#co-writing anyway

[laur-rants]

hey! I just wanted to ask if you were the one who wrote the dishonored werewolf series on ao3? It's amazing and I wanted to thank you for writing it if so. it's my favorite series and I hope you're doing well!

I am in fact, that person. :O Thank you so much for enjoying it! If you haven't seen, I also did a slew of artwork for that series, all of which I still cherish to this day. I take a lot of what I made then and push it forward into the content I make now, though a lot of that stuff is behind the scenes at the moment, and not available to the public. Yet. :) here are some of my favorite arts I made for it, because I go back to them from time to time and love them to pieces (I hope to return to this style this year as well). This whole au has such a special place in my heart.

[stevebabey]

Steve hates to ask this of Eddie.

Really, it’s a last resort sort of thing. Robin’s gone for the week, some trip upstate with her family. And it’s fine, they’re close but Steve’s a big boy. He can handle a week without his best friend.

But, well, it’s just unfortunate for it to creep up on Steve when Robin’s gone. It being… shit, how did Robin explain it? She was so much better at keeping track of all those things than he was, all the terms filed away nicely in her head to be recalled as needed. Steve’s much messier— in his head, in his life.

Touch aversion, that’s what she called it. A by-product of the severe lack of touch in his childhood she had said; not enough hugs, hand holding, the works and now Steve’s grown to find it too strange. Something prickles under his skin, pulls in his gut all the wrong way, when someone’s too touchy-feely with him. Robin’s said it’s normal, and he believes her.

It just makes it harder when this comes by. That completely strange backward want that carves into his chest, creating a chasm that just aches. Suddenly, Steve wants to be touched, needs to be touched — like something behind his ribs is just begging for comfort in the form of touch, any way he can have it. Like some young part of him can still remember the hunger he had for it and it comes back in full force, a tender wound between his lungs.

It doesn’t happen that often — though, it’s more frequent than ever recently — but usually, Robin’s here. She can almost always tell before Steve works up the courage to ask. Twitchy fingers give him away. He hovers closer than normal, shoulders brushing more often.

She always gives him a smile, softer than her usual snark and says, “C’mere, dingus.” and stands on her tip-toes to envelope him in a hug. Steve can’t help but sink into it, gripping her close around the waist for as long as he needs until the hole in his chest feels a step closer to patching up.

Robin also tells him he can have as many hugs as he’d like but Steve is firm with himself; he only needs one, then he’ll be back to fine.

It what’s he needs now. One really fucking good hug. Still, he hates to ask, least of all from Eddie, because, well— okay, Steve has no reason to assume Eddie wouldn’t give him a hug.

He’s seen Eddie’s hugs before. Like everything he does, Eddie puts his everything into it- he hugs Robin til she wheezes, loves to lift Nancy off the ground, and the hug he gives Dustin is sweetest of all, a hand on the back of the littler’s head while he does some strange little sway. Dustin always laughs, playfully shoving him away by the end but Steve knows he loves them, that it helps in more than one way.

Steve is glad that Dustin has someone, besides his Mom of course, who can hug him, because Steve can’t give that to him. Maybe one day, but for now, hugs from Steve are a rarity — few and far in between. Maybe, he thinks, he doesn’t want to ask Eddie specifically because of that niggling feeling that comes up around Eddie, all gooey and soft. A feeling the swings too close to a crush that Steve has no fucking clue what to do about.

So, he hates to ask. Really. On the drive over to Eddie’s, a hangout organised before Steve started to feel the lack of touch creep in, he runs through any other options. Wait til Robin gets back? Steve’s not sure he’ll make it another 4 days. When left alone, it seems to consume him and make everything harder, everything heavier to deal with.

He’s still tossing it when he climbs the steps to Eddie’s trailer. Steve decides that he’ll see how it goes, see if there’s an opening to ask…semi-naturally or something. He’s not gonna spring it on the guy.

Eddie is wonderful company as always, devilish grins and god-awful comments about the film he picked. Steve feeds off it, drinking in the infectious energy. He tries to let it be enough; their shoulders pressed together, Eddie’s knee knocking his when he laughs, the way Eddie leans into his space to whisper even though it’s just them here tonight. Steve wants it to be enough. But even then, he can see the way his hands twitch in his lap, desperate for more.

Steve closes his eyes. Curls his hands up so tightly his nails bite into the skin. He tries to use it to wane off the feeling, the ache that sings out for Eddie beside him and it nearly works. Until—

“Steve? Y’okay?” Eddie’s voice pipes up, making Steve open his eyes in an instant.

“Hm?” Steve hums, hoping that his casualness will be enough for Eddie to skip over his peculiar behaviour. He blinks, tilting his head just a bit to show he was confused why Eddie was asking.

