#commentary added

[darnedanddarted]

As a sewist, I'm trying to reverse engineer this from a single photo, and this is what I've come up with.

The circle and oval showing plain fabric are probably the sites of the original holes. If you look at the unmended hole on the other leg, the holes have probably been cut out to give a nice smooth edge that's easier to work around.

The plain fabric in the center of those two spots is the patch fabric. This fabric is on the inside of the jeans, rather than the outside.

The blanket stitch around the edges both holds the original fabric to the patch and gives it a nice finished edge that won't catch and tear.

Denim is generally a fairly heavy and sturdy fabric. Which means you can use some fairly heavy and sturdy thread for your embroidery. I can't tell what was used here, but I'd probably use perle cotton. 4 to 6 strands of embroidery floss could also work.

Because the patch is on the inside of the jeans, you're probably going to be able to feel it when you wear them. This may not be a big deal for you, or it may make them unwearable, depending on if and how you respond to certain textures against your skin, and what style of undergarment you're wearing.

"Don't just throw ripped jeans away, you can repair them using these 10 cute Visible Mending techniques!!" unfortunately my friend the first point of failure for every single pair of jeans i have owned in my life has been the Crotch and Ass. Knees: fine, cuffs: fine; but 3 years in, and all that stands between the world and my astronaut-patterned taint is 0.5µm of denim worn so thin that every squat threatens to tear it to shreds like wet toilet paper. If the Tiktok craft community could figure out a way to resurrect jeans afflicted in such a way that doesn't involve adding a whole ass buttpatch like some sort of inverse assless chaps situation then that'd be great

[edwardbonnets]

how to ask the demon you've been smitten over for 6000 years to dance: an angel's guide

bonus:

[horse-girl-anthy]

Revolutionary Girl Utena: Gender in Context

beneath the cut, I discuss the RGU's portrayal of gender in the context of 1990s Japan.

in Ikuhara's interview with Mari Kotani, he stated that in traditional Japanese society, "prince" meant "patriarch." the same is true in Western societies--there was a time when a prince would be an heir to a royal line. by 1997, this meaning had died out of large parts of the world. even the association between princes and traditional masculinity was fading. Saionji, the weakest, most pathetic man in the show, is a parody of historical Japanese masculinity, with his kendo and his blatantly regressive beliefs about women.

in RGU, prince may still mean patriarch, but in a far more subtle fashion. Ikuhara and Kotani discussed the changing expectations for men in the latter half of the 20th century--it became gauche to fight over a woman with one's brawn, so instead, power struggles were played out in the arena of looks and sex appeal. one can see this reflected in the character Akio, whose power as a prince arises from his ability to turn "easy sensual pleasure based on dependency" "into a selling point with which to control people."

Akio has his moments of showboating masculinity, but when preying on Utena, he operates by making himself seem non-threatening and soft.

not only that, but he purports to want to allow students to express their individuality and thus approves of Utena's masculine form of dress. this is a front--by the end of the show, he's telling Utena that girls shouldn't wield swords. thus, through Akio's character, the show argues that traditionalist patriarchy in Japan isn't gone, but instead has only been papered over with false progressivism.

with all that said, there seems to be more to the character. he's taken the family name of his fiance, Kanae, and whatever material power he has in the school is dependent upon her family. in Japanese society, this is considered a humiliating position to be in, something that only a shameless man would do. the show never gives the audience any insight into how Akio feels about this--is he unbothered entirely, or are his actions against the Ohtori family an expression of his repressed anger? does he harm the children under his care to compensate for his humiliation?

this aspect of Akio's character may seem irrelevant in light of the larger, immaterial social forces at work in the show. however, I would argue that it was included for a reason. Akio, despite his status as ultimate patriarch of Ohtori, is in fact a highly emasculated character, to the point where lead writer Enokido even said that he is driven by an infantile mother complex.

to explain why Akio was portrayed this way, we have to discuss Japanese history. the nation suffered a major defeat in WWII and was forced to accept whatever terms the United States laid out for it. for an examination of how the Japanese have never truly processed those events and have plunged into modernity with reckless abandon, I recommend Satoshi Kon's Paranoia Agent. to sum it up briefly, in a very short period, the nation regained its economic footing, and by the 1980s had the largest gross national product in the world. this economic boom may have allowed Japan to maintain a sense of sovereignty, dignity, and power, but it was inherently fragile.

