froid - Huis clos - Le Rêve américain - Escapade à L.A. - Le ver est dans le fruit - Le Cœur ou la Raison - Votre mort est un ordre - Trahisons - L'immortel - Beaucoup de bruit pour un meurtre - La Fin du monde - Tirs croisés

Psych Saison 1, 2, 3

Voyances et Manigances - T-R-I-C-H-E-U-R - Qu'il parle maintenant ou se taise à jamais - Esprit, es-tu là ? - 9 vies - Champ de bataille - La Maison hantée - Shawn chez les super-héros - Souvenirs, souvenirs - La Guerre de l'étoile - Coup de soleil - Avis de meurtre - Jeu, Set et Meurtre - Poker menteur - Esprits féminin - Les Nouvelles Stars - 65 Millions d'années plus tôt - Un médium de trop - Trop facile pour être possible - Petit… mais costaud - Un plat qui se mange froid - Les Petits Génies - Recherche nounous désespérément - Chasseurs de primes - Un mort au pied du sapin - Mariage en sursis - Coups de vieux - Un rôle de composition - Dans le secret de la loge - Fashion victimes - Une nuit au musée - Chasse aux fantômes - La Folle Soirée de Shawn - Le médium qui tombe à pic - La Chasse au trésor - Au pays de l'or noir - Henry les bons tuyaux - Comme sur des roulettes - Haut les mains !

Friends Saison 1, 2, 3

Celui qui avait un singe - Celui qui rêve par procuration - Celui qui a failli rater l'accouchement - Celui qui fait craquer Rachel - Celui qui a une nouvelle fiancée - Celui qui détestait le lait maternel - Celui qui est mort dans l'appart du dessous - Celui qui avait viré de bord - Celui qui se faisait passer pour Bob - Celui qui a oublié un bébé dans le bus - Celui qui tombe des nues - Celui qui a été très maladroit - Celui qui cassait les radiateurs - Celui qui se dédouble - Celui qui n'apprécie pas certains mariages - Celui qui retrouve son singe : première partie - Celui qui retrouve son singe : deuxième partie - Celui qui a failli aller au bal de promo - Celui qui a fait on ne sait quoi avec Rachel - Celui qui vit sa vie - Celui qui remplace celui qui part - Celui qui disparaît de la série - Celui qui ne voulait pas partir - Celui qui se met à parler - Celui qui affronte les voyous - Celui qui faisait le lien - Celui qui attrape la varicelle - Celui qui embrassait mal - Celui qui rêvait de la princesse Leia - Celui qui a du mal à se préparer - Celui qui avait la technique du câlin - Celui qui ne supportait pas les poupées - Celui qui bricolait - Celui qui se souvient - Celui qui était prof et élève - Celui qui avait pris un coup sur la tête - Celui pour qui le foot c'est pas le pied - Celui qui fait démissionner Rachel - Celui qui ne s'y retrouvait plus - Celui qui était très jaloux - Celui qui persiste et signe - Celui que les prothèses ne gênaient pas - Celui qui vivait mal la rupture - Celui qui a survécu au lendemain - Celui qui était laissé pour compte - Celui qui s'auto-hypnotisait

Affaires sensibles

La chute de Nicolas Hulot - Blur vs Oasis : la bataille d'Angleterre - Août 44, La Libération de Paris, Épisode 1/2 : Août 44, des Parisiens en armes - Août 44, La Libération de Paris, Épisode 2/2 : Eté 44, De Gaulle, la marche d’un président - Docteur Petiot, faux résistant, vrai tueur - Hitler l'insaisissable cadavre - Benito Mussolini, un cadavre en cavale - Le mystère des noyés de la Deûle - Les trois de West Memphis - "Naissance d’une nation" : Naissance d’une contestation - Little Rock, neuf lycéens noirs contre la ségrégation - Emmett Till, le lynchage de trop - Marseille 1973, quand le racisme tue en toute impunité - L'argent russe du Front National - Affaire Alstom : la guerre secrète - Le procès de Lady Chatterley - Les survivants de la Cordillère des Andes - "Tcherno-Blaye" : le scénario d'un Tchernobyl français ? - La tour Montparnasse ou la folie des grandeurs en direct des Rendez-vous de l'histoire de Blois - « Sans haine, sans arme, ni violence » : le casse du siècle de Nice - "La Grande Bouffe" ou le festin orgiaque - Taylor Swift, le phénomène total - L’abominable homme des neiges, une rencontre au sommet

Brokenwood Saison 9, 3

Comme chien et chat - En plein cœur - La mariée était en cuir - Le veuf noir

Le Coffre à Catch

#188 : La dernière avec UVA !

Les Brigades du Tigre : « Les Années-Folles » Saison 6

Les Princes de la nuit - Rita et le Caïd - La Grande Duchesse Tatiana - Les Fantômes de Noël - La Fille de l'air - Lacs et Entrelacs

Commissaire Moulin Saison 1

Le Diable aussi a des ailes - Intox - Fausses notes - Les Brebis égarées

Les Simpson Saison 3

Mon pote Michael Jackson - Lisa va à Washington - Le Palais du Gaucher - Le Petit Parrain - Une belle simpsonnerie - Tel père, tel clown - Simpson Horror Show II - Le Poney de Lisa - Un père dans la course - Un cocktail d'enfer - Burns Verkaufen der Kraftwerk - Vive les mariés - Un puits de mensonges - L'Enfer du jeu - Homer au foyer - Bart le tombeur - Homer la foudre - Le Flic et la Rebelle - Chienne de vie - Imprésario de mon cœur - La Veuve noire - Le Permis d'Otto Bus - Séparés par l'amour - Le Retour du frère prodigue

Belphégor ou le Fantôme du Louvre

Le Louvre - Le secret du Louvre

Nestor Burma saison 6

Panique à Saint-Patrick - Atout cœur

Rematch

Episode 1 - Episode 2 - Episode 3 - Episode 4 - Episode 5 - Episode 6

Brooklyn Nine-Nine Saison 1, 2, 3, 4, 5

Halloween - Halloween II - Halloween III - Halloween IV - Halloween V

Le tribunal de l'impossible

La Bête du Gévaudan

Spectacles

Pink Floyd: Live at Pompeii, Director's Cut (1972) d'Adrian Maben

Chers parents (2024) de Emmanuel Patron & Armelle Patron avec Elise Diamant, Bernard Alane, Emmanuel Patron, Rudy Milstein et Frédérique Tirmont

Stevie Wonder: Live at Last (2008)

R.E.M : Perfect Square (2004)

Bénabar : la tournée des indociles (2022)

Le Chien des Baskerville (1974) de Jean Marcillac avec Raymond Gerome, André Haber, Christian Alers, Jean Pierre Gernez, Bernard Musson, Christiane Moinet, Pierre Hatet, Colette Teissedre, Robert Bazil, Liliane Patrick et Jean Jacques Steen

Livres

Putzi de Thomas Snégaroff

Kaamelott, tome 10 : Karadoc et l'Icosaèdre d'Alexandre Astier et Steven Dupré

Lucky Luke, tome 28 : Le Pony Express de Morris, Xavier Fauche et Jean Léturgie

Philip Marlowe : Le Grand Sommeil de Raymond Chandler

OSS 117 : Agonie en Patagonie de Jean Bruce

Batman : Un long Halloween de Jeph Loeb et Tim Sale