Eddie chuckles lightly, gesturing towards Steve’s lap, where his hands sit still clenched, white knuckled with his self-restraint. “You seem a bit stiff, that’s all.” Eddie rechecks. “You good?”

Steve opens his mouth and then closes it, forcing his hands to unclench in his lap. “I-“ he begins, then stops, unsure of what he was going to say. He did say he would look for an opening tonight. The way Eddie’s regarding him, open faced with his concern, is as good as he might get.

“This might sound a bit weird,” Steve starts, defensiveness already tingeing the words, his shoulders curling in just a bit. Eddie could say no. He’s allowed to say no. Steve really doesn’t want him to. “Like, if you think it’s weird, that’s totally fine and we can just, like, forget I said anything and—”

“Steve.” Eddie cuts him off, a linger of an amused smile on his lips. “I don’t think I’m going to find anything you say weird, sweetheart. Shoot. What’s on your mind? What troubles the great mind of Steve Harrington?”

God, it’s like a whole bunch of words designed to set Steve’s head spinning. ‘The great mind of Steve Harrington’ makes him want to scoff. ‘Sweetheart’ makes him want to swoon. He can’t decide which one he wants to do more.

“Can I-” Steve stammers, the words halting automatically. It’s too much of a habit to swallow them down. Coercing them out takes more work. He stares up at the ceiling as he grits his teeth, releases a harsh sigh, pulling himself together. “Can I… have a hug?”

There a moment of silence and Steve holds his breath.

“Oh,” Eddie breathes, and Steve takes his eyes off the ceiling to see just what that Oh means. Eddie’s smiling, a soft one gracing his pretty mouth, and Steve thinks, maybe, one day he’ll have the courage to ask for a kiss as well. Relief moves sluggishly through his veins— Eddie’s smiling, this is good.

“Well, of course,” Eddie grins widely and opens his arms, inviting Steve in. Steve hesitates for only a moment before he leans in gratefully, his arms tucking around Eddie’s midriff tightly. Eddie’s arms curl around Steve’s neck, pulling him in close. It’s the easiest thing in the world, sinking into it, so much that Steve tries his best not to immediately slump against Eddie. It feels a bit too pathetic, so Steve reels himself in. He can’t make his arms relax, trying too hard to take only what he needs and not a moment more.

“C’mon, Stevie.” Eddie’s voice teases beside his ear, his breath warm. “You call that a hug?”

He squeezes Steve a little tighter, pulling him even closer and Steve can’t help the way he melts into it— he slumps, leaning against Eddie properly and burying his quiet whine of relief into the juncture between Eddie's neck and shoulder.

“There we go,” Eddie murmurs comfortingly.

Eddie takes him wholly, gives a damn good Munson hug, all warmth and comfort. He smells like, well, Eddie — a lingering scent of weed, something musky, something Eddie. His arms around Steve’s neck shuffle and Steve worries he’s trying to pull away so soon, only for one of his hands to tangle in the hair at the nape of Steve’s neck. He combs through, light fingernails scratching at Steve’s scalp and shit, Steve really can’t control the noise of contentment that slips out his throat.

“Can’t believe you got so worked up just to ask for a hug,” Eddie tsks, tone coloured in disbelief. Steve makes a noise of protest, trying for a moment to wind it all back in but, like Eddie can sense it, he’s squeezing him tighter again. He begins to rock them, a soft sway side to side that lets Steve lean on him even more. He hums a tune Steve doesn’t know, low and soft.

“M’sorry,” Steve mumbles in reply, though he’s not entirely sure what he’s apologising for. For having to ask, for taking so much, for enjoying Eddie’s arms around him just a little too much.

“What the fuck for?” Eddie laughs lightly, one of his hands beginning to drum against the divots of Steve’s spin. It feels like he’s tapping pure delirium with each fingertip, shivers that make Steve’s chest glow terribly warm. It feels good, so good to be held and honestly, Steve could stay here all night if Eddie let him. Knowing Eddie, he would, because he’s that fucking nice.

That knowledge alone forces Steve to sit himself up, extracting him limbs even though so much of him mourns the warmth, the touch, that goes with it. He wants the touch but he’s had enough. Some scorned part of him burns bitterly to think Eddie would give him more just to be nice. Steve doesn’t want that— Steve wants Eddie to touch him because he wants to.

“Sorry, man, I just, uh, get like that sometimes.” Steve feels the need to explain, bringing a hand up to rub at one of his eyes. He does it half so can hide his embarrassed expression from Eddie— who’s looking at him so gently and still so so close.

