#complicated characters (my beloved)
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There’s something about 9/11 and the war that followed being the thing that tipped Leif over the edge after his dad literally predicted a war coming in their last fight:
Dad: You think because it’s the year 2000 that we don’t go to war anymore?
Leif: Go to war with who?
Dad: Doesn’t matter, we’ll find somebody. Ask yourself if the thing you’re working on right now can be dropped on a village somewhere.
Leif’s dad was right, and not just about the war, he knew Leif was hiding something from him, knew he wasn’t where he said he was. Sure he wasn’t working for earth’s government but he did make a deal with the Teds. And the thing Leif was working on maybe wasn't dropped on a village in the literal sense, but it did destroy the economy of a moon, forcing its people into huge debt they won't ever recover from
Dad: A man has to live in accordance with his beliefs, kid. That's what I'm doing. What do you beleive?
#when does leif get to start doing that? when he runs away to the diner? when he gets found out about not just being a cook?#god i love the amount of thought that went into this damn podcast#Leif being the erosion zone the whole universe is hammered into#is that anything?#how often does leif stare up at the stars and think about what his dad told him and hate how similar and different they are at the same tim#i just love when characters have daddy issues okay?#complicated father figures my beloved#also i can only imagine how insufferable leifs dad would be after 9/11 happened and he 'saw it coming'#leif midnight burger#but thats a whole other post#midnight burger
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Voyager should have had an episode where the command trio beat the absolute hell out of each other while blaming each other for being stuck in the delta quadrant as the fever pitch of a rising tension that was building throughout the episode. Like, they're absolutely being pushed to do it by some outside force. Maybe it's a telepathic being - maybe it's that they're stuck in some arena or an alien court or a time loop only the three of them are aware of - no matter the specifics, the sentiment behind their words has to be true and it has to be something they've been keeping back for months, maybe years. That fear and hatred and blame that doesn't really have an actual target because it's not actually rational but 'who's to blame' doesn't have to be capital T true to feel true. If Chakotay hadn't been in the badlands, If Janeway hadn't made that choice, If Tuvok hadn't supported it... "You trapped us here. It's your fault. If you hadn't-! If you hadn't-! If you hadn't-!" are just echoes of "I trapped us here. It's my fault. If I hadn't-! If I hadn't-! If I hadn't-!" Because at the end of the day more than being angry or hateful they're despairing in their own ways. Episode probably has a somber end - they beat whatever it was and it's a victory! They won by working together even after they beat each other half to death! But after the celebration we see them alone in their quarters...silent. Gazing out at the stars, into a candle's flame, at that same family picture before turning away. Because even though they won they're still there in the delta quadrant. Is that really victory?
#fake star trek voyager episodes my beloved#the thought of a time loop wherein the three of them are at times aware of the loop and at times aren't but it's ONLY the three of them is#a separate but interesting thought I had while writing this...#of course the looped time would be 'Caretaker'#st voy#star trek voyager#Chakotay/Janeway/Tuvok#Chakotay#Kathryn Janeway#Tuvok#and yes I think people undervalue the fact that Tuvok agreed with Janeway when she made that decision in 'caretaker' too much#idk enough about the chakotay buzz to know whether or not they also do this with how Chakotay also co-signs the decision once it's made#instead of fighting back against it which he very much COULD have done#I just think the complicated 3 way uneven guilt is more interesting than 'Janeway did it it was 100% her alone'#I love seeing characters devolve...even a starfleet captain and a vulcan can be driven to wrestling in the mud they think they're so above#and maybe it's 'the worst version of themselves' but maybe it's also a release - a relief you just can't get from talking
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show so heartbreaking and sad you gotta “it’s okay it’s just fiction” “wow these actors are so talented” “this is some incredible cgi work”
#if you guys haven’t watched the tv show From yet you HAVE TO#it’s actually SO bizarre and good and interesting#mysterious town that traps you while The Horrors emerge?#complicated and intricate character writing and plot development??#yea sign me up man#honorable mention to Midnight Mass#probably my personal favorite show ?? such good writing#religious horror my beloved#From#from tv show#from tv series#midnightmass#midnight mass#midnight mass tv show#midnight mass tv series#tv shows#the haunting of hill house#haunting of bly manor#midnight club
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having entirely too much fun with old outfit requests
#sonic#archie sonic#silver the hedgehog#scourge the hedgehog#elias acorn#sally acorn#amy rose#iratusmus.png#last art post for today i promise!!!#when i started out with silver i was like ''well okay i want this to be super chill and pump out a bunch of them really fast''#since when i do these things i tend to do them really relaxed at first and then i progressively put more and more effort into them#until theyre just full-fledged drawings. and then . well. i picked that complicated outfit for scourge#and it all went in a direction from there. as you can tell#either way doing a bunch of outfit requests at once is good for me because then im forced to spice up the poses a bit#also everybody say thank you to my beloved mutual jay un-pearable for introducing me to halftone hospital#unrelated but im actually incredibly happy with the way elias' hair turned out#since i struggled with it for like a millions years#anyways. if you want one of these send in a character and if i feel up to it ill put them in a funky outfit#or a stupid one. i have so many abysmally stupid outfits.
