#currently watching their season 5 arc

[tellwhichsmilesimfakin]

finished my exams so now i get to devote all my time to thinking abt slexie n getting upset over them xx

[chrliekclly]

[woodchoc-magnum]

idk. i'm annoyed.

i realise i am a fandom old at this point

and i have seen some shit in this fandom; witnessed the discourse.

and i don't post meta or spec or much of that stuff; i usually put all my ideas into fics.

but guys seriously. seriously.

eddie's current arc is not about buck.

buck and eddie are not currently dating.

buck is eddie's best friend and vice versa.

eddie is not cheating on buck.

eddie is lying to buck by omission, yes, but that is not a friendship ending offence.

eddie is on the very cusp of cheating right now. he went on a date with another woman, yes. he has not kissed her or slept with her. we are at a tipping point. we do not know what is going to happen next.

he only went on a date with another woman because she reminded him of shannon, who he is not over, who he has spent seasons trying to replace.

the point of this show is that none of the characters are perfect - and especially not buck and eddie. they all make mistakes. they have all made mistakes and will continue to do so because in real life, people don't always make the right decisions 100% of the time.

this black-and-white, morally righteous way of thinking, like eddie is suddenly evil now because he's on the cusp of cheating; that it's going to end his friendship, that buck is going to be angry at him for lying - do you have friends in real life? like, i am genuinely asking.

because if my best friend suddenly started cheating on her husband, i wouldn't be mad at her - i would be worried. am i alone in this? like i would be genuinely concerned and trying to help figure out what's going on.

all the shit i'm seeing in the fandom today, all of the spec posts and commentary about the episode and what might potentially happen, just feels like, once again, an attempt to paint eddie as the villain in the story to prop up buck. let's make eddie so terrible that buck has to have custody of christopher, right?

clearly none of you understand how a will works. it's for after you're dead. not for when you're alive.

but the main issue is this - now that buck has tommy, the people who tolerated eddie can stop pretending to like him. there's another option for buck now, so you guys don't need eddie anymore. right? am i fucking right??

i love drama as much as the next person, but in what world would buck turn on eddie because of this? in what world would the 118 shun him? he is their friend! they love him! they care about him! they are a family!

my god, nobody shunned hen when she cheated on karen. nobody shuns bobby and he indirectly killed 140 people!

eddie is a good person who makes mistakes, just like every single other character on the show.

that is the fucking point.

and the way ryan was talking in the interviews - isolation could mean any number of things. we know eddie has a tendency to isolate himself when he's feeling stressed out - does anyone remember season 3? season 5? buck literally broke down his door!

i'm just fucking tired of this bullshit.

eddie's not a bad guy because of this. he has done shitty things, yes. they all have. that's the fucking point of the show, and if you can't understand that or appreciate adult story-telling, then fuck off and watch riverdale.

[toska-writes]

“Where the stars can shine”

Summary: the fighting never stops, and it never will so it’s in everyone’s best interest to find the calm moments when you can.

Pairing: The Bad Batch x padawan!reader (OF COURSE THIS IS PLATONIC)

Warning: none just so much fluff!

Word count: 1261 (not proof read but what did you expect)

Notes: IM WATCHING THE NEW BAD BATCH SEASON AFTER THIS! So this is my way of manifesting everyone being alright to end the show 🥲

The war never ended, nor would it for anyone who has endured it and its intensity.

One fight always rolled into another and nothing could be done to stop it. The only way to get through it was to find the little cracks in all the bad. The place where the sun could shine and the flowers could grow.

Or in this case, the stars could twinkle.

"This is already too high for me." Wrecker stated loudly hauling himself up the side of the Marauder.

Crosshair, who was currently under Wreck scoffed to himself before clambering up the side like it was nothing. "You never seem to have that problem when we're in the air." He quipped.

"Well I'm inside then." He whined finally being assisted by Hunter who had the small hands of Omega making sure he didn't fall.

You could only laugh at the scene, leaning back on Echo you could feel him laugh too.

"Who do you think's falling off first?" You ask with a smile that was masked by the moonlight.

"The real question is," Echo leaned forward, surprised a little bit that the top of the marauders could fit 5 fully grown clones plus omega and the Jedi padawan. "Who's going to be pushed off first."

You looked back towards him and in an instant you spoke the same word together. "Tech."

Speaking of the devil, Tech's voice rang out as you looked over to where he had an arm pointing something out beyond the horizon.

"-and if you look there you'll be able to see Endor"

Omega's eyes lit up brighter than they have been in the past few days, nothing seemed to be going right for that bad batch no matter how much they tried.

"Have you guys been there?" Omegas eyes scanned the rest of her family that sat gazing with her. The sky on this backwater planet was surprisingly clear, clearer than you thought it would be.

"Eh once or twice." Hunter shrugged it off with a smile as all that Omega could do was gawk up at her big brother.

"Thats an understatement." Crosshair added quietly from beside you. With a nudge to your shoulder he added. "That meat-head over there blew up more than half the forest and got us kicked out. For life."

"Hey!" Wrecker let go of his strong grip of the Marauder with one hand to wave it at the sniper.

Omega giggled giving you a glance as you could help but laugh at the exchange. "Have you?"

You could only smile at the found memories the question brought you. Landing with your Master on a planet you've never even heard of at that time. The trees the towered over you and the abundant shades of green that you didn't even know existed. The faint sound of your master laughing as you stared up from the base of the tall trees fathomed by the hight.

"Yeah I went once I think during the Clone Wars. It was beautiful there." You spoke, the smiles spread from Omegas face to Hunters as he watched you retell the fond memories.

"Well I also did kinda crash into a tree there but other than that the rest was beautiful." Echo hide his laugh behind you as you told the more embarrassing part of the trip.

"I think I did hear about that one." The ex arc trooper spoke out. You shoved him back slightly as your gaze returned to the stars above.

"Now if you all turn your gazes eastward you can spot the Orion constellation which should also mean the Canis Major is pretty close." Tech pointed upward now, his own eyes locked tightly on the stars.

"That one has the brightest star in the whole galaxy right?" Omega filled in, whether Tech wanted to continue himself or not he could only beam down at the girl, who clearly heard this from him before.'

You smiled also recounting when Tech probably told the group for the first time.

The bounty hunters came from nowhere that day, Omega gripped on the back of Echo's armor plate  with tears streaking down her face clearly scared.

Tech stood above you the, a data pad scanned over you as Hunter tried to apply some pressure to a wound you sustained on your side. Wrecker and Cross stood around the group, the sniper's gaze fixed on the darken horizon beyond.

Panicked breath sounded out and flown into the barren night, as much as you didn't want to scare Omega more you really could help it. You were scared yourself.

"Do you see that over there." Tech took your free arm in his hand and pointed up to the looming sky with it. "That really bright star?"

You were pulled back from your thoughts with the slightest nudge from Crosshair who spared you a glance, nobody else seemed to notice his movements

"I want to go to all of those planets one day." The words were light from Omega, a smile still evident in her voice.

"You'll definitely need to learn to fly then." You added shooting a look at Tech who finally spared a glance at someone else and was immersed in taking pictures of the different planets and constellations.

"If you can find another ship." Tech said mater-o-factly with a finger in the air.

"Aweeee Tech." Omega did the only thing she could think of, huge tooka eyes found Tech and with the pout of her bottom lip you could almost see the moment Tech cracked.

"More contemplation will be needed for that"

Though Omega wasn't disappointed for long as Crosshair whispered to her. "That's practically a yes."

Hunter laughed now shoving Crosshair back into a lying down position. He noted that his brother looked quite different without his armor, but it was a sight he could get used to.

Opening his mouth Tech was about to defend himself before a snore racked through the air. 

"Put someone else to sleep too Techy." Crosshair jabbed a finger at wrecker who still seemed to gripped the ship tightly.

You couldn't blame him though, and is wasn't just because of Tech talking, but you did insist the stars and planets were best to see in the late night. A yawn stifled through you, Echo wasn't the warmest person but the arms that wrapped around you from the clone seemed to do it.

"It's not even that late." Omega protested but her heavy eyelids seemed to contradict her own words.

"No no, we all can't fall asleep up here or it's going to be a pain getting down." Omega curled up into Hunters chest as he spoke. He slowly started to get up.

"One of us should get Wreck." Your own eyelids battled against you as you fought to sit up.

"On it." Crosshair was the last person who you thought would offer but as his leg extended you watched Wrecker rolled over the side.

His startled yell was masked by the thud of him hitting the soft grass below. 

"See it wasn't even that far." The skipper shrugged pushing himself over the edge and landing gracefully with even using the side to get down.

You chuckled as you rolled your eyes at the brothers were up to their old antics.

The chill air was a good contrast to the heated days that came before, so much fighting it seemed that it would never end.

Moments like these would always be cherished, and surprisingly Tech wasn't the one to get pushed off the Marauder.

