#damn i've really not made my own post here in such a long time. not that I ever posted much in the first place.

[lemonssnickers]

can't believe it's already the third anniversary of me completely missing all the destiel putin election fun because my coworkers were on a mission to get me drunk at my 21st birthday dinner

[youngtacoes]

Strangers, no more

Cooper Howard aka The Ghoul x f!reader

Author's note: this is a long one !! i've had this scenario in my head for a long ass time and i just had to get it out on paper. cooper isn't as cruel in this one, sorry if that's not your thing, but he can be soft sometimes too! fyi: reader is 18+ and everything is consensual! If you're only here for the smut you can skip toward the end.

Word count: 6,8k

Summary: Cooper is a bounty hunter struggling for caps and you need to be transported safely across the wasteland in "good condition", luckily it pays well. What could possibly go wrong?

Warnings: 18+ Mentions of r*pe, impregnation & torture, religious cult, angst, virgin!reader, losing virginity, graphic smut

~

It was getting bad, really damn bad. Days of good-for-nothing bounty jobs, vial after vial, cough attack after cough attack. He needed the caps desperately if he was to keep himself from turning feral anytime soon. He’d been taking small jobs here and there, just enough to keep himself at bay for a few days, but he knew he couldn’t keep going at this rate for much longer. He needed a bigger job, a bigger cash prize, a bigger bounty, but every time he stopped by the wall of people with prizes attached to them, he found himself disappointed in how low the numbers were. That is until he notices a fresh face staring back at him, hidden behind newer posters, large letters displayed across. "BIG JOB", and this one has an even larger number attached.

He steps forward, pushing the other posts away and rips the new face off the wall to study the number closer. Yup, he read it right.

Five thousand caps.

"Well, I’ll be damned," he muttered.

A young girl, maybe in her 20s. She looks well put together, innocent, and has a sincere smile on her face. For the first time in a very, very long time, he found himself wondering what her story was and why she was worth so damn much, but he didn’t like to dwell on it for too long. A job is a job, and this was going to be worth every damn cap.

On the poster, it states that she was to get picked up at the coordinates provided and to keep her in "good condition". Well, shit, that might just be the hardest part. The ghoul had never been one to take care of his captives, and most often he preferred if the poster stated "good dead or alive". This was definitely going to be different, and if it wasn’t for the "good condition" detail, he’d almost think it was too good to be true. Perhaps even think it was a trap.

~

It’s midnight, and you’re seated by your desk with a pen in hand, drawing carefully and concentrated on making art on this dirty sheet of old newspaper, but it was good enough for you. You drew flowers and insects from an old pre-war book about nature and their hidden treasures. You were always fascinated by the pre-war times, and though you will never know what it was truly like, you liked to imagine who you would’ve been back in those times.

It’s your way of forgetting about the current state of your life and the predicament you found yourself in. You were born in the wasteland, to a mother who did her best to protect you, but in the end, she had been brutally murdered by a group of raiders who attacked your farm, and you were taken captive by them at the age of 9. You spent a few horrid days with them before your current group found you and bought your freedom from them.

To be fair, you’ve been treated quite well by this group, and you thought you had a family in them at one point. That was until a few months ago when they decided you needed to be isolated from the rest for reasons you still didn’t quite understand. The leader of the group, Margot, had carefully selected you for a special assignment, and made sure to tell you the isolation was for your own good. Apparently you needed special treatment before a long journey to a sacred place called Halfway that was waiting for your arrival.

Your fellow peers would come and visit you to show their excitement, though you didn’t quite understand it, it must be something good with all the positive buzz that’s surrounding you. So your head got filled with all sorts of scenarios and dreams of where you were going and what luxuries you were to experience on this assignment. Though you had your doubts that it was all just a coverup for something else, you didn’t have any reason not to trust your group. They had been nothing but kind to you as long as you’d been there.

You’re startled out of your thoughts by heavy knocks on your locked door and a command shouted from behind.

"Lights out!"

You sigh at the command. "Yes madam!"

You don't bother packing up your drawing supplies, you'll be continuing with it tomorrow anyway, and the day after, probably. You find your bed and blow out the nearby candles.

Every night you can't help but wonder when your assignment and journey would begin. You had all sorts of feelings and questions about it, but every time you tried talking to Margot, she would give you answers that didn’t really answer anything at all, so you gave up on trying to figure it out a long time ago.

~

The next morning you’re awaken rudely by the guards coming into your room and practically dragging you out of bed in your dazed state.

"Wha- HEY-" you try to muster what’s going on, but before even getting a word out, you’re on your feet and Margot stands before you with her hands on her back.

"Morning lucky one. It’s time, the day we have waited long for is finally here," She's so serious in her delivery, it almost frightens you.

It’s happening.

"We’ve hired someone to transport you safely across the wasteland for your assigment, they’re here and won’t be kept waiting. Get ready in 5 and say your goodbyes, quickly."

Suddenly it feels like it’s all happening too fast, and a slight panic rise inside you. Margot must've notices your panicked stare, cause her features soften, and she steps closer to you.

"You’ve come so far, and I’m so proud of you,» She smiles at you with encouragement, "This is your moment, and I know you will succeed and make us all proud."

Her words give you enough to calm down before the panic escalated. And you give her a nod that you indeed got this. You can do this. You’ve done hard things before, this shouldn’t be any different.

"Yes madam," you say smiling back at her. She flashes you one last smile and a wink before turning and walking back out.

Outside you find everyone from your group waiting in the corridors. They smile at you, some coming to greet you, give you kisses on the cheek as you’re led out of the main building by the guards. It’s all a bit much, but this must be pretty big deal. Margot waits for you by the gate to your commune, but she's not alone. A dark figure stands just outside, looking impatient.

You’re filled with scepticism as you walk up them, but you have to put your trust in her. She notices you and takes a hold of your hands with a smile.

"You will do great," And the wave of panic that had a hold of you before, washes off of you completely. You nod confidently now, and you start believing that this is actually gonna be totally fine.

You feel the dark figure moving closer to you, his hat covering his face just enough to keep him anonymous for the time being. He still looks terrifying, but you have to trust this man is here only to protect you on your journey to Halfway, and that he will do his best to do so.

Margot shoots the man one last look, "Good condition," the man still doesn’t show his face, but he nods.

"Yes ma’am. Let’s go princess," You realize he’s talking to you, and you’re startled by the nickname at first, but you decide not to fuzz, at least not yet. He’s already started walking away, so you find yourself running up behind him, waving back to your leader for the last time, only she doesn’t wave back, she doesn’t even flash a smile. She stares back at you with a stern look as the gates to the commune come to a close.

It doesn’t give you the best feeling, but perhaps she was feelings sad you were leaving and didn’t want to show any emotions. Either way, you try to push the sight out of your mind, doing your best to follow the stranger. He doesn’t say a word for a long time, and you find that maybe it’s best we keep to ourselves for the time being, but as an hour or so go by, you find yourself a little curious.

You clear your throat, "Excuse me, sir?"

He doesn’t reply, but shoots a quick look over his shoulder to indicate that he’s listening.

"How long do you think we’ll be walking for?"

Given that Margot had given you absolutely no information about this journey, you figured it was worth a shot to ask your new strange companion.

"Couple’a days, if we don’t get sidetracked," His voice ragged, western, serious.

"Oh," not really sure if you dared asking for further details. You’d prefer to keep it peaceful for as long as possible, but you find the courage to ask anyway.

"Sidetracked by what?"

You hear him sigh, "Unnecessary bullshit."

‘Whatever that means’ you think to yourself. He doesn’t seem like the talkative type, but after months of isolation you find yourself rather desperate for someone to talk to, and if you are to spend days with this man, you figure it’s worth a shot trying to get to know him for whatever time you have to spend together.

"I see.. I’ll be on the lookout for that I suppose."

You can barely believe your ears when you hear a chuckle coming from the stranger in front of you.

After that positive feedback, you find yourself braver.

"I didn’t catch your name?"

His posture changes after the question left your mouth.

"I didn’t give to ya,"

"Well, I’m Y/N, but everyone calls me Lucky. It’s a bit of a recent nickname though. You see, I just spend 6 months in completely isolation-"

You get cut off abruptly when you find yourself crashing into the strangers back, realizing he's come to an complete halt. He turns around, his figure towering slightly over you. His hat is no longer doing it’s job to cover his face, and utter horror washes over you as it's fully visable in the golden hour light.

"Listen sweetheart, I’m here to do this goddamn job. I don’t wanna hear your whole life story, and you sure as hell won’t be hearing mine. How about we keep our histories to ourselves and try to get this over with as quickly as fucking possible. That sound good to you?"

Your eyes aren’t able to leave his face. His sunken eyes, skin looking like it's been melted by the sun, an obvious nose missing. A ghoul, a ghoul is transporting you. You’ve not met a ghoul before, and those you’ve heard stories of have been grotesque. Fair enough they had been feral, but who’s to say this one won’t turn?

You get the gist of what he’s saying, and simply nod in agreement, not wanting to make this trip any more uncomfortable than it already is.

His eyes bore into your own, and he’s a lot closer than you’d prefer. For a second you think his eyes dart down to your lips before he turns around to keep walking, but that would be crazy, and very disturbing.

~

Nightfall comes fast, and you’re finding yourself worried for where you’ll be sleeping for the night. You really don’t wanna ask the ghoul, but your steps are getting shorter and slower, and you think the Ghoul have noticed cause he starts walking off track and leads you to a broken down abandoned house off the road.

"Stay here," he says before entering the house, gun up, ready to shoot. You do as he says and wait patiently for him to clear the coast. It doesn’t take long before you hear squealing and two shots being fired. You’re not sure whether to go in or run, but it doesn't matter anyway cause you freeze up completely in these situations. All you can do is hope that the ghoul knows what he's doing.

He comes back to the door a few minutes later, gesturing for you to come in, you’re hesitant, but you do. It's not like you have much of a choice anyway, "What was the shooting about?"

In his left hand he holds a dead radroach, and you find yourself wondering why he’s holding it. That's so fucking gross.

"You should be grateful. I got us some lunch the road," he says, flashing you a smirk. It's almost like he knew you’d be repulsed by it.

"Uhm, y’know what? I think I’m good, for the time being." You try to be nice, but you feel like you might not have a say in the matter. This might be the only food you get for a while.

"Don’t worry sweetheart, I’ll make a fire and we’ll put it on the grill."

You want to roll your eyes and complain, but you force yourself to give him a smile and if anything, show some appreciation. He did in fact just catch you a meal.

You’re able to swallow some of the grilled radroach, but after the fresh foods you had grown accustomed to from your commune, you found this hard to stomach.

Nightfall has fallen completely now, and you’ve done your best to make a comfortable sleeping spot by the fire. The ghoul sits nearby keeping watch, and you find yourself very curious of his past and who he is, or who he used to be. Thinking back to his speech earlier about keeping your histories to yourselves reminds you not to ask, but he didn’t say anyting about asking about where you were going.

"What do you know about Halfway?" You watch him closely for any hints he migth give away, "Is it as grand as everyone makes it out to be?" You lay on your side, arm resting under your head.

He doesn’t look at you, eyes fixated on the fire. "How about you get some rest, alright?" he avoids your question. How annoying.

You turn to lay on your back with a puff of annoyance. «Nobody wants to tell me anything,"

"Maybe there's a reason for that."

You turn to look at him, his eyes still not meeting yours. "What is that supposed to mean?" By the sound of it, nothing good.

"Look it's not my job to inform you of shit, and if your leader wanted you to know, trust me darling, she would've told ya."

His eyes flicker up to look directly at yours this time, and it catches you off guard. Not knowing what else to say, you decide to turn to your side, away from him. This whole thing is giving you a really bad feeling.

You’re back on track the next day. Your legs sore from the day before. Having been in isolation for 6 months will do that to you, you guessed, but you'll manage.

The ghoul hasn't said a word yet today, and though you didn't exactly get the answers you were looking for last night, you refused to give up completely.

"What did Margot mean when she said good condition?"

He doesn’t answer, of course he doesn’t. You sigh,

"Look, I don’t mean to be annoying. Truly, I’d just like to know what is waiting for me. That’s all, and I really don't see the harm in that." Still nothing.

"Hey! It’s not kind to ignore someone when they're talking to y-" The ghoul quickly turns, a rope firm in his hands. Where did that come from? He grabs your hands, tying them together before you’re able to protest.

"Hey- what’re you doing!?" You look at him in disbelief, anger and panic all in one.

"Trust me, it’s for your own good," You laugh at that, yeah right. Before you’re able to mock him, he takes out a piece of cloth and wraps it around your head, specially over your mouth, and it's keeping you from saying what's on your mind. For a second you’re actually fearing for your life.

"Listen, gorgeous. We’re about to pass through some dangerous territory, and the people in these parts would do a lot to get their hands on a pretty litte thing like yourself. You follow my lead and keep your mouth shut, can you do that for me?"

You look for any lies in his eyes, but you genuinely believe him. It’s not like you can argue against him anyway, but you put your trust in him and give a nod in response.

You walk for a short while longer before you actually start seeing other people on your path. They seem rough around the edges. Hostile, but not aggressive, yet anyway. You walk past a few who seem to be intrigued, but not interested enough to take their chance at battle with the ghoul. That is until a few of them start gathering in front of you. Four men stand before your path, making it impossible to keep walking without confrontation.

"Gentlemen, how do you do?" The ghoul seems to do his best to keep it friendly, not wanting to create an unnecessary conflict with precious cargo at risk.

"What’ve you got for us ghoul?" As you observe, you can tell some of them are clearly on heavy combat inhancing chems, might be a harder fight if it comes down to it.

"Delivery, to Halfway. Can’t lose this one I’m afraid." He says it so confidently, completely standing his ground, but still keeping it non threatening. The men seem intrigued, and even exchange laughs between themselves. You wonder what they find so funny.

"That religious sacrifice place? What a lucky girl,"

"Seems like she’s up for a hell of a good time,"

"Fellas, if you don’t mind, we’re on a bit of a tight schedule," The ghoul tries to interrupt their 'friendly' chatter, but to no avail.

"They only take virgins up there don’t they? That’s like their whole point?" One of the guys ask the other three.

"Yeah, it’s some crazy religious cult. They torture them and impragnate them for like 10 years or something, or at least that’s what I’ve heard."

You freeze at their words. That can’t be it. That’s not what’s been told to you. They’re joking, making it up to scare you. It’s not true.

"Crazy rich though, you must be getting a lot of caps for this huh?" Suddenly their tone is not so friendly anymore, but the ghoul doesn’t budge. He keeps his hand on his holstered gun, the other holding the rope that binds your hands.

"Lucky for you, we’re not looking to take her off your hands. This time anyway," They laugh once more, patting the ghoul on his shoulder before walking off, letting you pass. He pulls on the rope to shake you out of your frozen state, and you jolst forward, trying to keep up with him. But you're disassociating, not paying a single mind to anything around you. You're too much in your head about what was just said, and you'd like to say you didn't believe a single word, but for some reason you do.

You keep walking in silence, time becomes irrelevant when you're all up in your head. You don’t notice the radstorm closing in, nor the rain that has already started pouring. If anything is in your favor, it's that you pass by a town with an abandoned pre-war hotel that offer a room for 100 caps a night. For whatever reason, the ghoul decides to do that for you. You don’t ask questions, you don't care to.

Soaked, shivering and your legs just barely keeping you up anymore, the ghoul places you down on the couch in the room given to you. You let him guide you, and for once, you're glad he doesn't have much to say. He lowers himself down in front of you and starts taking off the disgusting saliva soaked cloth from your mouth.

You wipe your mouth your hand, "Thank you."

He keeps his mouth shut and starts working on untying the rope from your hands. You watch him crouched before you, he's being gentle when removing the knots. A horrifying reminder of what you won't be experiencing at Halfway, if the men from earlier was telling the truth that is. This thought is what breaks you, and the tears start trickling down your tired face. There's no point holding it back anymore.

He's looking at you, so clearly trying to hide the concern on his face as he stands up and walks to the door.

"I’ll head down to the square to look for some food,"

Whatever.

Your silence is making him uncomfortable, so he leaves. You stay seated, replaying the words spoken between the men from earlier, over and over in your head.

Everyone you knew had made Halfway seem like such an amazing place. That you were lucky to be going, you were chosen. The thought makes you want to throw up.

You don’t register that the ghoul is back, fresh mutfruits placed in front of you on the coffee table, and though you are starving, you can’t bring yourself to even eat one.

"Eat," he says sternly. You just shake your head.

"M’not hungry," you sniffle, drying your tears with the palm of your hand.

"It’s not nice to lie, sweetheart. You haven’t had anything to eat since the damn radroach. Eat," He's trying to act concerned, but you don't believe it for a second. You scoff and look up to meet his eyes, and he’s looking right back at you, an annoyed expression on his face. You can’t believe this guy.

"Why do you care if I eat or not? Let me be," You're so tired, and all you want is to sleep. Gradually rising from the couch, you head towards the bed.

"Please," his plead makes you stop in your tracks.

"Please eat, you're really gonna need the strength," he seems desperate, almost.

You turn around to see him standing motionless by the coffee table, clearly attempting to compose himself.

"No," you're stern in your reply.

He's growing increasingly annoyed, angry even, because he knows he can't force you or harm you in any way.

"Whatever good condition means, I’m sure they'll be pleased as long as I’m alive, right?" Your voice gradually getting louder. "Being that their plan is to torture me for 10 years and all, they must have lots of stimpacks around to keep me alive enough to birth their whole next generation of psychos, don't you think?" Tears start falling.

"Don’t make me beg again," His eyes are shut, as if he's trying to block out your words, as if they affect him somehow. what a fucking joke.

"You’re so afraid you won’t get your paycheck. Well fuck you, and fuck the caps they’re paying you for this," you say it with so much pain and hatred, and you’re sure you’ll regret it later but you don’t have an inch of fuck to give at the moment.

Suddenly you see his angry features fall, and he catches himself in a cough. It's grotesque, and it seems to be getting worse with each one. He looks at you with disrepair, and you can tell he's struggling to catch his breath. You don't know what to do, but you're getting scared for him now. It looks horrifying, but before you're able to come to his aid, he scurries out the room.

You let out a breath you didn’t know you were holding in. What just happened? A part of you wanted to run after him to make sure he was okay, but at the same time you wouldn't mind too much if he left and never came back. Shaking, you decide to tuck yourself into the left side of the bed. Trying not to think about how dirty it is, you curl yourself into a ball and cry out every last drop.

You’re never able to fall asleep, the tears just keep coming. You thought about running away, but knowing that the ghoul was getting paid a lot for this job, he would likely find you again in no time. What would be the point?

Your sobs are suddenly interrupted by the door opening, and you quiet yourself down to listen closely to every sound. The sound of the ghouls boots scraping the floor as he makes his way to the couch, his coat and gear getting thrown down on it. You decide to pretend that you’re already asleep as you hear him make his way to the bed. Feeling it dip slightly as he lay down in it.

But your cover is blown when you sniffle from the snot in your nose. You damn yourself as a sigh from the stranger fills the room, and you start feeling embarrassed about the way you treated him earlier. It’s not him you should be angry at, if anything it’s Margot and your group. The ghoul is just doing his job, to collect a price which he must need desperately, you can’t really blame him. He owes you nothing.

"Cooper," his raspy voice turned soft for a second.

"What?"

"My name is Cooper, some call me Coop. Whichever rolls of your tongue the best."

You feel awful now, "I’m sorry," Wiping away the tears and the snot to the best of your ability.

"For what sweetheart?" He sounds like he already knows what you’re apologising for, but decides to ask anyway for his own amusement.

"For cursing you out, it’s not your fault, and I shouldn’t blame you," You say, already feeling better for apologizing.

You both stay silent for a while, only sniffles from your nose filling the room. It’s embarrassing, you feel like such a child.

