#coping through fanfiction
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dicingvision · 7 days ago
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Descent Chapter 9 spoilers no context
I’m dying to talk to him. Technically, I can, but I’m sensing a barrier between us I don’t know how to breach. It seems as if he wouldn’t really listen, and I need him to be actively listening when I finally tell him about the Obikin fanfiction I’ve started writing. I needed something to devote my energy to since losing my wedding planning obsession, and this was the next best thing. Not college work. School doesn’t distract like the fanfic does from whatever’s going on with Kurt.
I haven’t told anyone or shown anyone besides Sam, since he’s in the fandom already and revealed he’s been an avid fanfic reader for years. He’s been my number one fan on ao3, posting silly dad-like comments on every single chapter such as “Keep up the good work :)”. I’m glad for the support, though I’m surprised how much of it he’s enjoying given that there’s a lot of gay smut. I’ve politely not asked him about that, yet, though. 
I want to show it to Kurt, but I don’t know what he’ll say. He hasn’t even seen the prequels yet. That’s still on our bucket list of things to marathon since we barely got through five minutes of The Phantom Menace the first time we tried. And I doubt he’d sit with me on a couch to watch 6 hours and 53 minutes straight of anything right now.
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cherry-pop-elf · 9 months ago
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Hoof Race
Fred Weasley x Reader x George Weasley
Can be read as platonic
I’m going through ALOT because of a dickwad of a piano teacher. So imma just project and vent here. I love piano, but I don’t love the piano teacher. My own personal Umbridge. Bleck. So it’s gonna be sloppily written, projective, just. I’m going through a lot right now. A lot a lot.
Summary: Your first detention with Umbridge. Needless to say, very traumatizing. At least you have a pair of red heads to comfort you. Along with formed an escape plan to get you out of there. With some help
Warnings: Umbridge, scars, blood, depression, anxiety, stress, crying, trauma, Umbridge being Umbridge. Physical Violence against Reader from Umbridge, Humanism(Racism against other species) Surprise Guest Appearance for the Book Lovers from one of our favorite Divination Teachers
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“Where is our little lab rat?” Fred huffed, as he was looking around for you. With George trailing behind. Looking in all the directions that Fred wasn’t looking. You had promised to meet them at Hagrid’s to test out a new product to help with calming animals. Something that was more so a Comission’s for Hagrid than anything else. Would be a nice little treat. Tea, fang, and laughter. Just one problem. Where are you?
“Should have never given Harry that map.” George would grumble, as he was getting worried now. Where were you? You aren’t one to break a promise. Especially to miss out on hanging with Hagrid. Who wants to purposely avoid a cozy evening with him? Especially since the twins had hoards of candy to share. If you missed a treat like that, it has to be beyond your control.
“Checked the dorm, checked Myrtle, checked the Requirement’s, checked the green house-“ The twins would finish each others sentences, as they walked. Trying so hard to think of where you could be. That’s when they stopped infront of the Defense Room Doors. They were open, but the office door was closed. They slowly looked to each other, before bolting inside.
“But Miss Umbridge, it hurts-!” They heard you shout, now that they were pressing their ears to the door. “It’s not suppose to feel good, darling. I should have expected such idiocy from someone who found it wise to speak out of turn-“ Umbridge would huff, as her heels could be heard pacing. A mixture of sharp clicks, and your hiccups.
“Mr. Firenze is not a THING-!” You snapped, only for a sharp smack to echo in the room. Made the twins wince, as you hiccuped again. “That beast is indeed that. Why defend that vile creature, when it even identifies itself as a beast-? Hm? Shouldn’t expect much from an idiotic child like yourself.” She lectured on.
“What do we do?” George whispered to Fred. What could they do? She was still a professor after all. Regardless, they had to do something. Anything. SOMETHING. They had to think fast, before you got even more hurt. Or worse. Expelled.
“Twins-?” A voice called itself, making the duo look over. The familiar blonde hair, and clips of hoof steps, made it clear who it was. Their newest teacher, given Umbridge very literally fired their old one. What a god send, as the twins were able to hatch a plan.
“Please please-“ They made praying hand gestures, as they pointed at her door. Making dramatic movements to try and convey they needed a distraction. Not wanting to get detention next. Never thought detention could be worse than anything Snape could offer.
The echo of another slap was what made the ever calm teacher connect the dots. Oh how he dispised such treatment. It was inhuman. That’s saying something from a man who used to live with trantulas the size of buildings. He would quickly motion for the red heads to quickly go hide under the stairs, before he cleared his throat.
“Mistress Umbridge? I need to speak with you about a matter at hand-!” He called, with a hoof stomp for added volume. The duo was quick to run under the stairs, and narrowly miss her gaze. An ever-plastered fake smile was on her lips, as she would walk down the stairs. A twitch to her eye was given, as she was now forced to speak to the centaur.
"Yes, Firenze? Whatever could you need at this late hour?" She asked, while the twins were quick to rush into the classroom. Left quite a sight. There you were, with bloody hands. To bloody to even make out what scars she had to make your write this time. Along with a firm bruise on your cheek, from her had no less. They were enraged, to put it lightly. This was the last time she would ever do this. That was their promise.
They were quick to your side, as you wrapped your arms around them. Your savior. "She just kept insulting him, and it wasn't right. He's a good teacher-" You would sniffle, as George would use his wand to try and clean your hands. He sneered at the words on your skin. Busy with tending to your immediate wounds, as Fred tried to calm you down and explain the plan.
"WAIT WAIT-I UH-I AM JUST A CENATUR! A WITCH LIKE YOURSELF KNOWS MORE THE I!" Firenze shouted, making the twins realize their time was running out. "Just be quiet, and follow our lead-" Fred just said, and you listened. Typical behavior, after all. They were always scheming, and you were happy to get into any mess they offered.
"Well....You are just a centaur. You aren't modern, or cultured, such as myself. I suppose i can remind you how we properly function here." Umbridge would smugly say, as Firenze tried so hard to not roll his eyes. Was worth it, as he was able to watch you be escorted back under the stairs. That firey red hair hidden away. Just in time, because even his calm soul can only take so much.
"Oh dear, Mar's is infront of Saturn. You know what that means, I better return to my classroom-!” She had no idea what that meant, no one did since it was a big lie. Least it sounded good enough to make her scoff. Feeling as though she wasted her time with him. Regardless, she gave a friendly smile. Now walking back towards her office.
The second her back was turned, the blonde stallion quickly motioned for the three of you to hurry to him. Fred and George basically carried you, as they did. Needing to work fast. Was just yanked around like a doll, but there was no choice. The moment Umbridge had gasped, noticing you were gone, you three were on his back.
“Where did-“ But it was faded, as you three were not having a horse ride of your life. Escaping her, this night. Quite the adrenaline rush. Riding the back of your teacher, as he tried to not trip down the stairs. Least you had Fred and George to comfort you. Holding on to the straps on their teachers body, for his supplies, and comforting you.
“Well clean you up, and make sure that this is the last time she ever hurts anyone.” Fred said, with a firm nod. You never thought the twins could look so angry before. Was scary, but also a morbid reassurance. Given Umbridge’s gaslighting was getting to you. Thinking you were a burden, failure, worthless, just horrible. Didn’t even noticed you were starting to cry. It was all too much. The boys would hold you close, and just hold.
