#control over the mind
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beast-of-compassion · 11 months ago
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When I meditate
Confidence in myself: 📈
Attachment to the physical realm: 📉
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danlous · 2 years ago
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I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently
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momoosmore · 1 month ago
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I always say it's no wonder so many audhder's get into hypno.
Need to relax your loud mind? Always been a visual stimmer? History of stimming by touching yourself in ways deemed not appropriate for public? Being clothed is a sensory nightmare?
Why not get naked, put on that spiral, empty your mind and touch yourself! Good little pet.
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moghedien · 3 months ago
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Minthara says “in Her name” when you first meet her and she’s following the Absolute but when you recruit her and she expresses that she no longer follows any god, but she still has an intact paladin oath, and she says “in your name” occasionally because she’s no longer Lolth’s paladin or the Absolute’s paladin, she’s your paladin
#😭#she might not think you’re a god or whatever but you’re the only one that ever came to save her#and if you let her read your mind you’re the only one she knows has no intention to hurt or use her#like I feel like what Minthara wants most of all is to not have to look over her shoulder or wait for the shoe to drop#like every relationship she’s had as a lolthsworn drow has come with the caveat that everyone will take her out if they have the chance#and if it benefits them even a little#lolth literally encourages this so long as you aren’t obvious about it#and lolth will 100% punish you the second she has an excuse to#and then the absolute like while she was being controlled probably felt more like genuine love than Minthara ever experienced#but it came with Orin and punishments for failing#and her being literallly mind controlled into her#so it’s still violent and threatening even if the extent of that is only realized after she’s pulled out of it#but then there’s you who pulled her out of that#who can clearly and plainly show her that you have no intention of hurting her even if it benefits you#and who went out of your way to rescue her when no one else she was devoted to ever would#and you offered her the means to not only stay safe from the absolute but to get revenge on it#of course it’s ‘in your name’ now you’re the only person that gave Minthara a reason for her to follow you#that wasn’t threats of violence and suffering#you literally gave her the opposite#she’s YOUR paladin it doesn’t matter if aren’t a god#you could be tho#Minthara#minthara baenre#bg3#baldur's gate 3
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littlefankingdom · 6 months ago
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I saw another post criticizing Bruce for having children fighting at his side, and I must say: tell me you don't know shit about the batkids' stories without telling me. Bruce fucking tried to stop those kids from being vigilantes, but they keep doing it behind his back, so he decided the best thing to do was to give them the proper training, an armor and to have them stick at his side so he can watch over them. You know, like a parent telling their underage children that they can drink alcohol but only at home where they can watch over them.
Dick became Robin because he wanted revenge over his parents' murder. He would run out in the street of Gotham as a 8 years old, all alone, to go fight Zucco. Bruce helping him make Robin was the compromise to keep Dick safe, because the child would not listen. (And yes, it wasn't the case in the very first canon, but it was like the 40s. Do you know how many kids fought against the Nazis in Europe at that time???)
Barbara Gordon is not his daughter and he has no authority on her being a vigilante. He cannot even ground her.
Jason became Robin after helping Bruce take down Ma Gunn's school. It is implied by Bruce, while talking to Dick, that he offered Robin to Jason as a way to gain a child because he missed having Dick around. He didn't need a Robin, he just missed having a kid. Bruce used the Robin mantle with Jason like people use churu to appease stray kitten. AND JASON'S DEATH, let's talk about it. Jason ran away, which leads to him being killed, after eavesdropping on Bruce and Alfred talking about Jason's mental health. Jason is benched as Robin, but not because Bruce thinks he killed someone like fandom says, but because Bruce knows it is not helping or healthy for Jason. They are talking about getting him help for his traumas and how violence is not helping Jason. And, when he is older and has healed, they can try again if he wants to. That's why Jason or people saying that Jason died because he was a soldier, or blaming Bruce for Robin's existence is false. When Jason died, Bruce was against Jason being Robin for his own health! And Jason knows that, he heard the discussion, he wasn't bench like how so many of his siblings are, with little to no honest explanation. Jason died in the Robin's costume because of his own stubbornness, not because of Bruce. (And that's not blaming Jason for his death. He is not to blame, but neither is Bruce. It's just about the Robin's colors. Jason would not have been wearing them at the time if he listened to Bruce.)
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Tim Drake imposed himself as Robin. Bruce was against it, Tim literally went "Don't care, didn't ask". And Tim was already following them around before. Bruce already have Jason blaming him for making Tim Robin when he had no control over that.
Stephanie Brown became a vigilante before Batman knew her. He has tried SO MANY TIMES to make her stop, and so many fans hate that he did it. Make a choice, is it bad that he didn’t stop her more or that he didn’t let her more be a vigilante? He even got his kids to try to make her stop. AND SHE IS "KILLED" TO TEACH HIM THAT MAKING KIDS VIGILANTES IS BAD WHEN HE IS NOT RESPONSIBLE OF HER BECOMING ONE AND TRIED TO STOP HER! No shit the man blames himself for things that are not his fault, everyone does it.
