#complex blueprint

[salamispots]

every time I make fake store ads/product designs I'm just like

[thejeangreysummers]

SUMMER IN NOVEMBER | simon x afab reader

warnings: making out, touching, shared shower time but no smut yet. traumatized simon with negative self worth post near death experience, reader is not in the military by choice, dubcon regarding tits if you squint, and possessive simon. (not proofread we die like men ig)

Simon loves the desperation in your first kiss, you kiss him through the mask clumsily with your arms around his neck. For the first time his reflexes loose their rigidity as he barely closes his eyes as you’re pulling away. Flushed, shamefaced, mumbling thank god you’re safe and turning away.

Simon tugs you by the wrist, it’s not a request by the way he’s studying you. You’re ready for the lecture about professionalism or a comment about how you’re old enough to know better than to pull a stunt like this. He’s never barked at you the way he does with the team. Never complains when you sit in his chair, doesn’t say anything when you drink out of his mug, and when you go out he’s paying your tab before you can touch it.

This will be the breaking point, the last time he tolerates you, now he’s going to tell you to go fuck yourself for sure. He tells you to close your eyes and you’re ready for him to scream at you bracing yourself not to cry.

Ghost kisses you roughly, sucking on your bottom lip, demanding you open yourself to him. In seconds he has you against the wall caging you in as he sucks on your neck, it’s better than the wet dreams you’ve been having with just this one kiss. All your nerve ending ache for him and you’re squirming, Simon pulls away eyes wide.

He’s still got blood tainted on his uniform, his hands have gunpowder residue — who is he to kiss you? You deserve more than a single night of him fucking you until you can’t stand. You don’t belong amongst all this carnage. You don’t belong with him.

Yet, you’re pulling him by his collar cradling his face in your small hands, kissing him again, softer like you’re sipping on his mouth, savoring it until he leaves again. Simon doesn’t want to share you with the wraith inside him, he wants all your sunlight to soak into him instead.

He lets you tug him to the infirmary, watches you re-reading the patient portal notes on your phone while walking to his room. When he complains, you silence his smart ass comments about his injuries when you slide into his lap. You curl into him like a cat searching for warmth, praise, and petting. He keens at your attention, your excessive worry, and your newfound display of affection. Wondering if after tonight you’ll come to your senses and never make him tea in the middle of the night again. He could make you beg for his mouth, but he can’t make you love him.

Simon leans into you as you set up a shower for him palming at your waist, digging his fingers into your hips, hovering over the button of your cargo pants. He lets you undress him just in his boxers and balaclava, you press a shaky kiss to the middle of his chest promising to wait for him in the bedroom. For the first time Simon doesn’t want to be alone, he catches himself asking you to join him in the shower. He doesn’t want to fuck you in the shower, he just wants you stay, but he doesn’t know how to justify the yearning he’s been holding for you. You don’t complicate things for him, just let him unzip your pants and unhook your bra. In the shower you stand away from the stream of hot water, gently scrubbing the sweat and exhaustion off his skin. You look away from his half hard cock as you run a washcloth over his calves, after doting on him you press a kiss to his cloth covered mouth. You gently trace the seam of his mask and tell him you’re leaving so he wash his intimates. Simon emerges out the steamy shower to a warm towel and neatly folded night clothes beside a clean balaclava with its signature skull.

That night your hands don’t linger down to his waist, you let him lay his head on your chest, you scratch down his upper back until you fall asleep. You never ask him for more than he’s willing to give, you’re so innocently interrupting the hardened exterior he presents, and you’re too naive to know he wanted you from the minute you looked up at him.

Simon needs one minute with his bare face against your tits. He knows from carrying you home after a drink turns to two, you’re affectionate until you’re fighting sleep you can’t be stirred. He knows you wouldn’t deny him this if you were awake. He’s slipping off the mask nuzzling his face against your tits into the curve of your neck until he’s on top of you leaning his forehead against yours and barely kissing your mouth.

He slips on his mask again, unwilling to let you see him vying for your love, waiting for your praise. He’s leaves the bed, wondering if he should pretend this night never happened, when you’re calling out his name in your sleep. Simon returns to the bed as you’re gasping for air, you heave with sobs as he pulls you into his chest. You’re begging him not to die, not to disappear, not to abandon you.

“I love you, you can’t leave.”

For the first time in the years he’s known you, something emerges that is unyielding— more than a watery sob this is a practically a prayer. Your wish may be more than you bargained for, but you belong to him now. If you’ll take him as he is sharp teeth, crooked, and scarred he must find a way to live with himself. One day you’ll know that you’re the first to have touched his broken nose, scarred cupid’s bow, and uneven shave. He wasn’t held like this even when he was a child, but you’re holding onto him for dear life and you love him.

