#conditional sentence definition

[mylanguageclasses]

Confused about conditional sentences? This guide breaks down zero, first, second, and third conditionals with clear rules, examples, and exercises. Learn how to express possibilities, hypotheticals, and regrets effortlessly. Master English conditionals today and boost your fluency.

[batsplat]

Stoner also revealed that he had found it immensely difficult to miss the races, so much so that he couldn't bear to watch them on TV. "I didn't want to watch the races, I just wanted to find out the results, it was too hard to watch" he said. "Even now, it feels like I've missed out on so much." "We went off lactose, we went off gluten for two or three weeks, to try and get a reaction from that. Unfortunately, medical things take some time to understand them. You need to get things out of your system before you can get other things in your system to see if it works. We've found recently that I've had quite low blood pressure and low sodium levels so we're trying to increase that to see if that helps. We might have found something with lactose, a lactose intolerance to some degree, so I've gone off lactose to see if that helps." Stoner dismissed rumors that a bad diet may have contributed to his illness. "We haven't changed my diet because I already had a good diet before, but we're trying to change it to put things in my diet that will put something in my system to help me pick myself up again." "For the first month there was complete rest, there was no physical exercise at all. After that we started training lightly on the bike again, I was out there with my trainer, and we did a good week or so training. Basically just light stuff, just to keep the muscles working, because after so long off the bike, the muscles are going to be sore and tired. After the exercise, we still found the same problems, I was still running into that wall, and we couldn't fix it." Stoner mocked rumors of his retirement, saying that he had laughed at how quickly they had appeared. "I heard on day 3 of Brno that I was retiring," he said. "It's pretty immature of people to spread these rumors." His intention, he kept repeating, was only ever to take 3 races off. "I am looking forward to my future, especially if we can sort this out. I'm looking forward to this weekend, because it's been too hard to be away from racing. It only takes you a couple of weeks away from racing to realize that this is what you really want to do and what you want to get back to doing."

Stoner also dismissed rumors of problems between himself and Ducati. Stoner told the assembled media that it had been his decision to handle the situation as they did, and concentrate on getting better in Australia without assistance from Ducati. "It's difficult for people over here to understand that being away from the sport meant I had to be away from the sport. I had to sort this out on my own. If I'm not here racing, what reason would there be for me to be in contact with the media and everyone here?" Nor had he been upset by Ducati's approach to Jorge Lorenzo. "It's understandable," Stoner said. "It was no problem for me. There was an opportunity there, I'm sure a lot of riders were speaking to a lot of teams; it was that part of the season." But Stoner was clear on where he wanted to stay: "Ducati know I'm happy here, and they know I'm happy with the work they've been doing." He also explained that part of the lack of communication was down to the remoteness of Stoner's house in Australia. "Mobile phones don't work where I live," he said. "So I was out of contact with everyone until the doctors appointments." When asked whether his problems could have been caused by stress, Stoner replied that he did not believe this was the case. Any stress he may suffer, he said, was solely down to the pressure he puts on himself, one factor which the doctors did identify. "They said over-training, things like this. Maybe pushing myself too hard," Stoner conceded. "My biggest critic is myself. All the pressure comes from me, I don't feel pressure from elsewhere. If I'm not getting results, the biggest problem I have is myself. I'm disappointed in myself. This is what confuses some people; when I'm interviewed after the races, even when I win, when I don't look so happy it's not that I'm not happy, it's that I'm disappointed that I made a mistake or I don't believe I rode the best race I could. This is the only criticism that I could have. It's definitely not a problem of pressure."

Excerpts from Casey Stoner's Estoril 2009 media session (x)

[gf2bellamy]

I don't really know who to ask about this but this is a bit of a venty ask (sorry for that btw) is that okay? Can I request Spencer x reader (idk if you write just fem reader or any other's but dealers choice) and reader is rambling about something and suddenly stops when they realize they were talking too much? Like they think that he's annoyed because their family made them think that talking too much was bad? Sorry if this doesn't make sense, I struggle verbalizing my thoughts. Have a good day/night, again sorry for the odd request

listening — spencer reid

pairing: spencer reid x reader ( no use of y/n ) content warnings: mention of ppl in reader's life having not wanted to listen a/n: hii !! its a short one but i hope you like this <3 and dont worry your request isnt odd at all !!!

“And then he just ran off, and it was insane,” you said, shaking your head as you recounted the story, your hands gesturing animatedly. “I mean, I tried to stop him, but at that point, it was like talking to a brick wall, so I—”

You stopped mid-sentence.

Your voice trailed off as your brain caught up with what you were doing.

You had been rambling.

Again.

The realization hit like a bucket of cold water, making your stomach twist uncomfortably. Your words had been spilling out so effortlessly, but now, as you glanced at Spencer—who was sitting at his desk, watching you with a small smile—you suddenly felt foolish.

“Sorry,” you mumbled, your posture shrinking as you shifted in your seat. You tucked a loose strand of hair behind your ear, the old, familiar shame creeping in like an unwanted guest. “I’m talking too much.”

Spencer’s smile disappeared instantly. His brows furrowed, and he leaned forward slightly, concern flashing in his hazel eyes.

“No, you’re not,” he said quickly, his voice firm but gentle.

You shrugged, looking down at your hands in your lap, fidgeting with the hem of your sleeve. “I just—I know I can go on and on sometimes. I don’t want to be annoying.”

Spencer’s frown deepened. Annoying? The thought hadn’t even crossed his mind.

His mind raced, piecing things together—your sudden drop in enthusiasm, the way your shoulders had curled inward as if trying to make yourself smaller, the hesitation in your voice.

He hated how instinctual it seemed for you to apologize for simply talking.And he hated even more the idea that someone had made you feel like you had to.

“Hey,” he said softly, waiting until you looked up at him before continuing. “You’re not annoying. And you’re definitely not talking too much.”

You searched his face, as if waiting for some indication that he was just saying that to be nice. But there was no hesitation in his expression, no forced reassurance—just sincerity.

He offered you a small, lopsided smile. “I like listening to you.”

Your breath caught slightly, your fingers stilling against your sleeve. “You do?”

Spencer nodded without missing a beat. “Of course I do.” He tilted his head, his eyes studying yours. “You get this look when you’re excited about something—your eyes light up, and your voice gets a little faster, and you use your hands a lot when you talk.”

Your face warmed. You hadn’t even realized you did that.

Spencer’s smile grew, as if he could read exactly what you were thinking. “It’s one of my favorite things about you.”

For so long, you had been conditioned to think that talking too much was a flaw, that you had to monitor the volume and speed of your own voice just to be tolerated. But Spencer—he didn’t just tolerate it.

He loved it.

Your lips parted slightly, searching for something to say, but all you could do was blink at him, your heart stumbling over itself in your chest.

Spencer seemed to realize what he had just admitted, his own face dusting pink. He cleared his throat, shifting in his chair. “Uh, I mean—”

A small laugh bubbled out of you, and he stopped, watching you with a mix of curiosity and relief.

“You really don’t mind?” you asked again, still needing to be sure.

Spencer shook his head, his voice softer this time. “No. I really don’t.”

Something in your chest loosened.

For the first time in a long time, you felt safe in your own words.

And Spencer just sat there, smiling, happy to listen.

[nihongonotabi]

In Japanese language, describing a third person’s emotion is different from describing a first person’s emotion: in English, the sentences "I am happy" and "He is happy" are grammatically structured in the same way. However, in Japanese, this direct equivalence is not possible: you can say "私は嬉しいです" (Watashi wa ureshii desu), but you can't simply say "彼は嬉しいです" (Kare wa ureshii desu).

This is due to cultural and linguistic nuances that emphasize the acknowledgment of another's internal state as somewhat inaccessible. In fact, Japanese typically employs expressions that convey a level of inference or indirectness, such as:

Using observational phrases: one might say 「彼は嬉しそうです」 (Kare wa ureshisō desu), which translates to "He seems happy" or "He/she looks happy." This phrasing respects the notion that one can only observe outward signs of emotion, not definitively know another's internal state.

Adding "ようだ" or "みたい": these suffixes add a sense of speculation. For example, 「彼は嬉しいようだ」 (Kare wa ureshii yō da) or 「彼は嬉しいみたいです」 (Kare wa ureshii mitai desu), both meaning "He appears to be happy."

Using conditional clauses: Another approach is to use conditional forms, like 「彼が嬉しければ」 (Kare ga ureshikereba), meaning "If he is happy," which implicitly acknowledges the uncertainty of truly knowing his feelings.

One characteristic of Japanese syntax is its extreme sensitivity to epistemological considerations based on the ego/nonego distinction or the distinction of I/the other. Our knowledge about the mental state of another person must necessarily come from our interpretation of external evidence, and this is well reflected in the Japanese language.

Source material: http://human.kanagawa-u.ac.jp/gakkai/publ/pdf/no157/15712.pdf

[sharkikive]

match made in heaven (ken sato x fem!reader)

Summary: You were Professor Sato’s research assistant and your apartment just got destroyed by Ultraman.

Somehow, this led to a matchmaking project between you and the infamous baseball player, Ken Sato.

Word count: 6,887

A/N: I yap a lot when it comes to writing. Just writing this because the Ken Sato brainrot is too damn strong. Just a bunch of gibberish. Not my best but currently too hung up on Kenji. Includes mention of Professor Sato, Mina and Emi (definitely having baby fever because of her).

Ken Sato.

His name was a staple in your daily life, yet you had never met the man face to face.

The moment you thought you had escaped from hearing the broken recording of his name, it was brought up once again as the news of him returning to Japan plastered the news.

You rolled your eyes at the screen, but were careful enough not to let the old man hunched over the table, poring over some papers on Kaiju, see you.

Well, you could not exactly tell the father that you were tired of hearing his son’s name everywhere, could you?

“Professor Sato,” you started. “I shall take my leave for today.”

“Ah yes, sure. Please have a safe journey back home. I’m sorry this old man can’t send you back safely,” he replied, to which you quickly dismissed.

“Professor, I’ll be fine.” You chuckled lightly, “In case you have forgotten, I’m already 26. I’m already an adult. No longer the wide-eyed, 17-year-old you first took under your wing.”

He gave out a breathy laugh, sniffling as you knew what’s going to come out of his mouth next. You resisted the urge to stop him, purely out of respect.

“Kenji is the same age as you. I wish you could meet him, but that child is very stubborn. He wouldn’t even answer my calls, let alone meet me.” He paused, as if thinking of the next sentence, but went against it.

You only smiled weakly, the only response you’d always given when he mentioned his son’s name. You took this as a sign to leave before bowing and setting off to your apartment.

You didn’t have the heart to tell him that you were tired of listening to that man’s name every single time. Yes, you knew that it was Professor Sato’s guilt that kept him talking about his son, but the more you heard about him, the more you found him less likeable.

He came back to Japan, yet he did not even contact his father even once? Yet Professor Sato would talk about him every day.

You knew nothing about baseball, and did not care to find out, but the appearance of Ken Sato forced you to learn that he’s apparently about to be the saviour for the Giants.

You sighed, stopping under the night sky as you watched people milling about the streets.

You were an ambitious girl who had a deep interest in Kaiju and without shame, Ultraman. Ultraman was the first hero you knew and grew up with, so imagine the elation you felt when you found out that Professor Sato was affiliated with both. He agreed to take you under his wing with the condition that you finished your degree, so the moment you had gotten your scroll you showed up in front of him, eager to start.

He probably couldn’t turn you away considering how you seemed… pitiful. Yup, that’s probably the word.

You enjoyed working as his research assistant, but found out soon enough that he was a lonely man who missed his wife and son dearly. He was a father figure to you, considering that you were orphaned at a young age.

It was a peaceful night.

Well, if you consider the scene of Neronga choking Ultraman as a peaceful night.

Correction: It was supposed to be a peaceful night.

You stepped back as the gigantic hero got slammed into another building, destroying yet another public property. You winced as it was obvious that the hero was not upholding the principles and seemed more like he was trying to destroy as much as he could.

The thing that irritated you the most? You knew exactly who it was under that suit.

You shook your head, not even bothering to see how the fight would go. You were 100% sure the KDF would be gunning down the Kaiju in no time.

You set off again, mildly hoping that your apartment did not get obliterated in the chaos, or you would definitely hunt that baseball player down.

It was hard to ignore the fight when two giants were stomping around the city, and you dropped dramatically on your knees when you saw Ultraman being launched in the direction of your building.

“No-” you weakly said, knowing that your voice was merely a speck of hopelessness among the gasps of the crowd, Ultraman’s groan and Neronga’s roar. From behind your glasses, a tear rolled down your face as you saw your apartment building crumbling, all thanks to that stupid, cocky, asshole of a baseball player.

Now thanks to Professor Sato’s beloved son, you were homeless.

***

Maybe it was your lack of sleep from worrying about how the progress of rebuilding your house went, because you were dragged by Professor Sato at 2 in the morning to the secret base, facing a scene that you promptly found ridiculous.

Right, seeing the giant hero hunched over in front of you was no surprise because you knew exactly who it was. A little bit weird how he’s here considering his relationship with his father, but that wouldn’t be an issue.

But what was an issue was that the said giant was cradling an equally gigantic pink baby Kaiju and was- you took a step back.

Something must had happened because Ken Sato was crying in front of you. Not the scene you’d expect in the morning while being sleep-deprived.

Your mind was only registering the words ‘injured’, ‘need help’ and the rest was a blur as Professor Sato helped in correcting the fracture in the Kaiju’s arm. The Kaiju was calmed down, brought to sleep and you could not help but smile at the sleeping baby.

Part of the reason you were still there was because you found the baby Kaiju so adorable with her chubby cheeks and twitterings.

Another part was because you were curious to see (discreetly, of course, under the pretext of looking over the Kaiju) the dynamic between Ultradad and well, the son. You were facing the Kaiju but you were straining your ears to eavesdrop on the conversation.

“Doing this-“ you picked up a sentence, -“doesn’t suddenly make you Ultradad.”

You felt slightly perturbed. Kenji came in here pleading while crying, Professor Sato helped him without any questions yet the son was barely grateful for it.

But you knew you’re no one to be meddling in their family affairs.

So you kept quiet, straining your ears with Mina - the robot - hovering nearby.

Your mind wandered to whether it would be plausible for you to chip in a request for Ken Sato’s autograph and sell it high to make up for the costs of your destroyed apartment.

That’s the least he could do after reducing your safe space into rubble.

You snapped back to the present as you heard your name being called, and was greeted with the sight of a smiling father and a son looking like he’d love to be anywhere but here.

Ken Sato was not smiling, but he didn’t look like he hated you either.

The next thing you knew was that you were left alone with Ken, and you couldn’t help but think Professor Sato had a hidden agenda because he left with a chuckle. Even Mina was nowhere in sight.

