#cw: references to rape
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What the hell is up with zionists and their obsession with rape?
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Still on my kick of meta-ing about IWTV season 2 a few months too late. LOUMAND FIGHT TIME. I gotta be sad about something real quick.
There's definitely a thing in the Armand-apologist side of fandom (the street where I live) where it's often brought up that nothing Armand says in that argument is quite as vile and monstrous as the "groomed me into a little bitch" line. My obligatory disclaimer IN FAIRNESS TO LOUIS: (a) it's certainly not a one-sided fight and they do both get some very ugly hits in, (b) Armand was the sober one (I don't actually think that's much of an excuse but worth pointing out he immediately forgot what happened and apologized even BEFORE any mind-meddling), and (c) holy shit the rest of the episode exists and nothing that preceded Louis' suicide attempt was a justification for the way Armand reacted after it. Cool? Cool.
But still - yeah. That line is gross and extremely Not funny to me. It crosses such a huge line so fast there's almost nothing either of them could say to de-escalate from that. (In fact I'd argue it crosses a line FOR THE AUDIENCE more than it even registers as that bad to Armand, which in itself is kinda sad. Like⊠his instinct in that moment is laughing and throwing trauma insults back in a stupid Southern accent. He was - I cannot stress this enough - more upset by being called boring.)
I think there's something interesting about the fact that in universe the way Armand responds by mocking Louis' brother's suicide is just as horrible - because Paul's death is meant to be something that was formatively traumatic and life-changing for Louis - but I'm not sure that it fully hits the audience as viscerally terrible on the same level as making fun of Armand being raped by his daddy-vampire and others as. a. child.
But anyway, with the understanding no one came out taking the high road there... the thing that actually kills me about that exchange is we KNOW in that moment, watching them hurl these horrible horrible words at each other: these are things they opened up to each other about in the past. These are things they told each other. They've been together for decades already. This isn't a "digging into your head and pulling stuff out" kind of thing, like some fuckin' Daniel or whatever. This isn't common knowledge of their backstories just because the audience knows it already. They're both acting like "this is a thing you whine about all the time" when they've whined about it to vanishingly few people in the world, actually!!
Armand brings up Paul and Grace because Louis has talked about them, and he listened. Louis has told him about watching Paul step off the roof, about Grace at the cemetary. And Armand told Louis everything about Marius, and Louis filed that away in his brain with some extra words that Armand didn't use. At one point or another, they both unpacked the heaviest shit that ever happened to them and said "have this, I think it's why I am the way I am", they shared these things with each other in moments of intimacy and vulnerability and said "don't hurt me with this, obviously, okay?" And now they're here, unloading it all back onto each other as mockery. Yeah, I've heard you say all that stuff about your damage, and it's fucking pathetic and hilarious actually. It's not just like "I'm trying to hurt you by bringing this up", it's also "you've always sounded ridiculous to me when you talked about this stuff, you know that, right? I pretended to feel bad for you and I truly could not care less."
Like one of the reasons I think that scene is so jaw-dropping is there's so much intimacy and familiarity with each other implied and also shattered by it. And man how DO you ever get back from that. I would start the memory-erasing from that moment forward for sure.
#interview with the vampire#armand iwtv#louis de pointe du lac#armand#rape cw#suicide cw#i'm saying i'm a fan of Big Blowout Long-Term Relationship Fights in media and this one was instantly iconic#didn't even touch the reference-to-chopping-Nicki's-hands-off thing! oh they were MARRIED married
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Do NOT interact if you believe that all Typhlosion are of the same character as their supposed mythological ancestor. Every Typhlosion is its own being and to ascribe the behavior of one legendary figure, dubious in existence, to all of them, is to reduce these creatures, each of which an individual with their own character and personality, to a vicious and harmful stereotype. Do NOT send me any green berry jokes, you will be BLOCKED for spreading harmful rhetoric.
#this is a joke post fyi#this is 110% a joke post#it is in reference to the recent lore leaks for the pokemon that came out#cw on those lore because they contain rape#they also are violent and have heavy human/Pokemon content#yes you can start fanwank on this but ONLY IF IT'S FUNNY
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i love da:o but some of the "dark" writing is just inserting SA into a story for shock factor and calling it a day
#tas talks#this is in reference to a conversation with lady of the forest about what happened to zathrian's daughter#i don't feel this way about all SA references in origins. the tabris origin works for me personally (if you play f!tabris)#but some of it is kind of needless or in poor taste. for me at least#tas plays da:o#rape cw#da:o critical
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valleros family sigil apparently being a pomegranate. god book 1 niaerin is so the rape of proserpinaâ[GUNSHOT]
#maeve speaks#playchoices#choices#choices stories you play#pixelberry#blades of light and shadow#nia ellarious#aerin valleros#cw rape#technically rape in the context of the rape of proserpina refers to her abduction but like. we know damn well lmfao#niaerin#nia x aerin#aerin x nia
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Isn't Trapper's nickname a euphemism for rape. I think that could have been explored more in depth in the show. And Hawkeye's hookups aren't always the paragon of enthusiastic consent either.
CW for rape mention and sexual harassment
I haven't read the MASH book and I'm not sure how it is represented there but in the movie:
John McIntyre, Trapper John. Only man to find fulfillment in a Boston Maine Railway, in the- in the ladies can! Conductor opened the door, the girl looked out and yelled "Oh, he trapped me! Omigod, he trapped me!"
Unless I'm missing some historical context for the term that's used, "trapped" I don't know that this is rape. With that said, Trapper (and Hawkeye) in the film sexually harass Margaret, no two ways about it, so I can't say it would be OOC for movie Trapper. I'm not sure where the word "rape" came from in this instance but in my opinion, it's ambiguous. I'm totally open to being wrong if there is concrete evidence.
The incident is retconned out of the show, along with much of the cruelty they subject Margaret to - the primary target of public humiliation and shaming in the show Frank Burns (who in the movie is Margaret's only ally and exits the movie halfway through) and with how much character development Margaret gets, to me it seems a deliberate choice to reduce the volume and severity of abuse her movie counterpart endures. You would never catch movie HawkTrap helping Margaret sober up (Hot Lips and Empty Arms) or hide a body (Iron Guts Kelly). In Bombshells Trapper pointedly respects Margaret's "no", that's the crux of the whole episode. He also doesn't seem to enjoy or return her advances when she's blackout drunk in Hot Lips and Empty Arms.
Personally I don't see the value in this stuff being explored in the show. It's sort of addressed in Hepatitis when Margaret asks for "respect" and Hawkeye folds.
I'd actually argue there's more canonical proof from the show of Hawkeye not respecting consent than Trapper. They both kiss Margaret without her consent, Trapper in Rainbow Bridge and For the Good of the Outfit, Hawkeye in Dear Dad and There's Nothing Like a Nurse. I can't think of any more wrt to Trapper but Hawkeye kisses Frank once on the lips without his consent (twice if he caught him in For the Good of the Outfit - it's still sexual harassment even if he didn't), in Ceasefire Hawkeye seems to have promised himself romantically to multiple women, deceiving them so they'll sleep with him.
(I just wanna note that the Ceasefire example seems like a misstep - he's never actually shown misrepresenting himself that way, he's normally pretty up front with his casual hookups, and it never happens again. Seems like a bad subplot rather than something I'd call a recurring flaw)
I know we all love the 'pegging scene' in Carry on Hawkeye but making a big show of dropping your pants so your female coworker can give you a shot is harassment, he does it because he knows it'll make Margaret uncomfortable and he does the same thing again in Hepatitis when she calls him out.
But honestly I can't think of a single example other than Ceasefire where his hookups aren't enthusiastic on both sides. Like part of my problem with the Ceasefire example is that Margie Cutler is one of the women who thinks she'll be marrying Hawkeye after the war she flirts with both Trapper and Hawkeye in Requiem for a Lightweight, pimps out Hawkeye to her friend in Edwina like... girl you knew what this was??? So prior to that episode, she seemed to be pretty enthusiastic.
And honestly I push back pretty hard against the hookups being seen as unenthusiastic. There's plenty of nurses who happily make out with Trapper and I don't believe they're all unaware that he's married, he talks about it openly in OR - yeah that's infidelity and it's morally wrong but it doesn't mean there aren't two consenting adults.
Similarly I have a hard time believing that the nurses don't see Hawkeye with a different girl on his arm every week, they know what they're getting. One of the things I like a lot about early MASH is the sex is enjoyed by all - I value positive portrayals of female sexual pleasure in the 70s over fidelity to offscreen wives because of the historical context. Hollywood is still terrified of portraying cunnilingus and Hawkeye is constantly shaving for his dates. Could it be because he's very enthusiastically kissing women? I suppose. But knowing this show and Alan Alda in general, I dunno.
MASH did try to explore misogyny, it responded to early criticism and dropped some of flourishes it relied upon. That's good and bad imo. It's nice to not hear so many 'honeys' and 'sweethearts' in the OR, but I miss the casual fucking and sucking when it goes away.
We have Inga which gives us a very OOC Hawkeye imo being put in his place. Hepatitis which muddies about with some comparison of Hawkeye to Margaret's in-laws but is ultimately a sweet moment for Hawk-Margaret (really he comes to respect her over a longer period of time but I'll take it). Who Knew where Hawkeye whines about sleeping with Millie in lieu of acknowledging her interiority as though these are two entirely mutually exclusive things - a swing and miss imo. But then you have season 10's Cementing Relationships where Margaret spends the whole episode being sexually harassed and it's played completely for laughs - just because it isn't Hawkeye doing it anymore doesn't mean it's not wrong.
I do appreciate the attempts at addressing misogyny, even though I think it led to some big missteps, but I don't personally feel I missed out on anything by there not being an in-depth exploration of sex and consent. Sex and romance aren't really given much focus in general, so I don't think it would make sense to explore it very deeply.
#replies#re: mash#if you read all of this... good job#rape mention#harassment cw#glad i watched the movie so that i could actually reference it because you can really see the choices they made#made me appreciate the show more
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As I am very certain I am the anon whose ask you are gently folding away, I would like to let you know that I don't feel ashamed by that ask. I have watched so much content of his that I think my viewpoint was very reasonable. But don't paint me to have rose colored glasses here. I am also the same anon who has sent you a lot of other asks about who he is. I gave you the list of streams that she wanted to do with him that never happened. I told you about Phil calling him a dick. I am the same anon on a since folded blog that listed ways he was not a good friend and his need for control, which you applauded in the comments. Thing is, I could have sent just as many positive things about him as well. One can't watch 1000 hours of content (literally) and not have an idea of who someone is. That recent 52 second video? I have no idea who that is. But to be honest, I am finding myself seeing an end in the near future. And I suspect what I am going to be left with is just feeling sorry for him. All that I can see is the amount of shame he is feeling with parts of his life is too much for him to handle. But I can't see myself sticking around if he is so willing to not address it at all.
Yeah, I just didnât want to put you on the jumbotron for bad timing. It wasnât unreasonable, it just didnât turn out that way right now.Â
Youâve been here for a while, so youâve seen the highs and lows. It looks like he canât cope with what heâs done right now, so it looks like he just wonât, or will try to handle things by walking around them. The story feels very brittle right now and the tension is even clear in the video, I think that even if I didnât know what had happened I would find the vibes to be off. I treat him as being beyond the line not just for Shelby but for the rape allegation from Alice so I think that a lot of people involved, including him, are sceptical that he could make meaningful ammends. He has always been very aware of what is worth being ashamed of on a certain level, he just didnât behave within those expectations. Reconciling public persona with how he has actually behaved is mind-breaking; It makes him âvulnerableâ mentally and socially in a way that I donât know he has the ability to cope with.
#cw: rape#It feels like he's going to try and contain the story#Heâs always wanted narrative control and he canât hold this tide back so he will 'handle' it eventually#but I am sceptical of the emotional or factual honesty#when he wants to refer back to the written non-apology with the lies in it
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I love your mcs! Next question: do you have anything written for their stories you want to share like a sneak peak,,, if not then wanna spoil a big emotional moment they have? I like spoilers
(i got a little excited answering this ask i'm so sorry in advance)
also sorry in advance for the many, many tws and cws i did NOT realise how dark my writing was???
YES what if i just start posting random scenes for you guys. what if i did that. okay i would love to post the entire first chapter but it turns out i didn't finish that sooooo have spoily spoiler instead... unfortunately it does not hit as hard without the context of the rest of the story, so i'll give a bit of contextualization first
morgan (they/them) has spent almost their entire life with only like... two friends, and one of then had been their sister, jill (she/her). jill is in the same year, so morgan, jill, and their mutual best friend mateo (he/him) have pretty much grown up together. during grades 1-5 (ages 5ish to 11ish for all my non-north american friends) morgan makes a friend named joel (he/him). they're close for a bit, but then in fifth grade some stuff changes and eventually they're not even on speaking terms anymore. coincidentally, jayden moved to the school and befriended joel around the same time. consequently, morgan blames him for "stealing" joel.
around 9th grade morgan realises that mateo is lowkey abusing/grooming and isolating them from all of their peers, so they cut ties with him. their sister does not, which they are understandably resentful over.
(also side tangents but i'm gonna put tws in the foreword of my books... i think everyone should do that tbh. it would make consuming content a lot more accesible imo. this has nothing to do with the ask i just thought of that while i was tagging)
anyway, up until this scene, morgan was under the impression that jayden had gang-raped someone with his entire friend group. this turns out to be something mateo made up about jayden to get morgan to stay away from him.
don't lie about rape kids. i absolutely should not have to be the one to tell you that. but i will. because apparently some people just fuck around and do it anyway (not to get personally upset online but like i said... an unfortunate amount of these events were real things that happened to or around me as a child.)
okay here's the actual scene đ:
âI donât understand what I did to you!â I shouted. I could feel tears pricking at my eyes and the only thought it my head was God, this is so fucking embarrassing. âAnd- and I keep trying to make it better, but you wonât let me! And that would be fine if I at least knew what I was being fucking shunned for-â
âHow could you possibly not know?â they demanded angrily. âEveryone knew! Mateo told me-!â
And then they stopped. Their eyes glazed over. Tears gathered at the corners of their eyes, and they started laughing.
Laughing.
âHa. Haha. Hahaha.â
It started slow at first, but then they just kept laughing until they were in full-out hysterics, laughing and crying. Their knees buckled, and suddenly they were sitting on the ground, right in the goddamn snowbank. I hated them for a minute, because I was supposed to be angry, but all I could feel in that moment was concern.
âWhat?â I demanded, legitimately scared. âWhat did Mateo tell you I did?â
They had both hands over their mouth, either to keep from sobbing or to stop laughing. I think they were scaring themself as much as they were scaring me. Then, they said something Iâll never forget.
âIt doesnât matter. Not a word he ever said was true.â
#spoilers for 008#008 spoilers#ignore the numbers thats how i refer to my wips#grooming tw#abuse cw#tw abuse#abuse tw#emotional abuse tw#rape tw#tw rape#tw rape mention#rape mention tw#abuse mention#abuse mention tw#abuse ment tw#vent tw#cw vent#vent post#vent#tw vent#personal vent
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The Demon of Yunmeng: Part Five
Part One â Part Four
Wei Wuxian looked up at Wen Qing, bewildered.