"C’mere darling," He says it in such a soft way. You can barely believe your ears. Looking over your shoulders you see him looking at you, only the dim light of a burning candle nearby to light your surroundings. He’s on his back, gesturing with his hand for you to lay in the crook of his arm. You contemplate it for a second, but it doesn’t take much convincing if you’re being honest. You’d take any form of comfort to make you forget this whole thing, even for just a night.

You turn around, inching closer under the sheets, finding a comfortble spot in the crook of his neck, your head resting on his arm. You’ve never been this close to someone except your mom when you were younger. It’s scary in a way, being this vulnerable and intimate with someone you barely know.

Your breaths are shallow, thoughts racing through your mind and it’s making your heart is beat so fast. You can’t tell what he’s thinking, his body doesn’t give anything away.

You lay like this for a while, just a few dry sniffles and breaths heard between you. You recognize the closeness of him.

But you want to get even closer. You want him wrapped around you and have him absorb your whole being. It may come from having learned that you have extreme trauma waiting for you, and you can’t help but want to experience something good and genuine before that.

Your breaths become heavier, deeper, and you feel yourself wanting something; wanting him. This could go terribly wrong, but what exactly do you have to lose? Fuck it. You push away the what if's and inch your face closer to Cooper’s neck, your hands find themselves carefully making their way to his chest. He doesn’t react, and from what you can tell, he doesn't seem to mind.

You see his breathing stop, and you’re feeling brave. So you test the waters, gently sliding your hand up to his chest, letting them glide across his shirt. While your lips carefully grace the rough skin on his neck. You hear him puff out the air he’s been holding in while curiously letting letting you wander, but he doesn’t seem to resist.

When he doesn’t stop you, it’s easy to find the courage to keep going. Your hand wanders further down his chest, stomach, but he catches your hand right before it reaches the hem of his pants.

"What do you think you’re doin'?" He doesn't sound disappointed, more so curious. You feel a bit embarrassed, but you stand your ground, like you've already stated, you’ve got nothing to lose.

"Please Coop," just a whisper in his ear, "Please show me what it’s meant to feel like", a plea, practically begging.

He can’t help but let out a low growl, obviously turned on by the thought. "I’m meant to deliver you as a virgin, sweetheart."

You want to cry again, a sob brewing deep in your throat. "Please, they won’t know- They won’t find out," Your lips find his neck again, leaving trails of kisses up to his jawline, tongue swirling along the rough surface. You never thought you would find yourself in this position 2 days ago, but here you were, begging for a bounty hunter, a ghoul, to take your virginity.

Lucky for you, he seems to be out of fucks to give and lets go of your hand after only a few seconds of thinking it over. You don’t hesitate to let your free hand go under his shirt to feel his skin. It’s so textured, but you don’t mind. You’ve never touched anyone this way before, there wasn't much to compare it to.

Your hand travel lower until it finds a buldge. Being that this is your first time being intimate with somone, you’re startled by the unfamiliarity of it at first. But it doesn't take you long to realize that you were the reason for his cock hardening, and that turned you on more than anything.

Cooper, who's been laying still for some time now, has clearly been contemplating if he should stop this whole ordeal or not. He wants to touch you so bad, show you how good he can make you feel. Have you shaking with pleasure because of him, but he seems to let you be in control for the time being. You didn't mind, and it gave you some reassurance that this wouldn't be rushed, nor that he would force you to do something you didn't want to.

Your hands are shaking at this point as you try to unbotton his pants, and Cooper can't help but to give you a hand in your already broken state. You’re eager, and waste no time removing your own.

"Get over here darlin'," he says with that gentle voice again, gesturing for you to straddle his hips. His length is exposed now, and you feel yourself getting nervous with anticipation. You find it hard to believe that he's gonna fit inside you, it seems impossible.

Yet, you gain the confidence to sit up and make your way across his lap. You're not sure where to sit specifically, but you want to study him further and therefore straddle his thighs. His cock in view in front of you, laid across his stomach, stiff and drooling. Cooper doesn't say anything, but he watches you carefully, wondering what your next move will be. You don't pay attention to him for now.

You do however find yourself curious, and grab the length in front of you. It's warm, and you circle a thumb across the top where it's drooling a clear liquid. You hear him hum under you, an approval of the gesture you just performed. Butterflies take over your stomach, and you feel throbbing in your lower area. You want his cock so desperately inside you now, just to hear those sounds from him again.

"Sit up for me'," the gruffness of his voice draws your attention to him. You obliged without hesitation, "Scoot closer," and you do, of course you do.

He stretches a hand down between your thigs and you're on your knees straddling his hips. Rough fingers run between your folds and they run smoothly.

"Well fuck me, you really want this huh?" He's teasing you now. You nod frantically.

"Use your words sweetheart," He inserts a finger in your untouched hole. You gulp at the sensation, "Yes- yes I do-".

He hums again, moving the finger inside you, bending and stroking. It feels strange, but not painful. "I know you do honey, but I need to make sure you can handle me first, alright?"

You nod frantically, you knew already that you were prepared to do anything he wanted. "Yes, sir,"

Without warning he adds another finger, and it's starting to sting a little. You try to control your breathing as he starts moving them in and out of you, "I know it hurts baby, but it's only for a lil while. You trust me, don't you?"

You nod again, "Yes- Fuck!" He was getting agressive with it now, but he's hitting a spot you didn't know existed and it's sending you to other dimensions in your mind. Your eyes are rolling back while his fingers work hard between your thighs. It's unlike anything you've felt before.

"There we go.. You're gonna be so good for me aren't you, princess?" His words barely register as you find yourself gripping his arm and holding on for dare life to not lose your balance.

"Mhm- y- yes," and before you knew it, his hand is removed from between your folds and you're left heaving for your breath and trying to focus your vision again.

"I think you know what to do, darlin'," You need him badly now, even more now that you know what pleasures are waiting.

You place yourself over his cock, and Cooper watches in patiently as he puts his hands on your thighs, stroking them gently.

You grab his length and place it under your opening, ready to lower yourself on him. "Slow now," he warns as you as his tip meets your entrance, before letting it slip in just an inch. You both hiss, him with pleasure, you with pain.

"That’s it, doll," He keeps his eyes on you as you wince in pain. Taking deep breaths as your hole adjusts itself to his full size, but you’re feeling impatient and start pushing yourself even further despite the burning sensation. You figure it’s better to get it over with as fast as possible so you can actually start enjoying this.

Cooper hums, "Patience sweetheart," you lock eyes with him, and he genuinely seems to care. He lets you have complete control over this, not pushing any limits, and it makes you feel even more aroused, being in charge; seeing his eyes roll back with edged pleasure, yet doing nothing to force his way in.

You feel comfortable enough to start moving now, and you do your best not to squeal when you feel it burn and sting. Finally your skin touch, your ass gracing his thighs, and though it’s still stinging a bit, you can feel his whole length inside you, and it drives you mad.

"Just like that, princess," You hear his soft grunts below, and it reminds you to start moving. Slowly easing yourself off him, just to lower back down again, trying to find the right pace and angle for it to hit the right spot. It doesn't take long before you feel Cooper bucking his hips just ever so slightly to help you out, and he does. He knew exactly how to thurst his cock to give you the extreme pleasure you were searching for.

"More- please," you moan, your hands find his chest to lean on. Nails digging into his already ragged skin.

"God, you feel so fuckin' good around me, darling," His hips buck into you again, pulling himself almost all the way out before slamming himself back inside you. It's rough, and his hands have found your ass to grab to help move you to his rhythm. You're dazed, eyes barely open from sheer pleasure radiating deep inside you. It's making your breath hitched, and your moans spurt out in cries.

"My- fuckn'- god-" you struggle to draw a proper breath, your vision is blurred and rolled back, barely open.

He’s grunting with pleasure beneath you, seeing you completely lost to the way his cock fills your tight cunt, the next time rougher than last. You both sense that you're getting closer to an edge, and that’s when you realize how lightheaded you are, probably from the lack of food you’ve had today, and Coop notices how your figure slowly droops with exhaustion.

"Woah easy darling-" You feel him sit up under you, and without much effort he sits up and holds you tight to his chest, flipping you over on your back in a swift motion.

You would act surprised, but you’re too lightheaded and close to a climax that you don’t react at all. You feel his head in the crook of your neck, breathing heavy and groaning into your ear as he pushes himself deep and steady inside you. Your moans are soft, almost silent, barely there, not enough energy to show him how good he’s making you feel. But you think he gets it, if anything he can see it in how your eyes roll back, how flushed your cheeks are, and feel how your walls are squeezing tightly around him.

"You gonna be a good girl and finish all over my cock, princess?" You feel a hand reach under your chin, placed firmy on your throat, a tight squeeze is applied as you feel his hot breath on your cheek. Sloppy kisses, and a traveling tongue, licking off all your sweat and tears. Having him so near and in control of your breathing makes you feel unbelievably hot. He could kill you right now, right at your high, and you wouldn't mind at all.

"I think I'm- Coop I'm gonna-," you’re whisper in his ear, and it only fuels him more.

He lifts your leg higher, hooking it over his free arm as he goes even deeper. "Show me how fuckin' good I make you feel, sweetheart,"

And with that you think you’re about to pass out, but instead you’re hit with the intense feeling of something combursting inside you. Your head slams back, and your hands reach up to grab the headboard of the bed, your knuckles turning white from the grip. You're dazed, exhausted, feeling the lingering pleasure from your orgasm still present inside your throbbing cunt. Cooper helps you ride out the orgasm in a slower pace while coming up close to his own.

"There you go doll, it's all right," His hand leaves your throat and he unhooks your leg to find your waist, placing them on each side. He's leaning back on his knees as he pumps himself into you, softly, slowly. Soft groans leaves his lips in heavy and hitched breaths as he gets closer.

Seeing you so beautifully dishevelled and limp beneath him, he starts guiding your exhausted body with his hands, pulling you onto his cock, using it to finish himself off. You allow him, cause you enjoy watching him his chest rise with every breath he takes. His eyes rolling back with pleasure from feeling your walls pulsate with each thrust, and with one last squeeze from you, he reaches his own climax.

His hands are grabbing your waist so tightly you can feel the bruises forming already, but all you can focus on is his heaving chest, and his exposed throat as his head is thrown back. Soft grunts and curses filling the room, and you imagine his eyes closed with painfully pleasurable bliss, all caused by you.

He rides out his own orgasm and tries to settle his breathing before he lifts himself off you. He doesn't look at you, but climbs tiredly out of the bed to readjust his clothing. You’re so sleepy, greasy, smelly, but you don't care. You're high, and happy.

You watch him at the edge of the bed, and you utter a soft 'Thank you', just to let him know you're grateful for risking the success of the job. You were meant to be delivered as a virgin after all.

You hear him chuckle from the foot of the bed, you guessed he’d never gotten a ‘thank you for fucking me’ from anybody before, but you just couldn’t help yourself.

"Close your eyes and get some sleep, alright?" Hell, he doesn’t need to tell you twice.

"I think that’s a good idea," You’re not really sure if the words ever left your mouth, being that you’re practically half asleep already. But you do notice the bed dipping slightly next to you, and how you’re gently being pushed on your side. Followed by something warm pressed up against your back, and gentle kisses being placed along your exposed neck.

What tomorrow brings doesn't matter in this moment.

Part 2?

[familyvideostevie]

the meaning of it all

joel miller x reader

summary: Joel Miller, of all people, teaches you to ask for help. 

word count: 13.6k

warnings: jackson au, post part i, joel and ellie worked it out! joel is soft! language, violence, fluff, learning to accept help and love.

a/n: this fic is a soft joel (think part ii joel but make it two years into jackson because he and ellie resolved everything <3) and a reader who is much more me than i've written before. i hope you like it! thank you again to @strangerfreaks who held my hand through this, i owe you my life.

___

Luck. God damned old-fashioned thank-fuck-for-that luck has kept you alive since the world ended. Deep festering rage and a near-constant state of fear have helped. But every bullet you've found, every undamaged can of food, every shot that landed in the right place so you were the last one standing -- that's all luck. Or a curse, depending on the day. Depending on how you're feeling about it all.

And Jackson? That's the biggest stroke of luck you've had in twenty years. A single woman on her own with plenty of working years left and no obvious red flags was probably a no-brainer for the community to take in but you feel like you've finally made it. After two decades of violence and horror and pain, you fucking made it somewhere safe.

You spend as much time as you can making sure everyone knows how grateful you are. You don't have any special skills, not really. You can shoot well enough, cook well enough, clean well enough. Young enough when all the shit went down that you don't have a trade or any work experience, you just go wherever they need someone in town.

Keeping busy means you're bone-tired most nights. Exhausted sleep means fewer nightmares, less time to wander the halls of your very nice but much too-big-for-you-home and miss everything you've lost. But picking up shifts wherever you can also means you don't meet many people beyond hellos and exchanging names. Farming is easy and you get to work with a lot of the kids in town, daycare much the same. You're lousy with power tools but you're able to carry materials wherever they're needed. Cooking is easy when it's stew for hundreds of people and doing dishes is even fun when someone turns on the radio. You're making it work.

Patrol is...patrol. You're able, so you're on the roster. It's not that you hate it, not exactly. Going outside the walls makes you feel like you're someone else. You slip back into the mask of fear and anger, the one that kept you alive for so long. And the worst part is it's comfortable. 

You've done the training runs, the group patrols for three months. Infected still freak you out a little but you're smart enough to be more scared of people. All of the senior patrol members have cleared you for paired patrols and today is your first one.

Tommy meets you at the stables to check-in.

You don't really have any friends, though everyone is perfectly nice to you, but Tommy and Maria are probably as close as it gets.  You figure they take a shine to newcomers like you, ones who come in alone, maybe to keep an eye on them as much as anything else. But they've both got a smile and kind word for you whenever you see them, always asking if you need anything. You always tell them no, you're fine, thank you.

"You ready?" Tommy says. "I've had them pull Apollo for you." You pat yourself one more time to make sure you have everything. Pistol on your thigh, knife at your hip, pack secure on your back. Hat and gloves tucked into your jacket pocket to account for the wind on the trails.

"I think so," you tell him. You blow a raspberry at your horse and he blows back, nudging your shoulder with his nose.

"After this, pretty sure you'll have done every job there is to do in this town. Pullin' crops, plantin' crops, cookin' crops. Kids, the library, cleanin', buildin' that ramp at Lenore's last month. You've been here, what, six months? And you've done it all."

It should make you feel good that he's noticed. It does, but only a little. You still feel like you could work every day for the rest of your life and not repay what he and this town have given you. To make up for the things you've done on the road.

"I'm the best floater in Jackson," you joke instead. Smiling makes people like you. You haven't had much cause to smile in recent years so you're still getting used to the urge. Tommy scoffs. "I don't do important council stuff like you and Maria, though."

He ignores that. "Y'know, pretty sure they call that a jack-of-all-trades. A real Ren-ai-ssance woman." You try to come up with a retort, eyes wandering to the patrol assignment board. Your name is under ELK CREEK and under it is --

"Quit harassin' her."  Tommy rolls his eyes and flips off whoever comes up behind you. You turn around and see a man you know of but have never actually met.

"Joel," Tommy says. "I believe this is called havin' a conversation. You ever tried it?"

"Funny," Joel replies. He nods at you. "You my partner today?"

"Seems so." You introduce yourself, Apollo's warm breath at your back.

"Joel Miller," he says back.

You're a little intimidated, truth be told. You know him by reputation mostly. Tommy's big brother who came to town a few years ago with a little girl. They're both pretty much everywhere. Joel fixing houses and talking to kids in the street, going on patrols and always bringing back extra for whoever needs it. Ellie galloping around town with other teenagers and bringing home the biggest game. You've handed her books a few times at the library, too, seen her bright eyes and infectious energy underneath teenage angst that transcends even an apocalypse. And you've seen them together, heads down in the dining hall or pressed closed walking down the street -- heard rumors about why they came here, how they came here, too -- and one thing is clear to you: the Millers are beloved. By this town and by each other.

It's a miracle all its own in this fucked up world.

"You two ain't met yet?" Tommy says, pointing at the space between you. You snap out of your thoughts. "You've been here long enough to have met everyone by now."

"Guess not," you say with a wry smile. The younger Miller is too polite to call you out for not having a single friend in that time period, either.

"Well, here we are," Joel says. "Gonna keep us here forever, Tommy? Or can we do our job?"

Tommy claps him on the shoulder and winks at you. "Tone down the asshole for her first paired patrol, yeah?"

Joel snorts. He grabs a horse that was already tacked for him and leads it out of the stable. You follow with Apollo. The patrol coordinator hands out rifles and reminds everyone of the rules.

You hop on your horse. "You ready?" Joel asks, startling you a bit. "We'll gallop to the mouth of the river and then start patrollin'."

Something in you relaxes a bit at his clear confidence in you to handle yourself. You know you're with him for a reason -- he's one of the best. That, or maybe he just doesn't give a shit. Somehow you think it's the former.

You follow him up the hill outside the gates and through the tree line. The noise of the Outside is different than that of Jackson. Birdsong, snapping branches and dry brush under your horse, the wind rippling down the hill. You take a deep breath through your nose and feel a part of you come alive. It's funny how a world so beautiful can be so deadly.

Joel gallops a little ahead of you, strong and steady. You watch him, think about what you know. He's older than you, that much is obvious. Greying hair curling around his ears, lines on his face from more than just a stressful life. But he's strong, good at what he does. Those rumors come back to the front of your mind. How he and Ellie showed up, half-starved and bloody. How he and Tommy are the most famed patrol duo for Infected kills and otherwise. It makes you feel safe. It makes you want to learn from him. It makes you want to know more.

And he's got kind eyes. Somehow, he's got kind eyes.

"Alright," Joel calls back to you. "Route starts here." He slows his horse and you pull up beside him. He shifts in his saddle and turns his face to you. "Now, I know this is your first pair," he says. "I won't order you around or nothin' but my main piece of advice is that everyone has a different patrol style. Know how to adapt."

You dig your gloves out of your pockets and wiggle them on. Joel watches before his eyes snap back to yours. "Noted." You honestly didn't think he'd talk this much. "And let me guess. Yours is patrol in silence?" You punctuate the nervous quip with a smile.

Joel snorts. "Nah," he says. "Unless you're Max. Can't stand that fucker."

It startles a laugh out of you and any ice you'd imagined breaks for good. Max is one of the middle-aged men who probably would have been a lawyer or a politician based on the way he likes the sound of his own voice.

"Now," Joel says. "You done this route before?" His knuckles are a little red but he doesn't put on any gloves.

"Twice, I think. First log book in that old station, right?" Joel nods. "Second in the town?" He nods again.

"Color me impressed." His mouth tugs up at the corner into something you might call a smile. You try not to look too pleased with yourself. "Some of the dipshits on the roster don't even remember that much."

It feels like you've passed a test. His praise makes you feel nice. Noticed. Not something you often seek but you know yourself well enough to admit that you'd like a little more of it. Even if it's from a man you just met.

"Not that hard," you say softly. Joel looks at you for a moment longer before clicking his teeth. His horse starts to walk. You signal to Apollo to follow.

The patrol goes off without a hitch. Joel signs the log book in the station and you sign it in the tower. He lets you snipe two runners that he spots and doesn't scold you when you take three tries on the second one.

"Settlin' in okay?" he asks once you've rounded the town one last time and started back towards Jackson. "Six months, Tommy said?"

Despite his earlier words, you haven't chatted much this patrol. While you'd like to know more about him, want to get him to smile at you again, you're really just enjoying being out here with someone else, knowing that you're safe. That you've got somewhere to go back to.

"It's nice," you sigh. "I never imagined I'd find a place like this."

You really should pick up the pace to get back to town but he doesn't seem to be in any hurry.

"I know the feelin'," he murmurs. "Ellie'n me slept on the floor for a good two weeks at the start. Been two years and some nights I don't take my boots off."