The way you see through everyone extends past human understanding, you’re both paranormal in your own ways. You’re a collection of colorful persistent oddities, your curious consumptions forced you into this line of business. Your mistakes is his dumb luck, he’s claiming your love as his prize. You’re too pretty a bird to stay in these barracks, kept in this cage, consumed by all this corruption. After everything his atonement will be keeping you safe. Men may change, but the self serving nature of ghosts linger. The prospect of spoiling you rotten, earning your smile, and making you whimper his name will be his own pleasures one day.

[scoliosisgoblin]

some stuff with Void and his bff, Dora :) (based on my online friend @/novakdora33 on insta)

I don't draw them enough despite them being way closer than anyone else in their lives

[dulcewrites]

Idk…. there’s something so weirdly misguided imo about people thinking boderline comically evil, vicious women = always complex or well written. Most women aren’t… honestly most PEOPLE aren’t like that regardless of the time period or setting.

It’s why I’ll never get the people who say book Alicent (who honestly is not even as awful as make her out to be but I digress) is more complex or well written than show Alicent. It’s one thing to have a preference, but to pretend what George wrote for basically all the women in f&b is just so deep is fallacy lmao

[cescalr]

Buffy is so insane about Spike for real

[neoneun-au]

i love the animals in planet zoo a lot but building in this game is so fucking difficult im losing my mind

[thesnadger]

The Goncharov meme is such a fun little spotlight on how people view media. Like, fake academic analysis about a movie that doesn't exist. Cool. But that's only the first level.

Next you have posts recreating a modern tumblr audience "discovering" an older piece of media and engaging with it through the lens of fan culture. Particularly tumblr-specific fan culture. Particularly in a way that feels like it got its blueprint from Dracula Daily. (Shitposts and memes, intense love for the most prominent female character, reads of complex romantic dynamics between characters, etc.)

Then you get fake discourse about the fake fan response to a fake movie that are quietly complaining about real ways real people respond to real media. I.e., America-centric readings, shallow, shipping-based readings, fans lionizing a protagonist not meant to be admired, etc.

(My personal favorite are posts that recreate the experience of being told a piece of media is so gay, you guys, only to watch it and find it isn't even remotely, that fans who wanted queer subtext wrung blood from a stone and thoroughly misled you.)

I also like the extra-meta ones about "this obscure movie being recently re-discovered," fake film history about copyright battles or the original cut being suppressed, etc. And of course, Johnny fucking Truant is here to give his editorial take on it, as he should be.

Pale Fire, House of Leaves, Goncharov. Humanity is such that every now and then we need to get really invested in fake arguments about a piece of media that doesn't exist.

[toytle]

everything abt this is outdated but ykw. tag yourself anyway, i’m jean and fred

text ID under cut:

lasik (scott): 1) gifted kid burnout + eldest sibling syndrome 2) leader by choice(..?) 3) “this is fine.”

mom jeans (jean): 1) leader but not by choice 2) never forgets a birthday 3) gets away with things due to her reputation

fuzzy elf (kurt): 1) tries to be hip with the kids (is a kid) 2) honorary catboy 3) fingerguns his way out of situations

:3 (kitty): 1) impulsive shopper 2) livetweets everything 3) says ‘omg’ and ‘ttyl’ outloud 4) bakes muffins for her friends! they are inedible!

skater boi (evan): 1) cool guy syndrome 😎 (undiagnosed adhd) 2) steals food off his friends' plates 3) PARKOUR!

e-girl blueprint (rogue): 1) hopeless romantic 2) only child AND middle child energy 3) knows the best thrifting spots

“””team leader””” (lance): 1) tries a lot, fails a lot 2) anger is default emotion 3) probably named his car betty or smth

actual team leader (pietro). 1) cool guy syndrome 😎 (unmedicated adhd) 2) causes problems on purpose 3) motivated by attention

toad (todd): 1) thinks he's just soo funny. well, he is. 2) hasn't showered in a month 3) stays out of drama but Will grab the popcorn

bombshell blonde (tabitha): 1) self-loathing vs superiority complex: fight! 2) flirts with friends 3) parties to avoid being alone with her thoughts

scarlet bitch (wanda): 1) hates authority figures 2) cuts her own hair. and clothes. 3) in a constant state of overstimulation 4) deserves to snap tbh

hey it’s (fred)!: 1) cries easily 2) would literally murder for friends 3) treats plushies like living creatures

professor clean (xavier): 1) “hello el gee bee tee que community" 2) adopts every child he sees 3) knows everything and yet nothing at all

grrrr (logan): 1) that sounds like a you problem." 2) acts like he hates kids but tacks their drawings to the fridge 3) believes that violence is the answer

weather report (ororo): 1) everyone's bisexual awakening 2) has high expectations for everyone, including herself 3) live laugh love 😊😊😊 or else

mr beast but like actually (hank): 1) god, i could really use a drink." *makes chamomile tea* 2) longs to be a smooth rock basking in the sun 3) gives unwarranted life lessons

another blue one (mystique): 1) #girlboss 2) “gay rights but only for me" 3) loves her son but will dropkick other children

magnum dong (magneto): 1) heterophobic 2) "you have the moral backbone of a chocolate eclair" 3) does not love his son AND will dropkick other children

[reasonsforhope]

"In a first-ever human clinical trial, an mRNA cancer vaccine developed at the University of Florida successfully reprogrammed patients’ immune systems to fiercely attack glioblastoma, the most aggressive and lethal brain tumor.