_____________________________________

Taglist:

@arctrooper69 @thereforepizza @padawancat97 @pb-jellybeans @floffytofu @verybadatwriting @solstraalaa @ray-rook @gregorsmissingarmor

[stormcloudrising]

if d&d knew about jonsa why did they change it? martin said the ending is gonna be the same with more additions which is obvious bc the show cut some of the characters

Why did they marry Sansa to Ramsay, which won’t happen in the books? Why did they write Dany as not having feelings for Daario and leaving him in Essos without a backward glance, which won’t happen in the books, since she chooses him at the end of her last ADWD chapter.

Why did they write the Dornish story in a way that won’t happen in the books…especially the Sand Snakes? Why was Bran the only Stark child that was given the power to warg his direwolf and other animals? Why were the final two seasons and everyone’s individual story sacrificed to Dany’s arc, which won’t be the case in the books? Why was Bran the only greenseer on the show? Why did they make Cersei the ruling queen when Dany attacks, which won’t’ be the case in the book.

I could go on and on, but you get my point. It wasn’t just the Jon and Sansa story that D&D dropped or changed. They changed a lot of storylines, and in the end, they did what George didn’t want and why he chose them over other writers who came to him proposals to adapt the books. They centered the back half of the story around one main character…Dany.

Part of the reason is because unfortunately, George didn’t finish the books in time for a proper adaptation. But another part I think is while D&D are great at adapting completed material as we saw with the first 5 seasons, they are not good at writing complex characterizations or plots on their own.

And so, once it became obvious that George was not going to complete the books on time, they simplified the hell out of the remaining story…including Jon and Sansa because that’s probably going to be the most complicated of the remaining stories to write…even with George handling it.

Truthfully, knowing D&D’s skill set, I don’t think that there is anyway they could have done it without having the printed word from George to adapt. This is because IMO, it’s not just the familial relationship that George will have to deal with but Jon and Sansa’s hidden connection to not just the current magical storyline but the one from the ancient past as well. So, in a way, I’m glad they didn’t attempt to write it on their own.

However, they did drop a lot of hints and if we ever get TWOW from George, I think fans will look back on the show and say, oh, that’s why D&D wrote them like that.

ETA: I haven’t yet watched 3 Body Problem on Netflix, but from what I’ve heard, D&D seems to have done a good job adapting it, which proves my point. They are working with a finished story. Yes, another complex story, but one that is at least completed and so most of the heavy lifting in terms of plotting has already been done for them.

[pixiecaps]

☆ —————— QSMP ASK GAME —————— ☆

1. Favorite theory and least favorite theory (If you have one)

2. Favorite and/or comfort character

3. Your own headcanon

4. Favorite headcanon

5. Favorite character dynamics (Duos, groups, etc.)

6. Name a ship(s) you like

7. Name a ship(s) you don’t like

8. Your favorite egg & why?

9. Which egg would you bring back?

10. How many povs do you watch?

11. Favorite POV(s) to watch

12. Top 3 events done of the SMP (Lore or cultural)

13. Favorite build(s) on the server

14. Thoughts on Cucurucho and The Federation?

15. Thoughts on the Code Entity and The Rebellion?

16. Thoughts on The Watcher and the Purgatory event?

17. Thoughts on the QSMP restart and changes to the gameplay?

18. Favorite side character/non island residents (This does not include eggs)

19. Give a prediction for a future player(s) added to the QSMP (Generally who you’d like to see. Doesn’t matter if the language isn’t currently apart of the SMP)

20. Name an event you’d like to see in the future

21. Name some lore you’d like to see in the future

22. Any piece of canon lore you’d like to change?

23. Which POV would you like to watch more? Whether this lack of watching is caused by language barriers, their stream schedule, or simply them not streaming on the smp enough.

24. Is the language of your favourite POV(s) a language you're fluent in?

25. Describe your quesadilla island sona (What would you do? Where would you live? What would you look like?)

26. Favorite fanfiction(s)

27. Favorite fan-artist(s)

28. Favorite animation(s)

29. Favorite edit(s)

30. Favorite character design or detail you like seeing in fan works

31. What lore/arc have you enjoyed the most?

32. Drop a lore hot take🔥 (Or cold take🧊 who cares)

33. Favorite quote or spoken moment of dialogue

34. Free space to talk about anything QSMP related :D

35. Mod you’d like to see added?

36. Which of the players mc skin is your favorite?

37. Which of the players mc skin is your least favorite?

38. Current favorite stream? Or one you’ve enjoyed the most.

39. Name a song that reminds you of a character

40. Name a song that reminds you of a pairing or group of characters

41. Name a song from the language you speak or one of the languages you speak

42. Name a character and what they remind you of (Ex. color, season, food, scent, anything!!!)

43. When did you start watching the QSMP?

44. Why did you start watching the QSMP?

45. Which of the members have you known about the longest pre QSMP time?

46. What language would you like to see added on the qsmp?

47. How many languages do you speak? Which ones?

48. Has the QSMP inspired you to learn new languages? If so, which ones and what have you done to do that so far?

49. If you are learning any of the languages involved in the QSMP, have you noticed improvement in your language skills since the QSMP began?

50. Has the QSMP made you get into any streamers that speak your own language that you weren't very interested in before?

[mahoutoons]

magic witch school franchises to support instead of h*rry p*tter

so with the hbo h*rry p*tter reboot being announced, here's some magic school/witch shows to give your attention to instead of giving the queen terf your time and money

little witch academia

atsuko "akko" kagari attended a show by the witch shiny chariot when she was a child and being enamoured with her magic, decides she wants to be a witch herself. she enrolls at the magic school, luna nova. things are hard for her at first being the only student from a non magic lineage while everyone else are witches. and she does badly at school. however she grows throughout the show, both in her magic and in character.

the first half is mostly lighthearted and focuses on akko and her friends' shenanigans. the second half introduces an antagonist and is where the story starts picking up. there are some really emotional beats it hits. but of course akko triumphs through it all and picks herself back up - with some help from her friends of course.

mahoutsukai precure

the thirteenth entry in the ongoing precure franchise. it follows a young girl named mirai asahina who spots a girl flying on a broom. on following the broom, she meets riko, a witch who's from the magic world and has come to her world (called the non magic world) in search of the linkle stone emerald. but when they're attacked by a minion of the big bad, they're able to transform into legendary witches known as precure.

this is more of a magical girl show and it doesn't completely focus on the magic school..there's also episodes that take place in the non magic world. but if there's one thing that's worth watching the show for, its the tight friendship between the main charcaters. they really feel like a found family. also the ending is one of the most emotional endings in the entire franchise.

this show is part of the ongoing magical girl franchise, precure. however you don't need to have watched the previous seasons to understand this season as all the precure seasons (excluding futari wa precure max heart and yes precure 5 gogo which ars sequels to previous seasons) are standalone stories

also a sequel for mahoutsukai is coming out in 2024 which will focus on the main characters as adults

witch hat atelier

coco has loved magic ever since the day a mysterious witch at a festival sold her a picture book about its wonders. however, witches are born with magic, not taught, so coco is forced to give up that dream. one day, she sees a witch named qifrey work his magic by drawing glyphs. coco decides to try it out and discovers she can do magic by just drawing glyphs. however, when she accidentally turns her mother into stone. so qifrey takes her up as his apprentice so that she could learn magic, and hopefully reverse the spell on her mother.

coco is swept up into a world of magic snd everything she knows before is called into question. she also meets three other witches, tetia, richeh, and agott, who are also qifrey's apprentices.

one thing i adore about this series is its art. it is beautiful and gives off the magical fairy tale feel. all the characters are also really fleshed out. richeh's arc especially stuck with me as someone who has major beef with the education system in my country. it also addresses topics like ableism and systemic violence. there's also poc rep and lgbt rep (both canon and implied slow burn)

i will say if you're planning to go into this manga, trigger warning for chapter 49 because it discusses sexual assault (in a respectful way of course). if you're triggered by it you can skip that chapter and you won't really miss out on the plot.

also an anime adaptation has been announced and is currently in production.

ojamajo doremi

this is technically not a magic school franchise but it is a witch franchise so i'm gonna go ahead and recommend it anyways.

doremi harukaze, the self proclaimed "unluckiest pretty girl in the world", dreams of becoming a witch. one day, she stumbles across a mysterious shop run by a strange old woman. taking a cue from what she's read in her stories, doremi recognizes the old woman as a witch. this turns her into a witch frog, as witches who are recognized by humans become witch frogs. with this doremi has to become a witch apprentice and learn magic in order to reverse the spell. she's later joined by some of her friends.

this is a kids show but its very fun to watch. it addresses some heavy topics in a way that's understandable for kids while still mantaining its lighthearted atmosphere. it also gets really emotional at times, especially towards the end of each season.

i will say that episode 12 of ojamajo doremi naisho has a character die of cancer (its never outright called cancer but its heavily implied). so if that stuff upsets you, you can skip that episode and you won't really miss anything in the grand scheme of things.

so these are some of my favourites. feel free to add more.

