#critical role

[jadequarze]

I bring old woman Imogen (with and w/o glasses)

Wrinkles, grey hairs 🥰🥰

[chelbunn]

Now that they’ve introduced the possibility of this dynamic I can’t not imagine it

[marvelousbelladonna]

Transformation art

Riley

Tanner

Guinevere

Dylan

Tristan

Bethany

Ralph

[revvethasmythh]

sam was so real for doing a chrimstas themed liveshow and apparently taking every opportunity to squirrel yiddish and references to being jewish into it. ralph bader ginsburg is even better than his jewish christmas elf from the original critmas oneshot. i love this for him (and me)

[luckthebard]

I’m going to say something I’ve been thinking for a long time. Travis/Chetney always bringing up Molaesmyr gets laughs but I think it is the largest factor which is making Matt’s attempt to have the Predathos question be a real debate, and the cast treating it as one not only fall flat for me, but have me ready to be incredibly disappointed in the storytelling of C3 depending on what happens.

Molaesmyr is the most pure example we have of Ludinus’s sins and what happens if he gets what he wants. He contacted Predathos and destroyed a civilization. Not only destroyed it, but twisted the animals, plant life, and people of the city and for hundreds of miles around into horrible, tortured and suffering mockeries of themselves, still haunting a perpetually dying space. That is what Matt presented when we visited Molaesmyr in episode 57 and, because Matt is good at horror and especially body horror, it really landed.

We’ve heard the cast say several times now that the characters definitely want to stop Ludinus from getting any power but after that “we’ll see.” We’ll see what? How is doing any version of what Ludinus wants a victory, even if he’s not involved? How are we considering that it might be fine to let Predathos out to chase/eat the gods or to control after seeing what it did to Molaesmyr? Do the people we saw as twisted and suffering mockeries of their former selves in that dead city not matter to the story at all? Are they just set dressing we’re supposed to forget?

Trying to present any version of what Ludinus ultimately wants, releasing Predathos, as a possible and even potentially correct or admirable endgame was, imo, a huge mistake after seeing Molaesmyr. As an audience of this story, it turns who we’ve been told are protagonists into villains. And while some stories can do that well, I don’t have confidence this one could, in large part because D&D is designed to be heroic fantasy. And seeing the heroes turn to villains at the last second will be even harder to swallow if the story tries to tell us they had a point.

[c-kiddo]

design for cad's tattoo jester gave him in cr3. referenced laura and taliesins silly acting for the placement lol. i think she'd do something not-silly if cad wanted . something lichen-y 🙂‍↕️

[ace-of-games]

The dancing is precious, and I'm mesmerized by the animation of the stars 🤩

theyre fighting a god in the morning

[talesandfluff]

and a merry Critmas to you too, Matt

[marvelousbelladonna]

Cast Art

[luckthebard]

What completely random and mundane line from Crit Role do you repeat way more frequently than you ever would have thought when you first heard it? Bonus points if absolutely no one around you knows you’re quoting anything.

Mine is using the exact same intonation as Lou Wilson in Calamity to say “It’s beautiful!”

[missgirlsthings]

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[aj-cordierit]

Saviour Blade of the Tempest

....it's been 84 years.

I am BACK! with the cr fanart!

And I was absolutely enthralled by the communion with the Wildmother in ep 104 I just HAD to give a nod to our little fighter in his moment♡

[ariadne-mouse]

Doodle prompt: Kid Caleb admiring Chetney’s toys through a store window.

Someday, Bren, someday!

[roguedemonwatcher]

You know, as someone who did think Liliana was worth saving, it's really hard to justify Bell's Hells not saving the gods after doing so. Because what is this saying about Liliana's sins vs the gods supposed sins?

Is it that intent matters? Well, the gods (the prime’s specifically) have the intent to protect mortals, just as Liliana wanted to protect Imogen - that’s what caused the Schism in the first place and drove the Calamity. Is it that Liliana eventually helped BH? Well, the gods have aided mortals plenty, even from behind the divine gate, and specifically gave boons to Bell’s Hells to help them. Is it about the scale of harm? Mortals (notably Luidinus!) have the capacity for harm on just as grand of a scale (see Molaysmer!). Why does Liliana’s victimization give her a pass, but not the gods, who are the ones under threat here, who the audience knows (even if Bell’s Hells doesn’t) were refugees essentially, trapped in a moment of trauma? Why are the gods treated as tyrannical in absolute terms, despite the very explicit perspective that showed the struggle and tragedy of the decisions they made? 

It just strikes me as an incredibly similar situation and it's weird to see people praise Bell's Hells capacity for empathy and kindness, specifically about saving Liliana, and then assume the kind solution to all of this will be to violently remove the gods.

[crithaus]

No but Vax specifically is always pulling Vex around to hug her and be physically affectionate, he's always grabbing her into a hug'n'em, and yes his years of service and days of orbhood have affected him yes, but not that much. Vax is still there baby

CRITICAL ROLE: CAMPAIGN 3 Episode 114: Fight for the Bloody Bridge