“Just, aha—“ Christ, it wasn’t this awkward telling Robin. Steve’s hand moves to rub the back of his neck. “Sometimes I realise it’s been awhile since,” He gnaws on his bottom lip, something alike to humiliation curling in his gut. “Since I’ve had some touch. Usually, Robin’s around but y’know.”

He waves a hand, huffing another awkward laugh. Eddie hasn’t moved much, just listening intently, his brows ever so slightly inching closer together. He looks outright concerned at Steve’s next words.

“It’s okay, I’ve— I’ll be good now.” Steve nods along, like the motion will help him convince himself as well as Eddie. He’ll be okay now. Usually, one hug is all it takes. He ignores the surging tidal-wave want that is still going, still aching to be held by Eddie again. It would be selfish to ask for more. Eddie didn’t invite him around to hug— it’s weird, and Steve shouldn’t- can’t ask for more.

“Sooooo,” Eddie draws out the word, an impish smile beginning to play at the corners of his lips. He opens his arms wide again. “You don’t want another hug?”

In his lap, Steve’s fingers twitch. Eddie’s eyes dart to them for a second, before fixing back on Steve. He does, he really fucking does want another hug. He can’t. He’s had enough, really, it would greedy to have more.

Steve shakes his head, forces himself to huff another laugh that accidentally comes out as a strained sigh. He smiles weakly, “No, no, I’m good, dude. It’s… I’m okay, swear.”

For a moment, Steve thinks he’s convinced him. Eddie studies his face, his mischief slipping away as he deliberates Steve’s words. His eyes narrow, arms dropping just an inch before he smiles brightly and says, “Okay, can I have a hug then?”

Which, okay, right, Steve didn’t think of that. People don’t ask him for hugs. He blinks, a bit dumbly. Eddie is waiting, face eager and for a second there’s an expression of almost smugness on his face — like he’s about to get exactly what he wants. Because he knows Steve would never be rude and say no.

“I mean,” Steve breathes, voice a bit tighter than he’s expecting. He clears his throat. “Yeah, yeah, you can have a hug.”

“Great!” Eddie replies and he wastes no time. He’s all up in Steve’s space, arms around Steve’s waist this time. The motion takes Steve by surprise, enough that because he’s not expecting it Eddie’s weight pushes him back so he’s lying on the couch.

If Eddie cares, he pays no mind, his head curling up into the crook of Steve’s neck as he hugs him closer. His hair gets in Steve’s mouth, making him splutter for a second, but Eddie just grins, wriggling closer until they’re pressed firmly against each other. Steve would go as far as to say this is closer to cuddling than a hug, with Eddie squishing him from above, his arms around Steve’s middle.

“Just so you know,” Eddie’s voice rumbles from where their chests are touching, his breath sweeping across Steve’s neck. Steve shivers without meaning to, feels Eddie’s responding grin even as he continues. “All hugs requested by me are automatically 10 minutes long. Hope you’re okay with that, sweetheart.”

Steve isn’t stupid — he knows Eddie is doing it for him, doing it because he could see right through Steve’s stupid facade, had peered his yawning hunger for touch right in the face and hadn’t blanched. Instead of feeling tricked or fooled, Steve just feels…warm. Comfortable. He works his arms around Eddie’s neck til their more comfortable and find the courage in him scrape his fingers through Eddie’s hair— like he had done to Steve. Eddie’s sighs sweetly and Steve thinks he could listen to that noise forever.

“I’m… I’m okay with that.” Steve murmurs lowly, yet he knows Eddie can hear him. Eddie noses closer, a borderline nuzzle against his neck, and further down, one his hands starts to stroke softly up and down Steve’s ribs.

Steve can’t help the way it makes him freeze, the breath in his lungs holding tight as he tries to relax, tries to ignore the prickly feeling under his skin. It’s a lot. A lot of touch that Steve just isn’t used to just yet, even if he desperately craves it.

“Relax,” Eddie whispers into his skin, a soft instruction paired with the motion, one soothing stroke up and down his ribs. Steve pushes the breath in his lungs out, forces the tension out of his body, trusts that Eddie wouldn’t be offering— wouldn’t tell him to relax if he wasn’t allowed to.

“That’s it.” Eddie praises, feeling the body beneath him settle and sink a little lower into the couch. “Now, watch the movie.” Eddie instructs, jutting at the still playing screen with his chin. Steve laughs a bit, but obeys, turning his head to see what part they’d gotten up to. They’d missed a big chunk in their hug. Steve nearly apologises for it, the words on the tip of his tongue, before he decides Eddie might smack him for it.

So, he doesn’t. He watches the film, let’s the gentle touch of Eddie on his skin relax him til sleepiness starts to fill each of his limbs, heavy like lead. Eddie’s hand stops moving eventually, when his breath gets heavier, lulled by Steve’s scratch in his hair. A snore starts up, loud and quite frankly, annoying, and yet, Steve finds that with Eddie’s arms around him, he has no trouble finding sleep.