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building off of this i'm now thinking about rakiel coming back and everyone implicitly understanding that damian will go back to being his knight instead of theo's and all of them being completely caught off guard by how painfully strange it is at first.
because at this point theo and damian have been at each other's sides for almost a whole decade. they've spent longer together than they ever got to spent with rakiel. they know each other more than they got to know rakiel. and it kinda fucking sucks because most of their relationship is build upon what they were to rakiel and not really to each other. but you don't spent a decade at someone's side almost 24/7 without, y'know, making a bit of a bond. as much as it pains them both, at some point they stopped being completely rakiel's and started being a little each other's.
so sometimes when someone is being stupid theo will turn to the side to share a put-upon look with damian only to feel strangely bereft when he only finds a somewhat familiar member of the guard his father saddled him with. sometimes when he's frustrated and wants to blow some steam off he will ask for a spar partner and feel vaguely disappointed when he actually manages to defeat them. sometimes when he's very busy he will let himself get lost in his work and then feel oddly forlorn when he resurfaces many, many hours later all by himself because none of his staff felt entitled to make him take a break or rest.
and there's not a single part of him that would trade having his brother back for anything in the entire world. but it does feel a little bit like he lost a friend he hadn't realized he had in the process.
and damian never really forgets that he's once again rakiel's knight, he never could, he's always far too aware of his presence for that to happen, but sometimes he does forget he's not theo's too anymore. he is at all times attuned to rakiel's heartbeat, knows it better than he knows his own, but sometimes he finds himself anxiously listening for a second heartbeat that isn't there. he follows rakiel's day-to-day life with a familiarity that shouldn't be there after a decade's absence, but there's days when he finds himself preparing for a schedule that is not his to follow anymore. during public events he never loses sight of rakiel and stays with him at every moment, but more than once there's a split second of panic when he finds himself looking for a person he's no longer supposed to keep track of.
and there was never really any other choice, there was never really any real thought of staying somewhere that wasn't at rakiel's side. but only now does he realize how much of a place for himself he'd also carved at theo's side and how much he can ache to be somewhere he has no desire to go back to.
as for rakiel. well. it feels like he blinked and the world moved on without him. which it kinda did. and now he has to look at the two people he was the closest to and realize that he no longer knows them like he used to. that they're trying to fit themselves back into roles they've long outgrown and all he can do is try to keep up with changes he wasn't there to see happen.
and it would be kind of funny to see his brother and best friend act as if they barely know each other and pretend they didn't spend the better part of a decade together, if every interaction they did have didn't make it oh so very clear just how much of their lives rakiel missed. it's. a bit of a downer is he's honest.
they are soooo messed up about it. and trying so hard to pretend they aren't <3
#i talk a lot <3#cpsm#cpsm spoilers#crown prince sells medicine#rakiel magentano#damian cayenne#theodore magentano#and like. are damian and theo friends? kinda maybe it's complicated. it's just a bit hard to be friends with someone#who is a living reminder of the most painful loss you've gone through in your entire life.#but like. sure yeah once you get past that they're okay-ish.#it's just. easier for everyone if they don't acknowledge it#it feels almost too much like admitting to moving on if they accept their relationship to rakiel isn't the only thing that connects them#so they don't <3#relationships between characters that never interacted with each other my beloved <333333
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rotating the idea of a Jalph soulmate AU inside my head
but not a traditional fix-it soulmate AU where they find each other and immediately fall in love and all is well that goes well. What about that "first words are tattooed somewhere on their body" AU where Ralph has "Where's the man with the trumpet?" on his arm and Jack has "There's no man with a trumpet. Only me." on his leg.
What if they meet each other for the first time and they're friends. What if Jack betrays Ralph and they start hating the words on them. What if Ralph covers his arm with mud and Jack his leg with blood. They're hesitant to clean up when they're on the boat back home. During future confrontations their eyes wander and they meet gazes and just know what the other's thinking : what if we could have made it work?
It's the 1950s so obviously they're not thinking about being in a relationship. Maybe the media normalises platonic soulmates. Maybe not; maybe their parents told them they'd better have female soulmates or else. Maybe after their first meeting, Ralph looks at his arm every now and then and feels a deep discomfort in his stomach but he tells himself it's fine as long as they're on the island because nobody's going to bother them about it. Maybe Jack starts wearing longer pants after the island because his father found out and started hassling him about finding the girl who'd speak about a trumpet, however strange she may sound.
And maybe then they're back in school and undergoing therapy (probably not cause the 1950s were yikes about mental health but it'd nice to think about) they see their soulmarks and the feeling of longing from before the island comes back. "If only I could find them I'd be whole" turns to "If only I'd handled it better". They wish it could have worked. They wish they could have stayed friends. If only it had gone differently. Right person wrong time. Because if they're soulmates obviously their souls are going to feel like something's missing their whole lives now that they've found each other and they're apart, so add to that the PTSD and whatever else is going on inside their heads, the poor boys will not be having a good time.
