#cosmic consumption

[keyks-art-zone]

NEEEERDSSSSSSSS

[cosmic-consumption-au]

The official icon/title for the fic to tide you over until the next chapter!~

[nest-of-kyshf]

My personal interpretation of The Void (Hollow Knight)

To be honest, my interpretation of the void is possibly a bit… different than most others you see around. It does appear empty, yet I feel like that emptiness is because of it being above time itself, like, it flat-out can’t have a consciousness like any other thing that exists(if it has a consciousness at all). 

All conscious life in that verse is still bound to time, though wyrms with their foresight can prolly see/sense more of time/timelines in general, and that would likely REQUIRE having a mind that is just built different:™: in order to process that. Meanwhile, the void is unbound by ALL time, it’s ‘seeing’ all of the past, present, AND future all at the same time. Because of the void being so detached to everything going on, with its field of view of time being so vast, it likely can’t really be comprehended by creatures that live in a linear path in time- 

That’s only one part of the equation though, at least in my book, the other is this: It consumes everything about those who fall into it/succumb to it if it can, and I mean EVERYTHING. It does appear to prioritize the minds over the bodies of those it seeks to consume though, honestly, It could also be that in canon the bodies couldn’t reach the void for one reason or another- Pale King was sealed away in a little pocket dimension, the lighthouse keeper could’ve barricaded themselves inside of there before they succumbed, and the only other void-body that I remember seeing was in either queens gardens or greenpath (the one you get the collector key off of)which is… a bit far away from the void. 

It likely dosen't go out of it's way to consume things, mostly passively observing, but instinctively grabbing onto anything that gets too close.

Plus, with the nature of consumption, everything consumed becomes a part of the one that consumes- and with it consuming not only the body but the mind... every memory, sensation, feeling, all just gets… mixed into the dark mass of this thing that is unbound by time and therefore sees and processes things likely SO differently that it’s either incomprehensible, or the, and i mean THE worst overstimulation ever- 

Like I'm thinking, if someone were to comprehend it, it’d likely be a swirling mass of future, present, and past events mixed in with the memories, sensations, and everything else of all the things that have ever been consumed by the void mixed into one single, overstimulating moment. Even if it was just for a second, the aftershocks of just comprehending it fully would prolly cause your brain to just immediately short circuit and shut down due to being so overwhelmed.

Like, to try to describe it, I think that it’d be like suddenly seeing not only 360 degrees around yourself, but also seeing everything else around you in 360, as well as going through all of the taste, touch, smell, hearing, sight, and other sensations of every living thing around you ALL AT ONCE, without changing the way you process information at all.

Sure, the void likely can focus into a specific section of what it sees, (void given focus *nudge nudge*) but without the void actively focusing on a specific thing going on right now at that specific moment in time, it's likely so spread out through quite literally everything that it doesn't register as something that’s actually alive, even if you were to look at it in a much wider perspective- 

tho I also don't think that the void itself is conscious the way other things are, which just adds another layer of alien-ness that's going on-

[rendellstreet]

So who wants to hear about my "Zhan Tiri corrupted a sundrop and a moonstone from the sun and moon gods respectively but neither one (at first) and humans could see it because of very, very aggressive mimicry” TTS AU 

[sporesgalaxy]

You've followed me for a while so you probably already know of the way I approach the ouroboros in my own art, but I'd still like to note how interesting I find the contrast between the ouroboros as a horror concept, as an endless self-destructive cycle of depression (and possibly addiction?), and ouroboros as a symbol of renewal and rebirth (which is usually what I associate it with). Its like the life/death duality of the ouroboros present even on a meta level. I don't know if this ask makes sense I'm just beaming this into your mind. 🐍

MAKES PERFECT SENSE AND YEAH I LOVE IT. I love you symbols that contain multitudes and that can be used to reflect either or both sides of a duality bc the symbol also represents the relationship between those dual concepts and how they are inextricably linked. 🐍

[orpheusilver]

lothals cosmic force is literally just getting ready to eat kanans living force rn

[toacody]

Blightstar

When this guy lands, you’re already dead!

Source

Creator: Timeline-15

[barnbridges]

whats funny to me is that to myself i am a deeply repulsive individual that nobody ever since birth has really desire to associate with, who has very visible problems with any sort of social interaction and mentaining and keeping a facade of normalcy, but whenever i complain to my parents about feeling lonely and unlovable i really get oh its in your head/people like you they just dnt fucking say it all the time/people respect you but literally in daily life all i get is negative feedback or being alone so i literally quite. feel stuck. because it either feels like my demands/expectations are unreasonable or the people around me dont know me at all and idk which one is more hurtful.

