#could you do anything different

[entitiesandeggbutts]

so i just finished episode 22 of worlds beyond number (bring them to me) and i just want to say

i know Things Happen though i’ve thankfully forgotten specifics. but. can i still say how much i fucking Love suvi as a character

i know you must get so many tags a day but genuinely thank you @quiddie for creating and bringing this character to life. you so rarely get to see and feel for the characters that know and grew up in and benefit from The System. you don’t get to look past the caracatures and see how it can benefit benefit the people you love. and godDamn am i not ever going to be a sucker for a character who is like. “i will burn down the world to save what i love. i can’t help that i love multiple things. why are you so scared that im doing what i said i would now that i have the power to?”

[noxious-fennec]

Tunisian miku 🇹🇳👍

[poorly-drawn-mdzs]

Maybe we never had a chance.

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[hiyyihrts]

“For how long have you had feelings for him?”… Lord the way they keep making Eloise this non-observant clueless friend to everyone is crazy to me… especially continuously with Pen (and now Cressida also). She never fathomed that Pen could want to participate in ton events, want to be married, want to have even the bare minimum opportunity to be entertained by a man, and yet anytime Pen goes against anything Eloise always talked about she’s so surprised?? Maybe if you talked with your friends instead of at them we wouldn’t be running into this situation continuously El…

[drenched-in-sunlight]

saying this as respectfully as possible but. Do not put fandom content creators on a pedestal. We are also just fans contributing to a community just as you are. We have boundary on our own work and that’s it. What I say is not and should not be considered sth the whole fandom should listen to. I’m just a normal ass person ranting about things on my blog. If it does not have a fandom tag for others to engage in, do not make it out to be me trying to start fights or addressing the whole community. Because it’s not.

I’ve said it before and I will say it again, my art, my lore talk, is biased. I’ve never tried to hide that I view Marika a certain way and will always develop my theory following that base assumption.

Aside from translation stuffs and pointing out in-game items, everything else I say you can look at it, agree or disagree, and move on to form your own opinions. Just because I draw stuffs doesn’t mean you get to saddle me with responsibilities about managing fandom expectations. What the hell? I’m a fan artist, I’m the last person who you should look at for “leaderism” (?) WHAT?

I can and will be a hater in my own space, like I know sometimes other artists will just post their stuffs and not engage too heavily with fandom, and for a while I did try to do that here (because I’m already a dramatic ass on twitter), that’s just not me though.

You will get art and you will get my opinions as well.

[marshmallowgoop]

no thoughts just Heiji Hattori (HD)

[deoidesign]

Wearing your boyfriend's jacket

[chrisrin]

i love ctm'ing here's some of the outfit variants i've been drawing for the different maps i'm playing with different friends <33

and here's a bunch of older doodles of me and mel ctm'ing that i drew back in like, early 2023?

also if you CARE AT ALL. about my LOVE OF MINECRAFT CTM MAPS. here's my tierlist of the one's i've played:

(i'm working on calamity canyon rn)

[necrotic-nephilim]

i personally have very complicated feelings on the Gotham Knights video game and the routes it takes with characterization. i think it has a charm to it and it goes in an interesting direction with everyone (especially within the confides of the plot of the game) but it does have certain moments that veer painfully fanon for me. (such as: the dialogue where Tim drinks too much coffee) it's an interesting story for what it is but i don't view it comics-based for characterization and therefore don't care to interact with it much for like. fanfic purposes.

that *said* though. i do have to give the game some kind of credit for giving one of the top five JayTim moments that lives rent free in my mind. every since i played the game, the cutscene lives in my mind daily. it's the specific cutscene where Jason and Tim are arguing about whether or not Jason's non-lethal bullets are too dangerous for the field, and the argument leads to TIm *standing in front of the target* Jason is shooting and telling Jason to shoot him. it lives rent free for me. i never stop thinking about this.

the absolute certainty Tim has that he is in no danger standing in front of Jason, who has a loaded gun pointed at his face. the way Jason *hesitates* for just a moment before lowering the gun. he thinks about it for just a second. Gotham Knights JayTim seem to get along very well and can rely on each other, but Jason still clearly holds a bitterness about his death and Tim that flickers through in some lines of dialogue under the guise of jokes. especially since this game deals *heavily* with concepts of Pit Madness causing an altered state of consciousness, i think it's believable that occasionally, Jason fights the urge to fight and hurt Tim for the feeling of being replaced.