Cassandra Cain was 17 when she becomes Batgirl, so I don't know if she counts. But when Bruce tries to make her stop for her own health, with the support of Barbara and Alfred, Cass is devastated and doesn't obey him. She puts on her costume and fights him physically.
Damian Wayne was trained as an assassin. In every version of him being introduced to Bruce, Bruce is against making him Robin and Damian keeps sneaking out. Damian wants to prove himself to his father so bad and refused to be kept away from the fight. In the comics, it's Dick, DICK, that makes him Robin when Bruce is gone, because Bruce was against letting Damian out at night.
Conclusion: Bruce is a tired father of a bunch of kids that cannot understand they should stay home at night and not be vigilantes.
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katabay · 5 months ago
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THERE AIN'T NO ATLAS, KID. NEVER WAS.
if you peel him back far enough, there's nothing but a pile of theater masks
like, it's really fun how fontaine starts spiralling out the closer jack gets to him in the final arc of the game and returns to appropriating the image of family (the fake family in the beginning, the flawed father position later) to try and appeal to jack in some way but it's like. buddy. baby. you already took off your mask. anything you try and put on after this is going to come across as cheap and desperate. the magic is gone! and personally? I'm hooting and hollering
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / insta
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cringefailvox · 7 months ago
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alastor is such an insidious dealmaker because he's so reasonable. he doesn't ask for anything outlandish, especially not right out of the gate—he agrees to make a commercial so long as he's never asked to engage with anything tv-related again. he turns down charlie's soul and readily concedes to the stipulation that her favor doesn't have to hurt anyone. from the way husk describes their deal ("when you're down on your luck, you turn to anything to keep you afloat"), it heavily implies to me that husk went to alastor, not the other way around. alastor gets his foot in the door by making himself freely available, and by making it easy to tell him no the first dozen times he nonchalantly offers a deal, so by the time he starts angling for a deal he actually does want, you're less likely to notice immediately how predatory he's being, or how he's backed you into an inescapable corner. he makes himself an inevitability. you know he's a monster, you know that he's manipulating you—but he's also become your only choice, and so you don't even get the consolation of being able to say he tricked you, because you chose it
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destructivearchitect · 13 days ago
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— SHEPARD: “not everything i’ve done is… something to be proud of.”
— ANDERSON: “i’m proud of you. you did good, child. you did good.”
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p4nishers · 1 year ago
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one of the most important things terry pratchett has taught me is that it's okay to be angry. no one has ever said that to me before. he taught me that anger was an engine. that you can use that anger. that it goes hand in hand with love. he taught me to never underestimate my anger, because it's one of my strongest points. he taught me genuine anger was one of the world’s great creative forces. he taught me i shouldn't be fighting my anger, but what caused it. he himself said rage underlines everything he wrote. i never heard anger talked about so openly like that before and it's freeing, i suppose, to realize you are truly, truly not alone in your rage at the world. you never were.
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jesuis-assez · 4 months ago
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Tim unconsciously sending/showing signals of his feelings for Lucy
#chenford#chenfordedit#the rookie#therookieedit#tim x lucy#tim and lucy#lucy x tim#jesuis-assez edits: chenford#jesuis-assez edits: chenford multi#Or rather Tim's body responding to what his mind has not yet caught up with and his actions showing/ revealing#his feelings in full display. Or rather Tim's mind suppressing what he doesn't want to acknowledge#Tim closing the door to the possibility of having developed feelings for Lucy while she was his rookie or rather ..#Tim not thinking of Lucy in that light as she was his rookie but feeling so much for her and not understanding what he was feeling.#Because this is uncharted territory for him. This feels different. What he feels for her and what she has given him.#Or rather Tim needing to be in control and how he couldn't control his heart letting Lucy in.#Or rather allowing Lucy to take space in his heart gradually until she covers it completely with her love and kindness#and not realising just how deeply he had fallen for her. How she came to be this important person in his orbit#How she came in his life and changed it for the better. How she was his rookie and his friend and how this one person could mean so much#and how he can't bare to lose her.#How little control he had over how he feels for her and how he came to accept and embrace that#how the entire foundation they built was worth risking and exploring to him#because how could something so beautiful not be?#*takes a breath * ok. I wish I could convey all of this more eloquently but my brain is just not having it.
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mikkeneko · 1 year ago
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Don't want to put this on the post itself for risk of derailing it, but that post the other day about Terry Pratchett's early work really stuck in my mind. OP had sent in an ask saying that they heard some of Pratchett's earlier works had problematic elements (not unusual for a male english writer in the 80s) and they weren't sure whether to go ahead with reading the work anyway.
What I really want to ask that person, or indeed all persons who are hesitating over whether or not to read problematic works or works by imperfect authors:
What are you worried about happening, if you read a work with problematic elements?