"What a fucking life, huh?" That earns you a wry smile. "Having a house is...strange. All of the hinges squeak and I --"

"The hinges squeak?" You look over at him and Joel's brows are furrowed.

"Oh, I mean, it's no big deal --" You stumble over apologies. You don't want him to think you're complaining about a home his brother gave you when he sure as shit didn't have to.

Joel taps his thumb on the pommel of his saddle. "Can get that fixed, y'know."

You didn't know, actually. "Really?"

Now he looks at you like you're a little stupid. "Ain't you the one hauling shit to people's houses when they need a hand?"

He has a point and you hate it. It never occurred to you to ask for someone to come fix your hinges. They're just hinges, for fuck's sake. Other people have holes in their floorboards or leaks or need new rooms for family members. You're just...you.

Joel sighs. It feels like you've disappointed him and it swirls in your gut. "I'll take a look at it this week."

Your neck cracks audibly with how quickly you look up at him. "What? No, Joel, you don't have to --"

He says your name in a tone that you know means no arguing. "I know I don't have to. I offered."

"You don't even know me!" The words fly from your mouth before you can stop them.

He brings his horse to a full stop so quick you almost run into him.

"Look," he says. His gaze holds yours. Wow, he really can be intimidating when he wants to be. You can only imagine the things he's done, the things he's capable of. Anyone who has made it this long has blood on their hands. You've washed it from your own skin plenty of times. And yet, you feel completely safe. And you know that you'll probably do whatever he tells you. "I know how it can be."

Your gut swirls. "You don't know what I've been through," you say softly. It's not a jibe, it's just the truth. No one knows because you've told no one because it doesn't matter. You're here now.

"I've been alive for a while longer than you," he continues. "I've seen the world, just as you have. I've been out here. I was out here for a long, long time." He runs a hand through his beard, fiddles with his broken watch in what looks like reflex. "I know how hard it is to ask. To get back to something that makes any damn sense. But you can if you try."

The words linger in the chill around you. He's right, obviously. He's so fucking right that you want to be mad. You haven't asked for anything because you don't want to fracture the good thing you've got. Don't want to be too much, to be a burden they can't support, to make people think you don't deserve to be in Jackson. All things that don't make any fucking sense, not really, but you can't stop them. It's just how you're wired.

"So I'm comin' over this week to fix those hinges. Alright?"

"Alright." Something in Joel softens when you agree.

"Good," he says. "Good."

You finish the patrol in comfortable silence. All told it's been nice. To talk to someone, to feel like they give a shit about you even for just a few hours. You have no doubt Joel will be over to fix your hinges but you figure it'll fizzle out after that -- it always does. You don't know how to ask someone to stick around, anyway. But even this little bit of him will have been worth it.

Something both loosens and tightens in your chest when you get back to Jackson and through the gates. Goodbye beautiful, horrible outside world, hello safety, community, home. It's a trade-off. You and Joel hop off your horses and return your rifles. You're about to hand Apollo off to be brushed and returned to the stables when you feel a hand on your shoulder.

Joel says your name and you turn around.

"Good job today," he says softly. "Not too excitin' of a patrol, but you're good out there."

You blink owlishly. "I-- thanks," you manage. "Maybe we'll get to go out again as a pair." You're showing your hand but you can't help it. You want more of whatever this was.

Joel's mouth pulls up at one corner. "Maybe."

___

Two days later you drag yourself out of the house for community breakfast. Most mornings you're out the door and at your work detail for the day before you can pop over but you don't have anything assigned today. It's a rare respite and it has you antsy. You don't remember how to be idle, aren't any good at it. Sitting in your empty house means your mind might wander to the thoughts you try very hard to keep at bay. The loneliness, the regret, the fear. The loss. It's always there and you've gotten better at dealing with it after so many years but some days you really just wish you could talk about it to someone, could just bitch and moan about how fucking awful this life can be.

But everyone is carrying their own shit and you don't need to add to it. You don't want anyone to have to carry yours, too.

Breakfast is quiet this morning. You settle at a table with your toast and your eggs and your potatoes and smile back at anyone who smiles at you but no one sits with you. If they did you don't know what you'd say.

But then the air changes. Your neck feels a little hot and you slowly look around until you see what's caused it -- Joel and Ellie are here. He's already looking at you when you meet his eyes and he smiles a little, a half-moon curve of his mouth, and nods. You wave.

Ellie waves back, which you don't expect. She says something to Joel and he frowns, rolls his eyes. She punches him in the arm and he flips her off and grabs two plates, starts to fill them. You smile down at your own food.

"Man, are the potatoes that fucking good today?"

You look up and find Ellie in front of you. You're pretty sure she's 16 or thereabouts, still growing into herself based on the way she shifts on her feet. Her right forearm has the outline of something floral. She notices you looking at it and crosses her arms, looking unimpressed. Ah, teenagers.

"Pretty okay," you tell her. "I don't know if we've met yet --"

"We kinda have," she interrupts. "I know your name and you know mine, so. And you're at the library sometimes when I check shit out."

This still does not explain why she's over here talking to you. You can see Joel in the breakfast line still, glancing over his shoulder every so often to see if she's still in the room. You try not to catch his gaze because you're a little afraid of what Ellie might read in it.

"Can I do something for you, Ellie?" you ask, not unkindly. She scrunches up her nose and then sighs.

"Joel told me not to bother you but I wanted to ask if you could look out for a book for me. At the library." Her words get faster as she reaches the end of her sentence. She takes a look at you, sees that you're not telling her to fuck off, or something, and keeps talking. Some book about the history of comics or something.

"Oh," you say. You feel a rush of affection for her and the fact that she can hold the record for headshots on a group patrol and still want to read about something she loves in her free time. "Yeah, I'll look for you. I don't have a library shift until tomorrow but I'll look and put it aside if I find it for you."

Ellie tugs on her fingers. "Don't you need to write it down or something?"

You smile at her. "No, I'll remember." You recite the title and author she just told you back to her and it seems to satisfy her. It's like a switch is flipped -- her earnest expression morphs into something you can only call mischief.

"So Joel's coming over to fix your doors, or whatever," she says. "How'd you crack him?"

"I--what?"

"You patrol with him once and he's coming over to your house," she says. "It took him like, weeks to laugh at one of my jokes. And I'm fucking funny!"

You have no idea what to say to that. Patrol with Joel was your first time talking to him and while he's a bit intimidating, sure, he never came off as anything other than...good. But you'd bet he wasn't always that way in this world. Maybe this girl in front of you had something to do with it.

And honestly, you're sure he just feels a little bad for you. He's nice enough to worry, to make sure everyone in town can do their part and you'll take what you can get even if it's temporary attention.

Part of you knows Ellie is just giving you a hard time because she's a teenager and you're kind of connected to the guy who looks after her so you're fair game, too. But she's talking to you like she wants to which is throwing you for a loop. And you're realizing it's been a long time since you actually wanted someone to like you. Well, Joel aside.

"You want to tell me one?" you ask. She looks surprised and then delighted.

"Oh, fuck yeah. Okay, let me think." You take another bite of your breakfast. "Okay, okay, I got it. What did the mermaid wear to her math class?"

You give it a few seconds before you shrug. Ellie grins. "An algae-bra."

Your laugh makes her grin bigger. "See? Fucking hilarious." She holds out her hand for a high five and you oblige. "Anyway, Joel's gonna come over tomorrow, I think. Seriously, dude, I don't know how you did it. He never used to be this nice!" She looks over her shoulder at the man in question. He's sitting down at another table. "He's getting soft."

Her voice is fond and you're pretty sure she doesn't notice. "You should go eat your breakfast, Ellie," you tell her.

She sighs like the weight of the world is on her shoulders. "Yeah, I'm fucking hungry. Let me know if you find that book!"

"I will," you call after her. You can't help but watch as she barrels back to her table with Joel and immediately makes an attempt at his bacon. He fends her off with his fork before surrendering a piece with a scowl.

He looks up and catches your eye again. You stand with your tray and nod at him, turning around before you can see his expression. Stupid, so stupid to be caught looking like that. But you can't help it -- looking at the love still alive in this shitty world and wondering what it feels like.

___

You run into Joel on your walk home from the next day's shift at the library. You spent probably far too much of it looking for the book Ellie wanted but it was worth it because you've got it tucked under your arm. It feels like a small miracle but you're not one to question it.

Maybe it's the good mood you're in, but when you see Joel from behind you call out his name. He doesn't stop walking but turns his head like he heard something. When he spots you he does stop, waiting for you to catch up.

"Hi," you say, suddenly a little less brave.

"Howdy," he replies, amused. "I'm headed your way."

"You --" He lifts a toolbox you now realize he's carrying. "Oh, right. Hinges."

"I can come by another day if it's not a good time."

Joel could knock on your door in the middle of the night and it would be a good time. "No, ah. Now's good." He motions for you to lead the way even though he clearly knew where he was going. He must have asked Tommy.

It seems like everyone waves as you two head for your street. They call out Joel's name and he knows pretty much everyone. You feel a little self-conscious being seen with him like this -- you, pretty much a nobody in town through your own doing and Joel, beloved by all.

It doesn't stop until you're almost at your door. "You're popular," you say, trying to make it sound teasing. Instead, it sounds awed.

Joel runs his free hand through his beard. "Don't remind me," he grumbles. "Can't go for a walk without a damn conversation."

You pull out your keys and unlock the front door. There are plenty of people in Jackson who don't lock their doors but you can't shake the need. "Sounds difficult."

He chuckles and you feel it zing up your spine. It's nice to make him laugh. "Yeah, yeah. S'pose it's nice." The front door opens with a creak and you look at him sheepishly. His eyebrows touch his hairline. "They all like that?"

You nod. Joel whistles. "Christ," he says. "Alright." He follows you into the house. You try not to think about what he sees. You've tried to make it your own, just a little. Posters you traded for, books you've collected. You cleaned the whole thing top to bottom when you moved in but somehow it still looks a little un-lived in. You're working on it.

"Don't let me bother you," Joel says, getting on one knee with a grunt and prying open his box. "Probably need 'bout an hour to get 'em all. I'll holler when I'm done."

That's your cue to busy yourself with something, anything, but you don't want to. You want to talk to him, to watch him do whatever he's going to do, to soak up this time with Joel before he walks out the door and you go back to being acquaintances.

"What are you going to use?" you ask. He looks up, a little surprised, before pulling out a spray bottle and a rag. He shakes it at you.

"It's some sorta homemade shit one of the younger guys cooked up," Joel says. Somehow he manages to sound self-deprecating, like he thinks he should've thought of it first. "I think it's...soap? And cleanin' stuff? Fuck, I don't know." He huffs a laugh. "I know it works, though. Back in the day we'd use shit you could buy on the shelf." He stands with a grunt. "You old enough to know that?"

That gets you to laugh. "Yeah, Joel," you say. "I'm old enough to remember the hardware store."

His gaze feels a little different than before, like he's allowing himself to look. "Hmm," is all he says. "I'll just --"

You don't know how to justify shadowing him as he oils your hinges -- there's a joke there's somewhere -- so you don't. You grab a book from the shelf and settle on your couch and try your best to read but your mind wanders.

It's pretty clear that you have a crush on Joel. You've spent one patrol with the guy but somehow he's gotten under your skin. It's inconvenient but also...nice? A crush at the end of the world. The fact that you can still feel something so sweet, so juvenile after all you've seen and all you've done is almost laughable. And it's not like it's going to go anywhere -- you're sure Joel thinks you're too young for him, too green, and he's probably tripping over admirers in town. But you can let it be something to keep your days interesting until it fades.

It was hard enough to love yourself before the world ended for reasons anyone could understand. Societal pressures, stupid comparisons, things that don't matter at all now. Who has time to think about being loved when you're constantly faced with death? Feeling desired, feeling loved, feeling looked after isn't exactly top of mind. You're not even sure you remember how. You put one foot in front of the other and that's enough.

But wouldn't it be nice to be on the receiving end of affection from a man like Joel?

"All finished." You startle and realize you haven't turned a single page of your book. If Joel notices he doesn't say. He wipes his hands on a rag and eyes you. "Pretty sure I got all the doors."

You hop up from the couch and try to find your words. "I -- that's -- you're --"

"Thank you will do just fine," he says with a smirk. He tucks the rag in his back pocket and crosses his arms, leaning against the wall.

"Let me cook for you," you blurt out instead. "In exchange." You can make a few things fairly decently and making him something is another excuse to talk to him like this, to be on the receiving end of those eyes. "I can make chili. Does Ellie like chili?"

"Don't have to do that," he says kindly. "Helpin' you ain't a business deal. S'what people do here." He stands straight and heads for your front door, picking up his toolbox on the way.

"Joel," you say, snagging his sleeve with your fingers. You pull them back quickly and grab the book you brought home, holding it out for him. "Ellie asked me to look for this. Could you give it to her?"

He looks at the book the same way he looks at his kid. It's tenderness so raw you look away. "I will," he says softly. He tucks the book under his arm like precious cargo. "Thank you for findin' it for her." He clears his throat and looks at you, smirk back in place. "Wasn't so bad, was it?" he asks. You don't follow. "Havin' someone help you," he adds.

Your face feels hot. "I'll still cook for you," you say, opening the door. He shakes his head.

"You let me know if you need anythin' else, alright?" A quick smile and he's down the steps and back into the street, strolling back to his own home.

"I will." You say it to yourself and almost mean it.

___

You patrol a few more times over the next month but never get paired up with Joel. If you were a little braver you'd ask Tommy or the kid he's training to take over the schedule to put you two together but you don't. Instead, you wave at Ellie when you see her, nod at Joel from the other side of rooms where he's always talking to someone else. You let yourself enjoy the way your heart picks up at the sight of him and the thrill you feel after he smiles at you. It's a nice change to the boring, lonely routine you had before.

The doors in your house open and close silently.

Being outside is fine. You don't like it any more or any less, it just is what it is. Life at the end of the world continues on.

Until you have a bad patrol.

It's no one's fault and no one gets bit. You and your partner, Astrid, are tailing a buck that's wandering along your route. If you can shoot it you can load it on one of your horses and ride back together on the other. Winter is on its way and any extra meat helps.

You follow protocol. You're lining the deer up through the scope while she keeps watch. Just as you prepare to pull the trigger you feel it -- the pull of your gut telling you something isn't right. That feeling has kept you alive all these years so you lower the rifle and turn to Astrid just in time to see a stalker lunge out of the brush.

Its broken and jagged nails catch your shoulders and you go down hard enough to bruise. You can't hear anything over its snarls and the blood pounding in your ears but you do your fucking best. You wedge your forearm under its chin and try like hell to keep its mouth away from you. Your other hand somehow makes it to your belt and unsheathes your hunting knife and in one swift movement, you shove it into the soft jaw of the infected. Hot blood spurts over your face and you keep your mouth closed, shoving the corpse off you.

A gunshot has you whirling around and scooping up the rifle. You've got it ready to fire but you only find Astrid standing over a stalker corpse of her own, forehead bleeding and revolver smoking.

"You clean?" you ask her, eyes on her forehead. She nods.

"Shoved me into some thorns. You?"

"Yeah. Can we go home now?"

Your hands don't shake until you get back to Jackson. They tremble when you wash the blood from your face, your hair. You wish for just a second that you had someone to hold them, someone to tell you it's alright. Someone to talk to about how shitty your day was and how scared you were and how sometimes this life is so fucking exhausting and just when you think you're safe you're reminded that no one is safe anymore.

Maybe this is the kind of thing Joel was talking about. Asking for help.

The thought fades quickly. You can deal with this. You're just out of practice. You just got comfortable.

You go to bed as early as you can bear, closing your eyes and hoping for dreamless sleep.

You could only be so lucky.

You're no stranger to nightmares. Hell, who isn't? Usually, it's the same old shit -- people you've lost, fucked up things you've done, horrors you've seen. You know how to deal with it.

But this is the first time in a while you've got new nightmare fuel. The hot, rancid breath of the stalker and the agonizing sound of its moans. Your own choked gasps as you try with all of your strength to keep its rotting teeth away from you. Unlike reality, your dreams don't allow you to grab a hold of your knife and instead, you feel it take a chunk out of your neck, hot blood splattering your face and you have to just lie there as it bites and bites and bites --

You jolt upright with a small gasp. Necessity has taught you to wake silently.

"Fuck," you say to the empty room. No way you're going back to sleep after that. You swing your legs over the side of your bed and put your head in your hands. "Breathe. Breathe."

The sky is black through your windows. You have no idea what time it is but you stand before the lingering panic can take hold and make things worse. Fresh air will get the iron smell out of your nose. You dress in the dark in more layers than necessary but you want to stop shaking.

Jackson at night is quiet but there are always a few people around, always someone else who can't sleep. The sky is clear and the moon is bright and it smells like woodsmoke and the unique earthy feel of the valley. This is your home. So long as you have this you can get through it.

Your feet take you through the streets of houses, most of the windows dark. Just another lap around town and then you'll go home, try to sleep again.

Then you hear something. The gentle strum of an acoustic guitar weaving with the night air like a dream. A song from before, a song you recognize but don't know the name of, don't know the words. You wrap your arms around yourself and follow the sound down Rancher Street. If you find whoever is playing it you'll wave and walk slowly home.

Your breath catches in your throat when you see whose house it is. Joel is on the porch, rocking slowly and head leaning back, eyes closed as he strums. How did you not know he played guitar? It only makes sense that the hands that are capable of such violence can also make something beautiful. He can ruffle Ellie's hair and pull the trigger and fix your doors and do this.

Something in your chest tightens.

Joel's eyes open and land on you immediately. You realize how it looks -- you standing in front of his house in the middle of the night, watching him. But he stops his playing and calls out your name.

"Hey, you alright?" he says. You hover between taking a step forward and a step back.

"Couldn't sleep."

He shakes his head. "Can't hear ya," he says. "C'mere."

Step forward it is. Up the stairs and onto the porch that creaks a little under your boots. There's only one chair and a small table with a lantern on it. Wind chimes dangle over the railing and you drag your hand through them on instinct like a child with a toy.

"Sorry," you say softly.

"Only got one chair," Joel says. He's got one boot resting on his knee, guitar slung across his lap. He looks tired. "I'll go get another --"

You wave him off. "No, please," you say. "I'll stand. I'm too antsy to sit, anyway." If you sit down in a chair next to Joel Miller you might never get up.

He frowns but settles back into his seat. "You alright?" he asks again.

His gaze is a little too much. You feel silly all of a sudden, not sure how you got here. A fucking nightmare? God, you're ridiculous. You cross your arms and lean back on the railing and look anywhere but him.

"Couldn't sleep." Joel hums.

"Heard that one before."

He strums some more and you relax again despite yourself. "Sounds nice. Do you play a lot?"

"Sometimes," he says. "Old habit."

"It's a nice one. Better than walking the streets in the dark." Your tone is harsher than you mean it to be and Joel frowns.

"It's safe to," he says, as though your wellbeing is his personal concern. "Bit cold, though."

"Why are you out here then?" You're frustrated with yourself and taking it out on him just a little bit. The smell of blood fills your nostrils again and you press your fingertips into your crossed arms, hard, and close your eyes. Your breath stutters in your chest.

"Nightmares," Joel says wryly. There's some shifting, the scrape of wood on wood and you open your eyes. His are fixated on your fingers and you stop squeezing. The guitar is now leaning up against the house and he's got his elbows on his knees like he's about to ask you a serious question. The lantern light makes his hair look darker, less silver, but it also makes the lines on his face look deeper. You wonder what kind of shit he's seen. What things he has nightmares about.

"Had this conversation with Ellie a million times," he huffs, rubs his hand through his beard in what you now consider a familiar gesture. "You don't need to talk if you don't want to. But can't hurt."

Is he asking you to talk about your nightmare? Does he actually want to know? Do you know how to talk about it?

"I take it you're a fountain of emotional sharing, huh?" Again, the misplaced frustration. You don't know how to turn it off.