the infamous "bubble economy" lasted from 1986 to 1991. during this time, anything seemed possible; financial struggles appeared to be a thing of the past, and capitalist excess reached new heights. the ghosts of this period can be felt across Japanese media; for instance, think of the final shot of Grave of the Fireflies (1998), where the two dead children look down on Kobe, glowing an eerie green to imply its impermanence. the abandoned theme park from Spirited Away (2001) is explicitly referred to as a leftover from the previous century, when many attractions were built and then tossed aside in a few short years.

the bubble popped in 1992, leaving an entire generation feeling cheated. the bright futures they'd been promised, which had actually materialized for their parents and older siblings, had been lost to them overnight. economic crises are often accompanied by gender panics. to quote from Masculinities in Japan, "The recession brought with itself worsening employment conditions, undermining the system of lifelong employment and men’s status of breadwinners in general. The unemployment rate was rising, and although it never reached crisis levels, men could no longer feel safe in their salaryman status. Their situation was further complicated by the rising number of (married) women entering the workforce."

with this in mind, Akio's character can be taken as a representation of masculinity in crisis in 90s Japan. he's forced to rely on women for his position in life and has failed to save his only relative, Anthy. he tries to escape his misery through hedonism, perhaps an allegorical representation of how men tried to maintain their old standard of living after the economic bubble burst.

but of course, Akio is not the main character of RGU--the story is about girls. mangaka Yamada Reiji discussed the series in the context of the 90s, stating the following:

while I opened this essay by discussing the prince, the same points could be made about the princess. despite the increasing irrelevance of royalty, princess is still an important concept. how does it relate to the socioeconomic landscape of the 90s?

in Yamada's view, RGU is full of relics of the 80s; for instance, the figure of the ojou-sama, an entitled young woman who never lifts a finger for herself. during the economic bubble, it was increasingly common for women to be entirely taken care of by the men in their lives. Yamada names Nanami as a clear ojou-sama type character: she weaponizes her femininity, demanding to be rescued, doted on, and served.

however, by 1997, the ojou-sama could no longer expect to get what she wanted. from the 80s to the 90s, the percentage of women in the workforce increased around 15%; it was no longer viable for most women to be "kept" by their families. as the men experienced the humiliation of not being able to provide for their wives and children, women were undergoing a disillusionment of their own.

Yamada blames Disney for creating the ideological structure which led women astray. obviously, the company is known for its films about princes rescuing princesses. in Yamada's recounting, during the 80s, the company was infiltrating Japan through its theme parks as well; across the country, Disneylands were opening up, and people were buying into the escapism the corporation offered. Japan, as America, became a country of eternal children. its people were waiting for a prince to appear and save them.

but fairy tales can't stave off reality forever. Yamada claims that RGU embodies the rage of young women who woke up one day and realized that they had been raised on a lie. this anger pervades the work from beginning to end.

though RGU was created in a particular social context, its lessons can be extrapolated to any time and place. as the first ending tells us:

I hope this essay helped provide more context for the series. thanks for reading!

[lesbianelsas]

"I think Rhaenyra is primarily motivated by a deep desire to be known and seen." (x)

"She definitely yearns for the old physical intimacy that they shared. It’s different from what she shares with her current husband and her children. A different form of contact." (x)

"I feel like Rhaenyra is a character who really, really struggles as an autonomous agent. She actually requires at least one person to make an ultimate act of devotion in order for her to find confidence and independence." (x)

"Honestly, I think initially there was just such a desire to connect. I think what you see initially is intimacy, and an intimacy that Rhaenyra shares so rarely." (x)

_

Bonus:

[transformers0]

Lor suddenly perking up and getting delighted when Tish starts reading out the critique she has gotten is way funnier than any modern Disney gag.

(For those wondering, it's in the 3rd GIF, and it doesn't capture Lor's whole delighted reaction, sadly.)

Like, that little bit alone, just by itself, had me and my brother laughing for half a minute straight.

[southern--downpour]

giving jay one of the highest blorbo badges of honor i can offer (giving him my joint issues)

[bluestation]

i found you in the future

[stil-lindigo]

The Biden admin is quietly preparing to pressure Switzerland to block a bid to probe violations of the Geneva Conventions ― aka war crimes ― by both Israel & Hamas (+ others).