“Dreadful woman. Dreadful dreadful just oh so dreadful-“ Firenze would keep on muttering, as he tried to not break an ankle on those ever moving stairs. Full of much spite as anyone else. Suppose that meant the twins had someone on their side, at least.
“You are gonna crash with us tonight.” Fred said to you, as Firenze took that as advice on where to go. Now heading to the Gryffindor common room. “Think of it as a big sleep over. Chilling in the common room’s living space.” George echoed. Childish, but there is joy in childhood. Had you smile in approval.
“Here, allow me to offer some assistance.” Firenze then spoke, as he rummaged in his bag. Still trotting along, as it was just a hallway roam now.
“This should help with your healing and recovery. Sometimes spells can not solve all problems.” And a small bag was offered to you three. Most likely a herbal of some kind. The kind textures were very reassuring. A reminder you weren’t crazy. That she was in the wrong. Not you. Still, made you tremble in fear.
“Gonna be ok. She’s not gonna hurt you anymore.” Fred reassured, with a kiss to your head. Followed by George hugging you tightly. Just helping ground you, as the centaur finally stopped at the painting. She didn’t even ask for the password. As if she wanted to delay much needed rest.
“Rest, if you can. When you join me for our class, tomorrow, you are permitted to not join. You may just relax, and star gaze. That often times relaxes myself.” Firenze offered, as he laid down at the open wall. Allowing you three to get off. He understood you were a victim, and offered sanctuary where he could.
“Thanks…” You sniffled, as to not be rude. He knows, he knows. He gave you a pat on your head, and a smile, before taking his escort away. Leaving you three with your thoughts. The twins mostly thought of how to make whatever happens to Umbridge look like an accident, while you were still shaking from the ordeal. Murder plots can be for another time. You were first.
Escorted to the common room couch, you were as pampered as you could be. Hands properly wrapped, the herbal deal brewed, helping clean up the blood stains, using their latest invention to help clean up your bruise. Just doing what they could, as you sniffled and hiccuped.
Once done, you were soon lying against Fred. With George semi on top of you. As if some kind of pressure therapy. A means to make sure no one could touch you, or sneak up on you. Was nice. What was nicer was the random fellow classmates who walked around. May it to get something to drink, unable to sleep, what have you.
They took notice of you, could quickly grasp it was Umbridge, and let you have your comfort. May it be making sure you three had a blanket, staying extra quiet to not disturb you, or asking if you needed anything. Just some humanity against the darkness.
The comfort of the twins, the easing calm of the tea, and the sound of the ever lit fireplace. It helped you come back to earth again. Just what you needed. Reassurance that you were the victim. Not the other way around. Just deep breaths of fire, cinnamon, and gun powder.
You’ll be ok. You’ll be ok, and the twins promised.
As if they ever would break a promise.
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nanfrost · 1 year ago
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A dive into Vertin's core aspect of her character and it's impact through the story: Part 1
This would be a character analysis with mix of speculations, headcannons and eventually just straight up heading to fanfiction levels territory, so if you were expecting a more cannon analysis, you have been warned.
With that said however, for those who are still interested, welcome to my insanity! This was something that I have been working with a friend of mine who you may or may not know as @acesw for the past week, and we are finally satisfied with it enough to post it! A lot of the ideas that are present in this came from them, while I offer my own interpretations and expanding on those very ideas through my writing. Without them, this analysis likely will have never come to fruition, so I can't be thankful enough for having them go on this journey with me, and also to just have as a good friend. Go check them out, they have really neat ideas and is a genuinely creative and artful person!
Now with that outta the way, time for the main event you are have been waiting for, our one and only beloved Timekeeper herself, and the emotional roller coaster that we have prepared for her. Please do enjoy.
Background context:
Vertin is an incredibly interesting and compelling character in many ways. Her ability to care for other people to a great extent whether she knows them for long or not. Her compassion for everyone around her, her empathy, her willingness to open her heart and listen to others when it matters. All these traits make up who Vertin is as a character and is a large part of why so many people fall in love with her and the story; to not only see more of her but to see where her story will go.
However, there is one part of her character that stands out the most to us, a core aspect of her character that makes up most, if not all her major decisions in the story up until this point, and will be the main subject of this entire analysis.
And that is Vertin's incredible sense of selflessness.
From going out of her way to save Regulus and not let her be forced to be taken in by the Foundation. Her attempts at getting through to Schneider, to understanding and showing her immense compassion even in the heat of moments. Choosing to stay behind in the Walden to fend off the Manus while the others escaped, and most crucial of all, her conscious decision to bury all her trauma inside herself to prevent others from worrying about her. Hell, even her entire motive and drive to seek the truth about the Storm and a way to stop it stems from her desire for freedom and the future of everyone.
All of this is in some way driven by Vertin's selfless nature, always prioritizing the sake of others above herself, to the point of risking her own life if it means she could protect those around her.
She's someone who will go out of her way to connect with others, even when knowing that the pain of losing them will never fade away, to give them comfort and help them if she can no matter what.
It is an incredibly beautiful part of what makes Vertin such a compelling, lovable, and admirable character and person, but at the same time, it also represents Vertin's biggest issue about herself.
That Vertin isn’t just selfless, she is selfless to a fault.
Vertin will prioritize saving everyone above herself, or rather, she would prioritize and save everyone but herself. For Vertin intrinsically has no sense of self-value nor self-worth; in other words, she has no self identity, for her entire life is valued based on other people, not herself. This can bring a lot of self-conflict, as well as possibly even harming others when reaching a point where every step taken is crucial.
And this serious of posts will detail and explore this aspect of her, its ramifications upon the character, and to not only show the ugliest and most painful parts of it, but to also show a path that Vertin might possibly take in the story to confront this part of herself somehow. In other words: welcome to Vertin's suffering builds character arc.
What can we tell from canon?
Where do we start seeing the decision making? We already start seeing them in the first 2 chapters. In summary:
Chapter 1 - Vertin continuously is left with decisions that she has to make on the fly, starting from deciding to try to see if Regulus can survive the storm and choosing to stay behind the Walden and risk getting harmed by the Manus Vindictae for the sake of her team as well as helping Schneider.
Chapter 2 - Vertin finds herself having to choose between keeping her silence and “joining” the Manus, and when she initially refuses, Arcana has her answer questions that bring unsatisfactory answers, leading her to harm Schneider. But when she does say she’ll join, she is first tasked and eventually manipulated to “kill” her.
Now, that’s all fine and dandy and does communicate that she is a very altruistic person and a selfless individual, but how is any of that bad or problematic? How does that correlate to her not having any sense of self-worth? Chapter 1’s ending is the first instance we get to see just how far Vertin’s selflessness goes, by her decision of staying behind to grant Sonetto and the others time to escape. Because of Vertin’s sacrificial play, Druvis and the majority of Manus didn’t pursue Sonetto's crew as aggressive as they would have, giving them time to properly make their runaway. Not only that, but both her and Schneider were kept alive, albeit captive. 