What could I possibly say to this man I’ve never met before?

The young man in front of you looked starkly different from the confident, boastful man you had seen in interviews. Instead, he seemed more like a sad excuse who looked so distraught you swore you could see him shrinking.

“So uh-” he started, scratching his head with an awkward smile. “Y/N… right?”

Your eyebrows lifted at the mention of your name.

“Dad told me about your apartment.” He grimaced. “I’m sorry.”

You clicked your tongue. “Other than the fact that I became homeless, it’s no issue.”

You did not intend it to be a joke, but it seemed that the only immediate response he could give was to laugh awkwardly, before he buried his face in his hands. “God- I’m so- sorry.” He pried his fingers slightly to look at you, before continuing. “I came back to Japan because dad wanted me to continue this- I don’t know what you call this. Legacy?”

Your eyes trailed his movements; you got slightly startled as he suddenly sprang up and you pushed back your glasses.

“High hopes from everyone ever since I started playing for the Giants, dad wanting me to become Ultraman and-“ he sighed exasperatedly, “it was too much.”

You rubbed the tip of your nose before shrugging. “Well, you did seem confident while you were on TV. If you ask me, you gave them that confidence.”

He left his mouth slightly hanging open as he didn’t expect you to give it to him straight.

You continued, “Ultraman is a hero for some, if not all. Some of them may not care. But all,” your eyes collided with his as he plopped back down onto the sofa, “don’t know who is under that suit. All they know is Ultraman is supposed to be the hero protecting the city with-“ you pressed your lips into a thin line, “-minimal damage.”

He blinked. Did he look like he wanted to cry again?

The corner of your lips lifted up slightly, but you quickly switched it off as he looked at you imploringly.

You raised your hands shoulder-level, hiding a yawn before managing. “Don’t expect me to become your counsellor, but what I’m saying is, when you’re Ken Sato, the baseball player, of course they’d expect you to play well. When you’re Ultraman, people expect you to be the hero.” You interlinked your fingers. “They don’t see you becoming both at the same time. And now, you added another point to your resume. You became a single dad.”

He chuckled and ran a hand through his hair. He sucked in his lower lip and for the first time ever you thought that maybe Professor Sato’s son wasn’t that bad at all, both personality and lookwise.

“I can’t comment much about what you feel about your father. I won’t deny that my opinion on you was formed only based on what I saw, but I now know that you must have had a reason why you acted that way to your father.” You shrugged. “I saw a lonely father and a distant son. Because I spent almost all of my time with Professor Sato, please trust me, he talks about you every single day.” You spread your arms, “Your father talked about you, the TV was blaring news about you 24/7 and I was exhausted hearing your name all the time.”

He didn’t seem offended, but was merely focusing on the one sentence. “My father talks about me every day?”

”Every day,” you breathed. “You and your mother.” You smiled, “He never stopped thinking about both of you.”

”Huh.” It seemed like he didn’t know how to react.

This time, you couldn’t help but yawn so you got up quickly, intending to leave the base. If the conversation wasn’t finishing, you were sure you were about to finish it. Your eyelids couldn’t hold much longer.

It was nice having a talk with this infamous baseball player and it sure did change your perspective of him.

He looked on, confused, as you gave a slight nod before heading towards the exit.

”Hey-“ he started, doing a slight jog to catch up to you, who was almost asleep standing up. He gently grabbed the strap of your sling bag, and you snapped your eyes open. He retracted his hand, citing, “Sorry. But where do you think you’re going?”

It was your turn to look confused. “Home?” You said it as a question rather than a statement. “Wait,” you tracked back, “not home. My temporary home at the inn down the road because,” you giggled, clearly drunk from the lack of sleep, “Ultraman destroyed my home.”

”And because Ultraman destroyed your home, you’re staying with me,” he said smoothly, slightly nudging your back with his shoulder. Clearly he struggled as you were much shorter than him.

”With you?” You had no idea where the idea was going yet so you shook your head. “Why would I want to stay with you?”

He took a step back and tugged at the strap of your sling back, essentially dragging you with him. “Don’t misunderstand. Dad’s staying with me as well, we have Mina and you’re joining me because we need to train her.”

”Wait, wait, wait.” You slapped a hand on his shoulder, but he was still holding on strong to the strap. “We? Her? What are we even talking about?”

You were clearly guided by him as you found yourself standing underneath his gaze in front of the Kaiju’s enclosure.

”We as in you, me, dad and Mina.” He nodded, looking satisfied. “Her as in this baby.” He did a show of hands towards the sleeping Kaiju.

You grimaced. “Sir, I did say that my perspective on you has changed, but that doesn’t mean you’re dragging me with you.”

”You’re my dad’s research assistant, right?”

You narrowed your eyes at him. “Yes…” You didn’t like where this is going.

”You don’t have a house… yet.”

”Yes…”

You took a step back, and what you could describe him now was as a puppy as he imitated your actions. There was a twinkle in his eyes as he leaned down to level his eyes with yours before saying, “Your boss is here, and you currently have no home to go back to. So why not? Take it as me being sorry for destroying your house as well. Deal?” He put out his hand to give you a shake.

You laughed nervously. “And what is it in for me…?”

”You… get to live in the same house as Ken Sato?”

”Nice, yay,” you said flatly. You rolled your eyes. “No.”

“Oh come on,” he groaned. “I feel bad.”

”There’s no need for you to feel bad, okay. I put that behind me, whatever.” You threw your hands in the air. “I’m going, bye.” You turned around, ready to leave.

”I’ll give you my autograph, as many as you’d like,” he quickly chipped in. “Signed possession, whatever you want.” He grinned in satisfaction as he saw you stop in your tracks and you quickly turned around. “It sells. A lot.”

”Hmm…” You seemed to consider it before you shook your head. “Your reputation lately isn’t the best so to sell them might be a bit hard…” You trailed off, clearly more of an effort to swat him away since you did think about it.

You couldn’t deny, it was a nice offer. But you were more worried about how you would cope, considering that you may have found him slightly attractive…

“I’m sure dad would be happy for you to stay here as well?”

You gritted your teeth. First time meeting him in real life and he already knew your weakness. He knew that using his father’s name would cause you to waver.

Still, you held on to your decision.

“No-”

He blinked slowly, and you heard the baby Kaiju stir in her sleep.

You ran your eyes towards the Kaiju before sighing. There was one thing you were interested in.

No, not the man in front of you.

You walked over to the enclosure. “How is she with strangers?”

Kenji popped up beside you before winking. “If I say the stranger is a friend, you’ll be glad to have her around.”

You took a moment to think, weighing the pros and cons. “Full privacy? Separate bathrooms?”

He scratched the nape of his neck. “Well, there is one separate bathroom for the guests but the shower’s faulty.” Something dawned on his face as he just realised this. “The only working shower is in, uh, my room.”

You stared back at him. “So there is a chance I might run into you naked?”

“I’ll preserve my dignity.” He paused. “You know what, take my room. I can use the guest room.”

You chuckled, taking his hand in a forced handshake. “Fine, deal.”

He looked surprised, but trailed after you as both of you took the ride up. “Wait, what was the dealbreaker? Because of the Kaiju? The room? The-” he looked at you almost accusingly. “-chance of seeing the Ken Sato naked-”

“Shh-” you clamped a hand over his mouth in an attempt to silence him just as the entrance pried open, revealing a smiling Professor Sato.

“Dad,” Ken said in a muffled voice, and you pulled back from covering his mouth. “Dad,” he tried again. “She agreed to staying here.”

You looked at the professor from the corner of your eyes. So it was his doing. You wondered what the father had held over his son’s head to make him obey.

“Can I retire for the night?” You did an exaggerated show of stretching. “I’m becoming delirious from the lack of sleep.”

��Room’s to your right,” Ken offered.

“Make sure to lock the door,” Mina reminded you.

“Mina,” Ken groaned. “What are you implying?”

“Just general safety measures. Ken-” she hovered near the baseball player, “-are you okay? Your heartbeat is increasing-”

He groaned. “I’m fine, Mina. I’ll be using the guest room.”

Both of you went separate ways, leaving Professor Sato and Mina in the living room.

Professor Sato whispered, “Mina, status report on the project.”

Mina obediently replied, “Matchmaking project is showing positive progress. We can expect to see rapid progress in the next few weeks.”

***

Training and taking care of the baby Kaiju - which the professor had named Emi - was no easy feat. Contributed by your almost non-existent stamina, you were left cheering from the sides as mostly Ken and Emi did all kinds of simulation to train her. Dealing with a 20-feet monster was not on your bucket list, but you had proudly ticked it off mentally.

You heard whooping from the two and you held onto your bottle as the ground shook when Emi jumped up and down. Subconsciously, you smiled as you saw Ken cheering for the baby, and he almost got crushed when Emi gave his human form a high-five.

You quietly went up the lift as Ken was fussing over Emi to make her go to sleep. You plopped down on the sofa, switched on the TV and to no surprise, his name decorated the evening news.

Ken Sato showing good progress…

Ken Sato showing a more mature side…

Ken Sato helping the Giants to pick themselves back up…

“I definitely look better in person,” Ken’s voice came from behind and you could feel his presence near you. “May I?” He asked for permission to sit beside you but both of you knew the answer as he plopped down right next to you.

You see, these are the small things that could make you wonder whether he’s doing it on purpose or he really had no idea how they affected you.

You gulped when you could feel his knee bumping against yours, or when he casually put his arm on the back of the sofa across your shoulders. There was no contact but there might as well be something because you felt like your heart would jump right out.

Your romantic encounter with a guy was only as far as a guy who called you a creep because you were following him. That day, you were navigating the world half-blind because you broke your glasses and it seemed that he was going to your destination. Sure, you admitted that it was your fault and you apologised profusely, but that made you avoid taking the train for at least two weeks.

You got startled when Ken pressed a cold can on your cheek. The corner of your eyes caught the words ‘COCONUT WATER’. Remembering how Mina had essentially pestered Ken to drink coconut water as a ‘healthy option’, you smiled. Mina had also reminded Ken multiple times that because you didn’t drink, never, ever offer you a can of beer.

”Nah,” you refuted. “You look better on screen.” You imitated taking a camera shot of his face before chiding. “Up near you’re just…” You trailed off.

”Just what?” He asked, prying open his can of coconut water. Without asking, he took yours before helping to open it up for you.

This. These small gestures were what convinced you that you were turning crazy.

”Ugly,” you supplemented.

”Hey, play nice,” he tapped the opened can on your cheek before shoving it into your hand.

You chuckled, taking a gulp of the drink before both of you basked in silence. To him, it was a comfortable silence but to you, you were currently hoping that your heartbeat would just… stop.

You thought that maybe spending time and living together with Ken Sato would further confirm that you hated his guts, but so far, you were only getting the opposite effect. You were sure there was some character development somewhere… from that first moment he destroyed your house to that moment you met him again as he was cradling Emi.

You hated this growing feeling you had towards him and it’s so painfully obvious what Professor Sato (and Mina) were planning on doing to both of you.

The worst part was it seemed like it’s either: 1. Ken was too oblivious, or 2. He knew, but didn’t want to entertain the thought.

Was it a better idea to just leave? They did say your house would be finished being rebuilt in a few days.

”So…” you croaked. “My house will be done in a few days so I think it’s better for me to start packing.” You stole a glance at him. Now… Why am I hoping that he would stop me?

A flicker of disappointment behind his eyes but he was quick to switch it off. “Sure,” he rubbed his nose. “If… that’s what you want.”

You pursed your lips. This stupid erratic heartbeat wouldn’t stop and you hated that you didn’t know what to do with it. “I’ll… start packing then.” You took another peek at him. He wasn’t looking at you.

You stood up, but he stopped you. Your heart was making its way out of your ribcage for beating too loud, but it slowed down when he uttered, “Hey, don’t forget your coconut water."

You looked at him with an ‘Are you serious?’ look before taking it, not once unlocking your stare from his and standing up, finished the drink in one gulp. You crushed the can, and threw it in one shot towards the dustbin.

”Oh, okay.” He looked surprised by your reaction.

You stalked your way to the bedroom and closed the door. Sighing exasperatedly, you pressed your back against the door and slid down. You buried your face in your hands before lightly hitting your head with a fist. You felt bad for reacting that way but you found it harder to deny the feeling when you were so confident that you would manage to resist.

Outside in the living area, Ken looked troubled, his forehead wrinkling when he tried backtracking what he did. He turned to look over his shoulder as the spherical robot hovered near him, and he threw his head back.

”What is it, Mina? Are you here to chide me again?”

”In these kinds of situations, the woman is usually hoping the man would stop her from leaving,” Mina said.

”Mina,” he pleaded.

”I believe a misunderstanding had happened,” she offered again, to which he appeared confused. “Please, do look at the screen.”

Ken’s eyes travelled to the projection Mina made. He looked even more confused as one of his solo interviews was displayed. He looked inquiringly at Mina, before the latter sweeped her robotic hands to ask him to focus on the interview.

It was an interview he did some time last week. His face changed when he started catching on what Mina was trying to show.

“So your name has become the talk of the town again for a good reason now.” The interviewer paused for effect. “This is a question that I’m sure everyone has thought of at least once when we’re talking about Ken Sato.” The interviewer looked at him. “Do you have anyone you’re interested in or at least, someone you have set your eyes on?”

Ken’s response was immediate as he laughed and shook his head. “No, no. Not right now.” He leaned back, a relaxed stance as he waved his hand in front of his face. “Right now I’m only focusing on my baseball career. Still got a long way to go. I don’t want to waste my time on something so unimportant.”

The interviewer turned back to the screen. “You’ve heard it directly from the man, folks. He’s-“

Mina switched off the replay while Ken looked regretful.

Exasperated, he said, “Mina, you know I don’t mean it that way.”

“I believe you should be clarifying that with Y/N herself and not me. She is the subject of your affection.”

“Affection-” he mulled over the word. “Do you really think so, Mina? Is this what this…” He put a hand over his chest. “Foreign feeling is?”

“From my observation,” Mina replied as she stayed close to Ken’s shoulder. “Your expression becomes livelier, your smile becomes wider and your eyes twinkle more whenever she is around. Now,” she paused, “you do have that same reaction whenever you’re with Emi. However, I do sense your heartbeat increasing every time you’re with Y/N. I believe this is what they would call a romantic attraction.”

“So in short,” he sighed, “I like her but I’m saying the opposite thing? But-” he almost grabbed Mina to ask her more, “how would I know if she feels the same way? I- I don’t think I can handle rejection from her. Do you sense anything from her?”

There was a silence as Mina backed up, making way towards her room. “I believe that is not a question for me to answer, Ken. Why don’t you sort it out with her?”

Ken looked at the door of the room you’re in, gathering the courage to make his way. He stopped in front of the door, he shook his hands, breathing in and out as his mind reeled with all sorts of apologies and words to offer to you.

