#connection analysis

[rbvcdeluxe]

something something max's main color being red with blue highlights something something grace's main color being blue with red highlights something something motivations something something alive and dead something something

[laikabu]

my controversial opinion is that i like that laios is bigger and more muscular than kabru because, as a poc, buff brown guy x scrawny white guy is so popular and tired, i like it whenever there’s a subversion of it from a work that’s well written. of course, not to mention that they have a very fun dynamic and the comic from the new official world guide spelling out for everyone that they do care about each other lol

i like that kabru does look feminine, especially when fandom makes the brown one always the bigger and masculine one in fanon and any instance of their delicate features is erased, even in yuri (looking at gwitch lol)

speaking of, i really like kikimari in that namari is portrayed as very masculine while kiki is feminine and elegant in fanwork

obviously, fandom isn’t activism duh, but i’m merely speaking from experience as someone who dabbles in both eastern and western fan spaces. i’ve seen it happen so many times that it’s become the staple so i love subversion that’s actually good

[lakesbian]

nobody move. i've just successfully articulated the sentiment that taylor's power turns her into a panopticon because she was living in one & explained her trigger in a way i feel satisfied with for the first time in my life

the concept of the panopticon is not just about surveillance, but about creating an environment where people cannot be sure whether or not they are being surveilled, and thus must constantly act under the assumption that they are. which is exactly what happened to taylor--we see from when we first meet her in the school that she's anticipating attack from every possible direction to avoid it, and the one time she lets her guard down a fraction and assumes she's found a safe spot to hide from abuse, she's targeted with the juice spills. and this is after her trigger event, but it's clear she behaves this way because it was beaten into her over the entire course of the bullying. it's what she describes when she recounts the trigger:

“I kept waiting for the other shoe to drop.  But I made a friend, one of the girls who had sometimes joined in on the taunting came to me and apologized.  ...  Her approaching me and befriending me was one of the big reasons I could think the harassment was ending.  I never really let my guard down around her, but she was pretty cool about it. “And for most of November and the two weeks of classes before Christmas break, nothing.  They were leaving me alone.  I was able to relax.” I sighed, “That ended the day I came back from the winter break. I knew, instinctually, that they were playing me, that they were waiting before they pulled their next stunt, so it had more impact. I didn’t think they’d be so patient about it. I went to my locker, and well, they’d obviously raided the bins from the girls bathrooms or something, because they’d piled used pads and tampons into my locker. Almost filled it.”

the precise moment when she stopped consciously anticipating and preparing to react to abuse--when she relaxed, when she stopped acting as if the lack of danger didn't mean that she couldn't still be hurt at any time--is when she was brutally reminded that she's never safe. she's still in the panopticon. she isn't literally being watched every second, she isn't literally in lifelong danger of having her vulnerabilities exploited, but it feels like she is. she can never ever be sure she's safe.

so she triggers, and she gets a power that turns her into a panopticon, and lets her watch everyone right back. it lets her regain control by turning her into a source of danger that could attack anywhere, from any direction, any time, fully unexpected.

& the reason her power enables her to watch Everyone--not just a single person, or a few people--but Everyone, is that the other major aspect of her trigger is the trauma of facts like this:

“It was pretty obvious that they had done it before the school closed for Christmas, by the smell alone. I bent over to throw up, right there in a crowded hallway, everyone watching. Before I could recover or stop losing my breakfast, someone grabbed me by the hair, hard enough it hurt, and shoved me into the locker.”

"All I could think was that someone had been willing to get their hands that dirty to fuck with me, but of all the students that had seen me get shoved in the locker, nobody was getting a janitor or teacher to let me out."

for months, for years, she was in a community where everyone regularly witnessed her humiliation and abuse, and everyone, dozens and dozens of kids and teachers, either contributed to it or was knowingly, silently complacent. this is what sticks with her: the idea that she is so universally reviled, so deserving of revile, that any crowd of witnesses would, without hesitation, consign her to the filth of the locker.

what else is she supposed to conclude, but that everyone she interacts with is a threat? that she can't drop her guard ever again, because no one will be coming to help her if she does? of course she has to become the panopticon. of course she has to watch everyone, all of the time, if she wants to stop it from happening again. of course she has to live among the teeming lowly and crawling things she has been taught via one firm shove that she is worth less than, and of course she has to use them to watch everyone back. and it would be inaccurate to say that doing this--monitoring everything with her bugs--makes her feel safe. all it does is allow her to remain in a constant state of paranoia and traumatized hyper-vigilance more efficiently.