There, Vertin’s selflessness is shown in a good light, being an admirable trait of hers that was crucial in progressing the story. This is the only instance in the story so far that has highlighted this trait of hers in a positive light, which is then contrasted by what happens in chapter 2.
Here, that aspect of hers that so far has been so boldly displayed as a good thing; saving Regulus and her team, is now flipped on its head, showing us that sometimes, being selfless simply isn't enough.
Vertin was put into a situation where she needed to make a choice, to either join Manus or reject their offer. When she chose the latter, Schneider was put into danger. And as each question Arcana asked piled on to her and the pressure started to rise further, Vertin went back on her words, choosing to stay with them. 
This is so she could ensure Schneider’s survival, a selfless choice she makes for the sake of a person she had barely known. It was also here where Vertin’s naivety blinds her of the situation she was in.
That no matter what she chose, Schneider wasn't going to make it out of this.
Schneider had already betrayed them, but even before that, she never truly believed in them in the first place, only soaking up to them for her own personal goals. She was the one who lied to Manus about her identity, to pretend to play along with them until she bided her time, and now she was captured right in their hands. 
It doesn’t take much for one to come to the conclusion that Schneider was a dead woman walking.
Yet, Vertin did not see this. For her view of the world even at this point was too naive, warped by her own perception and belief. A belief that by giving herself up, by throwing her own agency away will somehow lead to other people’s lives improving. That somehow, someway, by disregarding her own safety, the safety of others will be secured.
Vertin is living in a highly warped perception of the world, thinking and believing that if she alone suffers, no one else has to. 
Green Oranges serves as a reality check to Vertin, albeit one that Vertin was unfortunately in too much emotional distress to properly realised.
However, it’s important to note that the game was rigged from the start. Regardless of what Vertin would have chosen, Schneider was going to “die” there either way. So although we witnessed the consequences of Vertin’s selfless choice, it would be unfair to call it her fault. So for now, this chapter only serves as a warning to Vertin.
That even if her selflessness is admirable and has paid the way to many good results, her complete lack of care for herself is not, and is leading her to believe in a false image of the world. A flaw that she will continue to neglect until it becomes far too late to remedy.
Chapter 3 and 4 are the harder ones to allocate, mostly because Vertin isn’t the main focus and rarely appears in the story at all except for flashbacks or dreams. But it still serves a very important role in giving us another facet of this character trait that Vertin exhibits.
That this selflessness of hers doesn’t just affect her, but also the relationships she has with the people around her, and specifically, her crew and Sonetto.
We were told that before Vertin was put to sleep, she had acted relatively the same as she always was, carrying out her duties until she was forced to be sedated and put into the coma we saw her at the start of Chapter 3. We knew that Vertin had set up plans in the form of Lilya and the bill she made with Madam Z, but this was something that wouldn’t be known by us or the other characters until much later.
For the entirety of her time spent before the events of 3 and 4, Vertin kept herself closed off, ensuring that she wouldn’t worry her new friends and even more so, Sonetto. But as a consequence, this results in nobody truly knowing what Vertin was thinking or trying to do prior to going comatose.
Sonetto, Vertin’s closest companion, someone who knows Vertin the longest and has been with her the most, wasn’t even privy to what Vertin’s plans were. She was left struggling to figure out what she should do to help Vertin, while also battling her own inner turmoil.
Druvis, Sotheby, Regulus, APPle, all of them were also victims of this. They had no idea what Vertin was planning, nor was even given any hints; they were left to their own devices and in turn, the influence of the Foundation. Vertin may have tried to help them by not getting them involved with the Foundation matters, but this ironically only led to them being drawn into the organisation because of their desire of wanting to help Vertin.
If Madam Z hadn’t come in to give Druvis the push she needed, Constantine likely would have gotten things to go her way. If it wasn’t for the collective efforts of Z and Vertin’s crew and so many others, Vertin likely wouldn’t have been freed. 
These two chapters showcase the loyalty and trust that her friends have in Vertin, but it also highlights the issue of Vertin always trying to hide things away, to always keep herself emotionally closed. Even if she had good intentions, it still led to less than favourable outcomes that could have very well ended badly for all of them had things gone differently.
With that, we have gotten a rough understanding of Vertin’s character up until this point. Vertin’s selflessness can be an good thing to posses, but because of her disregard of her own well-being and her naive belief that only she needs to make sacrifices for the good of everyone, it is ultimately an unhealthy outlet for Vertin’s way of coping with her trauma. Not just internally, but externally as well.
From here on, I will be diving into my own personal headcanon of where the direction of the story might go, with the purpose of having Vertin’s character be pushed slowly towards a breaking point that will force her to confront this very part of herself, and perhaps, come out learning something from it all.
Speculation: Vertin’s breaking point
Before we get into it however, there is one thing that must be noted here so that the events that will transpire would make more sense.
That being how exactly could the story push Vertin’s character to her limit, when she herself is a naturally strong and composed person? It’s quite simple really, in fact, the answer was already given to us all the way back in Chapter 2.
Vertin’s one crucial weakness that even she might not even realise, that being her overwhelming compassion for those she cares about.
Throughout chapter 1 and 2, we have seen how Vertin deals with stress. How she is able to mentally process the situation around her in a logical and composed manner, allowing her to come to the best possible solution in a short time without letting her emotions run rampant.
And during her confrontation with Arcana, she continues to showcase her composure when faced with a difficult situation and choices. That is until Arcana began to shift her hostility towards Schneider, and we start to see the cracks forming at her surface. 
Vertin is capable of dealing with high stress situations, however, when that situation involves other people, especially those she has come to know or care about, this mask of calmness starts to slip as she reveals how she truly feels.
That Vertin cares too much to see other people get hurt, knowing she can do something about it.
But this wasn’t enough, Vertin might be faltering, but she still tries to keep a calm level head, even when each question gets more and more personal for her. But it was okay, so long as she answered truthfully and picked their side, things will “somehow” work out.
This dream is then shattered by Arcana’s mission given to her; to kill the girl she had chosen to save by throwing her agency away. 
Here, the mask falters even more as Vertin slips further into emotional distress. This is the rare time, and really one of the only times you get to see Vertin raise her voice, far from her monotone voice she always has. It was getting to her.
This is then exacerbated from her shooting Schneider. Even if it was not by choice, Vertin was still the one who pulled the trigger, the one that held the gun against Schneider, and the one that killed her; a girl who she had come to care a great deal about in such a short time.
Here, the mask completely falls as Vertin expresses just how much this breaks her heart. The only instance in the game where Vertin ever shed a tear for something or someone.
So it’s clear now that the biggest strength to her character that Vertin has; her love and compassion for others, is also her biggest weakness. A weakness that can be exploited and used to push Vertin past and even beyond her breaking point.
So let’s do just that.
The narrative will go like this: Vertin and her crew are tasked on an important mission of some kind, where they are given more control and permission to decide and do more so long as Vertin is the one making those choices. This puts Vertin into a position of power much higher than she usually assumes, which will first add a layer of stress over her as she carries out her mission.
Then, the story will sprinkle in a variety of different decisions that Vertin has to make, some big and some small. All of them have some kind of effect on the people around her or their situation. This further adds stress to the girl, now having to juggle the responsibilities of making the difficult choices and decisions that no one else can, because she was their leader, the one assigned to do the job.