Maybe Jack feels the pull of the hunt after the island (because I personally headcanon that he's lived pretty repressed beforehand due to his strict parents and the island gave him freedom he's never had before; the hunt was an amalgamation of all the stress that comes from having an overbearing successful Father with a capital F melting off his bones) AND the pull of the soul. Maybe he meets people with fair hair and the most gorgeous smile and he wants to vomit because he remembers the blood on his hands. Maybe Ralph is trying to socialise at school and he sees parts of Jack in everyone he meets. Maybe Ralph tells himself to shut up about his missing half, he doesn't have it that bad, just look at Simon and Piggy and the mulberry kid! at least he's not dead! (don't do that kids. that's a horrible coping mechanism. seek professional help) and still he goes to church and hears the choir and wonders if Jack still sings.
I dunno it's just an idea!! I am not done yapping about this. Will add on through reblogs if needed
#writing#my writing#it's more like#rambling#but fair enough#i dunno i saw a tumblr post about soulmate AUs earlier and the idea hasn't left my head#doomed yaoi#my beloved#as an aromantic person I have a complicated relationship with soulmate AUs#because usually they're interpreted as romantic#and like yeah! yippee!! that's often a good thing#but I also really like the idea of two characters cursed by the narrative together in a non-romantic way#stuck orbiting each other throughout their lives whether they like it or not#even through each other's romantic relationships#maybe their society normalises romantic soulmates and they feel pressure to become a couple but it doesn't work#lotf#lord of the flies#jack merridew#lotf ralph#jalph#if you couldn't tell i'm insane about them.#i need to think more about the other ships i like though.#ralmon rogermon jager. maurice i still need to find a proper suitor for because i don't get his character yet but it is coming.#piggy i just need to think about more often.#angst#ANGST I FORGOT TO TAG AS ANGST#I'M SO SORRY IF IT CAUGHT ANYONE OFF GUARD#jalph soulmate au
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Sketch dump of the lwttle baby brother of the guy who almost killed the whole world
^ For the first Sketches -In my opinion the sharingan was not fucked up enough
#warming up sketches#that are waaayyy to complicated to finish but I love them so much#hello Hello Hello!!!!! My beloved 5sec background Character#:D#izuna uchiha#madara uchiha#naruto#konoha#tobirama senju#i could have made him hotter but somth in said nahh
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Me searching “Jiang Cheng” on every mdzs blog before I hit follow: do you see nuance, do you see nuance, do you see nuance, can you seE NUANCE
#mdzs#cql#the untamed#jiang cheng#like I'm not asking for positivity literally any amount of acknowledgement that he's a complicated character will do#genuinely I have to hold a job offering before following because oof#some of you don't know how to handle complex characters and I really don't need that energy#truly joined the 'everyone is morally gray and there's no clear black or white' fandom on the side of 'black or white'#people who are capable of unpacking complicated characters my beloved
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Spoilers for Alan Wake/Control games and DLCs: one of the things I really like in Alan Wake 2 is the confirmation that, no, Alan can’t create something out of nothing. There were implications in-story that supported that, but it was good to have that be a big part in the sequel. The AWE control dlc easily made it seem like Alan himself had a role in the events of the game and the formation of the FBC, and, personally, seeing it through that lens cheapened a lot of the game and Jesse’s story. Instead, having his writing influence the Hiss and try to manipulate (even out of desperation) Jesse/the FBC to end Hartman and get help, fit right into plot and conflicts of Alan Wake 2, with Alan being sympathetic, but also an asshole for trying to change and control people’s lives in his writing.
#since the awe dlc dropped I was slightly worried that it was going the meta route of Alan writing everything in control#but since Alan wake 2 I’ve been. thank god that wasn’t the case 😭#this way makes everything more complicated and mysterious. which I appreciate. makes everything creepier#will say. it’s still wild how much Alan can influence the narrative.#light spoilers for the final draft but—> makes me think of the writers room video where he doesn’t know what he’ll be at the spirals end#like I don’t think he’ll be Evil or anything. but it’s unnerving#might delete#Alan Wake 2 my beloved#so many times in that game it could’ve gone a direction that would’ve lessened or soured the story but somehow it didn’t lmao#more game spoilers but for ex: Alice coming back at the end instead of leaving it with her demise in the documentary#when I first saw that it was devastating. but also wasn’t sure what to feel if that’s how she’s gone from the story#having her actually manipulate her photos. become art to make Alan think she died. go to the dark place and help him and saga#that last video left me Speechless it was so good.#esp after how much I disliked Control (spoilers here) for quickly ending with Dylan in a coma and not much else.#could not be happier with how the AW2 ending played out and the clear love for all its characters#REALLY hope that Control 2 ends in a good or interesting place. give dylan some focus!#not tagging this bc I’m just yelling my thoughts. but knowing tumblr it will somehow be seen on every tag 😵💫
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Finally put a ref together for Ta’gia <3
#digital#ocs#dnd ocs#Ta’Gia Stomiidae#triton#mermaid#5wishes dnd#character design#fish women my beloved#she’s Cnidarias girlfriend(complicated)
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Jacob Anderson you talented brilliant beautiful actor I want you to know that I like Louis de pointe du Lac so much more after this season you needen’t be worried
#the whole I’m better than the other vampires thing in this first season always rubbed me the wrong way#but now?#louis you go be insane baby ily#complicated characters and questionable choices and multifaceted personalities my beloved#Iwtv#interview with the vampire amc#interview with the vampire#it’s wild but yeah this episode really made me like Louis more#as a character he just got tons more interesting#still I am so fucking angry at him for how he sees Claudia#your parents never see you as something separated from themselves and I’ll always yell at you for that Louis baby#but as a character grrrr delicious#best adaptation of a somewhat bland character ever
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an ode to the color red
fandom: masters of the air, band of brothers
pairing: marjorie spencer/ronald speirs, marjorie spencer/gale cleven, gale cleven/john ‘bucky’ egan
warnings: crossover, grooming, child abuse, murder, cheating, daddy issues, smut, period typical homophobia, major character death
summary: “There is love in me the likes of which you've never seen. There is rage in me the likes of which should never escape. If I am not satisfied in the one, I will indulge the other.” -Mary Shelley
"“Call me Daddy.”