"Well, that's settled then," she said, standing up. "I'll leave you two to discuss things â there's a few quick errands I need to run. I would ask that you please not leave before I return, I have parting words for you both."
She gave a perfunctory bow, then swept out the door, ignoring Wei Wuxian's protests. She didn't even tell him to get back in his chair.
There was really no other choice but to look back at Lan Zhan, who's ears were red, but face was set.
"You do realize my plan involves lying, right?" Wei Wuxian finally said.
"Not lying to say I was with you that night."
"Yeah but â" he made a frustrated noise. "Lan Zhan, that is actually incredibly helpful, but my whole idea was to create doubt that I even liked women at all! That I was always a cutsleeve. You know that it's not just Yu Guniang's accusations, they're bringing in women from everywhere I've ever been, from the campaign, I can't say you happened to be there every time!"
"...Was usually on the same front as you. Stayed in the same camps."
He gaped at Lan Zhan, who was completely failing to mention the reason that was true was because Hunguang-Jun had persistently shadowed him to keep an eye on his demonic cultivation. Far more bizarre, he also appeared to be suggesting that they build an elaborate lie around that fact.
"You want to go in front of the cultivation world and say we were sneaking around together the entire sunshot campaign?" Wei Wuxian asked in disbelief. "That I couldn't have possibly been raping women indiscriminately because I was too busy taking your dick up my ass?"
Lan Wangji made a choked noise, red crawling up his neck, hands tightening over his knees as he looked away.
"Yeah, Wen Qing suggested I say that I was the 'receiving partner,'" Wei Wuxian said, viciously twisting the knife, tugging at the hem of Lan Zhan's robes to get his attention.
"If... it increases the chance for Yu Guniang to get justice..." Lan Wanjii said, still not meeting his eyes. "If it would protect Wei Ying..."
Wei Wuxian gaped once again in baffled disbelief. "You're going to lie. In front of everyone. About years of our lives. About sex. You're going to lie about having sex with me in front of a crowd."
"...Between the two of us, no one would expect me to do the speaking."
That was actually a pretty good point, and he paused for a moment to consider it. "So what, I would say all the crazy stuff and you would stand next to me, occasionally interjecting about something that actually did happen?"
"Mn."
"Like I'd say 'I couldn't possibly have been with your daughter that night, I was too busy sucking Lan Zhan's dick, and you would stand there, not arguing, not saying lying is forbidden?"
"Mn." The red of Lan Zhans neck and ears had crept around to his cheekbones.
"Fuck, that could actually work," he muttered.
"Wei Ying."
"What?"
"...Please get off the ground."
He laughed somewhat maniacally. "What," he cooed. "Is this too provocative a position, considering the subject matter?" He leered, batting his eyes and pulling himself closer.
"Wei Ying," Lan Wangji hissed, face twisting towards anger.
"This is exactly what I mean!" Wei Wuxian put his hands on top of Lan Zhan's, who pulled back as if burnt, which only meant Wei Wuxian was able to grab his knees instead, which he leaned heavily on to half pull himself up. "How are you going to pull off being my cultivation partner when you don't even like being near me?" he asked, not without humor. "I would at least have to touch you, Lan Zhan! You hate being touched." He squeezed Lan Zhan's knees for emphasis.
Lan Wangii set his jaw, hands visibly tightening where they were clutched to his chest. "I can do it." he grit out.
Wei Wuxian snorted, then stood.
Lan Zhan's moment of relief quickly faded as Wei Wuxian dropped into the man's lap. "Wei Ying!" His hands shot forward quick as lightning, grabbing the demonic cultivator's hips and holding him so far away he practically fell off, preventing him from sliding inappropriately closer.
He leaned in, grabbing at the front of Lan Zhan's robes. "Just give it up," he said, exacerbated. "There's absolutely no way anyone will believe the two of us are cultivation partner's â look, you are literally holding me at arm's length right now!" He shifted, trying to get up, but Lan Wangji's grip on his waist was a bit too firm.
"Alright, so you want to contribute to justice," Wei Wuxian rolled his eyes. "You can still say you brought me to my room and I was too drunk for anything! I think it will really help. Between that, this blood test I invented, and maybe an unrelated cutsleeve thing â I don't know, I still have to talk to Wen Ning â"
Suddenly he was yanked forward, not all the way flush with Lan Wangji, but close enough to certain look intimate to outsiders. "I. will. do. it." Hunguang-Jun growled.
Once again, all he could do was stare in confused amazement at the uncharacteristic behavior. "Say, Lan Zhan," he said, growing suspicious. "You're not cursed or something right? You didn't hit your head?"
"No."
"Then why are you insisting on this?"
"..."
"Look, I admit, maybe you could pull it off, you've got a thicker face than I give you credit for â but why? Why do you even want to?"
"Wei Ying."
"What?"
"..."
"What? What, I'm listening, why do you want to do this?"
"...Yu Xiang. Cheng Cai â"
"Cheng Cai?" Wei Wuxaian asked, bewildered. He focused, but couldn't sense any curses at all. "Who's that?"
"Jin Guangshun sent out a list of women who will be attending the conference to accuse you."
He groaned. "Of course he did."
"You all deserve justice."
Wei Wuxian groaned again, letting his head fall forward onto Lan Zhan's shoulder, who had no choice but to bear it or give up. "I get it, you're too righteous for this world. You're willing to sacrifice your dignity for the greater good but Lan Zhan â I really don't think you've thought this through."
"Thought enough."
"Come on! It's not going to just be one day, you realize?" he said hysterically. "You're going to have to live with the lie for the rest of your life! No one will let you forget it! At best, you'll be a laughingstock. At worst, they'll lump you in with the worst of my crimes!"
"...Don't care."
"You don't care."
"Mn."
Wei Wuxian squinted at him. Lan Wangji stared back, face placid, is still lightly flushed at the uncomfortably prolonged physical contact. To be fair, the second jade of Lan was one of a handful of people he could believe genuinely didn't care about the opinions of others. He gave off an aura of unshakeable confidence in himself that could be mistaken for the arrogance Wei Ying actually did possess.
Despite himself, Wei Wuxian found himself genuinely considering the idea. "You're really serious about this aren't you?" he asked slowly.
"Mn."
"What about marriage? What if you want to get married to a beautiful woman one day? Your reputation will matter then!"
"Not interested," Lan Wangji said firmly.
That was... also believable. The matchmakers that were circling Jiang Cheng could be pretty terrifying, and it was easy enough to imagine the solitary Lan Zhan desperately seeking a way out of sharing his life with someone. It's not like Lan Sect would approve a marriage with him, so this would be a fairly effective, if explosively dramatic way to escape that particular fate.
The idea that Lan Wangji might get something personal out of this made the insane idea seem more plausible.
"I guess even if you blush the whole way through the trial," Wei Wuxian mused, "Everyone might assume it's normal embarrassment at being so publicly exposed, rather than unfamiliarity or discomfort."
"Don't blush," Lan Wangji grit out.
"Ha!" Wei Wuxian laughed. "Practicing your lying skills early, huh Lan Zhan?" He reached forward, boldly grabbing Lan Zhan's red ear and tweaking it.
Again, to Lan Zhan's credit, he didn't push Wei Wuxian away or protest the excessive contact. Even if all he did was stand there like a jade statue while Wei Ying shamelessly draped himself against his body, well. Like the talking, it wasn't that far removed from how people would imagine a relationship between them would work, if one were crazy enough to imagine such a thing.
A knock came at the door, and the two tensed.
"It's me," Wen Qing called.
Wei Wuxian relaxed. "It's your office, open the door yourself."
She stepped inside, raising an eyebrow at the position the two of them were in. "That was faster than I thought," she said dryly.
Wei Wuxian rolled his eyes, squirming to get comfortable. Lan Zhan's grip tightened almost painfully, pushing him back to maintain a slightly respectable distance between their torsos.
"Just making sure Lan er-Gongzi knows what he's getting into," Wei Wuxian said smugly.
Wen Qing snorted. "Right, about that â I've got something for you two." She placed a tightly sealed jar on the table.
"What is it?" Wei Wuxian asked, craning his head over his shoulder. Lan Zhan obligingly turned to the side, seeming too afraid of what Wei Wuxian might do if he let him go to risk it.
"Red Seaweed Oil," she said, settling across the table. "It's good for internal use."
It took a second for that to sink in, then Wei Wuxian felt heat crawl up his face. "Haha," he laughed nervously. "That's very...thorough of you, Wen Qing, but I don't think anyone will be searching our belongings, or um...asking for a demonstration."
Wei Wuxian didn't have a lot of practice sitting on other people's laps, so it was an interesting experience feeling Lan Zhan's legs turn to literal jade beneath him as he presumably tightened every muscle in his body in distress. The flush and slight widening of eyes was practically a scream of alarm by anyone else's standards.
"Okay," he said, deciding to take pity on the poor repressed monk. He reached down, prying Lan Wangii's fingers off his hips. "I think this point has been made." Lan Zhan finally let go, and he swung himself back to the other seat.
He turned, facing Wen Qing. "Why are you giving us this," he asked, exacerbated.
She stared at him with a level gaze. "I like to think I know you fairly well at this point, Wei Wuxian."
He snorted "I'd say you're in the top five of people who know me, Wen Qing."
"I know what you're like."
"Yes?"
Wen Qing glanced for a long moment at him, then at Lan Zhan, then sighed, pinching the bridge of her nose. "If you actually were a cutsleeve, and the secret was finally out in the open, when would you start shamelessly cracking jokes about it to make people uncomfortable?"
"Immediately and then forever," Wei Wuxian said promptly.
"Do you think you would be able to resist digging through your belongings, leaving an object out, and then pounce viciously on whoever was foolish enough to ask?"
He picked up the jar, considering. "Say," he said, possibilities of a whole new realm of pranks opening before his eyes. "Do you happen to have any of those replica phalluses in town?"
A very faint choking noise came from the chair to his side.
"Buy your own," Wen Qing said curtly. "We don't have many specialty merchants come through here."
"Hmph," he leaned back in his chair, finding he lacked the desire to look Lan Zhan in the face. He glanced over anyway. The flush had faded completely, leaving the man's blank face utterly devoid of color.
Wei Wuxian grinned. "You know," he said innocently. "Along that line of thought â it would really help the credibility of my words if you could finish explaining what we were talking about earlier."
"My thoughts exactly," she said, pulling a sheet of parchment and a quill to the center of her desk and beginning to draw a series of curved lines with swift elegant movements.
"This," she said, after a moment. "Is the median raphe. It is sometimes considered an erogenous zone. In addition to being highly painful, abrasions or other injuries that break the skin here come with an increased likelihood of infection."
"I thought we were going to talk about stretching," Wei Wuxian complained.
"I'm getting to that." She pointed with the quill to another wrinkled line. "This is the anal fold. It is sometimes considered an erogenous zone. In addition to being highly painful, abrasions or other injuries that break the skin here come with an increased likelihood of infection."
"I'm noticing a theme."
"Good." She pointed again. "This is the rectum. "It is sometimes considered..."
He glanced to the side. Lan Wangji, who had never avoided listening to a lecture in his life, was staring at the drawing with absolute focus, white knuckled hands on his knees the only give away to his distress. At some point after Wei Wuxian had moved he had crossed one leg over the over, and his ears were once again bright red.
Wei Wuxian sighed, then smiled, unable to help himself. It wasn't the first time he had to...dissuade Lan Zhan away from a stupidly single-minded determination to do what he had unilaterally decided was the 'right' course of action.
Lan Zhan might have gotten even more stubborn over the years, but that wasn't any reason the process of breaking him couldn't be as fun as when they were fifteen.
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[Note: This is for almost for sure gonna get rated E later on (if it's not already idk) so don't commit unless you're cool with sex comedy/ porn interwoven with plot.]
#Mdzs#Mo dao zu shi#Wangxian#My au#mdzs au no 1#The demon of yunmeng#mdzs fanfiction#90% of Lan Zhan's brain power during that conversation was dedicated to his hard-on and Wei Ying's EXACT location in proximity to it#i feel like he managed really well considering#look i know everyone writes only lan zhan's ears blushing and i support you#but that's a 13 years later thing! teen lan zhan turned fully red! wei wuxian was annoyed by how much harder he was to embarrass!#cw: rape references#i outlined this whole fic and its 70 chapters long with 4 extras#the odds of me writing every chapter are slim to none but who knows. if somehow I do I guess i'll move to an everyday update schedule idk#more likely i end up posting random chapters at a certain point#anyway if anyone is interested in beta-ing I would really appreciate it#I've rewritten the first chapter and have several on deck and have some structural second guesses in terms of where to split scenes#if you prefer committing to beta a chapter at at time that's also cool
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YOURE TELLING ME I MISSED TITTY CUPCAKE DAY
Look, I dont know a lot about saints and Catholicism, but I know St. Agatha is always depicted with her breasts on a plate, and thatâs sure something
#WAUGHHH#the fact that the catholic church refers to her as a virgin is really interesting to me#really redefines your definition of virginity huh#cw rape#rape mention#saint agatha
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Surely, Paul Sheldonâs nightmarish experiences involve his fear of a mother-figure, Annie Wilkes, the crazed female fan who rescues him from a car crash and then holds him hostage, progressively infantilizing him and threatening to castrate him if he does not use his pen to keep writing about the Gothic romance character, Misery, with whom she has identified. What might be less obvious and more interesting is the fact that Paulâs matriphobic fear of Annie may disguise a desire to return to the mother, to regress to a pleasurable state of total dependency and reliance upon the mother to fulfill his every need. The attraction-repulsion Paul feels for Annie reflects his own ambivalence toward a state of dependency, which he both desires as a relief from the burden of independence and fears as a challenge to his hard-won autonomy. Paulâs misery is Stephen Kingâs masochistic fantasy, a nightmare of the male body emasculated, the male psyche stripped of its independence. And yet not quite, for all of Paulâs sufferingâand there is an extraordinary amount of it, shockingly detailed, excruciatingly drawn out, and just a chop away from fatalâall this male masochism merely leads to the triumphant assertion of masculinity in the end. As feminist critics have not failed to note, the âviolence and bodily invasions in Misery begin with Annieâs oral ârapeâ of Paul,â but they âend as Paul shoves burning manuscript-bond down Annieâs throat, thinking âIâm gonna rape you all right, Annieââ (Bosky 1992, 154). âIn order to reassert the gender identity necessary for creativity in Stephen Kingâs metaphorical universe, Annie must be raped... Thus Annieâs orifices must be filledâespecially her demanding mouthâher power overthrown, and her sexual creative passivity re-imposedâ (Lant 1997, 110). The scene in which Paul forces Annie to eat his manuscript may have been inspired by the one in Ridley Scottâs 1979 film Alien, where the android Ash (Ian Holm) attempts to shove a rolled-up porno mag down the throat of the troublesomely empowered female Ripley (Sigourney Weaver). Scottâs film, however, ends with its female hero triumphant, whereas the climax of Kingâs novel involves the reassertion of male force.