At first, things do start to look better as her crew tries their best to assist her, and the situation starts to look more promising. It would be here where a wrench would be thrown, completely sending the whole mission into disarray.
Something completely unexpected occurs, causing chaos and mayhem to follow suit. Vertin tries to assert the situation and find a way to stabilise the people, her crew doing their best to help. However, in their task of ensuring the situation doesn’t derail any further, her crew subsequently split off from her, leaving the girl alone to her own devices.
Here, we begin the start of Vertin’s downfall.
Now without her crew or Sonetto’s help, Vertin is now forced into a situation where she needs to continuously make quick and decisive actions on the fly, all to ensure that things are kept as stable as possible. This leads to her going out and helping as many people as she can, trying to resolve as many issues as possible by herself so that others can focus on their safety. 
However, not every situation can be resolved peacefully nor gracefully.
Gradually, Vertin is faced with more and more difficult choices, ones that require her to choose one side or the other with escalating stakes and tension. No matter what she chooses however, people still get hurt, lives are still put in danger. And Vertin, being the girl that she is, can’t bear to see it happen.
So she tries to find ways to choose both, to save both parties so long as she can help it. Even if it meant having to risk her own safety, Vertin cannot bear to choose one and let the others perish. She can’t allow that to happen.
So she gives herself up to the task of saving people. To abandon her own safety and subsequently her own agency in order to ensure that others will live. So that everyone can make it out even if she doesn’t.
If only she is the casualty in all this, it is the result that Vertin can accept, a result that Vertin can be at peace with.
What she doesn’t realise, or perhaps she isn’t willing to see is that she’s forcing herself into a corner. By placing so much emphasis on saving, by abandoning her own safety and subsequently her own position of power, Vertin has left a chain of command with no real leader, and the situation starts falling into chaos. 
But she can’t see it, Vertin isn’t able to recognize this because she’s so intensely focused on the people around her who are suffering right that moment. Her composure is slipping, as she watches as people’s lives are being destroyed and perished rapidly before her eyes, and she can’t seem to make it better no matter how far she keeps going. This only furthers her careless act of selflessness, forgoing more and more of her own life until it was the last thing on her mind.
Eventually, things reach a boiling point where Vertin, alone, is faced with an obstacle that directly threatens her life and countless others. She now faces a choice, whether to prioritise her own safety over the lives of dozens of people, some strangers, some whose faces have grown familiar to her, or throw her life away again with the blinding hope that things will work out.
If she chooses to run, choose to save herself, Vertin can never live with herself. For a girl like her, who has made it her life to save anyone she can, and so running away can never be an option for her. So naturally, without a second thought, Vertin chooses to throw her life away in exchange of saving everyone’s lives.
A decision that will haunt the girl for the rest of her life.
By the time Vertin awakes, she finds that she is still alive, unscathed at that. But only a moment passes before Vertin notices the countless bodies of those that died, and the destruction that was wrought about around her. At first, she was confused, then the memories started to flood in. 
The memories of the moment she chose to throw her life away, chose to give herself up for the sake of others. And in that instance, someone did the same for her, pushing her out of death’s way as they sacrificed themselves for her. Someone she personally knew and cared about.
In the end, Vertin faces the result of her sacrifice; nothing but lifeless corpses, an utter wasteland filled with bodies with no souls left in them; and she alone survives.
But she might as well be dead, life completely leaving her quickly dulling eyes, a single thought consuming her mind.
This was her fault.
She chose to give her life away, to disregard her own leadership, her role and her worth all for the sake of others.
Because she was too selfless, too kind to ever let herself bear the guilt and burden of letting innocent people die when she could have saved them. And she thought that by sacrificing herself, she can do just that.
She never accounted for the fact that someone would save her.
That someone would prioritise her life over countless others, to choose to sacrifice themselves for someone like her. To give their life for Vertin.
Vertin kneels, her arms and hands shaking as her eyes froze still. She can’t bear to look at the scene before her, her stomach rising to her chest.
For she has finally seen the reality of the world around her, finally acknowledges something she has willingly and selfishly ignored for all this time.
Vertin has always had some level of survivor's guilt within her. Starting from the breakaway incident, Vertin had likely always felt how unfair and cruel it was that only she got to live, when she was the one that was responsible for leading them here.
Sure, the kids went with her because they desired the same thing, but it was she who led them, she who gave them the spark of desire to want to venture out, and because of her, they were all gone. 
Vertin has been carrying that guilt ever since, always masking it under layers and layers of self-imposed composure; a way to protect herself from the pain of the past, but as a way to stop people from getting too close to her, because she is afraid that something similar might happen again if that was the case. That if she were to let people know her, to get to care about her, that they too will suffer because of their involvements with her.
But Vertin was too kind, too good, too compassionate. Even when she emotionally distances herself from others, people still flock to her because they see just how kind she is.
Because even when she doesn’t show it, the girl cared enough to go out of her way to save them, so of course they would be grateful to her, of course they would feel immense gratitude and appreciation for her. Of course they would choose her as their leader and follow her. 
And of course, one of them would throw their life away to save hers. 
Vertin had abandoned all self-importance or self-value, believing that she, the lone survivor of a terrible tragedy, the one who shouldn’t have lived for the sins that she had committed; deserved no such thing. That someone like her should not dare to believe she had value, when all she had done was cause death to those she cared about. That was what she had believed in, what she had convinced herself to believe in.
Because of that, she ignored the signs. She ignored the warnings given to her by others, the warning that if she keeps going down this path of self-annihilation, that eventually she will be met with a fate much worse than death.
In her selfless attempt to save everyone and everything, she had selfishly taken away the people’s chance to save her. To save the girl who had suffered far too much and who had helped even more, even when she can’t see past her own warped perception of herself.
And now she is facing the consequences of that. She is now looking at the results of her blindness, the carnage that was her willful ignorance to herself and to others, and the irony of being the only one left alive through it all once more.
In the past, she was an unwilling player on a chess board designed for her to lose. Now, she was the girl who gave up her own King for the all her pieces, and in return, she lost everything.
Vertin facing this, her composure long since lost, finally breaks.
She slumps onto the floor, her body and mind utterly overwhelmed with every facet of emotions she could conjure within the darkest pit of her stomach, all while drenched in the blood of the people she was supposed to save.
The blood of people who knew her, who admired and respected her, who cared for her, who saw her as a friend, who saw her as family. All of them suffered at her hands, at her own selfish choice to forsake her life because she saw no other way; because she perceived that there was no other way.
And she can't bear all that guilt. All the pain and unprocessed trauma she had buried inside her now finally comes bubbling out of her, completely suffocating the girl. That lack of self-value that she harbours now replaced with unending resentment and pure unbridled self-hatred. Something she had always carried inside her that only got worse over time, and now, it finally had an excuse to be let out.
An existence that had done nothing but wrought pain and death to everyone it ever cared about. An existence that so readily throws its life away at the slightest of inconvenience, never caring about what others think about them, for they were too blinded in their own suicidal nature to ever think that they deserved to be cared about.
