#combining my interests looks like this

[stagprince]

Is this anything

[lukashaa]

Patho fanart of varying quality

[canisalbus]

Hey, I’m new to Tumblr, but I’ve seen your characters around the internet and I love them so much!! Everyone has so much love for Machete and Vasco and your art is so cool to see! Do you have any tips for an aspiring artist and creative writer?

Hi! Welcome to tumblr! I'm glad to hear you like my dogs :]

I'm not really a writer, and I also completely lose my confidence when I'm trying to explain my art processes. So this is probably an obvious, unhelpful platitude at best, but one thing I've realized is that you should allow yourself to be self-indulgent. If you're the primary target audience of your own work, it generates passion and keeps you inspired and motivated. I like to believe that people who see your creations are more likely to respond to them positively if they can sense that you're putting your heart and soul to them.

[rhiangalaxy]

A Prince Researcher and his Knight (ft. his research assistant chugging vinegar)

[ID: A Scum Villain Drawing. Liu Qingge, dressed in the outfit of botw!Link, has his arms folded behind his back looking with an exasperated yet loving expression towards Shen Yuan. Shen Yuan, is talking animatedly whilst looking at the Sheikah Slate. SY is dressed in an outfit similar to the traveling out of botw!Zelda with the addition of glasses and only one hairclip, which is green. Disciple-aged Luo Binghe, stands a little further to the right, he is a Sheikah and therefore has white hair and dressed in Sheikah robes. He wears a matching green clip to SY. He is clutching a broom whilst glaring at Liu Qingge. End ID]

[merilles]

LotR Ladies Pt.2 💍✨

[komashkathesilly]

no one asked for it but i brought some very crunched mizunene

[isagrimorie]

Star Trek Voyager 4E16 - Prey

Tuvok: You missed. Since species 8472 invaded the ship, you've become increasingly agitated. Seven: They were the only species to offer true resistance to the Borg. They destroyed millions of drones, hundreds of our worlds. I have reason to be agitated.

---

Janeway: A single act of compassion can put you in touch with your own humanity. Seven You are trying to justify your present decision. Janeway: No, I'm trying to help you see this as an opportunity to grow. I know you don't want to do it, Seven, but I'm telling you as your Captain, and as your friend, you won't regret it. Seven: No. Your decision is tactically unsound. We will be surrounded by Hirogen ships in approximately two hours. If we do not surrender the creature, they will destroy us. A lesson in compassion will do me little good if I am dead.

[phantomrose96]

is a Riteru read of ABoT the intended one?

It can be if you want it to be buddy. Go enjoy the world!

More genuine answer: I'm an aro-ace writer with a long long streak of gen-fic. Shipping doesn't interest me. I don't hate it; it just doesn't click for me at all. I joke that the only way romance ends up in the story is if it's a plot-necessity (Tetsuo and Jun are there because 'married man suspected of having an affair' is what pulls Reigen into the entire Mogami-possession plot. The Kageyama parents are married because they're, well, the parents. Teru and Mei's relationship is a joke until it's plot-relevant.)

So to me, I'm not writing Ritsu and Teru's relationship as a ship. But also? This is all pretend. It's all transformative. This is for fun. I absolutely know that if I were a ship-writer, Riteru would be the obvious choice. I know they're one angry-kiss away from being someone's enemies to lovers fic. So if you look at Ritsu and Teru in ABoT and say "they're holding hands, to me", go right ahead, go hog-wild, come play Barbies with me.

[catocappuccino]

A pointless tumblr post titled

"Assigning furby colours (specifically 1st gen) to Murder Drones characters without giving any explaination for my choices" part 1

Uzi - juicy grape

N - labrador

V - banana peel

J - bumblebee

Cyn - angel

🔥🔥🔥If you enjoyed this post leave a like and follow for more PEAK content like this🔥🔥🔥

/j

[hephaestuscrew]

"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359

TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon. 