[mumbledramblings]

me @ me: stop turning bad luck into a mary sue!!! it's cringe!!!!! he's a loser!!!!

also me: fuck man. im just trying to make it through the day. i can turn my oc into a mary sue if i want to. who cares!

[mexicanistnet]

EHT's global collaboration unveils magnetic fields and particle dynamics around M87* black hole using circular polarization. This breakthrough sheds light on matter consumption and jet formation, showcasing the consortium's pivotal role in unraveling cosmic mysteries.

[keyks-art-zone]

Arts from the first 4 chapters of my ISAT fic

(At the moment I only have like 2 chapters published, but that's so I can release them at a normal rate while still writing more)

[cosmic-consumption-au]

✨Cosmic Consumption Masterpost✨

Chapters:

Something's Mending

Lost In Your Own Head

Meanie Parents

The Stars Are Falling

A Pleasant Distraction

A Two Star Consolation

To be continued...

Extras:

Ao3 Link

Discord Link

[stevieschrodinger]

Part One Two Three Four

Steve sits with his head pressed against the steering wheel.

In the passenger seat, Robin’s doing her make up.

“What are we doing here, Rob?”

“You mean like, in the cosmic soul searching sense, or here specifically?”

“Here. Specifically.”

“Well, your beautiful brunette boyfriend-”

“You don’t score points for alliteration. And he’s not my boyfriend.”

“All right then, the man who is under the distinct impression that he’s your boyfriend, suggested we all hang out together. So we are here. At the place I suggested.”

“Because you know I hate it here.”

Robin makes a non committal noise, Steve looks, she’s pulling the horrendous mascara face. He goes back to resting his forehead on the steering wheel.

Steve does hate it here. Reminds him of...fucking work brunches with his father and Sunday lunches with his mother and he just. Hates it.

Steve sighs like a Victorian maid who’s betrothed has not yet returned from sea. He’s certain he’ll die from consumption at any minute.

“Shut up you big baby,” Robin tells him as she fluffs her hair, “all I want is to finger bang this chick in the bathroom and then rub my cunt on her face, is that too much to ask?”

And Robin has been wholly supportive of Steve so far, so, “no, I suppose-what the fuck Robin? Did you choose this place because-”

“I like the bathrooms-”

“-the bathrooms are nice-”

“What?-”

“Oh you fucking-”

“They’re romantic kinda’.”

“They’re bathrooms, Robin!”

“The lighting is good. I like the vibe.”

“Oh my god.”

Steve’s stares mournfully after his best friend. She’s at the bar with Chrissy, because Chrissy wanted to watch the guy make their cocktails, look he does tricks with the thing, like in that old movie with Tom Cruise.

Steve could physically feel himself ageing as she spoke.

“It’s so cool they’re dating.” Steve does not point out that whatever Robin's about to do to Chrissy, it will be a four letter word, but that four letter word is not ‘date’.

“You think?”

Eddie smiles big. The dimples come out. Huge happy brown fucking cow eyes. He’s not attractive Steve reminds himself viciously. He’s playing with his cutlery because he can’t sit still and...his chins too pointy. Or something. “Well yeah. It’d be so cool if they get married.”

Steve nearly chokes on his drink.

“Hey man, you okay?”

“Fine, fine,” Steve’s nose is burning from the bubbles going up there, “what makes you think they’ll get married?”

“Well...why would you date someone if you can’t see it going somewhere?” Steve hopes this is going somewhere; like to a bed, specifically, “so there’s a chance, right? I can tell Chris really likes her. I hope it’s like, a long term thing.”

Steve feels himself slow blink. He doesn’t explain to Eddie that you date someone because you want to stick your penis in them. Eddie turns to watch the girls again, they laugh, and Eddie grins at them, all happy and fond.

Steve sighs.

“You okay?”

“Sorry?”

“You just...you don’t seem so happy to be here man. Kind of tense.”

Steve has no idea how Eddie even noticed, usually people don’t notice. Or usually people don’t care, but it amounts to the same thing because coming to somewhere like this is just the step you take before you step into a bedroom.