Vertin truly believes that she does not deserve to be cared about. She truly believes that she is the worst of the worst, an willfully ignorant murderer, so blinded by their own vision of the world that they refuse to see the reality as what it is. And now, they're paying their just price for it, a price they should have paid long ago.
Vertin knew better than anyone, that she was nothing but a murderer.
Part 2
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sadeporter306 · 1 month ago
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I just wrote like a lil memory before Jason’s death, and I think I’m at the point in writing this story where I actually feel the urge to cry for these KIDS.
Like Jason wanted to find his mom, and he was killed for it. For my own story, he had all of these wonderful things before dying. He had school, and he had Bruce, Beck, Alfred. Like I wanna cry.
And then I’m thinking about Beck who had to just move on with life. Like honestly after she was Robin for like two seconds, she got on with life. Crow would have never really happened without Jason’s death, but who Beck is now would never have been, either. And then Beck met Cam who saved her from becoming a shell of a human being at seventeen. I’m so sad.
But they were just kids. Like I’m writing them and how they have NO idea what happens to them in a couple months, and I wanna cry. I think I am crying.
And of course I had to dismantle the team that kept Beck going and then had her boyfriend break up with her. lol.
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w-ebstarr · 9 days ago
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everyday I wake up to be jump scared by a comment or kudos on a fic i finished two to three years ago
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sheena-is-a-punk-rocker · 2 years ago
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Just a gal trying her very best to hold it together
Got the prompt “Rick going out of town and Harley missing him like crazy” over on AO3 and this was the result! Probably both the second angstiest AND second spiciest thing I’ve ever written. Yeah, this one is a spicy one so if that’s not your thing feel free to skip it.
He broaches the subject one night over dinner on the couch. A few of his army buddies reached out to him about a reunion trip. “But,” he stresses, “I don't have to go.”
Harley slowly sets her slice of pizza down, suddenly feeling like she's gonna vomit. Inwardly, her heart sinks. Outwardly, she forces herself to smile and tells him, “Have fun!”
“You're more than welcome to come,” Rick says.
“Nah, I don't wanna get in the way of your boys trip. Besides, I'm a literal terrorist. Probably a bad mix.”
He hasn't seen his army buddies in years and he deserves to spend some time to himself without her dragging him down with her baggage. Also, a small part of her wants to prove to herself that she can function without him.
He doesn't look convinced so she throws her leg over his lap so she's straddling him and boops his nose. “I'll be fine, I promise.”
His hands sneak under her shirt to caress her back. “Well alright. If you're sure, I'll let 'em know I'm coming.”
She tries not to panic when he tells her he'll be gone for an entire week. A couple days she could maybe handle but she knows a whole week will be a struggle. She's determined to get through it though. She refuses to let herself ruin this for him.
He sighs and asks one more time. “Are you sure you'll be okay?”
Suddenly needing to feel close to him, she reaches for his belt buckle and says, “Yes, now shut up and kiss me, Flag.”
“Yes, ma'am,” he responds, before crashing his lips into hers.
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Harley awakens the next morning to the sensation of Rick's stubble against her cheek as he presses lingering kisses along her neck down to her shoulder.
She leans into the contact and smiles. Eyes still closed, she teases, “Whatcha doin'?” knowing full well where this is going.
He nips at her shoulder softly and slips one hand under her shirt to grasp her breast while the other one slips under the waistband of her panties.
“Giving you something to remember me by,” he answers, before sinking two fingers into her wet heat, thumb circling her clit.
She gasps at the sensations he's eliciting and quickly falls apart as he sucks a bruise into her neck and whispers encouragements in her ear.
Her ears are ringing once she comes back down to earth—flopping down on her back—but he's not done with her yet.
“C'mon, Harls, I think you got a couple more in you,” he rasps in her ear before his kisses start moving downward.
He manages to make her fall apart one more time on his tongue and a third time on his cock.
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She's completely boneless—floating on cloud nine, too exhausted to move by the time he slips out of bed, promising to call as soon as he lands. He kisses her softly and tells her, “I'll be back before you know it. I love you.”
She echoes the sentiment before her eyes drift shut. She curls up on his side of the bed and tells herself she'll just take a quick nap.
She has a panic attack almost as soon as she wakes up once it finally hits her that she's truly alone.
She recognizes it for what it is almost immediately and snatches Flaggy the soldier bear off the nightstand, hugging it to her chest. She wracks her brain as she tries to remember what she's supposed to do for a panic attack amid all the hyperventilating and cold flashes. She has a PhD for fuck's sake! It shouldn't be that hard!
For some reason all her stupid brain is giving her is the memory of that time Rick took her out for ice cream and her cone fell on the... ground! That's it!
She quickly works her way through the grounding exercise, Rick's voice in her ear the whole time walking her through it.
Her phone ringing is what finally snaps her out of it completely. She scrambles to pick it up, already knowing who it is on the other end of the line. She hopes her voice isn't shaking when she says, “Hiya baby!”
Rick chuckles. “Hey, Harls. How you doing without me?”
She lies (the first of many) and says, “Doin' great! I hung out with the Birdies today!”
She scoops his discarded shirt up off the floor and slips it over her head—inhaling deeply as Rick's scent immediately calms her down.
He tells her about his flight and what he has planned for the next week and she tries to sound enthusiastic about it, when all she wants to do is beg him to come home.
She ends up crying herself to sleep once he hangs up.
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Harley tries, she really does, to hold it together. The Birdies force her out of the house as often as they can, and she's pretty sure that's Rick's doing. It doesn't help the crushing loneliness though.
Every night, once she hangs up the phone, she cries herself to sleep and wakes up from nightmares. The bed feels too big without him in it.
By day four she's too exhausted and depressed to even get out of bed. She still forces herself to sound peppy when she answers the phone—but this time he's not buying it.
“Are you okay, Harls? And I mean really.”
She's too exhausted to keep the charade going and immediately breaks down into tears. “No, I'm really, really not okay! I haven't slept more than five hours in the last four days and—” She manages to catch herself before she admits just how frequent her panic attacks have become since he left. So much for not worrying him.
As she breaks down she registers shuffling noises on the other end of the line and then a door slam. “I'm on my way to the airport.”
“Don't you dare!”
He sighs. “Harls, you obviously need me right now.”
“Nuh-uh. You are finishing this trip and having a great time with your friends!”
He starts to protest but she cuts him off. “Promise me you won't come home early just for me.”
He sighs again. “I promise.”
“Great! So what'd ya do today?”
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He's, of course, lying through his teeth when he tells her he won't cut his trip short. He's already booking a ticket home and saying his goodbyes as soon as he hangs up.
He's home by late afternoon—dropping his bags by the front door and hurrying to the bedroom. He finds Harley curled up in a ball on his side of the bed, her soldier bear clutched to her chest.
“I'm home, Harls,” he says softly—toeing off his shoes and getting ready to crawl under the covers with her.
“I already know you're not real so you can just fuck right off,” she snaps.
He slides underneath the covers and spoons up against her back. Her breathing hitches. He presses a kiss to her hair and tells her, “I'm right here, Harls. I'm real, I promise.”
Before he can so much as blink, he's being tackled onto the bed and Harley's sobbing into his neck. He squeezes her as close as he can with her bear trapped between them and rubs her back gently.