[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]

~~~

Ep21 Minkowski Commanding

First appearance 

We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.

EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.

The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way. 

'Goddamn harpoon' speech

So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:

MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.

There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)

But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.

Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!" 

The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.

The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat. 

Absurdity

A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on." 

Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.

We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.

I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).

Other mentions of the harpoon

The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.

Ep27 Knock, Knock

EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.

In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.

Ep45 Desperate Measures

LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.

Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe  Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.

The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…

Characterisation through Weaponry

When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.

A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is. 

Maxwell's Death

When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about. 

Ep61 Brave New World

About a third of the way into the finale, there's another indirect mention of the harpoon:

RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…

This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.

Which brings us, of course, to the harpoon's most significant moment:

Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen.  MINKOWSKI Let's see you catch this.  FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED.  MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.

This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.

Human unpredictability 

It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive. 

It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.

Making good on her promise

Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."

It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew). 

As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative. 

And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.

The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.

[gingaeclipse]

a new character added in tnmn ?????

his doppelganger has eyebrows. Interesting

[puppyeared]

i feel like. theres designing a character with certain themes and motifs in mind, and then theres making a gijinka for the water bottle on my nightstand

[twentysidednerd]

the locked tomb series as a whole feels like something the mechanisms would come across and be interested enough to write an album about

like you KNOW one of them would somehow accidentally be ordained as a lyctor or some shit. not because they go through the process but because they’re immortal and have the same healing powers as one. one of them would find a way to meet jod and probably conspire with him (and we know it would probably be ashes). pyrrha would meet one of them on the street and either get into a fistfight or take them out drinking. probably both. poor brian would probably crash land on one of the houses and become some sort of prophet/oracle again. they would encourage so much awful shit and it would be great

this connection was definitely not spurned by mechs content finally finding its way onto my dash again alongside the usual locked tomb stuff i see daily /s

[deadbeandrop]

camp lazlo and "The Machine"

i forgot i had written about this on the screenshot blogs' FAQ, so i think i'll make it a post with my updated conclusions as well... so, have you ever wondered what's up with the colors in the HD version of the show?

y'know...

...this?

the first time i had watched the show, it was in pretty bad quality, and i had chalked any color differences up to that. even when i did have access to a few HD episodes, i never really noticed it outside of slinkman being a bit... lighter, mostly due to the fact that everything else was so submerged in Gunk in the first place. as you can see, the "issue" affects almost exclusively the yellows, most notably seen in the sky, or in characters like slinkman or clam, or even in lumpus’s glasses, and characters' eyes in general losing their off-white tint due to this. a quick look at any streaming service that has the show will tell you that almost all "official" distributions have this issue, and often (in)consistently so, at that. it may very well be the only version these services have access to (considering how they often the resources they have access to aren't always the best, which leads to things like episodes out of order or incorrect subtitles). to say the least, it bothers me a lot, especially for someone like me who's very particular about this sort of thing...! (it's sort of the reason i put the screenshot blogs on hold for a while, aside from the fact that it's a bit of a time sink — the issue just stressed me out too much!)

so, what's going on, then? my friends and i had ended up speculating about it for a while, and we had a lot of theories — was it the result of an upscaling process done for streaming services? was it something technical, like issues with the video encoding? did someone in charge of the process simply fuck up? all of the above?! and... most of all, why???

now, i know very little about all the technical stuff, but i've come to believe the most likely explanation is also the most simple one, with a little bit of obscure knowledge on the side... in that, i think it makes the most sense if the colors are fucked up due to The Machine at cartoon network. see, this isn't just an issue with camp lazlo, and there are other CN shows that have been a victim of this too, such as billy and mandy.

and here's what mr. atoms has to say on the topic:

the shows had also both aired their "later" seasons around the same time, circa ~2007-2008, and it explains away a lot of those inconsistencies, too — "It’s also the reason that Mandy’s hair changes from pure yellow to light yellow and back again all the time." in most other shows, the effect this would have is likely a lot more negligible. as one of the main characters, mandy is pointed out a lot as it'd be something you'd notice the most. camp lazlo, on the other hand... is a show where the whole sky is colored a bright yellow.

...definitely one of the worst shows that could've been hit with it.

even so, "The Machine" application is not actually the only state these episodes are stuck in... or rather, i don't think so, at least...?

so as far as i know... (which certainly isn't everything,)

- in order to to accommodate for the transition period from box TVs to flat screen TVs, i believe that camp lazlo, was, in fact, a show that was produced in a widescreen format, so it could be aired in full on new TVs and crop to fit the 4:3 aspect ratio of older ones.

- i am not sure if this inherently means it was also produced in Full HD (1080p).

- as can be confirmed by old recordings (one of the only additional benefits of sites like WCO keeping the old versions around is stuff like this, as annoying as it is trying to find anything else...), both color corrected and un-corrected versions of at least part of the show have aired at some point.

- as far as i'm aware, there is NO version of this show in Full HD with un-corrected colors.

- however, what i do know is that there is a widescreen, non-HD (480p or 720p, i can't remember off the top of my head) version of the show with the un-corrected colors. if you have a bit of a keen eye, you might have noticed it used on foreign variations of the official cartoon network youtube channel for clips. (it had fooled me at first into thinking it was a secret, all correct colors, and Full HD version of the show, but unfortunately this isn't the case.) see, my friends and i went on a little hunt for it for a while, with that detail as our basis, and it is out there... just not on the standard american versions of those services. instead, we had to look at a whole variation of HBO's streaming service itself, HBO GO, of which's entire existence is still currently on the line due to the HBO rebrand. (we have rescued it from there, in case of it becoming lost media of sorts, but due to technical limitations were only able to get it by recording, and thus also still has the HBO logo.) the mere existance of this version is very interesting to me and raises a lot of questions that may also contradict some of my earlier statements.

- and finally, i haven't looked at every set of files there is (as from all the different streaming services) so i actually am not 100% certain if there's actually variation between THOSE as well, and if there is... the situation is even more confusing to me.

i don't know if there will ever be justice for this, or if any victims of The Machine have ever recovered from its Wrath. it's a topic i've gone over dozens of times trying to sort it out, because, i'll be honest... it sort of haunts me.

but there's your little information dump and speculation for the day

[carnivalcarriondiscarded]

I am asking this to take my mind off of the update because the anticipation is killing me

where do you get your art inspo from? As in the art style :3

yk this is kind of a question i've been dreading! because a lot of people can answer definitively - they'll give names, urls, blogs.

but uh.. I really don't know? I mean there were some deviantart blogs in elementary/middle school that inspired me then, but since? I couldn't say! My style has evolved from me doing my own thing, I suppose. I'd take little bits from other people's tutorials/advice and then stitch it into my own Frankenstein's Style.

[yuriyuruandyuraart]

it's the 90's favorite trashbag!!!

fresh sans belongs to loverofpiggies