To get a better understanding of how the male masochism of Misery contains within it a wish-fulfillment fantasy of sadistic male triumph, we might compare the ending of Kingâs novel with another film that closely resembles it, but which, like Alien, ends very differently. [...] In Smithâs view, the lesson to be learned from this movieâs failure is âthat the masochistic stage of such narratives cannot be presented as a complete castration and that the possibility of transcendence must always be kept available. The masochistic trope in this sense must be no more than a temporary test of the male bodyâ (162). Smith is describing the action-adventure genre in which male bodies succumb to punishment as proof that they can take it like a man. This ânear destructionâ is thus merely a prelude to the âfinal hypostatization of the male bodyâ (161); the physical display that makes the body appear vulnerable, the violation of that bodyâs integrity, is a test of manhood, passed when the âdemonstration of masculine destructibilityâ turns into proof of ârecuperabilityâ (156); âthe two-stage exhibitionist/masochist process must always be followed by a narrative revindication of the phallic law and by the heroâs accession to the paternal and patronizing function of the third stage of the orthodox action movie codesâ (159). Carol J. Clover (1992) has argued that this narrative turn from masochism to sadism, from vulnerability to invincibility, holds true for horror too: âAlthough the odd horror movie does follow a masochistic scenario to its annihilatory end point (The Incredible Shrinking Man, for example), most undo the dream or fantasy through an eleventh-hour reversal, longer or shorter and more or less sadisticâ (222). We can now describe Misery as a masochistic wish-fulfillment fantasy in which a man flirts with the idea of total dependency and vulnerability only to master his fear of weakness and to prove his manhood in an act of sadistic triumph over a female body. If we look closely at the scenes in which Paul suffers, we can see how his frightening ordeal is constantly being reimagined as a test of strength: the more horrible the pain, the stronger the proof of his indestructibility and macho omnipotence.
âYour Legs Must Be Singing Grand Operaâ: Masculinity, Masochism, and Stephen Kingâs Misery by Douglas Keesey
#misery#gender and sexuality#rape cw#warning: the analysis in the rest of the article is *very* freudian#...as one might guess from the reference to freud in the very first sentence lol#i went looking for feminist criticism and immediately found freudian criticism instead. well alright i'll take this too#sorry about the formatting breaking the quote in two; tumblr blocks are only 4k characters long
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I was very worried that Ango saving Hana from the river was going to be his big redemption for his attempted rape of her, but fortunately that is not the case, Tamura has more sense than that. (It would have been an especially shitty "redemption" considering he was the reason she fell into the river in the first place).
In fact, it's the exact opposite, Ango doing absolutely nothing to help Hana despite having the means to save her is what makes Koruri realize she's wrong and Ango absolutely WOULD let Hana die out of hatred for her father.
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reader getting gang raped for talking shit about men đ
something the 141 would do with their enemy. :( đ©ž
tw/cw; rape/gangrape, non-con/dub-con, dark content. dead dove: do not eat. MDNI 18+
can you really blame them for their inhumane treatment? you were supposed to be on their side, a fraud, sharing precious and important information to the enemies, soiling their plans. they trusted you, took you in as their own, with open arms and a warm heart.
you weren't familiar with this side of them. callous, hurtful, violent. they were brutal with you, violating your every hole âtil you were coating them in your crimson blood, spread out and presented to them for them to brutalise. despite the piteous cries that echoed in the interrogation room followed with pleas of forgiveness and mercy, they weren't gentle. not even kyle or johnny, who now demanded you refer to them as âsoapâ and âgazâ, no longer on a first name basis. fuck, they were so careful with their beloved teammate.
your sudden and shocking betrayal left them savage, revengeful, and vindictive, and they couldn't help but feel disgusted with you, raping you until you were limp in their arms.
they'd tell you that you had it coming, you should've expected to be tortured for your betrayal. your previous captain was merciless with you, with each rough thrust stretching your asshole open, your cunt practically swelling with this abuse, split open and fucked into, reduced to a hole for their pleasure and an outlet for their frustration. ghost bit into your skin, enough to draw blood, while you sucked another off, the muzzle of a gun pressed against the crown of your skull.
they wouldn't kill youânot yet, at leastâkeeping you as a slave for their own use, beaten and raped âtil you were unrecognisable, a shell of your previous self.
#orla speaks#tw: rape#dead dove fic#dead dove do not eat#tw: dark content#tw: non con#captain john price#captain price x reader#kyle garrick x reader#gaz call of duty#john soap mctavish x reader#soap call of duty#cod ghost#ghost call of duty#cod simon riley#simon ghost riley smut#tf 141 x reader#141 x reader#cod x reader smut
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Passerine: Chapter 5
PAIRING: High Honor Arthur Morgan x Fem!reader
Things hurtle toward their conclusion - the pregnancy, the gang, and the relationship.
Warnings: This fic has graphic descriptions of non-consensual sex, violence against women, the trauma thereafter, and somewhat unhealthy coping mechanisms. If any of that content makes you feel uncomfortable or triggers you, this may not be the fic for you.
chapter cw: references to rape, violence, injury, illness, death. canon events have been modified.
â” AO3 Link â” Fic Masterlist â” Previous | â” Next
Even the songbirds sound sad and gloomy in these hills. Everything is dark, wet, foreboding. A general unease has settled into the gang, or at least, what was left of it. The evening fell far too early, darkness blanketing the valley far earlier than you thought it should. Presently the blazing orange of the sunset already seems to be escaping this land for the west.
If only, if only.
âCan I listen to the baby?â
You shake your head slightly, waking yourself from the brooding thoughts you were having. The scarf you were darning for Abigail lies draped across your lap. Youâre sitting against a tree toward the outside of camp, along the hillside where the only sunlight seems to penetrate the tree cover. You secretly are happy for the company, knowing that it would be an embarrassing struggle for you to get back to your feet from the ground, something you should have thought of before sitting down.
You smile, ruffling Jackâs hair. The boy hovers in front of you, waiting for your response, a huge, giddy smile on his face. At least someone here was happy.
âSure, Câmere.â
Jack stoops down in front of where you are sitting and places his head upon your belly, closing his eyes in concentration. You place your hand back upon his head, running your fingers through his hair as he listens.
âThereâs just a bunch of gurgling!â The boy snorts, and you ruffle his hair again with one hand as you take the other and guide it against a spot on the left of your swollen abdomen.
âCause the babyâs in waterâŠ.can you feel it? Thatâs probably a little foot right⊠there.â You press Jackâs hand against your skin until his eyebrows raise in amazement when he feels a protrusion.
âThatâs a foot?â He asks as he scrunches his nose, pulling away from you.Â
You smooth over your skirt again, gently rubbing at your belly, as you can feel the child squirm within, having been awakened by Jackâs curiosity. A foot to your kidney, a head against your bladder. The constant discomfort of soon-to-be motherhood.
âDo you think the baby will like my Penny Dreadful books?â
âSome day, Jack, when youâre reading it to them.â You suck in a breath at a well-placed kick seemingly right underneath your rib cage. A hiss escapes your mouth as the child squirms uncomfortably within your body, and Jack immediately frowns at your pained expression, pulling back from you.
âNo, no, it's okay,â You try to calm the boy down, placing one of your hands on his shoulder, âThe babyâs just kicking. Almost ready to come out.â
âJack!â
John Marstonâs rough voice cuts through the falling dusk, and Jack scrambles up from his knees.
âOver here, John.â You call out, thankful that at least you werenât going to be forced to holler for someone to come help you up.Â
It's only a few moments before John comes upon the two of you, rubbing his hands on his pants in an attempt to clean them. He nods back over toward the tents.
âJack, come on now, time to get cleaned up. Go on over to your momma.âÂ
âYes, papa.â Jack nods up to his father, smile beaming, before running back toward the camp. A pang hits your heart and almost makes your eyes mist over in your emotional state - to think how, months ago, John could barely even look at his son, and now heâs spending afternoons play fighting with sticks with the boy.Â
âYâ need some help there?â He looks down at you with an amused half-grin, the silvered scars across his cheeks moving as he snorts.
You give a tired half-smile back up to him. âWould you? God only knows Iâm going to hear it from Arthur for not being in bed right now.â
He steps in front of you and holds both of his hands out for you to take. You grab them and groan as you let him pull you up, breathing out heavily as you lean forward into him to steady yourself as youâve gotten to your feet. To his credit, John holds your shoulders patiently as you huff.Â
âY-youâre too skinny these days, Marston.â You pant, trying to break the awkwardness. God, you were pitiful.
John doesnât seem to mind, âAinât like I was fed like a king in Sisika.â
You breathe out another long breath and nod, your hands moving from his biceps as youâve steadied yourself. He removes his hands from your shoulders and holds out one arm for you to interlace your arm with to walk back.
âCâmon, letâs get you back to the tent. Startinâ to see why Arthurâs gonna be mad as a hornet.â
âHush, not you too.â You groan, rolling your eyes as John starts to slowly walk you back to your tent. Upon reaching it, you unlace your
âThank you, John.â
He nods, his eyes lingering on your belly.
âYou alright?â
He swallows before responding, âGuess Iâm just startinâ to see what everyone else did.â
âAbout?â
âHow much of an ass I was to âem. Abigail and Jack.â
You place one hand on his shoulder, giving a small, knowing smile. The other lands on your belly. âWell, now you have the chance to make things right.â
John nods, remaining silent.
You squeeze his shoulder affectionately.
-
The night has fallen in the campsite, and you have shed your dress within the privacy of the tent, clad in your shift with a shawl over your shoulder to stave off the cold. Another night alone, it looks like - you sigh and start to ready yourself to settle into the cot, grunting in discomfort as you reach for and toss random items of clothing that you had worn during the day into the far corner of the tent.
You go to reach for the dirty bandana curled up on the bedside table to add it to the laundry pile.
âDonât touch that.â
You jolt, surprised to hear the rough voice of your lover as he reties the canvas behind him, having silently stepped into the tent. The orange glow of the oil lamp inside the tent casts shadows, to include across his face before he takes off his hat, placing it on the small shaving table. His shaving kit has not seen much action these days, having grown out his beard fully.
âArthur,â You pull his hand to rest over your belly, large and taut in your dress. The child within squirms as you press Arthurâs hand against the top of the swell. Abigail said the babe has dropped - and youâre apt to agree, the pressure on your hips is becoming near unbearable these last days.
But, as with the jovial mood of the gang, as with the loss of good men and the move into these cursed hills, gone is Arthurâs joy, a blackness having set in upon him as Dutch seems to be reeling, as
A blackness that mirrors the blackness that has set into his lungs.Â
He wonât admit it, but youâre sure that heâs grown out his beard to hide the darkening gauntness of his cheeks as he has lost weight, his muscles no longer straining against his shirt. He came back from that blasted island after that damned bank job and has never been the same. Tuberculosis, the doctor in Saint Denis had said.
Downes, Arthur had muttered darkly, ending the conversation.
Since then, the distance that you had put between you returned, coming from him this time. He slept on the ground - wet and cold, forsaking your bed, no matter how often you pled for him to lie with you. Even simple touch was limited, him refusing to get near to you as his coughing worsened, specks of blood appearing on his handkerchief as time wore on.
Any day now, Abigail had said and started to pack a small bag for you and her to go down to Annesburg - rebuffing Grimshawâs annoyed statement that you would give birth in camp.
I did that five years ago and no way in hell am I subjecting another woman to that. Weâre goinâ to Annesburg, and thatâs final. John will take us when it's time. Abigail had forcefully stated, a matronly rage upon her, protective of you and your child.
Arthur remains silent, pulling his satchel from around his shoulders and placing it on the table next to his hat.
Forlorn, despondent, you step forward and press yourself against him, moving to throw your arms around his neck.
âStop.â Arthur pushes you back, albeit gently, putting distance between himself and you while holding your shoulders.
âPlease-â You plead, knocking his hands back, off of you.
Arthur lets out a long breath, the vestiges of a cough yet evident in his rough voice. You grasp his hands and he makes to yank them away from you, but does not, his brow falling. His large, scarred hands loosely rest in yours.
âYou - youâre acting like youâre already gone.â In your late stage, you canât help but to sob, breath heaving as your tears spill over.
âHoney,â Arthur interrupts, trying to calm you down, taking his hands from yours and placing them on your shoulders, âIâm right here.â
âYouâre not, you wonât hold me, you wonât kiss me - Iâm about to have our child, Arthur-â
âI ainât gettinâ you sick.â Arthur raises his voice, loud within the confines of the tent. He realizes only afterward that he snapped at you when you wince in response, âSweetheart.â
âSleep with me.â
âSweetheart-â He clears his throat, âYou know we canât. I ainât gettinâ you sick. And I sure as hell ainât touchinâ you this close to you having the baby.â
âAbigail says it's fine.â You whisper softly, your hand resting upon his chest, and you look up to finally catch him.
He sighs, closing his eyes. âI need to protect you. Like I didnât all those months ago.â
âEvârything is falling apart. Can we just⊠pretend for a moment? That weâre just⊠weâre just-â
Arthur remains silent. You remove your hand from his chest and place it on your belly. Swallowing, you continue, voice cracking.
âI just want to pretend that none of this happened. That weâre back at Horseshoe before you got sick orâŠ.â
Arthur sighs in a defeated manner.
â..o-or when that OâDriscoll took me. I never want to see you look at me like that again.â
His eyes shoot open. âWhat?â
âI was - I am - Iâll always be afraid that youâll decide you wonât want me because of what happened. The look in your eyes when you found me in that cabinâŠâ You rub gently at the swell, back swayed and hips aching, âI donât know why⊠I just do.â
âThat ainât - there ainât⊠Darlinâ-â Arthur sputters, âThatâs the last reason I donât want you. Hell, it ainât that I donât want you at all. Christ, I want you more than ever. I just donât want to-â
You reach out and take his hand, âJust be careful. Just be gentle. I gotta be on my side so I wonât be facinâ you, much as I want to kiss you.â
The dark circles under Arthurâs eyes betray him. He squeezes your hand back.
âI need you.â You look up at him with it plain on your face.
Damn you, damn you and that voice, that look of yours. Much like that night out in West Elizabeth all those months ago, Arthurâs resolve cracks like porcelain.Â
âAlrighâ,â Arthur whispers. âYou tell me anythinâ donât feel right.â
You let go of his hand and slowly shrug the shawl draped over your shoulders off and it falls to the ground within the tent with a muted thump.
Youâve gotten too large to wear your old chemises, instead opting for looser cotton petticoats that could be tied over your stomach. You bring Arthurâs hand up to your chest and wait for him with pleading eyes. Arthur traces his finger along the neckline before pulling it down to uncover your breast. Your breasts are full, and swollen, nipples darkened and sensitive as you close your eyes to the feeling of him ghosting over them. He pulls the petticoat down further, showing more and more of you to his eyes.
Arthur swallows as the cotton falls slowly from your shape. Your belly, large with child, has dropped, centering low above your hips.Â
âYouâre the prettiest thinâ Iâve ever seen.â
You blush, moving to cover your breast, âIâm huge.â
âYouâre growinâ my child,â Arthur says, pulling your hand away from your body. He trails his other hand down your belly, hard and full. âEvrây day on that island all I could think about was you - how beautiful youâd be when I got back tâyou.â
You close your eyes to the feeling of his hands upon you. A gentle squeeze of your swollen breast, a tender caress of your belly.Â
âKnowing you were back here, safe, with our childâŠâ Arthur whispers hoarsely as his hands trail over your nude form, âIâd fight through a thousand wars to come back tâyou.â
You lay in the cot, settled in on your side, and look over your shoulder as Arthur pulls away from you and strips himself down. Boots get tossed to the side. His gun belt winds itself on the ground. Shirt and pants and union suit follow until he is as bare as you.