Smack!
“Ow!” he says, rubbing his chest where she'd hit him.
“I told ya not to come home early just for me!”
And then she's burying her face in his shoulder and clinging to him tightly. She swings her leg over his hip so she can be right on top of him.
From his vantage point he can see that her hair is a greasy tangled mess and he's sure he would find dark circles under her eyes from lack of sleep if she were to look up at him.
“Harls, when's the last time you showered?”
“Um....”
He tries to sit up but she clings to him tighter. He sighs. “C'mon, Harls. Let's get you in the shower.”
She loosens her grip enough to allow him to sit up and swing his legs over the side of the bed, clinging to him like a koala the whole time. He makes sure he has a good grip on her before standing up.
She tosses her bear on the bed so she can cling to him with both arms wrapped around his neck.
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She knows she's being clingier than normal, but she can't help it. She was barely functioning without him.
He sets her down on her feet and she whines at the loss of contact. He kisses her nose and tells her, “I'm not going anywhere, I promise,” before turning the shower on.
He helps her get her shirt off (one of his t-shirts she'd stolen from his dirty laundry pile) before she rolls up on her toes. Leaning against his chest, she asks, “Gonna join me?”
He chuckles. “Would you expect anything less?”
She smirks and slips her hands under his shirt.
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The hot water feels amazing on her skin and she lets out a sigh as soon as she steps under the spray. Truthfully, she had been feeling pretty sweaty and gross but she'd barely been able to force herself out of bed to pee and brush her teeth—let alone shower.
Rick reaches for her shampoo and squirts a bit into his hand. “Turn around for me,” he instructs.
His hands in her hair feel amazing as he works the shampoo into a lather—making sure to coat every single strand. He coaxes her under the shower spray to rinse it out and then repeats the process with her conditioner. She sighs contently as he scratches her scalp gently.
Afterwards, he just holds her—her back to his chest. “I missed ya,” she admits quietly.
He presses a kiss to her temple and tells her, “I missed you too, Harls.”
She turns around to face him and loops her arms around his neck so she can pull him down for a gentle kiss. Well, it starts as a gentle kiss, but she quickly deepens it—suddenly desperate for him. She needs to feel close to him, needs to feel his hands all over her body.
She doesn't give him any warning before jumping up to hitch her legs around his waist but he catches her easily—immediately pinning her against the shower wall. She moans as his kisses move downward—which turns into a muttered “fuck” as he nips at that one spot that always drives her insane. “I need you,” she pants in his ear.
She doesn't need to tell him twice.
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She clings to him tightly as they come down from their collective high, nuzzling her nose into his shoulder and sighing contently. Fuck, she had missed this. Her mood suddenly drops as it sinks in that she hadn't even lasted five days without him. She feels selfish—his trip was ruined because of her.
The tears spill over without her permission and she bites down hard on her lower lip to try to hide a whimper.
Rick's not fooled though. He pulls back to look at her but she stubbornly buries her face in his shoulder. “Harls, look at me,” he commands gently.
She forces herself to look at him—as always, expecting to find pity there but instead only finding love and concern.
“What's wrong? Talk to me, Harls,” he says, cupping her face with one hand and wiping the tears away with his thumb.
“I couldn't even last a week alone!” she sobs. “Fuck, I could barely last a day! How pathetic is that? And I ruined your trip.”
“Gonna stop you right there. You didn't ruin anything.” She starts to protest but he continues, “I still had a good trip, I promise. And you're not pathetic.”
She doesn't have a response to that.
“Listen, Harls,” he sighs. “You're still just starting to process your trauma—and there's a lot of it, no shame in that. It's okay to still be clingy right now. Honestly, I had a feeling it was a bad idea but—”
“Don't ya dare feel guilty about this!”
“How 'bout we just leave it at we both made mistakes?”
He sets her back on her feet and they finish their shower in comfortable silence—finishing just before the hot water runs out. Rick wraps a towel around his own waist before bundling her up in a towel. He quickly towels her hair off and then asks her to turn around. In the mirror, she sees him reach for her hairbrush.
She sighs at the feeling of the bristles on her scalp as Rick slowly and methodically works out all the tangles. When he's done, he wraps his arms around her and kisses her cheek. “C'mon, Harls, let's get you to bed.”
She's practically asleep by the time he cleans up the bathroom and discards their wet towels and barely registers him scooping her up to carry her to the bedroom. He sets her on the bed and then rummages around in one of his drawers. She's so busy staring at his ass that she misses him tossing a shirt at her—letting out a startled squeak as the bright yellow fabric hits her in the face. She's delighted to realize it's his yellow bunny shirt she loves so much and slips it over her head.
He ushers her under the covers and then slides in behind her. He snakes an arm around her and pulls her close so her head is on his chest and she throws a leg over his hips and gets comfy—drifting off to sleep in no time. When she wakes up, disoriented, four hours later she's relieved to find he hasn't moved.
But then she panics. She'd kicked him right in the shin and he hadn't moved at all. She leans up to stare at him (maybe a little creepily, she will admit)—trying to see his face in the sliver of moonlight that's peeking through the blinds. She's reaching up to smack him when his arms tighten around her and he mumbles, “Stop starin' at me and go the fuck to sleep, Harls.”
She breathes a sigh of relief and settles back down.
Harley knows she's a hot mess.
But with Rick by her side she knows she'll (eventually) get it together.
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tanjir0se · 6 months ago
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Oof I am so sorry to anyone with daddy issues for what I am currently doing to Sanemi and Genya in the google docs
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sins-of-the-dragon · 10 months ago
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Catharsis: Nightmare Fading - Short DA2 Fic (Reader Comfort) 1,642 Words
This is a re-imagining of a short fic piece I wrote for BG3. It's not really a fic story as much as it is a way to cope with traumatic memories through the medium of fiction and reframing memories/reality into something less painful. It's written in second person (you/your) with a non-descript gender neutral reader character. So this is your CONTENT WARNING - There is discussion of a traumatic incident. It is vague, there are no details of anything happening besides it being an incident with one or more people involved. The premise, in short, is that the characters of Dragon Age 2 have found a way to our world through The Fade and are turning up at the moment the reader needs them most. The hurt is vague but the comfort is the focus, with a view of "what would the characters say and do in this situation".
The original piece, Catharsis: Rewriting History (based on the characters from Baldur's Gate 3) is on AO3 here and has a very similar premise and vibe to it. This one isn't on AO3 yet, I'm still deciding whether I make a pseud for my account to write more Dragon Age or if I stick to may main fandom fics for now and just post a few odd DA musings here with a minific or two. Let me know, really, if you'd like more of my DA works~
Anyway, full fic below the cut. --- ---
Catharsis: Nightmare Fading It wasn’t fair. Life never was, perhaps, that you would come to know experiences like this. Pain you wished you couldn’t imagine - in your body or your soul, you couldn’t even tell. Perhaps it was both, your entire consciousness dissolving beyond physical and emotional agony to just focus on one thing and one thing alone. Live.