“I...I actually don’t really like it here much.”

Eddie looks at him, leans close. He’s ready to really listen. He...cares. About Steve. Steve wonders if he’s going to come up in a rash; it feels like the sort of thing he should be allergic too. He wonders vaguely if there’s antihistamines in the glove box.

“Why?”

“Well...I.” Steve pulls a face. He doesn’t talk about...meaningful things, but he figures it can’t hurt this once, he can be vague. Especially if it increases the chance of doing the no pants dance with Eddie, “I don’t have the best relationship with my parents. I mean, they’re good parents, I had really good nannies growing up, had a great education, the best boarding school, they funded my degree, gave me a solid start at work, so they are great...we just don’t exactly get on all the time. We used to come here for pretty much every family meal.”

Eddie’s frown deepens the more Steve talks, “how often were the...family meals?”

“I don’t know,” Steve hums, “holidays I guess, when I was away, and then...maybe fortnightly? We don’t do it now, obviously.”

“Oh. Me and uncle Wayne had one meal a day together, at least, when I lived there. It was like, a house rule.”

“Oh that’s...you’re close?” To Steve that already sounds like something out of the fucking Brady Bunch.

“Yeah. Speaking of which, he’s invited you to dinner.”

“Dinner?” Steve asks weakly.

“Yeah, since you’re courting that boy, he said.” Eddie puts his hands up to do the air quotes. And then he grins. That big stupid grin. He looks so happy. So genuinely happy to see Steve. So happy about the prospect of just...seeing him again.

Steve does not point out that a blow job at a garden party, humping each other in a public bathroom, and one co ed BBQ does not courting make.

“Right.”

“Awesome, I’ll let you know when,” Eddie drums two forks on the edge of the table. Steve stares at his bony wrists. His mind suggests phrases like, ‘slender’ and ‘delicate’ and Steve ignores those and thinks about how he could very easily hold both of those wrists in one hand. “listen, do you want to get out of here?”

“Sorry?”

“Well, the girls won’t care,” and he’s probably right there, “and you don’t like it here, and I don’t care where I am as long as it’s with you.”

Steve riffles through his internal Rolodex and comes up blank; no one has ever said anything that sincere to him in his life. And Eddie means it too; he means everything he says in a completely unguarded way Steve has literally never encountered before. It’s like meeting an alien. Steve wants to put him under a microscope.

“I just want you to have a nice time, you know. I want you to be happy.”

Eddie reaches out and takes Steve’s hand.

Steve lets him.

Part Six

[aether-starlight]

Gymnopédie - Zayne

Pairing: Zayne x Reader

Warnings: alcohol consumption, innuendos.

Summary: You confuse Zayne’s number with your trusted ride back home. When he insists on picking you up himself, how could you refuse?

Word Count: 1.7 K

The world was spinning, but in a pleasant way, as if gravity no longer affected you. You felt close to floating instead of walking, weightless as the cherry blossom petals that drifted through the air.

You were so light, in fact, that your fingers struggled to exert any pressure on the numbers in your screen, phone nearly slipping out of your hands and crashing into the pavement.

You leaned against Tara, both of you giggling about nothing in particular as you sat by the sidewalk. Her arm was wrapped around your shoulders, the sides of your heads pressed together.

Mojitos had been flowing like water tonight, a celebratory dinner after a mission completed with no casualties, hunter or civilian. 

For a moment, you had been able to let go, put down the weight of grief, fear and uncertainty in favor of comradery, cheers and funny anecdotes from Captain Jenna and the eldest members of UNICORN.

Surrounded by your peers, you knew for sure someone had your back, and they wouldn’t let you fall without falling themselves first.

Pressing your phone to your ear—and almost dropping it again—, you impatiently waited for the other end to pick up.

Absentmindedly, you drew a strand of Tara’s silky hair between your tingling fingers.

“Your hair is soooo pretty,” you hiccuped. 

“Oooooo. Thank you!” Tara pouted, close to tears, redder than ever. You probably looked no better.

“You’re welcome! I need you to give me some tips because ever since that wanderer burnt half of my freaking scalp—“

“Hello?”

You had forgotten you were on the phone.

“Ah, sorry Mister Song, hi~ I don’t see you.”

There were a few seconds of silence, and you almost pulled down your phone to check if Mister Song hadn’t hung up on you.

“It’s Zayne.”