[kyouka-supremacy]

Again the sickness speaking but here's something that has been going through my mind since forever:

I feel like a good way to mitigate a lot of discontent with the doa arc ending and in general the whole Dazai-being-flawless issue bsd has going on is by comparing bsd to Sherlock Holmes by Arthur Conan Doyle. Please bear with me for two minutes.

When Sherlock Holmes was being published, people were intrigued and enamoured by Holmes' brilliant and charming, crimes-solving figure. People read the stories for the pure joy of being left gaping at his superhuman wits again and again; they didn't want to see him fail, they wanted to be shocked and amazed by his genius. When Holmes died and then came back, nobody lamented it being unrealistic, because realism was not what people were reading the books for! They were reading to be impressed, to cheer for the hero and then take satisfaction in seeing him turn out victorious. That's the author-reader deal that was made there: to impress and to enjoy being impressed.

As of recently I feel like we've been asking from bsd something it never promised us in the first place. Maybe it's just not that kind of series! Maybe it's more about surprising the reader with how the hero is going to make it and less about highlighting his flaws and insecurities. And like, that's okay! That's why Dazai getting away with it isn't it him getting away with it “again”, it's just how bsd is; in a way, it's what makes bsd bsd.

I think it really clicked with me like it never did before when I watched the last episode of season 5; because the arc ending felt so shocking and unpredictable, very deus-ex-machina trope, a little underwhelming in its lowering the stakes that were there the whole time, and yet so extremely on brand with bsd, I didn't even have it in me to be disappointed. It was so similar to the Guild's arc ending and even more to the Cannibalism arc ending, and maybe it really is just a pattern, maybe it really is what bsd aspires to be, and that's okay too.

Also, I can't stretch this enough: if it's not your cup of tea, that's fine. I can't say it's mine either. But I feel like criticizing bsd now for how it's always been falls quite short, because it really feels like demanding from it what it never promised to deliver in the first place. That's just as far as my current perception of the series goes, though, so feel free to disagree with me on this.

[those70scomics]

Hi hi hi!

So, since you watched the show as it was airing I wanted to ask if Hyde and Jackie were always intended to become a ship and if they were, how do you know? Also, how do you know the original intention was for them to get engaged at the end of season 7, before it was renewed? (Outside from the obvious) I'm so curious

Hi! 😊

I'll start with how I know what I know. The T7S message board at Fan Forum was created very shortly after T7S began airing. When I became co-moderator of the board (less than ten years ago? Around ten?), I read every single post. Including those that were lost in what was called "the purge" by using the Internet Wayback Machine when Fan Forum was called Forum 4 Fans. These are the earliest posts one can find about the show.

This effort took me weeks. I read tens upon tens of thousands of posts and T7S / T7S fandom history. Followed links to defunct T7S fansites (again, the Internet Wayback Machine). This includes reading articles and transcripts of interviews with the cast, producers, writers, and showrunners. Press releases. News about cast negotiations.

Within these posts and fansites are people who went to tapings and wrote thorough reports. People who spoke to producers at tapings. People who (were) connected to people who worked on the show. Wilmer Valderrama posted himself in the board and interacted with fans. Remember, this forum existed before Twitter/X, before Facebook, before Tumblr. These forums were where social media started.

This was also the time of Myspace, and some of the cast posted there, too, which was reported on the message board.

As I found all the info through my research, I posted it in fresh threads on the message board. I also inherited my grandfather's eiditic memory and have partial highly superior autobiographical memory -- which is, thankfully, nowhere near Marilu Henner's complete HSAM. Of course, if I place a pen down and I'm distracted, I'll forget where I put the pen a second later 😂.

Facts stick in my head. Once I know it, I remember it. For example, I used to recite one of my college classes from start to finish to my friends (those who were interested). I've forgotten half the class by now. I learned how to let go of certain info so it wouldn't drive me 🤪. But not autobiographical memories. Those I re-experience like I'm watching a movie but with all thoughts and feelings attached. It's a visceral trip. A blessing and sometimes not so much. 😅

Anyway, there's the how.

Jackie and Hyde weren't always intended to endgame. The Filgos were writers on the show a few years before they were chosen as showrunners. During Jackie and Hyde's season 2-3 arc, the Filgos became enamored of the chemistry between the characters.

When the Filgos were chosen sometimes during season 4 to be the showrunners moving ahead (season 5 through the original end of the show, season 7), they asked the current showrunners to break up Jackie and Kelso by the end of season 4 because they wanted to pair Jackie and Hyde in season 5.

In the second half of season 4, one can see the change in Jackie and Kelso's relationship. It grows more and more toxic, a turn from their previous growth away from their original toxicity. It's written in stages rather than a sudden shift, so it's grounded in story and character.

From season 5, Jackie and Hyde were intended to be endgame. During the press for season 7 before it aired, the cast made clear this was the final season.

The Filgos were contracted through season 7. They got their next job since T7S was ending. Topher was moving into his movie career fully. The scripts, including the series finale, were written. Shows were filmed and began to air

Then Fox decides to renew the show (safer to continue a popular series than to risk $$$ on a new show). But the Filgos already had a new job lined up. They couldn't break that contract. They hoped whoever was hired after them would follow through on their vision for the show and reasonably expected the new showrunners to respect the past seven years of character a d relationship development.

But the showrunners hired were a) probably cheaper to pay because this was their first showrunning gig and b) presented their vision for season 8, which was to "bring it back to the humor and feel of season 1" -- the only season they liked, clearly, but didn't watch very carefully or with any depth of understanding.

W.V. also had in his contract changes for his character, including him ending up with one of the principal female characters. It wasn't going to be Donna, obviously, so that left Jackie. Not a problem for the S8 showrunners who hated J/H and, very evidently, Jackie as a character.

So instead of following through on the storyline the Filgos left them (i.e. reconcile fan-favorite couple Jackie and Hyde for good) to ease them into the role, they destroyed Jackie and Hyde's relationship because [partially direct quotation, partially close paraphrase from a magazine interview published before season 8 aired], "We never understood it. We never liked it. We think it was a mistake for the show to pair them romantically, so we're returning them to their season 1 dynamic. They were originally antagonists, and they should have stayed that way. That's where the humor is."

Fortunately, frustratingly, and sadly, someone connected to the show revealed Jackie's endgame from the original series finale, the original season 7 finale: Hyde proposes to Jackie, and they get engaged. Their season 7 arc is built around this endgame. Despite the script revisions and rewrites made when season 8 was greenlit, their original endgame remains evident throughout the second half of season 7.

Hyde tells Eric peacefully and happily (for Hyde) that he's decided [to marry Jackie]. Jackie would have actually left for Chicago, leaving Hyde the note he reads shortly after his decision. Kelso was not involved. But the rewrite, I believe, changed Jackie to having pretended to leave. It's messy writing, but it sets up that Kelso must now drive Jackie to Chicago. He's in her motel room, etc.

The original scripts likely have Jackie go to Chicago before the deadline she set for the ultimatum. Hyde is naturally upset and angry because he'd decided within her deadline to propose, but she deprived him of the chance after forcing the choice.

Hyde's conversation with Eric and Donna about his feelings (in Hyde's way) was probably in the original script. Donna calls out Hyde, realizing he was going to propose. Later, Eric tells Hyde he recognizes that Hyde became happy once he and Jackie got together.

All of the above is easily discernable. The following is conjecture based on the facts, foreshadowing, the Filgos' intended endgame for Jackie and Hyde, and my education and experience as a writer.

These conversations lead Hyde to break out of his misery and go to Chicago (with a ring) and follow-through with the proposal -- a huge character moment for him. He's going to fight for Jackie even if she ultimately rejects him (a parallel to "Babe, I'm Gonna Leave You" in season 5, where Jackie professes her love and doesn't care if Hyde says it back).

Hyde would have knocked on Jackie's motel door. She would've been shocked and asked Hyde what he's doing there. He would have entered and gotten on one knee. The audience would have squealed. Hyde would have proposed in a way true to himself -- not sentimentally but touching nonetheless.

She'd be in shock. "I can't believe you came to Chicago ... "

Hyde says his knee is starting to hurt, so she better make up her mind before he's forced to stand up.

Jackie: "Yes! Steven, yes, I'll marry you!"

Hyde blows out a heavy breath in all kinds of relief, stands up, and puts the ring on Jackie's finger. Jackie and Hyde kiss and embrace. Then Jackie examines the ring and is surprised he didn't go on the cheap like Eric.

Hyde: "Yeah, well, I asked W.B. for help."

Jackie: "But you hate hand-outs!"

Hyde: "It's not a hand-out! It's a loan. I'm gonna pay him back."

Jackie stares at Hyde lovingly.

Hyde: "What?"

Jackie: "This is our first fight as fiancés!"

Hyde laughs quietly then kisses Jackie again.

Fade out.

Other scenes to finish off the series, including the reveal to Jackie and Hyde's friends and family about their engagement.