His eyes flash but he just leans back in his chair and shrugs. "Depends on the day."

The low-level hum of your infatuation with him flares and your traitorous brain bats it down right away. You want to see all sides that he can offer you, want to make him frustrated and angry just to see if that'll make him sick of you.

You run your hand through the wind chimes again, watching your fingers move through the air. You remember what the knife felt like in your hand, the way the blood was hot as it dripped down your wrist and onto your face.

"Tough patrol," you say. "Messiest since I got here." Joel says nothing and you don't look at him. "I...it was fine. We got jumped by some stalkers and it was fine but...close. And I -- I didn't realize how badly I wanted to come back here until then. How badly I wanted to go home at the end of it. Does that make sense?"

You finally look up and Joel's knuckles are white on the arms of his chair. When he sees you looking he crosses his arms. "Sure," he says, clears his throat.

The urge to try to explain more is overwhelming. "I mean, we've all done fucked up shit. I've been up to my elbows in infected guts and still come out on top and slept like a rock the night after. And all of a sudden I can't fucking handle a stalker getting in my face. It's like I've never had to get my hands dirty before and what if it means I'm going to fuck up next time --"

"Hey," Joel says firmly. You feel a hand on your forearm and realize you've been pacing, arms flailing as you rambled. He gives it a squeeze and then releases you. "Feel like I gotta say fuck now to catch up with you."

A wet chuckle works its way out of you. Where did that come from? Are you about to cry? On the porch of the man you have a stupid, stupid crush on? This is embarrassing. And his touch. People touch you all the time, all things considered. A tap on patrol indicating silence, a hand on your arm to get your attention, to brace you as you lift something. Children in town who don't know the horrors outside the walls give affection freely. Hell, Joel touched your shoulder after your patrol. You're not touch starved but you feel like no one has touched you with tenderness and meant it in years.

"Sorry."

Joel tuts. "C'mon," he says. "I asked."

"I don't think I feel any better."

He stands and grunts as he does so. He's so much closer than before, so close you can smell what you can only describe as Joel: wood shavings and gunpowder, laundry soap and leather. It's a little dizzying. He leans on the railing next to you.

"Bet when you go back to bed you won't dream," he says. "Usually what happens."

"Here you are again," you sigh. "Helping me out. I promise I get on just fine on my own."

"I know," he says. His eyes are warm and so, so deep. "Don't have to, though."

Joel, for all his kindness and popularity in town, is a man just like any other. A person who has seen and done shit that no one should have to see and do. You know he's got his fair share of secrets, of things he won't talk about. You all do. You know he can be unflinching and maybe even cruel, dangerous and deadly. Whatever is happening here -- this openness, this desire of his to help you out -- is hard won. You think about what Ellie said and let yourself have a dangerous thought: maybe he's this way with you because he wants to be.

You sway into him just a little before catching yourself and standing up straight. "I should go try that dreamless sleep," you say softly. "And you should, too." It does not escape your notice that you haven't talked about Joel's nightmares, whatever they are. You don't think he'd be that open. A piece of you imagines a world where you ask and he answers.

"I might," he says. Neither of you move.

That small piece of you would stay here all night. That small piece of you tries for the next best thing.

"Will you let me cook for you now?" you ask. It sounds a little desperate to your own ears. "Please?"

"Persistent, ain't you?" He taps his closed fist on the railing once, twice. "Well, if it's that important to you. Chili, you said?"

"I can have it done by sundown tomorrow. I'm on greenhouses but we always finish early. You can come by and get it. I'll do enough for you and Ellie for a few days." You're rambling but finally he's going to let you do something for him. Hinges, nightmares, it's too much. Maybe you can somehow cook out this affection for him, get rid of it with your own hands if you try hard enough.

"Alright," Joel says. He puts his hand on your shoulder lightly and squeezes once. You feel it all the way down to your toes. "Now get outta this damn cold."

He doesn't offer to walk you home. You'd say no if he did. You need the time to sort out the mess in your mind. You give him the most earnest smile you can manage and he watches from his porch until you turn out of sight.

__

Joel is on your mind all day. More so than usual, which is saying a lot. The crush has turned into something...more. Something that makes you hope and that something is dangerous. It's just setting yourself up to be hurt through no fault of Joel's when it goes nowhere. Because why would he be thinking about you?

"You're smiley today," Dina says. She's a sweet girl and you're paired together on greenhouse shift today. She's always got a story to tell about plants she and her sister saw in New Mexico or some weird mushroom she found on group patrol. You love how positive she is and you try to absorb some.

"Am I?" you say lightly.

She tugs on one more cucumber, putting it in your shared basket before wiping her face. She gets dirt on her nose. It makes her look young. "Got big plans?"

Your face feels hot. "Just cooking for a...friend." It's the first time you've said that out loud. It's probably true, right? Acquaintance, at least. Joel is important to you and it's taken an alarmingly short amount of time for it to solidify. That's just how the world works these days -- you never know how much time you have so everything moves faster. You care harder despite years of proof that nothing good comes of it. You can't help it. You were made to leak love like an open wound.

"A friend," Dina teases. Teenagers. You remember that she's friends with Ellie and it's very possible she knows exactly what you're talking about but she's too kind to say anything more.

"Yep," you say, popping the p. "Do I have to start teasing you about Jesse or are you going to cut me some slack?"

"Well, hey," she laughs. "I think it's nice to be excited about something. You're so serious all the time."

"Am not," you mutter.

Something you appreciate about Dina is that despite her age she knows when to leave it. "Whatever you say," she says primly.

Once work is over and you're back home the cooking goes quick. You focus just enough considering you want this to actually be good and for Joel and Ellie to like it. It's thank you chili, it's you are important to me chili, it's I want to see you every day for the rest of my life chili.

Well. It's thank you at the very least.

And food, especially in this world, means something extra. There's enough to go around in Jackson, more than enough, but anyone taking the time to fix something with their own hands means more. You know how different a meal can taste when someone makes it with care.

And to say you care is a bit of an understatement.

The chili is simmering and you're about to start on the dishes when there's a knock on the door.

"Shit," you say. You wipe your hands on a towel and pad down the hall in socked feet. When you open it you find Joel bathed in the golden light of the sunset. His hands are tucked in his pockets, the collar of his coat turned up to protect his neck from the chill that's settled in for the season. His face softens at the sight of you but his shoulders are still tight. Is he...nervous? No, you're projecting.

Here he is on your doorstep again. If you're not careful you'll get used to him being there.

"Sorry for bein' a bit early," he says at the same time you say, "I was just thinking about you ."

The tension melts out of him and he smirks like a man with a secret. "That so?"

Your eyes are wide as you find your words. Hopefully ones that aren't embarrassing. "Come in," you say. "I'm letting the heat out."

He follows you to the kitchen. "Smells good," he says.

"It's not quite done yet but that's a good sign, I guess." You stir the pot before rolling up your sleeves and taking your spot in front of the sink. "Sorry it's a bit of a mess, I was about to start on this --"

"Now I know you ain't about to do all that yourself," Joel drawls. It's a syrupy tone you haven't heard from him, not really. Is he...flirting with you?

"I...what?"

"Scoot," Joel says. He steps beside you in front of the sink and gently bumps your hip with his. "Seriously."

"Joel--"

"Does it look like I'm kiddin'?"

He keeps his eyes on yours as he shrugs off his jacket, tosses it on this island, and rolls his shirtsleeves up to his elbow. You look away from him so you can watch.

"This is getting ridiculous," you tell him even as you hop up to sit on the counter closest to the sink so you can see his face. He turns on the tap and starts on the various things in the sink even though some of them are clearly not from cooking tonight. "You'll be sick of this chili before I can pay you back."

"I told you it ain't like that," he scolds. "So quit it."

There's no real bite to his tone but you do as he says all the same. You kick your feet out a few times and do your best not to stare but fail miserably. The fall sunlight seems to have followed him into your house, pinkish-golden beams falling across his face. You can see a triangle of chest at the top of his shirt, a few dark curls teasing the hair on him. The scar on the bridge of his nose is much harsher up close, much deeper than the countless other ones that dot his forehead, his temples. He doesn't look as tired today. Maybe he got some sleep after all.

So did you. You didn't dream.

"How was your day?" you ask. Joel's eyes flick up to yours for just a breath before he looks back down at his task. His mouth pulls up at the corner.

"Fine," he says. "Had to fix the water heater at Ellie's place."

A piece of hair falls in his face and you shove your palms under your thighs so you don't brush it back.

You tap his denim-clad thigh with your socked foot, almost like a compromise with yourself when it comes to touching him. "And that took all day?" Damn, are you the one flirting now?

Joel seems amused in a grumpy way. "Well, no," he says. The faucet is on so he speaks a little louder. "Did some house chores. Worked on a guitar. Took a nap."

The image of Joel sprawled out on a couch is clear as day. You bet he looks relaxed in his sleep, the lines on his face not as pronounced, his breathing steady and even.

"Busy day," you say softly. He's about to say more, lips parted to ask about your day, maybe, but you're not about to admit that you spent all day thinking about him so you keep talking before he can. "Does Ellie like living in the garage?"

"Think so," he says. "She spends a night in the house every so often but I think she likes havin' her own space. S'important to me to give her that."

This is uncharted territory. You desperately don't want to step in shit, to somehow make him bring his walls back up. Everyone is protective of the things they love in this world and for good reason and you're pretty sure there is nothing and no one Joel loves more than Ellie.

"She's a good kid," you offer. "Everyone in town loves her."

Joel smiles down at his hands, that soft, raw smile you've seen a few times when talking about her. It makes your chest ache. "She is," he admits. "Pain in my ass, too."

You want so badly to ask him the details. How did they meet? How did they get here? How did they become so devoted to one another? And what happened in the last twenty years to get him to right now, washing dishes in your kitchen?

But you haven't earned that stuff yet. Maybe you never will.

"Does she like Jackson?" You remember what he said about them settling in, sleeping in the living room with their shoes on. You imagine he kept watch for weeks, maybe months, before deciding it was safe.

He nods. "S'good for her to have friends. And havin' school is good for her. She's real smart." He clears his throat. "And you? D'you like it?"

"Well, I like it much better now that my hinges don't squeak."

Joel laughs. "I'll bet you do." He's almost done, everything from your chili-making washed and set aside to dry. He's doing your dishes from breakfast but shows no signs of stopping."Do you cook like this a lot?

Your brows furrow. "I-- no, actually," you admit. "It's just me, so. Not worth putting in the effort that often."

He turns off the tap and grabs a towel and starts to dry. You should offer to help but you feel frozen to the counter. If you get any closer to him you might snap. His jaw is tight.

"When Ellie and I --" he stops, takes a moment to focus on the bowl in his hands. Joel, you've noticed, doesn't tend to say things he doesn't mean, at least not to you. It's like he knows that every word counts in a life as unpredictable as this. "We had a bit of a rough patch last year and we didn't talk for a while. I was damn near eatin' canned veggies on days Tommy didn't drag me to the community meals." He sighs and sets the bowl on the counter ever so gently. Violence and tenderness go hand in hand with him. "Just didn't have it in myself to try cookin' if she wasn't there to eat it."

It's the most vulnerable thing he's said. He keeps doing this -- offering you pieces of himself that you want to hold close, that make you think maybe he wants you to know him.

"Joel--"

"I guess what I'm sayin' is it's easier to take care of yourself when you're also takin' care of people who matter to you. That make sense?"

"Yeah," you breathe. "It does."

The whole scene is so...domestic that your chest aches. Joel in your kitchen doing your dishes. He's helping you yet again but this feels different. It feels like he wants to be here, talking to you. It feels real.

He finishes his task and dries his hands on a faded towel. You hop down from the counter to check the chili. "Should be done," you say. "Do you want to try it? Make sure it's worth it?"

"Oh, it's worth it," he mutters. You work to keep your face neutral. What does that mean? "Sure."

You pull a spoon from the drawer and while it would make more sense to just hand it to him you don't. Instead, you dip it into the steaming liquid and hold it out for him, your other hand cupped underneath to catch any spill. Joel stares at your offering for a few seconds and you wonder if he can hear your heart beating.

Then Joel reaches out slowly like he's afraid you'll bolt if he goes too fast, and lightly wraps his hand around your wrist. It's the first time he's touched you skin to skin and you know immediately that it's a mistake.

You'll never stop wanting him now.

His palm is warm, callused fingertips pressing gently into your skin and he tugs, bringing the spoon -- and you -- closer to his mouth. Everything moves in slow motion for a few moments and it's like you are the only two people in the world. Your kitchen fades and it's just Joel. His lips part and he slides the spoon into his mouth at the same time as his thumb strokes the inside skin of your wrist.

It's very possible that you gasp a little.

He closes his eyes and you're torn between watching his face and his throat as he swallows. You could look at him forever, you think, and never get enough. The set of his brow, the hard line of his jaw. Lines around his eyes and mouth from years of terror and violence but also from laughter and smiles. You want to learn every inch of him if he'll let you.

"Christ," Joel says. His eyes fly open and find yours. "That's good. That's real good."

"You're just saying that," you say weakly. He hasn't let go of your wrist and his thumb strokes once again. You wonder if you realize he's doing it.

Something in his face changes, something so small that you only notice because you're watching. It feels like he has decided something and you wish you knew him well enough to say what. You dare to hope it has to do with you.

"Oh, sweetheart, I'm a good liar but I ain't just sayin' that."

Sweetheart. It echoes in your ears, burrows its way into your chest and takes root.

You're so fucked.

But there's something in Joel's gaze, in the brush of his thumb across your skin, in the fact he's just done all of your dishes and talked to you like he wants to be here that gives your traitorous heart some ground to stand on.

You send him home with as many glass containers of chili as he'll take. He argues that you won't have enough for yourself and manages to convince you to keep a few. You don't tell him that what you really want is to sit next to him at a table and eat it, knees bumping under the wood and his smile making your empty house feel warm.

"Tell Ellie I say hi," you say once he's out your door and on the porch. "And let me know if she likes it."

"Will do," Joel says. You hug your arms around yourself against the chill. He frowns slightly.

You wonder if he'd touch you if his hands weren't full.

"And thank you for--"

He shakes his head. "Not acceptin' thanks," he chides. "Not from you."

You don't know what to say to that. Joel seems to realize he's rendered you speechless, not for the first time, and nods his head before heading home.

"See you around, Joel," you call after him. It sounds half like a question and half like a wish.

He turns. "Countin' on it."

___

You do see him around but not as much as you'd like. Things pick up around town before the seasons can change and send Wyoming into winter. You find yourself in the kitchen most days helping seal jars for the community food stores, hands chapped from the hot water and heart light when you think about Joel. He nods at you from across the dining hall, opens the door of the library when you're going in and he's coming out, and tells Ellie to tell you how good the chili was when you share a shift at the stables.

"Fucking amazing," she says.

You sleep fairly well, going to bed each night with a little bit of lightness in your heart that you allow because why not? There's no way out short of Joel telling you to fuck off and you don't think that'll happen. If only you could get over yourself a little more and actually do something about it.

As much as you want to keep telling yourself that this -- glances across rooms, smiles from a distance, memories of his hand on your skin -- is enough, you're not sure that it is. The force of your want is destabilizing considering the most that's happened is maybe a little bit of flirting. But maybe this is you taking his direction to ask for...no help, not exactly, but to ask for something. To ask for him.

Today you're going on patrol. You decide as you mount your horse that you're going to ask Joel if he wants to get a drink when you get back. You want to talk to him again, let him under your skin a little more. Maybe tell him some things about yourself. Sometimes he's milling around the gate or on wall duty but you don't see him as you and your partner -- a fairly new kid in his twenties -- take your rifles and head out. You're on an easy route today, just clearing out the town over the hill and the highway exits near Jackson. Shouldn't take you more than a few hours.

It goes to shit fairly quickly.

The kid -- Conner? Charlie? You can't remember -- is rambling about the infected he's killed for some reason when you realize something isn't quite right. You can't hear any birds. Apollo snorts and it sounds panicked. You motion for the kid to stop talking but he either ignores you or doesn't see.

He sure shuts up when the clicker bursts out of a house to your left. Apollo startles and rears at the moment you reach for your gun and you can't grab hold in time.

You go flying, bouncing off a rusted-out car and landing hard on the broken pavement of the street with a popping sound. There is a pain in your shoulder so intense your vision whites out. The kid is shouting, the clicker is making that awful sound, but then you hear two gunshots and nothing else.

"Holy fuck," he says, rushing over to you. "Fuck, are you okay?"

Well, for a talker, this kid a good shot.

"Get the -- horse --" You roll onto your back with a groan and he grabs Apollo and settles him.

"What happened?"

You stare up at the sky, blue turning purple. It'll be sunset soon and you very well might be fucked if this is what you think it is.

"I think my shoulder popped out," you say through gritted teeth. Your head doesn't hurt like you smacked it and your side is only a little sore. Maybe some bruised ribs. Your hands are scraped, blood beading on the heels of your palms. "Help me up."

"Holy shit." He helps you sit up and then stand, your left arm hanging limp at your side. You hiss through your teeth as it gets jostled and lean heavily on the car. "You don't look so good," he says. "Can you ride? We should only be a half hour out of town."

"I...don't think so." You're pretty sure you'll pass out from the pain and this kid doesn't look like he can handle that. You don't want to fuck up the joint any more than you have to. "You're going to have to go back and bring someone to set it for me, okay?"

"But the rules say --"

"I know what the fucking rules say," you snap. Don't let your partner out of your sight. Your shoulder is throbbing and you might cry but not until this kid is on his way back to town. "That's why you're going to go as fast as you can, alright?"

"We should at least clear a building first so you can --"

"No time," you say, looking at the sky. "If we want to be back before nightfall you need to go now. I'll handle myself."

You really should know his name. He sets his jaw in a move that reminds you of Joel which causes a pang in your chest so intense you want to rub it away. "I'll clear that garage, okay?" He points behind you and before you can stop him he runs towards it with his gun out.

Lucky for both of you it's clear. You take Apollo inside and slump against the wall, pistol in your hand. The kid closes the garage door behind him and you hear the clop of his horse as he gallops away.

"Fuck," you say into the empty room. It's dusty and full of cobwebs and not much else. Empty metal shelves, a rusted-out lawn mower, some tarps so ratted they're useless. Apollo snorts. "Not your fault, buddy."

Death has been nipping at your heels for twenty years now. You've always expected it. And you're fairly certain you won't die out here. Maybe end up spending a night on this floor, having to walk yourself back to Jackson tomorrow morning. But you can't help the fear that rises in your throat. You know how an injury like this means so much more in this world. You won't be able to work for weeks. You won't be able to patrol, to pull your weight.

You're going to need a lot of help.

You close your eyes against the stinging tears and thud your head against the wall.

The pain dulls the embarrassment you feel when you catch yourself thinking of Joel. You wish he was here. If you'd been on patrol together this wouldn't have happened. You wonder what he's going to think of this.

What you'd really like is for him to hold you and tell you it'll be alright.

A few tears slip down your nose. Apollo noses at your knee.

There are no windows so you don't know how much time has passed. You start to question if this was the right call. Maybe you could have made it back on horseback, or at the very least slung across the back of Apollo like a sack of flour, arm be damned.

Your traitorous brain is about to remind you of all the things that go bump in the night out here when you hear something. 

Someone is calling your name. Yelling it.

"Here!" you scream. Apollo whinnies. "I'm here!" You have no idea if they can hear you. You press your good shoulder into the wall behind you and try to push yourself to your feet but just as you do the garage door is hauled open and there stands --

Joel.

A sob bursts from your throat and you will yourself to pull it together. Behind him the sky is much more orange than it was when you first sat down.

Joel's eyes look you up and down once before cataloging the space and locking on some milk crates. He stacks two of them.

"Sit," he says. His voice is tight.

"Joel --"

"Sit."

