#connect with old ones

[nekomamiiz]

this lil app on my lil handheld magical box makes my heart so full

[possamble]

Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.

I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face

And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.

Who is that. Genuinely. Would you even realize that's Marcille without the context clues?

And then the chapter just keeps coming in with the sucker punches.

We have SEEN Marcille meet strangers. It was never with this understated of a smile.

literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again

when she's testing out her new spells

(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)

And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.

We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.

But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.

What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.

And when comparing her detached demeanour with someone else...

It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?

It would certainly explain why she's hiding behind her portrait in her nightmare, at least.

We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.

[slfcare]

the most difficult thing about growing as a person socially, as in getting out of your shell and noticing that you are, is that there will still be times when it doesn’t feel like you’ve grown at all! times when you can’t really connect with anyone around you, times when you fail to enter into an existing conversation, times when you say the wrong thing (or nothing at all when in hindsight you probably should’ve). but that’s also kind of the best thing, because that’s the thing that helps you realize that sometimes, it’s not you or your lack of skills or any shortcoming. sometimes certain environments just aren’t for you and certain people aren’t your people, and that’s okay. that’s human. it’s okay to not feel the progress you have made all the time.

[chrliekclly]

[prev]

[kacievvbbbb]

I love how extreme found family is in one piece. Like they took supernatural line of "Family don't end in blood" and actually made good on it. Because it's not just that the crew found each other even before that only really very briefly Robin, Usopp and Luffy could say that anyone biologically related to them raised them.

Like Luffy had Garp and that's his grandpa but he also had Makino and Shanks and the red hair pirates and they were a family unit and he also had Ace, Sabo Dandan and the bandits and they were a family as well and it's never who mattered more to Luffy or who actually raised him cause they all did. It'd be hard to put him in a nuclear family structure because so many people fill the same roles in his life in different ways and that's great like Kung Fu panda said "that doesn't mean less for one parent it just means more for Luffy"

And that's the thing I think sometime fandom can get very obsessive with trying to pin down who is whose surrogate father/mother how do they fit in the nuclear family structure and while that's fun and there's nothing wrong with head cannon characters that way I also think it's important to remember that not every relationship needs a title or definition sometimes you are just family and that's valid too.

Ace had Luffy and Garp but he also had the whitebeard pirates and his pops same with Sabo and the revolutionaries

Zoro with Kuina and his old kendo master, that was maybe more of a rivals, mentor mentee relationship than whatever Mihawk Zoro and Perona had going on but it's all family none the less.

Chopper with Hiririluk and Kureha. Perona and Moria, Usopp with the little village boys and Kaya. Shanks and Buggy with the Roger Pirates. They might not all have had defined roles with each other but it was still family.

Just like Sanji, Nami, Franky and Law and their more defined Surrogate familes

And people like Vivi Robin Usopp and Shirahoshi who had/have their biological parents/family that love them and raised them.

It's nobody that I've just mentioned properly fitting squarely into any of these categories because it's all complicated family is complicated and its messy and it's big and everyone in your family might not have even met but it's family and it doesn't end in blood and for some people it never started there either.

[paintpaintpaintman]

Got too much wool... their mom was a VERY wooly sheep (think equivalent of a baby doll) and although they inherited about half as much, it still is a hassle to deal with. Not exactly sexy, but it does give 70s Workout Clothes vibes!

Goat version here!

[hellspawnmotel]

🕰️

[demaparbat-hp]

Twenty One Pilots just dropped this absolute masterpiece of a music video for Paladin Strait and I am having so many thoughts.

The (literal) Neon Gravestones? The zombies as a representation of what we've become? (They're controlling you, those thoughts that rule over this depression city, and now this is all you'll ever be—a body seized by Them)

Torchbearer and the Banditos acting as a distraction for Clancy to face the Bishops (his demons, the dark parts of his thoughts) only for everything to end when Blurryface enters the picture (so few, so proud, so...emotional)?

I don't know what I was expecting with that ending. I don't know what color will Clancy's (Tyler's) eyes be when he opens them in that last frame. (Golden? Red?) I don't know if I want to know.

Clancy opened his eyes. Clancy opened his eyes to look straight at Blurryface when he was being grabbed by the neck (painted black—always black) in remembrance of the Jumpsuit music video. Did Blurryface take control? Is Clancy back to fighting himself? (In an album about cycles, about not knowing if you'll ever truly get better, about backsliding and pushing through and growing old with the same fears you had over ten years ago—this seems oddly fitting)

But that's not the message. You are better than you were ten years ago, if only because you're still here—still alive—and now you're able to snap your eyes open and stare your demons down (even if they're grabbing you by the neck).