The air shimmered and crackled behind you, but with everything in front of you your mind was already seeking an escape from reality. You didn’t notice a thing until there was a short and muscular man carrying an impossibly large crossbow standing in front of you. “Sorry I’m not good at this kind of thing. But I’m here, and so are the rest of them. We can talk later.” He glanced back, the soft hint of a smile crossing his features before he turned back to the source of your pain. 
You blinked, unsure of what you’d seen, when you felt strong arms scoop you up, holding you tight against a broad chest. “Sorry I’m late, it’s not easy to navigate the Fade to cross worlds.” 
“They don’t need to worry about all that right now - are they alright?” A feminine voice this time. Chancing a glance at their faces, you saw they had to be related, maybe even twins. Even the red stripe of what you hoped was makeup across the bridge of their noses matched - they really were like two versions of the same person.
A woman in heavy armour stepped past the three of you, her face kind but hardened, ginger hair tied back in a neat but loose braid falling over her shoulder. “They will be.” She addressed you directly next, voice softening. “This won’t make sense right now, but someday it will. You can trust us, and don’t let anyone tell you to turn the page before you’re ready.” The woman turned away again, gripping her sword more tightly and striding forwards. 
Before you could gain your bearings again, you felt a wave of energy wash through you. Cooling, soothing, your body felt…better than it had in a very long time. “There you are.” A new voice, light and almost musical but with the edge of a weight behind it that told you he carried burdens of his own. “I’m so sorry, I should’ve…we should’ve been here.”
“We are here, or have you taken leave of the last of your senses in the Fade?” A gruffer voice spoke up, both men coming into view now. Something about them was familiar, tugging at your heart, pulling threads of memories that had yet to form. They looked at each other with animosity, but when they turned back to you… “Venhedis… You need to leave. What comes next is not for you to witness.” The tanned man was covered in lines of white tattoos that were beginning to faintly glow blue.
“Perhaps mercy might be an option?” The one holding you spoke again, but his words spurred a simple and wordless response. You shook your head. He squeezed you just slightly in his embrace as he acknowledged your decision. “Maybe not then. They’ve made their choice.”
You almost recoiled as the sharp edges of the tattooed man’s gauntlet reached towards you, but the pained look in his eyes mirrored your own. Perhaps if roles were reversed… The metal was cold, but his touch against your cheek was surprisingly gentle. “I will be back for you, when it’s over.” With that, he turned to leave, the light emanating from his tattoos glowing even through his armour. 
“You never deserved this. Not a single moment.” The other man who had been beside the tattooed warrior bent towards you, long blonde hair almost completely veiling your vision for a moment as he kissed your forehead. “I can’t promise you peace…” His voice seemed to change, taking on a slightly different tone as a subtle lightning crackled around his eyes. “But I can promise you Justice.” 
As he turned to leave, sparks playing around his fingertips with his raised hand, the man holding you turned too. The woman with you gestured towards a shimmering hole in reality, a green tinted world beyond, and a man in white armour with vivid red hair and bright blue eyes standing beside it. “It’s time to leave.”
You leaned more against the one carrying you, his ‘twin’ staying close and occasionally putting a hand on your shoulder. Risking a glance at the strange world around you, there were two women standing nearby waiting for your arrival. “Telanadas, ma vhenan. Come, with us.” The tattoos across her face were almost as endearing as her smile as she began to lead the way.
“Maybe you should leave the navigation to someone with a better compass.” The other woman turned her by the shoulders to face another pass. “Would you two mind being a bit quicker? This place is creepy…” 
A short time later you were in an unfamiliar room, a fireplace heating the area and lighting it with a welcoming glow. It was clearly a part of some large mansion, and though you’d never seen it before, there was something about it that felt like…home. The group with you sat you down on a large plush couch near the hearth, giving you a steaming mug of something that tasted smooth and soothing. They were a strange group. By the time the others joined. They told you stories - ones that you wouldn’t remember, but each word drove back the dark shadows trying to crowd into your mind. Softened the edges of the memories already trying to claw at you every time you blinked… 
Listening to them, watching them together, it was hard to understand what brought them all to the same place, the same cause. But the pair sat either side of you seemed like the common thread…or was it you? The shorter blonde man, who kept his crossbow close even while relaxing, was the best storyteller by far - if you were to rank them. He spoke of worlds, people, things you could hardly imagine. He also had a good many jokes, humour and wit shared by several of the others in the room. It felt like you knew them, their past, present, and futures all blending in your mind but never quite clear - it was like an impressionist painting, a mosaic half faded… The other blonde talked about cats a lot. You could almost imagine him with little cat ears on his head, but every now and then his voice sounded more serious as he spoke with you. More sincere as he asked deeper questions, a little blue lightning sparking in the depths of his eyes when he tried to comfort you with talk of what was right and just. There was little justice in the reality you left, but here…here you could almost believe him when he said he would move the stars in the sky to change your world if he could. 
Despite their arguing before, the white haired man with the tattoos over his body agreed on that point alone. His support held an anger to it, a ferocity that would have scared you had it not been abundantly clear that he meant it all to be protective. Not exactly the knight in shining armour that the fairy tales spoke of, but he understood…he had seen…he was not without sympathy for your tears. Even if his solutions leaned towards the violent. 
The dark haired woman with the tattoos on her face brought you some food, things you’d never tasted before, sweet and comforting. Every time you thanked her she almost glowed at the praise, her demeanour nothing short of adorable. When she asked if she could hug you, you worried for a moment that she might never let go as her grip was so tight and warm around you. One of the other women chided her though, reminding her to let you breathe.
All of their names escaped you, as if there were a layer between you that you couldn’t quite break down, but it didn’t seem to matter. While one told you tales of a wild and exciting life at sea, another told you of her dreams to settle down peacefully with someone she loved. The red haired man with his piercing blue eyes seemed most unsure of himself, but he was clear that no matter what path you chose to walk he would support it. 
For those hours, everything melted away. Fear, pain, every darkness of the world you left was chased away by the light around you, the warmth that closed in around you like a blanket. The last thing you heard before sleep claimed you was two voices speaking almost as one person. 
“Someday you’ll be making a lot of hard decisions for us…for me… They’re too hard for me to make alone, and Maker knows I’d rather not have to choose some of them at all. But I know…I know you will guide me in the best way you know how. That you will tell my story, and my companions’ too, that none of us will be alone with you watching over us. So, until you meet us all again, that’s what we will do for you.” 
Even their faces were blurring together as one in your mind, the slight pressure of their arms around you from either side melding into the feeling of the tangled sheets and blankets of your bed as the last of their words faded into a soft echo. 
“When the shadows are dark and the nights are long, we will be your light.” “When the fear from the past comes to claim you, we will fight it.” 
“When all hope seems to be out of reach, we will help you find it.” “Better days will come. Hold on, you’re not alone.”
— --- ENDING NOTES --- --- This one goes out to everyone who can in any way relate. We can try to reframe our memories into something less painful, to bring our minds back from the edge of a spiral or flashback in whatever ways work for us. Please always remember, loves, that you have survived all of your worst days up to now. Get through one moment at a time if you need to, and things will get better again. And even whilst they are awful in the moment, Hawke was right: You're not alone.