You do as he says. He kneels at your feet and rummages around in his bag. His horse stands munching on some overgrown grass on the driveway. Did he come alone?

"How are you here --"

Joel cuts you off with a glare. His eyes are blazing, jaw grinding as he holds out a length of bandage.

"Hold this." He stands and his knees crack. "Kid said it's your shoulder. Anything else?"

The throb is still deep, still intense, but his arrival almost made you forget all about it. You shake your head.

"Didn't hit your head? Crack ribs? Nothin' like that?"

"No, I don't think so --"

"Need you to sit up straight," he says. There's no warmth in his tone but it's a little softer now that he's taken stock of the situation. "I ain't gonna lie to you, this is going to hurt like hell." He digs in his pocket for something and pulls out a square of leather. "Need you to bite down on this."

He squats so that you're just about face to face and holds out the leather. It feels like being in your kitchen, you holding out the spoon and fighting your desire to touch him. Except this time he won't look you in the eye. You open your mouth and he gently places it between your teeth, thumb catching the corner of your lips and trailing along the edge of your chin before he pulls away and stands up.

"I'm going to reset it on three, alright? Bite down hard on that." He finally meets your gaze and you nod and close your eyes. He puts one hand on your shoulder and the other on your wrist and you wince even though you feel incredibly safe in his hands. "Alright. One...two --"

Joel jerks your arm up and around before he hits three and you barely hear it pop back into place because, as he said, it hurts like hell. You bite down hard on the leather which also serves to muffle your scream.

Someone is talking to you."I know, baby, I know. Good job, you did a good job."

You open your eyes and wipe away a few tears with one hand and pull the leather from your teeth. Joel looks pained but his face snaps back to neutral when he sees you watching. His eyes narrow.

"Where did that come from?" He gently grabs your wrist and looks at your palm and you both find it bloody. "Got it on your face."

"Scraped my hands when I fell," you say hoarsely. He clicks his tongue.

"Give me that bandage." You don't even get a chance to hand it to him because he plucks it from your lap. "Gonna make this into a sling for this arm. Try not to move it much. Then we'll clean those hands and head home. Get you to the clinic for some meds." He gently positions your arm, which hurts a lot less than before but is still throbbing, and ties a sling so it's bent close to your chest. You can feel his breath on your neck as he does the knot.

And then he's back crouching in front of you.

Joel Miller on his knees for you so many times in one day makes you a little dizzy. Or maybe that's the adrenaline.

"Are you angry with me?" you ask softly as he wipes clean your palms and cheek with firm touches. The muscle in his jaw twitches again and his hands freeze for a split second.

"No," he says. "I ain't mad at you. I just can't believe the fuckin' kid left you here."

"I told him to."

"Can't believe that either. You know better."

"It's fine, Joel," you say. "It doesn't matter. I would have just walked back in the morning if no one came --"

He pulls his hands away and tosses the rag to the floor. "Damnit, it does matter," he curses. "'Course it fuckin' matters. Cut that shit out."

Now you're confused. It sure seems like he's angry with you. "Joel, I don't understand --"

His hands cradle your face and the protest dies in your throat. "You matter to me," he says thickly. His eyes are wide but his stare is steady. "Ain't it fuckin' obvious?" Anger and desperation are dripping from his words. "It matters."

For one long second you think he's going to kiss you. Now that might kill you.

You wrap one hand around his wrist and lean into his palm. A thousand thoughts swirl in your head but you focus on one. Joel is here which means you're safe. Joel is here which means he's going to take care of you. Joel is here. Joel is here. Joel is here.

"Oh," you breathe. You turn your face in his palm and press your lips to the center of it. His breath hitches and it feels like something big between you shifts, slots into place. "Okay," you say against his skin.

He pulls his hands away and stands. He works his jaw a few times before shouldering his pack and holding out his hand. "Let's go home," he says.

You stand with his help. "I think you'll need to help me get on my horse."

"Not a fuckin' chance," he growls but you can still see tenderness in his eyes. "Can't hold on well enough with one arm. We're ridin' together."

This Joel is one you haven't seen. But this is what you wanted, right? You want to see every part of him. Something molten and heavy sits in your stomach at how tense he is, how his hands remain gentle despite his harsh words. How he just told you that you matter to him. Maybe this is all a dream.

He helps you on his horse and then gets on behind you, tying Apollo's reigns to his so you won't lose him. He wraps one arm right around your stomach, mindful of your arm.

"Ain't gonna be comfortable," he says in your ear. "But it'll be over quick."

You lean back into him. Hell, it's all on the table now. If your arm is going to hurt you might as well enjoy your time pressed against him.

"Oh, I don't know," you say. "This isn't so bad." He snorts and snaps the reigns.

He talks low and steady in your ears as you gallop, his palm firm on your abdomen to keep you as still as possible though it's a hopeless venture. Your shoulder aches, sends sharp tendrils of pain through your entire arm with every stride.

He tells you that he was on the wall when your partner came back alone. That he knew something was wrong with you as soon as the kid came into view. He'd seen the patrol assignments and knew you were paired together. Kid didn't know what flag to use to signal his approach because you're not supposed to leave behind your partner.

Joel tells you how he hopped down from the wall and asked the kid where exactly he left you. Demanded to know how hurt you were, if you'd been bit. He was on a horse before anyone else could get their shit together, told them to get Tommy and have the clinic ready for you. Started hollering your name as soon as he got to the street, rifle ready for any infected to show up.

"Damn miracle when you yelled back," he says just as Jackson comes into view. You're sweating and dizzy from the pain, practically all of your weight slumped back into his chest. "Almost there, sweetheart. Doin' real good."

The rest of it is a blur. Joel takes you to the clinic where he becomes increasingly agitated that he set your shoulder wrong until one of the staff says he did it just fine. They give you a real sling and one painkiller to take if you hurt really bad, despite some harsh words from Joel in an attempt to get you more.

"Don't move it above your head for two weeks. Keep the sling on for that time, too. Ice it today, start moving it back and forth a few times in a few days. You got someone to help you for a bit?"

Before you can open her mouth Joel answer for you.

"Yes." The nurse hides her amusement well. She lets you go. Joel keeps his hand on your back as he walks you to your house.

You stop him when you get to your front door. "Joel --"

"If you're about to argue with me, so help me God, I'll --"

"I was going to ask if you need to go check on Ellie." You pull out your keys and after a second hold them out for him. Maybe letting Joel help you is helping him, too. You can handle that. You think.

"Told Tommy to when I left. I'll go home once we get you settled."

We.

"Okay," you say softly. He unlocks the door and motions for you to go in. You sit gingerly on the couch and Joel brings you a glass of water.

And then he paces. He looks at the books on your shelf without seeing them and rubs his thumb against his first two fingers over and over. And all of a sudden he won't look at you.

"Joel, sit down or something," you grumble. "You're making me nervous."

He stops. "Fine." His tone has a bit of bite to it that makes you close your eyes. There's an armchair in the room but he sits next to you instead. He presses his knee to yours, almost in apology.

The adrenaline has faded by now and all you feel is the ache of your shoulder and ribs and rawness of your palms and heart. The shoulder hurts like hell but in a way all of this hurts deeper, harder than that. In the way you know love, or the beginning of it, can hurt.

You sniffle.

Truth is you're overwhelmed. By what happened, by Joel coming to get you and saying all that shit. By him touching you, by him being here, by your own heart beating so quickly at his nearness. Even though you dared hope he felt something close to your affection for him it's a shock to realize he cares about you because you're you, not just because he's a good man. You've always wanted love that came from a place of purpose, which feels selfish on the best of days. You should just accept whatever kindness comes your way in this cruel world.

But, fuck, you've always wanted to feel chosen. Like you matter.

And you do. Right here, you do. From his own lips he's said you do.

You don't even realize you're crying until Joel curses softly and one wide, warm palm is on your face again.

"What's wrong? You hurtin'?" His thumb swipes at your tears. "Talk to me."

"I'm fine." You press your face into his shoulder and he holds you, hand soft on the back of your head. "I'm just -- I'm just really glad you're here, Joel."

"Course I'm here," he says into your hair. "C'mere."

There's nowhere for you to go considering you're already pressed against him. But his arms come around you fully, mindful of your shoulder, and your fingers fist in his shirt.

You should be embarrassed. On the scale of fucked up shit that's happened to you, today is remarkably low. But you let yourself have this. You breathe him in and let him hold you.

"I was going to ask you to get a drink tonight," you mumble. His chest vibrates with laughter.

"That so?" he says. His hand rubs up and down your spine. "Reckon I'd say yes."

You pull back just enough to see his face. This close you can see how his eyes have a bit of gold in them. "Really?" Even with proof of his affection right in front of you it's a little hard to believe.

"Am I readin' this wrong?" he asks. "It's okay if I am--"

"No," you say quickly. "No, you're not."

"Thought so." His lips pull up at the corner just a bit. "But, still. You've had a real rough day, and --"

"Joel," you breathe. You free your good arm from your embrace and put your hand on his jaw. He's touched you plenty today and you want to give it a try yourself. His face is warm, his beard gently rubbing against your skin. His eyes flutter close for a breath before he opens them wide and leans into your hand just a little.

"Alright," he says softly. Then he says your name, just once, ever so tenderly. It sounds like a prayer.

Joel Miller kisses you in the middle of your living room. Despite the affection you've been nursing for him over the last little while you never allowed yourself to imagine what it would be like to kiss him.

It's like this: the first press of his lips is soft like he thinks you'll pull away. When you don't he takes your lower lip between his and presses a little harder. Your hand slides into his hair and he palms your hip with one of his and cups your face with the other. His tongue traces the seam of your lips and you open for him, let him lick into your mouth. You sigh into it and tug on his hair just a little. Joel makes a sound deep in his throat and then pulls away.

You're both breathing heavier than before, both smiling. Joel presses his lips to your forehead, your temple. He holds you against him and you breathe against the skin of his neck.

"Will you let me take care of you?" he says into your hair.

"For my sake or yours?"

You think he'll laugh but he just breathes. "Both," he says. "Hell, you know what's goin' on here. I showed my hand. Been showin' it." He pulls away so you can see the honesty in his face. "I told you in as many damn words as I know how."

He did. He did and you make yourself believe it. Love in this life is worth holding on with both hands. Whatever this is, whatever this is going to become, you want it. You want to let this man continue to teach you to ask for help. You want to learn from him, maybe teach him a few things of your own.

You want to love him. You think you could sooner rather than later.

You trace the line of his brow, run your fingertip over the scar on the bridge of his nose.

"Can you kiss me again?" you ask.

"What a fuckin' question," he says. "C'mere."

thank you for reading <3 reblog, send feedback, general masterlist here!

[its-time-to-write]

masterlist

i figured it was time to make one. it's in order based on when i wrote it. please, please let me know if a link is broken/mislabeled!!

*82 fics*

All of these are Jamie Tartt x reader

dress

Jamie and Keeley buy you a dress for the benefit gala

three times 'cause i've waited my whole life

secret relationship to engagement

you're losing me

first kid

don't make this any harder

Jamie wants to take you to Brazil, you’re both idiots

would hit him in a heartbeat now

Your ex boyfriend is a footballer and also a douche

silent sleepers

Jamie contemplates your relationship on the team bus

what it is

Jamie is sick ft. Roy

don't go wasting your emotion

Secret relationship + you own a bookshop! Ft. Roy and Keeley

you know, you'll always know me

You’re a famous singer! Congrats!

i don't know how you keep smiling/i'm just choking almost constantly

Jamie’s dad is a douche

i'll still be right next to you my dear

Jamie is a dad

can't really say i'm enjoying it now

Yikes it’s a breakup fic, but happy endings only in this house

mine of you with me

Reader and Jamie go semi-public with their relationship

today's a day like any other

The Tartt family thru the years

there's orange juice in the kitchen

Oof ouch period cramps

i can't breathe without you

Nate kisses you w/o consent

damned if i do give a damn what people say

You’re a theater actress! How exciting!

island made of faith

People think Jamie’s dumb, and he’s not

take your time while you're mine

You’re Roy’s other sister ft. all the Kents

honey, i'll give you all my time

Vienna. Enough said.

feeling fragile can't you tell

Jamie gets hurt

wrote all your lines in the script in my mind

Oh no! Some girl kissed Jamie and it wasn’t you! + Colin as the bff

stick together like glitter

Babysitting Phoebe + angst

your mind is not your friend

Angst + comfort after you have a bad hookup

chasing shadows in a grocery line

You’re pretty sure you have a hot stalker

don’t go yet

Tee hee protective Jamie at a club

kicking myself to keep from crying

The morning after your mind is not your friend

i think we could do it if we tried

High school sweethearts reunited after 6 years🥺

i’m glad you exist

You and Jamie go to a wedding

send for me

BREAKING: shit day at work made better by local boyfriend

tell me where to put my love

day off = food + snuggles

bored

The longest angst I’ve ever written. Def not the best angst I’ve ever written.

would it be enough if i never gave you peace

you’ve got baby fever and your pretty sure it’s going to kill your brother

wishing on every one

You own a flower shop. It’s adorable.

lyrical eyes, indigo smile

Bea meets the team for the first time!

something to rely on

You storm the pitch and smooch your bf

flipped the script

Enemies to lovers slow burn (or maybe fast burn, idk)

i fancy you

London Boy by ms. T. Swift

you don’t want to know me

Jamie shows up at your door after s.1 Man City

you’re in the kitchen humming

Post-Mom City

family that i chose

For the child-free girlies!

never wanted you to hate me

Pt. 2 of you don’t want to know me

wonderstruck

BFF Keeley tells you to give her awful ex a chance

in love with an idea

idk it’s like a confession of love? kinda cute

sinking into your worn-out mattress

Touch-deprived therapist! reader

you’re a mansion with a view

just two footballers doing an England promo, nothing to see here

i know what i’m doing

Post-Roy/Jamie locker room hug after Man City

wonder what it’d be like

Jamie tries to win you back

if only love were true

You’re a single mom in dire need of a plus-one

i know now it’ll pass

It’s hard to love someone when you’ve been told you don’t deserve it

the way it goes

The Greyhounds are protective of Jamie

how to love being alive

Idk this one’s like whatever and also supes long

there is happiness

GEORGIE GEORGIE GEORGIE

it’s just wanderlust

Relationship soft launch

glitter on the floor

You like to knit. You also think you’re a comedian.

maybe tomorrow you’ll know

The “he’s a prick to everyone but her” trope

hustling for the good life

I swear this is my last chaptered fic

let’s fall in love for the night

Kent!reader is having a baby

soft hands hit the jagged ground

friends w/benefits

for you, there’ll be no more crying

anxiety at work + bf jamie

smile at me

there was only one bed!!!!

slow motion double vision in rose blush

happy b-day Jamie Tartt

half-moon eyes

it’s just a question!

can’t hear my thoughts (i cannot hear my thoughts)

I’m allowed to write what i want, ok???

here in my arms

more Kent!reader + a baby named George

coffee at midnight

prick coach wakes you up bc of your prick boyfriend

healing me fine

Just a lil engagement fic for ya

i don’t know anything

if you’re interested in Bea

right words at the right time

It’s a wedding fic

move fast and keep quiet

boxer!reader + smitten Jamie

not saying you’re in love with me

You meet over Bantr!!!

we could be so good

Jamie comforts you after a bad date

i hold it like a grudge

i don’t even know how to describe this one but u might cry

there for you

sick fic

before you go

physio!reader

you’ll probably date her

chronic illness + childhood friends. gotta love it

feel it burn

Gym anxiety

play it back

Old movies of bb Jamie

ours

Thanksgivinggggg

light in the hallway

MORE Kent!reader

stuck by you

Bad family + good Jamie = fic

please don’t be

five chapters of sadness that definitely isn’t based on personal experience

[kunaigirl]

Long post ahead, but I really want to talk about this...I think? Oh lord here we go, lol. Anyways, confession time!

I struggled with illiteracy and learning to read for a chunk of my life. I've mentioned it (in passing) in this post that I made about my experiences with having epilepsy, but I decided to make an whole post just for this for a change.

Somewhere around when I was in the second grade, I lost my ability to read and write due to a bad seizure I had. (That combined with the medications I was given too.) A lot of my memories are blank from that era, except for a very few instances I remember clearly. What I do remember though, has nothing to do with the seizure or even what lead up to it, all of that's still gone to this day.

I had lost my ability to read, and also was diagnosed with dyslexia during the quest to re-learn from scratch. (On top of already being diagnosed with ADHD when I was about 6.) I remember very vividly how HORRIBLE everything felt. I couldn't remember the names of things, and I had to re-learn, from preschool up, both reading and writing from scratch.

Somewhat luckily, I didn't lose anything else besides those chunks of memories and my ability to read, and I still remembered who I was, what cartoons I liked, my favorite music, etc. But suddenly, I couldn't read the CD titles anymore. I couldn't read the VHS covers. It was gone, ripped away from me very suddenly, and I knew it was missing. I knew that I already learned how to read and write, but it was forced out of me by a malfunctioning brain. I was home schooled because of it from grades 3rd-5th. (2003-2005)

In the third grade, I had made just enough progress to get books for 5 year olds. Everyone around me acted so proud, but all I could do was cry. I was humiliated. I felt so incredibly stupid, as being illiterate leaves you with no choice but to feel stupid. I threw those baby books around my room and sat on the floor crying. It wasn't fair, I didn't do anything wrong, it was my damn seizures. I had no control.

When I went back to public school for 6th grade, I got called stupid, the r-slur, illiterate, slow, basically every name in the book. Both kids and adults, all throughout those years while I continued to re-learn in real time. In middle school, my reading level was still low for my age, and I had to be in a special program with extra assistance and teacher accommodations. As soon as word got out, the kids were RELENTLESS. It was 06-07, nobody cared about bullying/etc, especially for a public middle school. The bullying never stopped.

I kept working and studying, slowly making progress. Years of struggling, learning to cope, inventing my own short-cuts to help read a little easier, using rulers and paper edges to help guide my eyes, everything. I was still in "special" classes with accommodations all through high school too. My senior year of high school, I graduated on the honor role list. Did that make me happy? It felt nice for sure, but better? Not by much. I knew how hard I still struggled, and still felt very embarrassed by it all. I'll never forget.

As a kid, the pain I felt was so intense. Physically from the seizure, and in every other way with having to re-learn how to spell t-r-e-e. Starting over with pre-K toddler books at 7. Kindergarten level at age 8, and a first grade level as a 9 year old. The feeling of having my memories ripped away just enough to leave me unable to recognize the symbols that decorated everything from posters to TV to book covers. Being told by a room full of doctors and neurologists what had happened, and being quizzed and tested to see what I still had left.

I have never forgotten those long nights. Even though I was a child, the shame and guilt and fear I felt were VERY real and very tense. And the jokes/remarks from both kids AND adults, the notebooks filled with raw squiggly anger, the uphill climb to regain what was taken from me. I will NEVER forget it. Even in college, I struggled with those heavy textbooks and their tiny fonts. I did well enough, but no one else struggled the way I did with them. I did my work and wrote my essays, but it would take full entire days. It still does.

At times, as an adult, I still get stuck on words. I can obviously read and write again, as you can see with this exact post, but it's not over. I struggle with certain fonts, and some books are just to difficult. I still work at it and still try as hard as I can even to this very goddamn day. It never truly ended, all these years later, 20 years later, I still sometimes fight to understand. I feel like an angry and humiliated kid again in those moments, but I'm not that kid or teen anymore. I lived thought it somehow.

I had a dream back when I was 17, where I'm standing in from of my 9 year old self and that pile of baby books. She's crying and looking at me, desperately. I walk over and hug her, proudly telling her "We read The Great Gatsby in high school, and we understand it."

To anyone who has struggled with illiteracy at non-toddler-points in their lives, I see you. To anyone who's struggled with reading comprehension, I see you. To anyone who struggled with writing, I see you. We don't talk about it enough, and I want to change that. I don't want to hide that side of my life experience anymore. Fuck shame, we climbed out of it.