Again. He freezes. Eyes wide with desire.
“Say it. Say it.”
She’s going to scream in his face until her skin is just as red as her brain. She is going to destroy him. She wants it like this. Bucky is Gale’s Daddy. And Marge is Bucky’s. And Marge’s is Ron. Like one chain link fence, unending with the weight of its betrayal."
1945
She discovers them by accident. The wedding is still three weeks away. They’ve decided on a blue and white theme. Which…. Marge doesn’t like the color blue but Gale does. And her Father does. And so it’s okay. Really.
In actuality, Marge doesn’t want a big wedding. She wants to elope, like Mary Shelley did with Percy, and go on a tour of the Continent, and write poetry while her husband tries to drown himself on the Mediterranean Coast. But with the war that dream has become an impossibility.
And really, who is Marge kidding. It was always an impossibility. Sometimes she wishes the librarians never gave her such free reign as a child. Then she wouldn’t have been so influenced by the Romantics, Joyce and Shelley and Byron. Maybe then Casper, Wyoming and its barren hills and her high school sweetheart would fill her with love. The type of love she’s supposed to feel for the things that have been so good to her. Because they have. Or. She thought they had.
She met Gale when they were ten years old. Her Father had taken the belt to her hard the night before, and had dragged her along to the race track, where she sat uncomfortably on her hands, her knees crossed ladylike, trying not to wince. Beside her a little boy sat down. Three years older, maybe. He was skinny and underfed and wearing the ugliest suspenders. But he offered to play marbles with her on the grass, and sat with her for hours until their fathers came to get them, roaring drunk and laughing together. No one had ever spent so much time looking after her. After that it was a done deal. She was his creature. Handed over like a piece of worn silverware. There was no Marge. No Gale. Just MargeandGale. If you wanted one, you asked for the other.
At first it was nice. And she liked it when Gale decided on what she should wear, and what she should think, and what she should eat. It was very easy as a little girl to let someone else take the lead. And Gale loved to take the lead. Gale wanted certain things out of her. He did not want her to read her gothic stories. He thought they were morbid. He did not want her to drink, or talk with “loose girls” from school, or climb trees in Old Mr. Jenkin’s farms for apples. He wanted her to be a good person, with firm morals, who never slipped, and was always modest. He kissed her. And he would touch her, as they grew older and she grew into her prettiness. But never anything under the blouse. It was frustrating. She didn’t know what she wanted. She didn’t know how to put it into words. Only that it was wild and it was the color red and it flew from the ancient Oak trees and would not leave her at peace.
Marge wanted to lose her virginity against a gravestone. A feeling that only intensified when her Mother died. Just like Mary Shelley. She wanted to be Mary, have everything she had. Her horrors and small griefs and immense talent. She wanted to lose her virginity on her mother’s gravestone, just like Mary did with Percy. But she was no Mary. She was mediocre. A bad writer. A worse piano player. A passable seamstress. And Gale was no Percy. He had no romantic ambitions, or love of history. He wanted an easy life. And so it was fine. She would finally, in three weeks, after years of waiting and waiting and crying and wringing her hands, she would finally have him inside of her. It would be worth it. She would prove to herself once and for all that she loved him. Him, and not… Well. The point was moot. She wasn’t at Georgia State anymore. The war was over. She was back in her little cage, and she had made peace with what she had to give up, what she wanted to give up. She stopped thinking about it. Stop thinking about it, Marge. The voice that reprimanded her sounded like Gale’s. It always did. Ever since she was ten years old.
But then she found them. They were in the barn, Gale’s barn, the one that had gone empty since his Father’s passing. She found them there, doing unnatural things to each other. Bucky, who she had thought was so handsome and charming when he breezed into town three days ago, was on his knees. His head to Gale’s… she didn’t even know you could do that. No one had told her you could do that. And Gale, with his head tilted back, was letting out little groans. She felt sick. It wasn’t right. She had given up so much. Had given eleven years to this man. She had given up her childhood home. She had taken care of the house while doing her homework after school, staying up all night to make sure her grades were good enough for him. She had sat in those pews for hours every Sunday. Hot and sour with resentment. She watched as he came down his Best Friend’s throat. She didn’t feel like crying. Really. Instead, inside her head, she started to feel a bit funny. Like she wanted to laugh. It was almost like she was Jane Eyre, really. And her evil Mr. Rochester had revealed his hidden secret at last. And then Gale whispered the word “Daddy,” and Marge had to run on silent feet back to the main house, stifling her laughter.