He is pale, now that the sunburn from Guarma has finally faded. Not as in heâs returned to his normal coloring, but pallid - his bulk and previously bulging muscles are much subdued. He is still Arthur, of course, but an Arthur stricken. Unwell. You can barely keep yourself from sobbing when you look him over, turning your head quickly as he climbs into the cot.Â
His skin is warm behind you as he slides himself into the cot. He settles himself in, his blood-hardened cock pressing against your rear as he drapes one arm over your belly. In this moment of quiet intimacy, he presses his lips against your hair. Your hand covers his over your belly.
Perhaps you can forget, for at least this moment.
His hand moves down from your belly to trace through the hair above your cunt, and you sigh as you open your legs to him, his fingers finding that little nub with practiced ease. A few moments more, and youâre aroused enough for him to withdraw his hand and wrap it around the base of himself as he turns back toward you, stroking himself several times before guiding himself to your core.
You moan, throwing your hand over your mouth as he enters you - the smooth, warm column of him pressing slowly into your cunt.
âYâokay?â
âAlways, always - please move Arthur, please-â
âChrist,â Arthur swears as he slowly rolls his hips against your rear, cock sluicing through your slick - itâs clear your want for him, even diminished as he is.
You clench your hand hard around the edge of the cot, panting high and flighty as Arthur gently, carefully, thrusts in and out of you. His hand spreads out wide over your hip. Arthur continues at his slow, gentle gait. He secretly is thankful for the necessity to be soft and slow - he doesnât think heâd be able to fuck you the way you two had at the beginning.Â
âI love you, sweet girl,â Arthur whispers, holding still for a moment, his cock sheathed completely inside your body. That large, calloused hand of his moves over your belly once more, highlighting the magnetic need for him to touch you there.
You whimper, and your hand joins his. âI l-love you, Arthur.â
The pressure of the child, maybe a week away from coming into the world, and Arthurâs hefty girth stretching your cunt makes tears collect in your eyes. It doesnât hurt: itâs overwhelming. Itâs so much, itâs you giving so much of your body to others.Â
Arthur slowly rolls his hips and your tears threaten to spill over. Itâs so much.
âArthur, Arthur -â you coo, trying to be quiet, âIâm gonna come-â
He groans as he slowly slides his cock all the way inside you once again and you shudder, clenching down on him as you stifle a cry.Â
âThatâs it, come for me, oh- sweetheart-â He murmurs into your hair and clenches his hand on your ass cheek as he lets loose his hot spend within you.
He gasps, far too winded for even the kind of lovemaking that was, his lungs feeling like sandpaper. Arthur goes to pull himself from your body-
âDonât-â You whine softly, jutting your hips back to try to keep him inside you. He grunts lowly, squeezing your hip, but stops pulling away. Still hard, he sighs as he presses that inch of him that left you back in, staying in your wet warmth.
His hand tracks from your hip to cradle your belly once again, and you cover it with your own. Arthur traces his fingers gently on your belly as he listens to your breathing slow, and finally, your hand falls to the cot beneath you.
He gently extracts himself from your body, gritting his teeth against a hiss that he wants to let out as his softening cock slips from you. Unwinding his limbs from you, he stands up from the cot, quickly collects his clothing, and redresses himself silently.
After he shoves his feet into his boots and rewinds his gun belt around his hips, he grabs at an old blanket in the corner of the tent. The threadbare fabric is rough between his fingers. As calloused and worn as they are, he cannot help but frown when he thinks about how the old wool feels against your skin. You deserve better than that, but for now, this is all you have.
He pulls that blanket over your nude body, over your swollen belly, over your widening hips, your bosom, where your breasts are heavy with milk coming in for the child. Over you, sleeping fitfully.
Christ, he muses, youâre the most beautiful thing alive. If only he could stay and watch over you all night.
Arthur mashes his old gambler's hat onto his head as he ducks out of the tent, closing the canvas behind him.Â
He spits on the ground, rubbing his mouth with the back of his hand, gritting his teeth as blood streaks across the freckled skin. The night has fallen over this miserable camp - there are no thrummed guitar strings, no drunken notes sung. The gang has never been so low, even in Colter. God, he misses Hosea. He misses Lenny. He automatically reaches into his pocket for a cigarette, needing the rush to pull him out of this pit of misery.Â
A solitary figure sits on one of the chopped logs next to the fire, his head nodding upward as Arthur approaches.Â
Smoke wafts through the night, from the campfire, from the cigarette now placed between Arthurâs teeth, from the match John Marston strikes to light his own cigarette. The song of crickets fills the air, and an owl randomly hoots. Arthur sits down upon the log, his boots crunching leaves softly beneath. This damn forest was too quiet. It was like something, someone was lurking just out of reach at all times. He hates it here.
âNeed you to do somethinâ fâr me.â
John looks up from the fire, having been lost in his thoughts. He nods, watching Arthur take the cigarette from his teeth and hold it between his fingers, his other hand clutching that worn gamblerâs hat of his fatherâs that he is never without.
Arthurâs voice is rough and tired. A reflection of his being. Shit, it could be a reflection of everyoneâs being after moving to this shithole.
âWhat you need?â John asks, waiting for Arthur to ask for him to be his second on a robbery.
âNeed you to take care of them. Her - the baby,â He nods over to the ramshackle tent, âI need you to keep them safe.â
âArthur-âÂ
Arthur stands back up, effectively silencing his foster brotherâs bellow. He throws his cigarette to the ground, mashing it under the toe of his boot. His spurs jingle against the movement. He places that black gamblerâs back atop his head and glares down at the younger man.
âI ainât askinâ you, Marston.â
-
One last train, of course, it had to be one last train. Damn well almost killed everyone involved, but Dutch was able to claim the army payroll, for whatever good it was going to do the gang now. People were leaving. Uncle. Pearson. Karen.
Have them packed. Iâm having her ready to go. He had told John, to prepare for the finality - prepare to leave the people they had called family for years like thieves in the night.
John got a bullet through the arm during the heist, knocking him to the flatbed of the railcar. Fortunately, that seemed to be the worst off that anyone got in the fiery explosions that ensued, the felling of guards and the train rocketing over the destroyed bridge - but they got the damn money - and that was all Dutch wanted.
Arthur and Sadie had swung to the west when the gang broke up to return to Beaver Hollow. Riding hard, the two of them followed the Kamassa south to the Elysian Pool before crossing the river to head north again.
In the waning afternoon sun, Sadie pulls hard on the reins of her horse to slow him as riders approach from the north. She does not pull her gun, instead guiding her horse to the side of the road and dismounting. The riders pose no threat - women.
âArthur, Sadie - we, we did as yâsaid,â Tilly pants, out of breath atop one of the campâs wagon horses, with you clinging to her waist, also breathing hard. Abigail slows the horse she rides, with Jack firmly planted on the saddle ahead of her. Hastily packed bags are slung over her horseâs rump. Arthur coughs yet again as he brings his horse to a stop as well.
âWhereâs John?â Abigail asks, looking past Arthur and Sadie for any sign of her lover, the father of her child.
âHeâs cominâ back to the camp from the north.â Sadie gruffly states, motioning for Tilly to slide down from the mount she was on. Tilly nods, doing so as you balance yourself on the horseâs rump. âCâmon now, Tilly, you can handle your own horse. Let me ride with the missus over here.â
Arthur swings down from his own mount as he wheezes for breath. You wish you could swing down and rush to him, but you are uncomfortable enough in your state. Eventually, Arthur makes his way over to you as Sadie mounts up on the saddle ahead of you, whispering something comforting to the horse.Â
âNow you go on and stay with Missus Adler here.â Arthur pats your thigh as you lean over and take his shoulders.
âWhat- you arenâtâŠ?
Arthur solemnly nods and the weak dam holding your tears back bursts. Everything you have come to know is dying in front of you.
âA-Arthur-â you cry, tears pouring from your eyes, pushing against his shoulders as he lifts you gently by the hips to place you on the horseâs rump, âDonât do this - y-you canât do this.â
His eyes cannot meet yours, but his hands remain on your waist, gentle and warm, âMissus Adler is gonna take care of yaâŠâ
Your hands move from grasping at his shoulders to his cheeks, hollowed under his beard, tipping his head up to look at you. His bloodshot eyes finally catch yours, dulled blue and glazed over in a sheen of tears unshed.
âArthur-â
âDarlinâ. You go on and be safe. You raise that baby right.â
âYou canât leave us,â you sob, voice cracking loudly.
Arthur takes the half step closer and places his head in your lap, his forehead against your swollen belly. Your sobbing is muted for several moments as your hands card through his short hair. He pulls back a few inches and looks up at you, an inescapable, endless sadness in his darkened eyes. Arthur places his lips upon your belly for a moment before taking your hand in his own, drawing it to his dry and cracked lips.
âI love you, sweet girl. Always râmember that.âÂ
Your brow furrows again as you push his hand away and cup his cheek, gaunt and hollowed under your touch.
âI love you, Arthur Morgan.â
Arthur kisses the palm of your hand again, turning toward it.Â
âSusannah.â
âWhat?â
âIf itâs a girl, name âer Susannah. Iâve always loved that name.â
You smile, the track of tears down your face sparkling in the sunset. âIf itâs a boy, heâs Arthur.â
Arthur snorts softly, âItâs a girl. Sheâs gonâ be as beautiful as you.â
Your hands hold his jaw with a gentleness that he does not deserve. His eyes slide shut with a weariness that he has not allowed himself to feel until now. He cannot help the furrow that forms between his brows. He cannot help the sudden pain behind his eyes, the desperate need to bury his face into your lap and shudder and let his strength down, whatever little left there is.
No. No. He cannot do that to you. He has failed you enough. He didnât keep you safe. He got a child upon you when he was supposed to be comforting you. He wouldnât be around to raise said child.
The teardrop escapes his eye before he can do anything about it.
He can feel your thumb tense, your wrist shifting to allow your skin to brush against his-Â
Arthur pulls away before your thumb can wipe the tear from his cheek, and it disappears into his beard. He turns away from you, severing touch like an open wound.
âMissus Adler.â
You cry out like a wounded animal, âNo. No, Arthur-!â
Sadie nods, âIâll take care of âem, Arthur.â
Arthur turns to the other horses to nod to Tilly and Abigail. Abigail, clutching at her son, returns the gesture solemnly, unable to speak.
âNow all of yâ get outta here, go get somewhere safe.â Arthur stalks toward his horse, wheezing before spitting a glob of bloody phlegm out on the ground.
He hoists himself up into the saddle without looking back. He cannot, he cannot bring himself to know he will never touch you again, never see you again.
âArthur,â you weep out from atop Sadieâs horse one final time, one hand over your belly and one around Sadieâs waist, âOur baby-â
He digs his spurs into his horseâs side. He cannot, he cannot look back at you, swollen with his child, days away from bringing that sweet life into the world.
âArthur-!â
His horse rears and starts off up the road, leaving the women behind. Giving them a chance. Giving you a chance.
He grinds his teeth, trying to keep the sting of tears behind his eyes as your wailing fades away with distance.
Arthur wonders, for one fleeting moment, what color the babyâs eyes are going to be. He spurs the horse on faster as he reaches into his satchel, taking his fatherâs hat out and placing it back on his head.
At least, the very least, he would spare the child the torture of a terrible man as a father.Â
-
So this is how it goes. This is how it ends. After all them years, Dutch, his foster father sides with that snake who hisses falsehoods in his ear.
He was never really the same after Hosea died.
Arthur is drowning in his own skin, sucking breath in vain to power himself forward, but everything is so heavy. He is heaving- stumbling, failing, dying-
âCome on, Arthur⊠keep pushing. Goddamn it! Theyâre everywhere, we need to get outta here-â
John Marstonâs voice cuts through the night. For so long, it was grating, infuriating, annoying to him. Now? Now it is the greatest comfort in this time. The gang was done, Pinkertons descended on the camp - they were fleeing for their very lives-
âY-You goâŠâ Arthur wheezes, his feet dragging on the ground.
John stops, several steps ahead of him, his arm hanging limply as he clutches his revolver in one hand, âKeep pushing, Arthur.â
âNoâŠI think Iâve pushed all I can.â Arthur pulls his hat from his head and starts to swing his satchelâs strap over his head and shoulder.
John shakes his head furiously as he walks the few steps back to Arthur, âCome on. We ainât got time for this, not now.â
âGo to your family-â Arthur shoves his satchel against Johnâs good arm.
âAnd yours? Your woman, about to give birth, any day now. Your child?â John interjects, raising his voice.
âIâm dying, even if it's the Pinkertons or Dutch or anyone else that gets me first. ThisâŠthis is why I..I⊠you, you gotta keep them safe,â Arthur coughs again, wet, wheezing. âGo to your family, John.âÂ
Arthur reaches up and places that old gamblerâs hat on Johnâs head. His fatherâs hat, that he had kept for so longâŠ
Johnâs voice gets small. âYouâre my brotherâŠâ
âI know. Now go. Please.â Arthur stares at the ground, another volley of gunfire going off in the distance.
John frowns once again but heeds Arthurâs demand. He nods shortly before limping off in the other direction, down the steep mountain path to the north. Arthur gazes at the valley below, flashes of light from approaching gunfire sprouting from behind trees. The blazing fire from what was left of camp glowing in the distance.Â
He takes a long breath in, knowing it will be one of his last. The exhale is shaky, devolving into a hacking cough where blood spittles out through his teeth.
He does not bother to wipe his face.Â
Shooting his revolver in the air, he curses loudly before stumbling in the other direction, further up the mountain.
Ambarino lies quiet in the distance.
As he lumbers forward on unsteady legs, his blood is fresh in his mouth as he thinks of you.
Youâll be even more beautiful as a mother.
Damn, and he wonât be able to see it.
-
Johnâs damn arm is on fire. Freely bleeding against his hand, he can barely move it as he clutches his revolver in his good hand. Getting shot, the fall from the train, limping back to camp only to have the gang finally implode, and now Arthur sending him away, staying behind, sacrificing himself for the others, damn him.
He curses, batting the hat Arthur had placed on his head upwards slightly, so he could see better from under the rim.
The gunshots in the ravine below echo through the night, dark as all now, in the moments before dawn.
Abigail and Jack. Abigail and Jack. He pushes the pain to the back of his mind. Abigail and Jack.
Be a goddamn man.
Arthurâs words echo in Johnâs head as he slides down a rockfall ledge on the north side of the mountain.Â
Ambarino lies quiet in the distance.Â
Head north and hide out. Slink down the Kamassa by night. Find Abigail, find Jack. Copperhead Landing, Arthur said.Â
Find his family. Save his family, his woman and his boy-
Save-
You let down Jack from your horse at Clemens. You read him a book under the covered porch at Shady Belle. You attempt to teach him dominoes at Beaver Hollow.
Jack asks if he can touch your belly. You smile and let him, urging him to put his ear up to your abdomen. He squeals with delight when your belly moves against his cheek and begins to babble about all the things he is gonna teach the baby. Abigail says theyâre gonna be cousins, Uncle Arthurâs baby and him.
Save his family.
He stops; the echo of gunshots through the valley getting louder. The Pinkertons were likely closing in. Micah and Dutch were lurking about. Arthur on his last leg.