The results in four adult patients mirrored those in 10 pet dog patients suffering from brain tumors whose owners approved of their participation.

The discovery represents a potential new way to recruit the immune system to fight treatment-resistant cancers using an iteration of mRNA technology and lipid nanoparticles, similar to COVID-19 vaccines, but with two key differences: use of a patient’s own tumor cells to create a personalized vaccine, and a newly engineered complex delivery mechanism within the vaccine.

“Instead of us injecting single particles, we’re injecting clusters of particles that are wrapping around each other like onions,” said senior author Elias Sayour, M.D., Ph.D., a UF Health pediatric oncologist who pioneered the new vaccine, which like other immunotherapies attempts to “educate” the immune system that a tumor is foreign.

“These clusters alert the immune system in a much more profound way than single particles would.”

Among the most impressive findings was how quickly the new method spurred a vigorous immune-system response to reject the tumor, said Sayour, principal investigator at the University’s RNA Engineering Laboratory and McKnight Brain Institute investigator who led the multi-institution research team.

“In less than 48 hours, we could see these tumors shifting from what we refer to as ‘cold’—very few immune cells, very silenced immune response—to ‘hot,’ very active immune response,” he said.

“That was very surprising given how quick this happened, and what that told us is we were able to activate the early part of the immune system very rapidly against these cancers, and that’s critical to unlock the later effects of the immune response,” he explained in a video (below).

Glioblastoma is among the most devastating diagnoses, with median survival around 15 months. Current standard of care involves surgery, radiation and some combination of chemotherapy.

The new report, published May 1 in the journal Cell, is the culmination of seven years of promising studies, starting in preclinical mouse models.

In the cohort of four patients, genetic material called RNA was extracted from each patient’s own surgically removed tumor, and then messenger RNA (mRNA)—the blueprint of what is inside every cell, including tumor cells—was amplified and wrapped in the newly designed high-tech packaging of biocompatible lipid nanoparticles, to make tumor cells “look” like a dangerous virus when reinjected into the bloodstream to prompt an immune-system response.

The vaccine was personalized to each patient with a goal of getting the most out of their unique immune system...

While too early in the trial to assess the clinical effects of the vaccine, the patients either lived disease-free longer than expected or survived longer than expected. The 10 pet dogs lived a median of 4.5 months, compared with a median survival of 30-60 days typical for dogs with the condition.

The next step, with support from the Food and Drug Administration and the CureSearch for Children’s Cancer foundation, will be an expanded Phase I clinical trial to include up to 24 adult and pediatric patients to validate the findings. Once an optimal and safe dose is confirmed, an estimated 25 children would participate in Phase 2."

-via Good News Network, May 11, 2024

-video via University of Florida Health, May 1, 2024

[fuckyeahgoodomens]

Link 1, Link 2 :)

Digital Good Omens 2 Sountrack is coming out in 4 days! 🥳 CD version in October! :) ❤ Coming soon on vinyl…

Out to Stream/Download from 25th August. Out on CD 13th October. Coming soon on vinyl…

David Arnold’s ‘end of the world’ complex and multi-genre soundtrack.

From the Award-winning composer of Sherlock and Casino Royale comes a follow up to the hugely successful, Emmy nominated Good Omens soundtrack.

Good Omens series 2 premiered on Prime Video on 28th July. The series follows the odd couple, angel Aziraphale (Michael Sheen) and demon Crowley (David Tennant) in their quest to sabotage the end of the World. The six-episode sequel to the popular adaptation of the novel by Neil Gaiman and Terry Pratchett, concerns the Archangel Gabriel (Jon Hamm) arriving without his memories to Aziraphale’s bookshop. Aziraphale and Crowley attempt to find out what happened to Gabriel, whilst hiding him from Heaven and Hell, both eager to find him.

