#could you take us?

[vixen7243]

Blurd

Rec room laziness

Y/n: *walks to coffee pot groggy and exhausted, tuning out Johnny and Kyle’s rant*

Johnny: Earth to Y/N, ye there lad/lass?

Y/N: What?

Kyle: We were asking if you think you could take us.

Y/N: *Side eyed the two of them as they turned their head slightly over their shoulder before returning focus to their coffee* Yeah

Johnny: At the same time? *his tone was skeptical*

Y/N: Might need a long nap after but yeah, sure.

Kyle: You might get a bit roughed up in that fight.

Y/N: A fight? *Johnny and Kyle looked at them with a raised eyebrow* Oh, no I couldn’t take either one of you big idiots in a fight.

As Y/N was walking to their room Johnny buried his head in his hands cheeks red, Kyle gaping at their figure disappearing down the hall, John and Simon lowering their respected books surprised. The rec room was quiet the next few hours everyone staring hard at Y/N when they come back later freshly showered and flipping the tv on oblivious to their bewildered glances.

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[theoldkyokodied]

The Allegiance of the Ascended Vampire and the New God of Magic

[datcravat]

It seems there's a new lawyer in town!!!

[what-am-i-doing-in-this-fandom]

Fic Idea where Fiddleford helps Stan rebuild the portal, but Stan finds out that Fiddleford has a wife and he's like

"You have a WIFE?? That DIDN'T marry you to steal your car and money???? What are you DOING here???"

"Yeah, well.... She's better off thinking I'm dead somewhere....."

"A WIFE. That LOVES you. Get outta here and go explain yourself, Idiot!!"

"She and our son shouldn't have to deal with--"

"YOUR SON???!!?!!??"

Anyways, so Stan helps Fiddleford reach out and explain himself to his wife, but expresses that he wants to keep being in Gravity Falls, so his wife and kid go to live with them in The Shack instead.

Blah blah blah, bonding happens, Stan bags Fiddleford AND his wife and becomes a step dad, God bless 🙏

[clovreat3r]

The man behind the slaughter..

could they even be considered a man?

edit: i didn’t know there were already so many people rolling around in their beds and curling their toes for Steve raglan

[fluentisonus]

deeply annoying thing about university is you don't have the time to explore a lot of the institutional access until you graduate & then they take it away

[sharkylad]

Thinking about the fact that Mabel and Dipper didn't know they had two great uncles.

Yeah they are 12 and at 12 I had a shotty understanding of my family tree- But really? Nobody brought up their great uncle? Stanley? Especially since they'll be staying with his twin brother, Stanford?

Shermie never went to Stan's fake funeral, which to me means the twos relationship was strained on some level. If Shermie is older that means his view of Stan was poisoned in some way, that even as kids they weren't close. If the Shermie is younger then he never even got to meet Stan and all he knew about him was how he failed his family. Hell, people probably barely mentioned Stanley TO Shermie.

The fact that Stan had become a black stain upon the Pines family name makes me so vividly upset. Stanley faked his death and the family just- seemingly decided to strike him from the record. To pretend he didn't existed to spare themselves the sadness and shame.

Stanford and Shermie Pines. The only children worth mentioning of Filbrick and Caryn Pines.

It was never Stanford that was lost to the world. It was Stanley, ever since he had to leave New Jersy- it was always him that had to be struck from the record. Change his name, change his state, change his affiliations, destroy the remains of ghost that was Stanley Pines. Kill him so the family doesn't bring him up, doesn't ask questions, stops asking "Stanford" about his twin.

I just keep thinking about the fact that since the day he made one single mistake all the way up until Ford walks out of that machine- Stanley Pines was killed and did not exist. And Stan himself had no one to blame, he had to play the part in his own demise- He is the only one who ever knew Stanley was alive and has been for decades.

He lives in the multitudes of every personality he's ever taken, all in the hope that he himself can stop being Stanley Pines.

[afterthelambs]

What makes Akechi nav so good is that he sounds like he's having so. much. fun. Every time i watch a playthrough, people's stunned/ amused reactions to 'Just everyday Akechi' are so funny. Because yeah at that point you've probably been playing the game for 100+ hours and the story has gotten more bleak than ever before. So there's just something fresh about having a character go fucking ham for once and start screaming hysterically. It also helps that his line delivery stands out from the others who are all varying degrees of upbeat or determined. He definitely made palace exploration 100x more entertaining and I would literally pay so much for a DLC or whatever that allows you to set Akechi as nav permanently

[marciaillust]

I added some colours to her :)

[poorly-drawn-mdzs]

Out of sight, out of - wait.

[First] Prev <–-> Next

[rileylastname]

maybe it’s because it’s “too obvious” but im surprised how few readings I’ve seen of the Substance (2024) that discuss the themes of addiction and substance (ha) use & abuse.

in moderation you can use the substance to become a better, more fun, easier, happier version of yourself. then you realize you no longer want to be who you are when you’re not on the substance. then taking the same dose that used to be enough before isn’t enough anymore, so you want to take more, and just a little bit more couldn’t hurt, right? so you start to take even more. but this is only taking away from sober you, which is painful and difficult and even scarier than what compelled you to take it in the first place, so of course you can’t stop now. now you want to take even more, you NEED to take even more. sober life becomes harder and harder to bear, especially compared to how much easier everything is on the substance. now you’re not only using it to enjoy that feeling anymore, you’re using it to hide from what you’re turning into without it, from what you’ve already turned into.

every minute that you’re sober is spent counting down the days until you can use again, and the ends of being high are spent dreading going back. the sober self is upset and jealous at how irresponsible the high self is. the high self is upset at how much of a buzzkill the sober self is, and wishes they could exist on their own, without requiring their sober tether to existence. but the sober and high selves are the same person, you are one, and you become jealous and angry at yourself for ruining your own life in a vain attempt to become an impossible version of yourself that you most desire to be.

you want so badly to have all—and only all—of the best parts that you milk yourself dry, until you end up with all—and nothing but all—of the bad parts. by the time you truly feel that you have indeed lost everything and know you need to stop, the damage is already done, and there is no going back. you wish you had stopped at the first chance, you wish you had never started to begin with. and even then for many people the only way to deal with this terrifying, painful reality is to use even more, because you have made this terrifying, painful life without your substance feel unliveable, even scarier yet than what had made you use in the first place. there is nothing left to do but to hide from your own life, and the only ways to do this are to stop, to love yourself and take care of the person that you are now… or to keep taking more and more, using until there is truly nothing left, not even yourself.

[twinstxrs]

idk if this is accurate but i’ve felt like in previous seasons riz & gorgug have been one of the inter-bad kids dynamics we’ve seen the least of & this season has been so great in that aspect. gorgug having helped make some of riz’s magic gear. riz helping gorgug with his studies. the shared birthday party. gorgug’s gift to riz being something he himself made to protect riz. riz’s gift to gorgug being something he illegally grabbed to protect gorgug. gorgug who utilizes rage to put his body on the line for his friends & riz who will take deep levels of mental stress for his friends. even though it was within the context of a joke, riz calling gorgug an “absolute sweetie.” like yea they might not be in a band together or both part of a presidential campaign team or owlbears teammates, but they’d go to war for each other, because they’re best friends.

[snarkspawn]

some floating heads of my boy Asher, his guardian and his favourite people to go adventuring with ♥

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[moghedien]

Minthara says “in Her name” when you first meet her and she’s following the Absolute but when you recruit her and she expresses that she no longer follows any god, but she still has an intact paladin oath, and she says “in your name” occasionally because she’s no longer Lolth’s paladin or the Absolute’s paladin, she’s your paladin