[ingoodjesst]

one thing i really like about the apothecary diaries is how fluidly maomao moves between high- and low-class society, between the rear palace and the pleasure district, allowing us to see the parallels in the power dynamics. in both settings, we see women trying to make the most of their relative stations with whatever tools available to them, which are often shared. much of the politics of the series centers women and the ways they try to navigate the world through seduction, marriage, beauty, fashion, manipulation, etc, because these are the things they're valued for. their appearance, their social graces, their "purity", their marriageability, their ability to bear children, and beyond - these all lend political, economic, and social leverage to themselves and their families regardless of class.

the mystery angle in particular enables the story to closely examine what tools and motives are available to women in the apothecary diaries in a way that's contextualized and humanized. it's also how the series highlights said women operating with a keen awareness of society's expectations and systems. whether that's applying deathly white powder to maintain impractical beauty standards, faking illnesses to deter certain visitors, using parlor tricks to subtly punish callous men, or wearing ostentatious outfits to hide a certain truth, each mystery we encounter reveals more about what it means to navigate the world of the apothecary diaries as a woman in addition to revealing their cleverness (or lack thereof) in doing so.

maomao is no exception to the rule, often weighing similar questions of propriety and power before she acts - although she does engage from a unique position. she's a literate woman from the lower class with special circumstances surrounding her birth, versed as an apothecary, and favored by highly ranked members of the court. this, plus her marked lack of ambition beyond medicine, gives her a lot of mobility between and (relatively) unbiased insight into both the high- and low-ranked parts of society. in turn, we readers are given a fantastic protagonist to explore what i consider a core draw of the series: seeing how maomao chooses to move through the world, highly conscious of her own social positioning as well as that of all the other women around her

[radiopaques]

Was thinking "Huh. Isn't it interesting how That Specific Shade of red is called *candy* red in the comic?" and thought it was just a silly coincidence, until I remembered about literal GREEN MEAT.

Not only it's green meat, it's also green meat that is food for Bec; who is a first guardian, meaning he is connected to the green sun, which then is connected to doc scratch and the cherubs... good lord this fucking comic.

[zuzu-draws]

So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.

I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!

Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.

This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!

This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.

What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.

Eating is an instinct, a necessity for the survival of every single living being.

And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)

In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.

On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.

Btw, this tweet and this thread gives additional characterisation to Sukuna:

Link to the original thread: Link.

More context (and reactions :P):

Link to original thread: Here

This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.

When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:

When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?

No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.

This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.

This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.

Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )

I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.

He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.

I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.

Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.

Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.

This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.

I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:

Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.

Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.

But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:

This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.

Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.

If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3

[pancake-breakfast]

I think chapter 2 of TriMax Volume 6 might just be my favorite thus far. Everything in it hinges on this one iconic scene.

This isn't the first time Wolfwood has pointed a gun at Vash's head. Maybe it won't even be the last. But it holds a bit more weight here because just a few pages ago, we saw a flashback where Wolfwood pointed his gun at someone else's head.

His hand shakes as he aims at Knives. His breath is heavy, and the memory of the Fifth Moon incident is fresh in his mind. He knows if he can just pull the trigger, he can end it here. This being of destruction will be gone, and maybe this time his fancy scientists won't be able to bring him back.

But then Knives does Plant things, and under the weight of it Wolfwood finds he just can't follow through. He fears his own death too much, and Knives will surely kill him.

When he points his gun at Vash, it's different. His hand is steady, his breath calm. The memory of everything that happened at the Dragon's Nest is fresh in his mind; just this morning he warned Meryl that she and Milly should remember that, despite his ideals, Vash is still a loose cannon that they'd do well to avoid. He thinks to himself that if he can just pull the trigger, if he can just take out the less intimidating of the brothers, then one of these monstrous twins and half of the problem will be gone.

This time, there's no crushing sensation of oppression. There's no air of fear and malice. There are no threats or memories of twisted promises. There's only a look, wary and concerned...

...but even by the time this happens, Wolfwood has already lowered his gun. He's decided not to pull the trigger, not because of an immediate threat on his life, but because... well, it's Vash.

Wolfwood surely knows that if he pulls that trigger, he catastrophically fails his mission, and whatever consequences might await him on the far side of such a failure aren't going to be anywhere near pleasant. But it doesn't seem like it's fear of Knives that makes him lower his gun. At the very, very least, Wolfwood knows no one stands a better chance at taking down Knives, but he also knows Vash. He's seen Vash's fake smiles and knows his real ones. He understands Vash's ideals despite very much not wanting to and not knowing how he could possibly accept them for himself. He's fought side by side with Vash, and been standing at his back since day 1.