The Soundtrack

David Arnold’s soundtrack to Good Omens was first released in 2019 to favourable reviews, with BBC Music Magazine calling it “a rollicking trip to hell and back”. Blueprint Magazine described it as “a great listen” and Sci Fi Bulletin commented on “plenty of memorable themes” to conclude that “This is another work of art from Arnold”. At times nostalgic and eerie but always varied, beautiful and full of excitement, the Good Omens 2 soundtrack showcases Arnold’s every skill from his composer arsenal. Featured here are orchestral arrangements with sprinkling of Sugar Plum Fairy pizzicato and percussion, jaunty strings and mighty choral sweeps from Crouch End Festival Chorus. Added to the mix are rock guitar riffs, and psychedelic 70s sounds and all together they create a haunting otherworldly feel, complementing the fantasy and the quirky humour of the show. The spirited Waltz of the opening theme is also present in the second series and it wonderfully sets the scene for fantastical mayhem. In series 2, this robust, evocative, and funny music entity, becomes yet again another character in the story. Award-winning composer David Arnold is well known for his blockbuster scores, including Stargate, The Chronicles of Narnia: the Voyage of the Dawn Treader, Hot Fuzz, Paul, Independence Day, 2 Fast 2 Furious and Casino Royale as well as for his TV work such as Sherlock and Dracula. Also available: The original soundtrack to the first series of Good Omens >

Tracklist

– Disc 1 – Chapter 1: The Arrival 1. Before the Beginning 2. Good Omens 2 Opening Title 3. Into Soho 4. Something Terrible 5. To The Bookshop 6. Maggie and Nina 7. He’s Smoking 8. Tiny Miracle 9. Heavenly Alarm Bells Chapter 2: The Clue 10. Avaunt! 11. The Song is the Clue 12. It’s What God Wants 13. A Mighty Wind 14. Whales 15. Gabriel Returns 16. His New Children 17. Am I Awful Now? 18. Fallen Angel Chapter 3: I Know Where I’m Going 19. Police Arrive 20. Scotland 21. We’re Going to Hell 22. People Get a Choice 23. My Car is Not Yellow 24. Beelzebub in Hell 25. The Book 26. The Fly 27. Mr. Dalrymple 28. We Need to Cut 29. I’m Going to Save Her 30. Crowley Goes Large 31. Not Kind 32. Beelzebub Isn’t Happy – Disc 2 – Chapter 4: The Hitchhiker 33. Hell-O 34. Nazi Zombies 35. March of the Nazi Zombies 36. Crowley Pep Talk 37. The Magic Shop 38. Catch The Bullet 39. Zombies in the Dressing Room Chapter 5: The Ball 40. I’ll Let You Have It 41. We’re Storming a Book Shop 42. Monsieur Azirophale 43. The Candelabra 44. Here Comes Hell 45. Gabriel Gives Himself Up 46. Shax 47. The Circle Chapter 6: Every Day 48. Bin Through the Window 49. Gabriel Leaving Heaven 50. The Halo 51. Gabriel Revealed 52. Gabriel’s Love Story 53. Leaving The Bookshop 54. Gabriel and Beelzebub 55. Crowley and Muriel 56. I Forgive You 57. Don’t Bother 58. The Biggest Decision 59. The End?

[angstflavoured]

A little fiddauthor analysis...

Making this post mostly just to get all of my thoughts out about it regarding how I think it is inherently very toxic on both ends, despite people treating it as more wholesome near the beginning when they were both younger… and the fact that I think it’s very incredibly one-sided. I’m strictly going to be talking about CANON events, not headcanons or speculations or AU’s. If you wanna draw Fiddleford and Ford being cute and hugging and dating, I don’t care, I like a lot of the content for them myself. It isn’t canon to the show and doesn’t affect or harm anybody. That’s what a fandom is and I’m not trying to police anyone, I just think a lot of people misinterpret their relationship and thought it would be fun to talk about it because I find their dynamic really interesting. I’m going to be using a lot of direct quotes and scenes from Ford’s journal, TBOB, and the show, so buckle in baby ! This was supposed to be a quicker and smaller one while I work on my Billford essay, but I had a lot more to say than I thought…

First off, it’s interesting to see how Ford thinks their interaction after so long is going to go. In Journal 3 he says he has “no choice” but to call Fiddleford up to work on the portal because Ford just doesn’t have the smarts to do what he wants to do himself, and he thinks he’s going to have to literally beg Fiddleford to join him. But as we see in the journal and in the show, it hardly takes ANY convincing at all for Fiddleford to drop everything he was doing and leave his wife and kid for months on end to work on a project he knows nothing about. All the info he has he got over a short phone call. It seems like Ford, at this point being so close with Bill and thinking he’s the only one who cares about him, just assumed that most people he used to talk with don’t think about him anymore. He’s had Bill whispering in his ear that he’s the only one who understands him, so it makes sense he doesn’t think Fiddleford will want to do this with him. But from what it looks like, Fiddleford either has been waiting every second for Ford specifically to get back to him, or just has been waiting for any excuse to get the hell away from his family which is… yeesh. Either way, not very healthy regarding his wife and kid. He doesn’t seem to really care all that much about either of them, but more on that later.

Obviously Ford cares about Fiddleford, as soon as he comes down to live with him, Ford hasn’t been so happy in a good while. He missed human connection, despite how good things were going with Bill. Having another person there to talk with was nice. Despite Fiddleford having strange quirks that did irk Ford, he found them endearing and genuinely felt better in his company.

