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bonysshelf · 1 month ago
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𐙚⋆°。⋆♡ juno haul
I accidentally ordered dupes and now things don't fit in her binder sleeve ;w; need a new method to display and store everything
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genericpuff · 6 months ago
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Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.
hahaha it wouldn't tho, sorry 💀
Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):
Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.
Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself
Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.
Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.
Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)
Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.
If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:
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(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).
The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.
And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.
So what can we do?
We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.
For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.
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thethingything · 2 years ago
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sorry we verified your boyfriend. yeah he's at the end of a long line of checkmarks. he might be partially obscured by them. it was pretty expensive yeah... sorry
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🧍‍♂️<- here he is
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neopet-euthanization · 3 months ago
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starting a collection
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please add
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2boldlyqueer · 4 months ago
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Listen, I know we're all exhausted, but we gotta get better about adding image descriptions to disability related stuff. Everyone should be IDing everything anyways, but there's a particularly cruel irony in disability related stuff not being accessible to folks with low/no vision.
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kugisakiss · 1 month ago
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I watched M27!! it was fun so here's some thoughts
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zarla-s · 2 months ago
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I did Karaoke for my birthday a bit back and had a lot of fun, so I got to thinking about what songs these two might do, and of course they'd do Pokemon songs! I immediately thought of OK! 2000 for Kabu since the singer screams at the top of her lungs right at the beginning, haha. Larry's voice is softer in Japanese than I expected, so I thought of something a bit quieter for him - Soko ni Sora ga Arukara. It turned out the lyrics for that kind of fit!
When you become tired from trying so hard, Look to the sky as you shed your tears. The wind brushes your cheeks, I'm sure it'll say: "It's okay if you fall. You are you and that makes you wonderful!" Those that haven't been hurt cannot see the blue sky. On a journey you hesitate to walk on, your life will shine.
The OK! lyrics are simpler.
OK! Let's move on OK! If we're together, we'll be all right OK! Even if the winds change OK! Our dream won't!
Since the lyrics were in Japanese I figured I should write them out for real instead of Romanizing them, which made me realize just how long it's been since I've written in Japanese, haha. I bet my handwriting is terrible...
[patreon]
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hotwaterandmilk · 4 months ago
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An IRL friend of mine recently suggested I cut back on posting content because "maybe a dozen or two dozen people" like my posts and they weren't sure why I bothered when there was no money or engagement in it.
I definitely felt a bit like that a few years back, particularly when I'd see people repost my scans on other platforms and get tens of thousands of likes. If I'd shifted platforms and focused on engagement that could well have been me.
However, that's not really what I've ever been about. I share what I share because I like it and want other people who like these works to enjoy what I have in my collection too (or to discover new works they might not have encountered). Nobody has to engage with what I post though, I could get 0 likes/reblogs and I'd still keep plugging away because ultimately this is just a hobby and I'm just a fan.
I don't want to harp on with the cheesy "you should do things for yourself first and foremost" with hobbies, but at the end of the day my affection for certain series and artists won't evaporate just because my posts about them aren't popular on Tumblr.
I've been here for 14 years and have only just hit 10,000 followers. I'm not an important internet person by any stretch of the imagination and I think that's OK. If I'd been angling for something beyond simply being a fan of certain things, I can see how this might be considered failure. For me (personally) though, I don't feel like my hobby needs to have any form of hustle attached to it. This is what I do to express my affection for things.
Not everyone will feel the same way as I do about sharing content online and that's fine, we're all individuals and we engage with things differently. I just wanted to express this while the thoughts were still fresh in my mind.
Enjoy your hobbies in the ways that work for you. You'll find people who appreciate your contributions (big or small) wherever you go online and if you move onto different fandoms or hobbies, you'll find new folks who like what you do there too. Just don't feel locked into numbers as the ultimate way of judging your own love for media.
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haunthouse · 3 months ago
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so i've been collecting every single cover of hill house,
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demonslayedher · 1 month ago
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I finished posting the unabashedly educational Sword Fic.