The smile fell off your face, and like a fool, you double checked the contact name, as well as the time.

It was 3 am.

“Goddess, I’m so sorry. I thought—“

He cut you off, voice thick with sleep, not missing an inch of its imposing nature.

“Are you drunk?” 

You winced—that was his admonishment voice, the one he used when your bood tests weren’t within standards, or you had circles under your eyes. 

Like a huge cosmic joke, Tara giggled, leaning closer to slur:

“Is that your Doctor? He does sound as grumpy as you s—” You pressed your free hand to her lips, her whole face burning like a furnace.

The silence was deafening. Unbeknownst to you, Zayne had grimaced on the other side of the line, a half amused twist of his lips.

“I’m good,” you lied through your teeth.

“Sure,” he replied goodnaturedly. “Send me your location.”

Defeated, you hid behind a curtain of your hair. A terrible decision, considering how the world began to spin, even as you closed your eyes.

“Okay.”

By the time Zayne arrived, Tara was snoring, head resting on your shoulder. Meanwhile, you had been sipping on a bottle of water Captain Jenna had kindly given you before leaving.

“Hi,” you greeted once he lowered the passenger’s window, mortified.

His gaze met yours, inscrutable. He looked as awake as ever, had it not been for the slight ruffle of his hair, not quite as perfect as he was used to wearing it.

“Oh, you’re here!” Tara slurred, suddenly awake. “This one wouldn’t shut up about you, you know?”

You shut your eyes tightly. Maybe this was all an alcohol induced fantasy.

A swift pinch to your elbow let you know that sadly, it was not the case.

“I’ll assist you.” Was Zayne’s only reply, door slamming it his wake as he approached to hold onto Jenna’s arm. 

If there was the ghost of a smile curling at the edges of his mouth, you preferred not to acknowledge it.

“Perhaps your friend could share more details on your opinion of me,” he teased over Tara’s head, hematite eyes full of mirth.

Now it was your face burning up. You were going to kill her when she was sober.

“Of course!” Tara hicupped happily. “She said she missed you,” she sing songed, extending the last word to an unnatural degree.

Tara —thank the Goddess— became dead weight as soon as her head hit the inside of Zayne’s ridiculously expensive car. 

Which left you in a somewhat awkward silence. You said somewhat because Zayne seemed as comfortable as ever.

A low melody played from the stereo, something calm and melancholic. He had told you the name once: Gymnopédie No. 1.

Only once Tara was safely back to her parent’s house—her mother hugged you in thanks for taking care of her, making a tight knot grow at the back of your throat— was that Zayne dared to speak.

“This Mister Song, who is he?” He inquired, something flickering through his features much too quick for your dizzy mind to comprehend. His knuckles became pronounced, hands tightening against the wheel.

“My driver?” You replied, confused.

He hummed, eyes on the road.

“A close…friend of yours?”

“Does it matter?” 

He shrugged, but it was far too stiff to be genuine.

“It always matters who you place your trust in.”

Silence reigned after that, nothing but your breathing breaking it.

What he said made sense, but the depth of his frown didn’t. He was driving you crazy. Hot and cold, hot and cold.

It was only once you had replayed the conversation in your head, that realization crashed over you. Something somersaulted in your stomach, filled you with an indescribable emotion.

“Zayne…are you jealous?” 

You bit your lip to keep from smiling, but it was a lost cause, mirth had permeated into your every word.

This was the closest you had seen him to bashful, pale pink blooming on his cheeks, Adam’s apple bobbing as he cleared his throat.

He loosened his hold on the wheel, letting the car come to a stop, as you were now at his place.

Your smile withered a bit at his lack of response, and took the brief silence as an opportunity to admire him. Zayne’s mouth had tilted down in a now sullen mien. 

There wasn’t anything precisely pointing to it, but you could tell he had built a wall, frozen distance even within the warmth of his car.

“You are right. It is none of my concern,” he said, voice icy and impersonal.

Gripping his chin between your fingers, you guided his gaze back to you.

“Mister Song is a seventy year old man. I met him when his taxi was totaled by a Wanderer attack. He’s been my trusted driver ever since.”

He let the information sink in, the jealousy brimming inside him simmering. 

A jealousy he knew he had no right to, which only served to upset him further.

You were not his. 

But he was yours.

And yet, something in the way you looked at him begged to differ. You weren’t his because he couldn’t bring himself to ask, because he was a fool.