Youâre my brother.
Youâre my brother.
Youâre my brother.
John Marston grits his teeth against the pain in his arm and turns back at the first hints of the sunrise on the horizon.
#twolafic#passerine#arthur morgan smut#red dead redemption 2#arthur morgan#red dead fanfic#arthur morgan x female reader#rdr2 fanfic#arthur morgan x reader#red dead redemption#rdr2
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looking through your eyes + eight
authors note: so....i like cliched shit, so there's some of that here. hope it's not too much. this one is also very heavy at points, so please read the warnings, but it def has its moments that help progress the plot. also, the book referenced is a real work that we often use in therapy with survivors of sexual trauma. an excellent, powerfully healing read. i own neither the book nor the excerpt used.
if any cw/twâs are missed, please let me know, and i will add them!
cw/tw:Â references to csa, aftermath of csa, character being triggered, scene of violence/torture, fluff, angst, language, and suggestive themes
song inspo: âlooking through your eyesâ by leann rimes
masterlist
words: 12k (i clearly don't know how to stop. it is what it is)
It's out of our hands We can't stop what we have begun
---Leann Rimes
âClarke.â
Thereâs a heavy sigh followed by continued writing, icy blue eyes focused on the report before her instead of the irksome man before her, no doubt giving her those âfuck meâ eyes that would be an HR nightmare if HR actually did any fucking thing at this precinct.
She finishes her quote before asking with all the intentional disinterest, âwhat do you want, Reed?â
His question, as well as his intrusion by her desk, is expected. âwhy arenât you joining the rest of us for the luncheon today?â
Itâs none of his business, and Danica has no issues telling him that in intentionally vague terms. âGot somewhere to be.âÂ
Finally looking up, she sees Reedâs gaze go cold. âWhere?â
Danica drops her pin and answers in the sweetest yet nastiest voice she can muster before 10am. âNot that itâs any of your goddamn business, but the Miller girl is being released from the hospital today.â
Reed is just as confused as he is stupid. âWho?â
His obtuseness shouldnât surprise nor irritate her, but it does. She remembers every single case sheâs ever worked, and sheâs certain this one will always remain at the top of the list. No matter how far she gets into her career. âSolana Miller. Xavier Millerâs daughter. The home invasionââ
âI know.â Reedâs almost relaxed, nosy disposition has entirely shifted. âCaptain said the case was closed. Kid doesnât want to press charges.â
âThat kid is fucking traumatized. Donât put that on her. Xavier is the one refusing to let us proceed.â
Reed leans forward, harshly whispering, âkeep your fucking voice down, alright? Miller isâŠ..heâs not someone you want to piss off. If he says we donât run it, then we donât run it, got it?â
âAnd who the hell is he to decide how the law works?â Clarke is also leaned over her desk, almost a month worth of pent up frustration with the lack of justice bubbling to the surface. âYou read that medical report. You were on the scene. You donât beat a grown man the way they beat that little girl. She could barely fucking walked. Dragged herself to a neighbors to ask for help. Itâs a miracle sheâs still alive.â
âBut she is, okay?â Heâs also matching her energy, just as passionate about blatant injustice as she is for said justice. âThe best thing to do for that kid is to let her go home, heal, and move on with her life.â
And thatâs the part that almost breaks her, that almost makes her shift from her role as an advocate to the survivor within that so deeply identifies with Solana.âYou really think itâs that simple? Like she can just go back into the house where she was raped and almost killed and pretend like nothing happened?â
âNo, I donât know, Clarke, and quite frankly, I donât care. Iâm moving on and picking my battles wisely.â His voice switches to something ominous. âAnd if you knew what was good for you, youâd move on too.â
Aware of the underlying implications of his warning, she calls his bluff, âyou threatening me?â
âBelieve it or not, I actually do like you, Danica, but youâre playing a dangerous game.â Reedâs voice lowers again, and Danica almost feels like heâs trying to be genuine. âI know youâre still new around here, so let me give some free advice. Xavier Miller is a dangerous man. Heâs got friends in places you donât want to find out about. Leave this alone before youâre the next mutilated body we find floating in the river, alright?â
________
Danica Clarke has always been stubborn, a trait sheâs certain will lead to her demise, but if this is the route that brings her to said demise, sheâs okay with it.Â
Danica waits in the doorway, aware of how knocking can be alarming. She waits and assesses for the moment Solanaâs gaze is close enough to where she wonât be as startled. âHey there, pretty girlâŠ.â
Sure enough, Solana jumps a bit, and Danica is pleased to see the swelling on her face has gone down tremendously and the bruising has started to fade to an almost flesh toned color. She looks less at deathâs door than the first time Danica was introduced to the 12-year-old.
âCan I come in?â
As expected, Solana doesnât say anything, just nods quietly.Â
Danica moves to sit in the chair on the side of the bed. âHeard you were getting released todayâŠ.â Danica studies Solana carefully, adding kindly, âmay be kinda nice to have a change of scenery.â
Solana remains quiet, but Danica has been around enough survivors, remembers her own survivor story, to know that nothing feels nice or good in the immediate aftermath. Thereâs just numbness and pain. No in-between.
âIâm so sorry thereâs nothing more I can do to help you, Solana. I really am.â And she means that with every fiber of her being. âYou didnât deserve this. You deserve justice, and I wish there was more I could do, butâŠ.my hands are tied.â Danicaâs only been at this precinct for less than six months, and while asking to be transferred wonât be a good look when evaluations roll around, she doesnât give a fuck. She canât serve with bastards who would let sick fucks like Solanaâs attackers walk around freely.Â
Itâs too repulsive.
âBut, I doâŠ..I want to give you something.â Danica reaches into her backpack and pulls out something she hasnât had to look at in years. A book, thick, with yellow, paperback binding. The edges are a bit worn, and certain parts are highlighted, but itâs still just as powerful nonetheless. âWhen I wasâŠ.a little younger than you, I was raped too.â Danica sees Solanaâs gaze lift up, surprise and shock written on her face. âAnd it wasnât until I was a freshman in college that I started to heal and finally process whatâd happened to me.â Danicaâs lips press together. âThe counselor I saw in college, she gave me this book, and it changed my life.â
Solana looks down, reading the title, typed in big, black letters: The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse.
âI wanna read something out of it for you, if thatâs alright?â Consent, especially now, is everything, so Danica waits patiently for Solana again to nod, permitting her permission to read.Â
With a deep breath to also prepare herself for revisiting the past, she begins reading a passage that Solana can see she has highlighted.Â
âI know you're in a world of pain, but that pain will lessen. At the beginning you can't see that. You can only see your pain and you think it will never go away. But the nature of pain is that it changesâ it changes like a sunset. At first, it's this intense red-orange in the sky, and then it starts getting softer and soften. The texture of pain changes as you work through it. And then one day, you wake up and realize that life isn't just about working through your abuse; it's about living, too.â
Danica looks up to see Solana sniffling, wiping at her eyes. Sheâs tempted to reach and take her hand, but she also knows better, knows that the last thing this child wants is to be touched.
âI want you to have this, Solana. I want you to take it, and when youâre older, when youâre ready to reclaim your voice, and you will, I want you to read every word in here. From cover to back cover. Youâre gonna be okay, sweetie. You donât feel it now, but you have to believe it.â Her eyes gloss over. âDonât ever stop living, Solana.â
âSolana.â
Flashbacks and memories from that time of her life donât happen often, and itâs an intentional thing on Solanaâs part.
She doesnât like thinking about that part, but this certain memory has now revisited her a total of three times now. Twice in a dream and now in the middle of a conversation with Bayley and Naomi.
ThatâŠ..that canât be a coincidence.
âIâm sorry.â Apologizing seems like the most appropriate thing until Naomi shakes her head.
âRoman said weâre not supposed to accept or condone you apologizing for anything, so imma pretend like I didnât hear that, sis.âÂ
RomanâŠ.
He confuses her.Â
Heâs certainly unlike any man sheâs ever met. And though that number is far from generous, heâs still the anomaly.Â
After essentially rejecting what was anâŠ.interesting, unfamiliar, different experience between the two of them, she expected him to be upset. To be frustrated. To be absolutely all over her baggage. To ignore her.
But, thatâs not what happened, none of that has happened. Instead, heâs carried on like nothing happened, like she didnât run away from him in near tears.Â
Like they didnâtâŠ.like they didnât almost have a moment.
Heâs stayed true to his word in that heâs met her every day after work in the week thatâs passed. And while the first day was awkward, mostly on her part, theyâve fallen back in that same confusing yet peaceful space.Â
Confusing yet peacefulâŠthat seems to be the theme since the day she said âI do.â
Itâs not uncomfortable nor unpreferred over where she came from.
Itâs justâŠ..different.Â
âOhâokay.â Solana doesnât know what else to say but notices that Naomi looks like she has something else to say but is hesitant. âIsâis everything okay?â
That seems to be the door that paves the way for said conversation. âIâve been thinking. Youâve come a long way. Like, youâve really got the basics down, all the defensive positions, even fluidity of movement.â Itâs leading up to something, Solana is certain of this, but it also means a lot to her that Naomi believes sheâs progressed. Doing well with this or even retaining Naomiâs training is something she never saw for herself. âI want to advance you to learning attacks. Solanaâs stomach starts to tighten. âWith weapons.â
And there it is.
Solana winces. âWeapons?â
Bayley sighs, joining in to help Naomi present her case. âWe wanna teach you how to use knives.â Solanaâs stomach tightening quickly morphs into twists and knots. âHear me out, please. I knowâŠ.I know thatâs gotta be a sensitive thing for you, and I totally understand why, but knife fighting is a really great skill to have, even if just to have one on you at all times and know how to use it if need be.â
âAnd letâs be honest, Roman isnât going to let anything happen to you to where you would need it, but still.â Something tells Solana Naomi isnât wrong about that. That neither woman is wrong in what theyâre saying, but just the conversation brings back flashes of that night, the night that left the physical and mental scars she still bears now.
Bayley offers a sympathetic smile. âJust think about it, okay?â Solana can do that. She will do that, justâŠ.maybe not right now.
And she doesnât have to because Roman and the twins suddenly enter the gym space. Solanaâs stomach tightens seeing Roman shirtless, a sight thatâs happened a couple times now, and each time doesnât seem to make it any easier on her nerves. If anything, it gets worse.
âWhassup, ladies.â Jey greets, clapping his hands as he asks, âyaâll ready for tonight?â
âTonight?â Solana speaks up, not directing her question to anyone in particular, but Bayley is the one to answer. âWhatâwhatâs tonight?â
âNight of Champions.â She then goes on to explain. âItâs one of our annual wrestling events. Naomi and I are competing.â
Curious, Solana turns to Roman. âAre you fighting?âÂ
Jimmy, however, is the one to answer. âSoso, Big Dog donât do these events no more. Not very often anyway, but heâll be there.â
âCan I come?â Solana directs her question to Roman, knowing that it will be his call. He eyes her unexpectedly.Â
âYou want to?â
She nods, referring to the group. âIâI wanna see them fight.â
It also feels like the right thing to do, to support the two women whoâve been nothing but supportive of her since day one. Even Jimmy and Jey with their often inappropriate comments about her body and continuous praise over her cooking abilities. Itâs still always been very respectful in a strange sort of way.
Roman steps towards her, and Solana finds that it takes a concentrated effort to keep her eyes on his and to not gaze downward. Him being shirtless before her doesnât help with the attraction sheâs still trying to wrap her head around and navigate.Â
He lowers his voice, asking, âyou sure?â
Sheâs confused only for a second when she remembers why he seems to be ensuring this is what she wants. This will be the first time Solana has returned to the Warehouse since Grayson and Austinâs attack, since she caused a whole scene that resulted in the whole damn place being shut down and Roman sending a grim message to all.
For a second, she backs away, retreats from her initial desire. Briefly tells herself that this isnât what she wants, but that other distant voice in the back of her head, not as present or loud, seems to win the battle this time around.
âYes,â is the final answer she settles on. âIâll be fine.â
Roman nods, informing. âWe leave at 6:30.â
Solana starts to wonder about what this night could entail when Jey suddenly expresses, âItâs kinda nice outside. I think Iâm gonna go for a swim. Get in that aquatic cardio.âÂ
Jimmy also cosigns this after sharing a quick kiss with Naomi. âOh shit, yeah, letsâ do it
Roman is instantly annoyed, asking with all of the exasperation. âDonât yaâll have a pool at your houses?â
âYeah, but yours is nicer.â Jimmy answers like itâs the simplest thing in the world. He then looks over at Solana, asking, âyou joining us, Soso?â
And that, not the idea of returning to the place where she was almost attacked, is what brings on the heavier anxiety. Once upon a time, Solana loved the pool. Swimming with her mom on hot, summer scorching days used to be some of her favorite memories. Now, those memories are plagued with flashbacks of being held under water, a form of torture implemented by her brother.
âNâno.â Solana catches Romanâs gaze on her, the way his eyes dip to her running her fingers against the sides of her workout pants. âIâummmâIâm going into work for a little bit today, so I should get ready to go.â
Roman speaks up first, skeptical. âI didnât know you were going in today.â
âI have to take care of something.â
Solana being vague is new, itâs unfamiliar, and it doesnât feel the best to lie to him in a sense. Even if itâs less a lie and more a vague answer.Â
There is something she needs to take care of. She just has no desire or even ability to tell him just what she needs to take care of, because that would mean she has to tell him the why, and that is something sheâs never discussed with anyone and has no desire ever to.
________
Dear Mom,
Iâm sorry I havenât written you as much. Life has beenâŠ.very confusing and different, but not bad. I thinkâŠ.I think I like living here.
I like Bayley and Naomi. Theyâre so nice to me. I think you would like them too. Bayley is Mexican, so we talk in Spanish sometimes, and I love that because it reminds me of us, mama, all our conversations and writings.
Jimmy and Jey, Romanâs cousins, make me laugh. Theyâre also nice to me, and they really like my cooking, your cooking. I still use a lot of the recipes you taught me.
I finally have a dog, mami! Her name is Dulce. Sheâs so sweet and little and adorable. Roman got her for me.Â
RomanâŠ
Heâs not what I expected. I donâtâŠ.I donât understand why heâs nice to me. Cause thatâs what it is. That much Iâve finally realized. HeâsâŠ.nice to me.Â
Iâve never had a man be nice to me.Â
We hadâŠ.something happen a week ago. I still donât really know how to describe it, just that he was touching me, not even inappropriately. And I thinkâŠ..I think I liked it, but then I got scared because it was likeâŠ.it was like it wasnât him touching me. It was them.Â
And IâŠ.I hate that. I hate it because itâs miserable feeling this way. Wanting something but not wanting it. Being scared of something but wanting it. Desiring to be close to someone but not wanting that either.
I feel so torn sometimes.Â
Iâve been thinking a lot about that book the detective gave me after it happened. Thereâs gotta be a reason I kept it all these years. I thinkâŠ.I think I want to read it.
I donât know what to expect, and Iâm nervous because I donât like thinking about it, but I canât, I donât, want to keep living like this.
I canât.
________
When Solana asked to attend Night of Champions, she was thinking it would be similar to WarGames. A foolish assumption. It is in the sense that the arena area is packed, not a single seat unoccupied, the boisterous sound of loud chatter and music serving as a backdrop against said chatter. Thatâs all the same and unchanged.