i like their tension so much in this canon. they get along but you can *tell* Tim is afraid of addressing Jason's trauma or even addressing Jason head-on, and Jason leans into spooking Tim about it. which isn't very comics feeling in their dynamic, but it is an interesting way to place their dynamic if you're playing with a more timid Tim who's newer to the role of Robin. (which he seems to be in-game) he really doesn't want to offend Jason, or worse, piss him off. but he'll still face Jason head on for things like this, while completely aware of what Jason could be capable of.

and Jason seems very protective of Tim and respecting Tim as a Robin in typical Jason fashion. if Tim pushes, Jason *will* relent. he knows this is a kid who's proved himself and should be treated with equal respect, sometimes even more than Dick and Babs do in-game.

so for all that to culminate in Tim stepping in front of Jason's loaded gun that he *knows* is on the edge of being too dangerous, just to force Jason to listen? it's the most unhinged way Tim could've gotten his point across in this scene. he was literally daring Jason to hurt him and playing with a very dangerous fire. but he did it anyway bc he believed he could make Jason heel just at the thought of hurting Tim. and he was *right*. they're gay and i'm feral ty.

[sunsetsover]

i wish i wasn't so exhausted because i want nothing more than to sit here and properly pick apart the inherent but unconventional ways their dom/sub dynamic presents itself between kant and bison. bc it's definitely always been there esp in these last few episodes but in episode 10 it was in everything. everything.

the pool scene was obvious. i already pulled that apart. but it was also in the way kant's reaction to being told off for being distracting during the mission was so different from the way bison reacted when kant told him off - bison basically looks like he's indulging a pouting child, while kant's face drops and he gets all sad looking. and it's in how different their reactions were to the being distracted too, how kant whined about how bison had promised not to distracted while bison firmly tells kant off for even trying.

and it's in how pissed and hurt kant when he finally saw bison in that car park - imo not so much because bison had told him they needed to stay away from each other, but because bison had been sneaking around watching kant when kant had no way of seeing bison or knowing he was alright at all, and that was so unfair to him, because that's not how it was supposed to work between them. they had just found their equilibrium and here bison was knocking it off kilter by giving and receiving while simultaneously withholding kant's ability to give and receive back. and that's not how they were supposed to work.

and it's in how silly kant was. how rambly and cute when he talked about the titanic experiment he saw or when he tried to get bison to reenact the king of the world scene. but also the way kant was just a brat the entire episode - going kinda rogue while on mission and mentioning the narc thing when he knows it pisses bison off and constantly pushing and pushing and pushing bison to find where the line is where bison will stop indulging him and start reprimanding him.

and it's the way bison does reprimand him and how kant listens. and it's in the way kant's eyes got all big and pleading when bison got all pissy and asked him if he wanted another scratch - and dare i say that and the pool scene were the first real little glimpses we see of what kant's like in actual subspace. and it's in the way you see bison notice that and realise kant's reacting positively, and how he reacts to that reaction with clear desire, but also decides to store that info away as opposed to acting on it bc it's not the time or place.

and most of all it's in kant asking bison to teach him to be like him. in kant handing himself over to bison the assassin and going 'use me. please please make use of me. mould me into a weapon you can wield.' and bison refusing to do that. refusing to make a killer of the boy he loves. in bison knowing kant's limit when kant doesn't and not crossing it. of protecting him from himself. but also making use of him anyway. knowing kant well enough to know that that's what he needed. to be used. because being used is being useful, and being useful is what kant has learned will have him kept around. and bc right now they don't have the time or spare energy to start unpicking that knot, bison meets it where it is: he finds uses for kant while also doing everything he possibly can to give kant agency and control: you don't have to do this. i can take it from here. will you help me with one more thing?

i know i've missed so much that i will kick myself for later. i also know this is incoherent. i've got maybe 10 hours of sleep in the past week. but i can't stop thinking about this fucking dynamic. it's so unique and yet so well defined in what it is. and i know the people that don't get that dynamic won't get what i'm trying to point at with this post. and tbh i get it! as obvious as it is there's also something elusive about it! it reminds me of that kaveh akbar quote where he's says trying to describe god is like trying to imagine a bladeless knife with no handle. the more language you try to put to kant and bison's dynamic, the more it recedes from view.

[poorly-drawn-mdzs]

Out of sight, out of - wait.

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[quietwingsinthesky]

the thing is, i don’t disagree that what and how you choose to write about things is a reflection of you, the writer, and cannot be divorced from your beliefs and biases. but to assume that anyone can perfectly pick out your beliefs from a piece of fiction you’ve written is an extremely weird and paranoid thing to claim, especially if you’re positing that the secret truth is that the writer is a dangerous person and they’re “revealing” that through fiction that upsets you, personally. at the end of the day, the artist is not the art, and no matter how upsetting, no matter how much you dislike it, no matter how much it disgusts you, you don’t know the person who made it and you can only guess how who they are shaped what they made.

like, really, is it more likely that the secret “belief” that’s being revealed when you’re reading something that is really upsetting to you is that the author is a secret Bad Person™️ who wants all of this fantasy to happen in real life, or that the author knows it’s a safe and normal thing to create upsetting works of fiction and so did that.