He raised his hand to knock on the door, and at the same time you swung open the door, causing him to knock a fist on your forehead.

So much for Ultraman reflexes.

“Oh my God, I’m so sorry!” Ken shouted, automatically cupping your face to see the damage he’d done. “Are you- are you okay?”

You blinked, everything happening at once too much for you. He knocked on your door, you happened to open it at the same time and now he’s-

“I’m… fine. Can you…” you tapped your palm on his hand. “...let go?”

“Oh, right. Sorry,” he let go as he laughed nervously. “Reflexes fail you at times like these, right?” His face fell as he saw you avoiding his gaze. “Hey. Can we talk?”

You looked up, finally looking at him. “Yeah?”

He exhaled. “Like, properly.”

“Have we not been communicating properly?”

Mina suddenly appeared beside both of you. “I apologise for having to interrupt but yes, I do observe some miscommunication going on. So if both of you may sort it out.”

Mina’s hands pushed both of you into the room and shut the door.

There were protests from both but they quickly died down before silence stretched. Both of you exchanged glances but not words, and neither had any idea what the other was thinking of.

All the apologies and words Ken was thinking of offering to you went up in a cloud of smoke. Instead, he asked the one thing he wished he could take back. “So when are you planning to leave?” Dang it, Ken.

Your face contorted, obviously offended. “As soon as I can. Don’t worry,” you walked over to the bed, shoved your clothes into your duffel bag and zipped it up. “I wanted to tell you that I finished packing.”

”You’re leaving tonight?” This time around, he didn’t hide his disappointment. Why, why is it so hard for him to ask you to stay? To tell you what he really feels?

Sure, he couldn’t deny that his attitude came from growing up mostly without his father around. He had grown up with this wall built around him as a defensive mechanism. He found it hard to communicate with others, to explain what he really was feeling.

He pressed his lips into a thin line. He figured it was best to let the feeling die down. You’d be better off with someone else anyway.

”Just tell me when you want to leave,” he finally uttered. “I’ll open the door for you.”

You gritted your teeth and only nodded.

He turned around and shut the door. Mina and his father were outside, the latter having a worried look on his face.

”Kenji,” Professor Sato uttered.

”I want to be alone, dad,” he mentioned. “Mina,” he turned to the supercomputer, “just make sure she gets to where she wants to go safely.”

As Ken shut the door, Professor Sato turned to Mina, to which he uttered, “I trust this is not the time to ask about the progress.”

Mina answered. “Yes, Professor. I believe we may have hit a wall.”

***

You decided to leave early in the morning and with only a note, saying that you’d like to have some time off. Mina was kind enough to open the door for you, but when she asked whether you’d like to have Ken and Professor Sato see you off, you shook your head vigorously.

”Mina, tell them I’m going somewhere nice for a vacation.” You winked, but it was obvious that you were trying to hide something from breaking. “They better not look for me.”

Mina paused, as if she’s using her electronic brain to figure a way to stop you. “Kenji has a reason for acting that way.” A pause. “Though I am merely a robot with little to no experience in romantic relationships.”

You chuckled. “Thank you, Mina. Really, all of you were so kind to me. It’s just that,” you sighed, “I understand why he’d act that way. He has a whole career to look forward to. Adoring fans. He can’t be wasting-“ you gulped, the words bitter on your mouth, “-time on something so insignificant. I shall take my leave.”

”Y/N,” she uttered. “If I may ask one last question before you leave?”

You tilted your head. “Sure, Mina. What is it?”

“Were my calculations wrong about what you’re feeling?”

”And that is?”

”You hated him at first, but that hate has turned into something more… lovely."

You couldn’t help but smile. “It’s so obvious isn’t it?” You crinkled your nose. “I better take my leave before the three of them wake up.”

That was the last you saw all four of them - Professor Sato, Ken, Mina and Emi. That was what… a week ago?

Now you’re sitting, slumped in your bean bag as you groaned, bored out of your mind. Nice vacation, my ass. If that means reading the same books over and over again, surfing the web and watching the same TV shows while being cooped up in your house, you’re definitely having a nice vacation.

Even then, you found it hard to avoid that person. He was literally everywhere.

You switched off the TV, stretched, before something gigantic shook the whole city. Your eyes went wide as you realised that there was a possibility of another attack. Without much thought, you pushed up your glasses and took a glance through your apartment window.

There they are.

You saw both Ultraman and Emi traversing the landscape. You turned around to leave your apartment, but stopped as you heard sharp chirpings.

Emi was hovering near your window and you laughed, amazed at the sight in front of you. “Emi, you grew wings! You can fly now!”

The baby Kaiju smiled at you, seemingly proud that she could finally set off from the ground.

”Emi, come on.” You heard the one voice that could shatter your resolve then and there.

You tried to close the window, had enough, but the hero stopped you from shutting the window.

“Ow,” he complained, flapping his hand. Ken quickly stopped you from leaving as he said, “Look, I’ve been a jerk and-“ a loud boom resonated through the whole city, “-I want to start over.”

You sucked in your lower lip, mulling over his sentence. You lifted up your eyebrows as if to say, ‘Really, right now?’

He nodded. “I’m sorry. I like you, okay? But I didn’t know how to say it. Or maybe I was just afraid of rejection.”

You tried to keep a straight face but failed; you didn’t expect to hear a confession from Ultraman. You cleared your throat as you looked away. “Become a hero, save the day and then say all of that again,” your voice dropped to a whisper, as if anyone could hear you, “as Ken Sato.”

You’re not sure whether it was possible, but his eyes lit up brighter as he nodded. He started a light jog to launch himself before shouting, “Wait for me!” He disappeared in a twinkle in the night sky.

With your best guess, you assumed the fight must be going on between them and the KDF. Knowing that you’d be anxious waiting to see the results of the fight, you grabbed your jacket, set off into the night and tried searching a vantage point where you’d be able to at least get a view of what’s happening.

You found a spot and narrowed your eyes as you tried to get an idea of where the two of them stood. Emi… Ultraman… Is that Gigantron?

You became confused as you remembered clearly Professor Sato claiming that the most magnificent creature on Earth had died. What the hell is going on?

You gripped the railing of the bridge you were on, the fight getting further and further away from you. You watched the fight unfold… breath battered as you were silently cheering them on. You gasped as another figure launched himself into the fight.

”Professor,” you muttered to yourself. “Please, please be safe.”

The fight was a distant chaos, you could barely see what was going on. You gritted your teeth as you waited for the final call, but dropped to your knees as you realised what was going on.

”No, no, no. Ken…"

You saw the shield. Ken underneath the shield, the explosion that should have been loud, but was muffled inside the enclosure Ken had made before blinding light filled the atmosphere.

Tears filled up your vision as you saw the giant hero collapse into the sea.

***

You stared blankly at the unmoving body in front of you, while another person was strategically standing near the exit. You looked over your shoulder as you felt a light, reassuring tap.

Professor Sato wanted to offer some words of reassurance, but you merely shook your head. He let out a heavy breath, saying, “I’ll leave the two of you alone. I'll continue working on restoring Mina.”

”Thanks,” you sniffled. “Professor.”

Apparently on the day the fight happened, Mina was caught in the frenzy and was almost shut down, while the secret base was partially destroyed. Now the Professor was working on recovering Mina, while Ken…

You sighed, looking at the patient in front of you.

Nothing to worry about, actually. Despite the quick thinking of Ultraman in front of you throwing himself over the bomb, he actually managed to escape with just a broken arm. He’s not dead, Ken Sato was still here, recovering.

But what annoyed you was that it seemed every time you came to visit, he would pretend to be asleep. Not even stirring, obviously faking sleep to avoid talking to you.

So what, all that confession was for naught? Just an adrenaline rush from becoming the hero?

This time around though, it did seem like he was fast asleep. His chest was rising and falling steadily. His hair was messy, and you resisted the urge to tidy it up.

”You jerk,” you grumbled. “I was so worried for you, but… you’re really planning on leaving me hanging like this?”

”Y/N…”

You stopped grumbling to yourself as you heard the man in front of you mumbling your name. You leaned forward, curious to hear what he got to say.

”You look so…” he continued, eyes still shut.

You strained your ears to catch more.

”I like you…”

You pressed your lips together before punching his unhurt shoulder, almost too hard.

He gasped, sat up straighter, taking in big gulps of air as his irises move frantically to search for the source of the punch.

”Who-“ he blinked. “Y/N?”

”In the flesh,” you deadpanned.

”What are you-“

”I told you,” you interjected. “Tell it to my face as Ken Sato.”

He looked guilty for a moment, and you leaned back in your chair.

”You’re going to say it was a mistake, aren’t you?” You asked, clearly exasperated.

”No, it wasn’t a mistake!” He quickly said, searching for your eyes. “After the fight that day I felt like being a hero means that there was a possibility I would just-” he imitated an explosion, “disappear.”

You grabbed his collar. “If you know that even any single day you have a possibility of disappearing, that your life is short, then-” the grip around his collar became tighter, “-it means that you have to grab every opportunity as soon as you can. That includes confessing to someone you like.” You threw your hands up in frustration and stood up, pacing back and forth. “God! Why are relationships so complicated? And why am I so, so, so stupid?”

You buried your face in your hands.

“I don’t know,” you said, tears pooling in your eyes. “When you said you didn’t have any interest in anyone, and that you didn’t want to waste your time on something so insignificant. Hearing that, I just-” you sighed. “-thought that the answer was so obvious. You have your priorities straight.”

“Y/N-” he stopped you by touching your arm lightly, pulling you over to sit beside him. “That was-” He winced as he felt pain shooting up his arm. He tried again, “That was what I’d usually say in interviews before this, because baseball was the only thing that put a smile on my face. But now…” He took your hand, caressing it. “You came and it was just one, big confusion for me. You are the only person who has managed to,” he chuckled, “cause the Ken Sato to waver. It was a foreign feeling for me."

“Idiot…” you mumbled.

He pulled you closer with his good arm, and obviously inexperienced, you shut your eyes tight as you felt him softly breathing against your cheek. Of course, you thought he’d go for a kiss on your lips, but you heard him chuckle before he pressed a light one on your cheek. You opened your eyes and he was grinning.

He thought you looked adorable.

“What was that?” you asked flatly.

“A kiss?” he said, unsure of what exactly you were implying.

“Uh-uh.”

You grabbed his face, and he looked surprised as you leaned in to kiss him on the lips. Your glasses were in the way so you took them off, and you felt his arm snaking around your waist to hold you firmly in place.

In the heat of the moment and flurry of emotions, you found yourself pinned under him, his good arm caging you. He kissed you again, but this time around you felt your heart beating so loud you had to place your palms against his chest to slightly push him away.

“Ken,” you warned him. “We’re in the hospital.”

He blinked, feigning innocence. “Really? I had no idea.” He traced a finger on your cheek, wiping away the traces of your tears. He pinched your cheek as he said, “The doctor told me that I’m good to be discharged tomorrow.”

Suddenly conscious of how you’re pinned under him, you looked away. “That’s good. You can go back home in no time.”

He tapped a finger on your chin, causing you to look back at him. “My house is still under repair, remember? I’m essentially homeless.”

“You can live with your dad-“

“Take the hint, sweetheart.” He kissed your forehead before collapsing beside you, both of you cramped on the small hospital bed.

You thought about how you had never, ever brought a guy home. And now Ken wanted to…?

“I’ll think about it,” you said.

He smiled, squeezing your shoulders as you buried your face in his chest. “Can I ask just one… question?”

“Sure, shoot.”

“What was the dealbreaker, really? The one that made you agree to stay at the secret base?”

“You really want to know?”

“Of course.”

This time, you didn’t even hesitate. “The chance to see the Ken Sato naked of course.”

“Damn it. I knew that was the reason.”

[beenbaanbuun]

guard dog w/ jeong yunho

pt2

you live in a shitty apartment in a shitty neighbourhood surrounded by shitty neighbours who seem to make it their life’s work to make your life a living hell

the guy that lives across from you is an aspiring dj, emphasis on aspiring

unfortunately with him working the late shift at his supermarket job, it means he likes to practice late into the night

after the first 5 noice complaints, you just gave up trying to get a decent night sleep; part of you thinks he carried on just as one giant ‘fuck you’

the family that live upstairs aren’t great either

the son—timmy? tommy? who cares—thinks it’s fun to sit on the stairs with his buddies and smoke anything they can get their hands on

your air freshener is the only thing keeping you from losing your mind at them! well, that and the fact that quite frankly him and his friends terrify you

they watch you carefully as you make your way down the stairs, pushing through their congregation with a tight lipped, overly polite smile on your face

usually they don’t say a word, giving you little more acknowledgment than a hum as you thank them for barely making enough room for you to push through them

they make you nervous, you can’t deny that, and half of you thinks that’s the whole point

it’s like it’s some sort of strange power play to keep you from complaining to his parents, or worse, the landlord

not exactly a threat, but not not one

maybe it’s those nerves that made you open up to your friend one day

you’d met up with him at a local cafe, offering to pay for his coffee if he gave you half of the sandwich he’d brought with him

“they just spook me a little, y’know?” you mumble as a few crumbs topple over your bottom lip and onto your chin, “it’s a group of 10 over-grown teenage boys; it’s fucking intimidating!”

mingi just nods along, a small frown on his face as he listens to you complain about your living conditions for what seems like the millionth time

he gets it; moving is expensive, especially in the city, and you need to stay relatively close to where you work since you don’t have a car

it doesn’t mean he has to like it, though

“what about a guar—”

“a guard dog?” you cut him off, “mingi, we’ve had this conversation so many times before!”

it’s the truth; it seems like every single time you see him he brings up the same suggestion; scary dog privileges can get you very far in life according to you friend

“too mentally ill to look after another life, sure,” he reiterates the same point you make every single time, “but what about a hybrid?”

again, it feels like you’re in a constant loop of deja vu, destined to relive this conversation over and over again until you can finally afford to move out of that shit hole

“i can’t aff—”

“—afford a hybrid, yeah i know,” you roll your eyes as he finishes your sentence; jesus, he’s annoying, “but what if i told you i knew a guy?”

it sounds suspicious, but you won’t lie and say you’re not a little curious

perhaps you’re just a little too nosy to not lean in a little closer with a brow cocked a question of ‘who?’ primed on your tongue

“can’t say,” is all mingi says, “he doesn’t like people poking around in his business.”

he says it so nonchalantly as if he’s not your best friend who’s just announced that he knows someone who is almost definitely into some dodgy shit

you’d be a bad friend if you didn’t ask at least a few questions, but before you can even open your mouth, mingi beats you to it

“£200 will get you a hybrid though,” you almost choke on the sandwich at the price; this is some seriously dodgy guy if he’s selling hybrids for that little, “£300 if you start laying down preferences.”