To think she had ever respected this man. Ever took his word for law. The type of man who called another man Daddy…
That night she lay in bed and contemplated her options. Back when Gale shipped off for flight school, when she was Seventeen, he had allowed her to apply for colleges. She had chosen Georgia State. It was in the south, like where Faulkner lived. But it was also in a big city. So she could run around, pretending to be Sonia from Crime and Punishment, doing her hair up in a bun, looking through book stores and writing poetry and drinking whiskey. And she could make friends. Real girlfriends.
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1942
Atlanta was hot. And humid. And the girls in her class were nice, but distant. Except of course for Birdie. Birdie wasn’t her real name. They had been assigned roommates at the beginning of term. And Marge had never been so glad of anything in her entire life. Birdie was a Fine Arts major, who desperately wanted to be a painter like Kathe Kollwitz. She had horrific black and white lithographs hung up all over their room, and Marge adored them. The hulking faces, the wide eyed starving children, the grieving mothers. They were incredible. Birdie’s really name, which they never mentioned after first introductions, was Dove. Her eight year old brother had been allowed to name her. A decision the family realized in retrospect was a grave mistake. But she had come out with white blonde hair and blue eyes and looked nothing like her Mother, so she had been handed off to a frightened eight year old boy to do with as he saw fit.
Their pasts, it felt like, were interlocked. Both of them growing up under the thumb of an older man. Except Dove’s brother was only ever half there. His presence was more an absence than anything else. Just like Marge’s parents. She was allowed to run free, reading and painting and lighting off fireworks. But like Marge her brother never let her have any real fun. No boys, no drinking, no dancing unless he was there to supervise. The two of them had pooled together their courage and decided they would make a break for it on their first weekend there, under the close watchful eye of the boarding house’s owner.
Their first stop was to a jazz club. The kind of thing that they would never be allowed to do back home. Best to rip the band-aid of rebellion off fast and with violence. They walked in, and it was like the whole world fell away. It was smoky, and loud. Marge had been to a dinner club once, the night before Gale shipped out. But that was nothing like this. The place was filled to the brim with soldiers of all sorts. Laughing and screaming and making fools of themselves. The two of them stood there for a moment, grabbing at each other, desperately nervous about looking silly. And then Marge felt a tap on her shoulder. And the rest was history.
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1945
In between the silverware which she hid under her floorboards, Marge kept his letters. They were all there. Some of them, torn and ashen from when she had half burned them after Gale’s return from the Stalag. She had thought. She had thought Gale was as good as dead. That was her excuse. The type of excuse even she didn’t put much faith in. She never thought he would get out. And then he did. And the silverware, and the looted Nazi flag, and the letters, and the slip with his phone number all went under the floorboards. She pulled out each letter, and set them in front of her in a circle. Ronnie would never call another man Daddy. That she was sure of. And there was no way he would give a damn about fucking her against her Mother’s headstone. God knows when she had brought the idea up to him, after her Mother had first died, he had gotten a hungry look in his eye. The sort of look that made her forget all about the nasty little tricks he liked to play on her. Or the way he got cold and mean and distant when she wanted to talk about her feelings. Or the way he would stare at her without blinking, like a hunter closing in on some sort of helpless prey. Well. Let him. She thought. He kept saying he wanted to steal her away. Kept raising the ante with more and more lavish gifts as he worked his way through Europe, leaving a trail of corpses behind him. Let him prove that he wasn’t all talk after all.
In the dead of the night she dialed his number. It rang once, twice, three times. He picked up.
“Speirs.”
“Ronnie…”
She felt like Catherine maybe, calling Heathcliffe home. Or like Jane Eyre still, returning to Rochester, finding the castle all in ruins. Only she was going to be the one to finish the job of burning it down.
He told her, as she put on the waterworks, that he would be there in two days. They would fix things. Together. Of course she couldn’t marry an invert. Of course she couldn’t be expected to carry the burdens of his sins. Marge didn’t care much about sin. Not in the way she should. Not even a sin like inversion. But the words were soothing excuses. The type that she could force herself this time to believe. She was very good at that. Forcing a belief down her throat until it tasted like the truth. Really, she just wanted Gale dead and fucking gone. It didn’t matter what it took to get there. For a second, she hesitated. Then she calmed her breathing, and listening to the rustling of the trees, and realized there was no other way out but through.
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1942
It’s New Year's Eve, and Marge’s Mother is dead. It’s New Year's Eve, and Birdie’s boyfriend is about to ship off. So she’s moping in her room, drawing sketches of dead dogs and crying about the fact that he doesn’t love her enough to marry her. She knows she could tell her friend about the death. And Birdie would drop everything. And they would hold each other and smoke bad reefer and fall asleep in each other’s arms. But she doesn’t want that. She doesn’t want it to be real. To say it out loud…Marge is restless.