[satoshi-mochida]

Guilty Gear: Strive DLC character Slayer launches May 30

From Gematsu

Guilty Gear: Strive downloadable content character Slayer will launch on May 30 for $6.99 / 880 yen or as part of Season Pass 3 for $24.99 / 2,750 yen, Arc System Works announced. He is the final additional character for Season 3.

Alongside the release of Slayer, the additional battle stage “Amber Fest with Kind Neighbors” will be available for $1.99 / 330 yen.

Get the details below.

Slayer (voiced by JB Blanc in English, Takaya Hashi in Japanese)

Ease of Use: ★★★☆☆

His dukes define dandyism. Laid-back and dignified vampire. A gentlemanly descendent of vampiric lineage, who enjoys genuine combat and haiku as hobbies. He abides by his own code of “dandyism” and can take nearly anything in stride. When it comes to battle, however, he wields overwhelming strength in great contrast to his calm demeanor. Due to his lifespan as a vampire, all events in human society feel trivial to him. That’s only one facet of him, however, as he finds humans and their turbulent emotions in response to such affairs both enviable and endearing. He founded the Assassin’s Guild, only to retire after meeting his immortal wife, Sharon. Currently, he enjoys an untroubled life in retirement with Sharon, occasionally venturing out for some people watching.

New Battle Stage: “Amber Fest with Kind Neighbors”

The additional battle stage “Amber Fest with Kind Neighbors” is a town set in the Season Pass 1 additional content “Another Story.” A festival is being held to celebrate the aurora’s blessings, and special illuminations are on display to give thanks to the gear who saved the town from crisis.

Guilty Gear: Strive is available now for PlayStation 5, Xbox Series, PlayStation 4, Xbox One, and PC via Steam, as well as via Xbox Game Pass.

Watch a new trailer below. View a new set of screenshots at the gallery.

DLC Character Slayer Trailer

English

Japanese

[spirit-meets-the-b0ne]

House of the Dragon was built to fail

Which the greatest shame of that is, I truly believe they got an incredible cast of talented actors, it's distressing to see them largely wasted. I've been an HBO fan (in a Stockholm kind of way) for the better part of two decades and even some of their usual pitfalls were accelerated here. While it's easy to just blame Ryan (5 spits for an enemy Condall) it still feels like there's more than just writing or directing so this post won't focus as much on the characterization follies but more on the story's infrastructure. While budgetary concerns with a show like this are obvious considering the dragons cost a great deal of time and money it is odd to me that this is a series rather than a mini-series. By that I mean, HBO for most of their big productions had seasons ranging from 10-15 episodes (Sopranos S1 13 episodes, True Blood S1 12 episodes, The Wire S1 13 episodes, etc) so this is exceptionally short of a season for House of the Dragon. Game of Thrones original run was largely a 10 episode format until the later seasons which were also notably shit.

This structure was never designed to give the characters or an audience time to breathe. While this is something that is continually brought up across the cinema/film community these days it seems especially important here. It also seems very easy for an audience to decide against investing time and energy into a series that only holds you for 8 weeks and then takes another 2-3 years of production. As most of the audience knows, it isn't like there is a shortage of materials for the show to incorporate. It's an active choice to not dive more into the lives and circumstances of these character and their relationships. Now, I'm not expecting Lost 2.0 where every character will get an episodic focal point and backstory. Still, you have plenty of non-dragon riding characters whom you could spend time with that don't require maxing out your VFX budget for. Because as of right now from the posts I've been seeing it's clear that most of the general audience at this point is more invested in the dragons than any human character in the show save for some Stans. I can't say I blame them. Most every character at this point is barely tolerable or straight up deeply unlikeable. That's a failure of the writers and directors explicitly. I think the actors are genuinely doing the best they could with the material they're given.

It's frustrating because while I was expecting this show to disappoint (both because of GoT's outcome and HBO's late game losing streak shout out to True Blood for getting so bad I never watched the final episodes) this production is hitting that wall way sooner than expected. If there was another 2-4 episodes to actually develop the characters and their relationships (even with piss poor writing) it might have helped tremendously but this structure is going to leave an audience wanting more and not in a good way. If there is a season 3 I can't imagine in 2 years that a lot of the current viewership would return. So even the "fix it" episode rewrites fans make don't seem like enough, to me you genuinely need more material, more for an audience to invest in or feel a part of. If this season was even 10 episodes there would have been so much room for improvement. The Last of Us was able to deliver a satisfying plot and character arcs with 9 episodes and there's a huge difference with the way that was received by audiences vs. HotD. The obvious difference is the amount of time they needed to tell that story vs. the amount of time you rightly needed to tell this one, which is case in point why HotD needed more time. So, while a short season can deliver satisfaction in some cases, I don’t believe as a rule it should all be common place to condense stories and characters. Especially considering HotD's compression is coming largely at the expense of the women in the show (Rhaena, Jeyne Arryn, Helaena, Nettles, Rhaenrya and Alicent's respective character assassination, etc). That's to say even if these character plots deviate from the canon they have the room to grow and develop a character completely to an audience. If you're going to change a character from the source material at least make them a well-developed different person.

[alexglitches]

Li Jing Analysis #5

Adding this to the beginning since no one really reads my analyses. I have stated in them time and time again that I only focus on LMK Li Jing, and by correlation, Journey to the West as well (albeit very loosely since that’s how the show treats the book). In no way am I going to be referencing any other myths/media Nezha and Li Jing are in, ONLY LEGO MONKIE KID.

So if you try to argue in the notes about how Li Jing is abusive in Investiture of the Gods, I won’t listen since that’s NOT what we’re talking about. Only the LEGO versions, nothing else.

Okay, I think I should finally write this one out since I touched upon it in the 1st and 3rd analyses, but I genuinely believe that the fandom is blowing Li Jing’s character out of proportion because I have seen so many bs reasons as to why he’s ‘abusive’.

While yes, he is neglectful of Nezha, that’s due to his line of work, especially after he essentially became the replacement Jade Emperor and watched as the universe literally fucking fell apart.

“OooOoooOOooo he yelled at Nezha and Nezha backed away, he’s sooooo abusive!!” Like no??? Nezha was probably just caught off guard. If someone yelled at you like that, you’d be caught off guard.

“But he was so abusive in the mythos!!” I literally do not care. LMK isn't even based off of the mythos anyway. The only book that matters for this is JTTW, and even then, LMK is connected very loosely to the original story. Look at all the dead characters that are somehow alive now.

Like, there are so many different versions of Nezha and his birth, cause in some versions he was born from a lotus root, some he was just born from a lotus, and in the actual JTTW he’s just born. There are many different iterations of his mythos that people can’t tell which one is the “correct one”, even if there is one.

What I’m trying to say is, LMK literally doesn’t give two shits about any myths or chinese literature outside of JTTW, so in my analyses, I won’t be including a hundred different myths just to talk about a lego. And honestly, neither should you, because LMK Li Jing was written with JTTW in mind, and he doesn’t do anything in that except just show up when a fight gets tough and, as my friends put it, be lawful stupid. No abuse shown, he’s just sorta there.

And I think this should be a reminder to you all, that Nezha, despite his roles in the current seasons, still technically is a side character, so he’s not gonna get a whole arc dedicated to him and his dad working out their issues. His status as a side character is why they’re relationship is worked on off-screen (looks at the demon bull family).

So tldr, I feel like people are pulling excuses out of their asses to villainize Li Jing and take everything way out of proportion and we are NOT getting an entire season dedicated to his and Nezha’s relationship.

[thealogie]

what are your favourite doctor/companion duos? idk if you've said this already but i'm curious, especially with 15/ruby properly in the show now :)

It really changes (though my top 4 remains the same) but here it is currently on the fly.

1. Ten/Martha: I will always go to war for them. I think they’re the most fascinating duo. I want to study them under a microscope

2. Twelve/Clara: They’re like ten/rose but for toxic and insane people

3. Ten/nine/rose: self-explanatory I mean hate them all you want but arguably the doctor losing rose is the inciting event and thesis statement for the rest of the show. I simply cannot distinguish between ten and nine here this is one complete arc and still the best told companion arc start to finish. Only reason they are three is because the two above have something so wrong with them I want to study it

4. Ten/donna: I can’t believe I’m putting them four because arguably their chemistry is the best of the whole show but I don’t find them as fascinating to dissect as those above

5. Fifteen/ruby: the only reason they’re in five is that they’re not done cooking yet. Individually they’re in my top 5 but my one criticism of this season is we haven’t gotten to see them having fun together or solving problems together as much as we should! If they fix this, I see potential for them to be in top 3

6. Twelve/Bill/nardol: another one where im so sorry they’re so low. Their vibe is iconic in every way and the only reason for the lower ranking is that the dynamic doesn’t compel you to dissect and analyze as much as the others

7. Eleven/amy/rory: I know they love each other and people love them but this chemistry simply did not work for me.

8. Eleven/clara: only watched like one episode of them and it was one episode too many

9. Ten and every actress RTD forcibly paired him with in those never ending specials because he couldn’t let go of David Tennant

[brucebocchi]

Ranking every new anime I watched in 2023, Pt. 4: #5-1

hey, i just started a ko-fi for my writing and possible other creative outlets. this post will also be available there, so please check it out and consider tipping/donating as i'm currently between jobs. the tumblr version of part 1 can be found here, part 2 here, and part 3 here.