“mingi,” you begin, about to beg him to get out of whatever business he’s getting himself involved in

“i’m assuming it’s a no?” he raises an eyebrow; you don’t even have to nod for him to understand your answer

he concedes, throwing his hands up in surrender like he always does whenever you have this conversation

still, the smirk on his face as the conversation moves onto something else doesn’t fill you with the upmost confidence

a week passes by rather quickly; you work, you come home, you go about your evenings as normal, you sleep

nothing seems any different, and why would it? nothing about your life ever really changes without some sort of built up or expectation

and then your doorbell rings

you assume it’s just your neighbour again, around at yours to ask you some sort of stupid question that could easy be solved using a single braincell and google

you trudge to the door with a sour look on your face and a bitterness already growing on your tongue, just to swing it open to see… not your neighbour

not anyone you recognise for that matter

your gaze travels up from the chest you stand eye-to-eye with, traipsing lazily over the defined muscles on his neck before reaching his face

a jaw set in stone, two steely brown eyes and a pair of jet black dog ears are what immediately catch your attention

that and the fact that he’s very handsome; so much so that it takes everything in you not to stare at him with your mouth wide open

“are you going to let me in?” he says as if the hybrid’s arrival at your door was at all expected by you

“who are you?” is the only response you can

“your guard dog,” he replies, and just like that everything clicks into place

mingi, that bastard

“but i didn’t pay for a guard dog,” you argue, hoping that it’ll be enough to make him go back to whatever creep it is that mingi has gotten involved with

“well, someone did.”

he looks bored as he uses a hand to push you aside and steps past you into your tiny apartment, as if this is just another day for him

maybe it is; you don’t know much about hybrids, but you’ve heard enough stories to know just how many of them go through life without a permanent home

they’re tossed from pillar to post as if they’re not conscious beings with minds and lives of their own

it’s sad, the fact that they can be so easily tossed aside by so many people

it’s even sadder to find yourself relating to that feeling

you shut the door, twisting the lock with a finality that you’re not sure you understand

“what’s your name?” you ask as you turn to face him

“yunho,” he sighs

it’s a pretty name, you think to yourself

one that you wouldn’t mind saying over and over again for the… foreseeable future…

seriously, fuck song mingi

“well i’m—”

“i know your name, puppy,” your mouth snaps shut at the authority that laces itself into his words, “it’s all i’ve heard for the past few days.”

you zip your mouth shut, something in your brain warning you not to speak out of turn

something in your brain seems to forget that this is your own home; surely you can speak whenever you want to

“i wasn’t sure what to expect, but you seem to fit the bill,” dark pupils land on your body, dancing up and down your form before finally meeting your eyes, “a pretty thing like you in a town like this? i’m shocked you’re still in one piece.”

“how dare you, i—”

“where am i sleeping?” he cuts you off like your complaints are little more than the stubborn words of a child

it irritates you to no end, and yet you can’t find the words to fight back

there’s just something in his eyes that has you convinced that maybe you’re not the one in charge here

“the couch,” you point to the ratty leather thing, feeling a slight twinge of guilt that it’s the only thing you have to offer

he takes a glance at at for just a second or two before shaking his head

“no,” he replies, “you have a double bed, right?”

“a double—” your eyes go wide, “you’re not sleeping in my bed!”

“yes, i am,” he insists, condescending and annoying. you hate him already, “because i’m certainly not sleeping on that thing, puppy.”

it doesn’t go unnoticed that he’s yet to use your name, instead sticking to that godforsaken nickname

if you thought it would make a difference, you might say something about it, but the stubborn arsehole has already shown enough of himself to make you understand that it would do very little

“the floor is available,” you spit, venemously

“and yet it tempts me even less than the sofa,” he smiles sarcastically and it boils your blood, “you’re just gonna have to get used to sharing.”

he takes a few paces forward until you’re having to crane your neck to look him in the eyes

you can practically feel his breath dancing across your cheeks as he lets out a low chuckle, a darkness washing over his face as he studies you

“you’re gonna have to get used to a lot of things now that i’m here,” warmth spreads across your cheek as his palm moves to cup it, “but that’s okay puppy, i can be patient while you learn.”

[vanessagillings]

I’m posting the ever-so-rare photo of myself alongside one of my characters based on my childhood because today is World Autism Acceptance Day, and I wanted to show my little corner of the internet who this particular autistic person is:  

I was officially diagnosed in February, at age 38 (I’m now 39). A lot of people thought I couldn’t be autistic.  Some people who know me in real life still don’t.  And until around 10 years ago, I didn’t think I could be either, because I was nothing like the stereotype media portrays. I was told that autistics lacked empathy (untrue), and never played make-believe (also often untrue) and only enjoyed STEM.  I was — and am — an empathetic artist -- and make believe?  I can spend days sketching finely bedecked bears brewing tea or carefully choosing the right words to weave tapestries of fiction — though perhaps my hyper focus was a bit of a red flag.  Even so, how could autism describe me?  I was a good student.  I got straight A's. I didn’t act out in class.  I can make eye contact…if I must.  And lots of girls hate having their hair brushed with an unholy passion, right?  Clearly I swim in sarcasm like a fish, so autism couldn't be why I was so anxious all the time, could it?

If someone had told me when I was younger what autism ACTUALLY is — instead of the nonsense I’d seen on screens — I would have seen myself in it.  I didn’t hear that autistics have sensory issues until I was in my mid-twenties, which is when I first began to really research autism symptoms, and I had almost all of them:  sensitivity to light, smells, fabrics, temperatures, textures, and certain touches, all of which make me feel anxious, I fidget (stim), I never know what the hell to do with my hands or where to look, I talk too little or too much, I have special interests, I have entire animated movies memorized shot-by-shot and can remember the first time and place I saw every movie I've ever seen but I often forget what I'm trying to say mid-sentence, I echo movies and tv shows (my husband and I have a whole repertoire of shared echolalias, making up about 20% of our conversations), I was in speech therapy as a kid, I have issues with dysnomia and verbal fluency, I toe-walk, I can't multitask to save my life, I like things just-so, I’m deeply introverted but not shy, I need to recover from all social interaction — even social interaction I enjoy — and I find stupid, every day things like grocery shopping, driving and making appointments overwhelming and intensely stressful, sometimes to the point where I struggle to speak.  It turns out, I am definitely autistic. My results weren't borderline. Not even close. And while these aren’t all of my challenges, and not everyone with these symptoms is autistic, it’s definitely something to look into if you present with all of these things at once. 

So why did it take me so long to get diagnosed? The same bias that exists in media threads through the medical community as well, and because I'm a woman who can discuss the weather while smiling on cue, few people thought I was worth looking into. Even after I was fairly certain I was autistic, receiving an official diagnosis in the US is unnecessarily difficult and expensive, and in my case, completely uncovered by my insurance.  It cost me over $4000, and I could only afford it because my husband makes more money than I do as a freelance illustrator — a job I fell into largely because it didn’t require in-person work; like many autists, I have been chronically underemployed and underpaid, in part due to physical illness in my twenties, which is a topic for another day.  But it shouldn’t be like this.  It shouldn’t be so hard for adults to receive diagnoses and it shouldn’t be so hard for people to see themselves in this condition to begin with due to misinformation and stereotypes. Like many issues in America, these barriers are even higher for marginalized groups with multiple intersectionalities. 

It’s commonly said that if you’ve met one autistic person, you’ve met one autistic person.  This is why it’s called a spectrum, not because there’s a linear progression of severity (someone who appears to have low support needs like myself might need more than it seems, and vice versa), but because every autistic person has their own strengths and weaknesses, challenges and experiences, opinions and needs.  No two people on the spectrum present in the same way.  And that’s a good thing!  No way of being autistic is inherently any better than any other, and even if someone on the spectrum struggles with things I don’t — or can do things I can’t — doesn’t make them more or less deserving of respect and human dignity.

But speaking solely for myself, the more I learn about autism, the happier I am to be autistic.  I struggle to find words and exert fine motor control, but my deep passion and fixation has made me good at art and storytelling anyway.  I find more joy watching dogs and studying leaf shapes on my walks than most people do in an entire day.  More often than not, the barriers I’ve faced weren’t due to my autism directly, but due to society being overly rigid about what it considers a valid way of existing.  My hope in writing this today is that maybe one person will realize that autism isn’t what they thought — and that being different is not the same as being less than. My hope with my fiction is to give autistic children mirrors with which to see themselves, and everyone else windows through which to see us as we actually are.

If you’re interested in learning more about autism or think you might be autistic, too, I recommend the Autism Self Advocacy Network  autisticadvocacy.org and the following books:

What I Mean When I Say I’m Autistic by Annie Kotowicz

We're Not Broken by Eric Garcia

Knowing Why edited by Elizabeth Bartmess

Unmasking Autism by Devon Price, PhD

Loud Hands edited by Julia Bascom

Neurotribes by Steve Silberman

(trigger warning: the last two contain quite a lot of upsetting material involving institutionalized child abuse, but I think it’s important for people to know how often autistic children were — and are — abused simply for being neurodivergent).

Thanks for reading 💛

[redr0sewrites]

❤️‍🩹A/n: i love him. again, more shameless, filthy filthy smut. he must suffer the wrath of my period hormones.

❤️‍🩹Cw: smut, sub!inexperienced!shigaraki, fem!dom!reader, fluff, riding, overstim, praise, humiliation kink, very mild voyeurism

❤️‍🩹dividers

pretty.

all Shigaraki could think about as you bounced up and down on his cock was just how pretty you look. your cheeks were flushed and your pupils blown out like a dog in heat, and yet somehow you still held control over him like he was some precious mutt you'd managed to tame- and fuck did he enjoy it. and by the looks of it, so did you.

"you having fun down there pretty boy? wonder what the others would think, seeing their mighty leader mewling like a bitch in heat over getting to fuck a real pussy for the first time," theres a teasing lilt to your voice that makes him shiver, yet he presses into the hand that cups his face regardless. he nods, and you coo, babying him like he's some sort of exotic pet. his cock twitches at the thought- he'll unpack that later.

"aw, you enjoying yourself? bet the real thing's ssso much better than some cheap replica, hm? were you that desperate to fuck me, tomura?" you nod your head in the direction of the sex toy, long since discarded in favor of you riding him.

his head is far too fuzzy to reply, so he settles for nodding desperately, too lost in the pleasure to even form a cohesive sentence.

"answer me, Tomura."

your voice rings out commanding and cold as the hand that had been cupping his face so gently grips his hair harshly, wrenching his head back to expose his neck.

"or do you want me to stop?"

"mmngh,, no! nno ma'am," he slurs, whimpering as you press sloppy kisses to his now exposed neck.

"aw, good boy Tomura. and you- ffuck, used your manners too! guess that calls for a reward, don't you think?"

you nibble at the junction of his collarbone, testing to see how much he reacts before biting down hard. Shigaraki lets out an uncharacteristic whimper, tugging at the restraints holding his hands to the bedposts above him. he made it clear that this was a definite condition of sleeping with him- he wanted there to be absolutely no chance that he could accidentally hurt you with his quirk, especially since he's so inexperienced. it was both sad, and a little cute, how much he cared about your safety when he was the one being fucked absolutely senseless!

a sharp role of his hips causes a stuttered whine to slip past your lips, quickly swallowed by Shigaraki in a deep kiss. teeth and tongue clash together as you finally kiss him on the lips, and he strains to meet you halfway.

"please," he gasps into your mouth, and you take the opportunity to brush away the pale hair sticking to his forehead from sweat so that you can see his eyes. "please, i've been so good.." he trails off , looking up at you pleadingly.

you smile before pulling him in to another kiss, while your hands slam down on his chest, forcing him into the mattress. Tomura mewls beneath you, tears pricking at the corner of his eyes as you ride him with newfound fury. you fondle his chest as you kiss him dizzy, one hand pinches a nipple between two fingers while the other trails down to feel each twitch of his stomach as you ride him.

"you have been good, baby. i said i would reward you, didn't i? you wanna cum, don't you?" if Tomura had a tail, you were quite sure it would be wagging right now. he stares up at you with glazed, lust filled eyes and nods fervently. Shigaraki's back arches as you begin to pick up your pace, and he's nearly drooling as he watches your chest bounce witn each roll of your hips. his thighs shudder as you rise up until your nearly hovering over him, before slamming back down onto his cock. his mushroom tip reaches your g spot with ease, and you can feel your own orgasm building up as well.

"you close, honey?" you rasp, cupping his face and slowing down so that you can savor each roll of your hips. you practically have each ridge and vein of his cock memorized, and he twitches inside you as his tip ever so lightly nudges your cervix.

"mngh- mhm!" he responds eagerly, throwing his head back into the soft pillows and once again giving you access to his neck. you happily oblige, sucking a few more dark marks into his skin. your teeth against his flesh makes him tremble, and he lets out a sharp gasp as his orgasm approaches without warning.

"o-oh ffuck, gonna!" Shigaraki moans, and his cock twitches once, twice, three times inside you. "gonna cum pretty boy? c'mon, doing so good f'me," you whisper in his ear before pressing a wet kiss to his neck. yojr praise sends him tumbling over the edge, and Tomura lets out a string of fumbling curses before cumming inside. for a few seconds he continues rolling his hips, fucking his release deeper inside of you, and its the feeling of him filling you up that makes the coil in your stomach snap. you gush around him, clenching and moaning wantonly as your orgasm washes over you.

you continue rutting against him for a few more seconds, prolonging your high before collapsing against his chest in a heap of sweat and exhaustion. Shigaraki whines beneath you as he pulls out, and you roll to the side before removing his restraints. he rubs his sore wrists, and you take the opportunity to nuzzle in close, burying your head into his neck.

"that was... really nice," you mumble, and he hums in response, embarrassment preventing him from replying.

"maybe.. we could do it again sometime?" you ask, and Shigaraki pulls away to look at you. for a split second, he looks almost... hopeful, before his usual facade returns.

"if that's what you want," he grumbles, but returns to holding you regardless.

"definitely." you reply, before slotting yourself against is bare body.

"do you mind if i stay the night, Tomura?"

"..no, i guess not."

CRYING SCREAMING I NEED HIM SO BAD HES SOOOOO. second to touya he's the loml fr 😭😭😭

[glitter-stained]

Thinking about how some modern comics writers (Tom Taylor) write the batfam and why it doesn't sit right (this post centers around the robins because of their training but some of that reflexion would definitely fit for Barbara and Cass as well.)