[canon-gabriel-quotes]

Transcript:

I'd like to congratulate you on getting your CPR certification.

Now remember, when you’re going in for compressions, it should sound like somebody is standing behind you with the worlds largest Dorito and cracking it open!

Go in firm and hard and snap as many ribs as you can on the way down, that means you’re doing it right.

You save that life. Good luck.

Or... Or... Or kill them, I don’t fucking care.

Audio source

[skeletalheartattack]

honestly, the most devastating news you could hear about in 2007 while playing roblox was learning that Scatman John passed away in 1999. like, finding that out was the roblox child's equivalent to 9/11.

[starry-bi-sky]

thinking about Dan in CFAU and just how different he needs to be (in my opinion) in order for Danny's whole thing to work. Canon Danny with Dan's influence, would never even consider thinking of killing anyone even after losing people close to him because he'd be scared of becoming like him. CFAU Danny however has been festering in this hurt and anger for years and wants the Joker dead and is plotting it. I don't think he'd do that with Dan's influence.

I explained how Rath came to be in this post here. Things happened in TUE as normal -- Danny's family dies, he lives with Vlad, Vlad rips out his ghost half. The difference here is that not only was Danny in a grieving state (something exclusive to banshees that the post goes into) but he also doesn't end up fusing with Vlad.

What happens instead is that Danny's ghost half, consumed already with grief and now enraged by being murdered and lied to by Vlad, destroys him completely and disappears into the ghost zone. He traps himself unintentionally in a negative feedback loop of grief, and as a human spirit banshee, cannot mentally handle the constant agony and sorrow he's experiencing. What happens is that he ends up driving himself insane with misery.

So the difference here, ultimately, between Dan and Rath, is that at the end of the day; Dan is fully aware of his actions. He knows what he's doing is wrong, and delights in it. He acknowledges his lack of humanity and feels no remorse in doing what he does.

Rath? He's... not. Not really. Dan is a hulking mass of muscle; tall, towering, terrifying. He loves what he does and does what he loves. Rath, however, appears as a scrawny young boy in raggedy clothes far too big for him, hunched in on himself while dirty, unkempt hair curtains his face and hides whatever he doesn't have ducked down in his curled-in form.

Rath is locked in a constant, unending state of sorrow and misery. He, for lack of better words, is unable to perceive the world around him properly and lashes out terribly and violently at anyone or anything that catches his attention. The only thing that he knows is that his family is gone, his other half is gone, that everyone he loves is gone, gone, gone.

He is a zombie apocalypse wrapped up in the form of a malnourished child, wandering the world in search of people who are not there, and becomes furious if you're not them. He is constantly crying, but he's been crying for so long that he's all but lost his voice. Meaning anyone trying to keep an ear out for him has to listen for soft, pained gasps and quiet whimpering, and wonder if the sound they're hearing are hurt survivors, or the very thing they're running from.

As a result, Rath's influence on Danny isn't that he's scared of doing something bad and becoming like him. He's scared of losing control of himself and dooming himself and others to eternal misery. As a result, he's adamant that things that he's done were not done out of pure emotion, but were active choices he made.

Up to and including killing the Joker. There's enough grief and rage behind his views on him that anyone could argue, especially knowing that Danny's a ghost, that he was not in the right mind when he did it. He was blinded by his emotions and was not in the right mental capacity, he had no control over himself. It'd work as a convincing argument.

If it weren't for Danny himself arguing against it. Killing the Joker was a choice he made, fully and willingly. It was autonomous, premeditated murder and he won't accept anything else -- it was not a fit of passion, it was not act of insanity, it was a decision. He won't accept it being anything else but revenge either, and if anyone tries to claim that it was a necessary evil he will yell at them. He didn't do this for the betterment of the public, that was just a fortunate side effect. He did it for himself and Jason. If you wanted it to be a necessary evil, then you should've killed him yourself. It was a selfish evil and he knows it.

In the end, Dan’s existence would prevent Joker’s death. Rath’s existence only solidifies it.

Rath's complete difference from Dan is one of my favorite parts about this au even if he never makes a direct appearance.

[somegrumpynerd]

Does anyone else hc that Nightmare can like, absorb his tentacles back into his body sometimes? Like the way Stitch does with his extra arms?