It’s the first time in years Steve’s fallen asleep in someone else’s arms. And even if he doesn't know it yet, it’s certainly not the last.

now with a part two!

[irisbaggins]

In rewatching the season, I'm noticing how clever Aabria and Brennan were in crafting Tula's story. How well thought out everything was.

Specifically, the bear. It's been mentioned so many times before, but with the context of the completed season, I cannot help but be in awe at the skilful storytelling at display here. The way in which the Blue is described to appear wrong only in reference to Tula and her heart, the way in which Tula talks about curiosity and and having experienced knowing someone who died because of it. Of how Aabria describes to Izzy how Tula looks when she heals the bear, of how Aabria specifically points out that Tula recognises the commonalities between herself and the bear. These breadcrumbs that mean little in the beginning, that tell everything at the end. It's amazing, stunning, masterful storytelling. I am in awe.

[star--nymph]

I think people forget with Cullen, and characters like Cullen, that indoctrination is a thing. We're lucky to live in an age where we have a surplus of access to resources that allow us to think critically on the structures around us, to the point where we overlook that most people won't and haven't. Cullen was raised in a backwater village where the main educators and leaders were Templars. He was likely taught scripture by Chantry Sisters, he possibly learned to read and write through them. From the day he was born, he was being taught to love and obey the Chantry with out question--and the Chantry teaches that Templars are a force of good.

So I ask you, how the hell was Cullen, at eight or thirteen years old, going to learn about the crimes of Templars? How was he going to unlearn propaganda that was fed him to him every day by people he respected and possibly loved? How was he supposed to be aware that this idolized image of Templars being the saviors of the people and even mages was a lie?

And then he gets shipped off, happily, to be trained a Templar. Again, he's put into this position where he's fed nothing but propaganda. He doesn't get a real taste of the Order being corrupted until he's out in Kinloch and he's not sure what the hell to do because what he's seeing isn't jiving with what he's been taught for nearly two decades. So yeah, he tries to justify it, he tries to have his cake and eat it too by reasoning that mages should be treated like people but also the Order wouldn't lie to him, so they must be right to act like this. The Maker always had a plan, right?

If Cullen had been lucky, maybe he could have realized earlier on that the Order was abusing mages, that he had been tricked, he could have gotten out and unlearned the bigotry that was planted inside him.

But then BAM! the Broken Circle happened and I don't see how no one gets how perfect this is for the Order? They now have a templar that is so traumatized by mages, he will literally do and say anything to justify their abuses because now? Now he's afraid.

And remember, after Origins, Cullen becomes so erratic, he has to be sent off to a Chantry to 'even him out'--where he was more than likely manipulated even further by the Chantry to be this blood thirsty agent for them. When he's shipped to Kirkwall, they could have not delivered to Meredith a better second in command.

So yeah, is it really surprising that he says shit like 'mages aren't people like you and me' when we meet him in Kirkwall? Man is sleep depraved by the looks of him, swallowing all Meredith's frenzied rhetoric on blood mages, he's seeing for himself the damage these mages are doing, he's isolated from his family, he has no actual friends, and he's living with C-PTSD among other issues. Even under the best of conditions, none of what he says or does in DA2 is surprising when you put it all together.

And yet, the man still had enough of that idealistic child left in him to realize see that Meredith was going off the deep end and that he should be protecting the mages. That's text. That's in World of Thedas. The reason why Cullen is able to turn on Meredith in the end is because he was able to see, even clouded by his fear and hatred, that what she was doing was wrong.

And all this isn't to excuse Cullen's wrongs. It's weird how every time someone brings up Cullen's history, it's assumed that it's just a justification for his actions. It's not, it's an an explanation. Cullen was a victim of the Order that became an abuser, a tool, and he is responsible for his actions.

But the thing is, by DAI, Cullen is well aware of his sins and he actively works to better himself by leaving the Order and getting off lyrium (which for most people is a death sentence). People can argue all day about whether or not Cullen's arc in DAI redeems him or was satisfying, or if he did enough to 'prove' that he was sorry or--good god--does he deserve redemption in the first place (which is such a Catholic way of looking at shit by the way; no one 'deserves' redemption; you do it to be better or you fucking don't) but the fact is that Cullen says that he wants to be better, that he sees the Order as--at the very least--flawed.

That, yes, he's still unlearning all the bigotry he held as a younger man and he's ashamed that he was like that to begin with.

You can hate him all you like, and whatever, but Cullen's story--intentionally or not--is about a man born into an oppressive society, raised to uphold its beliefs, used and abused by it, and then awakening to those lies and trying to free himself from those beliefs so he could be a better person.