The thing with writing a team of people with similar training and strength is you can't take the easy route of "well this one is the smart one! And this one is the flexible one! And this one is the strong one!" .... which is obviously reductive to all of their characters. Obviously, they have interpersonal differences; Dick, being raised as an acrobat, is the most flexible, but that doesn't mean that every single one of these little fuckers doesn't like to bend, twist and somersault to dodge bullets like an annoying worm on a string being flung around in the sky. They're Robins. Obviously, Jason is the bulkiest, but that doesn't mean they don't all go through hardcore conditioning -Tim is only considered "frail" when you put him between Bruce and Jason, this guy would bench-press you any day, come on. (And DC editorial can lie to us about the girls' weights and heights and make them at the limit of ed-territory even though they're doing parkour and hardcore martial arts every day but I know the truth, Steph's strong as hell, homegirl's got bazooka-level guns). Obviously Damian was raised in the League and is proficient in a bunch of martial arts, but they all received training from a bunch of different experts, including, for all of them, the same guy (that they are all so normal and chill about.) Obviously, Tim is the one who used detective work to figure out everyone's identity but you're kidding yourself if you think he's the only intelligent/detective one amongst the robins. Being smart and a detective is a defining part of all of their characterization, and so is being a leader and a strategist. And then of course with that kind of simplified characterization we end up with Steph being "the girl robin" and Damian "the assassin one/stabby one" and Duke "the meta one" (yes this post counts Duke as a Robin. They trained him and also just cause I wanted to. I love him.)

And even if we make an effort and try to dissect it "this one is the detective smart one! And this one is the strategist! and this one is smart in a more techy-way! And this one is the leader! And this one- hey what kind of intelligence do we have left..." obviously doesn't work either. Duke was a exhilarating strategist in WaR already, Jason's strategic work in UTH and detective in Lost Days is thrilling, Damian is a fucking child surgeon (do I need to develop how intelligent that kid is), Dick was the first leader of the Titans and is always doing detective work like, that's an inherent part of his character, Duke was a cute-ass baby doing puzzles and planning to defeat the Riddler himself, Steph literally became Spoiler to stop Cluemaster (girl knows to solve riddles that would make Nygma shit his pants), they've almost all lead a team at some point, etc, etc. All of this is great and cool and a character being great doesn't take away from the skills of another character! Stark contrasts cannot possibly be the only interesting team dynamics, especially since they already have their own teams of contrasting skillset and personalities.

Imo, best robin team-up dynamics is them stepping on eachother's toes with their plans, getting into rapid-fire brainstorming sessions where they're all finishing eachother's sentences, reaching a conclusion and saying it out loud at the same time, one of them having a crazy ass plan and suggesting it to the other and the other saying "i like the way you think" to that person who thinks exactly like them, getting mad at eachother for being stubborn while also being a stubborn little shit, pulling complicated acrobatics together, and just thriving solving a good old complicated mystery with other people who are just as competent and enthusiastic about detective work as them but not a carbon copy, with extremely specific strength and weaknesses and quirks (like Dick's ability to recognise heroin by putting it in his mouth, Damian's uncanny voice imitation ability, etc.)

Of course, this doesn't even begin to touch the family drama, but honestly we get so much family drama angst with no real consequence rn, I'd really love just a robin team-up, relatively low-stakes (aka nothing taking over the city, the world, no past traumas unearthed to haunt them or parental abuse or secret cults etc etc.) Just a very elaborate murder mystery and a good excuse for all the robins to be there and a story that works with their similarities and their potential (both comedic and in terms of plot) rather than erasing it. It would be so much fun!

[andhumanslovedstories]

I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."

Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."

And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.

There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.

Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.

So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!

(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)

Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.

This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.

[literaryvein-reblogs]

When your Characters Need to Build Trust in their Relationship

High trust levels are key to a healthy, lasting relationship—here are a few tips on how to build trust from psychotherapist and relationship expert Esther Perel.

Trust - the act of feeling comfortable, safe, and cared for in a relationship.

It is a vital bedrock of a successful relationship because it allows each person to be vulnerable with the other and continue to feel supported and sustained.

It encourages teamwork, collaboration, and healthy interdependence and is a sign of emotional intelligence (or, as Esther calls it, “relational intelligence”), effective communication, mutual respect, emotional intimacy, and overall well-being.

In a romantic relationship without a foundation of trust, partners may feel uncomfortable, insecure, or anxious. Sustained trust issues or a complete lack of trust in a long-term relationship can lead to overwhelming emotional strain, burnout, breakup, and even physical and mental health problems.

How to Build Trust With a Romantic Partner

Trust is one of the building block of a healthy relationship. Here are a few different ways to build trust according to Esther:

Determine your relationship to trust and risk. In Esther’s experience, building trust starts with understanding your own needs. “Do you see yourself as someone who needs to trust first? Or do you see yourself more as someone who is more quick at taking risks?” Taking stock of your own needs allows you to “ground yourself in the reality of the here and now” before building trust with a partner. “Some people say that you need to trust someone, a relationship, before you are feeling okay to take risks with that person. But some people will say—and this is how the research divides around trust as well—that it is actually by taking risks that the trust develops.”

Embrace taking micro-risks with your partner. Esther recommends taking very small risks as a way to practice trust-building in a relationship, creating a little trust at a time as you work toward deep emotional intimacy. “A micro risk … is not a specific thing,” she explains. “It’s the thing that I don’t usually do.” Examples of micro risks may be sharing information about your personal life, making an observation of the other person, challenging yourself to say “no” to something, or challenging yourself to ask for something—as long as it’s something you don’t normally do. Once you take the risk, you can see how the other person responds to it and continue building levels of trust (or identify that something isn’t working). “It's an experience that is built through mutuality and reciprocity,” Esther explains.

Learn to navigate breaches in trust. “When [trust] breaks, it feels shattered and unable to ever be put back together,” Esther says. That response is completely normal—breaches in trust hurt, especially in lasting relationships. “But, in fact, [trust] is quite malleable,” she says. “Life and new experiences, like grafting new cells on top, slowly allow us to experience the trust again.” Avoid jumping to conclusions or making hasty judgments—instead, give the other person the benefit of the doubt, allow yourself time to recover from breaches in trust, and then check in with yourself using your new life experiences to decide how to move forward and whether you can repair things. Even when trust decreases, it is possible to slowly rebuild trust through careful, hard work.

“Trust is one of these concepts that suffers from a definitional vagueness. We all know when we feel it, and we all know when we don’t. But what is it? Is it a feeling? Is it a condition? Is it an outcome? Is it a state? What is trust? And the research is all over the place. At the end of many, many, many papers, what you hear is the sentence, ‘The research could use more research on how to define trust.’” —Esther Perel

Source ⚜ More: Writing Notes & References ⚜ Writing Resources PDFs

[endless-ineffabilities]

chemical override (6)

Ewan Mitchell x actress!reader

a/n: I hope you all have found ways to cope after the breakup, but here all your questions will be answered on what went down pre-August! Special shoutout to @just-fics-station @thepurplecrown @clarkysblog @hotdismylife and @sprinklesprinkle888 for sharing your ideas and indulging me with the lovely, crazy discourse!

To everyone, I am so chuffed at how this has become OUR story - our lil self-indulgent Ewan Nation production. You all are aces <3

series masterlist ▪︎ main masterlist

In the aftermath of the breakup, the reader and Ewan throw themselves into their work, trying (and failing) to avoid any trace of the other. Will they remain this way - former lovers doomed to drift in each other's orbit?

Some time before August

New York City

The lush office was laden with expensive wooden antiques, one side with built-in shelves displaying film awards and plaques of varying degrees of prestige. A full glass minibar occupied the other side.

The casting director introduced himself as Bruce, insisting that Ewan call him by his first name and not any of that "sir or similar stick-up-the-ass names". Ewan can see him as a mentor or maybe even a friend, Bruce insisted.

After all, they were going to help each other out a lot.

The discussion was straightforward enough, never mind the saccharine tone Bruce seemed to be so good at. Aimed at making Ewan feel welcome, coddling him, remarking with awe at his projects thus far. But there was a fakeness to it. Ewan steeled himself, trying to adapt to the style of conversation. After all, if he is in this for the long haul, then he would have to get used to these situations.

Bruce appraised him, leaning back on his leather swivel chair. "How are you with the fantasy genre? All that YA, lovesick stuff the kids eat up so eagerly nowadays? Personally, I haven't got the taste for it, but it always makes bank, if you know what I mean."

"Oh, well, I'm a fan of all movies. I definitely see why the fantasy genre has made such an impact on audiences, especially with the romance element, you know, I get the appeal."

"Well, son, we've got a solid franchise in our hands here. Some adaptation of an elf-human love story, mind you, it sound ridiculous, but you know how it is. And the team seems to be in agreement - you fit the bill for the male lead. The male elf lead - " he almost guffawed at the thought, then collected himself " - hope you don't mind my saying that you've got elvish features yourself. Long nose, long jaw, lanky. The teens are going to eat you up."

"Ah," Ewan smiled curtly, nodding. There was a backhanded compliment if he ever heard one. "Well, sir, I've read the script - at least, the bit that was sent to me - and it looks quite promising. I'd be honoured to - "

"Of course, of course!" Bruce exclaimed in pleasure, cutting Ewan off mid-sentence. "And there's the case of your leading lady, and this all boils down to chemistry as you know. Our top contender is that Jenna Ortega girl from the Netflix show, you know her?"

Ewan nodded, well aware. He's seen her work, and thinks that she is a top actress of her generation, but leave it to Bruce to reduce her to being that girl from the Netflix show.

"Yes, she's a very talented actress," Ewan replied.

Bruce hums in agreement, head bobbing as a smirk materialises on his face. "Think she's a looker?" he said openly, without shame.

Ewan laughed nervously, his words caught in his throat.

Bruce, characteriscally oblivious to the discomfort of others, carried on. "I only ask because we're going to need you two to be pretty chummy with each other when you jump on this project. It's kind of a condition of the whole thing, but really nothing to concern yourself with." He waved a hand in the air, his proposition barely carrying any weight in his mind. But Ewan was catching on, and he started to develop a dislike about the whole deal.

"What do you mean?" Ewan asked.

"It's pretty common in this business, son. There's a reason why young, new actors like yourself opt to remain unattached so to speak, so they're always open to a PR arrangement or, you know, just so their - your - hoards of fans would think they got a chance with you," Bruce explains lazily. "In this case, since you and Ortega are, as I said, unattached, getting you two together would fuckin' do wonders for our movie."

Our movie, he said, convinced that Ewan was all in, because why would any young actor refuse such a golden opportunity? Franchises like this can set up an entire mainstream Hollywood career.

Ewan thought that he wasn't unattached. Granted, his date with you was yet to happen, but he already felt bound to you. He wished you were the one tapped to be his love interest. Very little acting would be needed there. Maybe he might even be inclined to go along with the idea of selling the relationship, using it for publicity for the film, but even that made him uneasy.

The industry offered a lot of privileges, but more often than not, they come at a cost.

"Sir, I - "

"Bruce."

"Right, sorry. Bruce, I have to tell you that I'm not exactly unattached."

"Got a partner?"

Ewan actually found himself smiling at the thought of you being called his partner. His first easy smile since entering this office. "Yes, she's an actress herself," he agreed.

"I heard of her?" Bruce asked with obvious disinterest. You were but a wedge in his flawless plan.

"She's kind of a new talent like me, but she's brilliant. She plays Alyna Rivers in our show."

"Ah her," Bruce loosened up a little. "I get it, she's a piece."

Ewan cleared his throat loudly, his jaw clenching on instinct. "So, like I said, I'm with her. I'm sorry but this whole PR arrangement with Jenna wouldn't work."

"Look, kid, I want my movie to do well, alright? I got a lot invested here. This PR thing has proven to be highly bankable time and time again. If you don't trust me, I can ask the team to show you the data on all that. It's a lot of boring numbers, but shit, the numbers are never wrong."

"I don't need to see - "

"If you wanna be with your girl, you can, but you just gotta learn to hide it. Sweep it under the rug, you know. Don't canoodle in public, you crazy kids," Bruce offered, like that made things any better.

"You want me to hide my relationship?"

"Hey, now, come on. Word gets around. Isn't your girl also doing this exact same thing with Jacob Elordi?"

"Not anymore, I don't think," Ewan clarifies, "and that was... that was hardly anything. They weren't obligated to do it. It just worked by chance because they were both single for a time."

"Po-ta-to, po-tah-to." Bruce clicked his tongue before making his next point. "So you see how it works, your thing with Ortega won't be any different."

"Do I have a choice?" There it is, the defining factor.

Bruce smiled slowly. The calculating and menacing air about him intensified, and it was obvious he was not there to be Ewan's friend.

"It would be stupid to refuse something like this, kid."

Ewan's blue eyes flashed in return. None of this was ideal, but his nan raised him well, and he knew better than to falter on his values in times of trial.

"Sir, what's stupid is if you ask me to hide my real relationship for the sake of mere publicity for a film."

"Stupid you say?" Bruce sneered, having already discarded Ewan in his mind, his fragile ego bruised. "What a shame."

There wasn't much to say after that. Bruce was clearly not disinclined to reveal the ice that settled in his veins, and it dawned on Ewan that it had always been the case. There was no true hospitality here.

For bigwig casting director-slash-execs like Bruce, this was a transaction. And Ewan was not about to put what he has, or what he could have, with you on the line.

There has to be another way to advance his career. If not bigger productions, then at least those with less domineering producers.

"That is a shame," Ewan said, getting up from his seat. "I won't waste any more of your time, sir. Thank you for considering me."

Bruce's eyes darkened even further. "You're actually refusing me? For some girl?"

Another genuine smile formed on Ewan's face at the thought of you. Some girl.

But you're not just some girl. He nodded without a trace of doubt in his mind, before reaching out to shake Bruce's hand. "If you don't mind, sir... I have to go and see my darling."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Near the end of August

Los Angeles

The modern space sported a minimalist yet rustic feel, the interiors a blend of sterile white and sleek wooden surfaces. Very LA, as they say. The windowed walls offered plenty of light, as well as precious views of the valley below.

"Thank you for agreeing to meet with me, Donna," you greeted Ewan's publicist as she ushered you in her LA office.

"No problem at all, sweetheart," she said. "Please, have a seat. Would you like some coffee or tea? Ewan always has his coffee with way, way too much sugar. Mind you, if that kid wasn't active and boxing all the time, I'd be worried for his health."

You smiled fondly at her genuine concern. "Don't even mention the cigarettes."

"Oh, yeah," she scoffed, settling down on the chair across from you. She could have sat down at her desk, making the meeting more official, but Donna's always had a friendly and open way about her. "So, my sweet, how's your new movie coming up?"

You respond eagerly. The dialogue flowed freely, talking about your film and the lukewarm reception of season 2 of House of The Dragon. And finally, Ewan.

"I really thought he would get the Greta Gerwig film," you said. "Everyone said he was perfect for it. I think Greta herself had nothing but praises for him when they met on Zoom."

She sighed thoughtfully, "I thought so too. And, theoretically, he did have that one almost booked up. But there was an issue with one of the producers, which - I don't even want to get into that."