It includes a detailed (but hopefully beginner-friendly) explanation of all the steps of making a Nichirin blade from a sunny mountain like Mt. Youkou, a touch of swordsmith and metalworker folk lore (including demons), meta about what must make Kimetsu no Yaiba's swordsmithing methods different from real life methods, some character exploration for Haganezuka and his polishing method, vocabulary and additional resources in the chapter notes, and hopefully, an endearing, silly POV character to learn this all through.
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#my fics#SWORDS SWORDS SWORDS#would you like a story about the years of background of this fic?#I was not very well-versed in metallurgy until recent years but my study of the Japanese language goes back to#well#longer than some of you may have been around#I always liked samurai and swords for the aesthetic but started to take more of an interest when I lived in Shimane#and on a day when I had a friend taking me around to rural sites associated with a legendary monster she was like#let's go see the sword museum while you're out here#but that museum was closed (it comes back into this story though)#so we went to a different one that no longer exists but that was my first encounter with how much work it takes to make the sword ore#fast forward years later#I am writing this blog and it becomes known as a fun place to read about Japanese culture as seen in KnY (thanks glad you enjoy)#I decide that I must tell people how hard it is to make the ore and finally visit that main museum on a trip back to Shimane#I collect material and struggle to do more research and wrap my head around it#and I write the first version of Teppi's story that focused mostly on the smelting and glazed over the forging and polishing and stuff#meanwhile I am in a job situation I have already long since wanted out of and soon I want out a lot more desperately#job searches were disheartening but then I found THE ONE I WANTED#and on that first interview when I was already like PLEASE PLEASE PLEASE#they asked if there's a Japanese cultural topic I could suddenly explain in great detail if asked#and without mentioning this blog I said I had recently written up something for fun about tatara smelting methods (and they forgot this)#fast forward again and I very happily got the job and was very nervous as I got the rundown on a very large annual nerd project#and when they announced the topics for that year I saw that tatara smelting methods in the region I knew them from was on the list#and I was like#asudyaiusdyuasdyuahduahduhsdhuPLEASE GIVE ME THAT#and i got it and when I went out there for research people were like#...why do you know all this...???????#and since I dared not mention my KnY blog I was like#...I lived in Shimane...#it seems I broke the tags because the rest of the story got cut off but hi yes you get the idea
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bonysshelf · 2 months ago
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𐙚⋆°。⋆♡ (wip) juno collection page
the website will be public once I finished building a few more with a proper homepage!
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r0bee · 5 months ago
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Scott Summers speaks to me on a personal autistic level in Marvel Snapshots and I want to talk about it a little bit
Trying to be helpful bc you know something and being told you're weird for it
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Obsessed with the Fantastic Four/superheroes (same) and being especially drawn to them bc they're different like him (I mean his favourite is Reed who's also autistic/heavily autistic coded in most comics, and again SAME, Scott)
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Thinking you just need to figure out one thing and suddenly all the strange things about you will make sense
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Being obsessive about his interests (HARD RELATE I GET LIKE THIS A LOT)
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Ignoring real life things/responsibilities bc he's so focused on something he's obsessed with (in this case seeing a member of the Fantastic Four)
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Thinking that other autistic people who seem to have it all 'together' have figured out how to almost be allistic/completely understand the world like an allistic person when really you never will and that's fine!! (idk how to word this bit right for iykyk I guess?? Basically I will never fully 'get it' with some things that make sense to allistics but that's fine)
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POST WAS LONGER THAN I MEANT FOR IT TO BE SOZ thank god for putting things under the cut
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starfall-isle · 3 months ago
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I hate limited availability I hate artificial scarcity I hatee it. Unfortunately I love items and objects
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columboscreens · 4 months ago
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silvermoon424 · 8 months ago
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(from Gabi Belle's video "How Dropshipping Ruined Online Shopping")
YES OMG. I went to an anime convention a few months ago and saw SO many cheap bootlegs being sold as if they were authentic items. Being an experienced collector, I have a good eye for bootlegs so it didn't affect me, but I couldn't help but think of all the people who were duped into buying a crappy $30 bootleg that they could have gotten on Aliexpress for like $2.
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arty-cakes · 1 year ago
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posting quirrel fanart is always so rewarding. without fail, someone somewhere out there is going to mention the big ugly boots i keep giving him. someone is going to get so excited over his fucking kicks. his immaculate drip. it never goes unwarranted the shoes must have their limelight
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