And sometimes I genuinely wonder if the reason so many people hate Cullen is because they themselves might have dealt with something similar in our own oppressive society where they also had to unlearn harmful bigotry and maybe, just maybe, he hits too close to home.

[bardicblast]

[nenoname]

stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff

and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing

like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)

stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context

while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands

ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is

idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[eggy-the-boy]

*poking my blorbos with a stick* 

[rubyfunkey]

Your half-Maiden Pyrrha AU is neat and your art is very soft and squeezable. Hope everyone gets really good hugs.

So anyway... aside from Cinder and Pyrrha's definitely toxic-yuri dreams/visions/premonitions/delusions, did either of them have a moment where such thoughts weren't toxic?

I'm not talking more wholesome thoughts, but definitely ones that just has them question their own sanity and intentions even more. More then if they dreamt of killing/getting killed by the other.

For Pyrrha, eventually she has to come to terms with the fact that she gets a thrill out of fighting Cinder (more so because she enjoys fighting someone who's actually on her level instead of being eager to avenge Jaune or whatever other excuse she's running on). I think she feels that same excitement during the fall of Beacon but it was easier to write that off as her just doing what any good huntress would do.

Cinder is a little frantic over the fact that she cant stop imagining Pyrrha killing her. Whenever they face-off she plays heavy defense, maybe even tries to flee the first time they see each other after the fall. She might bounce-back eventually because she's also batshit but for now Pyrrha haunts her

[brother-emperors]

CAESAR AUGUSTUS AND MARCUS LICINIUS CRASSUS

this is about the spolia opima that crassus was robbed of lmao. like, yeah okay octavian could've asked him not to claim it, but nevertheless. a kind of theft happened there.

Fact and Fiction: Crassus, Augustus, and the Spolia Opima, Catherine McPherson

[ragnarlothcat]

I know I’m a chronic overthinker but I’ve been in the same fandom for three years or so now and I was reflecting that writing seemed so much easier when I first started out. Just looking at my output since 2021 shows a clear trend: I’ve been writing much less and it’s been taking me way longer.

I figured that I’d gotten a little burned out and that three years is a long time to focus solely on the same two guys making out and that there’s a limit to the number of situations I can put them in before I start to get bored. But I don’t think that’s quite my problem because even now, a million years later, I have ideas for dozens of fics and AUs that would be interesting to explore or funny to write.

No, it’s that I’ve let the larger fandom overwhelm me and it’s left me constantly second-guessing my writing. And I don’t mean that I’ve gotten nasty comments or asks, because I haven’t! All the other fans have been consistently wonderful and fun people with really valuable insights. And it’s not that I’ve been obsessing over stats or comments or worrying about going against popular headcanons. I mean, I’m just as excited as anyone else to see an AO3 email in my inbox but I’m also perfectly happy posting niche fics for an audience of me and my three weirdest friends.

It’s more that after so long engaging with other fans and other fics and the general meta, I’ve ended up writing too self-consciously. I’ve read so many interpretations of canon events, analyses of characterization and comparisons between fiction and real-world politics over the years, and I’ve enjoyed them because I genuinely care about these stories and these characters! I like seeing what everyone else thinks and then considering their points of view, no matter how bewildering they might seem at first.

But now it feels like I’m writing almost defensively, like I have to justify every choice I’m making based on this enormous and contradictory body of information. Three years ago I’d have written a scene in a few thousand words and moved on to the next plot point with my momentum intact. Now I’m constantly wringing my hands over things like physical details (I guess he’s not exactly a redhead) or broader social implications (is this trope misogynistic?) or finicky logistics (these locations are too far apart for this scene to make sense) or controversial character nuance (does writing this guy as a kind, doting husband make me an abuse apologist???) and the result is that I’m paralyzed with indecision and a ridiculous need to support everything I write with a lot of context that isn’t especially fun to write or, I suspect, especially fun to read.

I’m aware that this problem is entirely in my own head and that no one has asked me for any of this. And it’s not that all those questions aren’t interesting and important things to contemplate. But I miss the days of sitting down at my laptop and going “wouldn’t it be funny if these dorks played a video game together?” and then writing exactly that.

I don’t know. Were my fics better three years ago? I kind of doubt it. I’ve looked back at some of them and if nothing else I now have a better grasp of what tense I’m supposed to be using. But I definitely had more fun writing those older stories, which maybe feels more important.

[stevebabey]

totally didn’t expect the other part to do well at all but 😳 apparently i don’t know steddie fans. as such, have a part two <3 part one is here again, look out for the borrowed hunger games lines

“You’ve ruined your life, you know that, right?”