You shook your head, catching on whom she hinted at. "Donna, I heard... well, it didn't go too well in New York, didn't it? Ewan told me about it but... if you can tell me more, I just want to understand why - "

"Sweetheart," she offered a smile, but it doesn't reach her eyes, "you should talk about this with Ewan."

"I tried. But he wouldn't budge. Mallory told me... that it might have been because of me that he didn't get the role? And also why he's struggling to get roles now? Donna, I... I can't have that."

It took some time for her to formulate a response. She didn't want to step in something that's none of her business. Your relationship with Ewan is yours. But when his career is on the line, she supposed that she needed to have some say in that.

"He met with this top producer in New York. This real old money Hollywood guy. For decades, he's built careers for the greats, you know - Pitt, DiCaprio, Theron, and whatnot. There was a franchise project practically offered to him on a plate, but Ewan refused, because a non-negotiable was that he would have to hide you in favour of a PR arrangement with his leading lady."

You swallowed, the weight of the truth making itself clear. "Couldn't he have just done the movie without that?"

"You would think," she grimaced, "but some producers... when they want something, they have to get it. And well, Bruce wasn't lying, that would have sold the movie well."

"I thought we were past this," you expressed sadly. "I understand how PR relationships work. Just recently, I found myself kind of in the middle of one. But there was no pressure, it wasn't forced on us, and it was meant to be all in good fun."

"I know, sweetheart," she insisted, reaching out to squeeze your hand. "Bruce is an outlier now. Most of the time you do get lucky, with an all-around supportive production team, just like with your project with Elordi."

You hummed in agreement on that positive note, but your mind kept drifting back to Ewan.

Donna continued, wrapping up her story, "but Bruce is still here, and he still has a lot of power. But you know, it'll be fine. Ewan's got such a huge fanbase and so much talent that it'll only be a matter of time before something else knocks on his door."

You wanted to share her sense of optimism, but something ate at you. What else will Ewan have to sacrifice just to be with you? This was his dream, his one dream, and you were standing in the way. How much longer before he is offered another project but he refuses to take it for your sake? Your thoughts blurred together, bordering on irrational, but you couldn't help it.

All you could picture was the unabashed sincerity on his face, that sense of wonder, when he told you that acting had always been his dream.

Being tied down to you, this early in his career, would surely only hurt him. And you don't think you're worth it.

"Ewan loves you, sweetheart. Anyone with eyes can see that," Donna said after a while, heeding the storm brewing in your expression.

He loves you. It was true.

Less than a month in, and you've already found yourself with a love that you've never felt before. And perhaps never will again.

And that was the problem.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Late September

The podcast moderators are overly welcoming, if not a little loud for Ewan's taste.

The BBC podcast is called Loose Ends, and it's one of the first things Ewan agreed to take on upon returning to England.

He had wanted to head straight home to Derby, to bury himself in his heartache and bitterness, but the team for the show tapped him for a couple more promotional stints, riding on the high of the season finale. And who better than Ewan to offer to the media, the undeniable fan favourite.

Clad in an old gray shirt and blue jeans, people would think he just rolled right out of bed. He didn't really have the motivation to put in more effort. The only striking thing about him is his newly bleached head of hair, supervised by his stylist for a photoshoot a few days ago.

It was ironic, the timing of such a change. Ewan knew that if word got out that you dumped him, he would never hear the end of the joke of that being the reason for his hairstyle change, typical of all heartbroken sods.

Everyone bursts into laughter when he tells them about his mum's reaction to his nude scene. It feels like going through the motions, and he must have been so out of it, so forlorn, that his team prepared an outline for him prior to the interview. The questions and answers all pre-agreed.

Make them laugh. React as required. Remember to speak when spoken to. The mantra goes on in his head.

And don't think about her.

An impossible task, worsened when a moderator goes off script and asks, "Now it wasn't me who saw this, as I'm not on social media myself, but one of our interns did mention that you ventured into Instagram recently? Is that true?"

Oh fuck.

"Mmm, yeah, I guess," Ewan laughs nervously, his hand massaging the back of his neck in a self-soothing motion.

"And your first post went viral? What can you tell us about that? Our listeners would love to know."

"Uhhhm - " He remembers that the broadcast is live, and he can't exactly ask them to edit this part out, so he quickly settles for something indirect. Inconclusive. Safe. " - did it go viral? I'm not too sure how that thing works. I haven't used any kind of social media before."

"Apparently it did! And it had to do with the subject featured in that photo, Ewan. Your costar - "

"Mmm," Ewan stops him there, "didn't you say that you don't use Instagram?"

"No, I think I'm too old!" The moderator laughs.

"It's insane, that whole thing," Ewan shakes his head. "I don't know how to handle it. I'm logged off most of the time."

"Oh, you log off?"

"Yeah, yeah, helps me keep my focus, you know. Keep calm and all that."

"It can get frivolous, can't it?"

Ewan hums in agreement, and thankfully, the moderator moves on to his last question. One that does not breach the subject of you.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Another day means yet another media stint for Ewan, this time for Now TV.

Still in London, his stylist Davey and the rest of the team prepare him for a day of brief interview clips, to be posted on the social media pages of the company.

Davey had half-joked about Ewan needing even more concealer than usual, the shadows under his eyes having significantly deepened after the breakup.

Some of his team have gotten wind of what happened. They would curiously ask about you, how often Ewan keeps in touch with you while you're on set...

You must be on FaceTime everyday!

Is it hard to be doing long-distance so soon?

Do you miss her? Is that why you're not getting any rest?

...but Ewan would only laugh uncomfortably, dismiss it by bringing up another topic or shifting the attention to someone else, or excuse himself to go for a smoke.

He'd been drowning himself in cigarettes and caffeine during the day, pint after pint in the nighttime. Aimless.

He is coping. He knows how it must look, but he deserves this. He deserves to drift for a while. It's the only thing he can do to keep himself from jumping on the next flight to Atlanta and begging for your hand back.

You said you love him. You did. He hangs on to it like a beacon in a storm. No matter how pointless it may seem, with you choosing someone else over him.

Work is becoming something of an anchor, something that keeps him from spiralling. He's an actor, and he has always wanted to be an actor. People now have expectations of him, and he will answer the call.

The interview session begins with generic questioning, stuff he's answered before on several occasions.

How special is the bond between dragon and rider?

What is a funny moment from set that you can share?

How similar are Aemond and Daemon?

All safe. He's proud of himself for not breaking mental clarity thus far. You're in the back of his mind, dormant as a memory, and not something looming darkly over him. For a while, at least.

But then he is asked, If you could invite any 5 people to a Ewan Mitchell dinner party, who would you pick?

"Matthew McConaughey - "

You.

" - Bruce Lee. I think they could strike up an interesting conversation - "

Your name echoes in his mind, and he can't control it.

" - Andrea Riseborough. She's just a chameleon, like in any role she undertakes -

You have great taste. Even if you would make him eat spicy food again, he'll take it. He'll endure anything for you.

He's stumped for a second, lump in his throat, and his effort in avoiding you leads him to mention someone who will always be a comfort to him.

" - Maybe my nan, because I miss her -

Your name. He has to say your name. Who else? Think of someone else.. but who else? Who would be better?

" - and then, another person. Let's make it from the show... it would be Alyna Rivers."

"Oh really?" The interviewer asks. She's not really meant to respond in this instance, but she knows that the fans would go crazy about any mention of you or your character, so why not jump on this opportunity? "Can you tell us why you chose her?"

"Uhhm, well, she's just an amazing character, you know, fiercely loyal, beautiful, tenacious," Ewan replies easily, "so yeah, she would make for good company."

It is obvious that he is describing you just as much as he does Alyna Rivers, and no doubt, the fans will catch on to this detail.

Later, he's asked about his favourite part about season two, and he duly answers, "Seeing more of Aemond and Vhagar's bond and how that perhaps have gotten stronger. Aemond has definitely reined her in, after the accident at Storm's End."

Then, "There are some new additions to the show. Do you have a particular favourite?"

Another obvious piece of bait. And he takes it, he doesn't care anymore. What's the use of denying the truth?

"A favourite new character? Oh, well, uhmm... I really do like Alyna, and I think I've said before that Aemond and her are quite similar in a sense that they both know what they want and how to achieve it. It's just a shame they're on opposing sides, because if those two get together... " he trails off, leaving it up to the audiences to fill in the rest of the thought.

And they eagerly do. The clips where Ewan mentions Alyna get the most traction, flooded with comments that more or less talk of the same thing -

We know why you chose Alyna, Ewan. We know your ways.

He could have said Alys. Or Gwayne. Or even the ghost of Daeron ffs. But nooooo.... it's Alyna Alyna Alyna 😮‍💨

I wonder if she's there behind the scenes

yeah shes definitely lurking in the background!

Aemond and Alyna better have at least a scene together in season 3!!!!!

Someone kidnap Ryan Condal and make him write this

Ewan doesn't see any of it. Not that he's missing out, because he soon feels the need to call his younger cousin to ask her how to turn off his notifications on Instagram.

Day in and day out, his one single post gets dozens of new comments and likes, a brutal reminder of what he's lost. He could just delete it, and get rid of his profile entirely, but he hates to imagine the discourse that would follow.

All the invasive allegations and rumours. So he leaves it be. It makes no difference to him now. Let people believe what they want.

To his chagrin, he finds himself scrolling on his home page once in a while. The addictive element to it was true, and for him, it's exacerbated because the things he sees are often related to you.

Photos of you from fanpages and news accounts. Ones where your friends have tagged you. It's a toxic habit, looking through it all, but he can't help himself.

Then one day, as he's slouched on the seat in his London apartment, phone propped on his knees, he sees a cutout photo of his face on the corner of the screen. He clicks on it, and it's an image of him interposed among different posts. Posts which he apparently liked.

"Oh for fuck's sake," he cusses at himself, reading the caption.

Boyfriend lurking? - Ewan Mitchell may play a formidable TV villain, but in real life, he's just like us. Click on the link in bio to see his series of liked posts!

Dread takes root in him, followed by self-loathing. Why couldn't he just keep off this bloody thing? He takes to the comments to see what he has allegedly liked on accident and it's predictably photos of you - you at a premiere, stills of you as Alyna, and even, heavens fucking forbid, a behind the scenes shot of you getting pretty close with Jacob Elordi on the set of your film.

He vividly remembers seeing that last one, because he went on a bender after coming across it.

Cursing himself and his wayward, sticky fingers, he exits the app and deletes it from his phone.

Whatever goes on there, whatever people might leave on his profile, he washes his hands of it.

He calls up several of his mates, asking them if they want to come over for a few drinks.

"Again, Ewan?" one of them exclaims. "C'mon, you gotta take a breather, mate."

"I don't need a breather." I need her.

"Ewan - "

His composure breaks, all his damned frustrations rising to the surface, and he confesses, "I wonder if she thinks about me."

"Hang in there, mate. We're coming over."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

October

The director finally yells a satisfied, "Cut!"

It's only taken a good twenty-something takes for you and Jacob to nail a challenging scene. You had been on a roll since the beginning of the shoot, the last few weeks seemingly a breeze on paper, though it's a constant struggle to keep it together.

You've had to quell your internal dialogue so it does not stray to him. His smile. The feel of his skin against yours. His way of subtly picking up on details, and doing sweet things that surprise you as a result.

But you received word just before the scene that a few of your friends have come to visit, waiting back at your trailer - Phia, Fabien and his girlfriend, Bella.

And so, as if on instinct, Ewan is all you can focus on, every repressed memory of him rushing in like a tidal wave.

Do they know? What could you possibly say to justify what you did? You can only hope he took on that project, to give you a bitter sense of vindication.

It's the only thing that keeps it all the bay, the only thing that keeps you from jumping on the next flight to England and grovelling at his door.

Phia has her arms wrapped around you the moment you open the door to your trailer, loudly squealing, "I missed you!"

You sink into the hug, comforted by her presence.

As well as the fact that she represents some connection to Ewan.

Phia, Helaena. Helaena, Aemond. Aemond, Ewan.

It's a sick game to play, but it's what you have.

"Hey, yous," you hug Fabien and Bella in turn. Not long after, you're all lounging on director's chairs right outside your trailer, enjoying a bit of sun.

"How's our big Hollywood star?" Phia quips, her lips curling in her trademark pleasant upturn.

"Hardly a star," you shake your head fondly. "More of an indie darling."

"Of course, of course," she relents, before going on a monologue about how she's been keeping tabs on your project, how she just adores the costume designer whom she spoke to at length while you were working, and how the rest of the cast is rooting for you.

The rest of the cast.

"Ah, are they?" you ask, making a conscious effort to not simply blurt out his name. What does he think? Has he mentioned you at all?

Do they know?

Do they secretly hate you for what you did?

"Mhmm, right Fabs?" she says.

"Oh, definitely." Fabien agrees right away.

"How's your film? Are you done shooting in Philly?" you ask him.

"Just about done, but I think we're doing some final reshoots next week. I'm just glad my girl's here to visit," he slings an arm around Bella, who smiles and leans closer to him.

You smile at the sight, but it visibly falters. Ewan could be visiting you on set right now, just like Bella with Fabien, if you hadn't fucked it all up.

They notice.

"Love," Phia sighs, her tone softening. "I just want you know - we want you know - we're here for you, okay? No matter what you went through with... " A pause. Like saying his name would open up the floodgates.

Your gaze falls to your lap in shame. You pick on invisible lint on your trousers. Bite your lip. Breathe deeply.

Don't cry, don't cry, don't cry.

"So you guys know, huh?"

"Well, more or less," Phia says. "I just spoke with... Ewan... recently. He's back in Derby for the time being, and he's - "

"He's a bit rough," Fabien says firmly. He's not taking sides here, but he's heard from Ewan, and he feels the need to have his mate's back. "Look, I don't want to pry, but what happened? It seemed like you guys were doing so well together!"

"You don't have to tell us," Phia adds, shooting Fabien a look. "But if you want to, we're here to listen. We love you both and we just want to help, love."

You feel your eyes welling up. Leave it to Phia to be oh so sweet. You can't lie to them, you don't want to. Even if you did, they would see right through it.

Your friends know you too well.

"I... I miss him."

Phia squeezes your hand, and the whole story is about to spill out of you when you hear your name being called.

It's your assistant Clara, letting you know you're needed back on set.

You swallow back tears, standing on your feet, trying to maintain enough composure so you can grant yourself access back to your character.

"Go do your thing, superstar," Phia smiles comfortingly. "We'll be here when you're ready."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

November

"I'd like to propose a toast," Tom declares out loud in the empty pub, "to Ewan, Hollywood's new elf... Lord? Prince? Ah sod it, cheers!"

Round the table, Ewan, Fabien, Luke and Elliott all raise their pints with a collective, "Hear, hear!"