What is different and what Solana should have thought about was the fact that the two women who made her feel so comfortable last time wonât be there this time, because theyâre competing. And so are the twins.Â
And Nicki is apparently upset with Jeyâa recurrent theme, it seemsâso she also wonât be present.
That leaves one person.
Roman.
Solana didnât think about the fact that sheâd be seated with Roman. Itâs not as nerve-racking as it could be, as it probably would have been almost three months ago when this whole new, unexpected chapter of her life began.Â
But, itâs still a bit anxiety inducing.
She doesnât miss how Romanâs grip on her hand remains firm on hers from the moment he helps her out the SUV, his eyes again taking her in the same way he did when she met him back in his office to tell him she was ready to go.
Solana initially felt unsure of herself given the fact that Naomi and Bayley could only pick out her outfit, shoes, and accessories for the night but couldnât actually help her get ready given the fact that they were competing. Solana struggled to navigate her hair, as always, pinning it up on her head, and her makeup definitely isnât as nice as the night of WarGames, but it mostly covers up her facial scar, and thatâs all that matters.
Still, she must not look completely awful because Roman did not hesitate to give her a slow one over followed by a muttered âdamnâ and more vocalized, âfuck, you look good.â
Sheâs starting to lose count of how many times heâs said that now, and each new occurrence still gives her the same butterflies as the first time.
Roman escorts them to their seats, the twins and Paul already being present. Jimmy is the first to speak, whistling loudly.
âDamn, Soso. How we supposed to fight and you distracting us looking all fine and shit?â
âIf you want to live and make it to the actual fight, youâll shut the fuck up.â Itâs hard for Solana to tell just when Roman is being completely honest with his cousins or just deadly honest with his cousins.Â
This is one of those moments.Â
âThank you.â She doesnât know what else to say, what kind of response is appropriate to something that isnât as so.
Roman then motions for Solana to sit down and easily props his big body down in the seat right next to her. Their arms are nearly touching, but she tries not to think of that. Tries to distract herself by asking the twins, âshouldnât you be in the locker room?â
âNaw, we fight toward the end of the night, so we like to assess with Roman till then.â
âAssess?â
While Jey was the one to provide the initial answer, Jimmy handles the clarification. âYou gon be a member of the Warehouse, you gotta earn that shit. That means doing your thing in the ring. You ainât cutting it, you out.â
Solana nods, quietly. It makes sense. Roman seems like a man with high standards. âSoâŠyou all have the final say?â
Jimmy takes a sip of his beer, shaking and nodding his head toward his cousin. âNaw, thatâs all Big Dog.â
Solana glances at her husband whoâs focused not necessarily on the conversation at hand but the preparation for whatâs sure to be an eventful night.Â
âIf you donât mind, My Tribal Chief is trying to focus here.â Paulâs voice, equally nice as it is nasty, reminds her of his presence. For some reason, sheâs surprised by said presence, though she shouldnât be. Itâs clear the Wise Man is an important asset to Roman.Â
âWhassup, my dogs!â
Just then a lanky man comes over to the group. Heâs wearing a black t-shirt that says âhonorary uceâ and has wild red hair that looks like it hasnât seen a brush in weeks. Solana takes a second to look at him, finding him strangely familiar. Itâs then she realizes that he fought with Roman, Solo, and the twins during WarGames.
He goes for some kind of special handshake with Jimmy, then Jey, and finally Roman who looks like heâs contemplating murder rather than wanting to return the greeting. He quickly plays it off, âthat is wellâokay my tribal chief, andâwowââ Him turning to Solana, finally noticing and acknowledging her, is an experience for the both of them. She notices his initial gaze sets on her chest which is uncomfortable but not entirely unexpected given the style of her dress. Still, she shifts in her seat, uneasy with the attention. âThose areâ-ummmââ His eyes go wide, as he moves to backtrack on an obvious Freudian slip. âI mean, itâs uh, very nice to meet you, maâam, or Mrs. Reigns, or your highness. Whichever you prefer is a-okay withââ
âSami.â
His shoulders hunch and head drops in shame, like he already knows whatâs coming. âYes, Tribal Chief?â
âGo sit somewhere else.â
This Sami person doesnât even hesitate, confirming he already knew he fucked up in the less than five minutes he was present. âYes, my Tribal Chief.â
Solana watches, still partially confused but also kind of amused as he wastes no time in departing.Â
Paul then leans over, chatting away, âI told you, my Tribal Chief, I never liked Shmuel. Heâs always been so beneath you. I understand he makes easy collateral, butââ
Roman sighs loudly. âWise Man.â
âYes, my Tribal Chief?â
âGo join Sami.â
âButâŠâŠâ Solana looks over at Paul. His expression is one of devastation, like heâs just been told he had six months to live. âIâI always sit with you for Night of Champââ
âWise Man.â
Paul swallows. âYes, my Tribal Chief?â
âIâm not gon tell you again.â Roman finally looks over at his closest advisor, forcefully enunciating and instructing, âgo.â
Similar to Sami, the Wise Man walks off with his tail between his legs, leaving just Solana, Roman, and the twins.Â
She has no idea where Solo is.Â
âSee, now you ainât even have to do all that, Big Dog. You be getting yourself all upset over nothing. You need to start doing some deep breathing or shit, then maybe you could get off them high blood pressure pills.âÂ
Itâs that last part that Solana zones in on, that makes her turn to Roman, âyou have high blood pressure?â
He lifts his eyes, dismissing, âitâs nothing.â
âCanâtâcanât that be dangerous?â Itâs not necessarily a question she needs him to answer. Solana is well read on a variety of subjects, especially subjects pertaining to physical health. High blood pressure can mess with a lot of things, a lot of organs. Eyes. Brain.
Heart
Jimmy is the one to chime in, asking with that typical tone of humor. âSoso, you do know what he does for a living right?â
But, itâs hard for her to find said humor when all sheâs thinking about now is how certain meals sheâs prepared for him could maybe not be the best for his high blood pressure. How she could be exacerbating that.
Feeling pressured by her inner monologue, she offers, âI can change how I cook for you.â And she can. She probably will, making a mental note to peruse through her momâs recipe books that would be more aligned with the type of diet he probably needs. âI know thereâs certain things you probably shouldnât eatââ
âSolana.â He interrupts, but itâs not with that same irritation he had towards Sami and Paul. âIâm fine. My numbers weren't that bad. The doctor is just being over cautious.â
She wants to believe him, wants to not be asâŠbothered by this as she is, but something tells her Roman isnât unlike most men who downplay these sorts of things.
Letting the conversation go, her determination to help him maintain his health remains.Â
The conversation shifts to a dialogue between the twins and Roman, the three men conversing in Samoan. She doesnât mind this, as it also allows her the space to catch the gaze of Bayley and Naomi who look freaking amazing in their gear.
âSoso.â
âI swear to God, if you call her that one more fucking timeââ
Jey, possibly foolishly, waves off Romanâs threat. âYou understand Yeet, right?â
Blinking twice, she asks, âwhat?â
âYeet,â Jimmy says it too, like itâs as basic a word as they come. âOur motto.â
âIââ Honesty is a bit easier with her husbandâs cousins. âNâno.â
âMan,â Jey makes a sound with his teeth and jumps right into the explanation. âItâs like a way of life. Like, you yeet when life going goodââ
ââwhen life going bad.â
ââor when you leaving.â
ââor going.â
âItâs a way of life.â
Jimmy and Jey playing off of each other for their presentation is entertaining, at best, but it doesnât leave her any less confused than she was just a minute ago.
âIâI still donât get it.â
And that, for the first time, is when Solana hears Roman laugh. Itâs not something she ever thought possible, but itâs there, his handsome face turned into an amusing expression as he expresses vindication. âI told you it was fucking stupid.â
âSee, I thought we was close, Soso. I thought we was becoming family and shit, but I see you a hater like your husband.â
At that, Jey punches his brother on the arm, reminding with a rough mutter, âman, she be cooking, donât be fucking up our good thing.â
âAww shit.â Jimmy quickly moves to backtrack. âI mean, I could see your point.â
Conversation continues as such until the start of the night, Solana watching as the three men around her easily shift into an almost business mode. Their gazes are almost intense, watching closely as matches begin.
Solana partially expected to have to sit and remain quiet for the evening, but certain moves, similar to what Naomi and Bayley have taught her, catch her attention. And it must show, because Solana finds herself occasionally being asked by Roman if she has any questions or if she understands why a fighter did a certain mood.
Some she can answer. Some she cannot.Â
So she asks him.
And he answers all of them, clearly, concisely, in a way she can understand.
If Roman is irritated by any of her questions, he does a damn good job not showing as such. And to her credit, she does her best to take a guess vs asking outright with certain things, pulling from her time with Bayley and Naomi.Â
And in certain matches, sheâs fully immersed in watching their expertise that questions arenât even a thing. Like the tag team match between two of the most beautiful women sheâs ever seen, Jade and Bianca, as Roman called them. Same with Naomi and Bayley who independently show her a side of their ruthlessness she figured existed but hadnât seen firsthand until tonight.
âDo you all learn how to fight when youâre kids?â
âMore or less,â Roman answers, and Solana has a hard time not staring, not being caught up by how handsome this man really is. âThis lifeâŠ.itâs kill or be killed. So to not be killed, you learn how to fight. How to survive.â
SurviveâŠ
Solana has such a complicated relationship with that otherwise simple word.Â
âHow comeâŠ.how come you donât fight as much?â Sheâs wondered about this, come up with speculation but would like to know for certain, especially as he seems to be in a relatively decent mood.
Like most things, he keeps his answer nice, simple, and vague. âI donât have anything to prove to anyone.â
âDidâdid you?â He looks over at her, and warmth rises back as she tries to clarify. âAt some point, I mean.â
Again, itâs a one-worded response. âYes.â
Sheâs not entirely sure just what heâs saying âyesâ to, but a full blown out explanation was never expected. He doesnât seem like the type. But something more would have beenâŠ.nice. Granted, Solana realizes sheâs probably pushing her luck in asking all these questions anyway and sits back in her seat, relegating herself to focusing on the current match.
The chill of the arena makes its reminder yet again as Solana crosses her arms over her body, trying to warm herself. The man beside herself notices this, accurately assessing, âyouâre cold.â
True to her nature, Solana shakes her head, downplaying the fact that she is very much cold. âIâm fine.â
Downplaying or being outright dishonest is clearly something Solana would do well to push away, because it seems like this man is capable of seeing right through any and all lies.
Roman shifts forward in his seat and removes his jacket, reaching it to her. âHere.â
Rejection would be rude. It would also make her feel even more bad than she already does at inconveniencing him. Still, her options are really singular, meaning there are no others. Only one.
Mustering a small smile, she accepts his objectively kind gesture, sliding her arms through and adjusting as best she can given their size difference. Warmth overcomes her as well as the scent of his collage, something masculine, almost minty. It fits him.
Silence befalls them for a comfortable while before Solana excuses herself to use the bathroom, Roman only nodding in acknowledgment.Â
Itâs in walking down the hall that Solana sees Jade and Bianca chatting away, admiring their championship belts. The taller of the two, Jade, happens to glance her way and smiles, exclaiming, âGirl, you are wearing the hell out of that dress!â
âAbsolutely killing it,â Bianca also compliments, her smile just as genuine and affable.Â
Solana is certain sheâs just staring dumbly for a good couple of seconds, because such a compliment from two objectively stunning women towards her was the last thing she expected.Â
Descending off her shock, she offers an equally genuine smile and expression of appreciation. âThank you so much.â
The compliment keeps that smile planted on her face. Itâs so unexpected but deeply appreciated. Â
Solana dries her hands and tosses the used paper towels in the trash. Itâs a brief glance at herself in the mirror that serves as the start of the slippery slope, landing her back in a brief state of uncertainty. The dress is so revealing, much more revealing than anything she could or would ever wear. But itâs hard to think or sit too much in that discomfort when the night has consisted of several compliments. Sami, Jimmy, Jey, now Bianca and Jade. Not to mention the biggest one, or maybe the one that gives her the most butterflies, coming from Roman.Â
âFuck, you look good.â
Her smile shifts from something more silly to something a bit more bashful, her cheeks warming at someone as handsome and powerful as Roman Reigns thinking that she looks good.
Thinking that sheâs beautiful.
A toilet flushes from the only other taken stall, and the door opening reveals the perfect reason why Solana should have just went straight back to join Roman instead of having a mental discourse in the bathroom.
Samanthaâs long, shapely legs are the first thing Solana notices along with the way her dress melts to her toned, curvy body. She looks good, and she has to know that she looks good. A woman like her probably has men lined up by the dozen, Roman being at the front of that line.Â
Samanthaâs dark lips form into a smirk as she walks over to the sink. âSurprised to see you tonight.â She moves to wash her hands. âAfter that not so little incident a while back, I figured that was the last day youâd step foot in here.â
Solana swallows. Sheâs managed to not think about that day since it happened. Samantha bringing it up is definitely salt on an open wound. âIâumm.â
âNice dress. A lil snug though. Maybe go up a size next time?â Her voice, so sweet and sugary, is also venomous and knowing. âOr two.â
Solanaâs hands naturally move to her stomach, forearms trying to block the part of her body she hates the most and is certain Samantha is primarily referring to.
âSage, right?â She doesnât give Solana a chance to respond. âLet me give you some advice. Woman to woman.â
Something tells Solana sheâs not going to like this advice.Â
Samantha dries her hands and walks up to Solana. âI know youâre Romanâs wife, but you canât seriously think that means anything to him, right? Itâs just a title, and heâll defend you only because itâs defending his pride.â Solana tries to not put too much into Samanthaâs hurtful words, but itâs hard not to when Solana knows Roman continues to be intimate with this woman, even after their marriage. She canât blame him for that, though, especially since heâs definitely not getting it from her. Still, it does sting a bit. âTrust me, Iâve known him very well since we were in high school.â Samantha smirks, chuckling. âSo, I would know.â
âBitch, you donât know shit.â
The last voice Solana expected to enter the conversation was that of Niaâs. But sure enough, Romanâsâ cousin stands near the bathroom door, arms crossed over her body.Â
Samanthaâs expression sours tremendously as she icily greets the other woman, bigger, stronger, maybe even prettier. âNia.â
Nia ignores the greeting and comes to stand near Solana, immediately going in on the slender women. âIf you know him so well and you supposedly mean that much to him, how come itâs not you with a wedding ring on your finger?â Solana says nothing, keeping her gaze down, but it doesnât stop her from also thinking about that very valid question. Just why didnât Roman marry Samantha? âOr better yet,â Solana glancing back up allows her to see Niaâs cruel smile. âWhy is it Solanaâs name he said when he was fucking you?â
What?