Ron is leaving soon. And their little game is coming to a close. Him. Taking her dancing when he’s on liberty at every bar in town, spinning her in his arms until she’s dizzy. Him. Listening as she rambles on about Keats and Byron and how romantic double-suicide must feel, nodding along. Agreeing with her completely. They are of the same mind somehow. Everything she feels about the world, he feels twice as strongly. She tells him she thinks the painting Birdie showed her of St. Thomas poking Jesus’ holy wound is the most beautiful thing in the world. He agrees, and leans forward, and goes on a diatribe about the erotic connotations of penetration, talking about some analyst named Freud. And wouldn’t Marge want to read him? The offer of it. Knowledge freely given is a high unlike anything she has ever experienced.
She opens the book he lends her that night and starts laughing. Two years past due from a library in the Northeast. What a little thief. She tells him that if she got married, she would follow her husband to Siberia, just like Sonia did. Even if he killed an old lady in cold blood? He asked. Especially then. Killing doesn’t bother her. It should. But if it’s done for the right reasons….Killing doesn’t seem to bother him either. The same red that flows in her from the those old Oak trees rests inside of him, bubbling up and over through his ears and eyes. Wrapping them both in string, tied about the middle, unable to escape.
That night, with two Sazeracs between them, he tells her about Carthage, and about Alcibiades, who rode into battle holding only a golden shield with the image of Eros, God of desire, on it. She can’t stand it. Grief and desire fight each other inside her stomach, each one intensifying the other. You’re sick. Gale’s voice says to her. She imagines Ron to block the thought out, naked and broad muscled, holding up a gold shield, bloody and broken by arrows, and squirms in her seat. When she opens her eyes he’s staring at her again, odd and still, like a snake waiting to bite. He lights her cigarette as she tries not to cry. And he talks about what it means to have a true warrior’s spirit. And she begins to understand what it’s like to be understood. Birdie, for all that she loves her, is too sweet to withstand the idea of killing. Relentless violence frightens her in a way it does not frighten Marge.
The game is up though. She knows this as she half listens to him, the smoke making him look hazy. And the late night conversations and the absinthe and the music and the laughter. It’s all gone up in flames. She owes so much to Gale. Her whole life, really. She can’t abandon him now. But, she figures. Ron is going away. And he’s so sure he’s going to die. It won’t hurt to keep writing to him.
Right?
__________
1945
Marge has a plan. Before Ronnie arrives, she wants to have her own fun. She wants to prove to him that he’s nothing. Gale, that is. She realized, last night, after hanging up the phone, that she had loved him. For the gentle curve of his face. For his air of desperation. For the odd sense she always got from him that he was meant to die young and beautiful, leaving her a pretty widow with a big house and haunted memories of her first love. Stupid little girl ideas.
But he had betrayed her. Had betrayed her sacrifice. The destruction she undertook of any sort of real personality she held inside of herself in honor of him, of the sacrifices he took to raise her and put a roof over her head. And so, she was going to prove that even his Daddy could be stolen from him, just in the same way he had stolen her from her own Father. The way she had been given over, like a piece of day old garbage. Again. Gale’s voice. Always in her ear. Red kept growing. It never stopped. Sometimes, she thought. Sometimes killing could be right.
She catches Bucky alone that morning, sitting on the patio, white shirt stretched over his muscled chest. She won’t let him fuck her. But she’s willing to do just about anything else.
She slides up to him, pouring him a lemonade. Putting on her best smile.
“Here you go.”
He looks up to her, smiling with what she now realizes is a smug superiority, mingled with hazy lust. He thinks he’s won. She wants to claw his little blue eyes out.
He takes the drink from her, and swigs it down.
“Thank you kindly, sweetheart.”
“No problem, Daddy.”
He whips his face back up to her. She can see the shock there clear as day. Sad, and lonely, and hunted. He cracks a grin. It’s fake. She’s good at telling a fake grin.
“What?” He croaks out.
She slides into his lap, as easy as pie.
“What?” She parrots back.
He seems confused. Poor baby. She puts her arms around his neck, leaning in to whisper in his ear.
“I don’t think it’s very fair. Do you? That you’re Gale’s Daddy, but not mine.”
She can feel him growing hard underneath her. He reaches up, looking torn, like he might push her to the floor. Like he might rip her clothes off right there and fuck her in the open like an animal.
“Marge. I…”
“I don’t mind. I don’t mind, really.”
She kisses his neck. And imagines he is another dark haired, broad chested man.
“I don’t mind it, but I don’t want to be left out. You understand?”
He groans, grinding himself into her. She straddles him, slipping his hand inside her the front of her dress, until she can feel his large palm cupping the entirety of her breast.
“Do you feel it? My heart?”
He grabs her then, like a dog longing for its master. He grinds up into her, fabric on fabric. It’s the most she’s ever done with a man. And she doesn’t like it. Instead she sinks to her knees, opening the fly of his pants, placing her mouth on him like she saw him do to Gale.
He grabs ahold of her hair, tugging too tight, and fucks into her mouth.
“Jesus…fuck…fucking whore–”
She grabs his balls then, just a touch too hard, hard enough to make him freeze with pain. If she kept squeezing. What then? If she never stopped? But the rage leaves her, or rather, it grows cold. She pulls off of him. Him, her willing captive.