The pub has been cleared out for the lads, thanks to a favour called in by the twins, with the owner being their gym buddy and good friend.

"Thank you," Ewan replies, smirking. "I am your new elf prince, address me as such."

"Your ears have never been pointier, mate," Luke quips.

After a month of moping back home in Derby, or recovering as Ewan prefers to put it, he got a call from his manager telling him that the offer from Bruce still stands.

Apparently, the production team for the movie still had him tapped as the prime choice for the lead. After observing his audience metrics and overall viability, they decided that the movie would fare the best with him in it.

They had planted some half-baked announcements in the media, stating that it was Ewan against Joseph Quinn and Manny Jacinto for the role, and the fan reaction veered in Ewan's favour by a landslide.

Even though Bruce had an unsavoury word or two to say about him, he was willing to work past it, so long as Ewan would be more amenable to his demands.

After careful deliberation, Ewan chose to throw caution to the wind, and accept the role. So what if he has to pretend to have a real-life romance with Jenna? This is what you wanted.

"I'm glad you finally came out to see us, mate," Fabien says. "It's been a while."

"Yeah, fuck's sake. Remind us never to break your heart! That was tough to witness, you hunkerin' down out there all mopey and whatnot," Elliott laughs.

"Mmm." Ewan takes a swig of his beer to hide the wince he couldn't hold back. His friends, and most of the cast know by now, not in too much detail, of what went down between the two of you.

A typical short-lived romance of two actors. A summer fling. Most of them would look back and only see it as that.

Even though it was so much more. Even though Ewan still recalls how warm and soft and beautiful you felt as you whimpered underneath him, the loss of you as painful as getting hit by a freight train.

The liquor helps. Burying himself in work helps. Denial... well, that certainly helps the most.

When he goes out to the back garden for a smoke break with Fabien, he tricks himself into believing it's mere curiosity that compels him to say, "Phia mentioned that you guys went to Atlanta."

Fabien is rendered off guard, because he knows what's coming. "Yeah, we did. Bella came with us too. She was visiting me on set," he says, measuredly.

"Mmm." A long drag, a flick of ash towards the ground, an unaffected shrug - and eventually, with as impassive of a tone as he can muster, Ewan asks, "So how is she?"

Fabien smiles knowingly. "She's doing great. Her film's looking pretty good." He's privy to the truth, after he and Phia managed to gently coax it out of you over several martinis at a hotel bar in Atlanta. But he doesn't think it up to him to reveal that to Ewan, out of respect for your privacy.

While he might not share your sentiment, he thinks it's not in his place to tell Ewan that you basically lied for his sake.

But that doesn't mean he won't drop a helpful nugget or two.

"You know, I don't exactly know what's going on... but her and Jacob came across as nothing more than friends."

Ewan's hand freezes mid-air, the cigarette inches from his lips. He loathes the sense of hope that immediately bloomed in his chest. He's so bloody easy. One miniscule hint, and his delusions break through the wall of indifference he worked so hard to build.

"She said she has feelings for him," Ewan stresses, trying to convince himself. What was the fucking point of all this... this pain... if you never did?

"Hey, mate, I dunno," Fabien puts his hands up, "just telling you what I saw."

"It doesn't matter." It does. "She ended it." He wants you back, he will always want you back. "It's better this way."

"Is it?"

Ewan doesn't answer. He doesn't know how to, without grossly embellishing the truth.

Fabien watches his friend, sensing his hesitation as he averts his gaze. One thing becomes clear to him - you and Ewan are far from being over.

So he says, "She misses you, you know."

Ewan regards him with a stony look, one that slowly softens to reveal the broken boy inside. For but a moment, before he clears his throat and throws the butt of his cigarette on the ground.

"Let's head back inside."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

December

You're back in London, as production for your film is paused for the upcoming holiday season.

Work is supposed to be the last thing on your mind, but it just so happens that your manager has you booked for a chemistry read for a yet undisclosed film.

Phia came over to your apartment, insisting that she help you get ready. When you asked how she found out about your audition, she was quick to say that she was up for the role as well but didn't think it was right for her.

"Why not?" you ask, as she hovers over you, patting blush on the apples of your cheeks.

"Oh, you just get a feel for these things."

"Phi, it's just a chemistry read," you say, when she reaches for the mascara. "I don't need to get all dolled up for this."

She gasps, "Oh, but this is showbiz, darling. We always have to put a face on."

"Fine," you relent. "Do your worst."

The makeup she ends up doing on you is minimal, but it enhances your features just the right amount. You rush through your final preparations, folding up the script sample you were given and stuffing it in your purse.

Phia stands out on your balcony, in the middle of a call. The window screen is slightly open, so you hear snippets of the conversation as you walk by.

"Is he ready?" she asks. Who's he? You assume it's the guy you are doing the read with.

You don't know about him, but you are ready, so you stick your head out to say, "I gotta go, Phi."

"Oh!" She startles a little, angling her phone away. "Already?"

"Yeah, the read's at 4, I believe. Just lock the door when you leave, 'kay?"

She hurriedly whispers something to her phone, presumably ending her call. "I'll actually head out with you," she grins. "My work here is done anyway."

"Any plans for the night?"

She shrugs, "Might meet with Tom and Martha."

"Oh, why don't I meet you guys after my thing?"

"Uhhhm," she chews on her lip, thinking. Under her breath, you barely hear her mumble, "... hoping you'd be busy."

"What?" A restrained chuckle escapes you, confused as to why she's being so coy.

"Nothing," she tilts her head. "We can meet if you'd like."

The weird exchange is out of your mind when you arrive at the casting agency. You run the scene through in your head as you walk in the building, up the elevator, down the long hallway.

It's a heartfelt scene, if not a little tense, a dialogue between reunited ex-lovers.

Your manager Polina and publicist Mallory greet you at the doors, swiftly briefing you before directing you in.

"They're waiting, just walk right in, doll," Polina says.

"Okay, wish me luck!" You have your hand on the door handle when Mallory strangely remarks, "Don't hate us, sweetheart!"

"Why would I - "

"Go, go," Polina guides you in, then shuts the door behind you.

The office sports an spacious and open layout, with plenty of natural light streaming through large windows. The primary workstation is partially hidden behind a subtle partition. You see silhouettes of a few people behind it, so you walk down that way.

The figures reveal themselves soon enough - the casting agents you recognise as Patrick and Amie, sitting in front of the actor you're meant to read with.

A range of emotion washes over you, but you don't even have time to reckon with them. The casting agents divert your attention from Ewan, as they approach you with wide smiles in greeting.

"So nice to finally meet you!" Amie croons. "Take a seat. You two already know each other, of course. Between us, there won't really be a question of chemistry here."

"Right?" Patrick adds, looking between you and Ewan. "The fans sure think so, and we have to say we already agree."

"So just give us a minute to set up," Amie says. "Then we'll start."

You smile stiffly, settling down on the opposite end of the couch. You keep your gaze straight, trying to keep your attention on Patrick as he sets up the camera. Your heartbeat races the entire time, and you feel your hands getting clammy.

"They're all in on it," you hear Ewan say, prompting you to finally look at him directly. You take him in hungrily, admiring his outline, ever so handsome with his Targaryen-blonde hair and black leather jacket.

A weak "Mmm?" is all you can muster.

"Our teams, Tom, Phia... they set us up. Tom came over and I overheard him on the phone with Phia."

"Oh," you mumble. He doesn't even spare you a glance, leaning on the armrest on his side of the couch. He looks as if he'd rather be anywhere but here, next to you, and it hurts.

It's what you deserve.

"Is this not a real chemistry read?" you ask meekly.

"I suppose it is," he laughs humourlessly, "but it's not a coincidence that you and I just happen to be the only ones scheduled for today." He turns to you, giving you a critical sideways glance. "Didn't see that coming, did you?"

"I... I can leave if you want - "

"Mmm," his brows furrow, "you do seem to be good at that."

You look away. He is not being fair, but you weren't neither, that wretched night back in September.

And he is making you pay for it now.

But then you hear him speak in a softer tone, "Stay."

Stay. When you look at him once more, his attention is entirely on you, arm outstretched on the couch like he just tried to reach for you but decided against it.

Stay, he asked. So you do.

It's what you should have done, months ago.

"Okay, guys. Whenever you're ready," Amie says. She and Patrick take their seats in front of you, with the camera on a stand between them.

The script crinkles on your lap as you hold it with shaky fingers. "It's been a while," you read out your opening line.

The dialogue plays out twisted and ironic, now that you know who your scene partner is.

"Hardly," Ewan responds in character. "I feel like no time as passed."

"Feels like a lifetime."

He pauses, then sighs, "Do you even miss me?"

"How... how can you even ask me that?"

"How can I - "

"Why didn't you... why didn't you fight for me?" your voice breaks, the lines hitting a bit too close to home.

"You're a fucking hypocrite," he spits with venom. "You weren't exactly giving me anything to fight for."

"I did it for us. I did it all for us." If you didn't feel like crying at the weight of the scene, you would have rolled your eyes at the similarities.

"Like I said - nothing to fight for."

"Nothing? So you're telling me I was nothing to you."

"No," he levels you with an icy look, "you were everything to me. Everything. But you left me behind, and for what? So you can run off with the rebel sect?"

"The mission needed me. You wouldn't understand." You feel a sense of relief when the sci-fi elements roll in, otherwise you might have given in to your emotions and sobbed right there on the damn couch.

"I needed you," Ewan says, eyes not leaving yours. "I needed you and you abandoned me, just like that."

"And are you not better for it? When I left, did they not make you General?"

"See, that is the difference between you and I," he says coldly. "I wouldn't have traded what we had for anything - no position, no amount of wealth, no glory... I would have chosen us every time."

"Aaand cut!" Patrick jokes, effectively breaking the tension.

The two of you have unconsciously drifted closer, now only a foot part. Ewan does not drop your gaze, watching you closely. You see his eyes flit down to your parted lips, and he leans in almost imperceptibly.

"Alright, how about we go one more time?" Amie says, diverting your attention. "Give us a different take, and then that's it!"

Ewan settles back on his end of the couch. When he reads his lines again, his tone is harsher and he no longer meets your eyes.

Patrick and Amie commend you both afterward, singing praises about your acting abilities. Ewan is polite as always, blushing and grateful, but he practically dashes out of the door when the meeting finishes.

You're left standing with Amie, as Patrick has taken to his laptop to file the footage.

"The way he looks at you," she sighs dreamily, referring to Ewan. "You'd think the sun shone out your arse, doll."

"He... he was just in character," you disagree. "He's a good actor, as you know."

"Yeah, I mean, he nailed the part's rancour perfectly. But his eyes - oof - you've got a good one there."

Oh. Of course they would still assume you and him are together.

How desperately you want it to be true.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

An hour later, you've just sent Phia a text saying - You owe me. Where do I meet you guys?

But you hear a knock on your apartment door. If you didn't buzz anyone in, it can only be a neighbour or someone the doorman recognised.

Someone familiar to you.

And it's him.

"Ewan?"

"I need to speak with you."

You step aside so he doesn't linger at your doorway. He walks past you, a welcome if not unexpected presence in the room.

You can't decipher his expression, his gaze angled downward as he leans against your kitchen counter.

When the silence becomes almost deafening, you laugh awkwardly, about to make some silly remark on whether he is still in character. But he doesn't let you diffuse the tension.

"I want you," he blurts out without warning. "God help me, I still want you. I think I might have a fucking problem because how can I... after what you did - " A momentary glance of betrayal, but you see the spite clear in his eyes. " - but I do. I can't get you out of my system."

"I'm sorry - "

"I don't need that," he says sharply. "I don't need your sorry. I need you. I need to have you, and maybe this way, I'll satisfy whatever pointless desire I still have in me."

"What are you saying?"

"I'm saying - I'm asking - will you let me have you?"

"Ewan, I don't under - "

"I'm saying that we should sleep together," he says bluntly, and it feels like the rug has been pulled from under your feet, "but only just. You won't be mine, and I won't be yours."

"You're kidding."

He shakes his head, before adding, "Don't worry. It'll be our little secret. To the rest of the world, I'll have a different girlfriend anyway."

His words register, along with the bitter ache at his words, that you won't be his, he won't be yours. This is purely for pleasure. There used to be love here, and now he just craves the comfort your body allows.

You'll be using each other.

You should refuse. This is not healthy; this is not how you move on. Can you even go back to being good friends after this? But also - what have you got to lose?

What, except for him, and for good this time?

What, except everything?

"So what do you say - " He closes in on you, and with every bit of malice intended, the name no longer possessing the sweetness it once held, he sneers, "- darling?"

💌 next chapter

Taglist: @namelesslosers @skymoonandstardust @valyrianflower @luckyfirebasement @omgsuperstarg @elissanatok @callsignwidow @sinistersnakey49 @darkwriteracademia @yyrzmomo @queenofshinigamis @luvaerina @shamelessblazecrown @mirandastuckinthe80s @elleinex0x0 @pierrotlu @aegonswife @strangersunghoon @lunampacheco @writer-ann-artist @gaiaea @of-swords-and-words @ateliefloresdaprimavera @m00n5t0n3 @helaenaluvr @peachysunrize @annie-ruk @luvly-writer @ananas26t @athenafaes @lovelyteenagebeard @mamawiggers1980 @moongirl27 @katherine93 @barnes70stark @justbelljust @cloudroomblog @somestufftoday @esposadomd @girl-in-the-chairs-void @insideyourimagination @vyctorya @wildrangers @livcookesgf @onlyrealjoy (continued ... )

Some notes in the margins...

Well well well... the transition from friends to lovers to strangers to angsty FWBs sure is a slippery slope!

The time jumps are so we get through the moping quicker! It's mostly back to the regular shenanigans in the next part. Only, you know, angst-ridden. But you hurt Ewan, reader. *wags finger* Don't say you didn't expect this switch! Tsktsk

So what now - will you accept this arrangement? Will things ever be truly okay? Part 7 is going to be hot and hilarious and stupid and messy, just as the doctor ordered.

Let's hash it out in the comments, shall we? 🗡💕

[signanothername]

Hi Anó! Do you have any advice for writing characters like killer? How do you achive that nuance? I love your comics and would love to learn about your artistic process a bit!