The list is complete! This took a lot of work but I'm over the moon to get this out there. Please consider leaving a tip if you've enjoyed reading.

Here goes, my top five anime of 2023:

5. Zom 100: Bucket List of the Dead

Zom 100’s debut hit like a freight train, especially coming from a brand new studio. It had everything: Visceral satire of Japanese work culture, incredible animation, vibrant colors in unexpected places, clever cinematography, wish fulfillment for everyone who’s ever wanted to Stone Cold their boss, and most importantly: Zombie titties.

The premise is magnetic: When your job makes you feel like a zombie, an actual zombie apocalypse means certain freedom from the grind. Akira Tendo realizes that he can finally use the vacation time he amassed while being exploited and overworked at a legally dodgy black company, so he writes a bucket list of everything he’s ever wanted to do, with all intention of checking off every single line item before succumbing to a zombie bite. He manages to rescue his hunky fuckboy bestie from college, and they embark on a road trip across Japan to finish out the list, along with a beautiful, risk-averse tsundere and a big-tiddy German weeb. 

It's a perfectly fine elevator pitch, and a welcome break from the guns-and-grit quagmire the zombie genre has been stuck in for the past two decades, but what makes any good zombie-flecked media resonate is the human element, which Zom 100 delivers expertly. You’re quickly given reason to care for all the characters, their motivations are clear and relatable, and you want to see them survive and live out their dreams. But more importantly, you just want to hang out with them through their hijinks. It even delves into more serious matters, like what we owe our parents as adults, the ways isolation and bitterness can drive people to act out in their worst moments, and even the factors that push abuse victims to stay with and even return to their abusers.��

Above all, though, it’s a powerful (if extreme) story of finding joy in the direst circumstances. Akira, Kencho, and Shizuka are all kindhearted, well-meaning people whose situations kept them from what they truly wanted to do with their lives, and there’s something kinda beautiful to be found in them finding a new opportunity during the possible end of the world (Beatrix is a sweetie too, but aside from the whole zombie thing, she’s already exactly where she wants to be). The final arc of the season, in particular, looks you dead in the eye and asks you: If you were suddenly faced with the ultimate freedom, would you use the opportunity to better yourself, improve the lives of others, or do whatever the fuck you want at everyone else’s expense? You may not like the answer at first if you’re honest with yourself, and that’s okay. The world isn’t over, and there’s still time for you to be your best self.

Zom 100, unfortunately, fell prey to a cruel irony in the form of production issues. Bug Films is a new studio made up of a former team from OLM that was responsible for similarly gorgeous projects such as Komi Can’t Communicate and Summer Time Rendering. They clearly saw so much of themselves in Akira's workplace exploitation that they had to swing for the fences here. The firm he works for is named “ZLM” in this adaptation, for fuck’s sake, and he fully destroys his zombie boss in the first episode. But new studio or old, the anime industry is a grind, and Bug had trouble keeping up; animation quality did take a bit of a dip after the stunning first episode, and episodes were frequently delayed as the summer broadcast season wore on and ended without the entire seasonal run making airwaves. Hell, it was impossible to watch the final three episodes until just a few days before I could write this sentence.

For what Bug were able to pull off, though, Zom 100 is outstanding. The paintball-colored blood splatters everywhere are an instantly-iconic look that strike the balance between horror and spectacle. Everything and everyone looks gorgeously faithful to Kotaro Takata’s art, and delivers an appropriately cinematic look that the manga always deserved. I almost don’t know what else to tell you but that this show is a fucking blast.

There’s also a zombie shark. What more could you want?

4. Oshi no Ko

I spent a good chunk of 2023 just assuming Oshi no Ko was going to be a layup for anime of the year. Shortly after moving on from Kaguya-sama, I rushed to binge Aka Akasaka's subsequent manga in time for the anime's feature-length debut. I was taken in by OnK's bonkers premise and sudden dark turn and quickly fell in love with the characters, and my anticipation only grew. I had high expectations for the screen adaptation, but nothing could have prepared me for just how lovingly it all came together. This is as close to a perfect adaptation as you can find, and the same can be said about both the preceding and following entries on this list.

Oshi no Ko is an audiovisual feast. Doga Kobo cleaned up Mengo Yokoyari’s character designs just a smidge, but put just the right flourishes on them to make every single cast member instantly iconic. One look at Kana Arima’s eyes will tell you everything you need to know about the level of care put into the visual design of this anime. The performances are on point as well; though many of the main cast members are relative newcomers to the world of seiyuu, you can tell they truly came to understand the characters before they even recorded one line. I’ve already gushed about Rie Takahashi in earlier entries, but her turn as Ai Hoshino is easily one of the best voice performances all year. Takahashi makes a meal out of every single second Ai spends on screen and gives you every reason to care about her as a character.

Showbiz manga in general is obviously missing an audio element, and when an adaptation can expand on that aspect well, it can help turn even middling source material into something transcendent (see also: Rock!, Bocchi the). Music is central to Oshi no Ko, and the OP/ED combination is already iconic; YOASOBI’s “Idol” has had the best worldwide chart performance of any Japanese song ever, and the prolonged intro to Queen Bee’s “Mephisto” became a meme in Japan in the same vein as JJBA’s iconic use of “Roundabout.” Rather than taking manga characters’ word for it that someone is a terrible actor, we actually get to cringe along to an amateur actor’s hammy emoting. We get to see and hear what turned a fictional idol group into a national phenomenon rather than just see cute girls posing on the page. All of this is to say that while Oshi no Ko is an excellent manga, it needed a screen adaptation, and especially one of this quality.

Oshi no Ko deserves every shred of its success. I've never seen an anime make a splash this enormous with just its debut episode, even if it’s kind of cheating to say so because the first episode is almost literally a movie, and if I were to give an award for the best single episode of anime this year, it would be that one, hands down. Adapting the entire first volume into a feature-length debut was the correct move (mostly because it’s a tonal rollercoaster, and the Big Event that defines the entire story wouldn’t have happened until the fourth episode otherwise), and the investment paid dividends. The hype naturally died down a bit as the season wore on and settled into a more consistent tone and rhythm, but it remains an essential anime to 2023.

You may have noticed that I have said very little of what this show is actually about, and that’s by design: If you still don’t know the plot of Oshi no Ko’s first episode by now, I refuse to tell you: you need to go in blind. All I will say is that it is an idol anime that glorifies nothing. If you've read this far and still trust what I have to say about anime, I beg you to just take my word for it. It's an incredibly rewarding experience.

3. Scott Pilgrim Takes Off

There's just something so wonderful about taking in an adaptation of a work you’re already familiar with and knowing, almost instantaneously, that every single person working on it genuinely loved the source material and relished the opportunity to bring it to life. Nearly every single member of the original cast is in the dub (including the ones who went on to be MCU mainstays), Edgar Wright is back on as executive producer, Anamanaguchi reprise their soundtracking duties from the video game, and even Bryan Lee O’Malley himself helped co-write everything.

That last detail is probably the most important thing about this entire production: It’s not exactly a secret that the original Scott Pilgrim comics are very imperfect portrayals of a very imperfect young man. I knew reading them at the time that the comic did not have a great grasp on relationships and the dynamics between men and women, and that was at a time in my life when I myself was pretty terrible with and to women. O'Malley has said that he would only revisit Scott Pilgrim if it was “the right thing” and that he was leery of a straight retelling of a work he has since outgrown.

So instead, we have the Rebuild of Scott Pilgrim, to put it simply. Takes Off is a completely new story that reexamines the Scott Pilgrim comics, movie, and even game without undermining what came before it. This series is not a repudiation of Scott Pilgrim (the character or the franchise)’s flaws, nor is it purely fanservice; it splits the difference perfectly. It’s both more mature and completely self-indulgent. This show so easily could’ve marched to the familiar discourse drumbeat of “Scott isn’t the hero here” or “he’s actually not a good dude,” but it instead focuses on what should always be the second half of that sentence: “But Ramona still sees something in him.”

Yes, Ramona Flowers is effectively the protagonist of a new work that doesn’t even have her name on it, and it tackles some surprisingly necessary questions: What was her responsibility in creating seven evil exes in the first place? What made them evil? Are they even that evil? This series opens up entire worlds of possibilities within the extended cast and gleefully dives into them. Though Takes Off may not flesh out every single character, it does take its time with several of the ones who really did need a little more meat on their narrative bones, and even gives some characters new roles just because it would be fun to see them in new situations.