I'm worried that if I read this art, I will run across hateful images or words that will shock or upset me
I'm worried that I will spend money on a work of art that then financially supports a bad person, and that thought makes me uncomfortable or upset
I'm worried that I will read works of art written by a bad person, and comment or react on them, and other people will see what I am reading and will think less of me because of it, or will assume that I hold the same bad beliefs as the author
I'm worried that I will read works of art written by a bad person, and I will enjoy them, and the author will find out about my enjoyment and feel emboldened to do bad things because of it
I'm worried that I will read works of art written by a bad person, and their badness will contaminate my way of thinking and make me a worse person in turn
Because these are all different answers and some of them are more actionable than others
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puddingbrainscientist · 8 months ago
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i think the master would be fixed if they could just host game changer
all of that chaos and mindfuckery but with no actual harm done
au where the next incarnation of the master is sam reich and he’s been here the whole time
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stillwaterinc · 3 months ago
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i have nowhere to put my batman thoughts so they’re going here
jason comes back as the red hood, planning to take out his little replacement or at least hurt him bad enough that he drops the suit and lets robin die but suddenly, a month before his plan is to start, robin disappears. and so does the joker.
what? jason looks, he scours security cameras and internet forums, even weasels his was into the gcpd’s files and…
nothing. there’s nothing.
no bodies reported, joker’s not in arkham or black gate or any other prison, he hasn’t finally been given the death penalty he just. disappeared.
he can’t find anything on robin either, or tim drake, for months until he stumbles upon a nearly perfect patient file in some hospital records.
nearly. it’d be perfect to anyone else but jason, even years later, can recognize bruce and barbara’s finger prints all over it. it’s a cover. a cover for what though? he reads through the file, tim drake’s file, presumably and finds… well.
someone clearly tortured the kid, and with the meds he was being prescribed it got to him. it would’ve gotten to anyone.
jason shudders reading the initial injury report. electric burns, lots of them, are what catches his eye the most but there’s all kinds of stuff. what catches his eye the most though is the lacerations that had to be stitched either side of the kid’s mouth. shit.
he doesn’t get the full picture, not yet, but pieces are starting to come together. the joker has been missing for a while, just a little longer than jason’s replacement has been in the hospital for some violent injuries.
the joker is missing.
tim drake is in the hospital.
something happened, clearly. the joker did something to tim, something awful, something bad enough that the joker disappeared and the kid’s been in the hospital for weeks.
bruce didn’t make it in time, only this time robin wasn’t dead, he’d been broken.
someone had gotten to robin, to tim drake, before jason could, had gotten to him so badly that even after he was released he wasn’t robin anymore.
not because he didn’t want to be, a few bugs here and there in the manor let him know that much, but because bruce wouldn’t let him.
it comes out, in one of these arguments, that time killed the joker. shot him dead. and jason almost wants to congratulate the kid for it, or wants to strangle bruce and ask him how the hell he let robin, who’s just a kid, tim, who’s just a fucking kid, get anywhere near a position where he had the means and desire to fatally shoot the joker.
because that’s it, isn’t it? the reason jason’s like this, doing this, is because of the joker. jason knows how to use guns because of the joker. he’ll never go to college like a normal kid because of the joker. and now tim.
tim wants to be robin, asks for it, begs bruce to let him back out in the suit and jason nearly finds himself agreeing with bruce. the joker’s gone sure but what if someone else tries the same thing? what if someone tries worse? being in the suit’s already gotten tim this much pain, why risk more?
it hits jason, one night, that he stopped being angry at tim a while ago. a long while. he can’t be angry at bruce either, because the joker is dead. there’s no one to enact vengeance for his death on anymore.
anyways most of my posts are about incest please don’t follow me for batman content
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turtleblogatlast · 6 months ago
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[ cw: trauma / ptsd / violence / brainwashing / ]
I’m not done talking about Raph and Leo yet because you know what kills me? How the beginning of the movie with Raph very angry at Leo to the point of lashing out at him is paralleled with how the end of the movie has the Krang very, very angry at Leo and beating him horrifically.
Both Raph and the Krang are so much bigger than Leo, both have been very angry with him, and both deem him responsible for ruining their respective missions.
To make matters worse, Raph’s body was used to hurt Leo. So it’d make sense for Leo to just…flinch, sometimes. To have his body reflectively brace for a blow that will not come because Raph would see this and just be horrified. Their fights, their roughhousing, their existing together all have a newfound and unwanted extra layer to them.
And Raph? Raph is traumatized enough having been brainwashed the way he was, turned into a monster in a way he always dreads in general. To be made into the antithesis of a hero and instead be a villain’s pawn, made to hurt his own family…poor kid, to say the least.
Can’t imagine what it must feel like, the first time post invasion that Raph gets mad at Leo and they fall into their old dynamic only for Leo to see the Krang and for Raph to feel like he is the Krang.
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buqbite · 4 months ago
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Halo
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heph · 6 months ago
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It's so interesting how submissive House is to Wilson. In basically every scene where Wilson gives his 2 cents about a case, House without fail (for the most part) follows his opinion. Wilson gives him unsolicited advice and half the time he listens without saying anything, and the other half he argues but ends up listening to him anyway. House starts psychoanalysing Wilson and Wilson does it right back to him and House shuts the fuck up or gives a one line quip back at him (to have the last line) but knows deep down Wilson is right.
For a man of House's stature and how he interacts with Literally Everyone Else, the writers really hammer it into your soul that House only really listens to Wilson and no one else
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