Hi Gal!! A delight to see you in my inbox! <3

Omg thank you sm hcchhcchch (have you seen your own comics???? *shakes you* /pos)

Ok but I say this genuinely, I think your ideas and comics are such a beautiful and refreshing take on these blorbos, you’re doing such an amazing job both writing and art wise (your 2 Killers idea is so fucking good eeeeee) <3333

Ok to the question xgzggxzg

Killer is definitely.. complicated to write, I struggle with him sometimes ngl shshhdh

I honestly went and reread his entire comics, lore and answered asks to get a deeper look into him to be able to write him

But when it comes to writing him, I generally try to keep 6 things in mind at all times

1-trauma: how does the resets, working for Chara, having his code get manipulated and killing over and over again till what was new became something old affect him? (the whole idea of Killer killing people started as an offer of trying something new, so he kept killing till he got bored and killing became something stagnant)

This can easily be portrayed in Killer’s canon inability to till what’s real or not, as well as his hallucinations and the guilt he’s ridden with, always running from his past yet never outrunning it, as it always catches up to him

2- conditioning: his conditioning started from the days of Chara, then continued into his days with Nightmare, how does his conditioning affect him in his daily life?

How was he conditioned specifically? And how does that contribute to Killer’s perception of self, autonomy, self worth, and life in general? How does it change his body and mind?

Does it make him believe he’s just a machine meant to please others even when it hurts him, does it make Killer perceive vulnerability as a death sentence

How does he feel about his masters? Does he hate them down to every bone, or does he not care?

3-personality: Killer’s personality always change depending on the stage, but what are the main traits that you know Killer will always have regardless of the stage? Being quiet is one thing, he keeps to himself (as much as the fandom loves to portray him as extremely hyperactive, he’s not at all the loud, talkative, hyperactive skelle the fandom makes him out to be)

He’s also extremely secretive, seems to have knowledge that others don’t, and seems to always be up for a social interaction regardless of who’s with him

He’s also actually extremely patient (another thing the fandom stripped away from Killer’s character), and is very docile (isn’t aggressive unless pushed and never is an attack on sight kinda person) yet holds a grudge big time

He seems to see himself as superior over others, he’s extremely fucking intelligent it’s actually scary

These traits are something I try to keep consistent within my writing for Killer

4- relationships: what are his relationships with other characters like, and why?

Taking the 3 points before into consideration, how does Killer’s trauma, conditioning, and personality make him perceive others and others perceive him?

Are his relationships healthy? Toxic? Are they one sided or mutual? Does he care about the person in his vicinity or are they just another nobody? If he cares why? If he doesn’t what would he do to them?

Would he take advantage of his relationship with someone or is it a relationship he wishes for it to vanish?

5-stages: I think this is truly what makes Killer extremely complicated, cause see all of the 4 points above? how does each stage differ from each other?

How does stage 1 deal with his guilt/truama and conditioning? How does stage 2, 3, and 4 deal with them?

Depending on each stage Killer’s outward perception, personality, attitude, thoughts, and actions change

But how do they change exactly?

This is something that you need to understand each stage for to be able to integrate into writing

Stage 1 is the stage where he’s most sans like, yet never sans enough, stage 2 is when he’s apathetic to everyone and everything and perceives killing as “fun” because he’s painfully understimulated , stage 3 is when he’d attack whoever is in front of him, and stage 4 is when killer is no longer present mentally

How does each stage deal with his environment, with the people around him, how does he deal with the dissociation and how does he perceive himself in each stage?

6-environments: how does the environment Killer lives in affect him?

Killer starts in an environment of time loops, how does that affect his perception of time and reality? He then becomes Nightmare’s subordinate, a dangerous environment with constant threats to his life from every angle, how does Killer feel about it? How does he deal with it?

Will he get to try his luck and escape, or has he given up on himself and the idea of freedom? Does he even believe he has a chance for a better life in a safer environment? Will he go for a safer environment or will he cling to the comfort of what he knows?

When he does finally go to a safer environment, how would that affect him? Both positively and negatively? Would he feel like something is missing? Would his mind constantly tell him that this safe environment isn’t really safe?

Then of course, beyond these main 6 things, there’s the in between, what are Killer’s likes? His dislikes? How does he feel about sleep, food?

Generally when writing characters, it’s important to keep in mind interpersonal factors, intrapersonal factors and environmental factors that ends up affecting the character’s behavior, or in this specific situation, Killer’s behavior (god I’m realizing how much my uni major affects my writing of characters rn chchc)

But I say the biggest life saving advice I have that helps with writing characters in general (and especially complicated ones like Killer) is having the question “why” as your closest friend

When you make a statement about a character, in this instance Killer, always attach the question “why” at the end till you can’t attach it anymore, until you reach a point where asking “why” becomes unnecessary and annoying

For example:

“Killer loves golden flower tea”

Why?

It reminds him of the bed of golden flowers he passed out on

Why does that matter?

Because it was the point of no return from a change that will always dictate who he is

Why is it a point of no return?

Because his soul had deformed beyond recognition and it can never be brought back to how it used to be

Why would it dictate who he is? Why can’t he just choose to be someone else?

Because he was conditioned to be this killer by a higher power out of his control

At this point, there are no more “why”s that would make something as simple as a golden flower tea statement more nuanced than it already is, so when you ask why again, you find that you’re unable to continue giving an answer, that’s the point of where you stop

In fact, allow me to test you by giving you a quick question about your own interpretation of the characters, why does your Nightmare admire Error? What is in Error that Nightmare admires specifically?

Of course, you don’t really need to answer me, but I’m just giving you an example of how asking “why” can help you make so many simple things more nuanced

Ok but what if you know there should be an answer to a “why” but you don’t know it yet? Then you keep it in mind for later, you won’t always have the answers to everything on the get go, sometimes, you need a bit of time to figure things out and write characters the way you feel satisfy you, until then, you can work on other things about the characters

*Cough* anyway, this is honestly everything I can think of off the top of my head? Hopefully I didn’t miss anything ydfhgchchchc

Do let me know if you’d like any more help or need clarification on anything, I’d be happy to help where I can <33333

Now have a sketch of your 2 Killers cause I love them dearly, they have a special place in my heart (genuinely adore how you write Killer already btw)

[lena15-08]

Sirius who is back at The Ancient and Noble House of Black after his 4th year at Hogwarts, rummaging around at the extensive family library for more information about Werewolves to be more aware of his best friend (ahem unofficial love of his life ahem)'s "condition", when he comes across a book, almost 350 pages by how thick it was.

“Experimented to the Bone: Field-Tested Methods to Cripple a Werewolf During and Beyond the Full Moon”

He winced at the title, that was definitely not what he wanted to learn but as he moved to place it back in the shelf, he came across a familiar name.

"By Lyall Lupin"

Sirius paused, because surely not. It surely could not be the same Lyall Lupin, who was Remus's father. But Lupin was not a common name, nor was Lyall. Fuck.

He opened to the first page, to view the year it was published.

"1969"

That was after Remus was born. Like him, he was born in 1960. Every second after he picked the book from the shelf, Sirius fought back bile coming up his throat.

Authors note

As someone who has worked in the "Regulation and Control of Magical Creatures" department of the Ministry of Magic, it has been my great pleasure to write and publish this book myself. For years, Werewolves have been a prime obsession of mine. I've been studying ways and techniques on how to weaken them and then, by Merlin's grace, I was granted an opportunity to study them closely every day, in and out of a full moon for 4 years. And to whomever it may concern, this book is my greatest creation.

As To the viewers' discretion, please be aware. These methods have been experimented on a much weaker Werewolf. The doses and measurements given in the book can be adjusted to higher doses based on the size and age of the creature.

Taking harsh breaths he quickly flips through the book, catching small sentences

"Sew Silver threads along their clothes"

"Stir wolfsbane in their water and let sit"

"Sprinkle small doses of wolfsbane in their food to keep them weak throughout the day"

"When locked in, the creature harms itself during a full moon, be reminded to use cages and shackles made from Silver instead of regular Iron"

The book dropped to the floor. And Sirius heaved on the library floor, much to the dismay of Kreacher who appeared instantly to clean it and then disappeared.

He couldn't breathe, he cried, and he stayed there, almost paralyzed for hours before Regulus came looking for him who took a look at the title and the first page before he dropped down next to his brother to pull him to his chest.

And then Sirius couldn't seem to stop moving his mouth between his cries. Things along the lines of, "His own father" or "He never told us" or "Does he even know?", "Why is he dead, i wanna kill him", "1969 Reggie, he was a child", "I knew he despised his dad, never knew why......i wish i didn't know"

And what was Regulus to do except weep with his brother.

[oceansoul001]

Couple of random thoughts regarding KCD2 last conversation with Hans.

[Spoilers!!!]

1. You can have this conversation either still in Suchdol (after talking to Sir Hanush) or in the Devil's Den post credits. They don't differ beside last topic ("What are your plans now?") that is removed if you choose the latter.

2. Generally there is not much of a difference between romance and non-romance paths. Romanced Hans tells you everything that the non-romanced does, just adds a few unique sentences. You can probably notice switch of tone in "What are we going to do about the wedding" topic, for the romanced lines: "I'm not sure what to do... after what happened, you know...? I mean... me and you... I suppose we'll just have to wait and see how things turn out..." I find this reaction very believable given the situation, I recon they both need some time to sort things in their heads, as the ongoing siege/bringing reinforcements didn't leave them much time and space for reflection. So I am very okay with them not discussing the topic further at this point. And, I know this might sound strange, but I also really like that there are no love confessions at this point, I greatly dislike it when games throw them at me after literally one night spent together with someone.

BUT. Directly after this part comes the non-romance part where Hans worries about his bride being ugly and then proceeds to talk about naming his son after Henry, and I don't know... I mean, yeah, we all are aware of the fact that Hans most probably still has to get married, and have an heir, and it does not matter at all whether something happened between him & Henry, or not, but is this really the thing he would casually say at this moment...? Okay, maybe he would, it's Hans. But what is even more bizarre to me is my Henry, who is happily babbling as if nothing has changed at all, even though like a minute ago he was this awkward mess thanking Hans for "the encouragement". So what I'm trying to say is, I would prefer at least for Henry to act/respond differently in the romanced version and remain more awkward throughout this convo. But maybe I'm overthinking this! 😅

3. Another difference in the romance path occurs when discussing Hans' injury, as only in this version Henry asks if he can take a look at the wound later, and I think it is so sweet. Very minor detail, but I love it. ❤️

4. The thing that I definitely don't like is asking Hans about his talk with Hanush, and Hans responding with "You don't need to know everything", like??? My guy. Please. You've just shared with me probably the most intimate and secretive moment OF YOUR LIFE, and now you don't want to tell me some shit about Hanush, even though it is not even a secret and like everyone in Rattay already knows (your own words!). I don't get it at all, why in the romance path this still requires a speech check and why is Hans so weird about not telling me "everything", even though mere hours ago he was ready to die from grief if I don't come back 😭

5. Speaking of dying, romanced Hans can say the following at the beginning of your conversation: "I'm glad nothing happened to you. That would have killed me", but it only happens if Sam does not survive. So not in my game, as I would never leave my brother behind. Hans can also admit that he was jealous of Sam, which for me was very clear during the game, but also under the condition that Sam does not survive.

6. Last, but not least - I wish we could have another conversation with romanced Hans after couple in-game days pass, after we both have had a chance to collect our thoughts. Nothing groundbreaking, just something short and sweet, and you know, maybe get the possibility to share a kiss in our room at the Devil's Den when we want... I know it might sound greedy, or silly, after all we've just got this perfect, almost unreal relationship at all, but nothing can stop me from dreaming. 🥹

Happy to hear your thoughts on the subject! ❤️

[a-scary-lack-of-common-sense]

Hello again wonderful person of the Internet!

Thank you for answering my previous question! But I have came to you for another one.

So I’ve seen a little bit of dialogue from Ford, but how does he speak? Like what is his speaking mannerisms? Is it all gibberish? Does he stutter? Does he repeat words?

Keep on making your art and being awesome! :)

~ Question asked from the Tiniest Cyclops ~

Hello, hello again, tiny cyclops in my inbox!

As I mentioned in this post where I go a bit more in depth on Ford's brain injury, Ford suffers from aphasia! Which is basically the loss of one's ability to express language and communicate, while not losing the ability to understand it. But I'm sure you already knew this; and if not, the more you know!

How does he speak? It really depends when you were to go up and talk to him in the timeline. His speech mannerisms the few following years right after his head trauma is very different from how he speaks now in canon! He's had 30 years to recover, after all.

Ford's speech right after his injury was practically non-exitstent. He was smacked in the face with all of the textbook definition symptoms of aphasia, ramped up to 100.

Speaking in short or incomplete sentences.

Speaking in sentences that don't make sense.

Substituting one word for another or one sound for another.

Speak unrecognizable words.

Have difficulty finding words.

Conversations with him back then were not "gibberish" per se, but more so just... slow. And frustrating for everyone involved, although no one could ever be more frustrated than Ford himself. I mean, can you imagine? He could barely say anything without monumental effort, and whatever meager words he managed to squeeze out of his throat were lackluster, to say the least. Every part of his speech were hindered: grammar, pronunciation, heck, even the tone, volume and rythm of his speech didn't always come out correctly.

Due to how recent his brain injury was, there was also the added physical impairments to his speech. The muscles involved in producing speech were weakened, affecting Ford's control and clarity of his words (this is also called: dysarthria).

From an outsider's perspective, listening to him would have felt a little like listening to an extremely corrupted audio file, or a faulty record player. He would often take long pauses in the middle of his words; his words sometimes blended into one another; and his sentences were short, and simple. I think this quote from a website I found about aphasia explains it best.

"Speech may be 'telegraphic' omitting small words such as 'the'. So, 'tomorrow I'm going to the pub with my wife for our anniversary', may be expressed as 'tomorrow...pub... wife... anniversary'. This requires the listener to accurately piece the message together."

So, yeah! As you can imagine, speaking for him was extremely hard. Often times, the townfolk he tried to speak to didn't have the patience to stick around while he finished a sentence, and gradually even Ford lost patience with himself, so he just. Gave up. Which was why he used to be much quieter in the beginning, lurking around town wordlessly, not even really bothering even when someone tried to initiate conversation with him. For a genius who once prided himself so much of his eloquence, losing that ability was a huge blow for him.

How fast one recovers from aphasia really depends on the severity of the injury. It can either take up to a few hours, days, maybe even weeks to fully reover with no long term repercussions, or the symptoms can last months, even years to shake off, and occasionally it's a lifelong condition. Ford, due to the severity of his injury, drew the short end of the stick, and was stuck with the lingering aftereffects of aphasia pretty much forever.

BUT, he evenutally managed to find the will to speak again! At some point during his 30 years of recovery, he decided that he'll figure this shit out himself, goddamnit, he was a scientist. He outsmarted a demon! He didn't have time to be depressed, he needed to relearn how to SPEAK!! (fuck yeah, determination, baby).

And learn he did. Very painfully, very gradually, Ford became basically his own speech therapist for a few decades and relearned everything his body and brain forgot. And although the results aren't perfect- he still stutters, he still gets stuck on words and he still stumbles over them- considering the fact that he had no professional treatment from a clinic or doctor available, it was good enough.

Now he won't shut up! (lovingly)