“What’s that look for?” You whispered, fingers trailing down his shoulder, basking in the soft fabric of his black shirt.

“What look?” 

You tried to replicate his gesture, brows pulling together, almost making you go cross eyed.

He couldn’t help the laugh that escaped him. 

“Hey, I’m trying,” you complained, raising your hand to intertwine with the other at the nape of his neck.

“I didn’t comment on it.”

“You didn’t have to.” Your words still had a slurred edge to them.

“There is no winning with you.”

You laughed back.

“Just admit it, you’re obsessed with me.” 

“Who said that?” 

It was only then that a question that had been begging to be asked rose from the back of your mind.

“Why are we at your place?” You tilted your head to the side.

The petal spots in Zayne’s cheeks deepened in color.

“I would like to keep you under my observation, as you are still intoxicated.” He hesitated for a second, a low exhale escaping him. “If I have your permission.”

Your smile tempered into something different. Not upset, but serious. 

As you regarded Zayne, something tightened in your chest. It hurt, but left you wanting. 

Goddess, you wanted, you wanted, you wanted. It was a prayer your body hummed whenever he was close.

“I’d love to, Zayne,” you whispered. brushing a thumb to the edge of his jaw before letting go.

A light dinner, anc copious amounts of water afterwards, you were lying side by side with Zayne, wearing one of his shirts, and joggers that were definitely much to big for you.

The lamps on each side of his bed were on, as you were having a light conversation. He was resting against the headboard, while you had your face shamelessly pressed to the pillow on your side. 

The scent of it soothed you, of lavender and soap.

“I have sent you letters,” he denied, voice rough with sleep.

“If only I could have managed to read them.”

He frowned deeper at your poke at his chicken scratch. Some things were just inescapable in the medical field, you supposed.

You leaned closer, finding his gaze even as he purposefully avoided it, suddenly brimming with affection.

“Aw, was that too mean?” You cupped his face between your hands, and much like the black stray cat you liked to feed, he reluctantly leaned into your touch. 

Boldened by it, you pressed a quick kiss to his cheek. 

“I did read them, you know?” Your hands cradled the sides of his neck, thumbs resting below his earlobe. “I kept them all.” 

Zayne’s lips twitched, but he managed to remain serious, gray eyes boring into yours.

“I kept your replies too,” he murmured, turning to lay a kiss on your wrist. “Though I was tempted to correct some grammar mistakes.”

You huffed, dropping your hands.

“Rude! For your information, my writing is impeccable.”

“You said perchance an unacceptable amount.” He chided, seeming to mull it over. “I don’t think that word means what you think it does.”

He was probably right.

“Whatever,” you crossed your arms over your chest, leaning back against the head of his bed, setting your eyes forward.

The mattress dipped beside you, hinting at Zayne’s closeness.

“Are you upset?” He asked with an undertone of mirth to his faux concern.

You felt yourself flush deeper, forcing out a sarcastic reply.

“What makes you think that?” 

He pressed his mouth to the shell of your ear, sending shivers down your spine.

“As you so eloquently put into words, I’m obsessed with you.”

When you turned your head, your noses brushed.

“Yeah?” You breathed out. “How much?”

“A ridiculous amount,” he admitted, fixated on your lips, minty breaths mingling.

You smiled, pressing closer until your mouth brushed his.

“Good.”

[thecrabbybarista]

We should talk about The Lords in Black I'm gonna do that right now because I wanna talk about their trope subversion and symbolism and shit.

So obviously The Lords in Black are a subversion of Cosmic/Eldritch horror and I'm gonna explain how using an ant metaphor

So the classic ant metaphor for cosmic horror is to imagine that you're an ant encountering a piece of human technology, right? I believe it's usually a circuit board. The whole point is you're witnessing something deeply incomprehensible and unfamiliar.

The ant metaphor for the Lords in Black is: imagine you're an ant and a teenager starts burning you with a magnifying glass.

It's still incomprehensible, but not in the way the complexities of a circuit board is. If you were suddenly stricken by a scalding beam of light, the only way you could rationalize that is that it was an act of a god. You and your ant colony would invent and fear this god.

The Lords in Black each represent a kind of strange and inscrutable cruelty that the modern world offers, the cursed lasers that cut into our souls, from places we have no power over.