The kitchen had been basking in the lull of the quiet morning before Eddie had spoken up, breaking the silence. Steve blinks, realising he’s been zoned out staring at the swirling bubbles atop his mug of coffee and look up at Eddie across the table.

“Doing what you did.” Eddie continues. There’s this slight in his voice. Steve figures it’s not really aimed at him.

Chief Powell had agreed to not release the details of the case to the public for obvious reason. However, it went without saying that of the cops working the case, not all would be so free-thinking. There were plenty who deemed leaking the alibi and letting the town devour Steve’s reputation a more than fair consequence.

And, well, Eddie didn’t have any reputation left to tarnish or save.

Steve takes a sip of his coffee and lets the warm flavour coat his tastebuds as he tries to puts his thoughts in the right order.

He knows how Eddie sees this— sees it as this burden that he’s imposed on Steve’s life. That he had been able to accept it at first, the whispers of freedom tempting enough that he could be selfish enough to gasp them.

Then yesterday afternoon, Steve had come back from Bradley’s Big Buy with dried yolks splattered across the windscreen and regret howled through Eddie like a hurricane, fierce and wild. Realisation of what Steve had condemned himself to— no- what Eddie had condemned him to finally sunk in.

Steve can tell he’s been stewing on it all night. In the couple weeks he’s been here, staying in under the Harrington roof just down the hall from Steve, he’s surprised by how easily his brain has tacked on to Eddie’s habits. His little Eddie-ism’s. That’s what Steve calls them.

Like how Eddie’s nose will twitch if there’s something on his plate he doesn’t like, but he’s too polite to say it.

How he thumbs up and down the edge of a book when he’s reading, completely entranced. Doesn’t even notice his moving, twittering fingers.

How he’s always so much twitchier the morning after a sleep laced with terror after terror. It gives him away before Steve even see the bags under his eyes, the hollowness of his face.

Steve recognises that one from himself, from back when he’d gone through it all for the first time. The flinch is unshakeable when you’re convinced it’s all going to come back— that the world is going to tear itself up and spit out monsters you haven’t even dreamed of.

Today, Eddie isn’t twitchy like that. He’s tired, a sunken in face that comes from a bone-deep aching tiredness. He picks at his breakfast, bitterly avoiding the eggs on his plate.

And Steve can’t pretend to understand how Eddie grew up — can take his guesses but ultimately won’t get near the experiences he knows Eddie has lived through. Steve has only ever been on the other side. Stayed silent while someone else through snide comments and used the word fag like a jagged blade, to cut someone down.

So, he doesn’t know. Not even a year with Robin as his best friend and all her knowledge could’ve prepared Steve for the startling fear he’d felt when coming out of the store to the sight of a group of boys around his car, cartons of eggs in hand. One with a crowbar.

They would’ve smashed his windows if he had come out a minute later, he’s sure of it.

It had been like getting doused in icy water — the Letterman jackets on all of them, the sneers, still jeering taunts as they’d scattered across the parking lot. Steve had felt the bile rise in his throat as he got in the car and sat, staring at the steering wheel, his slimy fear melting and mixing with his anger.

Eddie’s point of view suddenly resounded within Steve in a way he hadn’t known before. Standing on tables, hollering about conformity, leaning in to every foul rumour about him— like a person drawing to full height, making himself as big as possible, to scare off a bear.

Steve gets that a little more now.

So, when Eddie tells him you’ve ruined your life he knows what he’s trying to tell him. Except, Steve doesn’t know how to say lightly that he’d gladly ruin his life to save Eddie’s. It’s too much — but Steve always is. Always loves in these big heavy ways that are too hard to handle.

So instead, he shrugs and says, “Consider it a trade.”

Eddie cocks his head, like a dog, just an inch.

“For following me into the lake and saving my life.”

Eddie scoffs and his head lolls back dramatically like what Steve’s said is ridiculous. “Jesus H Christ, dude, you saved yourself. I told you that I would’ve been too cowardly to come after you if Birdie and Wheeler hadn’t gone in first.”

He mutters the word cowardly with a hiss.

“Well then, a trade for drawing the bats away.”

“You mean the time I nearly became hamburger helper for the bats?”

“Christ, Eddie,” Steve scoffs. “I didn’t take you as someone who fished for compliments so hard.”

Eddie frowns, dropping his fork with a clatter on his plate. “I— what? I’m not- I don’t even—”

Steve cuts in. “You helped us and you saved my life, whether your horrible little brain can admit that or not. So,” He sits back in his chair with another little shrug and sips his coffee. “Equal trade.”

Eddie frowns, a crease forming between his brows. “No, not equal, Steve. You don’t get what you’ve done you— ugh, you just don’t—”

He huffs, cutting himself off, clearly unsure of how to voice his frustrations. He slumps back in his chair and eyes the eggs on his plate again with a glare this time.