Solana is visibly shaken by that because where in the hell did that even come from? Thereâs no way that can be true. No way Roman could be in bed with someone like Samantha and say her name.Â
But Samantha is visibly disturbed, lip almost curling into an almost snarl as she spits, âfuck you, Nia.â
âIâd call you Solana too, so I donât think youâd want that.â
Samantha storms out of the bathroom without another word leaving Solana alone with Nia, Solana who is still trying to process what was just said and finds herself asking Nia.Â
âIsâis that true? Did youâdid you really hear about Romanâummmââ
Typically, Solana would keep her questions in the safety of her mind, but thisâŠ..this feels almost impossible to not seek clarification on.Â
âYou know heâs my cousin, right?â Nia looks visibly disgusted but still answers her question. âI would never make something up like that about family. Samantha is a blabber mouth that doesnât realize she shares her shit with that dumbass best friend of hers, Tiffy, and the whole town knows.â
The answer is appreciated, but it still leaves Solana with so many questions.Â
âIâI donât understand.â Again, itâs something meant to stay inside but manages to slip past the cracks.Â
âGod, you are naive.â Nia rolls her eyes and explains while crossing her arms. âSweetie, if a man is balls deep in Woman A and says Woman Bâs name, Woman A is not who he wants.âÂ
That seems almost inconceivable to Solana. For Roman to think she looks good and maybe even consider her beautiful is one thing, but for him to desire her in that way is something entirely different.
She doesnât know what to do with this information.
âDonât let that skinny bitch get to you.â Nia seems eager to switch the conversation to something different. âSheâs a pussy. All bark and no bite. Remember, you have the ring on your finger. You just have to put her in her place one good time, and sheâll leave you be. And if not, let Roman know. Heâd never hurt or kill her himself, but heâd definitely ask me to, and truth be told, Iâve wanted to snap that bitchâs neck since high school, so youâd be doing everyone a favor.â
Solana canât allow herself, or maybe more so doesnât have the capacity, to think about that right now. Sheâs still trying to get a grip on chapter one. Still, she offers a quiet âthank youâ to Nia, turning to leave when the taller woman says her name. Solana turns back around. âYes?â
Nia sighs and rolls her eyes. âI know you think I hate you, but I donât. I may hate how soft you are, but I donât hate you.â Nia then smirks with an almost playful add on of, âI donât care enough about you to hate you.â
________
As expected, Roman is immediately asking what took so long the second Solana is back in her seat.Â
Her excuse is weak. She tells him that there was a line, but itâs the best thing she can come up with on the spot. His expression is all the answer she needs that he certainly doesnât believe her but will let it go.
For now.Â
The rest of the night seems to be more of a blur, Solana now more consumed with trying to wrap her head around this newest bit of information.Â
The twins end up finishing off the event with a brutal but successful match where they, as expected, retain their tag team titles. Â
Solana could see this, understandably, pleased Roman.Â
And outside of some constructive criticism towards Jey and Jimmy, Roman expressed his desire to leave as soon as they got cleaned up, which took less time than she expected. Heâs guiding them, her, out to leave, her hand still in his, when a thickly accented voice calls the attention of the man beside her.Â
âRoman Reigns.â
Solana can barely turn around to the source of the voice when Romanâs muscled arm is stretched across her body, moving her behind him, his big body serving as an impenetrable shield.
Because of their height difference, Solana canât see a whole lot outside of the instant shift of security and even the twins toward whoever this person is.Â
âHow wonderful for you to bless us with your presence so soon after WarGames.â The man scoffs, clearly trying to bait Roman. âWhat is this, the second appearance in how many years? Hell hath fuckinâ froze over.â
Solana catches a brief glance of the mystery man and gasps. He has an imposing figure, similar to Roman but thereâs something cold about him, somethingâŠ.sinister.Â
âHow dare you acknowledge the Tribal Chiefââ Roman lifts his hand to silence Paul.Â
Roman simply states, âtalk.âÂ
âYou know what I want, Reigns.â Solana hears a footstep and notices how Roman makes a subtle movement that results in the twins also moving closer towards her, shielding her from this man. âYou donât deserve that title. You may have been a fighter then, but you ainât now. Youâre about the Bloodline, and I respect that, mate, but the Undisputed title deserves to be with someone who defends it more than once a fucking year.â
âSo what, you think you the one who gonâ take it? Man, we outta kill your ass right now for talking out your neck like that to our Tribal Chief!â
Solana hates being unable to see Roman, to see his face, to be able to gauge and read his facial expressions. Heâs an enigma of a man, typically oscillating between irritated, angry, and indifferent, but not having the option altogether to know where he currently lands is bothersome. Especially with what comes out of his mouth next.
âDo something.â
Solana freezes. ThatâŠ.that canât be good.
âYou standing up on me. You make a good tough guy face. Do something.â
Solanaâs fingers tap against her side, that familiar knotting in her stomach returning. She glances over at Jey who seems to also be a bit confused by Romanâs response.
âUceââ
Roman ignores him. âGo on. Pull it.â
Jimmy speaks up this time, rough voice quiet but urgent. âRoman, we got Solana hereââ
âCome on. Make it happen. Whatâs different? Ainât nothing changed. Think back to the last time you challenged me.â Solana hates when Roman moves away from her, because it means heâs a step closer to this man, this man who seems determined to pick a fight with the Tribal Chief and may get just that. âThink about it. I whooped you then. Iâll whoop you now.â Roman speaks with such a confidence about him, the most violent, straightforward promise of sure brutality sheâs ever heard from a man. âAinât nothing changed.â
Solana isnât necessarily thinking about what sheâs doing when she suddenly moves herself in between Roman and this man whoâs apparently hellbent on getting her husband riled up. Itâs another unconscious act as she plants her palms against his chest, both relieved and nervous by how his gaze instantly drops to hers.
Solana licks her lips and finds herself pleading in an unexpectedly calm yet typically soft voice. âLetâs just go.â His initial expression of fury and simmering anger seems to lessen the longer he looks at her, and Solana adds on, desperately. âPlease.â
This act of boldness is completely unplanned and entirely stems from Solana unable to stop thinking about how Roman being so upset all the time canât be good for his blood pressure. It canât be good for his health.Â
And for reasons she doesnât quite understand, that bothers her. It concerns her.Â
Him not being healthy concerns her.
What does not surprisingly concern her is when Roman moves his hands down to her hips and almost gently moves her to the side, forcing her hands to drop. She expects him to lunge at the other man or to scold her for interfering, but he does neither.
He steps toward him and simply states with all the coldness, âyouâve got your match, but I set the date when I want it.â Solanaâs more or less holding her breath, waiting for Roman to strike the man, or worse. âBut know this, McIntyre, you step in that ring with me again, Iâm not just ending your career this time, Iâm ending your fucking life.â
Romanâs threat sends uneasy chills down her spine. Thereâs no mistaking Romanâs promise, something sheâs certain he will be sure to fulfill.
He then takes her hand again and moves her to the side opposite of the man who looks like he hates Roman as much as Roman probably hates him. Solana is almost entirely eclipsed by Romanâs big body as he walks her past the ordeal.
The car ride is a bit uncomfortably silent, Solana recognizing that Roman is still seething from the exchange but most likely waiting until sheâs out of his vicinity to express that rage.Â
But, it's when sheâs walking back in the house after letting Dulce do her business that Roman catches and speaks to her.Â
âSolana.â Heâs leaning back against the counter, big arms crossed over his muscular body. Heâs soâŠ.big. âWhat happened when you went to the bathroom tonight?â
She canât be surprised, canât feel caught off guard by his question. Itâs still not something she necessarily wants to talk about or knows how to discuss, but sheâll do the best she can.Â
âI ran into Samantha.â Taking a deep breath, she tries her hardest to keep it vague but still an acceptable answer. âI donâtâI donât think she likes me.â
At that, Roman nearly growls, âwhat did that bitch say to you?â
Solana winces at his tone. âIt wasnât that badâŠâ
Heâs quick with the dismissal and redirection. âThatâs not what I asked you.â
âShe justâshe just talked about my outfit, thatâthat was it, because Nia came in there, and well, I donâtâI think Nia might hate her more than she hates me.â
Roman sighs, running his hand over his face. âIâll handle Samantha.â Before Solana can protest, he adds, âNia doesnât hate you.â
This brings a small smile to Solanaâs face. âThat's what she said.â
Roman also looks slightly amused by this, studying her for a second. âSolana.â The surprises keep on coming, because he takes an unexpected turn in the conversation. âI almost lost my temper tonight.â
ThisâŠ.this feels true. His issuance of threats were delivered in an almost calm manner, but it was more deceptive than anything. Like a setup for violence that was potentially about to unfold if she didnât interfere.
Still, nothing ended up happening, so it doesnât make sense for him to act like it did.
âBut, you didnât,â she points out quietly, offering a bit of an olive branch. âAndâŠ.you were upset.âÂ
Solana would maybe argue that heâs always in varying states of upsetness, but thatâs not the point of the conversation at hand.Â
âI have no shortage of enemies, Solana.â His voice takes on a darker, almost subdued tone. It makes her previously amused expression slip into something more somber. âBut, I need you to know that I would never do anything that would put you in danger. Drew wanted to issue his challenge. Thatâs it. He wasnât going to do anything, because he wants an audience for that. I had it under control.â Solana isnât questioning that nor did she plan to, but Romanâs next question definitely takes her for a loop. âWere you scared?â
Itâs a valid, understandable question that she didnât think about until this moment. There was anxiety, maybe some element of fear but also concern, so she decides to play down the first two.Â
âI wasnât scared.â It was more concern than fear, which, in her mind, are two different things. âJustâŠ.confused about what was happening.â
âThatâs not what I meant.â His dismissal is nicer than what anyone else would receive. âOf me, Solana. Were you scared of me?â
Another valid question that sheâs actually been thinking about on and off for the past few weeks. Solana would like to consider herself not naive to a lot of things about this life that she was born into. She knows that most of the people who surround her are killers. And Roman is no different. The king of that, maybe.
ButâŠ..
But, heâs done nothing thus far to make her ever believe she would ever be subjected to that side of him. If anything, heâs worked to stress and help her understand that sheâd never be hurt by him. And adding up all of the things heâs done to support said message, Solana feels it only appropriate to be honest with him.Â
About more than just his question.
âWhenâ-when the twins asked earlier today if I wanted to go in the pool, I got nervous becauseâ-â Solana displays her textbook signs of discomfort with the stammering and playing with her fingers but still manages to get out what she wants to share. âWes, he used toâŠ..hold my head under water until I almost passed out.â Solana looks away for a second, shifting her weight from one foot to another. âThatâŠâŠthatâs who Iâm afraid of.â Solana manages to set her gaze back on Roman, almost confidently assuring, âIâm not scared of you, Roman.â
He steps toward her, and Solanaâs eyes never leave his, mindful of the way his hand lifts, tensing when he rests it against her face, palming her cheek almost gently. Solana stiffens but easily shifts into something not calm but not on edge either. âYou donât have to be scared of him anymore, of anyone. I wonât let anyone else ever hurt you again.â
And for the first time, she believes him without the speck of doubt and uncertainty in the backseat. Solana has seen nothing from the man before her to indicate otherwise. She doesnât know a lot of things regarding him, regarding them, regarding just why heâs so hellbent on defending her, but one thing sheâs realized is that heâs intentional and determined with his dedication to protect her.
This is similar, very similar, too similar to that night where her fears got the best of her, where she was unable to overpower the discomfort and fear. But, this isnât that night, and Solana doesnât feel that building dread in the core of her stomach. It could be the fact that itâs only one hand on her, cupping her face. Nowhere else.
It could even be a very early sign that maybe, just maybe, that book she was given so long ago really does have the healing properties someone from so long ago once promised.Â
Thereâs even her conversation with Nia from earlier that sits in the back of her mind, the undeniable confirmation of Romanâs attraction to her. Enough to where he would say her name during that.
Whatever the case, she doesnât move away, just nods quietly, slowly moving away from him.Â
âIâmâIâm gonna get ready for bed.â
Roman says nothing, also nodding as acknowledgment, watching as Solana grabs Dulce and disappears out of his sight but not the front of his mind.
________
The Reigns estate is as spacious as it is grandiose. There are several ways and paths to reach a destination.Â
So, Roman doesnât have to pass Solanaâs room to reach his bedroom. Thereâs an alternative route in coming from where he was working, but he decides this specific way for reasons heâs not entirely sure of.
It ends up being a good decision because itâs in walking past her door that he hears low scraping against said door. Instantly, he knows itâs Dulce clearly needing to go outside. And she confirms as such with her soft whimpering.Â
Rolling his eyes, Roman opens the door just enough for Dulce to run out, stopping when she sees itâs him. He glances at the bed to see Solana sleeping, open book on her chest, indicating she fell asleep while reading.
Dulce whines again, and he chides quietly, âbe quiet before you wake her up.â
Dulceâs ears go down as Roman picks up the puppy thatâs still too little to walk up and down the steps, hence needing human transportation. Itâs annoying, but he brings her down the steps and out the backyard.Â
Settling her down, he instructs, âgo on. Do whatever you gotta do.â
Heâll give the dog some credit where credit is due. Sheâs far more obedient than he expected for a puppy, because in less than 10 minutes, sheâs emptied her bladder and is being carried back to Solanaâs room.Â
Roman is careful to lay her little ass back in her bed, aware of her bristle looking legs that would probably break with one bad drop.Â
Rising back to his full height, he catches Solana turning on her side, the shift in position causing the book to slip and almost fall out the bed, but Roman is fast, catching it before the crash and potential disturbance can wake her up.
Naturally, he glances at the front cover, noticing the age of the book. But the aging look doesnât mean shit to him when he sees the title and a piece of paper that clearly has Solanaâs handwriting. He doesnât read that, wanting to respect her privacy, but he definitely reads the title, and it instantly shifts his entire mood.Â
The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse
It shifts his mood from his default state or irritation to quiet rage.Â
Thereâs only one reason she would be reading this book, working out of this book. And itâs not that he didnât already know sheâd been violated in one way or another. Her medical records confirmed as such.
But, he was thinking she was a teenager, not any better, but definitely not a fucking child.
Someone hurt her when she was still a child, a literal goddamn kid, and this is something Roman cannot find it in him to avoid investigating. Heâs always been a man uncomfortable with unanswered questions, and there are no shortage of them in regards to Solana. Not that he would ever put her in a position to answer them. No. He wouldnât do that to her, would never make her share something like that with him.
But, he does know someone else he can demand answers from.Â
Two people, actually. One of them being shit out of luck after narrowly avoiding Romanâs wrath from earlier today in learning that he fucking tortured Solana.
Roman carefully places the book on her nightstand and makes sure Dulce is still in her bed on the other side of Solanaâs before quietly closing the door.
Roman is down the hall, powerful strides taking him to his room as he pulls out his phone, dialing the one person he knows for a fact will answer his call at any time. Hitting dial and switching it to speaker, Roman tosses his phone on the bed to get dressed.Â
Sure enough, he answers on the second ring.
Roman jumps right into it. âMeet me at the Miller house. Get your brothers.â
Solo only pauses for a second, answering in that stoic voice, âweâll be there in 30.â
Not good enough.Â
âMake it 20.âÂ
________
As expected, Roman is met at the Miller house by his cousins, all three.
Slamming the car door shut, Roman hears Jimmy yawning loudly. âMan, why the hell is we here?â
Ignoring his older brother, Solo straightens his stance and informs, âI had Pearce disable the security system.â
âGood.â Itâs the fact that Solo already knew to do so without being told. Moments like this is when Roman knows he made the right decision promoting and moving Solo up the ranks. Heâs more than proved himself.