Wiggly is obviously the idol of capitalism. Animalistic desperation, commodity fetishization, and the exchange of money, products, and emotions. All of the things that the other Lords represent stem from elements of capitalism, hence why Wiggly is THE Lord in Black, the leader of his brothers. What Wiggly offers will never be enough. He is what leaves you always unsatisfied.

Nibbly is the idol of the consumption of human beings as products. Obsession with self image and presentability, trends of all kinds, and the beauty and fitness industries. People in the modern age are desperate to be consumable, and some would go to any lengths to do so. This is an attitude that especially impacts women, who feel that they need to wear make up every day just to earn respect. And when we feel the need to change to be respectable, the need to look appealing and to be consumable, the bourgeois eat well. Our quest to look special makes us like any other customer, filling. It's no mistake that the two leads of Honey Queen are women desperate to be noticed and respected. It makes them all the more eager to be eaten.

Tinky is the idol of infinity and repetition. Dead end jobs, middle class suburbia, and the inability to escape one's circumstances. It's no coincidence that the first time we see Tinky is at a wedding, a ceremony dedicated to eternal commitment, or that he's associated with CCRP, a company in which most of the workers do useless busywork all day. When you look at the life you have ahead of you, it can feel crushing. Will you ever have a real career to be proud of, or will you be stuck at this job until you die? Will you ever not struggle to make rent? Will you really love your spouse forever? What if you don't? Isn't it just easier to continue the routine than to address the problem? After Ted is driven to insanity by the Bastard's Box, after he discovers that he can't escape the person he's become, he becomes homeless, one of the most terrifying eternities a person can find themselves in, fully dependent on random acts of kindness to survive while your situation drives you further into insanity.

Blinky is the idol of the panopticon. Gossip, public drama, and unwanted attention. One of the first things Blinky does on screen is sexually objectify a girl who's fresh out of high school, and this plainly displays a consequence of living in a content driven world. There is constant scrutiny and interpretation given to your every action. At any moment, you could have over a thousand eyes on you, whether you want them there or not. The panopticon we live in captures us in moments of time, and turns the person we were in that moment into an object deserving anger, embarrassment, lust, admiration, judgement, or anything else a watcher might assign. But Blinky also targets another fear, the fear that we feel when we can't see the danger, and cannot protect ourselves or those we love. Alice's anxiety that Deb might cheat on her when she's not around are made manifest in Watcher World, and Bill's frustration at not being let into Alice's life are used against the family. We are inclined to both want and fear the panopticon. We hide, and we seek, and we expose.

Pokey is the idol of tyranny. Complacency, sedation, and obedience. The world revolves around the few and uses the many in service of this. We are all expected to fill some role in service to the rich, to work for a corporation and to buy the products of those corporations, and when we cannot fill these roles we are at risk of starving, or being kicked out of our homes. We must join them in their quest for profit, or die. But we must also accept their pacifiers or we will be driven insane. We must choose between complacency or despair in confronting our place in the world as a pawn, as an ant in the colony. Isn't it easier to accept the comforting lies? Your job is important. Corporations give people what they want. People in power deserve their power. People in power are using it well. We are happy. America is great.

These are the magnifying glasses that are being used to torment us, that we cannot make reason out of, that we've made dark gods out of. But this isn't the first time humanity has encountered scorching light from the heavens. When the people of ancient Greece witnessed burning rods of light, falling viciously from the heavens, they invented Zeus.

But we know where lightning comes from now. We know the science behind electricity and its place in the world. We know what keeps lightning away and what attracts it. We can protect ourselves from it.

But there's an important difference. Lightning is natural. It's existed long before we have and it will continue when we're gone.

The unorthodox cruelty of being alive today is not natural. We cannot logic our way into surviving it because it does not operate under a sound logic. But we can make things a little more bearable by focusing on what is sound, understandable and natural.

There is humanity. There are families friends and lovers who would go to the ends of earth to protect each other. As long as we have this humanity, we have hope.

That's why Miss Holloway's deal with the Lords erases her from living memory after her temporary deaths. To have the powers that she does she gave away the power most important to have under the Lord's rule: human connection. The only real thing we have left.

Alice and Bill escaped Blinky's manipulation through the love they have for each other

Emma survived the longest out of any character in tgwdlm because of the genuine hope Paul gave her of a better future

Lex snapped Tom out of Wiggly's control by reminding him of what his son really means to him

Ted couldn't escape Tinky's plan for him because he was too jaded to make a genuine connection with a woman.