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uh-oh-its-bird · 9 months ago
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Continuing the thought process from my last pole I put out, I'm very curious
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undersaarthal · 2 years ago
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You all will say "support abuse survivors!" and then a survivor of abuse reacts in an unorthodox way or vents or makes art or writing to cope with what they went through in a way you find shocking or don't understand and suddenly it's "okay but that's too much" or "you're romanticizing this" or "well that's disturbing and problematic" Their lived experiences??????????
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bsd-brainrot-haver · 2 years ago
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when i tell you i like my fanfiction angsty I MEAN ANGSTY. i need it to be devastating. soul-crushing. so much pain i want to throw up. the more the better. i want to be a worse person after reading your fic. do not hold back.
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jay-works · 1 year ago
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I saw this and wanted to read Neil's response.
Here's the rest of it:
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Isn't it interesting how the framing of information changes how we feel about it? OP's post is about how annoying this kind of a response would be to receive about your own created work, so I understand why Neil's part isn't in it.
What interests me is OP cutting out the asker's sign-off. Without the signoff, the ask seems entitled and presumptuous. But with the signoff, my impression of it is closer to an AO3 comment reading 'you've murdered me and my entire family and I'm crying, please keep making more'.
And I also think it's interesting that Neil's response validates the asker's feelings and actions to watching S2.
I guess I typed all of this because it was a realtime lesson, for me, in how the framing of a subject influences our impression of it, and why it's important to seek a full picture if you're only getting a snippet of something. Especially if the snippet is provoking a strong emotional reaction.
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Ok neil gaiman is annoying but in his defence if someone said this to me about something id written id instantly become the joker
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feralwritings · 5 months ago
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this is going to sound like a humble brag but I swear it's not its quite literally mental illness because I can't just write about people fucking there has to be a complex narrative and set up and tangible reasoning as to why they're fucking and it's like. I've written so many thousands of words of not fucking only for the fucking to be a couple thousand words and its like for real? for REAL? you have to have a complex narrative just so someone can get their pussy ate? GOD someone needs to take me out I can't keep going on like this
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brightlotusmoon · 7 months ago
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That. That's what I'm aiming for.
My book has neurodivergent psionics trying to keep other psionics from losing their sanity and destroying things, so it's full of "fuck it lets see if this works" moments.
My friend just said this and I agree:
"New writing minsdet I'm trying out: defeat impostor framing by being just as unhinged, just as fragmented, as your worst critics think you are. The correct response to "this is a mess" is "I know, isn't it cool?" The correct response to "what if no one understands what I'm trying to do?" is "then it won't be anything I haven't felt before." Lean into the hate. Use your weight to throw it off balance like a martial art."
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omniblades-and-stars · 1 year ago
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”Oh, fuck me,“ she groaned as the door slid shut behind her. She punched the hololock, ensuring no one could walk in on her unplanned showdown.
“Is that a request?” The bane of her existence asked dryly without turning to her. The hair on the back of her neck stood on end, and goosebumps rose on her arms. It had been three or four encounters with the man since their last, nearly deadly meeting here on the Citadel. And each time, he threw her off balance more and more.
She took two careful steps inside, as though she were navigating an active minefield. “You. You're the 'private sector investigator'?” She asked, choosing to ignore his question (and the urge to say "yes") entirely. Anger rose hot in her chest, and flushed her cheeks.
________
The Shepherd, a renowned assassin in her own right, keeps running into her rival(lover?), Thane Krios.
They play games, but those games have rules.
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georges-left-ear · 8 days ago
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I want to talk about Neil Gaiman from the perspective of a survivor of SA.
I am a trans/ gender fluid person, a survivor of R*pe, and a diehard Good Omens fan. And I have been struggling to cope with and process the horrific things that Neil Gaiman has done. I don’t get a lot of engagement from the Good Omens fandom. I’m mostly a lurker here, TikTok, Twitter, and BlueSky and AO3. But I feel like I need to say something, and Im saying it here so I can share without a character limit. And then I’m going to take a break for a while because my mental health can’t handle the chaos anymore.
I read the Vulture article and I was of course horrified and disgusted and repulsed. The things he did to those women made me absolutely sick. But I’ll tell you what, as a survivor, I have been way more triggered by the online reaction to these allegations than I ever expected to be.
I am struggling, because while I unquestioningly stand with his victims and hope they get the full weight of justice they deserve, I am grieving. I am not reacting the way I would have expected myself to react to this news, and I haven’t since July when the story first broke. I would have expected to react the same way I did when JK Rowling exposed her horrific transphobia. I took a pretty hardline stance that any engagement with Harry Potter, even through fandom and etsy purchases, kept her relevant and sent the message that you too were transphobic. As a gender queer person, I now have an extremely hard time enjoying Harry Potter anymore even thought it was overwhelmingly influential on my life. I would not have met my husband without HP!
So why don’t I feel the same way about Good Omens? I am a victim of R*pe, myself, so why haven’t these allegations made it difficult to enjoy this story? In fact, all I want to do right now is actually watch the show! Or read the book, or fanfiction, or watch my favorite fan edits. I’m actually reaching out to it more. My instinct ever since July has been to clutch the story to my chest, white knuckled, and crying to myself in the shower, “No, no, no, no. Please, please, please. Not this. Not this too. Please don’t go.”
The answer is I don’t know. I… I don’t know why I’m reacting this way. It is something I will have to work through with my therapist for sure. And I feel absolutely horrible for it. But I do know that folks on Twitter and TikTok telling me that nobody cares about my feeling and saying that nothing matters at all except his victims has been extremely triggering - more so than any discussion of his acts. And I know that I will need a long time to work through it, and that I may never get over it.
I also know that two things can be true at once. We can be supportive of his victims and understand that what Neil Gaiman’s fans are going through is ALSO a collective trauma that deserves time and space to process. Because he violated us too. He violated our trust and our perceptions of reality, and that is much more traumatic than people give it credit for. Demanding that his fans just give up the stories and communities that may have been the only thing keeping some of these people alive at one point completely cold turkey is cruel and heartless. Some people may be able to do that. They may be able to not care for a while and may even need that. People deserve time and grace to grieve and come to terms with what is going on in their own ways.
I know that some of these folks mean well, but the argument that nobody cares about fans feelings is not looking at the whole picture and feels like just a way to discredit and belittle fandoms in a new way. Because this is NOT breaking news! This story originally broke back in July, and the fandom rallied behind his victims en mass! They have recently raised thousands of dollars to donate to Take Back The Night, which is amazing! This most recent article and fandom meltdown is just rehashing everything that we said last summer. So my then questions are:
When CAN we grieve? When CAN we talk about how we are feeling? When CAN we reach out to our community and collectively heal from the trauma that we are facing as well? And not fear that some self righteous ass hole on the internet is going to bully them for not being a good enough feminist. And do NOT sit there on your performative high horse and tell us that what we are going through is not as bad as R*pe. We fucking know that. I certainly fucking know that. But it is still bad, and it does deserve recognition too. It is extremely unhealthy to pretend that this news is not also a noteworthy trauma to his fans. And gaslighting them by telling them that their heartbreak and grief is problematic is just fucking mean.
Neil’s fans deserve grace and compassion too.
EDIT: here is the link to the GoFundMe mentioned above! You can still donate!
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