“What did you say?”
“Nothing. Nothing.”
She knows what he thinks about her. Luckily for him it doesn’t matter. She sucks him down again, her jaw aching with pressure. He places his hands back in her hair, hesitant this time. She goes at it for what feels like an hour, until he starts panting hard, choking out,
“I’m gonna–”
She pulls off, and grabs him by the base. She wants something out of him first.
“Please. Marge, please. Sweetheart. I’ll do anything.”
“Call me Daddy.”
Again. He freezes. Eyes wide with desire.
“Say it. Say it.”
She’s going to scream in his face until her skin is just as red as her brain. She is going to destroy him. She wants it like this. Bucky is Gale’s Daddy. And Marge is Bucky’s. And Marge’s is Ron. Like one chain link fence, unending with the weight of its betrayal. Just like in a novel. Some novel… she can’t think straight. She needs to hear it from him or she’ll die.
“Daddy. Daddy, fuck.”
She puts her mouth back on him, and he’s coming hard, his body curling over her head, face scrunched up in agony.
She gets up when he’s done, holding the bitter tang in her mouth, and spits it into his glass of lemonade. He watches her like he’s seen a ghost as she straightens her clothes, fixes her lipstick in the sliding glass door, and heads back inside. Ten hours until Ronnie arrives. She has to run to the hardware store.
______________
1944
My Percy, I’m so sorry. I can’t do it anymore. Gale has been captured by Germans. I can’t stand the thought, even in my head, of being so disloyal to him when he’s this close to death. It was never going to last. Don’t wait for me. I feel lost and alone. The dorm rooms are so empty. I’m afraid sometimes. That I’m a bad person. For the thoughts I have. Something inside of me is broken. Some cog doesn’t turn correctly. The hands of the watch have all stopped moving and I’m stuck in a world I don’t understand, which does not understand me. Please forget about me. Your Mary
______________
1945
He drives up to the house around two in the morning. Marge is in her room, sleeping next to Gale, the same way she has since she was fifteen and her Father and Mother decided it would be best if she moved up to the Cleven’s. After all, his parents had just died, and he was eighteen now, and they would be married soon anyways. She remembers the last time she went to the Casper library was the day before she moved in officially.
She can sense that he’s on the property. She gets up, slowly, and on tip toes walks down the stairs to the front door. He’s waiting there for her. His eyes shadowed in the dark night. Marge has done her part already. She put the sleeping pills in their drinks, crushed and hidden under the tang of gingerale and whiskey. Now they’re both in separate rooms, dead to the world.
“Where is he?”
She takes his hard hand in hers, and leads him back up the stairs. The night is dark and gloomy. She imagines that instead of the boring plains of Casper that it’s the moors of the Scottish Highlands that stretch for three acres in each direction. This kind of house, well, there’s no one here to hear you scream in this kind of house. She knows. She’s done enough screaming in this house to last a lifetime. And no one, until now, had ever come.
He approaches their bed, unmade, and leans over Gale’s sleeping face. She realizes that Ron is seeing him for the first time. She had made sure, before, to never wear any sort of locket with his picture in it. She can’t tell what Ronnie is thinking, but she watches with rapture as he reaches his hands out and drops a pillow over Gale’s face. She had thought…maybe a gun, or…well. This way was better. Less interesting. But better. Easier to explain.
She can tell when Gale wakes up. He starts thrashing. Slowly at first, then like a fish out of water begging for air. The only word banging around her head is “Daddy.” Daddy Daddy Daddy DADDY. As if he hadn’t been her Daddy for years and years. Even when she betrayed him, going out on little dates with Ron, writing him love letters. Even then it was all Gale in the end. Ruler of her heart and her brain. Taking up room he had carved out for himself inside of her. In the end it was always supposed to be the two of them. GaleandMarge. Now. Now she was just going to be Marge. Marge alone. With Ron two steps ahead, cold and hard edged and filled with anger. She feels afraid of the future.
Out of the corner of her eye there’s movement. Quick as anything, Bucky bounds into the room, stumbling over himself, vertigo drawing on the drugs to make him as clumsy as a newborn deer. Marge screams. This wasn’t part of the plan. Ron doesn’t panic. Not even when Bucky reaches out and grabs her by the throat, tossing her into the wardrobe. She lands hard, and is reminded of her own Father, his hulking size, his tempestuous anger. She understands for a brief moment what Gale sees in him.
Then the noise like a firecracker. Bang. And Bucky drops. She looks up from the red. Up and up and up. Ron stands there, pistol in hand, like a God of death. She loves him. She needs him. She is deathly afraid. He turns, returns to the bed, and checks Gale’s pulse. He places the gun in Gale’s hand, wiping it off with a handkerchief. She clings to his back, pressing desperate little kisses along the back of his neck, clinging like a sea urchin.
He holds her close, turning her around, mouth pressing to hers, squeezing her so tight she can’t breath. He doesn’t check the bleeding she can feel at the back of her head from when she knocked into the dresser. That’s okay though.
“You’re not leaving me again. Not again. It’s finished.”