Linda was eaten by Nibbly because she didn't have a loving connection with her father, because her father always made her believe that she was never good enough, because this mindset led her to take for granted the connections she did have in her life.

The world no longer cares about us. We have to care for each other. It's the only thing we have left

[venussaidso]

𝐌𝐨𝐨𝐧-𝐑𝐚𝐡𝐮-𝐊𝐞𝐭𝐮: 𝐓𝐫𝐮𝐞 𝐕𝐚𝐦𝐩𝐢𝐫𝐢𝐬𝐦

the prominent themes of vampirism such as desire, hunger, mystery and illusions tie so perfectly with the moon and its nodes. it wasn't surprising to find the nodes dominating this genre the most, along with the luminaries (moon & sun nakshatras, but more fittingly the moon). i will not be touching on the few sun nakshatras playing vampires, as the moon makes far more sense symbolizing true vampiric nature.

So many vampire movie posters have this luminous glow to them, likely done consciously because of these creatures' affinity for nighttime, and generally being nocturnal as they're extremely sensitive to any type of sunlight.

I've once briefly mentioned, in my "Moon Dominant Themes" post, that lunar natives can operate very secretly, such as 'working in the shadows'. And the whole lore of vampires always emphasizes their ability to hide themselves while still living among humans.

Vampires undergoing periods of dormancy and resurgence is interesting as that can also be linked back to the moon's cycles of waxing & maning. The influence that the moon has on vampires, in some legends, is during certain lunar phases in which they become more active. A full moon could literally mean that their strength has enhanced, whilst a moonless night could mean their desire for blood is heightened.

Rohini Sun Colin Farrell

Claire Nakti explored, in her "TOP 3 Most Magical & Mystical Astrology Signs | Cults, Divination, & Occultism | Part 2 (Nakshatras)" documentary, on the ability of Moon nakshatra natives to brainwash/mind control/hypnotize.

daniel kaluuya is a hasta moon, not rohini.

As these natives are often cult leaders, their ability to influence the mind goes back to their lunar-rulership. The Moon rules over the mind, emotions and subconscious. A vampire's ability to hypnotize humans and other lesser beings is in parallel to the Moon's influence over the psyche and subconscious.

This illusory nature found in vampires can be connected to the shadow planet, Rahu. As Rahu is illusions, desire, hunger. Rahu is very seductive and tempting; this could tie back to some legends in which vampires lure their prey giving them promises of pleasure.

Ardra Sun Tom Cruise.

In "Interview with the Vampire", Tom Cruise plays Lestat who is an overindulgent, greedy vampire. Rahu governs desires and the pursuit of worldly pleasures. It's related to insatiable cravings that lead to greed. The lustful nature of Rahu is seen in Lestat's intense bloodlust and the chaos it brings.

Rahu's associations with eclipses relates to their ability of being hidden in the shadows. Another hint is in Rahu being a Shadow planet itself, just like Ketu is which is also related to vampires.

The story about Rahu's head getting decapitated by Vishnu for trying to get a drink out of the nectar of immortality can be brilliantly paralleled with vampirism. Due to Rahu's consumption of the drop of the nectar, he became the infamous dismembered immortal. His dismemberment a symbol of the detachment from humanity to vampirism.

Rahu is considered an entity of darkness and malevolence, preying upon cosmic forces and defying the natural order of things (such as vampirism which does defy nature itself, ie. the dead becoming undead) in pursuit for immortality. Vampires are literal parasites, and Rahu is also parasitical. Vampires feed on humans without providing any benefit in the ecosystem in return, a one-sided relationship which resembles one between a parasite and its host. Rahu is depicted as insatiable and consuming, feeding and draining one's energy. It creates a cycle of thirsting for more without any fulfillment, a predicament vampires find themselves in.

Ashwini Sun Luke Evans

Rahu and Ketu represent the lunar nodes, respectively depicted as the head and tail of the celestial serpent. Their energetic interaction can be likened to the endless chase between a vampire and a vampire hunter, villain and hero, the friction between unlikely lovers. It's obvious in how Rahu embodies the insatiable hunger for experiences and the craving for fulfillment that it can be the vampiric force in such a dynamic. Like a vampire, Rahu relentlessly pursues its desires, often leading to greed and excess. And then you have Ketu, on the other hand, which embodies detachment, spirituality, and liberation from worldly attachments. It quite literally symbolizes the renunciation of desires and the quest for enlightenment, opposing Rahu's restlessness for more. Ketu is a cutting force, and like a determined vampire hunter, is skilled in tracking down illusions and breaking free from temptations.