But I think the biggest thing here a lot of people overlook is that Ford only ever refers to Fiddleford as his college buddy in the show, and in the journals as “my assistant.” I’ve seen so many people have Ford call him his partner, but he actually only calls him this like once in the show i think. It’s always my assistant, my research, my theory. Which is funny because Ford didn’t come up with any of this stuff with the portal on his own. Bill was the one that gave him the blueprints. Fiddleford even questions Ford at one point, asking if he had help coming up with them because of how complex they are, and Ford decidedly DOESN’T mention Bill and instead tells him “with hard work, anything is possible.” (Btw he does refer to Bill as his partner multiple times… just sayin.)

The way he talks to and about Fiddleford, Ford is always talking down. He does think that Fiddleford is smart and does think he has a brilliant mind, but he still thinks that he’s below him.

Because Ford has Bill.

And oh my lord, do I not see anyone talk about this. Soooo many comics always depict Fiddleford knowing about Bill existence, but I think the biggest roadblock with their ship and a huge point of contention is that Fiddleford never canonically knows about Ford’s relationship with Bill until after he’s already lost his mind when he’s old. He doesn’t even KNOW that he exists until he’s half sucked through the portal. People ignore this, but it’s so important to their dynamic. Ford doesn’t think that Fiddleford could handle it, and he doesn’t think he necessarily deserves to know. Because Bill is Fords thing. Their relationship is special. Ford is special.

Ford claims he doesn’t tell Fiddleford about Bill because he would throw him in a looney bin, despite their research being so whimsical and ridiculous already. They’re literally building a portal to a different dimension, Fiddleford would’ve believed him. And the way Ford talks about it, you can tell it’s less about Fiddleford thinking he’s crazy and more about something else.

Could F ever truly appreciate the complex fates that brought me and my Muse together?

He doesn’t think Fiddleford could APPRECIATE it. The language he uses, you can tell that Ford knows that Fiddleford would see right through Bill’s facade. And Ford doesn’t want that because he wants to be friends with Bill and he wants to be special, and he’d rather hide Bill and stay in denial than tell his dearest friend, just so he can feel special a little longer.

This is why I think as much as Fiddleford’s romantic feelings for Ford were there, it never ended up going anywhere. Ford would always choose Bill over him. When Fiddleford got him the axolotl pet, Ford quickly threw it out and lied about it to Fiddleford just because Bill told him to. And there’s multiple cases of interactions like this, where Bill will talk down about Fiddleford and Ford will just be like damn… yeah. Here’s a journal excerpt from TBOB around Christmas time. For context, Ford got into a huge fight with a monster and tried to contact Bill to help him, but he didn’t come. And then Bill randomly shows up later when Ford’s at home decorating.

I was almost roasted by Krampus, and where was he? Off inspiring some other scientist? Posing for some tapestry? Were we even partners? He threw the accusation back in my face. “Hey, I’m not the one skipping portal work to carouse with a third-wheel hillbilly with second thoughts about our project!” I started to argue--but he had a point. F has seemed less and less committed to work lately.

Which is INSANE !!! when we see that only a fucking page ago, Fiddleford was explaining how he got in a fight with his wife because he didn’t get her a present for Christmas. After spending multiple weeks and making multiple prototypes for a pair of 6 fingered gloves for Ford.

And if we hop back to Journal 3, there’s a particular interaction with them which is crazy to me. While hiking up a mountain to go to Crash Site Omega, they get into a fight with the Gremloblin, which fucking swoops up Fiddleford into the sky. In Ford’s attempt to get him down, they both end up falling down through the roof of a barn, where Fiddleford gets stuck full of quills and breaks his arm.

Despite our fortune, I have become worried about my assistant. I was able to treat his physical wounds, but I fear there are mental wounds not as easily remedied. For the past several nights, he has been unable to sleep, apparently still haunted by the Gremloblin’s gaze. More alarming is his Cubic’s Cube. It has sat scrambled, unfixed, on his desk for days. I myself have survived many monster attacks without trauma, but perhaps F is more sensitive than I realized…

OH. MY. GOD. The way that Ford talks so condescendingly is enough to make any person's blood boil. It’s the same way when Fiddleford gets sucked through the portal, and when Fiddleford gets pulled back, Ford’s first words out of his mouth are “WHAT DID YOU SEE!”

As much as he cared for Fiddleford… he has no regard at all for Fiddlefords VERY VALID feelings about events that would traumatize literally anyone. But he just pats Fiddlefords back and tells him to get used to it because this is just part of the job and he shouldn’t be whining so much. He does nothing to properly comfort him and scoffs it off like “apparently he’s ‘TRAMATIZED’ or something. I’ve been through so much worse and never had a problem, I don’t get what his issue is.” And then ford is SURPRISED AND APPALLED when Fiddleford creates the memory gun.