And to this day, a copy of "The Great Gatsby" is still on my shelf. Because I read it in high school, and 9 year old me would've thought that was the coolest achievement ever.

[intheholler]

what do you think of all of the people being scared of appalachia? i don't know if this is recent or not, but currently i've been seeing a ton of shit online like "never go to the appalachian mountains, it's so dangerous", and i just don't understand it. my family's lived in appalachia for forever, and none of us have experienced anything paranormal or endangering to us. you're one of my favorite blogs on here and i'd just like to hear your thoughts on it

first off, it means a lot that i'm one of your favorite blogs and im really happy i can contribute something to your experience here :') thanks so much for being here <333

but ok so.

my thoughts on it are many. it's been bothering me a long time and i've been meaning to get it off my chest. this will be long and probably ranty, so it won't hurt my feelings if anyone skims lol

lemme preface this little diatribe by saying the obvious: folklore is an integral part of any culture. the mythos of a place/people is tied directly to their histories and unique experiences and struggles and they are enriching. this is true of appalachia too.

oral folk traditions especially are incredibly historically appalachian.

i mentioned in a post i made yesterday about murder ballads, how the purpose of these was to warn kids away from doing dumb shit and getting lost in the hollers--falling down cliffs n mineshafts and shit at night. gettin got by wildlife.

it spooked us safe. they served a purpose, and once you got old enough to realize they're as real as the tooth fairy, they just become enjoyable and nostalgic. because they're you're culture.

probably every mountain kid has stories about haints n boogers that were told to them by their grandparents, and they grow up to tell them to their own kids, and so on. some of it stuck with me because i grew up with the folklore.

by that i mean, i'm a whole 31 year old woman and i still avoid looking out a dark window at night cause it gives me the shivers. i still get spooked when i hear a big cat yowling in the woods. but the difference is i know there's not really haints out there crying--it's just a product of my childhood. ghost stories are fun.

the problem comes in when someone outside the culture gets their hands on appalachian oral folk traditions. then, it becomes a familiar problem: outsiders cherry picking appalachia and harming us with the mess they make rifling through it all.

it's all about the surface level and the visuals. they all love a good aesthetic blog, run by some local from out west or some shit who's never stepped foot here.

but as soon as the spooky photo filters come off and the real life marginalized person is left standing there just out of frame, we go back to being disgusting examples of what not to be. decrepit churches n buildings are aesthetic and quirky until they stop being on a pinterest board, and then they just become damning images of an impoverished region who deserves to be laughed at.

now, not to holler 'splain you--this is more for anyone not from here who might read this: it's been a systemic issue for decades; there were literal government campaigns to demonize us to the rest of the nation so they could garner support to cut into our mountains and exploit our labor and resources.

well, they were fuckin successful, and we have been falsely made out to be this homogenous nightmare of a place--"welfare exploiting" maga country who deserves everything we get, and nothing we don't.

by going so far as to take appalachian folklore that we tell each other and picking out the "aesthetic" stuff--the haints and general paranormal--they are pruning what they like from our culture--the safe things, like ghost stories--for their own aesthetic use.

but not only that, they are using it to demonize us… yet again.

'appalachia is scary. it's full of things that will kill you. don't look out the window at night cause a booger will get you.' only they don't call them boogers cause they ain't even from here. ask them what a haint is and they'll ask if u mispelled 'haunt.'

it gets even worse when you consider that so much of it has roots in native american culture, and how that continues to be exploited and misrepresented.

i'm not even innocent of that. a while back i had to check myself because i made a comment on here about ~spooky appalachia~ ignorant to the fact that what i was commenting on was actually a deeply important cultural and spiritual element to local indigenous tribes. my comments were harmful by my failure to educate myself and know better, thereby saying things carelessly.

my point being--i'm from the area. i should have known better.

when outsiders start saying the kind of shit they say about what they think they hear in the woods without even knowing where such an idea comes from, they're disrespecting a displaced, abused and exploited people, harming real cultures just for clicks without even knowing. that's on top of the damage they're doing to greater appalachia.

it's fuckin gross.

i think my favorite one i ever seen was this middle aged white lady going through her pristine mcmansion somewhere in suburbia, pulling the million curtains and locking the million doors, going "nighttime routine in appalachia!! 🤪🤪"

i could be wrong about this particular person--i didn't check their other tiktoks because im sick of them accounts and tired of giving them the benefit of the doubt--but it immediately came off as a transplant because:

1) mcmansion, 2) i dont know nobody here that locks their shit down like that (not locking up could even be argued as a part of my local culture, a reflection of our deep sense of community and trust in our neighbors).

and then the comments was all like "i don't know how you guys live there" and it actually broke my heart and pissed me off because even if--especially if--you're one of us, why the fuck are you harming us for likes? why are you turning people against us in a brand new way?

and to the transplants that do this--why?

you're not even from here, you moved here to this place you hate and made it worse just so your front porch would have a nice view, and are now benefiting socially from perpetuating bullshit about us?

you buy up all the land, land we often had no choice but to sell in the first place to survive instead of passing it on to our families, land we originally took from the indigenous peoples your content comes from.

you overdevelop it and turn it unrecognizable to make it more like the comfortable cities you come from. you gut a mountain town of its local businesses and cultures, you price people out of their homes...

...and then once you settle in all cozy like, you go tell everyone else how scary it is? how you can't trust the hills? like it's a cool paranormal bravery badge to wear? fuck off entirely.

so idk, in short my personal thoughts are: i personally enjoy a little myth as a treat, because the folklore is a part of the gothic, a part of our culture and a part of my childhood. i don't (intentionally) wield it as a weapon or use it as a pedestal to get the weird brand of attention that people like them are after.

and those who do this can get got by them haints for all i care.

[elsa-fogen]

At first i was going to reblog this from @justashadowlooker

but then it got too long and off-topic, i started retelling and quoting my own 10 years old fanfic, so i'm making it it's own post jjdsfjkdfgh

Too long don't read, was a Bloom fan, killed her hundreds of times, than became Icy fan, killed her few times as well, still a huge fan, wanna revive some of my old ideas

When i had just started watching winx, Bloom was my fav AAHAHHAH (it was 2008-2009 year i think). Buuut... being my fav means that you gonna SUFFER. It was always the case, even when i was little. But young me didn't know better than to just kill of a character. And Bloom died SO many times in my early fanfics and arts. I still remember one fic, it was also the first ever fic i posted on the internet, and it was horrible. I typed really slow at that time and i was looking at like 10 A4 pages of handwritten fanfic and was like... weeeell i don't need this part with description of the boat... i don't need this part about wind flowing in her hair or smth... i don't need spaces after dots and commas either. These were real thoughts of 9 year old me lmao.

the fic was about Bloom and Sky going for a boat trip date, but there was also some bitch that fell for Sky and her best decision was to throw Bloom away from the boat. As a result she was sucked into the screw of the motor or whatever this thing called. Sky dived after her and brought her back on the boat, but she died due to the blood loss.

In my handwritten version it was really long and tears queezing scene, but i was too lazy to type it all, so it basically was shortened to 1 (one) sentence: Bloom didn't make it to the port.

i also had a picture attached, it was i think a cover of some of the comics where Sky holds Bloom on his arms and they're stepping out of the water, but i photishoped it and added many wounds and BLOOD BLOOD EVERYWHERE!!!

I also remember photoshopping screenshots from the first winx movie, adding bloody wounds on Bloom and tears and trying to make her face sad lol. And also i remember, i didn't have access to the computer all the time in my childhood, and there was a weird time... when i'd got a chance to be on the computer, i would made a specific search in google, to find that one art with Bloom, being fucking stabbed, lying on the ground and crying, and touching the golden heart-shaped locket with the name Sky on it, and you could see that it was Sky's sword that stabbed her, and he was walking away in the distance. I could stare at that art for hours, imagining how it happened. I also remeber how the art suddenly stopped showing up at the search and i had only tiny squeezed jpg version of it, and i thought that google banned this art for being so violent lmao

Btw i found that art, it's by Chibiusa-Moon, here it is, and i remember it diffferently, i thought Bloom had enchantix on her lmao

BUT THEN SOMETHING CHANGED. I DON'T KNOW WHEN. I DON'T KNOW WHY. BUT ICY CAME AND DESTROYED MY LOVE FOR BLOOM, AND TOOK HER PLACE.

I suspect that it happened after i saw ep1 of season 3, because HAVE YOU SEEN THIS WOMAN IN THAT EPISODE?! SHE WAS ✨✨S L A Y I G✨✨ DAMN!!! She freed herself looking fab as fuck (i've only seen her battle uniform at that point, and her casual outfit shocked me, i was like HOLY SHIT?? DIFFERENT COLTHES?) (and it's if you forgen the HOLY SHIT, TRIX IN THE FIRST EPISODE OF THE SEASON?!!!), sayed the edgiest thing in the world, then freed her sisters, skated away from the giant snake ON HER DAMN HEELS AS A QUEEN!!!!! I think this was the moment when i fell for her. Maybe i'm wrong and it happened earlier, but this is all i can remeber.

Well, i also remember when my mom got me my first winx magazine and i was really disappointed that there were no Trix in the comic AHHASJGDAJS it was comic about bloom and diaspro going to the land of the dragons.

And, funny enough, i think i didn't kill Icy in my fics (mostly)

wait fuck. i remembered one (that was actually properly published and finished), let me just refresh my memory real quick- (gonna cringe soo hard ahaha)

oh shit i also remembered some stuff. In my later fanfics i was tending to make Bloom real psychopath, who decided to straight up destroy all the witches and all the dark magic. Hey. Hey. I bet 13 year old me wouldn't mind if i borrowed this idea fom her...

EHM ANYWAY, BACK TO THAT ONE FINISHED FIC!

It's so cringy written, but it's got the spirit HASHDHA. The trix summon some another army of darkness that was created to destroy fairies (hey), but at some point they lose control of it and the army turns against them. They have no ther choice but to seek help from the winx. winx of course don't want to help since their army attacked alfea... but the trix didn't give this order.

by the way tehre's one dialogue that i think is actually good and i think is in character

"But how do we know that it isn't one of your tricks?" - asked Tecna. - "Probability of this equals 85,9%!" Everyone froze. Nobody had this idea before. Then Icy shook her head. "No, it's not." "How do we know?" Stella said suspiciously. "If we wanted to trick you, we'd choose less humiliating way" Icy replied coldly.

in the end witches and fairies teeaming up, and going on an adventure to stop this army with some artifacts. Significant part of the way they had to make on their own without magic, and during that winx and trix are actualy growing to like each other. OH THERES ALSO A FUNNY THING LOL

But as a night roommate she [Icy] turned out to be very restless. She was moving all the time and mumbling something. And then at some point she screamed: "Damn fairies, i wish you all dead!" Bloom jumped on her place and still half sleeping replied: "Shut up, witch, or you're done for!" and fell back asleep. All in all, it was hell of a night.

i still think this is funny af-- damn these dialogues are only getting better. Next day they getting closer to their destination.

Suddenly they heard Stormy's voice: "Wait! there's some sign! Icy, can you read this?" "Why her?" Stella asked offended. "We all here can read!" "Except for you," Darcy noted gloomily and everyone laughed. "Ha, well, if you're so smart, come here and read!" Icy said with the sweetest voice. "And next time we'll ask you." Stella understood that she was cornered. To save the rest of her dignity, she came closer and started staring at the sign. "I-I cant for some reason, this handwriting is awful!" with dispair sloar fairy realised that she doesn't understand these letters. "And this cold is driving me nuts! Give me cup of hot coffee and warm blanket!"

then Icy teaches Bloom how to skate. And then Aisha (Leyla) dies by falling into some bottomless pit- After that they make it to their destination, but the army was waiting for them there

another dialogue

"Let's go!" Icy said decisively. "No, wait! I'll go alone. If they catch me, you all get out of here as fast as you can" [...] "No!" Bloom said. "I'll go with you!" "Fine. But they'll kill you immediately" "And you?" "And I will be tortured" Icy smiled.

I can't with this lol, Icy smiling at the thought of torture as a true psycho she is.

Icy touched the wall, making sure it's quite hard. "Well? What's next?" "You're the brain of the operation, you tell me!" redhead replied, crushing piece of the rock in her hand

i just like this interaction here.

"Winx Believix!" Winx screamed. And Trix didn't scream anything, Icy just snapped her fingers and all three were already in their witch uniforms.

yeah classic.

the fight begins, Icy is trying to understand what to do with the artifacts, Musa dies, then they teleport to some other planet where they can perform the ritual to destroy the whole army at once. They're reading the spell, but something is missing, and the army attacks them here too. This time Bloom is left to figure out what were they missing, and some drops of her blood fell on the artifact and that was the last piece of the spell. The army is destroyed, but Icy was seriously injuried when covering Bloom from attack from behind. Now they're flying back to Magix

FUCK-- guys i'm sorry. More dialogues on the way.

"Why are you here?" she [Icy] asked, opening her eyes. "Doesn't want to miss your death!" Stella screamed, she overheard the talk. "Shut up!" I [Darcy] replied. "Or I'll hit you!" "Oh-oh, I'm so scared!" "Discussed my funeral already?" Icy asked, surprisingly, without sarcasm. "Come on, don't listen to that fairy! She has only fashion and straw in her head." Icy smiled weakly. "Magix!" Bloom screamed looking out the window. Fairies came closer to the glass. "Where?!" Icy got worried. Golden-green disc of the planet surrounded by thick ring of asteroids was hanging in the center of the window. Icy could see it without moving. "And here my dream came true. I got Magix!" she lifted her arm and closed her fingers around the planet. "Didn't think that the view from the space is so beautiful..."

DSHGJADFKAJHSFDJG what have i done. This line about her dream coming true HITS HARD. Fuck, 13 y.o. me knew which buttons she should push.

Icy dies. Darcy and Stormy were forgiven because they helped to stop the army and for Icy's "sacrifice" and everyone very conveniently forget that they started the recent war. The end.

Damn that was a ride.

um, so where were we?... right i was saying that Icy became my new hyperfixation instead of Bloom...

And i had the whole trilogy planned, in the first one she'd escape from some prison and attempt another plan to counquer Magix, but fail, in the next book she'd be KILLED by Bloom but came back to life by making a deal with someafterlife owner (HA) and the last one where she actually succeeds... this one i din't think through at ALL.

I kinda wanna revive that plot fron the second "book" tbh, i still remeber it really well.

In a comic.

(i'd make it a crossover with Hazbin but it won't work unfortunately)

okay i don't know where and how to end this post so i'm ending it here, have a nice day thanks for reading i hope that at least someone made it to the end.

[justwinginglife]

Part 2 of Three's A Crowd: Soshiro Hoshina Ending

I felt bad making just a Hoshina Edition so I will also be releasing a Gen Narumi Edition, and you can read both or you can pick whichever one you want to get with and just read that one- a lil choose your own adventure action, if you will.

And sorry in advance, both posts will be a lil angsty in the beginning. I mean you do have to break someone's heart, after all.

"Was I not... vocal enough about my feelings for you? Cuz I'll try again, I'll do it again, I'll do better." Gen says finally, after moments of silence.

You shake your head quickly, wincing at his words. "No, baby, no. That's not it. You were wonderful. You were amazing. I just don't want to string you along, and I've realized I have a stronger connection with Soshiro. It's nothing to do with you."

He bites his lip bitterly as his hands start to shake. "So he wins again, huh? That damn Hoshina."

You want to hug him but you know you have no right to touch him anymore. You knew it would end badly but you didn't know just how much it would hurt to see him so torn up like this. You had grown so very fond of him, but it didn't change the fact that you loved Soshiro deeper, more fiercely. It was better that it ended sooner rather than later.

"Gen, I had the most incredible time with you. I'll never forget it. And if I'd never met Soshiro, I know I would've married you. But as much as I don't want to hurt you, I can't ignore how I feel about him. If you ever find it in your heart to forgive me, I will be eternally grateful, but if you don't, I will understand." You say it so simply even though it's anything but simple.

He nods to himself, looking down at the ground as he fidgets with the zipper on his jacket. "I know, love, I know. I signed up for this, I knew what I was getting myself into. I just really thought I'd win. Hurts. Well, I suppose I'll see myself out then." He gets up quickly and moves towards the door. Then he turns back to you, looking you over one more time, savoring every inch and every curve of you before finally sighing.

"I... I would've made you my whole world." The words come out so softly you think you might've imagined them, and then before you know it, he's gone.

You wonder if you'll ever see him again and if the next time you do see him, if maybe you could be friends. You hope he'll be happy, whatever he does from here on. Maybe in another lifetime you could've been the one to make him happy. But not in this one. In this one, you belong to Soshiro Hoshina and you intend to make good on that.

You greet Soshiro at his apartment, causing him to be pleasantly surprised at your visit. He always comes to you, you've only been to his apartment once before. But he welcomes you with a smile, stepping aside to let you in.

"To what do I owe the lovely pleasure, darling?"

Before he's even locked the door all the way, you wrap your arms around him, burying yourself deep into his chest. He lets out a content sigh and pulls you in closer to him.

"Someone's feeling clingy today." He teases. "But I love it."

You pull away just slightly so you can look him in the eye, though still holding onto him tightly. "I'm all yours baby."

He raises an eyebrow at you, trying to piece together what that means but then his eyes widen. "You... you dumped Narumi? You're all mine?"

You nod and he lets out the biggest sigh of relief.

"I don't know what I did today to deserve the best news of my entire life, but I'm so happy." With that, he lifts you up and carries you bridal style to his couch so he can cuddle you some more.

For a moment, he just sits there, tracing up and down your arm, and playing with your hair as he peppers you with random kisses here and there. But he can't sit still for long, he's like a giddy little schoolboy. He stands up suddenly and announces, "Alright we need to celebrate, you're coming with me, and we're going on the best date of your ENTIRE LIFE."

You giggle like you're a schoolgirl now and you watch as he grabs his car keys eagerly. He tosses them to you.

"Meet you at the car in five minutes, let me just throw something nicer on."

He kisses you deeply and then releases you, waving you off.

You wait at the car and sure enough, he's done in five minutes, having thrown together an outfit with significant speed so as to not keep you waiting long.

He opens the passenger door for you and helps you inside, kissing your hand several times before releasing it and shutting the door gently. Then he hops in the driver seat and, with the biggest goofiest grin on his face, exclaims "And we're off!"

He takes you for lunch at the first restaurant you ever went to with him and you appreciate his sense of nostalgia. He even buys you your favorite dessert afterwards.

Then he lets you roam free in a bookstore with a wad of cash to spend and while he did spend the first 10-15 minutes just gazing at you with pure love and affection as you excitedly perused the shelves, at some point he disappeared. You were at the check out stand, purchasing your stack of books when he arrived with a bouquet of flowers in hand, he'd seen someone selling them across the street and thought of you. Of course they were your favorite- white lilies.

"You know, the lady at the counter told me something." He said, pointing towards the flowers in your hand.

You inhaled deeply, breathing in the sweet scent. "What did she say, baby?"

He wraps his arm around your waist, carrying your bag of books for you as he walks you back to his car. "She said white lilies symbolize pure love. And I thought it was just perfect for you."

You lean into him as you walk. "You're such a romantic. It's adorable."

He laughs. "Only when I'm around you, love. You make me want to do the cheesiest shit, I can't help it."

He takes you to a festival next, he knows you've always wanted to go to one of these things. Though his combat power is low with a gun, he can still shoot one, and he wins you a stuffed animal at a game booth. It's got cute fluffy black hair and you name it Soshiro and give it a kiss on top of its head.

"Hey, me next!" He pulls you in for a kiss and you oblige.

Then, as you watch the sunset together, he snuggles up next to you and feeds you snacks he bought, saying it's so cute how much you can eat.