Although it sounds like a more fitting interplay between Rahu as the evil force and Ketu as the hunter, it's actually more seen in the other way around.

It is more so that Rahuvians are the vampire hunters, which I found so intriguing; showcasing how Rahu is both the parasitical (illusory), and also the one to be rid of parasites (disillusionment). And I have explored this particular theme in my Rahu post -- how Rahu natives experience a lot of disillusionment from their reality, wanting to cast away the illusions that drain the life force.

The reversal of roles showcases the fluidity of the nodes; their roles almost always expected to reverse, illustrating just how Rahu and Ketu are deeply intertwined with the concept of karma, representing the push-&-pull between cosmic forces of destiny.

More nodal-vampire movies, and other examples in which Rahu & Ketu find themselves on opposite sides of the same spectrum in which they are both vampires, similar to the friction seen between Louis (Ketu) and Lestat (Rahu) in "Interview with the Vampire".

In the film "Fright Night", the one who has to kill the villainous vampire is an Ashwini native. It is also interesting how in "Queen of the Damned" (above, right), the villain is a Magha native who must be stopped by her Mula lover -- both being vampires.

As mentioned in the figure image about the film "Abraham Lincoln: Vampire Hunter", where a nodal-ruled native is paired up with someone who is lunar-ruled, this is a type of pairing seen a lot in these supernatural stories.

Similarly to "Twilight", as Edward was the one to turn Bella into a vampire, we see the planetary reversal of this in which the lunar-native is the one who turns the nodal-native.

Or the film "Vamps" in which Hasta Sun, Shatabhisha Moon native Alicia Silverstone turns Mula Sun, Magha Moon native Krysten Ritter into a vampire.

It isn't a surprise that the moon and its nodes are related to the extremities of the mind. These energies can cause isolation due to how polarizing they come off in regular society (furthermore validating its relation to vampirism), so they become attracted to one another -- especially the nodal natives to the moon natives, because of how much they feel magnetized by them, and vice versa.

The presence of some Sun nakshatras in vampire stories is present and that could tie to the Sun's influence over the Moon despite the fact that solar symbolisms regarding vampirism don't exist, and vampires are far too sensitive to the Sun so much so that they get sunburn during the full moon where the sun's light reflects (interesting to think about). The whole point of a vampire is to lurk in the shadows or during nighttime, so the strict avoidance of the Sun could make sense in there being solar-natives in vampiric roles. It makes for an interesting contradiction, certainly.

Ketu is the body of the severed demon Rahu following the consumption of the elixir. Much like Rahu, Ketu is also associated to darkness and illusions. But it symbolizes the darker, unseen aspects of reality -- all the hidden forces and energies as I've touched on in my Ketu exploration. Ketu and Rahu are two sides of the same coin, it isn't surprising to see them share many vampiric roles/stories.

Ketu is about spiritual liberation, detachment (in this context, becoming a vampire means a harsh detachment from normality/the old life), transcendence; these existential themes are found in vampirism.

The character Louis in "Interview with the Vampire" played by Mula Sun Brad Pitt describes his existential crisis as a vampire to a Magha Sun human who interviews him.

The enhanced strength, agility, speed, hearing and all these abilities are gained after the painful transformation process, going from human to vampire. This process is seen in the film "Interview with the Vampire", Mula Sun Brad Pitt's character going through excruciating pain when turning. My mind immediately takes me to Claire Nakti's first Mula nakshatra exploration, in which she touched on the interconnection of pain and evolution for access to more powers.

robert pattinson is an ardra moon, not sun. and i accidentally used jk rowling's face as l.j smith, ugh! 💔

Vampires are caught between worlds, trapped in a liminal space between life & death. Ketu can cause feelings of entrapment. The yearning for release from their eternal existence is a common theme, as Ketu wants to escape its body. Louis de Pointe du Lac is the best character as example of rejecting one's own nature and wanting to cease to exist.

Mula Sun Brad Pitt

nodals being so emo jfc

notes: colin farrell's birthtime accuracy is botched, he's definitely a mula ascendant. tom hiddleston stays a possible ashwini moon until he's not (until his birthtime is available and accurate).