Which oohhhhh lord, the memory gun. jesus christ. Such a big example of the distrust between them on both sides. Fiddleford literally canonically lied about destroying the gun and then erased Fords memory about it so that he could erase his own memories in secret without him knowing. And also probably fords sometimes! Not completely canon, but like…. Fiddleford did it once, I wouldn’t put it past the guy. And then when they go to the carnival, Fiddleford hands out his fucking card to Ivan (the leader of the society of the blind eye, who was a teen/early 20s at the time) so that he can erase memories for him that he didn’t like.

Biggest thing we can take away from everything regarding Fiddleford’s character, is that he always takes the easy way out. He ran away from his family he obviously didn’t really care for as much as he should’ve because that was easier than talking it out or divorcing. He pushed it aside for later. Bro was literally looking for a fucken Brokeback Mountain situation, but Ford wasn’t giving anything back to him. So instead Fiddleford constantly made a fool of himself doing things for Ford and tripping over himself to show his gratitude when all the while Ford was entirely focused on Bill. and then he just goes around and starts erasing memories, because it’s easier than having to actually deal with things. Which is why I don’t foresee a reality in which Fiddauthor makes sense, in the way they actually end up doing anything together. Because Fiddleford’s too much of a coward to admit his feelings first, and Ford obviously has his sights on someone else.

And here’s the BIGGEST damning thing, like oh my god.

In Journal 3, Ford goes to a fortune teller (which don’t get me fucking started on how judgy he is to her and how much he talks down about her, DESPITE HER BEING LEGIT AND ACTUALLY WARNING HIM). Long story short, she gives Ford a spiel about how someone close to him is deceiving him. She then gives him a mood ring and says “when this is blue, you may pull through. When this is black, you can’t turn back.”

And LO AND BEHOLD!! OH MY FUCKING GOD, when they’re at the carnival and Fiddleford is talking to Ivan and whispering--

Ford. Looks down. To check if the ring is black.

I took one last look down at my hand and was strangely relieved to find that the palm reader’s ring was still blue. I shoved it in my pocket, collected F, and tried to put the whole experience out of my mind.

FORD LITERALLY THOUGHT ABOUT THE IDEA OF FIDDLEFORD BETRAYING HIM BEFORE BILL. IN FACT, HE LITERALLY NEVER MENTIONS THINKING IT WAS BILL ONCE.

He talks about how they got into a fight at dinner the night before the portal test because Fiddleford was having second thoughts about it being dangerous, and Ford told him to be there or he would get left behind. He’d do it without him.

And when Fiddleford gets pulled through the portal and quits the project, Ford says gooooddd fucking riddance, I never even needed you bro.

F, you weak-willed hayseed! Go back to your doting family and a life of fear and compromise! I weep now not for our failed partnership, but for the golden opportunity thrown away. To think I considered him a friend! I know my true friend. It is my Muse.

One of the few times he ever refers to it as partnership btw. Literally only when they break everything off.

And Ford only starts fighting with Bill about everything after it starts directly hurting him. It literally just seems like Ford is less upset about Bill’s plan being evil, and more upset at the fact that he lied to Ford LMAOOOOO he didn’t like the fact that he was disposable and lesser to Bill, despite Ford treating Fiddleford the exact same way.

At the end of all of this… it may seem like I’m really fighting against this ship, but not in the slightest. I LOVEEEE them so much, but in a way where it would be really toxic and not actually end up with anything happening.

Such a biggg theme when it comes to Ford’s character specifically is yearning. He yearns for success and attention and love and acceptance, but he’s constantly never giving other people those things. Which ends in him not receiving any in return. That is obviously until he gets back from dimension hopping and works on being a better person. When he starts towards healing, that’s when he starts receiving what he always wanted.

There’s so much tension between Ford and Fiddleford it's like disgusting, they were so incredibly gay… but, I hate to say it, it was very one-sided. They did have some fun times together and Ford enjoyed his company for quite a bit, but it was nothing like how Fiddleford felt for him. Fiddleford was always thinking about how Ford was feeling and what he was doing, and Ford never really did that for Fiddleford unless he was prompted to. But he was alwayasyayayss thinking about how Bill felt. And he always chose Bill in the end.

I just see so much of all of this get swept under the rug and never addressed, when it's kind of sad because it’s all so interesting and really adds a lot to both of their characters. They were both so morally gray back in their day, and honestly even more so now that they’re older, and its kinda sad to see that all go ignored. I JUST LOVE TOXIC GAYS SM AND THEY WERE SO TOXIC AND I’D LOVE TO SEE PEOPLE EXPLORE THAT MORE. Hopefully maybe this will prompt some people to think about it like this…….. It’s all so very tragic and their relationship was doomed from the start and i loveeeee shit like that. only misery to be had...

[grison-in-space]

I think the single biggest lesson of my thirties has been "usually if something seems like an obviously super broken thing that no one is fixing, it actually is really hard to fix. but it's still worth trying anyway."

Seriously. Understand what's going on. Take stock of the actual barriers between you and your actual goals, not the automatic more measurable proxies for those goals we make up in our heads.