Today in “things you do when you’re definitely on the right side of history”…

[emblazons]

Thinking about this post by @pholiabanna and wondering how everyone (including the nebulous “GA”) understood bedroom decor + poster implications for the character’s primary attraction with this for Steve

And this for Billy

And even this for Nance—

—but the implications of this/these (+ the one-way-into-the-closet street sign) for Mike is lost on everyone.

Just. You know. Wondering why that might be

[starry-bi-sky]

For the Danyal Al Ghul AU: How would Danyal react to other canon events like when Sam wishes she never met Danny, Tucker wishes for powers, the christmas episode, or other DP canon events?

(Also, I assume Danyal's cover is blown by the reality Gaunlet event.)

Ohooho I love this question. So im only gonna respond to the episodes you mentioned, since it's been a while since i actually watched the show and I don't remember all the episodes. And also since I don't remember them fully, I'm gonna get details wrong. I am fine with that, it still gets the gist down lol. I've got the tvtropes recap page pulled up, so i'll be using that to try and hit the major points it mentions.

So, Memory Blank! Man I've thought about that one, and its the one I'm frankly most excited to answer because it gets to show just how much of a positive impact being friends with Sam and Tucker had on Danyal. So where to start? Their fight goes differently than in canon, but I'm going to start from after Sam makes her wish.

Firstly; she and Tucker are friends, but the two of them are not friends with Danny. He's on his own. In this au, the three of them became friends when they were 11 and Danny's been in Amity Park for about a year.

They met in the beginning with Sam trying to befriend him at first because she realized that they shared similar ideals on environmentalism, but he rebuffed her pretty harshly due to a combination of grief over leaving his home, trying to process the fact that he can never return and will never see his brother again or meet his father, and just plain League arrogance lmao. He really hated being in Amity Park just in general because it wasn't his home and it was the city too.

So he was really rather unapproachable in the beginning. People kept a pretty wide berth of him due to Fenton association and his own vibes.

But Danny's still a kid, and they want socialization with their peers. At 11 he didn't have any friends, and was frankly quite lonely. He decided to approach Sam and Tucker after deeming them "acceptable allies", although Sam wasn't really interested at first up until he did the equivalent of apologizing. Tucker warmed up first afterwards, but Sam really wasn't too far behind.

So thats how they became friends, post-wish though? Lets say that Sam didn't accept the apology and rebuffed Danny, and kinda intimidated Tucker into doing the thing. Danyal closed down, backed off, and then never approached them again because he decided right then and there he wasn't going to chase it. Wasn't worth his effort or time.

Then he just. never approached another person after that because he didn't want to get rebuffed again (he wouldn't admit that it hurt a bit), and he could already tell his efforts wouldn't work. He turned his attention to other stuff. In this timeline it wasn't too difficult to find him at events dedicated to combatting climate change, deforestation, light pollution, animal cruelty, etc. the LOA is an environmentalist group, after all. They just also happen to be eco-fascist assassins-for-hire.

In summary, Sam and Tucker helped Danyal realize the flaws in some of the League's beliefs (the fascism) to the point where he could deconstruct it on his own. Being friends with them made him realize that, frankly, genocide was not the answer to environmental equilibrium, and that the people outside of the League had lives worth living. They also helped quell his arrogance, and just in general influenced him to become kinder even if it doesn't look like that all the time to other people. Sam and Tucker make him laugh, and smile, and just happy.

OG Danyal: wears pretty casual teen clothes. More punky-aesthetic. Has multiple ear piercings. These were self-done. Will have a lip piercing by the time he reunites with Damian, mark my words. Can and will wear muscle tees. Makes puns, jokes, is generally sassy with his friends. Can, will, and has climbed shit he shouldn't be because he enjoys the challenge of scaling a building. It's also very funny seeing Tucker and Sam reenact the "Gregory! HOW DID YOU GET UP THERE?!" meme. Still has a questionable moral compass, but like, he's not an eco-fascist.

This Timeline Danyal: dresses much more sophisticated; dark academia vibe. Closed off, cold. Is 2x more likely to kill someone than OG Danyal, who was frankly, pr kosher with murder already but only if he deemed it extremely necessary. Still an eco-fascist.

Danyal without Sam and Tucker? Still believes in the teachings of the League because he has not been really challenged on them. In fact, he has doubled down on it, actually. Living in the city, growing up estranged and ostracized by his peers, has only strengthened his resolve that all of humanity minus the league (and the Fentons) deserves to be wiped out. He is disgusted by the people around him and desperately wants to go home, even more than the last timeline. The only reason he hasn't is for Damian's sake, but he's been checking in with mother whenever she visits and asking to find a way to come home. She's been steadily wearing down on it; her child is miserable here.