I still cannot believe they got Science Saru to make this show. “They made a Scott Pilgrim anime” and “They brought back the movie cast” are already good enough fodder for that Vince McMahon meme, but “It’s produced by the motherfuckers who made Devilman Crybaby” had me falling out of my chair. The animation maintains O'Malley's chunky, cartoony character designs and works wonders with line weights and simulated camera effects to give everything a tactile, weighty feel, like it’s somehow (and very appropriately) splitting the difference between a comic, a film, and even a video game. There’s a wide array of visual effects that helps to place all of Scott Pilgrim’s influences further on its sleeve: Dynamic action scenes, camera depth and chromatic aberration, and our beloved pixel art inserts. It looks like every Scott Pilgrim, everywhere, all at once.

The live action film’s cast did a (mostly) great job reprising their roles for animation, and there are some wildly unexpected cameos in there. Voice acting is not quite the same as stage or film acting, but everyone pulls their weight, and dialogue feels far more naturalistic than your average anime dub. Mary Elizabeth Winstead, Ellen Wong and, surprisingly, Chris Evans are outstanding in their respective roles. I’m gonna have to watch this again in Japanese, though. Fairouz Ai as Ramona, Aoi Koga as Knives, and Yuichi Nakamura as Lucas Lee? Sign me the fuck up.

This is not an apology or revision of Scott Pilgrim the character or work, it is a celebration that still acknowledges and improves on the flaws. If you’re a Scott Pilgrim fan who’d been clamoring for a proper cartoon adaptation, Takes Off may not exactly be what you’ve wanted, but it may be what you needed.  Chances are pretty good that you’ve grown since the first time since you read, watched, or even played something with Scott Pilgrim’s name on it, and it’s a blessing to say that while the character may not have grown, Scott Pilgrim the franchise finally has. 

2. Jujutsu Kaisen, season 2

I’m so glad I picked up JJK this year, if only because I would’ve otherwise been caught in a mudslide of memes I didn’t understand.

Season 2 follows in lockstep with the manga from where season 1 left off, beginning in extended flashback with the Hidden Inventory/Premature Death arc, covering Satoru Gojo and Suguru Geto’s high school life and the events that would eventually create the rift between them that came to shape Jujutsu Kaisen’s story. We see very different versions of Gojo and Geto here, much younger and more naive, but only marginally less powerful as they’re sent on an escort mission with the future of the jujutsu world in the balance. Because this is Jujutsu Kaisen, and because Jujutsu Kaisen is for masochists, nothing happens as planned.

We unfortunately do not get the precious slice-of-life hijinks the OP suggests, but if you watched season 1, you should know better by now than to trust an OP. While the initial arc does have its quieter and goofier moments (and some delicious homoerotic subtext), it wastes little time in declaring that this is a new version of the Jujutsu Kaisen anime: Lines are thinner, character models are looser, and action is buckwild. Two of the best fakeouts in the series happen in the span of five minutes. Those unfamiliar with the source material may have wondered for a bit why there needed to be a five-episode prequel arc to start the season, but the pieces would soon fall into place.

And then came Shibuya.

The Shibuya Incident arc was what made Jujutsu Kaisen a must-read in every new issue of Shonen Jump. It reset the status quo for the story and shaped it into something far beyond another “teenagers with special powers go to a school for teenagers with special powers” battle shonen. Needless to say, the hype for its anime adaptation was astronomical.

The Shibuya arc sets the stakes early: Nobody is safe and there may be no happy ending. Triumph is short-lived, and every threat is existential. Everyone who has been in the series up to this point plays a role, and you’re not going to like a lot of what’s needed of them. This arc punches you in the gut, repeatedly, and in between each blow is some of the most intense and innovative action you’ve ever seen. It will hurt, and you will beg for more.

I liked this arc a good amount in the manga, but by the end I was ready for it to be over. I didn’t get the hype around Toji, thought the deaths were cheap, and was so. FUCKING. sick of Mahito. Seeing it in fluid motion onscreen, though, everything just clicked for me and I couldn’t get enough. I fully get now why the girlies have been wetting themselves over Toji; the character modelers were HORNY horny this season. I see now how even the most unceremonious deaths fit into the narrative, or at least one will make perfect sense to me once Gege Akutami and I have a little chat :). And holy hell do I understand now that Mahito is one of the best shonen villains in the history of the medium, that sick bastard. Season 2 was my Rosetta stone for Jujutsu Kaisen; I see it all now. My sixth eye has been opened. Throughout heaven and earth, I alone am the literate one.

JJK’s second season has a markedly different feel from the first from a presentation standpoint, and I feel it’s for the better. Every aspect of the presentation is on point, and I want to call attention to the audio element: The production music, with a heavy focus on jazz piano, is wonderfully unique for the genre, and the voice acting remains top notch. These are banner performances from the likes of Yuichi Nakamura, Kenjiro Tsuda, Takahiro Sakurai, Asami Seto, and Nobunaga Shimazaki, but the performance that defines the Shibuya arc (and by extension the entire season) is Junya Enoki as Yuji Itadori. 

Enoki’s been great this year in lead roles in goofy works like KamiKatsu and Girlfriend Girlfriend (not to mention minor roles in Skip and Loafer and the vending machine isekai), so it’s no surprise that he continues to crush it as JJK’s protagonist; Yuji Itadori is a goofy dude. But the Shibuya arc, for as much ground and as many characters as it covers, is ultimately Yuji’s story as he is forced, time and again, to endure the cycle of the “suffering builds character” meme. His peers and mentors in the first season told him repeatedly that the life of a jujutsu sorcerer is a short and unhappy one, and he now has to shoulder that burden for everyone. Enoki nails every single part of a wide spectrum of emotions Yuji is forced to endure over the course of the Shibuya arc, be it determination, naive confusion, or just pure unbridled trauma. If this isn’t the best voice performance of the year, it’s top five at worst.

Like every major battle shonen release in the age of social media, this season has had its detractors. Reviewers at Anime News Network kinda hated the story, but that’s something you take up with Gege Akutami (and get in line behind the manga readers). I've seen people complain about the animation. Which, like. If you don’t like the new visual style, sure, fine, that’s up to personal taste. But if you think this season isn’t well-animated, you just plain don’t know ball. It may not have a cohesive look, but that was the draw for me: Season 1 was good, but at times I felt like it looked a little too rigid, a little too shiny, a little too samey. Season 2, especially the Shibuya arc, looks like everything. Sometimes it looks like an action film, sometimes it looks like Mob Psycho 100, and at points it looks, most crucially, like Akutami’s most iconic panels brought to life, stroke for stroke.

The varying styles weren’t an accident: Nearly each episode had its own director, and those resumes cover top-tier animations like Mob Psycho, Devilman Crybaby, Kill la Kill, Heavenly Delusion, Oshi no Ko, FLCL, even Akira and goddamn Golden Boy. While the episodes don’t look entirely consistent from one to the next, the variance is less jarring and more “holy fuck, what am I going to see next?”. The looser style of animation is what Jujutsu Kaisen always needed; Akutami’s art is very loose and dynamic, and his action panels are borderline inscrutable at times. Season 2 nails the feel of JJK to a degree that its adaptation always needed and lets its directors, storyboarders, and animators run wild. At times, characters will look like they leapt right off the page; others, they will look like something you have never seen before in your life.

It is unfortunately impossible to talk about this season without also bringing up MAPPA’s working conditions, and how animators were frequently overworked against nigh-impossible deadlines. It was an open secret last year as Chainsaw Man aired that MAPPA’s animation schedule was a meat grinder, but that came bubbling to the surface quickly as JJK’s second season aired. Word got out midseason that MAPPA had its animators sign NDAs about their work conditions, but complaints still broke containment and several staffers took to social media to apologize for their work looking incomplete, and some even publicly announced that they are leaving the studio. It is stunning that the finished product looks the way it does under such conditions, and I respect the animators for putting in such incredible work, but something has to give. Several major series suffered from major delays this year, some of which I gave significant praise, but MAPPA is lucky that all of JJK came out on time. I wish I knew what could push them to treat their workers with the dignity and respect (and pay) they deserve, but that’s a conversation that covers much wider ground than just anime.

MAPPA has already announced that the series will continue through the next major arc. While there is quite a bit of it that I would love to see on screen, I can only hope that the animators get to rest. For now, though, we can be proud of what they made under duress, even if some will forever wonder what it would look like if the staff were treated like something a notch above cattle.

1. Frieren: Beyond Journey's End

Fucking hell. This is why I watch anime.

I was curious about this one because a couple major anitubers I watch had reviewed the manga and were effusive in their praise. I knew the anime adaptation was on the way, so I decided to hold off on reading and see what the anime would be like, and with Keiichiro Saito (director of Bocchi the Rock! and key animator for Oshi no Ko’s instantly-iconic OP) at the helm, my excitement was piqued. That guy turned a B-minus 4-koma into an innovative hit comedy, so what can he do with a beloved source material and the backing of a legacy studio like Madhouse?