And before this night is out, only a few minutes after pulling a gun on Vash, Wolfwood's right back there again, moving in tandem with Vash, being a human shield so they can accomplish Vash's goals together.

It's only when the fight comes to a close that Wolfwood realizes that's what he's been doing. He didn't put any thought into falling in step behind Vash, didn't dwell on the fact that Vash trusted and moved with him during the fight. It's only afterwards, when they stop to catch their breath, that he realizes Vash hasn't looked his way through the whole battle. That Vash didn't need to look his way through the whole battle.

Not only did Vash trust Wolfwood at his back, but he knows Wolfwood well enough to move intuitively around him, not hesitating and always understanding what Wolfwood's about to do. And at that moment, Wolfwood realizes two things:

First, that there's no way Vash didn't notice when Wolfwood pointed a gun at him. If Knives could figure it out while half dead and barely knowing Wolfwood, then Vash, who's awake, alert, and has spent plenty of time with Wolfwood, can surely figure it out.

And second, that when he's fighting back to back with Vash, nothing else really matters. All his (quite legitimate) fears about what Vash is and how dangerous he can be, about Knives, about finishing his job, about what he himself has become... they all melt away. He's where he needs to be, where he should be, and that's all there is to it.

[smile-files]

something interesting i realized while on the vessel-making screen in the deltarune introduction is that it's physically impossible to make kris: there is no hair that perfectly matches theirs (none have the cowlick or the right jagged shape on the bottom), and there is no sweater that perfectly matches theirs (none have a single stripe). this is fascinating, as it perhaps suggest that, if we (the player) had a choice, we *wouldn't* make kris. they aren't something we want, or are even capable of wanting, rather something we're stuck with.

and i suppose the fact that they can't be *created* as a vessel is telling, because we didn't create kris -- they weren't made for us, they're not a player avatar. they're a pre-existing person we just happen to gain possession of.

we weren't made for each other; they don't want us, and we don't seem to want them either (if the inability to choose to create someone like them says anything); funny, then, that in a way we're "soulmates"...

(both pictures are from the deltarune wiki!)

[random-dragon-exe]

Okay, so I've been rewatching the OG FOP and I'm noticing some things. So looking at Peri's design, I find it slightly odd (pun intended) that he has periwinkle hair. Although it does lean slightly more on the purple side if you ask me.

I mean yeah, he had that hair as a baby so that tracks and makes sense. Plus, he needs to have his own distinguishable color to visually separate him from his parents.

But genetically, how does that work? I know I'm probably thinking way too much about it, but I found something interesting upon rewatching some OG FOP episodes.

Jorgen had purple hair when he was younger, and one thing of note is that he and Cosmo are cousins (which is revealed in an episode) which means that this may be where Peri got his colored hair from. Not to mention periwinkle is a subset of violet, which is a subset of purple. So maybe it's a recessive trait that Peri inherited from that side.

As for his eyes, some family members of Wanda's have purple-ish and bluish eyes.

Considering that periwinkle is basically a mix of light purple and blue, I think this is how he got his eye color.

Again, I know that this is a bit of a long shot, but I just think it's an interesting set of details.

[oikvw]

heir of grief

[buckleybltch]

A (long) interpretation of the 8x06 BuckTommy ending

I've been trying to make sense of why Tommy responded to Buck's monologue by breaking up and here are my thoughts. This is all my interpretation and my interpretation only. I'm choosing to believe it because it's the only way the scene makes sense to me. Pls dont get mad about it.

Please feel free to add on and discuss.

I think Tommy was completely ready to overlook the Abby connection until Buck started talking about his relationship with her. I don't think it's the relationship that changed Tommy's mind, but how Buck applied it to their relationship.

Buck said "My relationship with Abby was the most transformative of my life... until now" and I think that's what the nail in the coffin was. While it's incredibly sweet was he was trying to say, what he essentially actually said was "this relationship is another transformation point in my life".

Then when talking about Tommy being confident with himself, Buck says "honestly, it just makes me admire you more". If this weren't a breakup scene, Buck should have said "makes me love you more" here. Again, what he's essentially actually said is "I'm looking up to you and admiring you and learning how to be that way".

While Buck has the absolute best intentions with what he's saying, he's trying to convey to Tommy how much he likes him and appreciates him and wants to be with him (hence why he follows it up by asking Tommy to move in with him), I think Tommy took this as Buck seeing him as a guide.