Darkness falls and fireworks start to paint the sky. You watch them in awe, transfixed by all the colors and patterns that are now dotting the night sky. He doesn't watch a single one, he's too busy looking at you. He smiles, brushing a strand of hair from your face and tucking it behind your ear before giving you a kiss on the cheek. When the fireworks finally quiet down, he rises from the bench and you think it might be time to go home but then he gets down on one knee and pulls out a ring box that he's been hiding all day.

"My love. Darling. Light of my life. I cannot tell you just how happy you have made me by being mine but I promise I will spend the rest of my life trying to. It is the greatest joy to be by your side and I don't want to waste a single second, will you please marry me and let me stay by your side?"

You lean forward and kiss his forehead. "Until death do us part?"

He shakes his head. "No baby, even death couldn't keep me from you. I'd find you in the afterlife, in another reincarnation, in whatever awaits, I'd find you and make you mine. Please say you'll allow me this great pleasure."

You smile warmly at him. "Of course I will."

He eagerly slips the ring on your finger and you laugh as he almost drops it trying to get it on quickly.

"Someone's in a hurry." You tease.

"Of course I am. I've been waiting my entire life for you."

[kinardsevan]

several sentence sunday

i did a teaser of the mini i've finished (but not posted b/c i'm not entirely satisfied with it yet), but @marvelousbuckley tagged me so ofc i have to give you more.

here's what's coming next in it's gonna be alright (piece by piece) [aka the aneurysm fic]

-

“What was that whole speech you gave me,” Evan says softly, tugging on the collar of Tommy’s hoodie to pull him in closer. Tommy leans down over him, placing light kisses over his lips and cheeks. “When they put me under before?” 

“Don’t really remember,” Tommy tells him between kisses. “But you said you were going to marry the hell out of me after all of this, and I’m holding you to that.” 

Evan lets out a small laugh, pulling Tommy's face up enough that he can see him. They stare at each other for a moment as he brushes his thumbs over the tears on Tommy’s face. 

“No goodbyes,” he murmurs, shifting his hand down brushing his thumb over Tommy’s bottom lip. “Because we’re not finished.” 

“No,” Tommy affirms, his voice strained. He sniffs as Evan brushes another tear off his cheek, and Tommy gulps. “I'd do this all over again, no matter the outcome, as long as it meant I got to love you.” 

“Stop,” Evan rasps at him. “Not going anywhere this time, either. I’m coming back.” 

“I know,” Tommy says, trying his best to sound insistent as he presses a kiss to Evan’s thumb. "But I still want you to know.” He pauses for a moment, staring at Evan and biting hard on the inside of his bottom lip as his own chest rises and falls slowly with shallow breaths, trying to maintain his composure. A smile pulls across his face as more tears fall. “Who would’ve fucking thought I’d find the whole damn universe inside of a pair of blue eyes.” 

Evan furrows his brow and lets out a small grunt, pulling Tommy back into him, kissing him roughly. It’s not sweet in the slightest, done out of desperation and hunger, from a need to make sure the other man knows he’s right there with him. 

“You made me whole,” Evan whispers as he presses his forehead against Tommy’s, holding tightly to his face. “I didn’t even know what I was missing, and you lit me up like the fucking Fourth of July. Fuck all those commentaries on drowning and being saved. It was like half of me didn’t even exist until you kissed me. Like-like I was always there but in the dark. And then you, you came along with your stupid helicopter and dry fucking humor about ‘we’re probably gonna die anyway’, and I made sense. I made sense to me. Everything I never understood about why I could never settle, why I never fit.” 

A small squeak comes out of the back of Tommy’s throat as Evan pushes him up enough to see him again. “You found the universe?” He blinks away a tear as he smiles up at Tommy. “I was a shell of who I am now before you. I am who I am today because of you.” 

Tommy shakes his head, always so quick to dismiss any credit turned his way, but Evan’s grip is tight. 

“Yes,” he insists, leaning up off the pillow under his head toward Tommy, drawing his gaze back to him. “You…” He laughs at himself and rolls his eyes. “You met me in the dark, and you fucking lit me up.” 

Tommy stares at him for a beat longer, like he’s questioning whether he deserves the credit of Evan’s statement, and then leans into him, kissing him once more, brushing his hand down the top of Evan’s curls. 

“I love you,” he chokes out between kisses. “So god-damn much. Today, tomorrow, the rest of my life.” 

“Through the universe and across the skies,” Evan whispers back to him.

[watchingblsnowandforever]

We Are Ep.14: Part 1/3

Hello!!! =D

Welcome back to my crack posts!

Part 2, Part 3

Ep 14 ruined me, just so y'all know. I'm honestly scared for what the next episode will do to me. Anyways, I hope you enjoy!

Warning: long, long post 😊😅 (also divided into three parts this time because I wanted to screenshot the whole damn thing, but this is next best)

I did not expect Q to be the one to stand up for Phum, but I wasn't really surprised after the last ep. Previously, he'd be the first one to go up in arms, but he's starting to understand maybe everything isn't that straightforward, and despite his friends meddling in his own relationship, he wants to leave Peem alone.

Conclusion: he's a very good friend.

Of course. I should've known something like this would come up 😭

Of course they've taken baths together.

I love this friendship so much.

You again. 😶 I swear to the gods, this guy will give me high blood pressure or something. Please please just leave Peem, alone. Learn to take a 'no' and mantain social distancing.

Peem... you're too kind for your own good. (I get it though)

You have no right to say that, especially without knowing the full story. But I'm feeling kind, so you're still a (mostly) decent human to me. Try not to ruin that impression. And never, ever again say anything to my babie Phum. Ever.

Oh my gods my heart broke for Tan 🥺 Here he was, probably never having dated after he fell for Fang, so knowing that Fang had dated even after whatever they went through must be so painful to him.

FANG KNOWS EXACTLY WHAT'S WRONG AND HOW TO FIX IT.

Just like we see Tan waving away Fang's insecurities every time, Fang does the very same for Tan.

I love them. <33

🥺🫶🏼

They're both so whipped-

Fai: I didn't see anything 👀😗 (we all know she's fangirling so hard inside)

Fai is me, I am Fai.

No but, Phum, are you sure Peem staring at you for a long time won't make your heart race?

Whipped. They're both so goddamn whipped. *sighs fondly*

The horns I'm dying 😭😂

Phum wasn't even surprised 😭👍🏼

Okay, not the best impromptu band performance/concert I've seen, but this is Thai BL, and they need some music and at least like 10 scenes with some band to pass whatever standard of approval, so I'll let it slide. Also, I'm terribly fond of these idiots. <3

HANDS.

They're besties for a reason hehe

You're asking the question, but are you ready for the answer?

I have already gone crazy over this too many times, I really don't have the energy anymore.

Peem is definitely winning Best Non-Confession Confession of the Year Award.

Are we still talking about the painting, or...?

Honestly though, when he was saying this I got actual flashbacks of Phum kicking the ball into his painting and how their relationship developed from there till where they are right now.

HE-

He named it "Happy" because it's all the things that make him happy. 😶

I had to pause here to take a deep breath so I didn't break out in tears two eps in a row.

WHAT IS THIS SERIES DOING TO ME.

Also, taken together, they are a story in 3 pics.

I'm just gonna go sob in the corner.

When faced with that smile and that "na, Peem, na" how could he ever deny Phum anything 😭

Textbook definition of a blushing boy who just became boyfriends with his crush the boy he loves. <3

No, he thinks he's a babygirl and rightfully so.

THIS HUG. That's it. That's all I have to say. I have no words for how this made me feel, and will make me feel for the rest of the forseeable future.

I end Part 1 here. Part 2 and 3 will be out tomorrow (because they are quite a bit long and I have Thoughts about them that I need to write in detail)!

If you've gotten this far, thank you so much for reading!! 😊

Here, have a taco 🌮

[herecirmsims]

Questions For Storytellers

I have (I think) finally caught up on my list of poses to make, so I wanted to do something a little fun (for me, not for anyone else LMAO) and entirely self-indulgent. I read stories and tell my own over on Instagram, but of course it's harder to post long-form text like this over there.

Special thanks to @freezerbnuuy as I'm copying their post. ❤️

What’s the last screenshot you’ve taken for your story?

This is from the middle of my last post, but it's the last screenshot I took because I went back and added this scene in after finally caving and making my own stupid poses for it hahah.

2. Describe your story in three words or less: Needlessly long tbh

3. Describe (insert character here) in three words or less: Uhhh I'll pick Saxen since he's my MC... wet cat energy (which I think is something @nefaricussims said actually??). Or "90s cocaine chic" as @southernsimmin so beautifully described him. 🤣

4. How did you choose the name of your story? It's called The Cottage because it's... based in and around a cottage. 🥲 I have a very imaginative mind!! 🤣 But also, the cottage plays an important role throughout the whole story and especially in the upcoming finale.

5. How do you choose your characters’ names? My Sim story is based on a novel I never had the confidence to finish - in that version, Sax is an ælf based on Anglo-Saxon belief. I made him a vampire in Sims because that was the only pack I owned at the time, besides base game, and for gameplay purposes I thought vamp put him close to how I imagined him. I now realise I could have easily used CC and my own damn imagination to make him an ælf but I didn't know much about CC at the time, either. 🤣 Because of this, the original story leant into fae lore and the stuff about never revealing your true name. Saxen isn't his real name anyway, but for an added layer it also isn't spelt how you might imagine if you heard it spoken. The same for Thom and Jac who are also characters who came over from the 'original'.

6. How long have you been working on your story for? A little over three years! I have learned soooo much in that time.

7. Whats the biggest risk you’ve taken with your story? Did it pay off? I dunno that I've taken any risks, other than putting it out there in the first place.

8. What about your story are you proud of? I think the fact it exists at all. I've been writing stories since I was a kid, but at some point I lost confidence in myself and have never finished anything/wanted to share it with people because I end up overthinking and deleting it. So I am proud of myself for having maintained a continuous story for three years, and for having other people read it. I think because there was no pressure with a Sims story - with a novel I kept thinking, this has to be perfect and polished so that I can publish it someday. With a Sims story, I'm free to just write the silly tropes I enjoy and allow myself to suck and learn and get better at it.

9. What about your story are you looking to improve on? I read a fantastic article about ma - including pauses in your visual storytelling, space for the characters to sit and breath and reflect. It's ma that makes Ghibli movies so wonderfully distinctive. Being able to make my own poses means that I can show a character's expression or body language in response to a situation, without the need for overlaying text. I'm trying really hard to move away from the "talking heads" style that reads more like a script, and letting the visuals tell the story for me instead. I'm not very good at it because I enjoy my blah blah, but it's fun to try!!

10. Is your story fully planned or are you still working things out? Is there a definitive end? I'm approaching the end of it now, which has been planned for the last three years, so yes - I know pretty much everything that's going to happen. Sometimes the characters still throw a little surprise for me though.

11. Why have you decided to tell this story? Are there any messages or meanings within it? When I got the Sims almost 4 years ago, I had absolutely no idea that there was a) a whole community around it or b) that people used it for storytelling. I'd already made Sax, Thom, and Jac in the game, because I'd wanted to see them come to life during gameplay. Then I discovered poses and started sharing random staged screenshots on Instagram, and became friends with the exceptionally talented TheSimmerKay (now making machinimas!) who showed interest in my silly little characters and suggested that I try telling a story too. I owe her a lot!! As for messages and meaning... I'm very interested in what makes people do the things they do, and how the hero of a story often depends on whose POV we're hearing the story from. There's a fine line between hero and villain sometimes, and a hero acting out of love can cross from protectiveness into control.

12. Do you actually play the game or do you just use it as a storytelling medium? Yep - I have a designated story save, which is the one I take all my screenshots in and which never has gameplay. Then I have a Happy Ever After save for Sax and Fen and another save for for my Globetrotter Challenge Sim, both of which are gameplay only. I think it's important to have that outlet; I can work on my story, make poses, or just play the game, depending on what I fancy.

13. From basic planning to a finished post, how long does that take you? 2-3 evenings. I tend to get everything laid out and text added, then let it sit for a day because I inevitably think of a way to do something better if I give it chance to breath. 🤣

14. Do you have any regrets about your story so far? If you could go back in time, how would you fix these? Not regrets, really, but there are some threads that I put in - fully intending to complete them later in the story - but never did, due to them just not fitting with the story or wanting to try and bring things to an end sooner. But similarly, there are times when I was going to put in a little hint or foreshadowing in and didn't, and then later in my story have wished I had! The tricky part of serialised storytelling is you have to just live with what you have (or don't have), you can't go back and remove or add scenes like you would with a drafted novel.

15. What have been the highlights of creating your story? I've met so many incredible people due to it, oh my goodness. Truly extraordinary Simmers who've shared their time and knowledge with me. We have a little mutual reading group on Insta where we all read and geek out over each other's stories and it's just wonderful. I was honestly shocked when i went to other platforms and realised how much drama there can be in the Sims community. 🤣

16. What about the process do you enjoy? Not that I don't enjoy the process... but I mostly love it when it's finished and I can share it, hahaha.

17. What about the process do you hate? I don't hate any of it... it's a hobby and I do it because I enjoy it. That being said, it does fuck me off when I have multiple Sims in a scene, everyone is in place and has poses queued, and then MCCC Dresser FREEZES MY GAME NOOOOOOOO WHY

18. Choose a song that reminds you of your story:

This is the unofficial theme... specifically this version in Old English, which is Saxen's first language. "It's our destiny then to find love again / Where we failed once before now we'll win"

19. Choose a song that reminds you of (insert character here):

Another one for Sax I guess because he's special. 😌🤣 "But you, a cinder of the fire that's yet to come / Will you just sit and mourn this fragile thing that you've become / Or instead will you consume the very things you can't outrun / Until you finally see all of the strength that you draw from?"

20. Choose your favourite shot from your story so far: Hmmm I think this one, which was me being lazy and reusing a screenshot from an older scene during a flashback-style narration. 🤣 I was trying to achieve something else with the editing but did this by accident and liked it.

21. Choose your least favourite shot so far: Too many to pick from LMAO

22. Choose a favourite character from your story so far: Sax, obviously, he's my lil chew toy/punching bag. But then there's also Idris, for whom I only wish the best. She's going through some trouble right now and I don't enjoy it. It's much more fun to bully Sax.

23. Choose your least favourite character so far: I don't have one! Although Vlad makes me deeply uncomfortable tbh. I find him to be a really creepy villain, and unlike any of my other villains, he's not in any way misrepresented or redeemable. I'm using a makeover version of him by WistfulCastle (I would link, but I don't think he's available anymore?)!

24. Are there any characters who remind you of yourself? No... well. Whenever baby El randomly info-dumps on a niche subject, that's mostly me taking advantage of a captive audience to tell them about karkadanns or medieval torture items or dead bodies on Everest. 🥲

25. What inspirations have you drawn on for your story? I honestly don't know - I can't name anything that I've consciously drawn on, though I know for sure I must have. Funnily enough people have told me things like "oh that's like in Vampire Diaries" or "that's like that part in the Harry Potter films" and I haven't watched either of those, so I think what's happening is we're all drawing from the same well of folklore and mythology and trope. There is occasional story drama about being copied and the thing is... unpopular opinion alert... many of us aren't as unique as we think we are. 😅 What we are unique at is taking a trope and telling it in our own distinctive way. No one else can tell your story quite like you can.

26. Have other sim stories inspired you? I have soooo many talented friends who inspire me to do better when it comes to visuals and storytelling!! @callmedomino is the queen of silent storytelling and a huge inspiration on my journey to discover ma. I really love how well she can tell a story with no words.

27. What genres would you describe your story as? I call it rural fantasy lmao

28. If you could reproduce your story in another medium (movie, novel, comic, etc.) what would you choose and why? I mean obviously I'd say movie because HOW COOL would that be?! Especially an animated one!

29. What would your story’s rating be? (G, PG, M etc.) Ummm probably M because there is the occasional spicy scene. Sometimes three a year LMAO.

30. If you were leaving simblr Simsta and had to choose another creator to continue the story for you, who would you ask? Well tbh I've given Sax and Fen to several good friends already; some of them have them in ongoing cameos in their own stories. I wouldn't ask anyone to continue mine, but I like to think that Sax and Fen could live on in my friend's stories and games if anything were to ever happen to me.

31. Drop some random trivia about your story: When I started I only meant to do short, random vignettes about daily life at the cottage. Somehow it snowballed into a three year epic. 🤣

32. Give a light spoiler: "This is who I am. If I was any other way, I would not be myself."

[sgiandubh]

@outlanderskin :"For those who have doubts: just research a little about Caitríona's dating history. See how she treated Dave and James and how she talked about them in interviews. See how she wrote about the Irish boyfriend she had in Paris in that article. Compare all of this to the impersonal way she treats or talks about Tony. Bingo🙃"

Good point 👌

Dear Good Point Anon,

You know, it's really serendipitous, as I have just finished a weeklong deep dive in very, very old press articles on (or at least mentioning) S and C, who clearly had a life before OL, thinking it would be nice to put some of my archive work skills to good service.

I think @outlanderskin was referring to C's New York Times article I reviewed and analyzed last summer, but I just found way better: a very long report in the Irish Independent's Sunday issue of July 11, 2004, focused on the next generation of Irish supermodels. Of which there could be only one, at that time: C, who dominates Roxanne Parker's 'Through Thick and Thin".

I am sorry, there is no link available to my knowledge, so we'll have to work with these very poor xerox scans:

I took the liberty of generously using my dreaded highlighter and, for the people who need to translate this post with Google, I am now taking my time to type what I find damn interesting in this almost twenty-year old article:

'If Ireland ever has a hope of having its own supermodel, then Caitriona Balfe is it. Sitting in the Pink Pony Café on Ludlow Street in New York, Caitriona swirls a wad of bread into her carrot and coriander soup while informing me that her musician boyfriend just brought her a breakfast-in-bed of cream eclairs and coffee a little over an hour ago. But that doesn't stop Caitriona from finishing her lunch and chasing it with a large cocoa-dusted cappuccino. Ebony-tressed and ivory-skinned, Caitriona clip-clops down the cobbled street after we leave the cafe, heading towards her apartment in Chinatown with Dave Mailone (sic!), the boyfriend, in tow.'

This reads, in 2024, like an interview with a more benevolent C clone from a totally different planet, indeed. A young, carefree, in love and hysterically funny C, who apparently had no problem heavily dishing out happy tidbits of her private life to her home country's press. A C also very much reminiscing anyone with a brain of the 2013-2018 bantering C, as this quote shows:

Again, you'll have to indulge me retyping it, Anon (tedious, I know - but helpful). She is remembering her real breakthrough, in November 2002, at the Victoria's Secret Fashion Show, in New York:

That was the most I've ever been paid for a show. I've got 18,000 euros for one day's work! They made me get a spray tan before the show, and I was still the whitest and the least well-endowed girl in the entire show! So what did she have to wear on the big day? `Not a whole lot! I think I described my outfit on the day as something Wilma Flintstone would wear on her honeymoon night. There wasn't a whole lot to it and it had bits of fur hanging off it.'

And, for good measure, we even have a (admittedly, awful) picture with the season's fiancé, with whom things did not end well:

I know, it looks like a Pravda pic, circa 1957 and I am honestly sorry. But it's still very clear. And, which is more important, very eloquent.

Anon and reader, you draw your own conclusions on this. I know where I stand. The only guy C has similar pics taken with and released in the press or on social media is the peasant some love to bash every single day in here. Their problem, not mine.

Yes, of course Mordor will yell and hiss. Of course they will throw rotten tomatoes at the blunt knife and scream THIS IS OLD. But hey, do you have any better than this poor (but oh, so endearingly authentic) picture or than any given S&C pic before the fucking EFH and IFH, when she gradually started to turn into today's Reclusive, Restrained and Rarefied Greta Garbo wannabe?

Oh, and please: don't give me the 'he's shy' or the paperwork crap again. Her public persona has drastically changed, and not for the better. It's plain to see and there are reasons for this.