Steve waits a moment and hopes he isn’t overstepping when he says, voice quiet, “I know, Eddie.”

Across the table, Eddie’s eyes raise to meet Steve’s and he doesn’t sound smug, he doesn’t sound angry, he just sounds defeated when he speaks.

“Do you?”

“Maybe not quite the extent of it until yesterday but, yes… I know.”

His words sink it and Eddie looks… affronted. His eyes get a little wide and a tremble finds his lips. Like the whole time he’d been convinced Steve wasn’t sure what he’d been getting into, that the reality hadn’t set in— that any moment he would rescind his alibi and throw Eddie to the cops and let them snap the cuffs back on him.

Steve hates that expression. Loathes that Eddie is so surprised that anyone would do this for him — something as important as keeping him alive and out of prison. Steve hates it because he knows it means that somewhere along the way, somebody had convinced Eddie that nobody would.

So, if he’s got to be the one to convince Eddie that someone will— that he will make the effort, will put his neck on the line because… well, isn’t that what Steve does best?

He’ll do it gladly.

Eddie picks up his fork and stabs his fork into the egg, the buttery yolk spilling onto the plate. Steve takes it as a truce, as him meeting him in the middle.

"So,” Steve swirls the mug in his hand and swills another sip back. Swallows it and takes a page out of Eddie’s book and goes the joke, leaning forward, forearms on the table. “If I’m gonna be your boyfriend for the foreseeable future I should probably know more stuff about you. Y’know, like, uh, the deep stuff.”

Eddie’s sunk back down in his seats but at Steve’s final sentence, he perks up. A smirking sort of grin crossing his face and Eddie twists a piece of his hair in front of his mouth. He hasn’t kept eating yet, too focused on the conversation.

"Uh-oh, the deep stuff.” He’s got that teasing tone in his voice. “Like what?"

"Like...” Steve scrambles to pull something from his brain. “Um, what’s your favourite colour?"

“Oh well, now you've stepped over the line."

Eddie’s sarcasm melts into a chuckle as Steve laughs, ducking his head instinctively. When he lifts his gaze, he’s relieved that Eddie looks a little lighter. Not much but a smidge of difference — Steve can see it if he squints. He’s sure it won’t be the last conversation they’ll have about this but for now, it’s settled.

Curiosity piques in Steve and he tries to sound casual when he says, “No, really, what is it?”

Eddie blinks and curls his hair around his finger once more, tugging it lightly. He seems to be considering his answer, eyes dropping to the sweater Steve’s donning.

“Yellow.” He finally says. “Not mustard but, y’know, lighter. Colour of the moon on Halloween or…”

“Cheese?” Steve suggests.

Eddie laughs. “Yeah, the right kind of cheese, sure. What about you? Favourite colour?”

Steve considers it — for the longest time, it had been red because Tommy had told him that red or blue were the coolest colours to like, way back in third grade. No one has asked him since then.

“Pink, actually.” Steve admits, hand coming up to brush across his nose, trying to hide behind the motion. He envies Eddie’s long curls suddenly. He feels the need to explain, more words rolling off his tongue. “Like, y’know, when the sun starts to set, like all dusky, it’s just… nice.”

Eddie’s staring at him peculiarly, his lips parted yet quirked up in this faint smile. If Steve didn’t know any better, he’d call it awe. Breaking his stare, Eddie chuckles again, finally properly picking his fork up to finish his meal.

“Steve Harrington.” He murmurs warmly, more to himself. His lips twitch with a smile. “You just keep surprising me.”

—

some people wanted more 🤲 uh get tagged idiot - normally i don’t do taglists but u were all so kind as to reply to the post & i didn’t get a chance to say thank u for ur lovely words! this is my thank u! have sum more!

@friendlyorange @imhereforthelolzdontyellatme @lostinadmiration @life-love-musicaltheatre @oldlovershippiemusic5 @phoeniceae @catateme9 @lolawonsstuff @justagaypanda @pluto-pepsi @whoopstie @scenesofobx @justforthedead89 @musical-theatre-gay @theperksofbeingstjimmy @ikilledabuginthewall @imauselessartist @fridgebaby @lingeringmirth and uhhh @corrodedcoughin cos i still do a little squeal when u rb my tings even tho we’re mewchies :D

[kristybluebird]

Kozue accession as one of many surprises in an anarchic last year of operation at Ohtori.

In my freshman year of highschool there was a group of kids who spent 8th grade as the last class of students at a middle school that was to be decommissioned. The teachers were all either waiting to jump ship or retiring, a lot of work went undone, alot of student cruelty went unchecked. The upkeep was dismal, the roof leaked, light bulbs that extinguished themselves were not replaced, the students were only allowed in certain parts of the school. There seemed to be a liminality to the experience, spending most of your days within walls that would be torn down that very summer.