With the way Buck phrased things, and the things I interpreted from it, it does come off as "you're guiding me through my first gay relationship". Again, I absolutely don't think this is what Buck meant, but I wonder if this is what we were meant to see. Buck still has Tommy on a pedestal because he loves likes him so much; he changed his life for a good way, but maybe his vision is clouded by that. He’s still in awe of Tommy, but his speech makes it seem like it’s all for the wrong reasons.

Tommy knew he was Buck's first boyfriend, they'd gotten over this hurdle in 7x05 when Tommy leaves Buck as the restaurant and says he's not ready. Buck proved he was ready by coming out and calling Tommy and announcing their relationship publicly.

But here we are, six months later, and instead of Buck telling Tommy he loves him, he's telling him their relationship is transformative for Buck and he admires Tommy. He said the wrong things with good intentions. I think Tommy thought Buck was ready for this, especially after all the progress they made and Buck saying "im ready to take the next step" and move in together, but Buck's monologue comes off as maybe he isn't ready. Whether he is or isn't, I suppose, is up to further interpretation entirely. I think Buck is just Bad with words and Tommy completely misconstrued his entire speech. If Buck really thinks what he's said and implied, maybe he isn't ready in Tommy's mind.

Now this is where I divert into two points:

I think Tommy was somewhat justified in not wanting to be Buck's gay guide. Tommy says "no matter how bad I want it to be... I'm not your last". He's falling for Buck, he wants a forever with Buck. But here Buck is telling him, six months into their relationship, that their relationship is just transformative for him. Or at least that's how it's coming across. At 40 years old, Tommy doesn't need to be someones gay Yoda, and if that's what he's being led to believe he is to Buck, I do think he's justified in breaking up. Nevermind the horrendous miscommunication of this conversation, they should've talked more in-depth and avoided this. Tommy knows, possibly from experience, that relationships like that don't last, and it's in that moment he thinks that's what their relationship is. I dont wholly blame him for ending it if this was his thought process.

The writing. Oh boy. Even Lou in interviews is interpreting the scene and I think when you have actors interpreting a scene they were in, it hasn't been particularly well written. This is the only instance we get where it's implied Tommy is Buck's guide. In every other episode he appears in, their relationship is completely normal and healthy. It seems to be in 8x06 he has been pivoted to act as an Abby 2.0, just a moving point for Buck. Obviously this links back to my points above. They've had to outright spell it to Buck and the audience that Tommy is Buck's first, not his last, and that Buck is still figuring himself out. Now to me, that reads as "we haven't displayed this well enough" which is again poor writing and borderline backtracking on 8x05. If it has to be explicitly said, then they haven't done a good job at showing it, which they haven't. Like I said, their relationship was perfectly normal and healthy up until this point, and it wasn't explicit or even hinted that this was Buck's 'starter relationship'. Buck, Tommy, and the audience were blindsided.

Knowing this still, the breakup still feels like it came out of nowhere. No foreshadowing, no hints. Even the characters dont see it coming (and apparently Lou didnt either). I don't like how it was written, and I believe the reason they gave for the breakup (first not last) is a bit of a cop out. That's not a valid reason. Buck didn't want to breakup, Tommy didn't want to break-up... Both characters were left unhappy. They have every reason to go back to one another.

Buck and Tommy should have been able to talk through it, work through it. This was all a miscommunication because Buck has never exactly had a way with words... There was no reason for it to go down this way and it feels out of character and abrupt. This should have been the hurdle. Instead, the show chose the easy way out to break them up and that sucks because it feels unfinished.

Ironically, because it feels unfinished, it also feels open. There's already fix-it fics that are completely logical. There are so many ways Buck and Tommy can reconcile following this that will be satisfying and beautiful. They can absolutely find their way back to each other and it won't feel forced.

[sinnbaddie]

Something something, Raph having no one to lean on because he’s the oldest sibling and his father while physically there isn’t emotionally there

Something something, Raph being pretty good at keeping it to himself but donnie noticing how lacking their father is with them and how Raph can’t lean on anyone but especially their own father

Something something, Donnie taking on a more parentified role in regards to Splinter because he can’t help but feel how unfair it is that Raph has to take care of not only himself but three younger siblings and he doesn’t know how to show his love for his older brother but he wants to ease his pain as much as he can

Donnie and Raph being the ones who noticed Splinter’s absence the most and having to make sure the others are ok even if they hurt because if they can’t help their brothers what’s the point of them?

[hongluboobs]

made a slightly insane person image because I was discussing Hong Lu distortion earlier. spoilers for chinese classic novel Dream of the Red Chamber in here as well as some for lobcorp/LoR and canto 4 of limbus. I'm not elaborating on it rn but i can if asked :)

[azapofinspiration]

Chuuya who doesn’t let himself want things because he has to put everyone and everything else first, who feels like his own wants shouldn’t matter because he has power so he needs to be responsible and prioritize those weaker than him.