âI have questions. Miller has answers.â Romanâs answer there is intentionally vague. Solanaâs trauma is no oneâs business but her own, and just because he is also aware doesnât mean he needs to broadcast it. âAnd Solana told me today her brother used to waterboard her.â
âWaterboarding? Like actual fucking torture?â This information seems to awaken both the twins, eliciting angry reactions. âWhat the fuck is wrong with his ass?â
âWe killing them, right?â Jey, forever the hothead and also relatively equal with Roman in terms of how quickly he travels from zero to one-hundred, is the first to ask the most obvious question.
âNo. Not tonight. That would be too easy.â And it would. Roman meant that shit when he said he wanted their asses to suffer. âBut that doesnât mean we have to make living easy for them.â
They donât deserve to live, let alone living easy lives. Not when theyâve done everything seemingly possible to make Solanaâs miserable.
Roman then looks towards the twins, instructing, âtake care of the brother.â Itâs not a necessary directive, but he doesnât hesitate to add, âmake him fucking suffer.â
He then motions for Solo to follow him, the men headed toward the house as Roman swears out loud, âXavier is mine.âÂ
Roman steps back as Solo waits zero time in shattering the large window in the living room, providing an entrance for the men. Roman grabs his gun, nodding for the twins to move first, followed by Solo, each man armed with a gun. Itâs unnecessary, Roman is certain as theyâre more likely to find father and son in the midst of illicit acts vs prepared for the onslaught headed their way.Â
Up the stairs and on the second floor, Roman quietly motions for them to split up, Solo and the twins to the right while he moves to the left, the most likely location of the master.
Solo seems to give him an uneasy expression, but Roman simply nods and heads toward his target.
Xavier is his.
The combination of the brothers works just as Roman predicted, them successfully locating the brotherâs bedroom, confirmed by his horrified shout of âwhat the fuck!Â
Itâs followed up with a shout of pain and Jey yelling âGet your bitch ass up!â and âSolo, fill up the tub!â
Pleased, Roman is standing directly outside of Xavierâs door when the older man rips the door open, face contorted in a mixture of shock and anger. That quickly morphs into fear when he realizes just who is responsible for this attack.Â
Roman brings the gun across upside Millerâs head, watching the man fall down and writhe in pain, holding his hand against his now bleeding head.Â
Undeterred, Roman reaches down, yanking the man up by his neck as he jolts his body against the nearest wall. âWe need to talk.â Straight to the point and not in the mood for any bullshit this fucker may try to spew his way, Roman demands, âI want to know what the fuck happened to my wife.â
And thereâs a brief but telltale sign that Xavier knows exactly what heâs referring to without Roman even needing to elaborate.Â
That only pisses him off even more.Â
Still, Xavier stutters, shaking his head, âIâI donât know what youâre talking about.â
Roman gives a bitter smile, shaking his head and scratching his beard. Itâs the last thing heâs certain Xavier sees before Roman again has him up by the collar of his pajama shirt.Â
âYou really want to play these fucking games with me?â Itâs a no. Itâs a hell no, but Xavier insulting Romanâs intelligence by lying to him indicates the opposite of no. So, Roman will treat him as such. âWho the fuck touched Solana?â
His question is followed up by screaming coming from down the hall, the beautiful sound of a piece of shit getting exactly what he deserves.Â
âWhat? Ainât so tough now, little bitch! Like to beat on women but a pussy when it comes to fighting another man!â
And while it could bring a smile to Romanâs face, Xavier looks horrified in hearing Jimmyâs taunts. Instantly, heâs pleading, pathetic and pitiful, âplâplease.â
âIâd torture and kill that bitch right in front of you tonight if I could.â It pisses Roman off to no end how this man can care so much about his demented son but not give a flying fuck about his innocent daughter. âNow, answer my fucking question, who touched Solana?â
Again, Xavier decides to test Romanâs patience, offering unasked information. âSheâshe was a virgin before she married you.â
âI donât give a fuck about her being virgin or not!â She could still be a virgin and have been touched. But truth be told, that shitâs never mattered to him anyway. Virgin or no virgin, itâs always been an irrelevant deciding factor to who he took to bed. âTell me what happened to her or Iâll blow that bitch son of yours fucking brains out right in front of youââ
Roman pulls the gun from out of the back of his pants, knowing full and well that while he would love to empty the entirety of it in the scum before him, itâs better served torturing him in another sort of manner.
Mentally.
And it does the trick.
âAlright, alright!â Xavier finally caves, sweat bubbling across his wrinkled forehead. âShe was raped, alright? Two men broke into the house when she was 12 and attacked her. Beat her real bad. Theyâthey never found them. Okay? Thatâthatâs the truth. Thatâs what happened.â
No. Not fucking okay. Nothing is fucking okay. Roman wanted answers, felt like he needed them, but knowing the truth, it doesnât do shit but paint his vision red.Â
He knew something happened to her.Â
He just didnât know how bad.
Raped.Â
Beaten.Â
Twelve.
And then another thought hits him, the absolute terror on her face that day when she was faced with what should be the most simplest thing for a person: going into their childhood bedroom.Â
Roman remembers her fear, the dried blood, the scratches on the wall.Â
It all makes sense.
She was attacked in her fucking bedroom.
The thought of a child being hurt at all has never sat right with him, but to be hurt in that way. As a child, and for that child to have been Solana.Â
Heâs fucking breathing rage.Â
âWhere the fuck were you, huh?â Roman jerks his body back against the wall, half ready to break this fuckerâs neck. âAnswer me!â
âI wasnât home!â Xavierâs sweating has progressed into droplets from his forehead onto the bridge of his nose and shirt. âIâI was out on a fishing trip with Wes.â
A fishing tripâŠ..
This man was out enjoying fucking nature with his dimwitted offspring while his daughter was at home alone fighting for her fucking life.
âYou left a 12 year old home alone?â It keeps getting fucking worse. âHow long was she alone!â Roman is fully prepared to risk snapping this motherfuckerâs neck when he spits out a desperate answer.
âA week. It was just a week.â And if it makes a fucking difference, he desperately adds on, âIâIâd done it before, and she was fine.â
Xavier is either stupid or very stupid, because Roman canât conceptualize how this imbecile would think the additional information makes it any better.Â
Solana was hurt.
She was hurt in the worst way possible, and itâs all his fault.Â
With all of the aggression in his body, Roman throws the piece of shit across the room, intentionally aiming for the glass coffee table that instantly shatters under the weight of his fat ass.
Without a second of fucking hesitation, Roman fires two shots directly into Xavierâs body, one in his right hand and the other in his left foot. Xavierâs shouts of pain do little to dull the unadulterated rage coursing through Romanâs body.
Shouts morph into tiny, pathetic whimpers as Roman slowly walks through the broken glass, tossing his gun to the side as he pulls out the brass knuckles in his back pocket.Â
âI told Solana I wouldnât kill you until she gave me the word, and Iâm not going to take that from her.â He crouches down besides the now crying older man, crying in the way Roman is certain Solana did when she was alone and helpless. His fury is practically bubbling over now as he coldly vows, âbut that doesn't mean I canât make your life a living fucking hell until then.â
________
Roman walks back into the house with a weight he canât shake, even with the brutal carnage he unleashed on the Miller household, leaving father and son on the brink of death. That type of violent release typically abates his anger, and it did diminish a lot of it, seeing that piece of shit pummeled into a bloody, broken mess.
But Roman is still plagued with thoughts of the hell Solana endured living in that household. To be attacked in that way in her own home, in her fucking bedroom, it makes Roman want to get right back in his SUV and carry Xavier and his equally piece of shit over the doorstep of death.
But, he couldnât do that to Solana, take that away from her. Heâs just the executioner in this situation. Heâll let the day of reckoning be determined by her because thatâs the least she can get.Â
Coming straight back home, Roman didnât bother to stop and get himself cleaned up. His guards have seen much worse, and Solana is asleep, so thatâs not a concern either.
But, it is a concern because in an almost scene of deja vu, Solana is most certainly not asleep. Sheâs sitting on the sofa, Dulce right beside her when she hears his heavy footsteps.Â
Roman doesnât have time to say anything, too stunned by this happening yet again, even later than heâs returned before.Â
Why is she up?
Solana jumps up off the sofa and is suddenly standing across from him, her face painted in whatâs obviously a moderate to tremendous amount of worry and anxiety.Â
But, she isnât looking at him. Not really. Sheâs more so focused on the blood stained and splattered clothes that adorn him.
âYouâre hurtâŠ..â Heâs heard her say it the last two times they were in this type of situation, eerily similar in a lot of ways, but this timeâŠ.this time is different.
Itâs different because she rushes over to him, her hand floating over his chest, one place, two place, another place. Like a plane trying to find a safe space to land, sheâs unsure where heâs hurt and clearly overwhelmed by it all.
And then he sees it, the blurry overlay of water over her eyes and the slight tremble of her lip.
Roman steps towards her, trying to be respectful of the distance between them. Her discomfort with touch makes all the sense now. âPlease donât cry.â And this is yet another new, unfamiliar, unexposed territory for him, seeing her so distraught at her belief that heâs been hurt. The way that the thought alone clearly wrecks her.
Roman quickly notices the changing of her breathing pattern, heavier, rhythmic almost.Â
âShitâŠ..â
Roman has heard this song before.
Realizing this is a matter of de-escalation, he does whatâs needed in the moment and brings his hands to her face, cupping her face.
âSolana, breathe, baby.â The term of adoration isnât even something that really registers with him at the moment, not an intentional addictive or something he gives two fucks about in this moment, really. Heâs solely focused on settling the woman in front whoâs on the brink of a panic attack.
He canât see her deal with that again, especially now that he knows just why she had the first one.
Roman has no hesitation in pushing away loose strings of her hair, never once taking his focus off her. âIâm fine, Solana. Iâm not hurt. Itâs not my blood.â Recognizing she clearly needs to see it, he moves back to lift and toss his shirt on the floor. âSee?â
And that seems to do something for her, something to help settle the panic.Â
Roman watches her and forces himself not to think about the heat that fills him at her hand on his chest, over his heart. Itâs all so innocent. Recognizing her breathing has settled into something less alarming and more familiar, he moves his hand over hers, reiterating once more, âIâm fine.â He waits for her to finish taking a deep breath to ask, âwhy are you up?â
This has to be the third time Roman has come home at an ungodly hour to find her waiting for him, and heâs trying to figure out what the real reason is.Â
She licks her lip, clearly working her way up to a response. âDulce had toâŠ..had to use the bathroom, and I saw you werenât here, and you didnât answer my text.â Roman curses himself. He was so caught in his uproar that he didnât even bother checking that thing, never expecting for Solana to be the missed notification on his lock screen. âI justâŠ..I wanted to make sure you were okay.â Roman has heard this part before and tries to navigate how he wants to push back on his belief that it canât be just that, but Solana surprisingly beats him to it. âI getâŠ.I get worried when youâre not here at night andâ-and I canât sleep untilâ-â
âUntil Iâm backâŠ.â
He has a good guess why. She was attacked in the middle of the night, and heâs also pretty certain he remembers reading that the attack that killed her mother also happened at night.
âSolanaâŠ..â For the first time in a while, if ever, Roman is active in his attempts to explain this to her as gently as he can. âWhat I doâŠwho I amâŠI canât always be here.â
âI know,â she sniffles. âIâm sorryâI donât mean to bother youââ
âYou could never bother me, okay?â He wipes away more of her tears, hand back to cupping her face, realizing sheâs not going to pull away from him this time. He takes full advantage of that. Roman moves his other hand to the small of her back, holding her against him. Itâs not missed upon him how she also brings her other free hand to his chest. âBut, I always make it back, alright?â She nods, as he runs his thumb over the apple of her cheek. âCanât no man put me down.â
She smiles, a little laugh that does more to him than heâd like to admit, that he feels comfortable with. And this settles him. It settles him more than nearly killing her dad and brother for hurting her, directly and indirectly, did.Â
Solana nods, murmuring a quiet, âoâokay.â
Heâs studying her. Closely. Maybe more than whatâs necessary. It comes from a place of concern, and heâd admit as such. âAre you good now?âÂ
She nods again, and he believes it enough to let her go, watching her start to walk away when heâs caught off guard again because of her body, so soft and warm, against his again. Her sweet perfume filling his senses, her arms around his neck.
Sheâs hugging him. Solana is actually hugging him. He canât remember the last time someone did that shit.
But he doesnât waste a second of time accepting her embrace that seems to end just as quickly as it began. He canât be surprised or upset. This is big for her, obviously, and he would never push her past her comfort zone, but he also canât deny that the absence of her in his arms is noticeable.Â
And uncomfortable.
Solana murmurs a rushed goodnight and grabs Dulce to head back up the stairs, Roman eyes never leaving her until sheâs completely out of view.
Roman stands there for a few good minutes, unsure of what just happened, working to process the same unfamiliar feelings that coursed through him the last time they had a moment like this. Itâs the same as before, just ten times stronger, more intense, more consuming.
Unsure of a lot, two things he knows for asbolute fucking certain:
Heâs going to find Solanaâs rapists and make them pay for every sick fucking thing they did to her.
Thereâs not a fucking force on earth that could take this girl away from him.
Sheâs his.
And heâll protect her with everything in him.
No matter what the cost.
#roman reigns x black!oc#roman reigns fic#roman reigns fanfic#roman reigns x poc!oc#roman reigns x reader#arisnotebook
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actually, just to be extra clear on that last point wrt wanting people who think wang lingjiao deserves to die the way she does to really think about what they're saying: it isn't just about whether wlj deserves to be punished for the role she plays in provoking the sacking of lotus pier, or whether her punishment was proportional/proportionate. (as an aside, i should hope it is obvious that while i do believe wlj holds some culpability for what happens to the jiang sect and deserved to face consequences for it, i don't think she deserved to be tortured to death, and particularly not in such a sexually graphic way.) it's also about what the means of wlj's death says about wwx, and what wwx fans who support and condone his actions are inadvertently supporting and condoning in the process.
jgy's chosen means of killing jgs becomes much more interesting, as well as narratively and thematically significant, when that murder is contextualized within a lifetime of sexual and psychological violence. we don't have to excuse that violence to understand that it has its roots in trauma and abuse.
wwx's chosen means of killing wlj tells us something about him, too--something that has nothing to do with wanting to punish someone for contributing to the massacre of the jiang sect--and none of it is very flattering. wwx does not have jgy's extensive, textually supported history of close proximity to sexual violence, or the trauma brought on by enduring it. so why does he induce wlj to kill herself in such a sexually graphic fashion, and cannibalize wen chao's genitals?
nb: i'm not saying anyone has to suddenly start hating wwx for this, okay, i'm just. i'm trying to make a point about what some of us are actually saying when we say that what wwx does to wlj is defensible. don't @ me, just think about it.
i am not going to make a habit of wading into the mdzs fandom discourse over on reddit because it is just so rancid, but i figure if i'm going to spend enough time writing down my thoughts on this subject over there, i might as well copy it over here, too, just in case OP decides to delete my comments. so, on the subject of why i personally am not 'put off' of jin guangyao's murder of sex workers in the same way i am put off by how wei wuxian kills wang lingjiao:
#mdzs meta#jin guangyao#wei wuxian#cw rape#the sex worker murder discourse#i apparently have to reference this so often that it needs its own tag
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