That's how I imagine Ohtori without Anthy and her power, a strange dwindling thing still shook by the conclusion of normality and humming with anticipation of the deathblow.

Anyway, Kozue Co-prez!

[aroaceleovaldez]

Mark Oshiro confuses me a little bit not going to lie. In the press tour for the first book all they ever talked about was how Nico is their son and Will is fine I guess. Then they said like 2 weeks before TSATS came out that they didn't understand Will's character at all and it's one of the main reasons why Will has so little POV.

Possibly unpopular opinion but I don't think it's a good, encouraging sign when the writer admits to not really caring about the deuteragonist or not even having a sense of how to write them...

Yeah, no. If you have no interest in 1/2 of the POV characters of your book, you REALLY shouldn't be writing it (or at least, not have that be a main character). Especially when the main way TSATS could have been improved is if it was primarily Will-centric instead of Nico-centric. Will basically had next to no established character prior to TSATS! He was practically a blank slate! But all the new stuff we got for Will in TSATS was so clearly disinterested and had no regard for his previously established traits (or the established timeline/canon). Which is annoying because fleshing out Will would have been the PERFECT opportunity to actually incorporate a lot of the topics that Mark Oshiro specializes in as a sensitivity reader, which was the ENTIRE REASON THEY WERE BROUGHT ON AS A CO-AUTHOR!!!!

As TSATS stands, there is no reason for Mark Oshiro specifically to have been the co-author instead of someone else. It's so clearly just a PR move from RR following the huge backlash Rick received due to his response to criticism on how he wrote Piper and Samirah (and Reyna and etc etc). This was immediately following Rick saying he wasn't going to write what would become TSATS because "it [wasn't his] place to." Most of the topics that Mark Oshiro specializes in either weren't relevant at all to TSATS or written very poorly (to downright offensively) in TSATS, so either Mark Oshiro wasn't doing their job or was not able to do their job for some reason, but either way it basically makes the theoretical justification for Mark Oshiro being the co-author/sensitivity reader irrelevant.

With Will, it was HUGE fanon back in the day for him to be trans. Trans!Will and photokinesis!Will were basically the two biggest headcanons for him (both largely popularized by Cherryandsisters). We know Rick is aware of this old fanon because he canonized photokinesis!Will. If we had gotten trans!Will, that would have been great! And then made sense why we specifically got a trans co-author! (Instead, if anything, TSATS canonized Will being cis.) If we had gotten Will being latino, that would have been amazing!!!! And also then made sense as to why they chose Mark Oshiro for the job as a latinx author/sensitivity-reader, versus potentially choosing an Italian co-author since Nico being Italian/Venetian was emphasized so much in the book (and done poorly! Yknow what they could have done to fix that? GOTTEN A SENSITIVITY READER FOR IT)! Based on the themes and focuses actually present in the book, it would have been most logical to get a queer, neurodivergent, Italian co-author or sensitivity reader who specializes in those three topics at least. But we didn't! So why was Mark Oshiro chosen instead when they only specialize in one of those topics? PR reasons. It's blatantly entirely PR reasons and no actual thought or care was put into this book (or, likely, TSATS 2 either).

It doesn't help that we're also actively being told that the published version of TSATS was a rough draft. Or that their editor blatantly isn't doing her job. Or that "The Sun And The Star" was the working title that they just kept cause they didn't bother to make an actual title. And that the final version is full of explicitly last-minute scenes that weren't checked over at all (the final Bianca scene, for one). Or the ACTIVELY ADMITTING TO SOURCING IDEAS AND INFORMATION FROM FANS! That last one is kind of important because at this level of publishing that is a HUGE no-no for legal reasons. You can get into a lot of trouble for that and there is a reason why it is Ye Olde Fandom Law to never try to pitch your ideas or headcanons to the source creator(s) and keep fandom separate from the creators. There is a REASON why Rick Riordan is so distant from the community these days and it's for PROTECTION AGAINST LEGAL REPERCUSSION. Mark Oshiro being the exact opposite while also ACTIVELY ACKNOWLEDGING sourcing concepts from fans does not bode well! It has to do with copyright stuff.

It's just. So. Sighhhhhhhh >->o <- me lying on the floor about all of this. It's sad being able to see the glimmer of what could have been at the very least a decent book underneath all this. If anyone involved in the process had actually cared just the tiniest amount.

[parasitoidism]

Nothing ever changes in scrap world

[weepingbarbarianfury]

NEW SHERLOCK AND CO FIC OUT. EVERBODY CHEER YEEEEEEEEEHAWWWWWWWW