Who's to blame? This question is so wrong, in so many ways.

The question should be 'what's to blame?'

I'll stop here, Anon and I hope it was somewhat useful. Thank you for dropping by.

[scary-pixie]

November 1st = New Tina Year! (secret diary entry and upcoming goals)

I'm mainly writing this down so I don't slack off! Cause if I slack off I can look back on this and think, "wow, you failed terribly. dingus."

Ahem.

Anyways, I am in the process of thinking up some new short term goals now that:

2024 con season is over (with the exception of some smaller events)

Spooky Season is almost over (I like posting non-stop spooky stuff during this delightful time)

Twitter is going inside the toilet

Magazine troubles (more on this below)

I have met the famous man whose inspiration played a big role in both: a) getting back into drawing my old OCs after 15+ years (little round glasses are a bad influence), and b) getting brave enough to be on video after saying I would never do this for god knows how long. (secret: I watched a certain music video with one of his characters the morning before I made my own). BUT HE WILL NEVER KNOW ABOUT THIS AND I WILL NEVER TELL! I AM FULL OF CRINGE!!!

This is what I'm thinking at the moment, in terms of my next creative direction. I appreciate any thoughts or advice!!:

My OC art was an absolute flop in terms of gaining new social media followers. Bluesky seems to be a LITTLE bit better, but it's still early to tell and I haven't posted too many of my OCs there yet either. For the time being, though, I plan to get back to my Schoolism subscription assignments since I've been neglecting them for a bit!

good lord I need to flatten my stomach somehow, as I cannot fit into my preferred fashion choices. I quit watching TV for a while in the summer, which helped a bit (I tend to eat everything in the house while I watch), so I may try this again soon.

arm workouts are going alright I guess, I am gaining a bit of muscle in my armes so they do not look so much like noodles.

Tempted to get back into posting video game screenshots and mini-reviews on social media since people really liked this stuff, but I'm worried it might just add more to my plate.

I'm really enjoying doing videos now, I'm just not sure which direction to take them (or if I even should take them places). I tend to film a lot of myself and a long-time friend in the car just saying stupid shit, but I don't really want to post all of these.

I wish to read more books without falling asleep, jesus christ this is tough.

On a similar note: the magazine I used to write book and comic reviews for has SHUT DOWN GOD DAMN IT so maybe I'll write some new stuff here?? Not sure yet!

I need to get back to my Japanese studies!! I used to do them at lunch and dinner but now I get distracted by all the awful political shit online! Aaaaaaaa!! I really hope America doesn't combust in the next few days but I guess we'll find out soon...

Finally, I need to be more active HERE! It's the best place for longform writing and art that might be a bit too "cringe" for the general public. Let's see if I can stick to it!!

I think that's all I have to SAY for NOW. Wish me luck in sticking to my goals instead of spiralling into ADHD Twitter nonsense, aaaaaaaaaaaa!!

Tagging a couple frands: @prometheus-ghost @fadingdreamerdream @thewebspinner @autolykiss @draganwhorror

Also anyone who actually wants to watch my shitty ass videos, the link is below. I have a bunch more but haven't posted them! https://www.instagram.com/kittensoft39/reels/

[eliotlime]

End of October Update

There's got to be a less clunky way for me to title these things but maybe I'll figure it out after a few posts.

Anyway at the top of the order I want to say that uh... the Abacelsus zine is not happening by halloween unforch.. I just started school part-time and it being part-time is still kicking my ass! So tentative release date will be on 11th November unless something else happens....

On the plus side I'm done with the cover so all that's left is the back page and cramming all 24 pages full of drawings 👍

-> As I've said at the end of my previous post I want to make more blog style posts so here's me trying to do that, more under the cut

🔐Abacelsus Zine

I'm still deciding on whether i want to print it A5 or B5 but I'm leaning towards A5, though for the digital release it doesn't really matter lol

As mentioned, I'm done with the main cover so I just need to fill this entire thing with stuff, I said 24 pages but really the total page count is 30. I'm just not counting the cover and the blurb stuff.

I'm half taking a break with this at the risk of burning myself out and half paralysed with starting it. Plus I've kind of been more into Axl & I-no hilariously but I'll always love A.B.A. I think the lack of any real info really lends her well to interpretation which is always fun.

I've never really been one to engage in fandom so I'm probably going to be doing my own thing. That being said if anyone has any suggestions feel free to drop them in my strawpage or ask box :)

🥤 Strawpage & General Socials

The bugs make my pages so decorative, I gotta draw more bugstyle guys.

Speaking of strawpage, I made one of those! It was really fun, I have a short OC info tab with descriptions of some of my main guys. I'd love for you to check it out.

This kind of acts as my ask box for twitter since there's not one there and apparently it's basically my main social media site these days so I'm just mirroring my experience here over there too.

Hilarious timing considering that it's basically collapsing on itself once again, I'll probably still be on that damn site until it implodes but I also have a Bluesky account for those that care about it.

The sky follower bridge extension is really useful for bulk following people from twitter to bsky

I'd love to post there more but there's not a queue function and that's very important to me as someone who is not American and lazy to remember optimal timings.

Did you see? I also have a new pinned for this blog! Wanted to make a new one for a while now, always thought the old one was so freaking long. All the old info is still on my about and faq page though I don't know who actually looks at those.. a relic from years past..

☹ School

Sigh, like I mentioned earlier I'm doing school again! At my big age, but I'm having fun so far! It's part-time but it's still kicking my fucking ass! It's the main reason why I'm a little disoriented this month honestly.

Do you like it? I spent an entire Sunday making my class miro board look niceys and then proceeded to get nauseous from cybersickness afterwards LOL

I'm doing a UI/UX course and I have to say the funnest part about it is making personas, it's like making OCs. Don't particularly like writing though.. but also that's a lie considering the numerous amount of paragraphs in this blog post alone haha

🎁 Merch

I've also gotten confirmation that I'll be boothing again next year in Febuary! So I gotta start locking into making more stickers and general merch. I say this a lot but I do need to look into opening an online store because I just have tonnes of stickers and stuff lying around waiting till the next time I do a convention which is kind of a shame.

Oh, but I will say that if you are from Singapore and would like anything from my previous convention catalogue feel free to shoot me a DM on instagram and I can mail it to you locally, shipping's $2 SGD.

➰Closing Thoughts

All in all, been kind of busy this month with school and various loose threads from September but overall I think I'm doing better! I've also been cooking lately and truthfully that's my biggest achievement this month haha, been also getting really into canned fish. Yummy!

Oh and a last thing is that I've been itching to animate again so I'll end this post with a WIP of a gif I did last night/morning. I almost always never finish my animations but here's hoping this one actually makes it to the colouring stage haha

No prizes to anyone who can guess who these two because of course.

Thank you for reading! I know I can't expect everything to be done in a single month but I just wish I could do everything without getting tired or cybersick! If you'd like to support me, here's my ko-fi page and my itchi.io & gumroad as well.

If you have any questions or just generally want to talk to me, my DMs and askbox is always open! Any professional enquires can be sent towards my email as well: eliotlime@gmail.com

XOXO, Stay weird!

-Eliot :)

[false-cowboy]

Do you have any litrpg recs?

OH BOY DO I

I will attempt to give little descriptions but I'm not the best at writing so if nothing else I hope the names pique your interest! This post will be more personal opinion than direct plot summary, though if you'd like I can add those too

Noobtown: Humor is a bit high school boy especially in this first one, but it definitely gets some full body cackles outta me. Though this is a comedy series supposedly, it knows how to tug at your heart strings with some genuinely good characters and an interesting break of the system surrounding the book itself. More than anything, this shits Fun. It gets really interesting, Shart the demon is a pathetic mound of anger issues, Jim’s name is the equivalent of a dog’s in this world, all hail Badgalor king of the badgers, fuck the fecking puma forest.

Chaos Seeds: Classic of the genre, though definitely dated and the series degrades with the more recent books. Very nice magic system, one of the better uses I've seen, and the characters are notably very colorful/fun. Good fights and damn graphic, isn't afraid to be gruesome though there is a beating heart of humanity through the series I personally enjoy

Dungeon Crawler Carl (mix of LitRPG and apocalyptic dungeon elements, what it says on the tin): one of the best, and I mean BEST of this genre in my opinion. extraordinarily dark and horrifically funny. This shit will depress you as you giggle at it. But its just so damn good with some really nice underlying as well as overt commentary. More gorgeous character writing though here it's all Carl and the beautiful Princess Dount (his show winning, talking, cat whom deserves the universe in her paws) all the way. Very absurdist humor by the by, if that's your thing

Ascend Online (town builder litrpg): I mainly love this one for something that happens I think at the end of the first book though it might be the second. It sort of flips the magic system against our hero in a wonderfuly monstrous way. This one is Very Big, and honestly a little boring at times. But the game mechanics and magic system are drooling off of the page, begging to be thought about. Our main character is smart and resourceful, as a veteran of video games he capitalizes his knowlage for a satisfying build. If you’re really into game mechanics this shit was MADE for you, it is also just plain interesting. Good ideas and good fight scenes to go around for everyone! And mainly I just consider it a bit boring because I listened to the audiobook and the narrator read off the Entire Status Page ever like chapter which, if you're an avid LitRPG reader, you’ll understand the pain involved in such a thing

He Who Fights With Monsters: Another insanely long book, another absolute banger. While personally I'm not a fan of the series as it progresses, the first one is a full experience all on its own, lightning in a bottle to me. The main character is one of the best I’ve read about, the magic system is deliciously unique, the side characters are memorable as hell, but most of all I adore the worldbuilding in HWFWM SO fucking much. I have like full posts thirsting after it GOD. I could sit here and just talk. This is one of the best on the list to me, right up there with Dungeon Crawler Carl; even better in the side character department

Ritualist (The Completionist Chronicles): This one’s strengths are a surprising mix of absurdist comedy and a somewhat well thought out magic system. The writing is,,, Not The Best especially compared to some others, but it was a fun and very quick read, especially compared to some others on this list. a popcorn turn your brain off read

System Apocalypse (While most LitRPG exist in fantasy worlds, this one is a post-apocalyptic sci-fi vibe): This is another short one. It takes place in Canada and the main character is a ball of severe anger issues and angst, he has a very cool motorcycle and kicks hella ass. It’s great. His companion is top tier as well, there may or may not be a hot space elf prince involved. If you don't like romance you’re still good though because there isn’t any since John is a pussy ass bitch. Sorry, sorry, I'm trying to be fair and balanced. It's good! John is definitely a flawed individual, I think people often miss a lot of the little nuances in his character and write him off as petulant and pissed (to be fair, he is) but to me at least there's a bit more going on. Even if he can be genuinely irritating to read about

And finally, my two favorite series... and guilty pleasures

The Good Guys: A quintessential barbarian. Think of a barbarian character. Boom. There it is. That’s our man Montana Coggshall. this series is my version of embarrassment exposure therapy, Montana is constantly being humiliated and nothing good ever happens to him. But Also, this is not a sad or angsty or dark series at all. Its fun and light and god are the fights amazing. a fantasy romp to its core. Charming and delicious and fun and action packed to the gills.

The Bad Guys: A quintessential rouge. Think of a rogue character. Boom. There it is. That’s our man Clide Hatchett. This series has a style and comedy and charm to i cannot physically understate and there are So Many genuinely clever moments

there are so many characters that fuck around with morality and right/wrong and different view points that make the world feel so lived in

Everything from plumbing to lumberjacks is explored and given loving attention.

Reading it feels like coming home, I honestly don't care that the plot has turned into side quests and atm the side characters haven't gotten enough time in the spot light

The main character and fucking sheer amazing awkward kind conflicted energy of his dialogue, I've developed a connection to Eric ugland's style of writing further than I thought and I can't get enough of this shit. Also every problem Clide Hatchett has is solved with some sort of fucking batshit way I Adore

He's the guy who used a dagger that could travel through liquid to travel through a guys stomach and out the other side. Did I mention how gorey these books are? Because Yeah. I adore Clide Hatchet, my favorite character to ever be written in any place ever. He walks into places he absolutely shouldn't be, gets called elf boy, kicks everybody's ass while simultaneously being the most awkward and uncoordinated mess elvenly possible, then leaves. He is in the palace throne room profusely apologizing to the servants for getting dirt on the floor and beating the shit out of the king, he is at the altar of your wedding punching you in the face and then turning around and tripping on his dress, he is calling himself a hero before robbing a home blind. And also he keeps on shoving acid globs down people's throats and managing to do that while maintaining pure silly little guy energy is genuinely character writing talent. He's perfect. Yes it is very dorky.

Eric Ugland (who wrote both the Good Guys and Bad Guys series) has this way of writing, this STYLE I cannot properly articulate how much I find myself in love with it. though I will warn you I'm definitely bias, since I've been following both of these series almost since conception my perception could be entirely skewed by nostalgia

[poppyfamily]

Amangela Writer Appreciation Post!

I'm feeling a lot of things right now and I've decided to write what I like about my Amangela writer friends' writing. I often forget to leave comments on their work because they are GOOD at what they do, and I often forget I'm in the middle of reading good writing because it just exists (something something baby fish asks mommy fish where water is only to realize they've been swimming in it the whole time). Can you believe they do this for FREE? And share it with us just because they want to? They are GIFTS to the community.

It is such a privilege to be in the same creative sphere as these people and I need to express Emotions or regret not doing it. They inspire me everyday. Here is a public declaration of love, hope y’all are okay with that. Ramblings under the cut, because it goes without saying, this got really long.

@okiankeno is so imaginative with their writing. My Teeth, Your Neck is impressive with its incorporations of many elements that are familiar to Smosh and Amangela while throwing them into a fantastical, supernatural universe. I haven't watched Buffy, but their writing is so good at making this fantastical world feel lived in. The world just seamlessly slides into the way they write character motivations, making for strong characterization and dynamics that have me INVESTED. That Maia/Valerie twist? Screaming. Crying. Throwing up.

@babychosen is wonderful at dropping Amanda and Angela in situations optimized for maximum tension - which is clearly seen in first time that i met you (i didn't have a damn clue) and you could be bad (but i wanna find out). I love how she crafts her plots, keeping me at the edge of my seat for what comes next, which is driven forward by the way she writes dialogue - natural to the situation as it captures a range of emotions: awkwardness, uneasiness, attraction and just all the quirks that come with forming relationships. Her writing is so fun to read!

@sage-lights writes fics that are short and sweet, but they pack such a powerful punch. With just a few words, she's able to tell a story that contains the energy of a multi-chaptered fic. This is especially true in sometimes i hold you closer (just to know you're real). LIKE HELLO. I was on the road when I first read it and it had me spiraling for a good few hours. She also captures their voices very well. They also capture the tenderness of Amanda and Angela in such a specific way. One of my favorites is met you at the right time (this is what it feels like), capturing the intimacy of two women who earnestly love each other, beyond romance.

@xxsuicidalravenxx 's writing explores the inner turmoil of being drawn to someone while having a lot of insecurity about your own place in other people’s lives. You know I'm such a fool for you (you got me wrapped around your finger) captures something so incredibly real about the anxiety that comes with a murky and under-communicated relationship dynamic based on unfair assumptions about both herself and how Amanda feels about her - which ultimately is a reflection of Angela’s own self-worth which at this point isn’t the best. It’s so real, god - the self-sabotage and all that and slowly realizing that the people around her care more about her beyond whatever mistake she believes she’s made. Also just - all Chamangela dynamics are excellently written here. It’s a gift.

@unknownteapot is masterful at her craft. I've said it before - their writing is so cinematic.  I can see it clearly in my mind - so good at painting clear pictures of where the characters are in the story. It's dramatic, tension-filled and just excellent writing all around. Several minutes of my life have been spent reading her fics. I feel comforted whenever I read her stuff, it gives the feeling of hope - that things will be okay even when it doesn’t seem that way. I remember when sweetheart dropped in the Amangela ao3 tag and thinking WHO is this absolutely talented writer that came out of nowhere (to me lol), but now I can't imagine this little community without them.

@shesmore-shoebill is so good at capturing Amangela vibes as we see it. Like it truly feels like they've broken down the dynamic into its bare essentials which enables them to produce fics that I can vividly HEAR.  They also just infuse a lot of tenderness into the way they write Amanda and Angela, whether it's in a joke or in like genuine moments of checking in - both demonstrated very well in empty space and Joint Custody (Hey Siri). Also, you just know they're a good writer without reading any of their fics because they are already so articulate in how they write commentary on videos when they aren't even trying to write a story, so when they do have a story, it just hits even more. So good.

@skiespeaches has authored one of the hottest, tension-filled fics I've read in my god damned life. From the first chapter of The devil is in the details I was screaming over how THE FUCK they were able to make just ONE KISS feel like THAT. Also, really really really love how grounded this is in the way they write dialogue and internal thoughts. It captures the pleasant feeling of realizing just how much you like someone and receiving some cues that they might like you back. It captures actions you take because of those feelings that can get in the way of communicating what you really want, the emotional tentativeness that comes with not wanting to bear your heart completely quite yet - yet there is a willingness to see where it goes, hoping that it does come to that point. The entire fic feels like the most emotionally charged scene of a slice of life movie - which is literally my personal favorite genre.

@ghoulishhgayy - famed author of hit Amangela fic Oil Burns had me invested in a situation that I personally haven't read a lot of in fanfiction. The spirit of their fics can be boiled down (haha get it) to the way they write about two women who deeply care about one another unconditionally supporting each other through difficult times. That's the kind of shit I eat up, and it's done so excellently. They just also write in a way that just makes being in love so appealing. They capture the moment of oh in Oil Burns so well that it has me gnashing my teeth, gnawing at the bars of my enclosure etc etc.

@wlwsmosh manages to get to the heart of a story in a few words. It's actually crazy and I’m in awe of their talent. There is a lightness to their fics that just makes me smile so much while also like having some really smutty scenes, which is so dang impressive - balancing sweetness and steaminess really well while also feeling very much like Amangela. My favorite from them are when i call the shots, you call me mommy which I think feels so much like Amangela voice and humor, while also placing them in a relationship and kink context. Honestly, all of their fics are gems.

@baflegacy is so GOOD at putting Amangela in the silliest of situations (heck, situations that are very much based on what we have seen in canon) and teasing out its potential romantic through line. They have a way of capturing emotions that accompany these situations in a way that just shoots you straight to the core. They write tension so well, and are so good at keeping me engaged with what's about to happen next. All of their works are GOATED. I, however, am extremely biased when I say that my favorite is their birthday gift for me - too good (to deny it) - aka one of the best angsty pieces of writing I've read in my whole life my GOD.

@cuecrynsleep is so!!!! A newer friend whose first fic in the Amangela tag I fell in love with immediately (Being Transparent). It was so simple, but captures Amangela’s adorable nature within the context of a romantic relationship REALLY WELL. I’m also just out here eagerly awaiting every post from Reconnecting the Past, which is a chat fic - a format that I rarely like the execution of, but damn I love the way they’re doing it here with the added bonus of the Changela, Arangela, and Shourtmanda dynamics which is just feels absolutely right. I’m out here thinking what are they gonna do next. They are so good at building intrigue and I’m just here sipping my tea and thinking in my head that I sound like some pathetic fuckboy sexting going “and then what?” because I am seated. I am sat. 

Anyway, if you’ve reached the end of this post - go support these writers!!!! Make sure you let them know if you like their stuff - either through a comment, kudos, an ask, a message, or bookmark. I promise you it makes these authors’ days whenever they see any kind of feedback for their work, and it keeps the community ALIVE. I am guilty of not doing that but it’s always great to try instead of not. I know from personal experience that it makes so much of a difference in their motivation to write more, while also allowing us to savor the work instead of mindlessly consuming it. Thanks for reading me gushing about all of them. Love you Amangela RPF community! Very grateful for y’all more than you’ll ever know <3