This version of Danyal should not have powers, and is, essentially on the fast track of rejoining the league -- doubly so when he hears Damian is living with father. Clearly it's safe enough for him to be with father, if mother allowed it, and father has become safe enough for Damian to live there. Good. With the threat of two heirs being in the League gone, Danny can return with Mother's permission. And. he probably takes Jazz (and the Fenton parents) with him. Forcibly if he has to.

So Sam has her work cut out for her here, a lot more than in canon, because even when she does tell him that they used to be friends in another timeline, and he believes it, he is not going to give a shit. Clearly they were not as good of friends as she thought they were, if she had wished they never met in the first place. Good riddance, then. This Danny is cold, incredibly hurt, and very closed off.

He is a cave wall in comparison to the Danny Sam knew, and talking to him feels like walking into one. Because he is looking at her with just utter disgust and disdain, keeping a distance like he is revolted by her presence and allergic to her and everyone else's touch.

Which really, really fucking hurts when she knows that in their last timeline, he would actively seek out her and Tucker's company and affection. Sam could read her best friend like an open book, and now its like she's trying to read one in another language she barely speaks. This boy used to smile at her, he used to laugh at Tucker's jokes, and he was so passionate about the things he enjoyed. Now he looks at her like he wants nothing more than for her to drop dead on the spot.

It hurts even more knowing that her last words to her Danny were the words, 'some days i wish we never met'; the way he looked at her afterwards haunts her. For a split second, he looked completely crushed and heartbroken, before his entire body language and expression shut off and he totally closed down on her.

Because by this point in his friendship with her and Tucker, he's told them, he has told them, in a very intimate moment of vulnerability, that they are one of the best things that's happened in his life -- right there alongside the day he first met his baby brother. They are very important to him, and he has finally felt comfortable enough with telling them. There's not a day that goes by that he isn't grateful for their friendship.

So to hear Sam say that some days she wishes they never met? well. That breaks his heart. Just- just a little bit. Sam regrets it the moment it leaves her mouth, and she immediately tries to apologize, but Danny immediately spits back; "Well. I hope you get your wish." and then stalks off.

I'm warring with myself here trying to decide whether or not this new timeline Danyal is at a "point of no return", where nothing Sam says is going to make him attempt to reignite that friendship. Clearly that will end badly anyways, if this is the result of that friendship. He's cut all ties from these people; he feels no prerogative to fix things she broke.

Like, the version of Danyal I'm thinking of here has no close bonds with anyone in the city sans Jazz -- and she? has her own life outside of Danny. She is not his keeper, not his caretaker, and certainly not his therapist. (which i have beef about too, considering how she gets boiled down to 'therapist with no life of her own' but im not going into that.) She has some influence on him, but frankly not enough to really make him challenge his beliefs. Danny cares about her that, if he returns to the league, she is coming with him. Or at the very least, will be spared from the League's goals.

Mmmm. I can't make it a total point of no return though. Sam's very stubborn, and she knows Danny. And while this Danny is still very different, he is still Danny. She'll try and befriend him insistently in a way that might annoy him, but at least not push him away further.

(Tucker, meanwhile, is just soo confused about Sam's very random, very abrupt switch up. Cuz girl he thought you hated this guy? Why are you suddenly trying to get all buddy-buddy with the terrifying Fenton kid. Have you been possessed? Is this some kind of crisis?)

(Sam drags Tucker into befriending Danny because he is the only person she knows that can get him to belly laugh. Tucker is mildly terrified but going along with it.)

Anyways this does end with Sam befriending Danny, or at least getting him to like her long enough that he'll pick up a ghost weapon and face off against Desiree. There's no way in hell he's walking into that portal, that last timeline might have been a 1/billionth chance of it happening and he's not dying for the chance to get powers. And frankly with his training -- which he's probably kept up with even more than the old timeline because he had no one to spend his time with -- he doesn't really need them to be good at fighting them. Just show him how to ghost proof a weapon and he'll handle the rest from there.

But Sam does end up undoing the wish and getting back to her own original timeline in the end. It's the morning after her fight, and the literal first thing she does that morning is get her shoes on and fucking sprriiint to the fenton house. Bursts into tears when she sees Danny and apologizes over and over again. She swears she didn't mean any of it, and to please believe her, and Desiree's still loose and they need to stop her, and she's had the worst time.