(For example, if our actual goal is "more children in loving households with at least two adults looking out for them and caring for them, fewer children living in homes where they are neglected or deprived," we sometimes talk about measuring "children in two-parent households."

But that's not the actual goal: it's the proxy we're using to approximate the actual goal in any given moment, because you can't directly measure real net child social support in the moment very effectively. We need to use proxy measures to help us find out how complex phenomena are linked, but it is crucial to remember that they are tools and not blueprints.)

And if something seems so simply broken and easy to fix "over there," consider that probably there is a snarl in the knot that you can't see, hiding part of the so-simple problem from view.

[storgicdealer]

ok gang. its theory time

the analysis of the new mercenary scene. meta, blueprints and time

warning it is incredibly choppy because of the chaos i am in rn !!!!!! but anyways

okay so. the video cuts off at green&red defending themselves but i doubt that really means a lot

the glitching. it IS reminding me of the way chosens memories were scanned through. but mercs having a whole tv remote?? chosens memories mightve as well pushed them to use youtube ?? but why didnt they access it earlier ?? why vic didnt???

bc of these question im more willing to think they themselves decided to use youtube right now. maybe only right now !

this raises a ton of questions. does outernet have somewhat of an access to internet after all? is it just their own tech? (could be supported by the fact that if youtube was common there i doubt theyd be using specifically television for it. i feel like theyd use other screens instead without a need of a remote especially considering how advanced their tech is)

still possible that it is common. considering they aren't that focused on it and there are random workers in the bg literally enjoying the show

this whole thing is VERY meta lol but i do think the mercs are the ones that influenced the stream in this way

A BIG portion of alan drawing a flower from ava season 2 is paid attention to in the glitching scene for some reason ?? maybe as a note for his and secs alliance.

the video then cuts off and goes to victim again. the whole video was watched through

the stream cuts off to mercs. **RIGHT** at the moment chosen notices the freedom stick rights article. based on the vid it could be just primal messing with shit but i feel it was intentional. (ha. freedom? loser. we're here instead)

later. the video resumes at victim again. i didnt see any changes to vics or chosens ending.

okay. the mercs. pulling up screenshots for this one

i. cant decipher THAT much even though the quality is 1080p for me.

but i DO see that the first blueprint has as i suppose the hover ??

the text pinpoints "power core" and its pretty much the most readable thing for me. another one is kyokaz was here its just a cameo

the blueprint shows buttons? perhaps the controller of the hover? going to a circle thingy. perhaps what is working inside the hover

the whole thing on the left corner says f___ complex but i cant decipher

second screenshot. the blueprint left to the first one looks like a pc?? and its not surprising even in the screenshot itself bc. the mercs have one to the right corner behind em

now. third sc.

HELLO?

firstly. A VIC DRAWING????? WITH A GUN????

there is a possibility of it being any stick but. i feel its victim. in my guts

shooting?? what. for.

it is scribbled out . . .

there is a possibility (along with the self portrait of vics in the unused bg) that it was just. him doodling. it would kill me actually because he is no great artist like sec. just a doodler (<words of flareboi here)

now. this

again . the question how they accesed it.

if they can get youtube to open there. how did vic not know of the showdown. of sec

showdown was uploaded online. that was literally in canon !!!

unless there's a rule that not everything internet-like and youtube like can be accessible. but i dont really think of any implications that proved that

except. for the fact that showdown was already uploaded. before the ep even ended. would it imply time passing differently in both realms?

lord i needed to scream it out.

OH GOD !!!!!!!!!!!

[inkspiredwriting]

Unspoken Jealousy

Five Hargreeves x Fem!reader

Warnings: none

Number Five stood in the middle of the living room, staring intently at a complex blueprint spread across the coffee table. He was deep in thought, muttering to himself as he connected the dots of his latest plan. Y/N, his wife, watched him from the doorway, a hint of a smile playing on her lips. She admired his brilliance and determination, but today, something else gnawed at her.

“Hey, genius,” she called out, trying to sound casual. “What’s got you so engrossed this time?”

Five looked up, a grin spreading across his face as he saw her. “Just working on a new project. Trying to make sense of this time anomaly I noticed.”

Y/N walked over and sat beside him, glancing at the blueprints. “Another day, another time anomaly, huh?”

He chuckled. “Something like that. You know how it is.”

Y/N nodded, but her mind was elsewhere. Lately, she had noticed Five talking more and more about Dolores. It was never in a way that suggested he still had feelings for her, but the mere mention of her name was enough to spark a pang of jealousy.

“Five,” Y/N began, hesitating slightly. “Can I ask you something?”

“Of course,” he replied, looking up from his work.

“Why do you talk about Dolores so much?” she asked, trying to keep her tone light. “I mean, I get that she was important to you, but it feels like she’s always there in the background.”

Five’s expression softened, and he reached out to take her hand. “Y/N, Dolores was a coping mechanism for me when I was alone in the apocalypse. She kept me sane when there was no one else. But she’s just a memory now, a relic of a time I’d rather forget.”