Dazai who doesn’t let himself want anything because the moment he gains it he will lose it, who can’t handle opening himself up to that kind of pain and vulnerability because he’s been taught that that is a weakness.

Both Dazai and Chuuya whose experiences tell them that the moment they want, everything begins to go wrong and they’ll lose the things they care about.

[fairandfatalasfair]

I love Edwin's clumsy kindness; the way he struggles to connect with and understand people but he tries.

He tells Charles when they first meet that he's not good with people. He probably never has been, and hell can't have helped (70 years alone, where he had to close himself off against any empathy because if he tried to stop to help anyone else it would cost him time he didn't have.) We see how he stumbles in his efforts to engage with strangers, how he doesn't understand Monty's interest in him, how he struggles to sympathise with Crystal's fears, how sharpness comes easier for him than vulnerability.

But he tries and he keeps trying. He doesn't have the context or the emotional intelligence to understand Charles' headspace after the Devlin house, but he keeps offering to listen, to help if he can. He reassures Crystal that it's who she is now that matters. He catches himself when Shelby snaps at him, and listens gently to her, and doesn't try to dismiss her version of events again, even though he's reserving judgment.

He's not good with people, but he spent 35 years risking being sent back to hell so other people could have the justice he never got. He doesn't see the hurt that Charles carries around, but he gave him an afterlife where he was loved completely and unconditionally and felt safe. (As long as I've got my best mate, and a case to solve, I'm aces.) He's scared shitless of how Crystal is upending the most important relationship of his existence, but he's not going to let her get hurt.

[rosenotactuallyquartz]

i can’t be the only one who thinks rose’s flings with humans were partially self destructive

rebecca sugar often describes rose as self destructive. people self destruct in many ways.

i say this as a girl who’s been in relationships where i knew i was treated poorly but subconsciously believed it was what i deserved. if a good person who knew me well showed interest, i’d feel confused. i think you’re so good and i’m nothing like you type of thing.

(if you couldn’t already tell, i also deal with self hatred, though i’m a lot more self aware than i used to be)

rose saw the good in everyone but herself. she was naive, impulsive, & had a tendency to “worship” those around her, believing they were better than her. she was fascinated by humans but didn’t know the norms or labels of human relationships. she didn’t know or understand much about humans, period. i.e., letting a human baby climb a ferris wheel in greg the babysitter.

rose was initially drawn to humans out of fascination. she saw so much beauty in the most simple parts of humanity.

but people don’t always have the best intentions

i can’t help but wonder if some people took advantage, knowing that rose didn’t understand everything about human relationships. for some humans, i’m in no doubt that they found her intriguing & her powers were obviously beneficial for them, but they didn’t respect her or care to try & get to know her. i’m sure some humans weren’t horrible, but clearly her connections with all of them until the 90s were unremarkable. they’d be attracted to her for surface level reasons.

rose thought this was just how human connections worked. even though it would feel…bad sometimes, rose believed she deserved to feel that way. after all, she said herself that it was “a good thing” if people didn’t know her well.

she didn’t think she deserved genuine love from someone who truly knew her, someone who knew her past self. when a relationship felt good, she’d feel guilty, despite deeply & genuinely loving that person who cared for her.

that’s why she’s so surprised when a human treats her with decency in we need to talk. why she laughs when he says the word respect. why she says, “is this not how this works?”

she’s never had a relationship with a human that was caring & respectful. having conversations about respect & wanting to get to know a person are very simple things. this doesn’t make him “better” than any of the crystal gems—he’s just better than the other humans she knew.

as the next three years go by, rose continues to be self destructive. they don’t know about each other’s pasts & they have a shared coping mechanism: escapism. this is why sugar has said that they enable each other, which is unfortunate yet unsurprising because they cope in similar ways. she never opens up to him about her feelings surrounding past trauma, and he doesn’t either—even when some serious decisions are made. rose couldn’t stand herself & she didn’t feel deserving of love. the more people know about her, the less deserving she feels, which makes her avoidant & confusing in relationships.

nevertheless, she genuinely loves those around her, which is partly why she passes her life on to someone she believes deserves to live & be loved more than she does

as she said in nora’s tape in lion 4, i’m so excited for everyone who’s going to know you. from the very start, she believed that the best thing she could do for the people she loved was leave behind someone who deserved to be around them. someone who was worth loving.

with all of that said i hate the way the fandom talks about her character sometimes