She does tell him about the other timeline she just went through, and she hopes that, if it still exists, that that Danyal manages to find friends in the Sam and Tucker there after this. And if not them, then anyone.

Danny's still pretty hurt by what she said, it cut really deep, but he forgives her.

-----

Tucker getting his powers! Frankly things gooo... relatively the same as canon, I think? Actually, no. Danny probably figures out the whole Genie "i wish you would go back into your lamp" thing faster than canon danny since he's not a C student lmao. TV.Tropes doesn't give me too much specifics for a recap on the plot, so we're gonna wing it. For the plot I'm going to say that Tucker gets his powers before Danny figures out the "i wish" thing, which happens relatively quickly.

Danny tries to be... rather supportive of his friend getting powers? Especially since, in comparison to Danny, it was rather painless. However, he's also very suspicious. He doesn't trust the source of Tucker's powers, and warns him to be careful and to let Danny know if he feels off in anyway.

Tucker does end up helping Danny a few times, but the quick progression of his powers and Tucker's willingness to use them more often than not worries him. He reminds him a handful of times that Tucker shouldn't rely on his powers to help -- not even Danny does that. He prefers to use his weapons and martial arts to fight instead. Tucker doesn't listen.

And they end up fighting anyways. Things get resolved, everything turns out okay!

------

Christmas episode straight up just. doesn't happen. Danyal doesn't care enough about the Fenton arguing or about Christmas to be upset about said arguing. He thinks its really childish, but he's not a grinch about all of it.

--------

Okay it wasn't explicitly mentioned but i have thought about TUE. And I'm trying to think how that would go because it's the result of Danny getting his hands on the math answers and cheating. Which Danyal would not do.

And someone mentioned in the comments on my ao3 under the oneshots there that TUE might just straight up not happen. Which makes sense, Danyal is so different from canon that things don't have to always happen like it did in canon. So that's something I need to chew about, cuz if it does happen, then I'm going to figure out a different way for it to.

[kyouka-supremacy]

Anyways can we please shut up about s oukoku and talk about the actually important parts of the last interview

[masterfuldoodler]

wait guys actually! I have a great idea! Instead of feeling bad for reblogging our own art why don't we do a thing where we reblog older pieces/art that didn't get much attention/whatever you want and give commentary on it! Talk about what was fun to draw, what was hard, any interesting stories surrounding the making of it! Behind the scenes! pls guys that would be so fun to read I would LOVE to see that let's do it!

[milkbreadtoast]

been testing a lot of free csp brushes lately...

been doodling a lot of tiny chibi hjyjs for these... closeups lol

[dozydawn]

these nascar fans watch traffic incidents to pass the offseason. the vocabulary of commentators has forever bled into their speech

[egophiliac]

So the final character turns out to be based on Ryugen, but it feels kinda weird how there is also one based on Zangetsu and they aren't brothers

Or what if plot reveals they are brothers and he was actually adopted or stollen

I CAN'T BELIEVE HE'S ACTUALLY RYUUGEN?! I made a joke about it when Toten got revealed but I didn't actually expect... (I'm counting it as a win though, which means I guessed three out of sixteen! ...given how wacky some of these got, I'm actually pretty proud of that.)

he seems very sweet though! I hope he and his secret hamsters are very happy together. 🐹

(also:

THIS WAS MY EXACT TRAIN OF THOUGHT TOO! either this is an incredible bit of meta foreshadowing, or an incredible bit of Takahashi trolling, and I -- I honestly don't know which is more likely)

[eirianerisdar]

I wonder if Jacques Villeneuve knows why he’s got exactly the same number of championships as Jenson Button and Nico Rosberg each do but while they’re generally liked, Jacques is faced with an approximate reaction of a barfing cat?

Jenson Button and Nico Rosberg appear on Sky and instantly elevate a normal broadcast into brilliance. They both know an incredible amount of wheel, Nico especially, and are gracious with drivers while being firm with visible mistakes.

What, precisely, did Jacques Villeneuve bring to that FP1 commentary except to show he’s a entitled, toxic bastard who knows next to nothing about wheel, the current drivers, or the fans?

If he wanted to act so much like a turd he could at least be less surprised pikachu face when everyone calls him one