She nods. Where else would she go now?
He takes her hand and leads her down the stairs and into the car and out onto the rough paved roads.
“Where?”
She knows what he means before he even finishes asking.
“Take a left.”
It takes them twenty minutes to get there. The anticipation is killing her. He parks the car, and giddy like a school girl she drags him along, pulling her nightgown over her head. Laughing. This is what freedom feels like. Like fresh air from the pitch black night on your naked breasts.
They reach the gravestone and he’s on her immediately. His hands wander, up and down, grasping her breasts and her naked thighs, wanting to touch every at once, wanting to consume her.
“Daddy…”
She whispers it to him, and something seems to snap. He tosses her down onto the dirt, the back of her head hitting the gravestone. She starts to bleed even more. Red everywhere. She feels behind her and touches the engraved letters of her Mother’s name. Red in the air. He stays clothed, but shucks his wool coat, his tie, places himself above her, knees in the wet dirt, biting at her neck until she cries out in pain. He touches her, but not gently.
“It’s finished. You understand? You’re not getting away from me again. Not even another war. Not even another continent is going to stop me from getting to you.”
The words should scare her, but they don’t. She’s used to being owned. At least Ron is good at it. He keeps his stolen things close to the chest, treating them like a magpie. He guards his nest. He would sooner kill her before he let her touch another man. And he lets her do what she wants. All of that. It makes her love him more than she can stand. Her mind might belong to Gale. It might always belong to him. But her body, her heart, her soul. Those she can give away as she chooses.
He slides into her, and it hurts unlike anything she’s ever felt before. She grabs at the stone behind her, bending her back to get away. But she can’t. The pain and pleasure are mixing. She can feel herself bleeding down into the Earth. She’s finally gotten what she wanted. Finally. A sigh of relief escapes her, fluttering her eyes closed. All around her, inside of her, is him. Warm and dark. From him to her, from the Oak trees that surround them like a canopy. Red flows out of her into the night. She screams out a long, loud laugh. He smiles into her neck, biting even harder. She wants to live the rest of her life just like this.
#this one dedicated to chirpy and to all the deranged freak girls who love gothic literature#this is not gale friendly as a warning lmao#marjorie spencer#marjorie spencer centric#complicated female characters#creating backstories and personalities for characters as it suits my agenda!#fanfiction#masters of the air#band of brothers#marge spencer#marge x gale#clegan#ronald speirs fanfiction#if you can call it that.... its not exactly flattering to him either lmao#no one in this is a good person basically#crossover fanfiction#back on my bullshit#i gave marge a little oc friend :-) who is just as weird as she is#birdie my beloved oc....... i would die for u....my angel..... ur too good for the rest of these freaks#mota fanfic#band of brothers fanfic
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obsessed w/ how one of Topaz's attack lines is just. "LIQUIDATION 💰💵📈🔥"
LITERALLY LMAOOOO
#TIME TO CHECK YOUR BOOKS IS A GOOD ONE TOO LMAOOO#SHE IS SO AUTISTIC ABT DEBT COLLECTING HELP ME#''INVESTING IN VICTORY... MEANS PLAYING THE LONG GAME!!!''#she talks to numby all the time too#shes so kind... gosh#asks#mourn 🌧️🐈 !#hsr#topaz ❣️🥰💯🔫💎#aaagghg the way she has qlipoths emblem on her because shes a loyal ipc member... and yet#and yet she had to sign the life contract#uet she is so loyal#gosh#shes such a complicated trauma victim to me#like shes not perfect shes flawed she upholds false ideals#but she is my beloved wifey <333#best hsr character. to me#SHE NEEDS MORE SCREEN TIME I HOPE 2.4 HAS A FOCUS ON TOPAZZZ RAHHHHHH#or 2.3 i forgor which version we were on OOPSSS#yeah 2.3 is the jade and firefly.#2.2 is the current robinhill patch OOPSS
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im really realising how often i draw characters with a basic head shot or above the waist shot
#basic head shot my beloved#hey i wish i could draw more complicated poses sometimes but man usually i just like to draw the details of the face#plus ive never drawn most cats characters so i always like to draw something basic the first time to get the hang of it#then i can move on to trying to draw more complex things#why am i defending myself. i draw what i want
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Worst thing is when you start watching a new show but you can’t go looking for gifs to reblog because you’re only at the top of season two of three and you’ll spoil yourself
#this is about Hacks HBO#i want to turn that messy bisexual and the woman old enough to be her grandma that she wants to bone around and around in my head#like true blorbos#but alas I can’t even look for gifs#complicated women characters my beloved
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ordering a comm of these two with this pose ✨
#⟡ — kayleigh’s original characters#⟡ — oc: maevaris telvanni#⟡ — oc: thaesandra caerllin#they’re not romantically involved of course but i do headcanon that they both exist in the same timeline 🤷🏼♀️#it’s... very complicated lmfao#i bet that you can’t figure out which one goes where in the pose 😂#anyways these are my most beloved and fleshed out original characters#and they are obviously from the elder scrolls online 🥰#i definitely want to get a commission of thaesandra × fennorian and maevaris × darien gautier someday but alas#i must be financially responsible 😂
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