I've had so much to say about Frieren since the premiere, and I still have so much to say now, but to talk about what I love about this show is to talk about everything about this show. When the first four episodes dropped, I described it as “Mushoku Tensei without the baggage,” and I stand by that. There were multiple points throughout Frieren’s first cour where I'd nearly forgotten that I wasn't watching Mushoku Tensei. Every single element is on point: The animation is fluid and expressive, backdrops are consistently gorgeous, voice performances are quickly memorable, and the music is evocative and instantly iconic. This is, plainly, one of the most beautiful pieces of television I have ever seen on nearly every level, be it visually, sonically, or thematically.

The initial four-episode debut was a masterclass in establishing the setting, building emotional investment into the characters, and slowly but deliberately laying out the premise of the season to come. The titular Frieren is an elf mage who, for a very brief decade of her millennium-long life, lent her skills to an adventuring party to slay the Demon King. Though she helped save the world, she was never one for stuff like adulation or socializing, so she breaks away from the group to continue her hobby of collecting various spells and arcana. She regroups with them after 50 years, having kept in contact with none of them, only to find them older and frailer. The party’s leader, the hero Himmel, passes away shortly thereafter, and Frieren breaks down at his funeral, having realized exactly too late how important he was to her and that she’d never really bothered to get to know him as a person.

Some time later, she’s called by the surviving human member of the party, Heiter, under the guise of translating an old text, but soon realizes that he duped her into helping train the young orphan girl he adopted, Fern, as a mage. Upon Heiter’s death, Frieren and Fern head out together, carrying out odd jobs and retracing Frieren’s steps from the journey that changed her more than she realized. They soon learn from the other surviving member of the party, Eisen, that (ooh) heaven is, in fact, a place on earth, and that Frieren may be able to properly pay Himmel his final respects in person. In order to do so, they must make a trip to the north, past the Demon King’s castle. The story of Beyond Journey’s End is, quite literally, a nostalgia trip.

Frieren's story is one of grief and regret, but also how we can use those emotions as a way of moving forward rather than looking backward. Her history is a long one and her memories seemingly everlasting, but she uses them to pave the road ahead of her rather than let them shackle her to the past. This is best exemplified by Fern herself, as well as the other companion they pick up along the way in Eisen’s former trainee, Stark. Frieren can carry on the legacies of Heiter and Eisen by helping their young wards grow into the capable young adults they’re meant to be, while Himmel’s legacy lives on in the memories of the towns and villages he helped save along Frieren’s new path, and most importantly, in Frieren herself.

The degree to which Himmel truly mattered to Frieren becomes more apparent to her as the story goes on, and it becomes more evident in her actions. Himmel was a gentle, selfless (if self-aggrandizing) man who was every last bit the hero the modern world believes him to be. With every statue of him she cleans, every flower she plants in his name, every core memory that returns to her, we are watching Frieren become more and more like him in real time. You would expect a thousand-year-old woman to be pretty set in her ways, but we see her holding off on old, bad behaviors because of how Himmel would react to them back then. As Fern and Stark grow into young adults, we see her beginning to treat them the same way Himmel treated her. Frieren doesn’t realize it until later in the season, but it’s apparent to us early on that Himmel well and truly loved her, and I feel that it’s dawning on her that she loved him too and didn’t recognize it. That is tragic in and of itself (this show absolutely is a tearjerker at times and I will cop to getting misty-eyed as I write this), but there is something beautiful, well beyond my grasp, in being able to honor the memory and carry out the legacy of a loved one in how you treat those around you. I don’t think anything could have made Himmel prouder.

Frieren herself is a really goddamn good character too (and expertly voiced by Atsumi Tanezaki, best known for voicing Anya Forger in Spy x Family). Though she is portrayed as quiet and uncaring for the early part of the story, it’s been really delightful to watch her open up, and above all, inadvertently reveal that she’s actually just Really Fucking Weird. For as self-assured and put together as she always seems on the surface, it was great to learn that she’s just an enormous slob (she just like me fr), and any outward expressions of smugness or her offbeat sense of humor are always a joy. “Deeply weird person trying to act normal” is always fun, and there’s just something so consistently delightful about seeing someone so typically calm and intelligent get caught in a mimic chest every single time.

I still can’t get over how fucking good this show looks. Beyond Journey’s End features some of the most intricate, loving animation I’ve seen for stuff as simple as someone putting on a jacket. Action scenes are few and far between, but not a single frame is wasted when shit pops off. Not everyone is as detailed as possible at all times, and they don’t need to be, but everyone looks incredible when they do need to. It’s well above my pay grade to accurately say so, but this show could be a lesson in proper animation budgeting. I could go on and on and on, but I’ve written nearly eighteen thousand words about anime, so I’ll wrap it up. 

The debut season of Frieren will continue into 2024, and if the quality remains a constant, it could very well be one of the best anime of next year too. It has remained as MyAnimeList’s top-rated anime ever for its entire run, warding off the legion of Fullmetal Alchemist Brotherhood fans. Frieren deserves it. I say with no hyperbole that this is one of the most perfectly realized things I’ve ever seen on television. This is an essential watch for anyone who likes fantasy anime, anime in general, or fantasy in general.

[herefortarlos]

911: Lone Star Season 5 Countdown - Beginnings

(1) Which 911 Lone Star season premiere is your favorite? Well, since it was the only premiere I watched live, I guess I'm going to have to say Season 4 😅. I would not call it my favorite, mostly because I hated having to wait those first few weeks to complete that Tarlos story arc and get the resolution! But I had just joined Tumblr again with my new tarlos account, so even though I wasn't active like I am now, I did enjoy seeing others speculate and talk about the episodes, and make gifs and new fics based off of things! People's engagement here is what I'm really looking forward to with season 5!

(2) Which character do you think had the best introduction or first scene in the show? I will say my favorite character introduction was TK's! His first lines were, "I'm going to ask Alex to marry me" and them using a gender neutral name was smart because then later when I realized he was talking about a man, I was like, "Ahhhhh, he's a gay character on a Fox show and starring side by side with Rob Lowe!" I am so into this and in love with him already!

(3) What is your favorite moment of 1x01? Ooooo, but there are so many to choose from! TK's overdose and Owen finding him, them doing the interviews with Paul, Marjan and Mateo! Making us think Judd was going to be a stereotypical red neck and he turns out to be this sensitive, giant teddy bear who loves and misses his family! My favorite though is probably the Honky Tonk scene and everyone coming together and of course Carlos sidling up to TK and me realizing, "Oh my, this hot man is hitting on him!" I am so far gone on them already!! And I miraculously did not have anything from season 1 to 3, spoiled for me, so I had no idea just what their relationship would become 🥹

(4) When did you first start watching Lone Star and how did you find out about it? I started watching Lone Star in October of 2022. I remember because that's also around when I started my current job 😆 I remember specifically seeing FB clips of the 1x02 racist lady scene and also the 1x03 shielding Marjan when she loses her hijab in the silo scene. Hearing TK's "I am a homosexual" and Paul's "I am trans though", and then seeing a Muslim woman, I was so unbelievably interested in this diverse cast of characters! Oh and I had the Hulu trial at the time and had just finished bingeing Modern Family and I saw Lone Star was on there, so I decided to start that while I still had it. Needless to say I started paying for Hulu monthly because of LS 🤣

(5) What is one wish you have for the season 5 premiere? Hmm, many, many wishes. But hopefully a simple, realistic one is I need to see at least one instance of Tarlos being in love and happily married! Just give me one happy thing between the two of them, and then I will gladly take the weeks of angst, I just need something to hold me over until we get whatever amazing resolution they have planned for us, as is tradition!

Thank you for the tag @lonestar-s5countdown! I really enjoyed thinking about all the reasons I started Lone Star and what I immediately loved about it!

Zero pressure tags to, @heartstringsduet @thisbuildinghasfeelings @tellmegoodbye @paperstorm @strandnreyes

@theghostofashton @orchidscript @bonheur-cafe @eclectic-sassycoweyes @ladytessa74

@carlos-tk @cold-blooded-jelly-doughnut @carlos-in-glasses @alrightbuckaroo @lemonlyman-dotcom

@whatsintheboxmh @emsprovisions @chicgeekgirl89 @reyesstrand @lightningboltreader And OPEN TAG 💖

[mahuhumaling]

JATP Season 2 Wishlist

that i wrote in my notes app back in:

and realized i never posted it here? tbf i'm rarely on tumblr. but because i really miss them rn i want to share my ✨ brainrot ✨ that i had back when i thought they were getting a renewal.