Y/N sighed, her jealousy turning into a deep-seated insecurity. “I understand that, but sometimes it feels like I’m competing with a ghost.”

Five’s eyes widened in surprise. “Competing with a ghost? Y/N, you’re my wife, the person I love most in this world. Dolores was a mannequin. She wasn’t real. You are.”

“I know that,” Y/N said, her voice tinged with frustration. “But it doesn’t change how I feel. Every time you mention her, it’s like a reminder that there was a time when I wasn’t enough to keep you sane.”

Five moved closer, cupping her face in his hands. “Y/N, you are more than enough. You are everything to me. Dolores was a figment of my imagination, a way to survive. You are my reality, my anchor. I’m sorry if my talking about her makes you feel less important. That was never my intention.”

Y/N leaned into his touch, tears welling up in her eyes. “I just want to be the one you rely on now, the one you talk about.”

“You are,” Five whispered, kissing her forehead. “You’re the one who brought me back from the brink, who gave me a reason to keep fighting. Dolores was my past, but you are my present and my future. I promise to be more mindful of your feelings.”

Y/N wrapped her arms around him, holding him close. “Thank you, Five. I needed to hear that.”

They stayed like that for a while, wrapped in each other’s embrace. The blueprints and time anomalies forgotten, Five and Y/N took comfort in their love, reaffirming their bond. It wasn’t always easy, but they knew they could face anything as long as they had each other.

From that day forward, Five made a conscious effort to let Dolores fade into the past where she belonged. He focused on the present, on Y/N, and the life they were building together. And though the scars of the past would always be there, they were just that—scars. They would heal, and with Y/N by his side, Five knew he could face whatever the future held.

In the end, it wasn’t about erasing the past but about making sure it didn’t overshadow the present. Five and Y/N found their way back to each other, stronger and more united than ever. And that, they realized, was all that mattered.

[secular-jew]

Arab colonialism generally adheres to the same blueprint of land theft, displacement, and genocidal violence. When Islam plants a mosque somewhere, it believes this is conquered land and it's theirs forever, no matter what Temple or Church it builds on top of.

What sets it apart, however, is that it also attempts to project its own abuses onto its victims.

Rather than acknowledge their glaringly obvious 1400-year uber-colonial history, they will invert perceptions of history and reality in an attempt to self-indigenize.

They then usurp the cultures, stories, and legacies of indigenous peoples for themselves (but only the convenient parts - you'll never see Palestinians claim Judas) and disenfranchise the people they stole it from.

They will furiously deny that their ancestors were, in fact, colonizers who conquered their way on land on which they now occupy. Instead, they will frame themselves as native peoples who simply embraced Arab identity/converted to Islam, while the actual indigenous peoples are framed as nothing more than a pathetic band of rejects and cosplayers whose ancestors either never lived on the land to begin with, or were rightfully cast out (or have been cast out for so long that they have lost all right to return).

I can think of few other colonizers that do this. And because this behavior deviates from what we typically understand as "baseline colonialism", it becomes immeasurably harder to identify and more complex to counter.

[open-sketchbook]

... okay that post going around about the wind rises is fucking killing me. no, the movie doesn't go to nazi germany to admire nazi engineering. the movie goes to nazi germany, portrayed as a nightmare where the gestapo chases people through the streets, a nightmare the myopic main characters are blind to because they get distracted by the shiny planes.

there, they admire the work of hugo junkers, who their company made a deal with eight years prior. the man who will, a year later, lose his airplane business because he refused to build warplanes for the nazis, who takes the principled stand that Jiro fails to. who sees the same visions Jiro does and has the courage to say no.

the film is not fucking subtle about how germany and japan are both lurching toward a monumentally monstrous and stupid thing, a thing that Jiro just kind of ignores because he's infatuated with his art, with his planes. this is, you know, the central theme of the movie, which sees the man neglect his dying wife to draft more blueprints?!?

no, the movie does not look at the screen and go "this is a bad thing" because its not a movie for fucking four year olds, but if you think the movie ending with a character standing in a nightmare hellscape of all his broken dreams, his wife dead and country in ruins, going "yeah but we built a nice airplane" isn't a statement about that fucking guy, you've very much missed the point.

and look, the wind rises is not even, really, about history. the film is a metaphor for what it feels like to dedicate yourself to making art under capitalism. it's about how Miyazaki feels about his legacy. it's about dedicating yourself to your craft at the eve of destruction (be it World War Two or climate change driven by capitalist consumption) and knowing that the beautiful thing you are making is contributing to it. it's about the nightmare of knowing you can't control your art after you release it, disgust knowing what you make will be used to advance causes you despise.

its a complex and raw movie, a meditation on despair and pain and pride. there's conversations to be had about how responsible it is as a film, but you are not having that conversation because you are incapable of anything more that the barest surface read.