[ricky-mortis]

Curtwen Week Day 6: Happy Ending

[iliothermia]

I just love love how intricate and detailed your artwork is 😭❤️ I’m curious, do you tend to have these specific details in mind before you begin a piece, or do you start big and work in detail as you zoom in, or something else…?

Thank you!!! I work in a fluid state for a lack of a better term. I feel a composition in my brain because I have no visual imagination.. and I fill in the void. I don't know what I will fill it with immediately, I put in symbols for things and memories and feelings and thoughts of the time. That's why it's a diary for me!

Nearly all the small details of my drawings are references to family, sentimental people / places, and memories I'm thinking of at the time. Have fun with small details even if they don't always make sense to others 💖It's also just a way of detailing without "thinking" for me. Purposely planning compositions is hard. Good luck and keep pursuing making art you love! <3

[hegodamask]

"Gareth described Krennic to me as a guy who didn’t come up through the officer class, if you like; he was more of a guy from the outer colonies who had made his way up more by virtue of the way he’d conducted himself, and by his abilities. So, Krennic’s voice is not ever meant to be the pure officer-class voice that you associate with the Star Wars universe." - Ben Mendelsohn

"So when I spoke to Tony about what Dedra has come from, she didn’t come from much. She’s an outsider, and she’s looking for a way to be important and to be considered important. And just like Syril, she wants to find control and to be able to be in a position of power so that she can feel in control. And in this industry that she’s in, she looks around and sees a lot of men of privilege being able to just kind of wing it, and it’s not in Dedra’s nature to wing it." - Denise Gough

"He is not of the principled Coruscanti classes, able to verbally parry and weave in debates and politics. Krennic's temper is far more volatile, a fact that makes some, like Grand Moff Tarkin, uncomfortable." - Rogue One the Ultimate Visual Guide by Pablo Hidalgo

"A rising officer within the ISB, Dedra Meero transfers from the Enforcement desk to Investigations. Her relatively young age and aggressive approach upsets the dull dynamic of ISB Central Office briefings." - Dawn of Rebellion The Visual Guide by Pablo Hidalgo and Emily Shkoukani

“I like the idea that Ben’s character was much more working-class [and rose in the ranks] through sheer force of personality and ideas." That said, the director adds, Krennic “hits a brick wall in the hierarchy where they won’t let him in the club and it’s going to turn into a them-or-us situation: either Krennic or Tarkin and the others.” - Gareth Edwards

As we really built out Dedra in our little writers room, we were like, “Oh, my God, she’s a woman in this place and no one takes her seriously, and she’s working harder than anybody else does. And she’s not getting credit for it.” And then we got to where she turns. We were really like, “Oh, my God. Wow, we were rooting for her a minute ago.” - Tony Gilroy

[faerynova]

some people in the notes were asking what the metal thing on leos arm is: its his elbow crutch! he fucked up his knee real bad in the prison dimension

this is mostly trying to see exactly what kind of scars leo gets in connective tissue. i have to draw it like a dozen more times before i'll feel fully comfortable with it

[regina-del-cielo]

Maybe it's a 'study finds water is wet' type of thought, but

considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill

Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"

But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.

They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.

It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.

I don't know I just think it's particularly neat

[krazycat6167]

So @somerandomdudelmao made a version of their sona in a dystopia (inspired by @tapakah0 doing the same to theirs) and the person in this ask named the robot C.A.S.5 and I thought, ‘well then there’s at least four other C.A.S. units out and about in the world’ leading to this being the end result! It was a lot of fun to come up with the different customizations each C.A.S. unit has.

also, the design for C.A.S.4 (Cash) was partially inspired by @mobiitez post.

Doodles:

[zytes]

9.16.24 / 9.17.24 - september supermoon

[doctorsiren]

I’ve done it again

We were talking about Misty and Gregory (thank you Squib for coming up with the ship name Mistory LMAO it’s perfect) and once again (because I love to design characters) was like “hm what if they had a kid” and then decided that they should have twins because it’s been too long since I’ve decided to design twins :3

So here we have little Gwendolyn and Griffin

Gwen has very little in the way of spirit powers, but she wants to be a paranormal investigator. She will use a magatama like a supernatural magnifying glass (by looking through the hole of it).

Griffin, despite being a dude, has spirit powers (because I said so. He gets to be special hehe).

Just very quick concepts for the silly :>