Carrie Wilson

she was my biggest flaw in Season 1. I wish her "redemption arc" is fleshed out more in Season 2; give her either more context & backstory to validate her reason for unnecessarily antagonizing Julie, or screentime to properly address how she's just projecting an emotion completely different into bitterness and anger into Julie's recovery

show particularly her earlier dynamic w/ Flynn and Julie? Maybe as Flynn calls her out, we'd get flashback glimpses prior to Rose's death (maybe even Double Trouble temporarily being Triple Threat 👉🏽👈🏽)

for some reason i'm picturing a scene where she's in her dance studio (she has one in their mansion, of course) practicing some of her Dirty Candy routine when she keeps messing up and not in the right mindset to keep dancing. i feel like the best (maybe easiest but whatever) way to guide the audience into her artist mind is to make her be a perfectionist. in frustration, she blows up for a minute before slumping onto the ground and reminisces her fun times with Julie & Flynn

also when you have her develop, please don't make her lose her femininity and the bubblegum pop music, it's great

Old Songs Resurfacing

it'll prove how detailed & thorough you are as a screenwriter if you pay off the songs mentioned in Season 1 in passing to be actual songs in Season 2

Unreleased: Get Lost, Long Weekend, Crooked Teeth, My Name is Luke, and if that riff from the scene in EP. 5 that spurred on the Bobby reveal isn't from one of these songs, add that too

Demo Album: Late Last Night, Lakeside Reflection, In Your Starlight

Willex

imagine your queer couple gets to have their first kiss first than your het main couple, not only will that settle Madi & Charlie's statements about being uncomfortable in doing a kissing scene and maintaining the priority of Juke's emotional over physical relationship, it would also make an powerful statement

Reggie's Character Arc

i know that he initially had an arc that involved a romance with Flynn but because of the ages of who they casted, they scrapped it and didn't have time to rewrite the scripts for him as filming neared, so they have time to adapt to how jeremy portrayed him for season 2: a lovable dork who craves familial love

since there's a possibility that lifers can now see the boys, maybe some found family trope for Reggie and Ray Molina?

he has pretty much formed a parasocial relationship with him at this point

so why not instead of a love interest, Reggie can have his character arc develop & we see his family before thru flashbacks and paralleling those in the current times because he sees Ray as a father figure

picture this: it's raining, Bobby opens the garage door to the sound of knocking, the boys find Reggie soaking wet and out of breath when he tries to say he doesn't know where else to go then the boys immediately figure out another fight in the Peters household happened. Reggie tries to talk again when Alex (because even though they're the airhead-sarcastic duo, they know they love each other) runs up to hug him and tells the other he doesn't have to say anything

cut to a freshly showered Reggie, quietly watching tv with Bobby, Luke, and Alex in the garage, eating whatever

also a solo acoustic country song, pls. just to make him happy

The Aftermath of the Deaths

for both the boys and Rose

we get parallels about how Bobby dealt with trauma and grief to Julie

like, the reason why the clothes are still in there (are to have costume changes for the boys) is because Bobby immediately moved out of the house (therefore also the garage) and left the clothes there because he couldn't bear to burn it, or visit the boys' houses to break the news to their families and return the clothes, or donate it somewhere so he just...left it. it would make for a more solid reason (for costume changes) and an emotional context as to how Bobby really tried to forget them because it was "easier."

it would also make sense why Carrie and Julie ended up friends. Rose probably was there for Bobby when they discovered what happened at the alleyway, so they stayed friends over the years and had their respective families but still kept in touch, (bonus points if absolutely nothing romantic happened between them! yay to normalizing platonic male-female relationships) and why Rose would immediately think of Bobby's three late bandmates to send for Julie when she was on her deathbed

Bobby never really "moved on" (because grief is a really complex thing). it's showed that he has a therapist and everything, and this could definitely have some aftereffects on his daughter. Carrie growing up seeing her father be this amazing rockstar but a negligent father and only showing love in ways she doesn't need (like riches and fame and connections to the music industry) because he's actually a really lonely man on the inside and no one can see that except for Bobby's spouse and Carrie. it'd explain why Carrie is spoiled, and other negative character traits that Carrie has on the surface

it's even why Bobby changed his name to Trevor: 1) Bobby is so closely associated to Sunset Curve and it's an absolute pain to be reminded of that every day, 2) it's a stage name and artists really do get that

More Worldbuilding

they already had some pretty creative concepts/ideas in the first season, so why not expand/expound on them a bit more

the instruments are attached to their souls that's why the boys at first can only touch them, like how Willie's skateboard and helmet are attached to him

which is why when they attach themselves to the world of the present, they gather up energy and focus on touching tangible things like the picture frame

this may follow the logic toward the end where they are finally able to touch Julie because she has become attached to their souls. emotionally.

More Creative Collaboration

i believe in the principle that when a story is finally released/published/told to the world, the world shares it. this is also visible in film/tv where when the scripts are finished and actors receive them, the story becomes part of theirs to work on. which means that they have some sort of autonomy over their characters' motivations, a chance to be heard of their ideas and pitches, and why some certain scenes wouldn't work, etc etc. it doesn't just become the director's story nor the screenwriters'.

the actors' ideas such as Perfect Harmony and their solos from Nothing to Lose are great because they let them in. they took risks, and it paid off incredibly well. more of that please. have them be a part of the writing process, (also the story), but never forget what made the music production great in the first place. be coherent and don't be like others that let too many hands work on one piece—it will lose its sound, its identity.

Julie Knowing

that Nick is possessed by Caleb. ohmygOD. hear me out.

the same S1 ending will play somewhere in 2x01, but it will be revealed that Julie was watching through the window the entire time and when she opens the door to receive the flowers, that last look she gives him is actually her scheming.

determined to get Nick back, imagine The Promised Neverland's level of mindgames Julie could play with Caleb because we already know our girl's smart

Free Willie Willie's Freedom

since the boys feel indebted to Willie's help, they insist on helping him too with getting rid of Caleb's stamp

maybe through his connection with Alex? or maybe Willie's family or friends who are still lifers (which is unlikely but either way). he needs to be saved !!

Song Sequences Ideas

juke counter melody duet like Rini's "Even When/The Best Part," Shane & Mitchie's "Wouldn't Change a Thing," or dodie & Jon Cozart's "a love song/a non love song"

emotional carrie ballad paired with lyrical hiphop choreo

willex song - i absolutely have no idea where this could go directionally but maybe alex on an acoustic guitar with a really soft sweet tune

reprises of S1 songs but in the complete opposite of their original style (the fandom's lonelier All Eyes on Me version, i see u)

nick guitar solo - just because Sacha actually plays, idk how it'd fit in to the plot yet but hey

Nothing to Lose (Reprise) - back in the '90s, a producer manipulates Bobby to sign a record deal to become a star but on one condition: disassociate himself with Sunset Curve, to which he first declines until he slowly gets persuaded. (sort of like Todrick Hall's So Lucky to Be You meets Lyn Lapid's Producer Man)

"So how about it, Bobby Shaw? Do we have a deal?"

"Trevor."

"I'm sorry?"

"Call me Trevor Wilson."

i'm pretty sure someone made an animatic with this idea too but i cannot for the life of me find it !!

7. Season 2 starts the same way as Season 1 does before the opening song plays

Black screen that reads a text "Hollywood 1995"

a pan down to the Orpheum's overhead sign that reads "SUNSET CURVE SOLD OUT"

cut to the interior with Rose finishing up her cleaning when a stage manager calls out: "Sunset Curve!" to which Bobby abruptly stops his pacing back and forth to look up. he and Rose look at each other. music swells until...

cut to him running onto the alleyway, "are they still not finished eating? those gluttons are dead to me i swear—" he cuts off his own words when he sees the boys getting dragged onto stretchers. but we, the audience, don't see it. just a close up of bobby as the ambulance lights reflects his face. rose comes up behind him, still clutching their t-shirt.

[i honestly have no idea if Bobby should get on stage because it just proves Luke's theory of The Orpheum's opening bands eventually becoming big & successful so it'll explain the Trevor Wilson fame even though at first he only did it for the boys, or if he shouldn't because according to the article Julie googled he ran away immediately after they were pronounced in the scene] but either way, this is how the opening starts.

then it progresses to Rose and Bobby respectively having children so they could parallel each other blah blah

8. Julie plays a simple song on the piano while the guys watch her in awe

Storytelling through Props

let's dive deep into Rose's luggage/suitcase and use the props to head for Julie's emotional attachment with them

they already did it with the wardrobe: Rose wears the black leather vest in the pilot while Julie wears the same thing in EP 6

add depth to the characters' relationships like us finding out Julie's multilayered necklace is actually a gift from Carrie or something

SOYON ANN YOU'RE A GIFT FROM GOD. Bobby's necklace is present in both young and old!him

**Rose in flashback scenes should be wearing clothes we've already seen Julie in Season 1 just for greater effect.

The Bobby Conflict

definitely needs to be brought up again by Season 2; they only discarded somewhere in the middle because more pressing matters like the boys' existence blipping away was pushed to the forefront of the story

however, The Bobby Conflict changes. it'll be cleared up that he was offered a record deal as a solo artist by a manipulative producer. and given that the poor boy is only 17 (too, maybe), he agrees. what he doesn't know is the contract's fine print: giving up Sunset Curve's royalties

that information clears it up to the audience and the band, so the conflict becomes this: Bobby's Survivor's Guilt. god wouldn't that be so good tackling that in a kids'/family show.